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fluffyjack5 · 1 year ago

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This is it! The reveal of main antagonists of Zoophobia, also known as Four Horsemen of Apocalypse. Not wasting the time.....

The first character is Jestine-Deity of Dreams, before known as a Sin of Pride. A long time ago she tried to overthrown Lucifer from throne, but she failed. After this act she was banished from hell. But soon Malvada offered to her to become the Deity of Dreams in exchange for her serving him. She was placed under supervision of second main antagonist-KayCee.

KayCee-The Deity of Chaos with demonic origin, like how Jestine, and like Jestine she's serving to Malvada-Strange and mystical person, She wants only one-to see the whole world in chaotic fire. But she need a help to do this terrific plan, and firstly she was hoping to our third antagonist-Mirage

Mirage is Demon-Oni, which (in my headcanon at least), can take over the body of various species. A long time ago, after Jestine's failed coup d'etat, Oni was subjected to genocide for that, they was supporting Jestine in coup. But Malvada saved Mirage from fate to being killed in massacre. Despite she was owe him for that, Mirage wants something more that just being a puppet in someone's hands. Once she discovered information about Sun Wukong's rod-Artefact, which can gave to his user the power, which subject only for chosen one. So after this, she make the escape plan alongside with Phineas-at this moment, lover of Jestine (Yeah, i used some old canon things in my HC). They escaped because of Gale, in which Mirage take over. Now Mirage and Phineas want to find this artefact to become most powerful subject in the world. But someone also wants to take this power, like how our fourth and last character in this time-Tha-Haarut

Tha-Haarut is a right hand of Jestine. He's a Deity of Fantasies and caretaker of Jestine's daughter. But as a Mirage he's not loyal to Malvada, but wants to not show this. He was obsessed by idea being most powerful deity in Panteon (place where living various deities, like how Autumn or Heff. At this moment the most powerfull deity in Panteon is Father Sky), so when Mirage discovored the existance of Sun Wukong's rod, Tha-Haarut decided to find this artefact for all cost. (Yeah. I know that he looks like how piece of ShiihS, so wait for redesing of him)

That's all. Malvada is only at last guys. The most main antagonist is so important for Zoophobia's universe, that he needs to other page.

#zoophobia #vivzieverse #vivziemind #vivziepop #vivienne westwood #hellaverse #helluva boss fandom #helluvaboss

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nyxcharliechaos · 5 years ago

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i’m aware that this looks horrible and it’s prolly due to a mix of normal problems and my style changing a bit and me trying to get used to it

#art #my art #six fanarts #uchuu patrol luluco #waddles #gravity falls #b.o.y.d.#ducktales #moxxie #helluva #perry the platypus #phineas and ferb #zoophobia #zp spam

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f-nch · 7 years ago

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I started re-reading the comics.

#zoophobia #genderless #phineas and ferb #shark #avian

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historyhermann · 2 years ago

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The Indie Animation Boom and Crowdfunded Animation Part 1

On August 21, Vivienne Medrano happily promoted the newest episode of Helluva Boss, calling it the “most ambitious” episode they had done so far, thanking the Spindlehorse Toons team, and adding, in part, “Indie animation has POWER! Enjoy our hardwork!” Another indie animated series, EddsWorld, praised the episode, which garnered 800,000 views in a few hours, as a “serious accomplishment in indie animation.” Medrano is one of the most prominent in the indie animation space, heading the mature animate series, Helluva Boss, a spinoff from her hugely popular Hazbin Hotel, another mature animation. The latter is on route to become a series on A24. Medrano has produced other animations, like “Bad Luck Jack” as an animated adaption of her webcomic, ZooPhobia. She is not alone. She is only one of the many animators, creators, and others in the indie animation space, which has blossomed in recent years.

Reprinted from Pop Culture Maniacs, my History Hermann WordPress blog on Jan. 7, 2023, and Wayback Machine. This was the fourth article I wrote for Pop Culture Maniacs. This post was originally published on August 28, 2021.

In this article I’ll discuss that boom and the themes of such indie animated series, using those listed in the Creator nation index and on a Twitter list titled “Indie animation,” which are often released on YouTube. However, in some cases, indie animation have been posted on Vimeo and even on Newgrounds. Medrano herself has expressed interest in posting uncensored Helluva Boss episodes to Newgrounds but noted that YouTube “viewership is important for the show and it’s where it thrives,” which is likely what many creators of indie animations believe.

In April 2021, John Evershed, the head of High Concentrate and Mondo Media, released a paper on adult animation. In the report he mentioned Hazbin Hotel as an example of a series which originated on YouTube and got “picked up as a long-form TV series,” noting that this pilot was made completely by freelance animators and “largely financed by Medrano’s Patreon followers.” He said this is a rare exception, however, saying there are limited opportunities to make money “with scripted content on social video,” and not much space for animation which is expensive. He later said that animation is popular with those aged 18 to 34, which streaming platforms have tried to use to bring in more subscribers.

But what about independent animation? It is animation which can be defined as those animated series and feature films outside the animation industry in Hollywood. Some say that with today’s technology, the animation process is “more affordable for artists” and means that viewers don’t need to rely on television networks for series. However, others note that, realistically, indie animators have few resources, financially, beyond what they earn, leading them to move toward crowdfunding. All in all, indie animated series provide an alternative to the usual animation model of pitching a show to a major studio, something that Infinity Train creator Owen Dennis explained in detail. When it comes to pitching, for many years, animated pilots have been pitched to major networks and rejected for one reason or another. [1] Even those shows those pilots have been accepted, it can take a while for these companies to accept the series. For instance, it took 15 years before Disney accepted Phineas and Ferb and it aired on Disney platforms. Indie animations, on the other hand, have the ability to have freedoms that shows on network television and mainstream platforms don’t, with artists able to go “all out on their storytelling abilities,” as argued by some.

Many indie animated series showcase diversity. This is in part because some Black animators are behind the series themselves. For instance, a 16-year-old self-taught Black male animator, Wisdom Nunn, produced Bob’s World. Nunn even appeared with Rad Sechrist, the creator of Kipo and the Age of Wonderbeasts, in a session on Instagram. [2] Other than Nunn, Cartoon Connect and Brandon Wright, two Black male animators, led various animated series, which premiered on YouTube, like Bob’s World.

Cartoon Connect, also known as Brandon Reed, helms three series centering on Black families and characters: Little Ron Ron, Gotta Be Mo, and Lumen. All three series have their episodes posted on his YouTube channel, in specifically delineated playlists, and compromise a total of 76 episodes. As for Lumen, it is based on a webcomic of the same name and focuses on a Black woman named Lyric in an abusive relationship and with magical powers. At the same time, Cartoon Connect created a fan animation series of characters from The Proud Family, titled Loyalty High. Like Cartoon Connect, Wright heads three animated series: Guardian Instance, Silver Lin, and Diver, which have diverse characters at the center of their stories and comprise, collectively, a total of 11 episodes. A show that Cartoon Connect later promoted, The Quickening, has a pilot with Black characters at the center, and the upcoming series, Ascendants, centers people of color in its story as well.

Ollie & Scoops (left) and EddsWorld (right)

For some indie animated series, LGBTQ characters are integral to their stories. [3] For example, Helluva Boss has four LGBTQ characters, as does the animated pilot it split off from, Hazbin Hotel. Other series in development, like S.A.L.E.M.: The Secret Archive of Legends, Enchantments, and Monsters (often known as S.A.L.E.M.), Rain: The Animated Series, Dirt: The Series, and The Descendants are full of LGBTQ characters. Specifically, S.A.L.E.M. has a non-binary protagonist, Rain, adapted from a webcomic of the same name has a trans girl protagonist, Dirt: The Series has a lesbian protagonist, and The Descendants will have LGBTQ characters as it is about acceptance and love. An indie, adult murder mystery in production about lawyers, Wild Card, has a bisexual protagonist and a non-binary character. Sheepish has a non-binary sheep as protagonist and Romancing Roslyn Cherry is about two “furries falling in love.” Both series are still in development. Then there’s Howdy Cloudboy, which is being produced by an animation studio, Faeduck Studios, which bills itself as creating engaging and fun “adult animated content that highlights and praises the Black LGBTQ+ community.”

These are only some of the series featuring LGBTQ characters that are currently in development. For instance, in the October 2020 episode of Ollie & Scoops, a female teacher goes on a date with her crush, another woman, My Pride: The Series has a lesbian protagonist, and a sapphic couple appears in the original EddsWorld series: Kim and Katya, with Kim as bisexual, and Katya as a lesbian. Indigo, an animated series said to be a sci-fi and comedy with lots of LGBTQ characters, and a non-binary protagonist, stands out above the lot, although its future is in question as the show’s account was suspended and will later be deleted. [4] The creator of Ollie & Scoops, Nico Colaleo, created a short-lived web series titled Too Loud which aired on which DreamWorks TV’s YouTube channel from 2017 to 2019, including a transgender female protagonist who is still in the closet. If Indigo, Howdy Cloudboy, Wild Card, S.A.L.E.M., and many others mentioned above, premiere independently, on a platform such as YouTube, they will be part of the “boom in indie animated series/projects” started originally on the Indigo Twitter account, and it is great to see.

For independent animations, due to their wide range of plots and characters, they are spread across the genres. However, fantasy is a common genre. For instance, Satina and Far-Fetched, are horror or black comedies. Both are produced by those who previously worked on Helluva Boss or Hazbin Hotel. Likely, series in development like Mayhem, Dark Harvest, and Aisle 99, will have similar themes.

These are not the only fantasies out there, however. For example, to note a few series, Lumi and the Great Big Galaxy, Phantom Hollow, and Deranged are sci-fi fantasies, while Ghost Friends, Monstrocity, and Ronzilla are monster fantasies. There are magical and enchanted fantasies, sometimes involving adventure. Some examples include True Tail, Nori and Zin, CriTORA, Gods’ School, The Figments, Magic Time Wizards, and Kooky The Keukegen. Another common genre is superhero fantasies. Examples of this are plentiful, but some show this the most, such as Quack Man, Good Guys for Hire, and Fighting All Odds.

Others which don’t fit into the genres previously mentioned include a fantasy-action about cartoons coming alive (Loki IRL), two fantasy series set in a dreamland (DREAMophrenia and Dreamcatchers), a comedy-adventure (Pigbog’s Kingdom), a space adventure (Orbit Buzz), and a school drama created by deaf folks (The Road of Friendship) to name a few. Of these series, only DREAMophrenia and Gods’ School are currently airing, while the others either have a pilot or have an episode, or episodes, in development.

There are adventure fantasies like Nautiboys, The West Patch, Tales of Alethrion, and Port by the Sea. While Tales of Alethrion has interconnecting anthologies, Port by the Sea is created and produced by Georden Whitman, the creator of Nomad of Nowhere. Apart from these is a detective fantasy (Blossom Detective Holmes), which tells a story of two detectives determined to solve a murder. It is not the only independent anime, as The Kamanai is an independent anime in development. Then there’s a Western fantasy created by animators Tara Billinger and Zach Bellissimo, titled Long Gone Gulch. Creators of the latter, currently only a pilot, said in a video posted in June that they want to keep going with the project, announcing the launching of Patreon while they pitch to major networks. There’s a number of series, such as The Heroes of Tomorrow, Zoolaplex, Subway Surfers, and Mugshot & Pollen are all either dramas, sometimes mixed with a slice-of-life, in the case of the latter two. Of these series, only Blossom Detective Holmes, Tales of Alethrion, and Subway Surfers have more than one episode, while the others only have either a pilot or are in development for a first episode.

Alpha Betas’ pilot

While there are many other series, either inconsistently airing, or in development, often with a rash of voice talent, complex, developed, and diverse stories, and characters, they are of varying quality. [5] Each of these series is unique, like a pilot with vibes of a mature version of Glitch Techs (Alpha Betas), a number of shows in development, such as one focusing on wolves (Wolves of Cecila), another in telling the story of a young girl moving to Japan to be a manga artist (Demonic Crepes), and a show centered around three girls which have vibes of The Owl House and Infinity Train (Stars Align). There are many other series currently airing, such as animal-focused fantasies and many other fantasies, all of which may have complex stories and characters. [6] It is unlikely that this kind of creativity, which is not constrained by budgets, shown in these series in development, would be allowed on more mainstream platforms. In the end, indie animations, no matter form they come in, offer an alternative to the existing animations produced and released by the major studios, even if getting to the release of such animations can be daunting for creators.

The notes are in part 2.

#indie animation #crowdfunding #eddsworld #vivienne medrano #vivziepop #zoophobia #ollie & scoops #long gone gulch #blossom detective holmes #salem series

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jaydenknight · 2 years ago

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Fitch Headcannons

Hoo boy this is gonna be a long one

Zoophobia:

He and Castello are exes

He works for Xirxine

He doesn't know who his father was, none of the brothers do

When he was very young, he convinced Marx they had to take Hatchet and Malcom and leave their mother, who I headcanon was neglectful and irresponsible. He and his brothers lived alone in the woods for a long time until he met Castello, who introduced them into Safe Haven

The reason he hates Marx is because when Fitch had decided to leave Castello, who he found out was a dangerous mobster and a demon, Marx had wanted to stay and keep his performance career and convinced Malcom he would be better off in Safe Haven instead of the forest. Fitch hates him because they had always stuck together, and now Marx had split their family apart for what Fitch believed was a selfish reason. Hatchet had stuck with Fitch in the beginning, but now goes back and forth between him and his other brothers. Fitch hardly approves of this, but doesn't stop him

Phineas murdering Fitch's spouse was what triggered his deep hatred for demons, Adina fueled him further with her manipulation

Hazbin Hotel:

His living name was Flint

His spouse was murdered by a home intruder who he then killed in a blind rage, which is what ended up sending him to hell

The first person he met in hell was Hatchet funnily enough, who he didn't recognize at first due to his now beastly form. Hatchet was living in a forest not far from Pentagram City which is where Fitch later built his cabin in

He struck a deal with Adina, who came to him seeing an opportunity in his grief, that he would become her proxy and slay demons to earn his way into heaven on the single condition that Hatchet would be granted entry to heaven and was spared from the annual cleanse as well

His chest was branded with a sigil using holy iron, the same iron used to slay demons, the sigil allows him to summon his weapon and contact Adina at will. It is also a way for Adina to keep tabs on him. The sigil is a butterfly and an exterminator halo

He's sort of a myth in Hell, being as elusive as he is. No one has been able to definitively confirm his existence since no one has encountered him and lived, the only clue is the way the bodies found are dismembered by his weapon. Obviously Hatchet knows, but who would believe him? Marx knows, but is too scared of what Fitch may do to him to tell anyone. Malcom...is not in Hell 🙃

Both:

He lives in an isolated cabin in the woods

He’s a switch in bed

He loves tea, usually with a spoon of sugar

He can play the piano, the violin, and the cello

He is panromantic demisexual

His deceased spouse’s name was Lillian

#zoophobia #vivziepop #fitch #ask #hazbin hotel

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