#zoom MRS-4b

[beansprean]

Waiting on Mr. Right

My Exchangeapalooza gift for @jay-auris !! See it HERE on A03 and check out all the other fabulous entries HERE!

(ID in alt and under cut)

ID page 1: 1. Interior of a bar, romantically lit, and covered in heart balloons, heart and cupid decorations, heart shaped light strings, and various small round tables with two chairs each. The tables are occupied with male/female couples in mid conversation. A waitress dressed in black jeans, black button up, and a white apron around her waist walks through with a tray. In the foreground is the corner of the bar counter, which has a small sign advertising 'Valentine's Day Speed Dating' On February 13 between 7pm and 10pm. A little cupid cartoon is pictured on the sign saying 'Every time a bell rings, ladies move on to your next date!' At the bottom, it says 'Find your Valentine! (before it's too late)'. 2a. Close up of Nandor on a salmon background lighter at the top and darker at the bottom, dressed up in his finest red and gold fur trimmed coat, sitting at one of the small tables, hands folded in front of him. He stares expectantly forward and says, 'I am glad to hear your parents are dead; I never liked any of my previous 37 wives' parents. 2b. Reverse shot of a middle aged black woman in a red turtleneck sitting across from him, arms crossed with an uncomfortable expression as she stares back at him with no response. 2c. A brown hand in a dark beige suit sleeve rings a small golden bell. 3a. Close up of Nandor, leaning over the table with his fingers pressed together, presenting his date with a lascivious smile. He says, 'How many times a day do you expect cunnilingus?' 3b. Reverse shot of a white middle aged redhead across from him, dressed in a mauve v neck sweater and nervously avoiding eye contact while gulping a glass of white wine. 3c. A brown hand in a dark beige suit sleeve rings a small golden bell. 4a. Close up of Nandor, smiling sweetly with his hands folded in his lap as he says 'Without a word spoken between us, I find myself falling deeply in love. Do you feel this also?' 4b. Reverse shot of a middle aged southeastern Asian woman with a bob and large glasses. She still has her coat in her arms and hasn't even slipped her bag off her shoulder, and there is an untouched menu in front of her. With an expression of vague disgust, she replies'...No.' 4c. Reverse shot as the woman gets up to leave, Nandor planting his fists on the table and calling out 'Hey, the bell has not rung yet!' 5. Close up of Nandor as he crosses his arms and clicks his tongue, mumbling angrily to himself 'Clearly she has no idea how dating works.' A waiter reaches into frame to grab the abandoned menu and snorts in response. 6. Zoom out as Nandor jerks his head around to whine, affronted, at the waiter, 'Ayy, what, waiter-man? Where is the joke?' The waiter, who appears to be Guillermo wearing a black button down, black pants and a white apron around his waist, holds the menu up with both hands to shield his face, replying 'Sorry, sorry! Nothing!' /end page 1

ID page 2: 1. As Guillermo hides behind the menu, Nandor holds his hand up in a useless hypnosis gesture and barks 'I am Nandor the Relentless and I command you to tell me!' 2. Close up of Guillermo as he peeks cautiously over the top of the menu. Offscreen, Nandor continues, 'You are seeing so many people here have success...' 3. Close up of Nandor looking pleadingly upward as he says 'What am I doing wrong?' 4. Guillermo fully lowers the menu with a cautious smile, replying 'I mean...I guess you come on a little strong?' 5. Wide shot of them both. Nandor makes an affronted expression and curls one arm up to show off his bicep, gesturing to it with his other hand. He says, 'I am strong! I am very strong! Do modern women no longer admire strength?' Guillermo, holding the menu under one arm, holds up both hands in a soothing gesture and responds frantically 'Nonono, for sure! I just meant that you're acting really intense right off the bat!' 6. Close up on Nandor with a thoughtful hand on his chin as Guillermo continues offscreen: 'Talking love and marriage...it's too soon for a first date.' Nandor: 'Ahh... This is more third date talk?' There is a small reaction shot of Guillermo looking exasperated but resigned as he reluctantly agrees: '...Sure.' 7. Close up on Guillermo as Nandor asks offscreen: 'So what is first date talk?' Guillermo replies, counting off on his fingers, 'Well, it depends on the person, but generally... Get-to-know-you questions? Like where did you grow up, how many siblings do you have, that kind of stuff.' 8. Close up on Nandor as he turns his face away to glare into the middle distance, a sudden shadow melting half his face into darkness as he says 'I grew up in the faraway kingdom of Al Qolnidar, which no longer exists, and I had seven siblings, all of whom are now dead.' There is a small reaction shot of Guillermo looking shocked and cornered, unsure how to respond to all that. 9. Wide shot from Nandor's other side as he raises his eyebrows guilelessly and gestures to Guillermo with a hand, prompting, 'And then you answer?' Guillermo jolts in place, surprised to be placed in the date's role, and replies 'Oh, yeah, uh. Your date would answer, too. Um. I grew up here in the Bronx and I'm an only child.' 10. Repeat. Nandor and Guillermo both stare expectantly at the other. 11. Repeat. Nandor drops his gaze with a frown, eyes hooding, and grunts 'Hm. This is very boring, waiter-man.' Guillermo, flustered and irritated, throws his arms out in a helpless gesture and snaps 'Well, you have to actually engage in the conversation! Ask follow-up questions! And it's Guillermo!' Nandor says, uninterested, 'What is.' /end page 2

ID page 3: 1a. Close up on Guillermo on a bubbly pink background as he points a finger sternly and states 'My name! It's Guillermo.' 1b. Reverse shot of Nandor looking up at him, almost dazed, cheeks flushed a bit purple as he echoes 'Guillermo...' 1c. Reverse shot of Guillermo as he withdraws his hand to curl it protectively against his chest. He looks a bit taken aback by the reaction, cheeks gone a ruddy pink. 2. Wide shot of them both on a red-violet background crisscrossed with multicolored lights. Guillermo looks away from Nandor nervously, blushing and sweaty, patting his free hand anxiously on the menu held under his arm. He stutters out, 'I, uh. Anyway, I gotta-' Nandor, leaning his head on his hand and gazing at Guillermo with a besotted expression, interrupts, saying 'You are very wise in the ways of dating, Guillermo.' He puts extra emphasis on the name. 3. Close up on Guillermo as Nandor continues: 'You have been on many dates?' Guillermo fidgets, still looking away, and mumbles back 'Not, not like a lot, no. Not like a large amount. Like a normal amount, probably.' 4. Wide shot as Nandor lifts his head and leans closer with a small smile, asking 'And how do your suitors woo you? If they are asking you on a second date?' Guillermo is startled into making eye contact and goes red, clutching the menu to his chest with both hands as he sweats nervously. 5. Repeat. Nandor leans even closer, smile widening into something more flirtatious as Guillermo stiffens and looks away again, somehow getting even redder as his shaky mouth pulls into an uncertain grin. Guillermo stutters out, 'I mean...assuming the first date went well...um...' 6. Close up on Guillermo, smiling nervously even as he avoids eye contact. He says, 'I guess he might...get me flowers?' 7. Close up on Nandor on a bubbly peach background from Guillermo's POV, looking up patiently as he listens. Guillermo continues offscreen: 'He'd...tell me how much he enjoys my company, or...pay me a genuine compliment.' 8. Close up on Guillermo on a bubbly peach background from Nandor's POV, his smile softened and eyes far away as he continues: 'And...whisk me off somewhere fun. Somewhere new. Somewhere we could...stumble in to an adventure together. Away from everything else. And we'd stay up all night because we just...didn't want it to end.' /end page 3

ID page 4: 1. Close up on Guillermo's hand, crossed over his opposite arm, as Nandor nudges his fingers underneath to free his grip. Nandor starts softly, 'And...' 2. Wide shot on a bubbly pink background. Nandor has taken Guillermo's hand and is holding it like a knight would a lady, gazing down at it softly as if readying to kiss it. He continues, '...how many of your suitors have done this for you?' Guillermo, dazed, gazes down at their hands and replies '...I... I don't think anyone would...' 3. The plain green background wall slams back into view as a bell rings offscreen. Wide-eyed and red-faced, Guillermo snatches his hand away from Nandor and flings it upward as if tossing the moment over his shoulder. Nandor is left frozen, hand in the air, eyes wide in shock. 4. Repeat. Guillermo begins to back away from the table, tossed arm coming around to rub at the back of his neck. He looks up and away, sweating , red, and awkward as he chokes out a loud forced laugh and says 'Well, that definitely counts as coming on too strong. Terrible advice, don't do that.' Nandor leans after him, hand hovering in midair, squeaking out 'A-' 5. Repeat. Without letting Nandor finish, Guillermo disappears out of frame with a hasty 'Ok bye good luck!', leaving Nandor saying nothing but question marks, hand still frozen in the air as if reaching out after him. In the foreground, a woman with long brown hair and a dark pink sweater steps into view to take the seat in front of Nandor. 6. Slight zoom, the background returning to the light and dark salmon as Nandor settles back into his seat. The woman across from him, out of focus in shadow, says 'Hi, I'm Kjersten! Um...that's a really interesting outfit...' Nandor doesn't appear to be listening and is staring after Guillermo thoughtfully, a Mona Lisa curl to his lips. /end page 4

ID page 5: 1. Low angle of an alleyway, fenced at the rear and surrounded by tall buildings in multiple vague colors with some spray painted areas. Snow is piled up on either side of the center path against the sidewalk. In the foreground, there is a dumpster. A pink text box at the top reads February 14, 12:07 am. Halfway down the alley, a door opens and Guillermo steps halfway out, missing his apron but having added a coat, carrying a full garbage bag. A voice from inside calls, 'Guillermo, you can head out when you're done, okay?' Guillermo's breath steams into the air as he turns back to the door to respond: 'You sure? The dishes are-' The voice interrupts him with 'Sí, es El Día Dr Amor y Amistad! (In English: Yes, it's Valentines Day) Go sow your oats! You're too young to be working so much.' Guillermo replies without enthusiasm, 'Ha...yeah. Thanks, Teresa, have a good night.' 2. View from behind as Guillermo pulls the lid of the dumpster up with one hand and throws the bag in with the other. He sighs and mutters to himself, 'My oats are just gonna go home and watch Buffy...' 3. There is a clatter in the alley behind him and Guillermo spins around to face the viewer, startled and tense. 4. Extreme close up on Guillermo jerking back in shock as a wad of dandelions are suddenly thrust into his face. A voice offscreen calls 'Guillermo!' happily. 4. Zoom out as Nandor, now with a black and gold cloak dusted with snow over his finery, kneels down in front of Guillermo, arm outstretched to keep the dandelions pushing at his chin. Guillermo, pink and flustered and very confused, takes a step back and splutters 'Nandor?! The- the relentless?' Nandor ignores his reaction and announces, 'Here are some flowers!' 5a. Close up on Nandor as he looks up at Guillermo, dandelions thrust into the foreground and his hair and shoulders dotted with snow as if he had been waiting for some time. He proceeds, clearly rehearsed, 'I very much enjoyed your company tonight as well as the sight of your charming boyish face and plump behind!' His voice is demanding but his expression, eyes shining upwards and cheeks flushed purple, betrays his nerves despite the confident set to his brow. 5b. Reverse shot of Guillermo, staring down at him slack-jawed with wide shiny eyes and pink cheeks, the dandelions still hovering up by his face. Offscreen, Nandor asks 'Have you ever been to Staten Island?' Guillermo responds 'No...' on autopilot. Nandor concludes, 'Then that is where I will be whisking you for our date!' 6. Full body shot, the alleyway back in focus and showing an empty snow-lined street on the other side, a single window just above Guillermo's head lit up from within. Nandor finally stands up and rubs at his chin with a worried expression, dandelions clutched in the other. He says, 'I've heard tales of an all-night bowling alley, but my housemates never want to go with me.' Meanwhile Guillermo, frozen beside him with his hands hovering in mid-air, lets his brain catch up with what's happening. He stares into the middle distance as equations float around his head and his breath fogs into the air. Above, it begins to gently snow. 7. Close up of Guillermo, knocked out of his trace by a gentle prompting from Nandor offscreen: 'So...?' An EKG line skips a beat in the background as he startles and looks up, eyes shining and lips pressed together in a frown. 8. Reverse shot of Nandor, looking very nervous now as he stares back hopefully, holding out the bouquet of dirty dandelions one more time. /end page 5

ID page 6: 1. Close up of Guillermo on a bubbly pink background. He smiles genuinely, red-cheeked, and reaches out to take the dandelions from Nandor's hand. He says, 'Okay...' 2. Medium shot of the two in profile. Nandor, still holding the flowers as Guillermo tucks his hand inside his grip to take them, looks down at Guillermo in shock and echoes 'Okay?!' Guillermo looks up at him with a shy smile and clarifies, 'Yeah. Yes.' 3. Nandor drops his hand and straightens up, a giant silly ecstatic grin taking over his face. Guillermo turns back toward the building and points behind him with his free hand, the other now clutching the dandelions. He says, 'Just let me clock out an-' 4. A close up of Guillermo, blurred diagonally with sudden motion. The only thing clearly visible are his wife eyes, frozen grin, and a little white question mark. 5. Knees up of Nandor, now holding a startled Guillermo in a bridal carry, on a red background lined with glowing neon pink hearts. Grinning wildly down at his date, Nandor announces, 'Prepare to be whisked, Guillermo!!' Guillermo sits there wide-eyed, clutching his little wad of flowers to his chest and somehow finding his other arm looped around Nandor's neck. He stutters frantically, 'Wai- wait, Nandor, you don't have to-' 6. The background warps upward as Nandor shoots them both upward into the sky, flying them both right out of the panel. Guillermo's last word is stretched out in a startled 'OOOOOO??!' as they take off, a single dandelion escaping his grip and drifting back toward the ground. 7. Wide shot of the night sky, dark purple with bursts of white clouds and speedily increasing snowfall, lit by a clear full moon. Nandor and Guillermo fly through, Nandor smiling in a pleased way and clutching Guillermo tightly as he watches their ascent. Guillermo, both arms now around Nandor's neck and more flowers slipping from his grip into the night, stares up at him with awe. He thinks to himself, 'This is the best night of my life...' Behind them, the words 'the end' are carved into the moon. /End ID

[s3rtx]

This is another of the cover songs of my last album, and in fact the last song I recorded in my home studio. This one is in Spanish and is a ballad by Alejandro Sanz with voice and piano only.

Recorded with a Zoom MRS4B digital recorder, a Yamaha DGX-500 keyboard emulating a Grand Piano, and voice recorded with an M-Audio Uber-Mic.

Y, ¿si fuera ella? - Alejandro Sanz

Ella se desliza y me atropella Y, aunque a veces no me importe Sé que el día que la pierda volveré a sufrir Por ella, que aparece y que se esconde Que se marcha y que se queda Que es pregunta y es respuesta Que es mi oscuridad, estrella

Ella me peina el alma y me la enreda Va conmigo pero no sé dónde va Mi rival, mi compañera, que está tan dentro de mi vida Y, a la vez, está tan fuera, sé que volveré a perderme Y la encontraré de nuevo Pero con otro rostro y otro nombre diferente y otro cuerpo Pero sigue siendo ella, que otra vez me lleva Nunca me responde, si al girar la rueda

Ella se hace fría y se hace eterna Un suspiro en la tormenta, a la que tantas veces le cambió la voz Gente que va y que viene y siempre es ella Que me miente y me lo niega, que me olvida y me recuerda Pero, si mi boca se equivoca Pero, si mi boca se equivoca Y al llamarla nombro a otra A veces siente compasión por este loco, ciego y loco corazón

Sea, lo que quiera Dios que sea Mi delito es la torpeza de ignorar que quien no tiene corazón Y va quemando, va quemándome y me quema Y, ¿si fuera ella?Ella me peina el alma y me la enreda Va conmigo digo yo Mi rival, mi compañera, esa es ella Pero me cuesta cuando otro adiós se ve tan cerca Y la perderé de nuevo, y otra vez preguntaré Mientras se va y no habrá respuesta Y, si esa que se aleja La que estoy perdiendo Y, ¿si esa era? y ¿si fuera ella?Ah, sea, lo que quiera Dios que sea Mi delito es la torpeza de ignorar que quien no tiene corazón Y va quemándome y me quema Y, ¿si fuera ella?A veces siente compasión por este loco, ciego y loco corazón ¿Era? ¿quién me dice si era ella? Y, si la vida es una rueda y va girando Y nadie sabe cuándo tiene que saltar Y la miro y, ¿si fuera ella? Y, ¿si fuera ella?

Composer: Alejandro Sanchez Pizarro

[onenettvchannel]

OneNETnews EXCLUSIVE: PBS Kids' Arthur is Speaking Out with George Floyd's Death, under the Worldwide Issue of BLM

BOSTON, MASSACHUSETTS -- A year before the CoViD19 Pandemic in Wuhan, China... There's a newest short Public Service Announcement (PSA) straight from the PBS Kids at WGBH-TV 2: PBS Boston's original longest-running children's programming known as Arthur.

For those you don't know about Arthur from PBS Kids... A simplified explanation from the PBS website based from the About page:

"The chronicle adventures of Arthur Read is based on a children's books by the Author & Illustrator named Marc Brown, who has been working with the beloved Aardvark for over 4 decades. This was started in 1976, turned into the American-wide franchise before it goes worldwide. The viewing age target is aiming to 4-8 years old. His goal is to help foster an interest in reading and writing, to encourage positive social skills, and to model age-appropriate problem-solving strategies. It is originally produced by WGBH-TV 2: PBS Boston and animated by the Oasis Animation."

Arthur Read's house is located from the Elwood, Pennsylvania; under his own show with the same name for over 2 decades. His recent voice actor was named to Roman Lutterotti from 2019. But today, the death of George Floyd is in effect in selected countries worldwide from both North Carolina & Minnesota. The reason why before the worldwide protest starts, Black Lives Matter (BLM) will commence just a few weeks later after his death. You might remember with the non-protest person was arrested in Texas named Jose Martinez (known as BN_King, a former Brony media LIVE Streamer from Fort Worth city), after he was filmed for documenting his personal underground experience on foot (on our sister-affiliated station The Brony Network).

Today, he is now contacting from the video call by reaching out at home to Leah MacGrady, an oldest Lunch lady at the Lakewood Elementary School (LES), during the post-Pandemic of CoViD19 worldwide for the unfair issue of Black Lives Matter (BLM).

Arthur & Buster is speaking out publicly via Zoom by addressing this issue to OneNETnews, "I can't believe someone would be hurt like that, just because they're Black." He adds a response from Arthur... "Racism is so unfair. No one should ever judge someone by the color of their skin. I was talking to Mrs. (Leah) MacGrady the other day. She said there's a really long history of Black people not being treated fairly in this country."

Leah MacGardy was spoked to Arthur Read & Buster Baxter from home with the response of Black Lives Matter issue, "Well, Racism is like a Disease. If you don't treat it, it's just gonna get worse. It's about all of us. It's not enough to just say, I'm not racist, it's not my problem. We have to actively fight against racism. As my friend (John Lewis) once said... If you see something that is not right, not fair, not just, you have a moral obligation to do something about it".

She adds with the finale of response, "Talk about racism with your friends, your parents, your teachers. Don't be afraid to ask questions. We all have a lot to learn about this issue. Listen to people who have experienced racism firsthand. Imagine what it would be like if it happened to you or someone you love. And finally, act. When you see or hear of someone being treated unfairly, stand up for them, say something! It might be scary, but I guarantee you it's better for everyone. And it's the right thing to do."

At the end of the Public Service Announcement (PSA), the memoriam of John Lewis was reportedly died from the Pancreatic Cancer (known as the founding Father of Better America in the 5th District of Atlanta, Georgia from his hometown of Troy, Alabama). His battle was failed for 6 months but not for the CoViD19 post-Pandemic at the Civil Rights & Congress.

The Kapisanan ng mga Brodkaster ng Pilipinas (KBP) was possibly violating the free-to-air network of Public Broadcasting Service (PBS) if they air the Racism episode or the newest short of Arthur, under the Broadcast Code of the Philippines in 2007 with the referencing of Article 15: Section 4. There will be a fine on Television to PHP30,000 (U$D612). Additionally, it also applies to the Senate Bill #2814: Section 3.2 & 4b (Anti-Ethnic or Racial Profiling and Discrimination Act of 2011) with a sentence for a year, known as the Arresto Mayor with other fine of PHP100,000 (U$D2,100). PBS is on the crystal clear kid safe standards to prevent the racism episode or the short, excluding this Public Service Announcement (PSA).

Arthur has warned to the kids' viewers like you to stop this protest or the illegal activity of Black Lives Matter (BLM) for George Floyd. As always until then, it has to make a difference at all cost, during the post-Pandemic of CoViD19 worldwide; even for the bashers on social media themselves. Act responsibly if you can.

SOURCE: *https://pbs.org/parents/shows/arthur/about/ *https://en.wikipedia.org/wiki/Arthur_(season_23) *https://arthur.fandom.com/wiki/Elwood_City *https://arthur.fandom.com/wiki/Leah_MacGrady *https://wral.com/fbi-to-investigate-arrest-of-black-man-who-died-after-being-pinned-by-officer/19114480/ *https://wral.com/protests-over-death-of-george-floyd-end-in-fires-looting-property-damage-in-raleigh-and-fayetteville/19122800/ *https://en.wikipedia.org/wiki/John_Lewis *https://troymessenger.com/2020/07/17/john-lewis-lion-of-civil-rights-and-congress-dies-at-80/ *https://troymessenger.com/2020/07/30/lewis-mourned-as-founding-father-of-better-america/ *https://www.kbp.org.ph/wp-content/uploads/2011/07/2007-Broadcast-Code-Revised-June-15-2011.pdf and *http://www.senate.gov.ph/lisdata/112189539!.pdf

EXTREMELY HONEST DISCLAIMER: The views & opinions expressed from this news report are not those from the WGBH-TV: PBS in Boston. It does not clearly imitate this Police Suspect and/or the kids' programme in any matter of tolerance. Furthermore, the assumption for this news report will NOT state, intervene or reflect those of our news reporters. The station, management, interwebs and the network. Thanks for reading everypony...

-- OneNETnews Team

[tipsmedia]

PERU- virtual outbound learning  |PYP GRADE 4 B | TIPS ERODE IB  

PYPians of grade 4B are inquiring about PERU. To understand more about the place, culture and tradition we invited Mr Valentin a native from Peru for a live interaction on zoom.

Indeed it was an enthralling session with Mr Valentin.

https://youtu.be/Wt-NN4ByrIE

[s3rtx]

My beloved music corner got a new addition. It is not professional, but it is quite enjoyable! This is what it is right now.

Furniture: - Custom made S3RTX Studio Desk made out of pine wood with 4 guitar rack, and folding table top with slidable drawer for a full size keyboard. - 3 drawer pine wood box for music scores, etc... - Wood stool

Instruments: - Squier Affinity Jazz Bass guitar - Fender Contemporary Stratocaster MIJ from the 80s - BMG special - Cavaquinho (traditional portuguese instrument) - Les Paul S3RTX custom - Yamaha DGX 500 keyboard

Audio: - Zoom MRS-4B digital recording (records from guitars and keyboard) - Behringer UB502 mixer (mixes down with PC and ipod music) - Marshall Kilburn speaker - THOMSON whp3326 wireless headphones - ipod touch 1G (to play backing tracks)

Guitar effects: - Vox StompLab IIG Modeling Guitar Effect Processor - Zoom 505 guitar effects pedal - Zoom FP01 expression pedal

Computing: - Compaq mini 110 computer - Acer AL1516AB monitor

[s3rtx]

Today I edited one of my tracks, and added the bass with the Squier Affinity Jazz Bass I got for christmas. I think it improved a bit! :).

Cover track based on the piano exit of the song "Layla" by Eric Clapton.

Recorded in Portugal with: - Yamaha dgx-500 - Lead guitar: Fender Stratocaster MIJ from the late 80s - Rhythmic guitar: Custom build - Bass: Squier Affinity Jazz Bass - VOX StompLab effects pedal - Zoom MRS-4B digital recorder - Edited with Audacity

[s3rtx]

Cover track of the song “Mama Said” by Metallica.

Recorded in Switzerland in 2006 with: - Takamine G series - Zoom MRS-4B digital recorder - Edited with Audacity

[s3rtx]

After years of not recording anything (and let’s admit it, not much playing), I have decided to continue with those recordings I started 10 years ago when I lived in Switzerland. My setup is nothing special, but I think effective enough.

To record I use a Zoom MRS-4B multi track recording studio. It is a all contained (rather old by today's standards) digital recording system that very easily allows you to record multiple tracks, mix them, add basic reverb effects and export it from its memory card.

With this device you can directly mix down all tracks and export, but I prefer to use audacity (http://www.audacityteam.org/) to do the editing. Audacity is free and very easy to use. It has a set of tools to clean noise, fade in/out, amplify, etc... that gives you all you need to clean up your tracks. 

For this track I used a Yamaha DGX-500 keyboard and the Stratocaster MIJ with a Vox Stomplab pedal. 

The cover is not perfect, but given my skillset and that I took 2 days to record it, I am quite satisfied!