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So, before Boruto (like 11 years ago), I had my own designs for what the next Gen could’ve looked like besides my NejiTen kids. Thought I’d throw them in here just because.
We all know my lovely trio of Nozomi, Hizashi, and Meiten… their 2024 designs:
Fun facts; Nozomi was originally named Ryuuku. And Meiten was originally named Xiao-Lin. They also had a blue and purple color palette. Meiten’s hair was also more like Hanabi’s in an asymmetrical bob. The twins had opposite bangs that covered an eye. My art has improved in 10 years thank god.
NaruHina:
Izumi was actually an idea that I was shocked to see come somewhat to life with Boruto. I gave him Lee’s spandex under his clothing to show that he was Lee’s student. Izumi and Meiten are naturally cousins and I wanted Izumi to be a free-goofy spirit, not really like Boruto. Izumi would’ve been on the same te as Meiten and Zo. He did have an older sister who was basically Hinata’s clone. Idk I always saw Naruto having a girl first but 🤷🏽♀️
Sasusaku;
Kiku would’ve been on the same team as the twins with Shikamaru as their Jonnin Sensei. I originally had Nozomi and Hizashi on the same team. Zo is the same age/class as Meiten.
Boruto time line:
I also had this crazy idea of having Zo and Meiten be a potential couple to re-link the Uchiha and Hyuga clan. But whatever LOL I actually changed Kiku’s outfit to fit the twins a bit more. The original was an off the shoulder long sleeved crop top and a matching skirt. Her hair was also in a long braid.
InoSai;
Keikoku was supposed to be her name but hey lollll she’s basically mini Ino.
Shikatema:
So these two were just an idea but didn’t make any sense. I also had the idea of the daughter living in Suna while the son lived in Konoha. I was also replaying Kingdom hearts and was inspired by Aqua to an extent for the daughter’s design. I kinda thought Shikamaru would move to Suna since Temari is technically a princess…but eh 🤷🏽♀️
Listen, idk what I was on 10 years ago but this is what it is LOL
#naruto#nejiten#sasusaku#shikatema#inosai#NaruHina#boruto au#Boruto oc#boruto next generation#art#character design#literally my brain back in the day was somewhere else dude#but also#I’m living for my OC kids????
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Vords words from Count Monty Cristo: “ Velcome my LOVELIEzz! Zhis is zhe Vampire-bat-vampire-Count Monty Cristo zpeaking.
I’ve heard there is zomekind of ‘challenge’ going about. It iz involving things to draw, thoughtz to conjure, ideaz to zew. A ‘prompt’, az it vhere. Vhell, OBVIOUZLY I’m zhe best when it comes to ideaz, but because I’m zo very generouz, I’m also giving you a read-at-your-own-pace list of ztoriez -von right after zhe other for each day of October to enjoy for zhis blez’zed October-zeazon.
Read vone each day and illuztrate vhat you zhee az you read; or, draw zomething that inzpired you from reading zhe ztoriez!
Phantasmagoria by Lewis Carol
Dracula’s Guest by Bram Stoker
The Signal Man by Charles Dickens
Bluebeard by Charles Perrault
Godfather Death by The Brothers Grimm
Feathertop by Nathanial Hawthorne
King of the Cats from old Scotland
The Romance of Certain Old Clothes by Henry James
The Shadow by Hans Christian Anderson
The Landlady by Roald Dahl
There Shall be no Darkness by James Blish
The New Mother by Lucy Clifford
-DEZIGNATED POEM TIME!!!- The Raven, The Cremation of Sam McGee, The Ballad of Tam Lin, Hist Whist, The Rhyme of the Ancient Mariner
The Monkey’s Paw by W.W. Jacobs
There will Come Soft Rains by Ray Bradbury
The Legend of Sleepy Hollow by Washington Irving
Uncle Otto’s Truck by Stephen King
Oh, Whistle and I’ll come to you My Lad by James Joyce
The Lottery by Shirley Jackson
Tailypo from Apalachian Folklore
Fritt-Flacc by Jules Verne
An Occurrence at Owl Creek Bridge by Ambroise Bierce
The Canterville Ghost by Oscar Wilde
Lot. 249 by Arthur Conan Doyle
The Red Room by H. G. Wells
The Cats of Ulthar by H.P. Lovecraft
The Body Snatcher by Robert Louis Stevenson
The Vampyre by John William Pilodori
The Shout by Robert Graves
The Masque of the Red Death or really anything you want by Edgar Allan Poe
Your OWN story
There are zo MANY possibilities to be had! ‘ave at it!” - Monty Cristo
#promptober#inktober#inktober challenge#oddities#odditiesinoctober#oddities in october#literature#horror literature#oddity art#count monty cristo#mouse the witching cat#horror short story#edgar allan poe#ambroise bierce#oscar wilde#stephen king#h.p. lovecraft#h.g. wells#brothers grimm
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The Thai Communal Wardrobe item #2
The Mustard Sneakers
I Told Sunset About You ep 2 (Teh) and ep 3 (Oh-Aew):
Bad Buddy ep 1 (Pran), ep 2 (Pat), & ep 7 (Pa):
Cupid's Last Wish ep 1 (Korn):
Cupid's Last Wish ep 3 & 8 (Lin/Win):
My School President ep 6 (Gun & Tinn):
Our Skyy 2 x My School President ep 10 (Gun & Tinn):
Step by Step ep 8 (Jeng):
Hidden Agenda ep 3 & 11 (Zo):
Cooking Crush ep 12 (Paeng):
Wandee Goodday ep 1 (Dee and Yak):
My Love Mix-Up Thailand ep 5 (Atom, two different pairs):
I Saw You In My Dream ep 4 (Ing, Yo, and Ai in three different pairs):
+ bonus, Joke in Hidden Agenda ep 7 continuing the show's theme, and Yo in I Saw You In My Dream ep 4 doing the same, in the same Pull & Bear blue-soled shoes:
#i told sunset about you#itsay#bad buddy#bad buddy series#cupid's last wish#my school president#our skyy 2#our skyy 2 x my school president#our skyy 2 x msp#step by step#step by step the series#hidden agenda#hidden agenda the series#cooking crush#wandee goodday#my love mix-up th#I saw you in my dream#the thai communal wardrobe#footwear edition#these all aired within four years and ten months#from oct 29 2020 to aug 7 2024#these are the 'mustard' brand yellow-soled shoes#easy to search for online but only a thai store#these shoes have my whole heart#the blue-soled shoes were from pull and bear (I think) but they're not available anymore#yellow-soled shoes my beloved#edited to add yak from wandee goodday#since I realised at the start of ep 2 that his shoes were also the mustard sneakers#edited to add my love mix up th#edited to add I saw you in my dream
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"Le monde entier est pourri. L’avidité, la haine et la cruauté sont aux commandes. Nous avons l'intention d'organiser un nouvel empire ; une nouvelle civilisation. On l’appellera l’Empire bouddhiste d’Asie centrale, constitué de la Mongolie, de la Mandchourie et de la Sibérie orientale. Une communication a déjà été établie à cet effet avec Djan-Zo-Lin, le seigneur de guerre de Mandchourie, et avec Hutukhta, le Bouddha vivant de Mongolie. Ici, dans ces plaines historiques, nous organiserons une armée aussi puissante que celle de Gengis Khan. Alors nous agirons, comme l’a fait ce grand homme, et écraserons l’Europe entière. Le monde doit mourir pour qu’un monde nouveau et meilleur puisse surgir, réincarné sur un plan supérieur."
Roman von Ungern-Sternberg cité par Dimitri Alioshin (ancien soldat de la division de cavalerie Asiatique), « L'Odyssée asiatique » (1940)
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Ba Ban Bang Be Ben Beng Bi Bia Bian Biang Bie Bien Bieng Bing Bio Bion Biong Biu Biun Biung Bo Bon Bong Bu Bun Bung Cia Cian Ciang Cie Cieng Cii Ciia Ciian Ciiang Ciie Ciien Ciieng Ciin Ciing Ciio Ciion Ciiong Ciiu Ciiun Ciiung Cio Cion Ciong Ciu Ciun Da Dan Dang De Deng Di Dia Dian Die Dien Dieng Din Ding Dio Dion Diong Diu Diun Diung Do Don Dong Du Dung Fa Fan Fang Fe Fen Fi Fia Fian Fiang Fie Fien Fieng Fin Fing Fio Fion Fiong Fiu Fiun Fiung Fo Fon Fong Fu Fung Ga Gan Gang Ge Gen Gi Gia Gian Giang Gie Gien Gin Ging Gio Gion Giong Giu Giun Giung Go Gong Gu Gun Ha Han Hang He Hen Heng Hi Hia Hian Hiang Hie Hien Hieng Hin Hing Hio Hion Hiong Hiu Hiun Ho Hon Hu Hun Jia Jiang Jie Jien Jii Jiia Jiiang Jiie Jiien Jiieng Jiin Jiing Jiio Jiion Jiiong Jiiu Jiiun Jio Jion Jiu Jiung Ka Kan Kang Ken Keng Ki Kia Kian Kiang Kie Kien Kieng Kin Kio Kiong Kiu Kiun Kiung Ko Kon Kong Ku Kun Kung La Lan Le Len Li Lia Lian Liang Lie Lien Lieng Lin Ling Lio Lion Liong Liu Liun Lo Lon Long Lu Lun Lung Ma Me Men Meng Mi Mia Miang Mie Mieng Min Ming Mio Mion Miong Miu Miung Mo Mon Mong Mu Mun Mung Na Nan Nang Ne Neng Ni Nia Niang Nieng Nin Ning Nio Nion Niu Niung No Non Nong Nu Nung Pa Pan Pang Pe Pen Peng Pi Pia Pian Piang Pie Pien Pieng Pin Ping Pio Pion Piong Piu Piun Piung Pon Pu Pun Pung Qa Qang Qe Qen Qeng Qi Qia Qian Qiang Qie Qien Qieng Qin Qing Qio Qion Qiong Qiu Qiun Qiung Qo Qon Qong Qu Qun Qung Ra Ran Rang Re Ren Reng Ri Ria Rian Riang Rie Rien Rieng Rin Ring Rio Rion Riu Riun Ro Ron Rong Ru Run Rung Sa San Sang Se Si Sia Sian Siang Sie Sien Sieng Sin Sing Sio Sion Siong Siu Siun Siung So Son Song Su Sun Sung Ta Te Ten Teng Ti Tia Tian Tiang Tie Tien Tieng Tin Ting Tio Tion Tiong Tiu Tiun To Ton Tong Tu Tun Tung Wa Wang Wen Wi Wia Wian Wiang Wie Wieng Win Wing Wio Wion Wiong Wiu Wiun Wo Won Wong Wu Wun Wung Xia Xian Xiang Xie Xien Xieng Xii Xiia Xiian Xiiang Xiie Xiieng Xiin Xiing Xiio Xiiong Xiiu Xiiun Xio Xion Xiong Xiu Xiung Za Zan Zang Ze Zeng Zi Zia Zian Ziang Zie Zieng Zin Zing Zio Zion Ziong Ziu Ziun Ziung Zo Zon Zu Zung
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NTER NTIF NTIN NTIR NTLE NTRA NTRU NUGG NUMB NWRE NYLB NYMO NYON NYTH O4TH OACE OAST OBAB OBBL OBEL OBIL OBSE OCAL OCKE OCTO ODDA ODDL OESN OFFE OGIE OHAZ OING OISO OLDS OLIF OLIV OLKS OLLO OLOG OLOU OMEN OMEO OMET OMIS OMME OMPL OMPT ONAB ONAL ONCE ONDU ONEB ONED ONER ONFI ONIC ONIN ONLY ONTR ONYM OOMS OORS OOSE OOTS OPER OPHI OPLE OPPE OPTI OPUL ORAT ORCE ORCI ORDA ORDO OREA ORES OREW ORKI ORNA ORNE ORNI ORPO ORSE ORTO OSTS OTAT OTES OTHE OTHI OTJP OTTE OTTO OUGH OULD OULI OUND OUNT OURS OURT OV07 OVEL OVID OWIN OWLE OWLY OYBE OYED OYOU PAPE PARA PARE PARM PARS PEAR PECI PEED PEEL PENE PENG PENS PEOP PEPP PERA PERS PHAL PHIC PHON PICR PIEC PINC PING PLAI PLAN PLEA PLER PLET PLEX POIS POKE POLL POLO POON POPU PORA PORC PORT POST POTA POTT POUR PPEA PPED PPEN PPER PPRE PREP PRES PRET PREV PRIC PRIN PROB PROL PROM PROU PROV PTIO PUKI PULA PULL PUNI QUEE QUES QUIC QUIS RACT RACU RADI RAIN RALL RAMA RAMS RAND RAPH RASH RATE RATH RATI RAVE RAZA RCED RCIN RDAN RDER RDES RDLY RDON READ REAL REAM REAN REAS REBL RECI RECK RECO REDI REFE REFU REGU REME REMO REMY RENC REPA REQU RESE RESS REST RETT RETU RETY REWO RGIN RIAL RICE RICK RIFI RIME RINA RINC RING RINK RINT RISO RITC RITE RITI RIVE RIZZ RKIN RLIC RMAR RMED RMES RNAM RNAR RNAT RNER RNIN ROAC ROBA ROLI ROMI ROMP RONI ROOM ROPH ROTH ROUD ROVI ROWL ROWN RPOR RRAC RRAT RSES RSHO RSIO RSLE RSON RTLE RTOB RUCT RUFF RUTH RVES RVIN RZIP SACR SAFF SAGE SALT SAME SAUC SAUT SAV3 SAYS SBON SCAP SCHU SCUI SDOT SECO SEEN SEES SEGM SEND SENT SEPA SERN SERV SESS SETT SEUS SEVE SGUI SHAD SHAL SHAV SHEN SHES SHIN SHIT SHME SHOT SHOW SHRO SIGM SIMP SINE SING SION SIRE SITE SKED SLEY SLOW SMAL SMOB SO4T SOME SONA SONG SONI SOTT SPEC SPEE SPOK SPOO SPOT SPRI SSCH SSED SSES SSO4 SSON SSUE SSUR STAB STAG STAN STAR STDI STEA STEL STES STIC STIL STIR STOC STRA STRO STRU STYX SUIT SULK SUMM SURE SWEA SWIT TABL TAGE TAGG TAGS TAIL TALE TALK TAND TART TASK TAST TATI TATO TBOY TCHI TDIV TEAD TEAK TEAL TEAS TELL TELY TENC TEXT TFUL THAN THAT THEC THED THEL THEM THEN THER THES THEY THIN THIS THNX THOD THOS THRE THYM TIFU TIFY TILL TIME TING TION TIPL TIRE TISM TIVE TJPE TLAS TLEM TLEN TLEP TMET TOAS TOBE TOCK TOES TOPP TOTH TRAD TRAI TRAP TRIA TRIC TRON TROP TRUC TRUF TRUT TTED TTER TTIN TTLE TUMB TURA TURE TURN TURT TWIC TYX1 UARD UBRI UCEP UCHU UCKE UCKI UCKT UCTI UCTO UDA6 UEER UEST UFFL UGGT UGSD UICE UICK UIKU UILT UISE UISI UITS UKIC ULAR ULIK ULKY ULLS ULLY ULTI ULTU UMAN UMBE UMBL UMI1 UMMO UNIS UNIT UNKI UNLO UNNA UNNI UNPA UNRE UNTE URAL URAZ URDE URIN URNI URNS URSE URTL USER USHR USIN USIO UTHE UTIF UTIO UTIS UTLA UTTE UUYA UYAS V3YE VANK VANT VEGE VELY VEME VERA VERS VERY VIDE VING VINY VIRG VISE VOUR WANT WAST WATC WEAR WEEK WEIR WELL WHAT WHEN WHIC WICE WILD WILL WING WISE WITC WITH WLEY WORD WORK WOUL WREC WRIT X142 XECU XIST XPLA XPRE XQUI XTED XTRA YART YASB YAUT YBEE YEAR YING YLBI YMOU YONE YOUL YOUR YSTE YSTI YTHI YX14 ZARD ZAYT ZIPA ZIRA ZOV0 ZZLE 1402/1679616
5: 4THED AAAAA ABLIS ABLYA ABOUT ABOVE ACCID ACESI ACHIE ACKIN ACKST ACRIF ACTER ACUDA ADDIN ADICT ADVIS AFFRO AFOOT AGAIN AGGIN AGICA AILED AILUR AINWR ALKIN ALLEL ALLOT ALLOW ALREA AMAZO AMIOD AMSEY ANANA ANDAR ANDMA ANIAC ANIMA ANKAR ANNOT ANONY ANOTH ANTRU ANYON ANYTH APHAL APING APOLO APPEA APPEN ARACT ARALL ARAMA ARATE ARING ARLIC ARMES ARNAR ARNIN AROAC AROLI ARRAC ARSHO ARSLE ARZIP ASBON ASHES ASHIN ASKED ASONA ASPOO ASTDI ASTES ASTRO ATAST ATBOY ATCHI ATELY ATHER ATING ATION ATMET ATOES ATRON ATURA ATURE AUCEP AUIKU AUTIF AUTIS AV3YE AVING AVOUR AZARD AZAYT AZIRA AZOV0 BABLY BACKS BANAN BARRA BASIL BBLER BEAST BEATM BEAUT BECAU BEEBO BEFOR BELLO BERIN BERRY BESPO BIOHA BISCU BITCH BLACK BLINK BLISH BLRIN BLYAU BONER BOYBE BROTH BROWN BSESS BUGSD BUSIN BUTTE CALLY CANNO CAPIN CARNA CATAS CATBO CAUSE CCIDE CECON CEPAN CESIG CHAIN CHAIR CHANG CHAOS CHARA CHEES CHIEV CHING CHOKE CHOOS CHOPP CHOSE CHUCH CHUUY CIDEN CIFIC CKING CKSTA CKTAL COBBL COLOU COMME COMPL CONDU CONFI CONTR CORNE CORPO COULD COUNT COURS COURT CRASH CRIFI CRIME CROWL CTABL CTION CTIVE CTRIC CUDA6 CUITS CULTU CUTIO CUTLA DA677 DAILY DDAMN DDING DDLYA DEATH DEAVO DELEC DELIG DELOR DEMAN DEMON DENTA DENTI DEPPR DESIR DETAI DIATE DICTI DIENT DIOTS DISGU DISHE DIVAN DLYAR DOCTO DOESN DOORS DOTJP DOYOU DREAM DRITC DRIVE DRIZZ DSMOB DUCKT DUCTO DURIN DVISE EALLY EARIN EARNI EARSH EASON EASPO EATIN EATME EATUR EAUTI EAVES EAVOU EBEAT EBLOG EBUGS ECAUS ECHAO ECIAL ECIFI ECIPE ECOMM ECOND ECONF ECTAB ECTIV ECTRI ECUTI EDEPP EDIAT EDIEN EEBOP EERMA EFERE EFFEC EFORE EFUSE EGETA EGMEN EGULA EIRDE EIRDL ELDRI ELECT ELIGH ELITT ELORE EMAND EMBER EMEMB EMENT EMORS ENANI ENCED ENDEA ENDED ENECK ENGUM ENJOY ENOUG ENTAL ENTAT ENTED ENTEN ENTER ENTIF ENTIR ENTLE EONEB EOPLE EPARA EPARE EPPER EPPRE EPRIN EQUES ERATE ERENC ERING ERKIN ERMAR ERNAM ERSIO ERSON ERVES ERVIN ESCAP ESENT ESEUS ESIGM ESIRE ESPOK ESSED ESSO4 ESSUE ESSUR ESTAB ETABL ETAIL ETHIN ETHIS ETHOD ETIME ETOTH ETTIN ETURN EUSER EVEME EVERA EVERY EWORD EXECU EXIST EXPLA EXPRE EXQUI EXTED EXTRA FACES FAILE FAILU FANCY FEATU FECTI FERED FEREN FFECT FFERE FFRON FIBER FICIN FINAL FINES FIRME FIRST FOLKS FOLLO FORCE FORES FOREW FOUND FUCKE FUCKI FULLY FUNKI FUNNI FUSIO FYING GARLI GENTL GETAB GETTI GGING GHERK GHTFU GICAL GIMMI GIVEN GIVIN GMENT GODDA GOING GORDA GORDO GRAND GRATE GRAVE GREDI GSDOT GUARD GUEST GUILT GUISE GULAR GUMI1 HADOW HAIKU HALLO HANGE HANKS HAPPE HARAC HAUIK HAVIN HAZAR HECHA HEDEP HEESE HELIT HENAN HERKI HESEU HICAL HIEVE HIJAC HISSO HMENT HOOSE HOPPE HORSE HOWIN HREAD HROOM HTFUL HUBRI HUCHU HUMAN HUUYA IATEL ICALL ICING ICREW ICTIO IDENT IDIOT IENTS IEVEM IFICI IFYIN IGHTF IJACK IKETH ILGRA ILLIN ILLIO ILURE IMATR IMMED IMMIC IMPLE IMPLY INALL INCEC INCOR INESS INEST INFUS INGLE INGRE INGRN INKLE INKSA INNIE INSTE INSTR INTED INTIN INWRE INYLB IODDL IOHAZ IONAL IONER IRAPH IRDES IRDLY IRETY IRGIN IRMED IRRAT ISCUI ISGUI ISHES ISHME ISITE ISONI ISOTT ISSCH ISSES ISSON ITHIN ITING ITTLE IVANK IVANT IVING IZZLE JACKI JOYED JUICE KARAM KETHI KICHO KILGR KILLI KILLS KINGR KINNI KISSE KITTY KSAGE KSTAG KTALE KYSTE LANET LASTD LBIOH LDRIT LDSMO LEARN LEASE LEAVE LECTA LECTR LELED LEMEN LEMON LENEC LEPRI LGRAV LIFIC LIGHT LIKET LINKS LISHM LITTL LKING LKYST LLELE LLING LLION LLOTS LLOWI LOCAL LOCKE LOGIE LOOSE LOREA LOVEL LOWIN LOWLY LREAD LRINA LTIPL LTURE LYART LYAUT MAGIC MAKER MANDS MANIA MARZI MATRO MAZOV MBERI MBLRI MEANT MEDIA MEMBE MENDE MENTE MEONE MESAN MESSE METHI METHO METIM METOT MILLI MIODD MISSC MMEDI MMEND MMENT MMICK MMONE MMONI MOBIL MOMEN MONED MONIN MOOTS MORNI MORSE MPLER MPLET MPLEX MULTI MURDE MUSHR MYSTI NABLY NALLY NAMED NAMES NANID NAROL NATUR NCECO NCORP NDARD NDEAV NDUCT NEBEA NEVER NFIRM NFUSI NGRED NGUMI NIEST NIMAT NJOYE NKARA NKING NKSAG NLOCK NNAME NNIES NONYM NOTES NOTHE NOTHI NOUGH NPARA NREAS NSTEA NSTRU NTATI NTENC NTIFY NTING NTIRE NTLEM NTRAD NTRUT NUGGT NUMBE NWREC NYLBI NYMOU NYONE NYTHI O4THE OACES OBABL OBBLE OBELL OBILE OBSES OCKED OCTOR ODDAM ODDLY OFFER OGIES OHAZA OISON OLDSM OLIFI OLIVE OLLOW OLOGI OLOUR OMENT OMEON
OMETH OMETI OMISE OMMEN OMPLE ONABL ONDUC ONEBE ONFIR ONICS ONING ONTRA ONYMO OPERA OPHIC OPPED OPTIO OPULA ORATE ORCED ORCIN ORDAN ORDON OREAN OREST OREWO ORKIN ORNAT ORNER ORNIN ORPOR ORSES ORTOB OTATO OTHEC OTHER OTHES OTHIN OTJPE OTTED OULIK OUNTE OURSE OVELY OVIDE OWING OWLEY OYBEE OYOUL PAPER PARAL PARAT PARME PARSL PEARI PEARS PECIA PECIF PEEDY PENED PENGU PEOPL PEPPE PERAT PERSO PHALE PHICA PHONE PICRE PIECE PINCH PLAIN PLANE PLEAS PLETE POISO POLOG POPUL PORAT PORCI PORTO POSTS POTAT POTTE PPEAR PPENE PPENS PPRES PREPA PRESE PRESS PRETT PRICE PRINC PRINK PRINT PROBA PROLI PROMI PROMP PROUD PROVI PTION PUKIC PULAR PULLS PUNIS QUEER QUEST QUICK QUISI RACTE RACUD RADIC RAINS RAINW RALLE RALLY RAMAZ RAMSE RANDM RAPHA RASHE RASHI RATED RATHE RATIO RAZAY RCINI RDERS RDEST READY REALL REAMT REASO REBLO RECIP RECOM REDIE REFER REFUS REGUL REMEM REMOR RENCE REPAR REQUE RESEN RESSO RESSU RETTY RETUR REWOR RIFIC RINAS RINCE RINKL RINTE RINTI RISOT RITCH RITIN RIZZL RKING RMARZ RMESA RNAME RNARO RNATE RNING ROACE ROBAB ROLIF ROMIS ROMPT RONIC ROOMS ROPHI ROVID ROWLE RPORA RRACU RRATI RSHOT RSION RSLEY RTLEN RTOBE RUCTI RUFFL RUTHE RVING RZIPA SACRI SAFFR SAGER SAUCE SAUTE SAV3Y SBONE SCAPI SCHUC SCUIT SDOTJ SECON SEGME SENTA SENTE SEPAR SERNA SERVE SERVI SESSE SETTI SEUSE SEVER SGUIS SHADO SHALL SHAVE SHAVI SHENA SHING SHMEN SHOWI SHROO SIGMA SIMPL SINES SINGL SLOWL SMALL SMOBI SO4TH SOMEO SOMET SONAB SONIN SOTTO SPECI SPEED SPOKE SPOON SPOTT SPRIN SSCHU SSO4T SSONG SSURE STABL STAGE STAND START STDIV STEAD STEAK STEAL STELL STILL STOCK STRAP STROP STRUC STYX1 SUITS SULKY SUMMO SWEAR SWITC TABLE TABLI TABLY TAGGI TAILE TALES TALKI TANDA TANDS TASKE TASTE TASTR TATIO TATOE TBOYB TCHIN TDIVA TEALS TEASP TELLA TENCE TEXTE TFULL THANK THECH THEDE THELI THERE THESE THING THISS THOSE THREA THYME TIFUL TIFYI TIMES TIONA TIONE TIONS TIPLE TIRET TJPEG TLASS TLEME TLENE TLEPR TMETO TOAST TOBEL TOPPE TOTHE TRADI TRAIN TRIAL TRICK TRONI TROPH TRUCT TRUFF TRUTH TTING TTLEP TUMBL TURAL TURNI TURNS TURTL TWICE TYX14 UARDS UBRIS UCEPA UCHUW UCKED UCKIN UCKTA UCTIO UCTOR UDA67 UEERM UFFLE UGGTS UGSDO UILTY UISIT UKICH ULIKE ULKYS ULTIP ULTUR UMBER UMBLR UMI12 UMMON UNISH UNITS UNKIN UNLOC UNNAM UNNIE UNPAR UNREA UNTER URALL URAZA URDER URING URNIN URTLE USERN USHRO USINE USION UTHER UTIFU UTION UTISM UTLAS UTTER UUYAS UYASB V3YEE VANKA VANTR VEGET VEMEN VERAL VERSI VINGS VINYL VIRGI VISED WASTE WATCH WEIRD WHICH WITCH WITHI WORKI WOULD WRECK WRITE WRITI XECUT XISTS XPLAI XPRES XQUIS YASBO YAUTI YBEEB YEARS YLBIO YMOUS YOULI YSTEL YSTIC YTHIN YX142 ZIPAN ZIRAP ZOV07 1110/60466176
6: 4THEDE AAAAAA ABLISH ABLYAU ACCIDE ACESIG ACHIEV ACKING ACKSTA ACRIFI ACUDA6 ADDING ADICTI ADVISE AFFRON AGGING AGICAL AILURE AINWRE ALKING ALLELE ALLOTS ALREAD AMAZOV AMIODD ANDARD ANIMAT ANKARA ANONYM ANOTHE ANTRUT ANYONE ANYTHI APHALE APOLOG APPEAR APPENE APPENS ARACTE ARALLE ARAMAZ ARMESA ARNARO ARNING AROACE ARRACU ARSHOT ARSLEY ARZIPA ASBONE ASHING ASONAB ASPOON ASTDIV ASTROP ATASTR ATBOYB ATCHIN ATIONA ATMETO ATRONI ATURAL AUCEPA AUTIFU AUTISM AV3YEE AVINGS AZIRAP AZOV07 BABLYA BACKST BANANA BARRAC BEATME BEAUTI BECAUS BEEBOP BEFORE BERING BESPOK BIOHAZ BISCUI BLINKS BLISHM BLRINA BLYAUT BOYBEE BSESSE BUGSDO BUSINE BUTTER CANNOT CAPING CARNAR CATAST CATBOY CCIDEN CECONF CESIGM CHANGE CHARAC CHEESE CHIEVE CHOOSE CHOPPE CHUCHU CHUUYA CIDENT CKSTAG CKTALE COBBLE COLOUR COMMEN COMPLE CONDUC CONFIR CONTRA CORNER CORPOR COUNTE COURSE CRASHE CRASHI CRIFIC CROWLE CTABLY CTIONS CUDA67 CULTUR CUTION CUTLAS DDLYAR DEAVOU DELECT DELIGH DELORE DEMAND DENTAL DENTIF DEPPRE DESIRE DETAIL DIATEL DICTIO DIENTS DISGUI DISHES DIVANT DLYART DOCTOR DOTJPE DOYOUL DREAMT DRITCH DRIZZL DSMOBI DUCKTA DUCTOR DURING DVISED EARING EARNIN EARSHO EASONA EASPOO EATING EATMET EATURE EAUTIF EAVOUR EBEATM EBUGSD ECAUSE ECHAOS ECIFIC ECOMME ECONFI ECTABL ECTIVE ECTRIC ECUTIO EDEPPR EDIATE EDIENT EERMAR EFEREN EFFECT EGETAB EGMENT EGULAR EIRDES EIRDLY ELDRIT ELECTA ELECTR ELIGHT ELITTL ELOREA EMANDS EMBERI EMEMBE EMORSE ENANID ENDEAV ENGUMI ENJOYE ENOUGH ENTATI ENTENC ENTIFY ENTIRE ENTLEM EONEBE EPARAT EPPRES EPRINC EQUEST ERENCE ERMARZ ERNAME ERSION ERVING ESCAPI ESENTA ESENTE ESEUSE ESIGMA ESPOKE ESSO4T ESSURE ESTABL ETABLE ETAILE ETHING ETHISS ETIMES ETOTHE ETTING ETURNI EUSERN EVEMEN EVERAL EXECUT EXISTS EXPLAI EXPRES EXQUIS FAILED FAILUR FEATUR FECTIV FERENC FFECTI FFERED FICING FINALL FINEST FIRMED FOLLOW FORCED FOREST FOREWO FUCKED FUCKIN FUNKIN FUNNIE FUSION GARLIC GENTLE GETABL GETTIN GHERKI GHTFUL GICALL GIMMIC GIVING GMENTE GODDAM GORDAN GORDON GRANDM GRATED GREDIE GSDOTJ GUARDS GUILTY GUMI12 HALLOT HAPPEN HARACT HAUIKU HAVING HAZARD HECHAO HEDEPP HELITT HENANI HERKIN HESEUS HICALL HIEVEM HIJACK HISSON HOPPED HORSES HOWING HROOMS HTFULL HUBRIS HUCHUW HUUYAS IATELY ICALLY ICTION IDENTA IDENTI IDIOTS IEVEME IFICIN IFYING IGHTFU IJACKI IKETHI ILGRAV ILLING ILLION IMATRO IMMEDI IMMICK IMPLER INALLY INCECO INCORP INFUSI INGRED INKSAG INSTEA INSTRU INTING INWREC INYLBI IODDLY IOHAZA IRAPHA IRDEST IRRATI ISCUIT ISGUIS ISHMEN ISONIN ISOTTO ISSCHU ISSONG ITTLEP IVANKA IVANTR JACKIN KARAMA KETHIS KILGRA KILLIN KINGRN KINNIE KISSES KSAGER KSTAGE KTALES KYSTEL LASTDI LBIOHA LDRITC LDSMOB LEARNI LEAVES LECTAB LECTRI LENECK LEPRIN LGRAVE LIGHTF LIKETH LINKSA LISHME LITTLE LKYSTE LLELED LLOWIN LOCKED LOGIES LOREAN LOVELY LOWING LREADY LRINAS LTIPLE LYAUTI MAGICA MANIAC MARZIP MATRON MAZOV0 MBERIN MBLRIN MEDIAT MEMBER MENDED MENTED MEONEB MESSED METHIN METHOD METIME METOTH MILLIO MIODDL MISSCH MMEDIA MMENDE MMONED MMONIN MOBILE MOMENT MONING MORNIN MPLETE MULTIP MURDER MUSHRO MYSTIC NAROLI NATURA NATURE NCECON NCORPO NDEAVO NDUCTO NEBEAT NFIRME NFUSIO NGREDI NGUMI1 NIMATR NJOYED NKARAM NKINGR NKSAGE NLOCKE NNAMED NNIEST NONYMO NOTHER NOTHIN NPARAL NREASO NSTEAD NSTRUC NTATIO NTENCE NTIFYI NTIRET NTLEME NTRADI NTRUTH NUGGTS NUMBER NWRECK NYLBIO NYMOUS NYTHIN O4THED OACESI OBABLY OBBLER OBELLO OBSESS ODDAMN ODDLYA OFFERE OHAZAR OISONI OLDSMO OLIFIC OLLOWI OLOGIE OMEONE OMETHI OMETIM OMMEND OMMENT OMPLET OMPLEX ONABLY ONDUCT ONEBEA ONFIRM ONTRAD ONYMOU OPERAT OPHICA OPTION OPULAR ORATED ORCINI OREWOR ORKING ORNATE ORNING ORPORA ORTOBE OTATOE OTHECH OTHESE OTHING OTJPEG OULIKE OUNTER OYBEEB OYOULI PARALL PARATE PARMES PARSLE PEARIN PECIAL PECIFI PENGUM PEOPLE PEPPER PERATE PERSON PHICAL PICREW PLANET PLEASE POISON POLOGI POPULA PORATE PORCIN PORTOB POTATO POTTED PPEARI PPEARS PPENED PPRESS PREPAR PRESEN PRESSO PRESSU PRETTY PRINCE PRINKL PRINTE PRINTI PROBAB PROLIF PROMIS PROMPT PROVID PUKICH PUNISH QUEERM QUISIT RACTER RACUDA RADICT RAINWR RALLEL RAMAZO RAMSEY RANDMA RAPHAL RASHES RASHIN RATHER RATION RAZAYT REALLY REASON REBLOG
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7: 4THEDEP AAAAAAA ABLISHM ABLYAUT ACCIDEN ACESIGM ACHIEVE ACKSTAG ACRIFIC ACUDA67 ADICTIO ADVISED AGICALL AINWREC ALLELED ALREADY AMAZOV0 AMIODDL ANIMATR ANKARAM ANONYMO ANOTHER ANTRUTH ANYTHIN APOLOGI APPEARI APPEARS APPENED ARACTER ARALLEL ARAMAZO ARMESAN ARNAROL AROACES ARRACUD ARZIPAN ASBONER ASONABL ASTDIVA ASTROPH ATASTRO ATBOYBE ATCHING ATIONAL ATMETOT ATRONIC ATURALL AUCEPAN AUTIFUL AZIRAPH BABLYAU BACKSTA BARRACU BEATMET BEAUTIF BECAUSE BESPOKE BIOHAZA BISCUIT BLINKSA BLISHME BLRINAS BLYAUTI BOYBEEB BSESSED BUGSDOT BUSINES CARNARO CATASTR CATBOYB CCIDENT CECONFI CESIGMA CHARACT CHIEVEM CHOPPED CHUCHUW CHUUYAS CIDENTA CKSTAGE CKTALES COBBLER COMMEND COMMENT COMPLET COMPLEX CONDUCT CONFIRM CONTRAD CORPORA COUNTER CRASHES CRASHIN CRIFICI CROWLEY CUDA677 CULTURE CUTIONE CUTLASS DDLYART DEAVOUR DELECTA DELIGHT DELOREA DEMANDS DENTIFY DEPPRES DETAILE DIATELY DICTION DISGUIS DIVANTR DOTJPEG DOYOULI DRIZZLE DSMOBIL DUCKTAL EARNING EARSHOT EASONAB EASPOON EATMETO EAUTIFU EBEATME EBUGSDO ECOMMEN ECONFIR ECTABLY ECUTION EDEPPRE EDIATEL EDIENTS EERMARZ EFERENC EFFECTI EGETABL EGMENTE EIRDEST ELDRITC ELECTAB ELECTRI ELIGHTF ELITTLE ELOREAN EMBERIN EMEMBER ENDEAVO ENGUMI1 ENJOYED ENTATIO ENTENCE ENTIFYI ENTIRET ENTLEME EONEBEA EPARATE EPPRESS EPRINCE ERMARZI ERNAMES ESCAPIN ESENTAT ESENTED ESEUSER ESSO4TH ESTABLI ETAILED ETHISSO ETOTHES ETURNIN EUSERNA EVEMENT EXECUTI EXPLAIN EXPRESS EXQUISI FAILURE FEATURE FECTIVE FERENCE FFECTIV FINALLY FOLLOWI FOREWOR FUCKING FUNKING FUNNIES GENTLEM GETABLE GETTING GHERKIN GHTFULL GICALLY GIMMICK GMENTED GODDAMN GRANDMA GREDIEN GSDOTJP HALLOTS HAPPENE HAPPENS HARACTE HAVINGS HECHAOS HEDEPPR HELITTL HENANID HESEUSE HICALLY HIEVEME HIJACKI HISSONG HTFULLY HUUYASB ICTIONS IDENTAL IDENTIF IEVEMEN IFICING IGHTFUL IJACKIN IKETHIS ILGRAVE IMATRON IMMEDIA INCECON INCORPO INFUSIO INGREDI INKSAGE INSTEAD INSTRUC INWRECK INYLBIO IODDLYA IOHAZAR IRAPHAL IRRATIO ISCUITS ISGUISE ISHMENT ISONING ISSCHUC ITTLEPR IVANKAR IVANTRU JACKING KARAMAZ KETHISS KILGRAV KILLING KYSTELL LASTDIV LBIOHAZ LDRITCH LDSMOBI LEARNIN LECTABL LECTRIC LEPRINC LIGHTFU LIKETHI LINKSAG LISHMEN LITTLEP LKYSTEL LLOWING LYAUTIS MAGICAL MARZIPA MATRONI MAZOV07 MBERING MBLRINA MEDIATE MEMBERI MEONEBE METHING METIMES METOTHE MILLION MIODDLY MISSCHU MMEDIAT MMENDED MMONING MORNING MULTIPL MURDERS MUSHROO NATURAL NCECONF NCORPOR NDEAVOU NDUCTOR NEBEATM NFIRMED NFUSION NGREDIE NGUMI12 NIMATRO NKARAMA NKINGRN NKSAGER NLOCKED NONYMOU NOTHING NPARALL NREASON NSTRUCT NTATION NTENCED NTIFYIN NTIRETY NTLEMEN NTRADIC NTRUTHE NYLBIOH NYTHING O4THEDE OACESIG OBABLYA OBSESSE ODDLYAR OFFERED OHAZARD OISONIN OLDSMOB OLLOWIN OLOGIES OMEONEB OMETHIN OMETIME OMMENDE OMPLETE ONDUCTO ONEBEAT ONFIRME ONTRADI ONYMOUS OPERATE OPHICAL OREWORD ORPORAT ORTOBEL OTATOES OTHECHA OTHESEU OULIKET OYBEEBO OYOULIK PARALLE PARMESA PARSLEY PEARING PECIFIC PENGUMI PHICALL POISONI POLOGIE POPULAR PORATED PORCINI PORTOBE POTATOE PPEARIN PPRESSO PREPARE PRESENT PRESSO4 PRESSUE PRESSUR PRINCEC PRINKLE PRINTED PRINTIN PROBABL PROLIFI PROMISE PROVIDE PUKICHO QUEERMA QUISITE RACUDA6 RADICTI RAINWRE RALLELE RAMAZOV RAPHALE RASHING RATIONA REASONA RECOMME REDIENT REFEREN REGULAR REMEMBE REMORSE REQUEST RESENTA RESENTE RESSO4T RESSURE RETURNI RIFICIN RINCECO RINTING RISOTTO RMARZIP RNAROLI ROACESI ROBABLY ROLIFIC ROPHICA RPORATE RRACUDA RRATION RTLENEC RTOBELL RUCTION SACRIFI SAFFRON SAUCEPA SAV3YEE SCAPING SCHUCHU SDOTJPE SEGMENT SENTATI SENTENC SEPARAT SERNAME SERVING SETTING SEUSERN SEVERAL SHALLOT SHAVING SHENANI SHOWING SHROOMS SIMPLER SMOBILE SO4THED SOMEONE SOMETHI SOMETIM SONABLY SPECIAL SPECIFI SPOTTED SPRINKL SSCHUCH SSO4THE STABLIS STANDAR STDIVAN STROPHI STRUCTI STYX142 SULKYST SUMMONE SUMMONI TABLISH TAGGING TALKING TANDARD TASTROP TBOYBEE TDIVANT TEASPOO THECHAO THEDEPP THELITT THESEUS THISSON TIFYING TLENECK TLEPRIN TMETOTH TOBELLO TOTHECH TOTHESE TRADICT TRAINWR TRONICS TROPHIC TRUCTIO TRUFFLE TRUTHER TTLEPRI TUMBLRI TURALLY TURNING TURTLEN UCKTALE UCTIONS UEERMAR UGSDOTJ ULIKETH ULKYSTE ULTIPLE UMBLRIN UMMONED UMMONIN UNKINGR UNLOCKE
UNNAMED UNNIEST UNPARAL UNREASO URAZAYT URTLENE USERNAM USHROOM USINESS UTIONER UUYASBO UYASBON VANKARA VANTRUT VEGETAB VERSION VINYLBI WATCHIN WEIRDES WEIRDLY WORKING WRITING XECUTIO XPRESSO XQUISIT YASBONE YAUTISM YBEEBOP YLBIOHA YOULIKE YSTELLA ZIRAPHA 540/78364164096
8: 4THEDEPP AAAAAAAA ABLISHME ABLYAUTI ACCIDENT ACESIGMA ACHIEVEM ACKSTAGE ACRIFICI ACUDA677 ADICTION AGICALLY AINWRECK AMAZOV07 AMIODDLY ANIMATRO ANKARAMA ANONYMOU ANTRUTHE ANYTHING APOLOGIE APPEARIN ARALLELE ARAMAZOV ARNAROLI AROACESI ARRACUDA ASONABLY ASTDIVAN ASTROPHI ATASTROP ATBOYBEE ATMETOTH ATRONICS ATURALLY AZIRAPHA BABLYAUT BACKSTAG BARRACUD BEATMETO BEAUTIFU BIOHAZAR BISCUITS BLINKSAG BLISHMEN BLYAUTIS BOYBEEBO BUGSDOTJ BUSINESS CARNAROL CATASTRO CATBOYBE CCIDENTA CECONFIR CHARACTE CHIEVEME CHUUYASB CIDENTAL COMMENDE COMPLETE CONDUCTO CONFIRME CONTRADI CORPORAT CRASHING CRIFICIN CUTIONER DELECTAB DELIGHTF DELOREAN DENTIFYI DEPPRESS DETAILED DICTIONS DISGUISE DIVANTRU DOYOULIK DSMOBILE DUCKTALE EASONABL EATMETOT EAUTIFUL EBEATMET EBUGSDOT ECOMMEND ECONFIRM ECUTIONE EDEPPRES EDIATELY EERMARZI EFERENCE EFFECTIV EGETABLE EGMENTED ELDRITCH ELECTABL ELECTRIC ELIGHTFU ELITTLEP EMBERING EMEMBERI ENDEAVOU ENGUMI12 ENTATION ENTENCED ENTIFYIN ENTIRETY ENTLEMEN EONEBEAT EPPRESSO EPRINCEC ERMARZIP ESCAPING ESENTATI ESEUSERN ESSO4THE ESTABLIS ETHISSON ETOTHESE ETURNING EUSERNAM EXECUTIO EXPRESSO EXQUISIT FFECTIVE FOLLOWIN FOREWORD FUNKINGR FUNNIEST GENTLEME GHTFULLY GREDIENT GSDOTJPE HAPPENED HARACTER HEDEPPRE HELITTLE HESEUSER HIEVEMEN HIJACKIN HUUYASBO IDENTIFY IEVEMENT IGHTFULL IJACKING IKETHISS IMATRONI IMMEDIAT INCECONF INCORPOR INFUSION INGREDIE INKSAGER INSTRUCT INYLBIOH IODDLYAR IOHAZARD IRAPHALE IRRATION ISSCHUCH ITTLEPRI IVANKARA IVANTRUT KARAMAZO KETHISSO KILGRAVE KYSTELLA LASTDIVA LBIOHAZA LDSMOBIL LEARNING LECTABLY LEPRINCE LIGHTFUL LIKETHIS LINKSAGE LISHMENT LITTLEPR LKYSTELL LYAUTISM MAGICALL MARZIPAN MATRONIC MBLRINAS MEDIATEL MEMBERIN MEONEBEA METOTHES MIODDLYA MISSCHUC MMEDIATE MULTIPLE MUSHROOM NATURALL NCECONFI NCORPORA NDEAVOUR NEBEATME NGREDIEN NIMATRON NKARAMAZ NONYMOUS NPARALLE NREASONA NSTRUCTI NTIFYING NTRADICT NTRUTHER NYLBIOHA O4THEDEP OACESIGM OBABLYAU OBSESSED ODDLYART OISONING OLDSMOBI OLLOWING OMEONEBE OMETHING OMETIMES OMMENDED ONDUCTOR ONEBEATM ONFIRMED ONTRADIC OPHICALL ORPORATE ORTOBELL OTHECHAO OTHESEUS OULIKETH OYBEEBOP OYOULIKE PARALLEL PARMESAN PENGUMI1 PHICALLY POISONIN POLOGIES PORTOBEL POTATOES PPEARING PRESENTA PRESENTE PRESSO4T PRESSURE PRINCECO PRINTING PROBABLY PROLIFIC QUEERMAR RACUDA67 RADICTIO RAINWREC RALLELED RAMAZOV0 RATIONAL REASONAB RECOMMEN REDIENTS REFERENC REMEMBER RESENTAT RESENTED RESSO4TH RETURNIN RIFICING RINCECON RMARZIPA ROACESIG ROBABLYA ROPHICAL RPORATED RRACUDA6 RRATIONA RTLENECK RTOBELLO RUCTIONS SACRIFIC SAUCEPAN SCHUCHUW SDOTJPEG SEGMENTE SENTATIO SENTENCE SEPARATE SERNAMES SEUSERNA SHALLOTS SHAVINGS SHENANID SO4THEDE SOMEONEB SOMETHIN SOMETIME SPECIFIC SPRINKLE SSCHUCHU SSO4THED STABLISH STANDARD STDIVANT STROPHIC STRUCTIO SULKYSTE SUMMONED SUMMONIN TABLISHM TASTROPH TBOYBEEB TDIVANTR TEASPOON THECHAOS THEDEPPR THELITTL THESEUSE THISSONG TLEPRINC TMETOTHE TOTHECHA TOTHESEU TRADICTI TRAINWRE TROPHICA TRUCTION TTLEPRIN TUMBLRIN TURTLENE UCKTALES UEERMARZ UGSDOTJP ULIKETHI ULKYSTEL UMBLRINA UMMONING UNKINGRN UNLOCKED UNPARALL UNREASON URTLENEC USERNAME USHROOMS UUYASBON UYASBONE VANKARAM VANTRUTH VEGETABL VINYLBIO WATCHING WEIRDEST XECUTION XPRESSO4 XQUISITE YASBONER YLBIOHAZ YOULIKET ZIRAPHAL 357/2821109907456
9: 4THEDEPPR AAAAAAAAA ABLISHMEN ABLYAUTIS ACCIDENTA ACHIEVEME ACRIFICIN ADICTIONS AMIODDLYA ANIMATRON ANKARAMAZ ANONYMOUS ANTRUTHER APOLOGIES APPEARING ARALLELED ARAMAZOV0 AROACESIG ARRACUDA6 ASTDIVANT ASTROPHIC ATASTROPH ATBOYBEEB ATMETOTHE AZIRAPHAL BABLYAUTI BACKSTAGE BARRACUDA BEATMETOT BEAUTIFUL BIOHAZARD BLINKSAGE BLISHMENT BLYAUTISM BOYBEEBOP BUGSDOTJP CARNAROLI CATASTROP CATBOYBEE CCIDENTAL CECONFIRM CHARACTER CHIEVEMEN CHUUYASBO COMMENDED CONDUCTOR CONFIRMED CONTRADIC CORPORATE CRIFICING DELECTABL DELIGHTFU DENTIFYIN DEPPRESSO DIVANTRUT DOYOULIKE DUCKTALES EASONABLY EATMETOTH EBEATMETO EBUGSDOTJ ECOMMENDE ECONFIRME ECUTIONER EDEPPRESS EERMARZIP EFFECTIVE ELECTABLY ELIGHTFUL ELITTLEPR EMEMBERIN ENDEAVOUR ENTIFYING EONEBEATM EPRINCECO ERMARZIPA ESENTATIO ESEUSERNA ESSO4THED ESTABLISH ETHISSONG ETOTHESEU EUSERNAME EXECUTION EXPRESSO4 EXQUISITE FOLLOWING FUNKINGRN GENTLEMEN GREDIENTS GSDOTJPEG HEDEPPRES HELITTLEP HESEUSERN HIEVEMENT HIJACKING HUUYASBON IDENTIFYI IGHTFULLY IKETHISSO IMATRONIC IMMEDIATE INCECONFI INCORPORA INGREDIEN INSTRUCTI INYLBIOHA IODDLYART IRRATIONA ISSCHUCHU ITTLEPRIN IVANKARAM IVANTRUTH KARAMAZOV KETHISSON LASTDIVAN LBIOHAZAR LDSMOBILE LEPRINCEC LIGHTFULL LIKETHISS LINKSAGER LITTLEPRI LKYSTELLA MAGICALLY MATRONICS MEDIATELY MEMBERING MEONEBEAT METOTHESE MIODDLYAR MISSCHUCH MMEDIATEL MUSHROOMS NATURALLY NCECONFIR NCORPORAT NEBEATMET NGREDIENT NIMATRONI NKARAMAZO NPARALLEL NREASONAB NSTRUCTIO NTRADICTI NYLBIOHAZ O4THEDEPP OACESIGMA OBABLYAUT OLDSMOBIL OMEONEBEA ONEBEATME ONTRADICT OPHICALLY ORPORATED ORTOBELLO OTHECHAOS OTHESEUSE OULIKETHI OYOULIKET PARALLELE PENGUMI12 POISONING PORTOBELL PRESENTAT PRESENTED PRESSO4TH PRINCECON PROBABLYA QUEERMARZ RACUDA677 RADICTION RAINWRECK RAMAZOV07 REASONABL RECOMMEND REFERENCE REMEMBERI RESENTATI RESSO4THE RETURNING RINCECONF RMARZIPAN ROACESIGM ROBABLYAU ROPHICALL RRACUDA67 RRATIONAL SACRIFICI SEGMENTED SENTATION SENTENCED SEUSERNAM SO4THEDEP SOMEONEBE SOMETHING SOMETIMES SSCHUCHUW SSO4THEDE STABLISHM STDIVANTR STROPHICA STRUCTION SULKYSTEL SUMMONING TABLISHME TASTROPHI TBOYBEEBO TDIVANTRU THEDEPPRE THELITTLE THESEUSER TLEPRINCE TMETOTHES TOTHECHAO TOTHESEUS TRADICTIO TRAINWREC TROPHICAL TRUCTIONS TTLEPRINC TUMBLRINA TURTLENEC UEERMARZI UGSDOTJPE ULIKETHIS ULKYSTELL UMBLRINAS UNPARALLE UNREASONA URTLENECK USERNAMES UUYASBONE UYASBONER VANKARAMA VANTRUTHE VEGETABLE VINYLBIOH XECUTIONE XPRESSO4T YLBIOHAZA YOULIKETH ZIRAPHALE 243/101559956668416
10: 4THEDEPPRE AAAAAAAAAA ABLISHMENT ABLYAUTISM ACCIDENTAL ACHIEVEMEN ACRIFICING AMIODDLYAR ANIMATRONI ANKARAMAZO ARAMAZOV07 AROACESIGM ARRACUDA67 ASTDIVANTR ASTROPHICA ATASTROPHI ATBOYBEEBO ATMETOTHES AZIRAPHALE BABLYAUTIS BARRACUDA6 BEATMETOTH BLINKSAGER BUGSDOTJPE CATASTROPH CATBOYBEEB CECONFIRME CHIEVEMENT CHUUYASBON CONTRADICT CORPORATED DELECTABLY DELIGHTFUL DENTIFYING DIVANTRUTH DOYOULIKET EATMETOTHE EBEATMETOT EBUGSDOTJP ECOMMENDED ECONFIRMED EDEPPRESSO EERMARZIPA ELIGHTFULL ELITTLEPRI EMEMBERING EONEBEATME EPRINCECON ERMARZIPAN ESENTATION ESEUSERNAM ESSO4THEDE ESTABLISHM ETOTHESEUS EUSERNAMES EXECUTIONE EXPRESSO4T HEDEPPRESS HELITTLEPR HESEUSERNA HUUYASBONE IDENTIFYIN IKETHISSON IMATRONICS IMMEDIATEL INCECONFIR INCORPORAT INGREDIENT INSTRUCTIO INYLBIOHAZ IRRATIONAL ISSCHUCHUW ITTLEPRINC IVANKARAMA IVANTRUTHE KARAMAZOV0 KETHISSONG LASTDIVANT LBIOHAZARD LEPRINCECO LIGHTFULLY LIKETHISSO LITTLEPRIN MEONEBEATM METOTHESEU MIODDLYART MISSCHUCHU MMEDIATELY NCECONFIRM NCORPORATE NEBEATMETO NGREDIENTS NIMATRONIC NKARAMAZOV NPARALLELE NREASONABL NSTRUCTION NTRADICTIO NYLBIOHAZA O4THEDEPPR OBABLYAUTI OLDSMOBILE OMEONEBEAT ONEBEATMET ONTRADICTI OTHESEUSER OULIKETHIS OYOULIKETH PARALLELED PORTOBELLO PRESENTATI PRESSO4THE PRINCECONF PROBABLYAU QUEERMARZI RADICTIONS REASONABLY RECOMMENDE REMEMBERIN RESENTATIO RESSO4THED RINCECONFI ROACESIGMA ROBABLYAUT ROPHICALLY RRACUDA677 SACRIFICIN SEUSERNAME SO4THEDEPP SOMEONEBEA SSO4THEDEP STABLISHME STDIVANTRU STROPHICAL STRUCTIONS SULKYSTELL TABLISHMEN TASTROPHIC TBOYBEEBOP TDIVANTRUT THEDEPPRES THELITTLEP THESEUSERN TLEPRINCEC TMETOTHESE TOTHECHAOS TOTHESEUSE TRADICTION TRAINWRECK TROPHICALL TTLEPRINCE TUMBLRINAS TURTLENECK UEERMARZIP UGSDOTJPEG ULIKETHISS ULKYSTELLA UNPARALLEL UNREASONAB UUYASBONER VANKARAMAZ VANTRUTHER VINYLBIOHA XECUTIONER XPRESSO4TH YLBIOHAZAR YOULIKETHI 167/3656158440062976
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12: 4THEDEPPRESS AAAAAAAAAAAA ANIMATRONICS ANKARAMAZOV0 ASTDIVANTRUT ASTROPHICALL ATASTROPHICA ATMETOTHESEU BARRACUDA677 BEATMETOTHES CATASTROPHIC CATBOYBEEBOP CHUUYASBONER CONTRADICTIO DELIGHTFULLY DIVANTRUTHER DOYOULIKETHI EATMETOTHESE EBEATMETOTHE EBUGSDOTJPEG ELITTLEPRINC EONEBEATMETO EPRINCECONFI ESEUSERNAMES ESSO4THEDEPP ESTABLISHMEN ETOTHESEUSER EXPRESSO4THE HELITTLEPRIN HESEUSERNAME INCECONFIRME INCORPORATED INSTRUCTIONS INYLBIOHAZAR ITTLEPRINCEC IVANKARAMAZO LASTDIVANTRU LEPRINCECONF LIKETHISSONG LITTLEPRINCE MEONEBEATMET METOTHESEUSE NCECONFIRMED NEBEATMETOTH NKARAMAZOV07 NTRADICTIONS NYLBIOHAZARD O4THEDEPPRES OBABLYAUTISM OMEONEBEATME ONEBEATMETOT ONTRADICTION OTHESEUSERNA OULIKETHISSO OYOULIKETHIS PRESENTATION PRESSO4THEDE PRINCECONFIR PROBABLYAUTI QUEERMARZIPA RESSO4THEDEP RINCECONFIRM ROBABLYAUTIS SO4THEDEPPRE SOMEONEBEATM SSO4THEDEPPR STABLISHMENT STDIVANTRUTH STROPHICALLY TASTROPHICAL TDIVANTRUTHE THEDEPPRESSO THELITTLEPRI THESEUSERNAM TLEPRINCECON TMETOTHESEUS TOTHESEUSERN TTLEPRINCECO UEERMARZIPAN ULIKETHISSON UNPARALLELED UNREASONABLY VANKARAMAZOV VINYLBIOHAZA XPRESSO4THED YOULIKETHISS 86/4738381338321616896
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glad that im not popular enough to have an evil shadow version of my blog that exists just to make contradictions on my posts
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Rond 9 uur ga ik mijn bed uit. Marcel is dan al vertrokken naar Raamsdonksveer want een klant had een bestelling nodig 😅 Marcel was er sowieso vroeg uit, rond 6 uur al. Nog even bezig geweest in de tuin, bestelbus weer teruggebracht, naar de klant gereden (uur heen en uur terug, maar hij kreeg wel een kopje koffie) en daarna door naar TICA.
Ik heb in de tussentijd alle dozen van de markt uitgepakt. Als Marcel thuiskomt moet ik nog 1 doos uitpakken, dus ik heb ook mijn best gedaan.
In de ochtend drink ik mijn yoghurt. Rond 12 uur ga ik de boodschappen doen. Linda komt eten. Ik ga lasagne maken. Lievelings eten van zowel Marcel als Linda, voor mijzelf ga ik maar weer eens wat groenten wokken en een biefstukje eten. Als ik genoeg maak kan ik dat morgen uit werk ook eten en kan Marcel nog wat lasagne eten.
Als ik de lasagne uit de oven haal ga ik mijn 3 crackers met Philadelphia eten. We kijken nog wat Olympische Spelen en dan gaat Marcel aan de slag in de tuin. Ik ga wat dode bloemetjes verwijderen. Ik zie dat hij last heeft van zijn rug maar volgens Marcel valt het allemaal reuze mee. Natuurlijk! Terwijl we bezig zijn komt Nynke aangefietst en ze zegt dat de wisseltruc met de trui is gelukt. Yes, ik kan een mooie trui aan mijn collectie toevoegen 😍 Nynke wil er maar de helft van de prijs voor hebben, ik sputter wat tegen maar daar wilt ze niet van horen en met een zoen smoort ze mijn gepruttel. Super lief, dankjewel Nynke 😘
Terwijl we nog wat aan het babbelen zijn komen de vakantiegangers aangereden. Enthousiaste begroeting van de kleinkinderen, zo leuk! Ryan heeft opa heel erg gemist dus die klimt lekker tegen opa aan. Ivy geeft mij een paar keer een dikke knuffel. We gaan achter in de tuin zitten en luisteren naar de vakantie verhalen. Ivy zit inmiddels in de jacuzzi en na een halfuur duik ik er na wat aandringen van Ivy ook in (in onderbroek en bh). Uiteindelijk komt Ryan ook nog en wordt het erg gezellig in de jacuzzi. Ryan kan ook met zijn koppie onder water en dat demonstreert hij veelvuldig.
Natas heeft het NF regime aardig vol kunnen houden en ze zegt dat ze 14 kg is afgevallen inmiddels, waarvan nog 2 tijdens de vakantie dus die is ook goed bezig!
Rond 17 uur gaan ze weer weg en om 18 uur arriveert Linda. Voor mijzelf heb ik wokgroenten met een Duits biefstukje gemaakt en Marcel en Linda gaan aan de lasagne.
Na de koffie gaat Linda nog 2 jesmonite ijsjes maken die van de week besteld zijn via de webshop. Ze zijn goed gelukt!
Rond half 8/8 uur gaat Linda weer weg. Ik geef haar nog een bakje lasagne mee. Wel afgesproken met Lin dat we voor onze vakanties misschien nog eens bij Ronald en Mirjam langsgaan in Harderwijk. Die wonen alweer 4 jaar in hun nieuwe woning en Linda is er nog nooit geweest. Ik heb vanmiddag een foto van Ronald gehad die de spijlen voor hun huis aan het schoonmaken is, dus Lin is een beetje nieuwsgierig.
De overige lasagne verdeel ik over 3 bakjes, 1 voor Marcel, 1 voor mam en 1 voor Elly.
We kijken nog naar wat atletiek op tv en dan gaan we nog even videobellen met Elly. Zij wordt morgen geopereerd in het Amstelland. Ze heeft een breuk waar ze behoorlijk last van heeft dus dat gaan ze even repareren. Ze mag ook een nachtje blijven. Francis brengt haar morgen en haalt haar dinsdag ook weer op. Wellicht dat wij morgenavond na het avondeten nog even op bezoek gaan.
We krijgen nog een berichtje van Eveline. Ze heeft een dinerbon van haar baas ontvangen en vraagt of we zin hebben om zaterdag met ze te gaan eten bij het Wapen van Zwanenburg. Nog nooit geweest, dus altijd leuk! We hadden sowieso al een date staan bij ons, en het was mijn beurt om te koken dus dat wordt dan een makkie voor mij 😅
Ron 23 uur gaan we naar boven. Nog even douchen en ik ga nog even op zoek naar de mug die mij vannacht te pakken heeft genomen, maar er is natuurlijk geen mug te bekennen. Rond 00.00 gaat het licht uit en ga ik slapen.
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"Een hele na-oorlogse generatie ging op zondagavond uit eten bij ‘de Chinees.’ Maar het Chin.Ind. Rest. is niet meer zo populair als in de vorige eeuw. Jamie Leung-Lin van het Japanse restaurant Yugo uit Haren zag de bui 12 jaar geleden al hangen en verruilde de foe yong hai voor sushi."
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Akurát, že nič nezmizne
Pred napísaním prvého slova tejto recenzie som si odopla hodinky, vyzliekla dlhé tričko, zbavila sa prsteňov, zmyla parfum, vypla notifikácie, zavrela všetky okná a dvere, pozrela sa na oblaky. Aby som sa napojila na pocity moje, tvoje, iných, na zážitok z minulosti, na skúsenosti odovzdávané z pokolenia na koleno, na odrané zápästia, lakte, sľuby, na vztýčené ukazováky, na padanie kameňov (zo sŕdc). S voľnými rukami sa nerodíme, takými sa stávame (v kultovom jazyku Simone de Beauvoir). Proces je väčšinou komplikovanejší, než sa môže zdať, hoci často nezávisí ani od nás samotných. Veci sa dejú, my prúdime, až kým neuviazneme v bode, okolo ktorého hmota začne oscilovať a vystavia podlahy, steny, stropy, veže. Z hromady vecí, ktoré nosíme a ktoré nesú nás.
Z takejto hromady sa hneď v úvode performancie Handsfree od kolektívu D’epog hlási Magdalena Straková, herečka a jediná bezmenná protagonistka. Nehybne stojaca na predmetoch a šatstve, ktoré tvoria človeka, držiac veľké tašky, je sama súčasťou tejto hromady bez jasných obrysov hraníc i tváre. To, čo ju vymaňuje z tejto hmoty vecí a pomyselného internetu vecí, je jej hlas. Distortion efekt naň navrstvený len umocňuje distortion efekt stavu, v ktorom sa nachádza: vyvýšená nad vecami, no súčasne nimi zahltená, bez aktuálnej schopnosti čisto a s prehľadom porozumieť vlastnej situácii. So stupňujúcou intenzitou označuje veci, ktoré v byte vlastní. Prístup extenzívneho vymenúvania predmetov či situácií je špecifický pre konceptuálnu prózu a poéziu: Georges Perec v 47-stranovom texte Tentative d’épuisement d’un lieu parisien z roku 1974popisuje trojdňové dianie na parížskom námestí, Tan Lin v diele Bib vymenúva texty, ktoré číta zo svojho bytu, a udáva čas, koľko mu trvalo ich prečítať, Daniel Spoerri v knihe An Anecdoted Topography of Chance mapuje históriu každého predmetu na svojom kuchynskom stole alebo Steven Zultanski v diele Pad vymenúva všetky predmety v byte s dodatkom, či ich jeho penis dokáže alebo nedokáže zdvihnúť. Na rozdiel od týchto kníh, založených na princípe pozorovania a popisovania jednotným jazykom, Magdalenino vymenúvanie predmetov eskaluje do emocionálneho hlasového vypätia, ktoré končí zacyklením sa na zvukovej hre písmen M Á M. Pri pozorovaní scény jej visíš na ústach, pretože takto, bez odhalenej tváre, by to mohol byť pokojne príbeh tvojej známej, kamarátky, tety, mamy, sestry, tvoj.
Čo ak už nedržíš to, čo si doteraz ešte (vy)držala, čo ak ti najprv pramienok, neskôr rieka preteká medzi prstami, čo ak si príliš skoro pustila to, čo ešte malo byť stlačené, čo ak nič a nikoho nevedieš za ruku, alebo vedieš príliš silno, čo ak ruky podávaš príliš často alebo príliš málo frekventovane, čo ak sa nevieš udržať na mieste alebo len zadržiavaš prirodzené uvoľnenia, čo ak pridržíš polčas rozpadu alebo podržíš piesok tam, kde by sa mala odhaliť černozem? Vydrž, vezmem si klávesu pod prst, je horúca.
Já to smažu, jo?
Handsfree je inscenácia o hľadaní vlastného expresívneho jazyka na uchopenie situácií v područí sociálnych tlakov a utlačujúcich noriem, kapitalistického obaľovania sa tovarom ako wellness praktikou, na stavy vyhorenia, hľadania empatie i pokusov vysporiadať sa so stratami. Stratami osôb, okolia, úkrytu, pocitu bezpečia. Safe space si nevytvoríš vo vrecúšku s mrazeným hrachom, nie je jednoduché si ho vyčarovať v polici, často si ho neprivoláš ani dotykom kvapky o pokožku. Môže zmiznúť s jemným škrtom zápalky. A práve ten je hýbateľom Magdaleninho monodramatického naratívu s autobiografickými prvkami.
Z formálneho hľadiska ide o intermediálnu, interaktívnu, imerzívnu, sebareferenčnú performanciu, v ktorej postupne odhaľujeme jednotlivé fragmenty projektovaného života. V rámci predstavenia diváci*čky prechádzajú rôznymi časťami jednej veľkej miestnosti, ktoré sú charakteristické pre konkrétny úsek predstavenia: časť s horou vecí, virtuálnym bytom (ktorý Magda oživí svojimi pohybmi a slovom), vykachličkovaným miestom, v ktorom Magda spomína na detstvo, priestorom, kde prebieha projekcia, časťou, v ktorej strede Magda rozvinie bielu látku s nápisom MOJE, priestorom pre rozbitie projektora, priestorom so sprchou. Diváci*čky sa s performerkou dokonca presúvajú von k autu, aby jej pomohli nosiť veci do Batyskafu, rozložiť koberec, stoličky, fyzickosťou zaplniť tento fiktívny svet.
Najdi pohledem černou deku
Inscenácia je koncipovaná ako intermediálna súhra rôznych žánrov, ktoré sa okrem performancie k divákom*čkam dostávajú aj prostredníctvom nahrávok. Na ich vypočutie si publikum hneď v úvode berie slúchadlá, ktoré si počas predstavenia dáva na uši a následne po prehraní audio sekvencie skladá. Život nie je rozprávka a každý zaužívaný stereotyp má svoj reálny náprotivok. Prostredníctvom audiovizuálneho premietania subverzívnej verzie rozprávky o princeznej na hrášku sa publikum dozvedá o noci dievčaťa, ktoré nebolo princeznou, ale ktorému modriny spôsobil vlastný otec. Iná projekcia vyobrazuje Magdalenino držanie volantu počas telefonátu o situácii, keď byt vyhorel, pričom sa parodujú súvzťažnosti s kontrolkami, ručnými brzdami, vyznačenými cestami a smerovkami, ktoré jazykové hry spojené so šoférovaním evokujú. Motív dopravnej križovatky sa v predstavení sebareferenčne objaví aj na detskom koberčeku, ktorý divák vynesie z auta hore schodmi a na Magdalenin pokyn rozloží: životné križovatky môžu slúžiť aj ako rohožka pre ďalšie otery, ale najprv stúpať opatrne, ako píše aj William Butler Yeats v básni Aedh Wishes for the Cloths of Heaven: „I have spread my dreams under your feet; / Tread softly because you tread on my dreams.“[1]
Permanentný pohyb prítomný v predstavení, ktorým sa riadia aj diváci*čky putujúci*e za scénami, tanec, zmývanie, rozbíjanie – to všetko potvrdzuje tekutosť stability a straty pôdy pod nohami, ktorá je typická pre ľudí na voľnej nohe a s vystretou rukou, pre prekariát, umelecké profesie, študentstvo a ďalších. „Nomadic state of mind“ nie je len značka ručne vyrábaných eco-friendly sandálov zo zauzlených špagátov, ale vyjadruje aj stav fungovania, charakteristický pre mnohých ľudí. „We recognize this as the schizo position, being on the periphery, holding on by a hand or a foot,” uviedli Deleuze a Guattari vo svojom diele A Thousand Plateaus: Capitalism and Schizophrenia,[2] v ktorom rozvinuli nomádizmus ako prístup k tvorbe konceptov spojených s geofilozofiou.
Keď sa performerke stráca pôda pod nohami, dovolí nám ponor do stíšenia, v ktorom rozpovie o strate osôb. Línie materiálov sa ešte viac prepoja s ľudskými linkami a príbeh z detstva a dospievania obmäkčí percepciu celého diania. Proces vzájomného prepojenia a feedback loopu verbalizovala americká poetka a laureátka Nobelovej ceny za literatúru Louise Glück vo svojom texte The Denial of Death nasledovne: „You have begun your own journey, not into the world, like your friend, but into yourself and your memories. As they fall away, perhaps you will attain that enviable emptiness into which all things flow, like the empty cup in the Daodejing— Everything is change, he said, and everything is connected. Also everything returns, but what returns is not what went away.”[3]
Wanna live like common people / You’ll never do whatever common people do / Look out, they’ll tear your insides out / Never fail like common people[4]
Performancia sa špirálovito vinie okolo pojmu MOJE, emblému toho najbližšieho, najintímnejšieho, pečate, odtlačenej na rolete zatiahnutej pred svetom i vibrujúcim statusom na instáči, je tetovaním, znamienkom i modrinou v jednom. MOJE hoods – MOJE mesto – MOJE pole pôsobenia – MOJE hodnoty – MOJE tajomstvá – MOJE cnosti – MOJE dŕžavy – na MOJE debiliny ja raz doplatím, ale MOJE veci tu ostanú.
Ekologický rozmer hromadenia vecí je tiež v inscenácii tematizovaný, no bez zbytočného moralizovania či didaktickosti. Zbavovanie sa vecí sa z tematického módu presunie do akčného: performerka vyhadzuje veci z okna – akcia, ktorá na seba počas festivalu KIOSK[5] tak upozornila, že policajti prišli zisťovať, ktorá bláznivá osoba čo z okna vyhadzuje.
Zvukový dizajn od Matyáša Dlába (ktorý je zároveň dramaturgom) prostredníctvom výberu zvukového materiálu či priamo skladieb podfarbuje konkrétne témy, ktoré s výstavbou predstavenia súvisia. Tak napríklad prostredníctvom skladby Common People od Pulp navodzuje atmosféru piesní hraných z bytového rádia, pričom upozorňuje na Magdaleninu bytovú situáciu.
As long as I can feel the beat LA-LA-LA-LA-LA-LA[6]
Sebareferenčné stanovisko sa prejavuje v celej inscenácii Handsfree, ale sebareferenčnosť je prítomná aj v iných inscenáciách tvorivej skupiny D’epog. Performancia Série, série, série, série končí scénou, v ktorej osamotená Magdalena drží strom (odvolávka na Beckettovo Čakanie na Godota), pričom titulná scéna Handsfree vyobrazuje metaforu človeka ako stojana na veci, opäť v Magdinom podaní. Brnianske zoskupenie D’epog pod vedením slovenskej režisérky Lucie Repašskej sa dlhodobo venuje súčasnému performatívnemu umeniu na mediálnom pomedzí, hľadajúc súčasný jazyk a dynamiku expresívnych foriem, ktoré divákov vytrhávajú zo zaužívaných koľají percepcie i z ich aktuálneho skúsenostného stavu. D’epog vytvára imerzívny časopriestor, v ktorom sa zabúda na život existujúci mimo tohto performatívneho setupu. Magdalenin bravúrny herecký výkon, v ktorom dokázala dokonale preskakovať medzi diametrálne odlišnými dynamikami prejavu (od extatickosti cez pokoj, odovzdanosť, diktovanie, smútok až po energický tanec) a držať nás v hrsti sama dve a pol hodiny, len dokazuje zrelosť a výborný režisérsko-dramaturgicko-herecký trojuholník kolektívu. Handsfree vzniklo (rovnako ako Série, série, série, série) v koprodukcii s bratislavskou kultúrnou multižánrovou platformou Batyskaf a vznik inscenácie i jej reprízy podporil Fond na podporu umenia. Projekty D’epogu sú pre mňa vždy výnimočnou udalosťou, sprostredkovaním špecifického estetického i poetického zážitku, ktorý si ešte pár dní po predstavení nosím v hlave. Dúfam, že majú už opäť plné ruky práce.
[1] YEATS, William Butler. The Wind Among the Reeds. London: Elkin Mathews, 1899, s. 60. [2] DELEUZE, Gilles – GUATTARI, Felix. A Thousand Plateaus: Capitalism and Schizophrenia. Minneapolis: University of Minnesota Press, 1987, s. 34. [3] GLÜCK, Louise. The Denial of Death, 2020 [cit. 10. 10. 2023]. Dostupné na internete: https://bit.ly/46h9yvA Dostupné aj: GLÜĆK, Louise. The Denial of Death. In The Paris Review [online]. Fall 2018, no. 226. Dostupné na internete: https://bit.ly/3FZ5g1c [4] PULP. Common People [skladba]. In Different Class [album]. London: The Town House, 1995. [5] Rok 2023, 16. ročník. [6] SIA. Cheap Thrills [skladba]. In This is Acting [album]. New York: RCA, 2016.
ZDROJ: HUSÁROVÁ, ZUZANA. AKURÁT, ŽE NIČ NEZMIZNE In: Monitoring divadiel na Slovensku, online 12. 11. 2023, https://bit.ly/49BbhPq
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2023 WK Sen (day-1): Jorre knap, maar helaas net naast het podium..
(07-May-2023)
>> 2023 WK Sen, Doha Qat (results ijf.org)
/-48kg
Ellen Salens (°96; /-48kg; JS Merelbeke; 37°WRL): out (0 own) Wat al lang vast stond, moest enkel nog uitgevoerd worden: Francesca Milani (°93; Ita; 12°WRL) gooit Ellen na 49″sec met een combinatie o-uchi/ashi-guruma (w-a), vervolgens ontsnapt Ellen aan een houdgreep, maar de waza-ari wordt (mijn inziens terecht) gecorrigeerd naar ippon.
/-60kg
Jorre Verstraeten (°97; /-60kg; IGW; 7°WRL): 5° (3 own) Knappe wedstrijd van Jorre tegen een sterke Luka Mkheidze (°96; Fra; 10°WRL; 3°OG Tokyo); beiden zijn normaal gegarandeerd top-8 (kwart-finalisten), maar moesten hier onbegrijpelijk tegen mekaar in een 1/16-finale van een WK... Nog maar eens een pleidooi voor een top-16 aan seeded judoka’s in belangrijke tornooien ! Mkheidze zeker de aanvallendste van de twee, maar Jorre telkens op de loer voor counters en doet dat perfect: een care-system review na een kleine minuut: uiteindelijk wordt een héél lichte score aan Jorre gegeven: blijkbaar beslistte men dat hij controle had over een o-uchi-gari als counter ? Mkheidze vecht zich evenwel agressief knap een weg terug en 45″sec later staat het alweer gelijk: knappe, snelle combinaties van de Fransman, afgemaakt met seoi-nage: 01s0/01s0. Mkheidze blijft de aanvallende judoka, en 8″sec voor tijd een nieuw spannend moment: een combinatie o-soto/ko-soto van Luka, met opnieuw de discussie of Jorre counterde of niet... onvoldoende controle toch dacht ook ik, en we gaan gewoon verder naar Golden Score. Opnieuw Mkheidze die het punt zoekt... morote seoi-nage, maar dan de fout die je tegen Jorre niet mag maken: in plaats van na de aanval onmiddellijk in verdediging te gaan, blijft Luka laag proberen en met een knappe sumi-gaeshi wordt hij door Jorre gecounterd ! Heel jammer dat één van beiden in deze fase al moest sneuvelen, maar dikke proficiat aan Jorre ! Knap. In 1/8-fin winst tegen Chong-You Lin (°02; Tpe; 77°WRL; in 2019 wereldkampioen u18/-55kg), al komt hij verrassend w-a achter na 2′29″min na storend ashi-waza van de Taiwanees; 47″sec later is dat echter rechtgezet: eerst na 3′min met seoi-nage (w-a), daarna met tani-otoshi (ippon): 11s0/01s1. In 1/4-fin vervolgens een schitterende counter in GS (4′43″min - ippon) tegen een tweede topper: Harim Lee (°97; Kor; 3°WRL; 3°GSL Tokyo’22; 1° Masters’22 & 3°GSL Paris’23). Tot dan toe was het een vrij gesloten wedstrijd. In 1/2-fin wachtte Dilshodbek Baratov (°97; Uzb; 20°WRL; )... haalbaar, maar het werd een anti-climax; nu ja, met de komst van Iliadis in 2019 is Uzbekistan echt gegroeid, en is Baratov één van die judoka’s die aan de horizon verschenen: miltair wereldkampioen in 2021, ondertussen 4x top-8 op een GSL (3° Antalya’22 & 5°Antalya’23), en vorig jaar 5°WK. “Il ne peux pas installer sa main gauche”, schreeuwde head-coach Cédric Taymans, even voor de 3de minuut, maar 15″sec later was het zo ver, gevolgd door een uchi-mata, en Jorre waza-ari achter; met een soliede defense kon Baratov de rest van de laatste minuut zonder veel problemen uitvechten... Voor bronze dan maar tegen junior Giorgi Sardalashvili (°03; Geo; 5°WRL; 2x finalist WK u21/-60kg: 1° 2021 & 2° 2022; en ondertussen ook al 6x top-5 WTour, waarvan 4x podium): een knappe en hard bevochten kamp van 9′29″min ; Jorre deed er alles aan (wat we van hem gewoon zijn), maar diep in de wedstrijd (na meer dan 4′50″min GS) startten de laatste 40″sec van de kamp waarin Jorre 3x moest vluchtten naar grond... dat was er te veel aan en inkasseerde hij zijn 3de shido: 00s2/00s3.... Héél jammer van dat podium.
Al bij al was er nóg een andere anti-climax: Naohisa Takato domineert zijn 1/2-finale tegen Garrigos, maar de Spanjaard wint gevleid, en wordt uiteindelijk wereldkampioen; en Takato verliest bovendien ook het brons tegen Harim Lee; ik denk niet dat Takato al ooit 2 wedstrijden op een tornooi verloor ! Lee van zijn kant, die verloor van Jorre, dus wél op het podium !
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This was going to be a post only about shoes as a gift for @respectthepetty...but then Pet made this post about graphic designers understanding the assignment and my thoughts started spiralling. I'll come back to the title cards and colour-coding later...but first, SHOES!
If you've been following me for a while, you'll know I pretty much lose it when I see a Thai character wearing the Mustard yellow-soled shoes (I really need to buy myself a pair). It started with Pat, Pran, and Pa in Bad Buddy...
...but the shoes have also been worn by Win and Lin (in Cupid's Last Wish), Tinn and Gun (Our Skyy 2 x My School President), Jeng (Step By Step), and most recently, Zo in Hidden Agenda.
But this isn't the point of the post. No.
My gift to Pet is my recent discovery that Joke in Hidden Agenda has shoes with BLUE soles.
I have yet to find them online but I haven't given up yet. I mean, look at them (I need a pair of these as well):
I had noticed the little pop of red on the heel during the airing of the show and thought it was a nice little nod to the red and yellow theme, but the discovery of the blue and Pet's insightful post I mentioned earlier has got me questioning.
Because I know the red and yellow theme was emphasised with the roselle and chrysanthemum juices, and the stories of the red roses and yellow sunflowers...and I know Pet has already written an outstanding analysis of the use of these two colours plus the blue and how they connect to the triangular theory of love...BUT I can't help looking at this
and wonder if this graphic designer also really understood the assignment.
Like, really understood
Really
Definitely
Understood
Because despite the red, I wonder if we do have singular colour-coded characters, with Joke being a loyal blue boy and Zo a yellow yal.
On Zo's practice date, he's painting in yellow with the yellow water in front of him but Joke has blue water in front of him despite painting green (in their play-fighting Joke threatens to throw the blue water over Zo). Joke also wipes the green on his face - a combination of these two colours.
After the date-that's-not-a-date, Zo decides to leave for a few days and takes both these colours with him (and, he soon accepts, Joke as well).
And when they meet Uncle Yod the hotel owner he's wearing their merged colours.
To Joke, Zo's face looks like the sun. He feels comfortable and warm around him. Zo thinks Joke should learn to generate that warmth for himself. Warm and cold.
Zo struggles with Joke's sincerity (just like they struggle to get the blue bus moving), even whilst wearing the blue shirt (with the yellow detail below the collar).
And even though Zo wears red once (and pink a few times), he wears blue several times. (I don't think I remember seeing Joke in red at all). And we get a colour exchange, with both of them in front of green backgrounds.
And finally, despite going home to his very red family, Joke has blue over his heart and Zo is finally embracing his yellow.
I'd very much like to posit that these are their true colours, that they've been carrying in their soles souls the whole time but maybe hiding them because they weren't fully sure of themselves or each other. Because when looked at like this, the graphic designers really did follow the assignment.
#hidden agenda#hidden agenda the series#I think the red is important#I do like the triangular theory of love#but there's something to do with the red roselle juice tasting bitter#and joke's whole family being red whom he hasn't had a pleasant relationship with...#that makes me really want to believe that these two are really yellow and blue at heart#because the use of the colour-coded shoes has to mean something#at least I want it to#and I also want to own both pairs#pet! what did you think?!#(they're our colours! 💛💙)#yellow-soled shoes my beloved
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Cappelle Calling - 10 april 2023 - 90FM
Nadat vorige week helaas vanwege onverklaarbare technische problemen de uitzending niet kon doorgaan lukte dat vanavond gelukkig wel. Net als vorig jaar met Tweede Paasdag schoof oud-radio collega Erik Uit De Bosch bij mij aan en wisselden we nummers met elkaar af.
Terugluisteren kan hier.
Dit was de playlist:
Uur 1:
Ramses Shaffy - We Zullen Doorgaan (1975) Son Mieux - Tell Me More (2023) Monaco - What Do You Want From Me (1997) Ryan Adams - Champagne Supernova (2023) (DisCovered) Big Country - Flame Of The West (1984) The Paper Kites - Till the Flame Turns Blue (2023) Nena - 99 Luftballons (1983) Ryuichi Sakamoto & David Sylvian - Forbidden Colours (1983) (Filmplaat - uit 'Merry Christmas, Mr. Lawrence') Galaxy Lin - Long Hot Summer (1975) James Sayer - Cherry (2023) Rozalla - Everybody's Free (To Feel Good) (1991)
Uur 2:
Anita Garbo - Miracles (1977) Paul McCartney - Every Night (1970) Oasis - Champagne Supernova (1995) (DisCovered) Melle - A Fool (2023) Toontje Lager - Ben Jij Ook Zo Bang (1982) The Blue Nile - Easter Parade (1983) Talk Talk - It's My Life (1984) (Muzikale Ketting) Harry Nilsson - Everybody's Talkin' (1968) (Muzikale Ketting) Peter Schilling - Major Tom (1983) Garbage - Only Happy When It Rains (1995) Marillion - Easter (1989)
Shownotes:
Ryan Adams' coverversie van het hele album (What's The Story) Morning Glory van Oasis is hier gratis te downloaden
Vanaf volgende week is Cappelle Calling weer iedere maandagavond van 20:00 t/m 22:00 te horen op Radio 90FM. Ook wordt dit programma iedere woensdagmiddag van 18:00 tot 20:00 herhaald. Suggesties voor DisCovered of De Filmplaat zijn welkom via de Facebookpagina van het programma of via [email protected].
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Keepersclinic 30 maart bij vv Harkstede
Iedere keeper wil graag beter worden. Om zoveel mogelijk keepers de gelegenheid beter te worden geven we keepersclinics bij clubs in de regio. Zo kunnen de keepers ervaren hoe het is een training van Keeping the Zero te volgen. Keeping the Zero leidt wekelijks ruim 160 keepers op vrijdag, zondag en dinsdag. Veel keepers worden gescout, bekijk ze via deze lin:…
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#Keepersclinic Groningen#keepersclinic harkstede#keeperstraining FC groningen#Keeperstraining Harkstede
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13: algoogleclass algoogleslide allytimhorton blicofireland definitelythe discorddotcum ealgoogleclas ealgoogledocs ealgoogleslid eallytimhorto efinitelyther elytherepubli epublicofirel erepublicofir fficialtinder finitelythere googleclassro herepublicofi initelytherep itelytherepub lgoogleclassr lgoogleslides llytimhortons lytherepublic massachusetts microwaveable nitelytherepu nofficialvine officialtinde ogleclassroom oogleclassroo otallyofficia otallyoperagx publicofirela realgooglecla realgoogledoc realgooglesli reallytimhort republicofire tallyofficial telytherepubl therepublicof totallyoffici totallyoperag ublicofirelan unofficialvin ytherepublico 47/170581728179578208256 (47/2481152873203736576)
14: algoogleclassr algoogleslides allytimhortons definitelyther ealgoogleclass ealgoogleslide eallytimhorton efinitelythere elytherepublic epublicofirela erepublicofire finitelytherep googleclassroo herepublicofir initelytherepu itelytherepubl lgoogleclassro lytherepublico nitelytherepub officialtinder oogleclassroom otallyofficial publicofirelan realgoogleclas realgoogledocs realgoogleslid reallytimhorto republicofirel telytherepubli therepublicofi totallyofficia totallyoperagx ublicofireland unofficialvine ytherepublicof 35/6140942214464815497216 (35/64509974703297150976)
15: algoogleclassro definitelythere ealgoogleclassr ealgoogleslides eallytimhortons efinitelytherep elytherepublico epublicofirelan erepublicofirel finitelytherepu googleclassroom herepublicofire initelytherepub itelytherepubli lgoogleclassroo lytherepublicof nitelytherepubl publicofireland realgoogleclass realgoogleslide reallytimhorton republicofirela telytherepublic therepublicofir totallyofficial ytherepublicofi 26/221073919720733357899776 (26/1677259342285725925376)
16: algoogleclassroo definitelytherep ealgoogleclassro efinitelytherepu elytherepublicof epublicofireland erepublicofirela finitelytherepub herepublicofirel initelytherepubl itelytherepublic lgoogleclassroom lytherepublicofi nitelytherepubli realgoogleclassr realgoogleslides reallytimhortons republicofirelan telytherepublico therepublicofire ytherepublicofir 21/7958661109946400884391936 (21/43608742899428874059776)
17: algoogleclassroom definitelytherepu ealgoogleclassroo efinitelytherepub elytherepublicofi erepublicofirelan finitelytherepubl herepublicofirela initelytherepubli itelytherepublico lytherepublicofir nitelytherepublic realgoogleclassro republicofireland telytherepublicof therepublicofirel ytherepublicofire 17/286511799958070431838109696 (17/1133827315385150725554176)
18: definitelytherepub ealgoogleclassroom efinitelytherepubl elytherepublicofir erepublicofireland finitelytherepubli herepublicofirelan initelytherepublic itelytherepublicof lytherepublicofire nitelytherepublico realgoogleclassroo telytherepublicofi therepublicofirela ytherepublicofirel 15/10314424798490535546171949056 (15/29479510200013918864408576)
19: definitelytherepubl efinitelytherepubli elytherepublicofire finitelytherepublic herepublicofireland initelytherepublico itelytherepublicofi lytherepublicofirel nitelytherepublicof realgoogleclassroom telytherepublicofir therepublicofirelan ytherepublicofirela 13/371319292745659279662190166016 (13/766467265200361890474622976)
20: definitelytherepubli efinitelytherepublic elytherepublicofirel finitelytherepublico initelytherepublicof itelytherepublicofir lytherepublicofirela nitelytherepublicofi telytherepublicofire therepublicofireland ytherepublicofirelan 11/13367494538843734067838845976576 (11/19928148895209409152340197376)
21: definitelytherepublic efinitelytherepublico elytherepublicofirela finitelytherepublicof initelytherepublicofi itelytherepublicofire lytherepublicofirelan nitelytherepublicofir telytherepublicofirel ytherepublicofireland 10/481229803398374426442198455156736 (10/518131871275444637960845131776)
22: definitelytherepublico efinitelytherepublicof elytherepublicofirelan finitelytherepublicofi initelytherepublicofir itelytherepublicofirel lytherepublicofireland nitelytherepublicofire telytherepublicofirela 9/17324272922341479351919144385642496 (9/13471428653161560586981973426176)
23: definitelytherepublicof efinitelytherepublicofi elytherepublicofireland finitelytherepublicofir initelytherepublicofire itelytherepublicofirela nitelytherepublicofirel telytherepublicofirelan 8/623673825204293256669089197883129856 (8/350257144982200575261531309080576)
24: definitelytherepublicofi efinitelytherepublicofir finitelytherepublicofire initelytherepublicofirel itelytherepublicofirelan nitelytherepublicofirela telytherepublicofireland 7/22452257707354557240087211123792674816 (7/9106685769537214956799814036094976)
25: definitelytherepublicofir efinitelytherepublicofire finitelytherepublicofirel initelytherepublicofirela itelytherepublicofireland nitelytherepublicofirelan 6/808281277464764060643139600456536293376 (6/236773830007967588876795164938469376)
26: definitelytherepublicofire efinitelytherepublicofirel finitelytherepublicofirela initelytherepublicofirelan nitelytherepublicofireland 5/29098125988731506183153025616435306561536 (5/6156119580207157310796674288400203776)
27: definitelytherepublicofirel efinitelytherepublicofirela finitelytherepublicofirelan initelytherepublicofireland 4/1047532535594334222593508922191671036215296 (4/160059109085386090080713531498405298176)
28: definitelytherepublicofirela efinitelytherepublicofirelan finitelytherepublicofireland 3/37711171281396032013366321198900157303750656 (3/4161536836220038342098551818958537752576)
29: definitelytherepublicofirelan efinitelytherepublicofireland 2/1357602166130257152481187563160405662935023616 (2/108199957741720996894562347292921981566976)
30: definitelytherepublicofireland 1/48873677980689257489322752273774603865660850176 (1/2813198901284745919258621029615971520741376)
nudity isn't inherently sexual but when the nudity is sexual BARK BARK BARK BARK you know?
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