#z-o-m-b-i-e-s 2

[deeply-unserious-fellow]

No because the thing is, Bucky's behavior in Z-O-M-B-I-E-S 2 would actually be perfectly fine if it WEREN'T FOR HIS PART IN STAND! Like, if he didn't have those few lines showing that he genuinely is reconsidering his values and starting to see the world differently, then you could very easily explain his sudden change in Z2 as him just faking the redemption in Z1 so he could come out on top. But he DID have those lines in Stand. He DID show genuine remorse. And then through the rest of the movie, he went through a surprisingly realistic change: at first he doubled down, not wanting to face the fact that he was wrong. He keeps spiraling and spiraling until finally crashing and burning at the cheer competition. Then, when Zed, Addison and Eliza offer to let him join, he refuses, and that could've been for a lot of reasons, but I think with the context Stand provides, a big part of his refusal is guilt. He feels bad about all the shit he did, and it took that crash for him to snap out of his denial and realize he was well and truly in the wrong. Then he goes off to sulk and shit for most of the song before Zoe approaches him, and I think that interaction with Zoe is what really solidified his desire to change. So he joins in on the big preformance and then everybody is friends now because this is a DCOM.

Also, while Bucky didn't actually do anything to earn forgiveness in Z1, I think it's also important to note that he's like, 17 at most in the first movie? He's still a kid. A kid who was raised in the DEEPLY toxic environment that is Seabrook, was put up on a pedestal for who knows how long, and going off of Addison's parents' behavior, PROBABLY HAS PRETTY BAD FUCKIN PARENTS! That kind of shit doesn't result in healthy people! LOOK AT JOJO SIWA!!!!!!!! Addison literally punched Zed in the face when they met for the first time because of the shit she was taught about zombies, the main reason she flips so fast is because she already got to know Zed before the reveal. Bucky deserves a chance to grow and be better, because everybody deserves a chance to get past their shit up bringing and be better. And HE FUCKING WAS!!!!!!! I CANNOT STRESS THIS ENOUGH, HIS LINES IN STAND ARE ENOUGH TO PROVE THE CHANGE HE WENT THROUGH IN ZOMBIES 1 WAS GENUINE!!!!!!!!

There's a reason I get so fucking mad about Bucky's character assassination. It's the same reason everybody hates Chloe's character assassination in Miraculous. Bucky is a kid who comes from, tbh not just a shit family, a whole shitty TOWN, and deserves the chance to escape that cycle. He was making genuine progress by the end of the first movie, and was on the path to maybe recovering from all the fucking problems being a local celebrity in HIGHSCHOOL can cause, but he was completely ruined in the 2nd movie either because Disney Channel can't handle a proper redemption arc in their Original Movies, or because the writers just needed a B plot and didn't know what else to do so they threw together the fucking e l e c t i o n p l o t l i n e. I fucking hate it here.

Anyways yeah stan Zombies Re-Animated for fixing Bucky :)

[intheirfreetime-uwu]

So...

I'm watching the Z-O-M-B-I-E-S movies for the first time ever, I'm about halfway though the second movie, and my poly/multishipper ass already romantically ships Addison and Zed, Addison and Eliza, Willa and Eliza, and Addison and Wyatt.

So I guess now Addison has three romantic partners and Eliza has two.

Moral of the story:

Hi, I'm gay, and I'm watching Disney Channel.

[liuwithheadcanons]

I know a lot of ppl see the zombies as black people but like,,am I the only one that sees them as black as well as mixed?? I see them as heavily mixed in general (’once humans now monsters.’) just makes me think of biracial/mixed people,,also maybe that’s why Zed was so idk, okay on making himself look ‘human’ aka ‘white’ in the 2nd movie: Hes European and *insert minority(s)* decent he just has to drop the parts that make him a ‘monster’ aka Zed went through the ‘too poc for the whites too white for the POC,’ aka Zed was trying to be white passing but wants to hang onto his heritage. But made concessions to drop certain ‘too poc’ parts 

aka if I had to race code I’d see the zombies as a mix of European with different percentages of black, north african, Asian, and middle eastern within them. I feel like the average European score would be like 30% and then the rest minority groups. But that’s just my silly little opinion 

(Also maybe Zed is more of the ‘white’ zombies, aka I mean like maybe 55% euro and the rest poc groups and so dropping some parts of his heritage was okay because he wasn’t as mixed as others.)

[graciellasamma]

Harry Hook au

Hi guys!! this is my drawing of Harry in my au where he is a werewolf like in Z-O-M-B-I-E-S 2 and 3 with his moonstone necklace around his neck it’s different like the rest of the pack because his necklace belongs to the Great Alpha, his mother that she gave it to him before she passed away so he could survive. If you want to know more here is the link for my oc: Zachary Allen Sparrow and read his bio, sorry if it doesn’t explain much, and I’m sorry if his hair is a lot different from the canon, I was trying to draw his hair like in the one in the Descendants 2 but a bit more wild and messy and it came to be like this, so sorry if you all don’t like it, but I’m proud I was able to make it because his hair is a bit too hard. I hope you all like it!!

[heartbreakfeelsgoodinablog]

There’s a new pack in town

[exceptional-z]

zed necrodopolis x reader

this is an au where zombies were never allowed to go to human high school. so zed is aged up (though age is never mentioned so you can imagine whatever) but has never been on the other side of the barrier. i attempted not to use gendered language but i tend to write with fem!reader in mind.

also please ignore any inconsistent verb tenses. english is not my first language and verb tenses are literally the bane of my existence. + i wrote this in like an hour

your family didn’t have much money growing up, hence why you lived so close to the gate. real estate was cheap since no one wanted to live near the zombies. but it also meant you learnt how to save money in as many ways as you could.

seabrook was all about perfection. if a mattress was two years old, it was time to throw it out and buy a new one. if a bike had a single scratch, it was thrown into the dumpster. all of the old items deemed as ‘garbage’ were brought to a warehouse that was emptied around every two weeks. and this was your favourite place to be.

you sneak into the warehouse. it’s late at night and there’s never any security around. you’re immediately greeted with piles of furniture and clothing and trinkets that are too unique to fit into the seabrook aesthetic.

you start to rummage through with the plastic gloves you always wear just in case any bugs or mice decide that this is a perfect place to burrow. lost in thought, you don’t hear the creaky door open, but you do hear the sudden shout that erupted from behind you.

your heart nearly stops beating at the sudden noise and your head swivels around. the lighting isn’t great, and you can only make out the vague shape of the person blocking your only exit. he looks fairly lanky, and if you squint you could make out some of his features. he doesn’t look much older than you and he certainly doesn’t scream “imposing”. he’s taller than you, but maybe if you caught him off guard you could knock him out with one of the many heavy objects splayed around you.

“i was told no one ever came in here,” the boy says. fuck, his voice is attractive.

“they don’t. in the three years i’ve been doing this i’ve never run into anyone else.” you answer, obviously suspicious.

“i’m uh- i’m just looking for a gift for my little sister,” he explains, “it’s her birthday soon and she said she wanted a new bike but we can’t really afford it.”

you relax a little at his explanation, sharing that you’d gotten into the habit of coming here to rummage for things since your family also doesn’t have much money. “i could help you look if you’d like? and even if we can’t find a bike, there’s a ton of cool stuff you can find if you’re willing to dig.” you offer.

you can’t be sure, but you think he smiles as he answers. “i’ll take any help i can get. my friend eliza told me to try coming here to look, but honestly, i’m a bit overwhelmed.”

you talk and laugh together for what must be at least two hours. you don’t end up finding a bike, but you find an old cheerleader outfit that looks to be in perfect condition. you can’t imagine why anyone would throw it out unless it just didn’t fit anymore. the boy -who still doesn’t have a name- literally jumped up in joy when he saw you holding the skirt from the set, doing a little celebratory dance that should have been embarrassing but was somehow endearing. (that’s how you figured out his little sister was obsessed with cheer).

eventually you have to part ways; it’s getting into the early hours of the morning and you both need to be getting home. he’s halfway down the street when you realise you never shared names and you yell out, “wait!”

he stops and turns around, and you jog to catch up to him.

“what’s your name, stranger?” you ask, “just in case we run into each other again.”

he tells you his name is zed, and you tell him your name in return. for a few seconds the both of you just stand in the street, memorising each other’s faces until you look away, shaking off the thoughts of how attractive he is under the starlight.

(bonus: when zed gets home, all he can think about is you. he wonders if eliza would recognise your name, or if he would possibly run into you if he chose to go to school for once instead of always skipping. he wonders where you live in zombietown, since he doesn’t recognise you and is sure he would remember seeing someone as gorgeous are you. he spends the next few days wondering, and then is in for the shock of his life when he sees you through the fence that blocks off zombietown from seabrook and learns that you’re human.)

[krystal-kade]

[finn-furry]

Silly little zeddison art

Based off this post made by @imjustavenuxwithaboomerang

Should I color it guys /genq

[average-emo-enigma]

You the alpha, the leader, and the one to trust, Frank?

[your-blorbos-are-queer]

willa lykensen from disney's zombies is queer (canon)

submitted by anonymous

[therottingwriter]

Everything is connected to Lab Rats

[deeply-unserious-fellow]

...Can you tell I really like Invader Zim and Hollow Knight?

Anyways uh- REFERENCES FOR ALL OF MY Z-O-M-B-I-E-S MONSTER HEADCANNONS WOOOOOOO FUCK YEAH!!!!!!!! These are all rlly self indulgent tbh, especially all the alien headcannons, but in mY DEFENSE! I can do whatever the fuck I want lmfao. Which means pointless patches of darker skin in very specific places on the zombies, references to raccoon Wyatt and alien lore that you have to do olympic level mental gymnastics to fit into the plot of the movies WOOOOOOOOOO!!!!!!

The ref sheet for the Armistian's true form is kinda old(and I've actually posted it on here before lmao), but I haven't actually changed anything about their designs besides like, a couple minor alterations to the colors, and I genuinely think the art holds up to my current standards, so I decided to just reuse those refs instead of redrawing them entirely. Also for the record I have a LOT more headcannons about the aliens, the werewolves and some rewrites to zombie lore to make zombieism more akin to a chronic illness then a race thing, I just don't feel like putting them in these ref sheets. Because that would take a lot more effort then I am willing to put in rn. Feel free to send me asks abt them tho!!! I love infodumping abt my Z-O-M-B-I-E-S headcannons and rewrites :D

My least favorite parts of drawing refs and stuff are one; I have to draw the characters in their underwear half the time so I fully understand where different markings and shit are supposed to go, which makes me feel weeeeird, and two; I never have the energy to give the characters unique poses and shit cuz I have to draw and write so much shit that they all end up just fuckin. Staring blankly at the camera. It makes me uncomfyyyyyy-

Also the "very strong bones" bit on Addison & Bucky's refs is a TFB reference. Because I am insane.

Ignore the fact that I'm literally posting this in the middle of the night I had a really hard time finishing Bucky's ref okay-

@imjustavenuxwithaboomerang

[halohalona]

sorry, i was watching Alex Meyer's video on Zombies 2 and I can't stop laughing at Wyatt in the scene where Addison discovers the moonstone is missing.

He just stands there like: 🧍😐

the whole time Willa was speaking 😭😭

i mean, at least Wynter had some sort of expression, but Wyatt litterally was just 😐

sorry i can't stop laughing 😭

[spectrophobiia]

okay dude i’m so sorry but i fucking love cringy disney channel musicals

[anonymouscheeses]

This is forever my favorite video.

[beta-adjacent]

@fairytalesociology

Thank you so so so much for your patience with me; I've been getting my footing back after starting school again :') I honestly don't remember what you'd asked me about anymore, but I know it was Zombies related so I'm just going to ramble about the franchise until I run out of steam, haha

The first Zombies movie has bothered me since it I first watched it, especially because of its ending. It looked like there was another cheerleading school competing against the Mighty Shrimp!! But that other team doesn't say Anything about Seabrooke, which irked me because.. why didn't they? If they knew about a zombie outbreak in this one town, and they saw cheerleaders who looked exactly like a zombie..... why did no one say anything about the zombies? The lack of their input implies, to me, that either this other school is a farce and Seabrooke is some Orwellian nightmare, OR that everyone is fully aware of Seabrooke and they do not care about the zombies for whatever reason (e.g. zombie outbreaks are common, the politics behind zombies has long-since been discussed, Seabrooke is a really conservative town). I wish we got Zombies 4 so we could see the world outside of Seabrooke!!! And it's a crucial part of my rewrite, especially since it'd make Addison realize how everyone thinks she's human, regardless of her hair color and rhinestones.

Speaking of Addison, I love her potential. Addison is best when she is played as an accidental villain, or at least constantly at moral odds with herself. Addison's flaws primarily stem from her privilege and white guilt, originally perpetuated by her environment being too close-minded, but continues to be perpetuated by her choosing ignorance and neglect of her privilege (which unfortunately in the canon leads to little or no consequence). Even now, in the main series, she's got good foundations for showing how activism can go downhill, or be/become superficial; there's a powerful story there that I want to tap into.

So, in my rewrite, I want Addison's journey of becoming a proper activist to be really clear. In Zombies 1 & 2, I need the characters to full-on call her out on her malarkey. I'd love it even more if marginalized groups like the zombies can't say anything right away, and that builds and builds, and suddenly Zed and Addy get into a huge argument. I even like it if Brianna -- yes, Brianna, the "black best friend" stereotype in the movie about battling racial stereotypes -- had this fight with Addison!!!

I want Addison to have a big fight with Zed, hear the things she doesn't want to hear, and be a coward for a second. I need her to run back to her human friends and family to get some space, only for her to realize that she has the privilege to run away at all Maybe she cries to her parents and her dad threatens to tell the authorities about Zed, despite him doing nothing wrong, and Addison gets this clarity. . She could've done anything to Zed, to his reputation or career or life, in that moment due to her anger; he was lucky that all she did was go to her family. And realizing the power she has over her boyfriend because of her social statuses is what makes her return to Zed with humility. I mean, maybe this borders on too unrealistic, haha; the point is simply that Addison needs to see how she is still like her human friends/family in many regards.

By the end of the series, I want Addison to understand that, regardless of her heritage, her role in Seabrooke is as a human ambassador. Her arc should feel like she learned how her privileges and guilt impact those around her, and how to help a new race of monster without immediately trying to become one of them.

But, of course, that all doesn't even begin to touch on the other major gripe people have with Addison-- her suspicions that she's different were actually correct, and worse, she's rewarded for it. In my rewrite, I want Addison to get confirmation that she's part alien way earlier, ideally at the end of Zombies 2. I think for the best long-term arc, her learning she's generally not human should start at the end of Zombies 1.

Ideally, the reveal she's not human is a private confession from the mom at the end of Zombies 1, which makes Addison's conflict in Zombies 2 a choice-- she can either reveal herself as monster, or she can keep it to herself. Again, that's a huge privilege for her, one that the zombies and werewolves can't afford (as Zed himself demonstrates in Zombies 1). Based on Addison's choice, the world becomes our oyster! Addison can try sneaking away by herself to find answers in Zombies 2 such that she finds the werewolves (instead of it being a matter of fate/luck); she can try leaving Seabrooke altogether; she can come clean and watch her human peers not care (or maybe they do ostracize her like she feared; that's a plotpoint that's not really explored in the original canon). In my perfect world, Addison ends up doing some research, and ultimately causes the aliens to arrive. Maybe the group decides to help her at the start of Zombies 3, or they try to but can't because they're all going away and graduating while Addison feels stuck. Maybe Addison talks to her to-be-deceased grandma, or a similarly-knowledgeable loved one, and inspired by those stories, she chooses to summon the aliens despite not knowing the worldly consequences. Regardless, when Addison gets to engage in her alien culture, I think she needs to be an outsider who learns (hopefully already knowing how to respect another culture thanks to Zombies 2).

Again, Addison is root of a majority of the conflicts in this rewrite because I like her that way, haha. The original canon makes her so paradoxically selfish despite her empathy with sense of justice. It just makes sense to explore a world where Addison's selfishness keeps getting the best of her. I want redemption for Addison; I just make that a very difficult process, haha.

Here are some other comparatively small thoughts about the franchise:

The end of Zombies 3 where Bucky takes over the ship absolutely rocks me because for someone who cared so much about hating on the zombies & co... how did he handle learning he's an alien?? Similar to Addison, Bucky in the canon gets all the benefits without the repercussions. So when Addison learns about the alien thing, I want Bucky to be there too. Actually, wait here we go!!!! Bucky summons the aliens, not Addison; he becomes the villain for Zombies 3. This then allows Addison to teach Bucky everything she's learned over the last two movies about how to be a good person.

Also, Eliza should've been president in Zombies 2; her entire arc was building up to that and her subtle ways of demonstrating how she is a leader and struggling with how to be a passionate revolutionary without turning to violence. Zombies 3 should've then been about her struggling to make change within the bureaucracy of the school instead of being away at college.