#yulia krivich

[ortut]

Yulia Krivich - Przeczucie/Presentiment (book), 2015

[moradadabeleza]

Yulia Krivich

[joeinct]

From Daring & Youth, Photo by Yulia Krivich

[boglady]

Yulia Krivich, ‘Przeczucie’ (2015)

[sunkentreasurecove]

[le-immorte]

Yulia Krivich

[golinskalazarczyk]

Yulia Krivich for Magazyn Szum

[particellare]

Fotografia Europea 2018 - Reggio Emilia 05-05-2018 (parte 1)

Fotografia Europea 2018 – Reggio Emilia 05-05-2018 (parte 1)

Joel Meyerowitz

Mishka Henner

Simone Sapienza

Danila Tkachenko

Gohar Dashti

Yulia Krivich

Francesca Catellani

Spazio Gerra

[mutilando-se]

 Por Yulia Krivich

[romualddem]

Potential Narratives

Yulia Krivich, Jean-Samuel N’Sengi, Tomasz Saciłowski

@ Pracownia Wschodnia,  Trzy Kruki & JIL, Warsaw Oct 19—Nov 6 & Dec 22, 2022

Jean-Samuel N’Sengi, Esther, 2018. Courtesy of the artist. 

The exhibition features a few projects that use the medium of photography in various ways, introducing seemingly distant approaches to “taking” pictures — from experiments in the darkroom, through observation and documentation of nature, to post-art or performance-for-camera.

Potential Narratives is also a platform for text, podcast and discussion touching upon the issues of « developing » photos and their manipulation, as well as shaping our understanding of reality.

In her work, Yulia Krivich (born 1988) brings together documentary and artistic photography as well as merges political themes with personal narratives. Krivich’s decolonial take on interdependence of the art field and geopolitics in the context of the Russian full-scale invasion of Ukraine in conjunction with the artist’s involvement into projects developed collectively aimed at updating notions of Eastern Europe, become an important commentary on agency in times of overlapping crises. By using photography, video and performance, Jean-Samuel N’Sengi (born 1994) evokes artistic-and-historical references and incorporates personal themes into his work, creating vibrant and tense images. N’Sengi combines visual self-expression and introspection, as well as balances between the present and the past, exploring relationships with his own body and the bodies invited to joint performative projects and choreographies. Brussels-based artist situates himself in the body of the ‘other’, incarnating multiple identities to visualize notions of queer subjectivity and subversion. 

Tomasz Saciłowski (born 1972) showcases an environmental work composed of multi-colored ‘drawings’ made in darkness with a laser on transparent foils used in advertising. In order to create his photograms, Saciłowski uses diverse materials and techniques of analog photography, often referring to nature and recycling of the half-damaged photo-and-graphic resources or film tapes. Saciłowski continuously deconstructs the aesthetics with which he is associated.

The exhibition is accompanied by the publication including: conversations with Yulia Krivich and Tomasz Saciłowski & an essay on Jean-Samuel N’Sengi’s work

Acknowledgements: Kuba Falk (potentially queer reading group: The Master’s Tools Will Never Dismantle the Master’s House by Audre Lorde), Mikołaj Grabowski (graphic designs) & Paulina Mirowska

Curated by Romuald Demidenko 

[littlebrownmushroom]

Recently Received: ”PRESENTIMENT” by Yulia Krivich

[matthiasmhalder]

Yulia Krivich, Dnipro, Daring Youth, 2015–2018. The series is named after a homeless hooligan group. #PinchukArtCentre #номінантиPinchukartcentreprize2018 #artprize #daringyouth #youngartists #pinchukartcentreresearchplatform #TatianaKochubinska #VictorPinchukFoundation #contemporaryart #kiev #selfexploration #sociopolitcalnarratives #constructionofutopia (at PinchukArtCentre)

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Yulia Krivich

[anilmanchego]

thegreatinthesmall: Yulia Krivich https://ift.tt/39wZFhf

[golinskalazarczyk]

Yulia Krivich for Magazyn Szum

[jamespbrady]

After the rain, Crimea by Yulia Krivich