#yukiyo toake

[byneddiedingo]

Yukiyo Toake and Go Kato in Children of Nagasaki (Keisuke Kinoshita, 1983) Cast: Go Kato, Yukiyo Toake, Chikage Iwashima, Masatomo Nakabayashi. Screenplay: Keisuke Kinoshita, Taichi Yamada, Kazuo Yoshida, based on writings by Takashi Nadai. Cinematography: Kozo Okazaki. Art direction: Masataka Yoshino. Film editing: Yoshi Sugihara. Music: Chuji Kinoshita Keisuke Kinoshita was haunted throughout his life by the disaster that militarism inflicted on his country. His early film Morning for the Osone Family (1946) is a depiction of what one family, divided by its attitudes toward the war, went through during its waning years. Twenty-Four Eyes (1954), perhaps his best-known, is a sentimental yet oddly powerful anti-war film that takes place in a pastoral setting virtually untouched by bombing raids, yet deeply wounded by the conflict just over the horizon. Children of Nagasaki was one of his last films, and one of the few he made that directly confront the physical horror of the war. It's essentially a biopic of Takashi Nagai, a physician who survived the nuclear explosion in Nagasaki and devoted himself to writing about the event and its aftermath, using his training as a radiologist to document the effects of radiation. Most of Nagai's writing was censored by the occupation authorities and not published until after his death in 1951 from leukemia, with which he had been diagnosed before the bomb fell on Nagasaki.  In the film, Nagai (Go Kato) is at work when the bomb is dropped, killing his wife. His two children are in the country with their grandmother, and with her help he goes about the task of rebuilding their home and their lives. The film, which begins with scenes from the visit to Nagasaki by Pope John Paul II in 1981, is suffused with Nagai's Roman Catholic faith, and while it's not clear if Kinoshita shared Nagai's faith -- the director is buried in a Buddhist cemetery -- he treats it with deep respect, even reverence. Children of Nagasaki is an uneven film, a little too heavily didactic, as the literally preachy use of the pope to open the film suggests. Three-quarters of the way in, Kinoshita suddenly and clumsily switches to a narrator, Nagai's grown son, reflecting on the life of his father. But he makes one striking choice: not to depict the horrors inflicted on the people of Nagasaki by the bomb at the point in the narrative when they occur, but instead to show them at the end of the film in a flashback, reinforcing the point that such a story can't really have a happy ending.

[cinemaronin]

Oar (1985)

櫂 Oar (1985)  directed by Hideo Gosha cinematography by Fujio Morita

[audiemurphy1945]

Spring Dreams(1960)

[anamon-book]

シネ・フロント No.86 OCT.1983 シネフロント社 特集「魚影の群れ」

[doraemonmon]

Yukiyo Toake  十朱幸代

[ozu-teapot]

Zatoichi’s Conspiracy | Kimiyoshi Yasuda | 1973

Rei Yokoyama, (Shintarô Katsu), Yukiyo Toake

[hidekokogure]

Yukiyo Toake in “Kai” (Hideo Gosha, 1985)

[everyfilmisaw]

震える舌 (writhing tongue) by Yoshitarō Nomura, 1980

[krbyskrn]

ウホッホ探検隊

[iuibay-blog]

Watching The Catch Online

The Catch movie download

Actors:

Kôichi Satô Ken Ogata Yukiyo Toake Saburô Ishikura Masako Natsume Leonard Kuma Eiichi Kudo Enraku Sanyutei

Download The Catch

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York Street film Serva e padrona film

[ozu-teapot]

Zatoichi’s Conspiracy | Kimiyoshi Yasuda | 1973

Yukiyo Toake, Shintarô Katsu

[doraemonmon]

十朱幸代  Yukiyo Toake

[doraemonmon]

Yukiyo Toake   十朱幸代

[fuckyeahmeikokaji]

Poster for Women’s Police (女の警察), 1969, directed by Mio Ezaki (江崎実生) and starring:

Akira Kobayashi (小林旭), Noriko Maki (牧紀子), Mina Aoe (青江三奈), Yukiyo Toake (十朱幸代), and on the right in the towel, Meiko Kaji (梶芽衣子).

http://fuckyeahmeikokaji.tumblr.com

[fuckyeahmeikokaji]

Poster for Women’s Police (女の警察), 1969, directed by Mio Ezaki (江崎実生) and starring:

Akira Kobayashi (小林旭), Noriko Maki (牧紀子), Mina Aoe (青江三奈), Yukiyo Toake (十朱幸代), and down in the bottom right in the towel, Meiko Kaji (梶芽衣子).

http://fuckyeahmeikokaji.tumblr.com