#yukine miyazawa

[butterflyangel2002]

[frickingnerd]

Clannad Masterlist

Tomoya Okazaki

Nagisa Furukawa

Tomoyo Sakagami

Kyou Fujibayashi

Ryou Fujibayashi

ryou's s/o accidentally kissing the wrong twin - headcanons

Kotomi Ichinose

Fuko Ibuki

Yukine Miyazawa

Misae Sagara

Kappei Hiiragi

kappei with a crush who's resistant to fall in love - headcanons

[mahogakko]

strategywiki.org – Clannad, Yukine Miyazawa route walkthrough

[fuckyeahanimebirthdays]

Yukine Miyazawa (Clannad)  » August 7

[iampizzakpop-blog]

ANIME ZODIAC PART. 1

TODAY’S ANIME ZODIAC: CLANNAD

SO LET’S START

Aries: Nagisa Furukawa

Taurus: Tomoyo Sakagami

Gemini: Ushio Okazaki

Cancer: Kotomi Ichinose

Leo: Youhei Sunohara

Virgo: Sanae Furukawa

Libra: Misae Sagara

Scorpio: Yukine Miyazawa

Sagittarius: Fuko Ibuki

Capricorn: Tomoya Okazaki

Aquarius: Akio Furukawa

Pisces: Ryou Fujibayashi

[asymmetric-isolation]

Some appreciation for the Clannad Girls. Wish there was still a real community to talk about this show with...

[japanese420]

[clannad-key]

[frickingnerd]

characters i'm taking requests for:

while i'm not fully opening requests yet, there are some characters i wanna write for, so i'm taking requests for them specifically! after one character is requested for, they'll be cut from this list!

current status: open

if it becomes too much, i might put this on hold for a few days

clannad:

kyou fujibayashi

kotomi ichinose

fuko ibuki

yukine miyazawa

misae sagara

dandadan

momo ayase

ken "okarun" takakura

jin enjoji

aira shiratori

vamola

rwby:

velvet scarlatina

coco adel

yatsuhashi daichi

glynda goodwitch

summer rose

taiyang xiao long

persona:

erina

toshiro

zen

rei

extra category for oneshots

i've been a bit more in a oneshot mood, so here are characters for oneshots specifically! please bring oneshot worthy ideas!

persona:

makoto niijima

yusuke kitagawa

yu narukami

yukiko amagi

rise kujikawa

kotone shiomi

mitsuru kirijo

rwby:

yang xiao long

weiss schnee

nora valkyrie

lie ren

danganronpa:

shuichi saihara

kokichi ouma

hajime hinata

fuyuhiko kuzuryu

xenoblade:

melia (xc1)

shulk (xc1)

dunban

alvis

rex (xc2)

nia (xc2)

morag

brighid

jin

mikhail

patroka

mio

sena

lanz

[ultraericthered]

Anime Update 27

CLANNAD After Story - It took us a good long while but we’re finally getting some background and focus on Yukine Miyazawa. And it’s welcome ‘cause...damn. Yukine is awesome. Not only does she have one of the best theme musics in the soundtrack, but she’s one of the nicest, smartest, most mature characters in the series...while playing the role of “big sister” to a bunch of big, tough, delinquent gang members. Pretty much leading the gangs in her big brother’s absence. And since I can already predict the reveal we’re headed towards with this suspiciously absent brother, she pretty much just leads the gangs, all while never changing her gentle, pleasant demeanor. That’s badass, yo. I hear she was meant to be one of the main characters but since Maeda and co. just couldn’t crack a way to make her arc work, she was changed into a minor character with an optional route. But this arc in the anime is actually a lot different from anything that was in the visual novel, with more action, stakes, and dramatic character focus for Yukine, so I guess this was their do-over for her. Another thing that stood out to me in this episode is how I continue to be really, really impressed at how much Greg Ayres’ voice acting for Sunohara has improved since the start. It used to induce cringing from me, but now it’s very consistently making me laugh. We’ve not too much left with Sunohara after this arc, so I’d better enjoy him while I still can! The part I wasn’t that big on? The goddamn Junk Doll and Girl In the Illusionary World at the start. AGAIN. Normally I like these scenes due to the unique mood and animation quality they bring, but I’m at the point where I want them to just shit and get off the pot already. Which I know cannot happen until much later on, so I just wonder why they have to always show up at the start of each new arc? All it’s doing is creating fatigue.

Dragon Ball - Finally got back around to this, watching the episode that officially closed out the pirates cove story and set things up for General Blue striking back (How the fuck did he survive the cavern collapse? What is this dude MADE OF?) The next three episodes are Penguin Village Time, so I’ll get them done in one sitting this week!

Love Live! - That’s a wrap on the first season and wow, can I just say that this show REALLY doesn’t know how to properly handle and execute drama? I mean, I was on board for it in Episode 12. µ's lost out on their shot at Love Live due to Honoka falling ill and needing to recover, but when it then turned out that they were still able to save the school for at least another year, I was wondering if we even needed this Kotori plot point to follow through on, as with the core driving conflict resolved, this could come off as conflict for it’s own sake. But what finding the truth about Kotori led to for Honoka was actually great - in addition to kicking herself for losing µ's the chance to perform at Love Live AND kicking herself for her lack of empathy for Kotori, Honoka looks at A-RISE as they’ve triumphed at Love Live and goes “What did I think I was doing here? We’ll never be on the level of real idols like them!”, so she decides that SHE will be walking out on µ's before Kotori does, leading to the group disbanding. Nico’s reaction was especially great given how much being an idol and helping an idol group garner success has meant to her, and Umi slapping Honoka in the face was the perfect (and much appreciated) note to close that on...and then came Episode 13. Honoka seemed to backtrack on her previous position far too easily given what we saw before, leading to a climax that not only failed to be believable or emotionally resonant but was outright morally sketchy to me. On one end, Honoka getting encouraged by Umi to “go and be selfish” by stopping Kotori at the airport, where she’s got all her stuff together and is just getting ready to take her flight overseas, grabbing her by the arm and begging her to stay with them...and that’s enough to get Honoka what she wants, as Kotori drops all her fully set plans and chooses to stay. It’s like it’s saying if you’re charming enough about your own self-admitted selfishness, that selfishness will pay off, and it’s especially egregious when Kotori’s mother has zero reaction to Kotori doing this and is just enjoying the big µ's concert. But on another end, it seems almost unfair for Honoka to have to apologize to Umi for being a terrible friend who let her selfish wants and self doubts plague her to the point of dismissing the feelings of others when Umi...isn’t exactly innocent of that either. In fact, I’d say she was usually MORE guilty of that towards Honoka than Honoka was towards her, so when we get a scene with these two character, one of them admits to being the worst friend ever...and it’s Honoka? This makes no sense! But with that said, I liked Honoka having a “I did it for me” moment of open honesty and clarity, and before that I really liked that moment between Eli and Honoka. It was the first and only time this season I saw anything resembling emotional integrity and solid development from Eli! Where was THIS all season? Why wasn’t Eli’s role and growth as a character more reflective of this? And when all was said and done, µ's killed it with their concert performance, finally filling up the auditorium and delivering a perfectly satisfying end to the story...for now, at least. (Also, I caught Honoka’s father with his family in the audience. Holy shit...a man! An ACTUAL MAN!)

My-HIME - Nao Yukki has been seen in cameos at least twice before now, and now we finally get our proper introduction to her character, learning who she really is and what she’s all about. With our resident Dark Magical Girl, Natsuki, quickly proving to be not so dark, we needed an actual evil HIME girl, which Nao serves at. Like if Natsuki is Homura Akemi, Nao is Kyoko Sakura. Despite her stealing all her scenes with her cattiness, her misandrist ways, her unashamed devious bitchiness and her hilariously phoned in voice acting, the episode was also very much dedicated to Mikoto, how she doesn’t want to be seen as a tagalong kid and how she’s still searching for her big brother even when he’s obviously right there in front of her at the school. These issues led to her falling in with Nao and helping her hunt down random dudes just in the off chance that her brother could be one of them. Also notable would be how Midori continues to be wild, crazy and hilarious, the art teacher and the pastor don’t seem trustworthy, what is even up with Akane, what the actual FUCK is even up with Nagi, and the episode’s climax was so insane. Didn’t really get that ending, though. Set-up for the episode that’s to follow?

Ace Attorney S2 - As top notch excellent as Trial & Tribulations is, I’ve come to notice some of it’s drawbacks, and the three episodes that make up this case, “Northward, Turnabout Express”, exposes one of the biggest: it doesn’t have this case in it. Yes, this case is an anime/manga original story not found in any of the Ace Attorney games. And yet it’s easily one of my absolute favorite non-finale cases in the entire franchise. I IMMENSELY enjoyed every minute - no, every second of this case, so much so that I watched all three episodes back-to-back all in one night. It doesn’t really advance anything related to any overarching narrative, but I still feel like it’d fit right into an actual game and would’ve greatly benefited from more investigations or extended recesses in between the big trial - more time with the character and to develop the story that was driving all the action. It’s a brilliant send-up to Agatha Christie mysteries (the “Murder On The Orient Express” influence isn’t hard to spot) and features two different antagonistic forces at work - three if we’re counting the assassin dude who became the present day murder victim. Avery Richman (great punny name, btw - I only just got it after everything was done) and his men hijacking the train, rearranging it’s cars and everything, to force a retrial of the crime over which he became a fugitive of the law was all kinds of nefarious and fucked up, but I ended up feeling sorry for the guy ‘cause he really had been set up to look guilty of a murder he’d not committed and his trial really was a miscarriage of justice, and the fact that he was planning to kill himself at the end of the retrial caught me totally off guard. The true villain, Tristan Turnbull, had much less of my sympathy, as he was ultimately a petty scumbag willing to cheat at justice and hold up his country’s system of law and order as perfect just to compensate for his own inadequacy as a prosecutor. The rest of the cast was great - I loved how Phoenix, Maya, Gumshoe and the Judge were used here, and when it cut to America and Edgeworth showed up on screen, I was like “Yes. YES. HELL. YES!” This was the first time seeing him in the present day of Season 2 aside from the very last minute cameo in “Sound the Turnabout Melody”. Oh how I’d missed the fabulous bastard. There were a few nitpicks here and there. For example, First Trial and Second Trial end on essentially the exact same note - Gumshoe screaming “WHAT’S GOING ON HERE?” as the train chugs along into the snow night. But this was quality Ace Attorney on the whole, despite having no basis in the original games.

Nadja of Tomorrow - First off, to approach this episode as though I were going into it completely blind...this one had a MAJORLY uncomfortable vibe to it, especially by the time it reached the end, so this might just be the second-coming of “A Lie at the Alpine Flower Festival”, my most hated episode to date. But whereas that one had Zabbie needing to suffer for being a tomboy before sucking it up and embracing femininity, this one takes a girly girl, Nadja’s old pal from Applefield’s Orphanage named Rosemary, and is just exceedingly cruel to her throughout the episode. She has an easily sympathetic situation where life in the wealthy estate she’s now staying in wasn’t the romanticized dream life she would’ve liked it to be because she’s serving as a maid there (treated like dirt by the other maids, verbally abused by that little shit Fernando Gonzales, and even having a dark and dismal looking attic as her quarters!), so she’s mentally retreated into her “Princess Rosemary” childhood fantasy to delude herself into thinking she’ll be swept off her feet into a fairy tale life in due time, even when that time comes no closer the longer she endures her miserable Cinderella story. There’s being Wrong Genre-Savvy and there’s being mentally disturbed, and the episode at random points seems trying to paint Rosemary as being the latter. She and Nadja clearly adore each other (the flashbacks to their shared time as kids was so precious) and Nadja attends Fernando’s birthday party in order to save Rosemary from getting fired, so we should be expected to want to see Nadja successfully help Rosemary out. But the episode throws in stuff like Rosemary thinking “Poor Nadja - she’s never going to get what she wants and find her mother no matter how far and wide she looks. Not like me - I’m getting that princess life I want eventually!” as if we’re meant to anticipate an ironic downfall for her that’s to come. And oh boy, does it ever come. What the actual fuck WAS that ending? That entire episode worth of set up and for what? A really contrived misunderstanding, a full-on mental breakdown from Rosemary that really hurt to watch, Rosemary deeming Nadja a TRAITOR! and shattering that mirror she’d always been looking at her “true self” in, zero payoff for Nadja’s two traveling nobleman pals even being involved here, zero comeuppance for Fernando after he literally caused this whole mess to begin with, and zero resolution for ANYTHING - Nadja can’t find Rosemary in the manor and is calling all over for her and the episode just abruptly stops right there! I think Episode 26′s ending/cut to the ED credits was less cruel than this! You’re just left asking, like with the Zabbie episode, “what was this episode trying to SAY?” What was being conveyed here? What was the point? If there’s no point to such a miserable affair, why subject the audience to it at all? ‘Cause by the end, all we’re left with is a mean-spirited story of a girl who gets cruelly punished for daring to dream. I dunno...maybe Rosemary’s gonna be the villain going forward? I mean, that whole “TRAITOR!” thing and the way she looked in her last shot did seem to suggest that Nadja’s made an unexpected and powerful enemy this night. The episode was titled “The DANGEROUS Princess”, after all. Guess we’ll just have to wait and see....

Now then, for my completely honest thoughts that I’ve been sitting on since last week: ......YAAAAAASSS! ROSEMARY! MY FUCKING EVIL PRINCESS GODDESS! SHE’S FINALLY FUCKING HERE! ROSEMARY! ROOOOOSEMARYYYY! OOOOOH FUCK YEAH!

No shit, this is the character I’ve been waiting for. If anyone has searched my blog for any prior history of Ashita No Nadja on it, they’d know this was my favorite character. This is the character that drew me into the series way back when to start with. I only followed the second half of the show because that’s the half that has fucking Rosemary in it. The place this show will go with this particular character, this 13 year old girl who will be stepping up to the plate to be the most formidable, intelligent, and positively diabolical villain in the story, is going to be amazing to revisit once we get to it. She goes absent for the next few episodes after this one (but at least we’re back to Jose and Carmen next!), but it’s not going to be long at all not only before we see her again but before she becomes a linchpin in a plot that will take center stage for the remainder of the story. 

Mobile Fighter G Gundam - For the first half of this episode I was finding myself so aggravated at Domon still failing to grasp the lesson that could’ve completed his training and could power his up his Gundam’s Super Mode the proper way, but I was also laughing at Master Asia...well, being Master Asia. “Get mad! Get mad! Get mad! Get so mad that it drives you mad!” I fucking love this man so much. It was satisfying then when the second half not only had Domon finally come around to getting it as he traded blows with both the Master Gundam and the Dark Gundam, but it caused a literal Super Saiyan transformation set off by, ironically, the total opposite of what causes Super Saiyan transformations. Most anime tend to glorify anger and rage as a power-up emotion, which leans a bit too much into the concept of Toxic Masculinity for comfort, so it was really nice to see G Gundam say “No, being driven by your anger makes you weaker. Having a tranquil mind and keeping focus on the things you love, want to live for, and must fight to protect, is the true source of power.” The Dark Gundam and Kyoji have seemingly been destroyed now, but I already know the Dark Gundam, our overarching series antagonist, isn’t done for good, and this episode alone was laying on the “Schwarz Bruder = Kyoji” thing SUPER thick. Like, you don’t know HOW he’s Kyoji yet when Kyoji was clearly right there at the same place and time he was isn’t apparent to the audience yet, but THAT he’s Kyoji in some way is all too clear now. What is clear is that we still have Master Asia to deal with, and the Burning Gundam sent out by Neo Japan just so happens to break through the atmosphere right at the very end. Wow. Talk about plot convenience, am I right?

AND

Black Lagoon - Watched Episode 3 of this series, as it’s been a while since I’d watched the first two episodes. Talk about an episode about nothing. There was literally nothing going on for Dutch and his pals in the Lagoon Company until some asshole criminal went and contrived something to happen to them, setting them up on a false job just so he could send a rival pirate crew out to kill them. Not sure how I feel about that, ‘cause I almost would’ve liked to have just followed Dutch around for a whole episode without any such excitement happening. I know Dutch is technically a bad person, but he’s so damn interesting, so smooth and so hardcore in a very understated way that you can’t help but like the guy. When the action did happen, Revy got to be the standout again. Seeing her just go and massacre that entire crew of increasingly panicking pirates called to mind that big Darth Vader scene at the end of Rogue One. It’s almost discomforting when a character you normally find cool or funny suddenly turns into this absolutely terrifying nightmare and reminds you of what a true psychotic, murderous villain they are - people live in fear of them for a REASON. Slightly less scary but still intimidating as shit would be Balalaika. The second she walked into the room to confront that guy who set the Lagoon Company up, he was dead. I knew he was dead, he knew he was dead, we all knew he was dead. It’s very reflective of this show’s tone that it then ends on a “let’s all go out for drinks!” note right after we’ve seen a guy get blown up very casually by a mob boss, as almost a background event. So twisted, but you can’t say you didn’t have fun with it!

[ebonysquib]

Finished yukine's route and I'd just like to say I'd die for her

[chols-animation-analysis]

again, sorry for the late post. In this episode chol see’s a girl that even he, claimed fan of the show, doesn’t remember.

[freetobeafcknriot]

━━━━━━　❃

𝐼 𝑤𝑎𝑛𝑡𝑒𝑑 𝑡𝑜 𝑓𝑒𝑒𝑙 𝑛𝑜𝑡ℎ𝑖𝑛𝑔 𝑤ℎ𝑒𝑛𝑒𝑣𝑒𝑟 𝐼 𝑠𝑎𝑤 𝑦𝑜𝑢, 𝑏𝑢𝑡 𝑦𝑜𝑢 𝑙𝑜𝑜𝑘𝑒𝑑 𝑚𝑒 𝑖𝑛 𝑡ℎ𝑒 𝑒𝑦𝑒𝑠, 𝑎𝑛𝑑 𝐼 𝑓𝑒𝑙𝑡 𝑒𝑣𝑒𝑟𝑦𝑡ℎ𝑖𝑛𝑔 𝑎𝑡 𝑜𝑛𝑐𝑒.❞

post attingente al bnha!au degli yakunoya con un ELENCO COMPLETO DI TUTTI I PERSONAGGI. con linkata una theme song se la trovo lol

➥ u.a. academy, classe III-A:

gekko perona

grinberryal yuno

hyakuya mikaela

inagaki kohaku

kagemori michiru

khun aguero agnis

kuramochi youichi

li yona

mikoshiba mikoto

nanami touko

nishinoya yuu

nozaki umetarou

serinuma kae

shinomiya kikoru

tadano hitohito

➥ u.a. academy, classe III-B:

fujioka haruhi

furuhashi iharu

gibson usopp

hitachiin hikaru

hitachiin kaoru

ichikawa reno

oki taiju

shishio tsukasa

tanaka ryuunosuke

➥ u.a. academy, classe III-C:

kashima yuu

➥ u.a. academy, classe III-E:

ennoshita chikara

➥ u.a. academy, classe III-F: 

ogawa yuzuriha

sakura chiyo

➥ u.a. academy, classe III-H:

ishigami senku

lee chrome

➥ u.a. academy, classe II-B:

mikoshiba momotarou

➥ u.a. academy, classe I-A:

izumi kyouka

miyazawa kenji

tajiya kohaku

➥ u.a. academy, docenti e personale:

franky

kominato ryosuke

korosensei

rengoku kyōjurō

yaku morisuke

yosano akiko

➥ shiketsu high school, classe III-A:

akaashi keiji

hyakuya yuichirou

kirisame

mozu

saotome yoichi

➥ shiketsu high school, docenti e personale:

ichinose guren

➥ heroes:

arahabaki  ( nakahara chuuya )

echoes  ( lindel )

silverlight ( komi haruki )

sonar  ( saionji ukyo )

➥ quirk users:

fukuzawa yukichi

hiiragi shinya

kuroo tetsurou

tajiya sango

➥ civilians con quirk:

ishigami byakuya

nanami ryusui

nanami sai

nishinoya mariko

nishinoya mineo

nishinoya shinya

tanaka saeko

shimizu kiyoko

tajima haruki yukine

➥ civilians, quirkless:

edogawa ranpo

➥ villains noti:

akaza

tendou satori

➥ vigilantes:

ryokuryuu  ( jaeha )

unknown  ( dazai osamu )

yato  ( unknown )

[ilovedangos]

CLANNAD Relationship

In less than a sentence...

Girlfriend/Close Friend

Tomoya: Nagisa

Nagisa: Tomoya-kun... (bashful)

Girlfriend/Friend

Tomoya: Tomoyo

Tomoyo: Tomoya (smiles)

Good Friend and Acquaintance

Tomoya: Kyou! Fujibayashi!

Kyou: Tomoya!

Ryou: Okazaki-kun?

Childhood Friend

Tomoya: Kotomi-chan

Kotomi-chan: Tomoya-kun.

Close Friend

Tomoya: Fu-chan!

Fuko: Okazaki

Best Friend

Tomoya: Sunohara!

Sunohara: Okazaki!

Friend

Tomoya: Miyazawa

Yukine: Okazaki-san

[allwaysofpersonalitytyping]

CLANNAD: Miyazawa Yukine (INFJ-A)

Dominant Introverted Intuition: Miyazawa relies on her intuition to perceive the world around her. She senses which magical spell works for whom talks to her.

Auxillary Extraverted Feeling: She feels others emotions and acts accordingly. Miyazawa feels how her brother feels, yelling at the 2 gangs to cease fighting and make peace with each other.

Tertiary Introverted Thinking: Miyazawa is thoughtful in her words in actions due to a detached sense of logic. She figures out a way to stop the gang fight is disguising as her brother. She's shown to be very theoretical in her thoughts about the light orbs.

Inferior Extraverted Sensing: She has awareness of her surroundings but struggles to rely on such. Perceiving information in the present stresses Miyazawa out.