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paperclipninja · 4 years ago

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Younger post-ep ramble 7x01

I joked in my finale ramble at the end of season 6 that the episode was called ‘Forever’ because that’s how long it would feel between seasons...well joke's on me because now, after 587 days, we are FINALLY here. The Younger drought has been a tough one, but we have been generously compensated by getting the first four episodes all at once, which is both exciting and also, turns out, incredibly overwhelming. As usual the thoughts and feelings are many, mostly feelings (read: I am NOT ok) but let’s start off with a delve into the premiere episode, ‘A Decent Proposal’.

The episode picks up within minutes of where the season 6 finale left off, with Diana and Enzo not wasting any time to hot foot it out of their wedding reception and into their happily ever after (Arrivederci bitches!). Of course I’m very happy for Diana and her happiness but there’s only one couple’s happiness that I am on tenterhooks about now that Diva is sorted and that is Charles and Liza, as they watch their sprinklers fizzle out in some sort of awkward, symbolic, anti-climax.

You may recall that mere moments earlier, Charles had popped the question on the dancefloor before the two were separated by an obligatory conga line, and Charles quickly assumes that Liza’s lack of enthusiasm to shout her answer across the reception of another person’s wedding is an answer in itself. As anyone who has read my rambles before knows, I unapologetically fly the Team Charles flag, and let me tell you, despite her supreme stalling techniques (you’re not divorced yet, we should probably speak to the children blah blah), hearing Liza say, ‘my answer is, I love you’, my jaw hit the floor. I’m sorry, did Liza Miller just declare her feelings openly and directly and with absolute certainty??? We’re 33 seconds into the new season and I AM SHOOKETH DARREN.

Speaking of declaring feelings openly and directly, I love absolutely everything about this opening scene. The music choice was perfect and really helped build the moment, as Charles told Liza he understands her hesitation before un-asking her to marry him (so that when the she’s made her mind she can pop the question - I kid you not, this has always been my dream...). The music cutting out and just hearing the crickets as Liza asks if he’s really withdrawing the proposal, his quip about her having to make the next move, assuming he’s still on the market (I love/hate this foreshadowing btw), it is Charles/Liza banter at its best and my sappy heart was soaking up every morsel. Throw in some CGI fireworks and the observation that they are sign (which may or may not play out at a later date) and you have yourself a pretty darn near perfect start to Younger’s final season.

Speaking of talking openly and directly, one of the staples of the Youngerverse, the Maggie morning debrief, is back as our way to gain insight into the thoughts, feelings and ponderings of Liza. Straight off the bat I am very pleased that Maggie has fully committed to ‘Chaz’ for Charles and I’m even happier that we actually hear these two talking about what’s going on because honestly, the last couple of seasons the Maggie/Liza convos, which we traditionally rely on heavily to know where Liza is at and to hear Maggie’s sage/sometimes terrible advice, have been skimmed over or felt rushed. We are also reminded that Liza has indeed seen Charles’ goods (the Empiriconda, she’s meaning the Empiriconda) and that the sex is hot, because we need to have all the information on top of the declarations of love to highlight how their relationship is pretty much perfect so that what transpires is even more painful.

Other things that are painful include the fact that Diana will be decidedly absent for most of the season (to be fair scheduling/covid are pretty legit reasons and in ep 1 we can chalk that up to her honeymoon, so more lamenting on that later), but early on it provides some pretty fab Lauren Diva-worshiping. Donning a baroque print Moschino suit that would’ve made Fran Fine jealous, Lauren is clearly distracted by the responsibility of her interim role at Empirical, as her mother frets about the theme for her 30th birthday party over face-time.

Keeping up the chaotic energy, we also discover that Kelsey has to go and let Quinn know she no longer needs her money (these characters’ ongoing relationship with the woman who has tried to ruin all of them at some point really needs unpacking with a good therapist at this stage) and Josh is in full frantic dad mode because he thinks Clare is trying to kidnap Gemma (lol that Lauren straight up calls her out on it later). Two quick points here:1) love seeing this side of Josh and 2) love Kelsey’s calm, measured reassurance that of course Clare would want her family to meet Gemma. I will say though, Josh meeting Rob for the first time when he’s about to go with Clare and Gemma to Ireland and hearing this guy he doesn’t know from a bar of soap exclaim, ‘I’m just in love with your daughter’ was super unfair. Not cool Clare, not cool.

Kelsey keeps her cool as she breaks the news of her change of heart to our fave resident villain, who comes complete with a bowl of fortune cookies she ominously encourages Kelsey to consult while also enjoying her own fortune, ‘a new love will come into your life’. It’s all very OTT and ridiculous in it’s obvious foreshadowing and I am here for every minute of it because I sincerely love to hate Quinn very much.

My love of all things over the top is further fed by Lauren entering Diana’s office and making her way to the desk - the music, the way Lauren looks at the framed picture of Diana and Enzo before relegating it to the drawer, any moment I was expecting her to utter ‘my precious’ as she became more and more entranced by the power of the neckwear, before Liza abruptly broke the spell by asking what she was doing and warned her off her consideration of claiming Diana’s office as her own. Very much appreciated the continuity later in the episode when Liza is very distressed that Lauren has gone full-Trout with the chunky baubled ornament around her neck, though Lauren is less Invasion of the Body Snatchers and more Nancy Drew at this point, as she has caught wind of Charles’ proposal while reviewing video footage from Diana’s wedding which she decided, for some reason, to show Josh, who was ‘still not interested’ (we hear your words Josh but your face says otherwise). I am very on board the Liza/Lauren dynamic and their ‘circle of trust’ as Liza asks that Lauren keep the proposal to herself (we really haven’t seen the friendship between these two much) and Liza’s gratitude, ‘Thank you...Di-va’, is hilarious, as is the response, ‘my pleasure, Queen’.

We get many fine moments in the office this ep, the first meeting when there are formal announcements and speeches made welcoming Kelsey back...to a conference room of Charles, Liza, Lauren and a random guy we’ve never seen or heard from before and never will again it seems. It makes me laugh that every person in the room except the dude we’ll never know already knows everything but hey, formality is important I guess? The pitch for ‘Little Women in Space’ by an author played by an actress who is friends IRL with Sutton Foster and they were in the musical Little Women together is honestly too much but also just the right amount and this show does meta so well (not to mention Lauren’s excited outburst upon realising her party theme plus her making sure Liza knows that she knows about the proposal. Subtle as a sledgehammer is our Lauren).

One not-so-fine moment is the extremely out of left field resignation of Zane followed by the completely douchey moment of him breaking up with Kelsey via face-time with the line, ‘I love you Kelsey, take care’. I’m sorry, what?? On the one hand, I get it that CMD wasn’t available for the season so in some respects better to deal with it swiftly and move on, but it was very abrupt and strange. I had zero investment in the pairing so it doesn’t overly affect my viewing, but any fans out there shipping those two, are you ok? Because that was a brutal way for a pairing to simply cease to exist.

So we have I love yous being thrown around by Kelsey and Zane as they break up because that makes sense (in retrospect I should’ve seen what was coming because these words clearly mean NOTHING *breathes deeply, exhales slowly*) but thank goodness Liza is there to comfort Kelsey, whose statement that she really doesn’t care would be a lot more convincing if she wasn’t crying inconsolably. We get a beautiful transition from Kelsey’s office to Charles’ with a sweeping aerial shot across the autumnal canopy of Central Park along with the gentle music adding to the relaxed pacing of the episode. Liza doesn’t want it to be weird between her and Charles now that the proposal is out there (well actually, its 100% in her court but yes), so he reassures her it’s not weird at all by planting a kiss on her that almost triggers the sprinklers because friends, it is HOTTT. Cue super cute exchange about pro and cons lists, lovingly looking into one another’s eyes and then, another ‘ I love you’ from Liza to Charles followed by Charles responding, ‘I love you too’, and despite my deceased status at this point, it was magical. But also WHAT. IS. HAPPENING.

These two are so enamoured with one another and it’s as though it’s something they just say to each other all the time, but this is literally the first episode we’ve heard any kind of expression of feelings to one another since the season 6 premiere and even then it wasn’t this direct; Liza ran away and Charles told her he didn’t mind not being at the office because he did it for the woman he loves followed by a cute story about how he can do maths because he’s had feelings for her for 16 years. Don’t get me wrong, the entire scene this episode was perfect and it was SO well done in the way it captured the best parts of their dynamic (damn you Darren Star for being so good at what you do), but it also felt like we were being shown the dream version of what could have been before it’s all snatched away.

Not unlike Millennial, which is like naming a business Boomer Print according to the table of boomers at the investor meeting who blindside Kelsey and Charles by voting to restore the name Empirical (head boomer has clearly had it with millennials, indicated by his statement, ‘who gives a shit about millennials any more?’) and so it is done and Kelsey is officially having a very bad week. It is while enjoying a quiet bourbon in the bar that evening that Charles is joined by Quinn, who is allegedly on her apology tour to explain to investors why she dropped out of the Senate race, but also offers Charles what seems to be a sincere apology for treating his company like a toy (prediction: nothing is ever as it seems with Quinn). I have a confession to make and believe me, I don't like it any more than you do - they absolutely nailed the set up of tension and a little bit of a spark between Charles and Quinn in this scene IMO and I...I *whispers* I liked it.

What I liked even more was Lauren’s completely in character entrance to her own birthday party, omg it’s so ridiculous and perfectly her and Denise telling her daughter, ‘fix your crotch, good girl’ had me chuckling. I feel like we’re getting Kelsey’s set up for the season at this party too, as she’s feeling unsure of what defines her now, and the conversation about defining things carries over into Josh and Liza’s chat when he asks her if congratulations are in order. This exchange between the two of them is just lovely, with Liza clearly feeling a little awkward talking to Josh about Charles, but Josh reassures her that he does like him, for her, and that it brings him joy to know she’s happy. They agree that their relationship doesn’t need to be defined, and that they'll always be in each others’ lives no matter who they’re with. It feels very final for their romantic relationship and I would be celebrating the end of the triangle had I not clocked Josh’s fallen expression as Liza walks away. I really do hope that Josh finds someone he loves and who loves him the way he wants to be loved this season. Josh’s words gave Liza some clarity of her own and so we find ourselves at the magnificent Seaglass Carousel, home of Liza and Charles’ first proper date, once more.

Charles is clearly full of hope and expectation as he meets Liza and they remember the time he and the beard we try to forget about brought her there and it’s all amazing and beautiful and...*collects self*...Liza tells him that she just wants to keep riding the perfect ride. She once again tells him she loves him (we’re up to three times in one ep now for those of you playing at home), that all she wants is his heart and that she wants to be happily unmarried to him every day. To say this does not go down the way she is expecting is an understatement; we learn that Charles doesn’t want a ride, he wants to get off the carousel and not live in a fantasy. He believes in marriage whereas she believes they are now finally free and folks, this is why you talk about your stance on marriage in a relationship BEFORE you pop the question out of nowhere at someone’s wedding.

You can see on his face, as Liza says she doesn’t want to define their relationship by the rules and obligations of marriage, that he’s hearing that she is not all in (whether that’s true or not) and he thanks her for letting him know what’s in her heart. You know the bit that actually plunges the knife into my heart? Charles shaking his head as Liza says his name, clearly overcome with emotion, before he kisses her on the head looking as though his world has just come crumbling down around him. That knife just gets twisted even further as Liza is left there in disbelief, (we are all Liza in that moment honestly), trying to process how her own declaration could be so easily rejected. You know, I knew it was coming, but it didn’t make it any less painful. I can see it from both perspectives and I have no doubt that these two characters have a lot they need to address and work through as a result of their own failed marriages if they’re going to have healthy relationships moving forward.

I tell you what, after so long with no new episodes, this first episode of the season was concurrently beautiful and heart-breaking and one thing’s for certain - this final ride ain’t gonna be smooth. Now if you’ll excuse me I’m just going to go and regain some composure so we can start on ep 2...

Season 6 ramble collection can be found here

#youngertv #younger tv #7x01 #reiew #ramble #liza miller #charles brooks #kelsey peters #maggie amato #lauren heller #younger season 7 #tv show

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paperclipninja · 5 years ago

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Younger post-ep ramble 6x11

I may be on holiday but if you think that’s going to stop me offloading some thoughts and feelings about this week’s episode of Younger, ‘Holding Out for a SHero’, then you’d be sorely mistaken (any chance to over-think and over-analyse my fave fake reality). In saying that, this will be a briefer version of my usual post-ep ramble, what I shall refer to as Ramble Lite™. There were parts of this episode I really liked and parts I felt disappointed with, but it largely played out in a way that I expected, with the exception of that twist at the end! Hats off to Joe Murphy for that fab misdirection, I may have gasped.

This episode opened with Maggie in her tomato garden looking radiant and Liza filling her in on the decision not to see Josh anymore because it’s complicated and feelings and that undeniable thing called chemistry (or something like that). I applaud Maggie’s consistent use of Chaz (I really hope we get to hear her say it to his face at some point) and Liza stating out loud that she chooses Charles, but this scene also delivered one of the two big moments of disappointment I had in this ep. If anything was ever going to be out of character on this show it would be Liza, a writer and editor, being unable to come up with decent adjectives to describe the man she is supposedly in love with. Yet here she is describing Charles as ‘a peer’ and ‘appropriate’ as reasons for choosing to be with him. For real? I understand the effort to paint him as the sensible choice vs. the less sensible, the head vs. heart, in this triangle that’s been resurrected. This particular way of describing men has always served a clear purpose in the Youngerverse and ngl, my alarm bells went off in episode 7 when Michelle referred to Charles as ‘appropriate’. Liza uses this exact term to describe Richard, the horrendous man Michelle sets her up with in S1E2 who starts reading emails at the dinner table on their date, he’s ‘age appropriate’. She also described Jay as nice, viable, legitimate prospect, sure, but she also sobbed on his shoulder because she was so in love with Charles that her heart was aching at the thought of missing the chance to be with him.

It feels so painfully deliberate, Charles has gone from intellectually invigorating and romantic and been relegated to safe and ‘appropriate’. My disappointment comes from the fact that if this triangle must remain in play, there can be two men who are vibrant and compelling and really different, without painting one as ‘boring’ and one as ‘fun’. Knowing the way Liza talks about the important people in her life, with such admiration and affection, I feel she would at least say Charles is intelligent and romantic or kind or thoughtful or SOMETHING better than being ‘a peer’ and ‘appropriate’. I do believe that as viewers we often form our own interpretations of characters and when they don’t behave the way we imagine we are disappointed, but in this case it’s the disappointment that Liza’s entire reason for being attracted to Charles is being reduced to the idea that it’s sensible when we have been shown this is simply not the case. Phew, glad I got that off my chest (and so much for Ramble Lite™ lol).

Once in the office Liza is running Diana through the wedding planning, which frankly I cannot wait to see all come together. I love that Liza’s already secretly planned a bachelorette party and really does know Diana well enough to know she’ll want one (so many lols @ Diana’s, ‘yes that’s why I was bringing it up, because I don’t want one’ and could Liza look any more pleased with herself that she’s managed to pull the wool over her eyes? Adorbs). Charles arrives looking for Kelsey and is wanting to see how she would like to break the news that he is once again publisher, because that’s how they work now that they’re the dynamic duo and have I mentioned this week how much I LOVED seeing their dynamic last week? Kelsey proves that she has indeed kept her head and announces that Millennial secured a new investor and that Charles is once again in the boss seat and I am once again extremely impressed with Kelsey this season, as is Diana (and honestly if you have the D.Trout stamp of approval, what more do you need?). I will also never tire of seeing Diana, Kelsey and Liza as true peers and now friends, it’s undoubtedly a highlight of season 6.

The book pitch of the week is extremely timely (as always), a manners for millennials piece that aims to counteract the generation’s greatest shortcomings, such as ghosting exes and not RSVPing to weddings. This episode really did have some stellar lines and the fact that Liza can now drop jokes in meetings, such as her ‘neither was I’ response to the author’s ‘I am not proud to be a millennial’, is the kind of goodness I am here for since the lie is no longer a thing. Naturally Liza and Diana are both very interested in finding out more about these topics and it turns out the best way to get some finality with the ex is to write a good ol’ fashioned Dear John letter (best way to get those RSVP’s -unknown). This is reinforced nicely in Charles’ office, when Liza leaps off Charles’ desk as though she and Charles were caught christening the damn thing (which would’ve been very ok by me and at this point you should know I’m not at all sorry) by Diana bearing flowers and note from Alice the author letting them know she will not be publishing her book with Millennial (so no Charles, the flowers are not for you). All this talk of how good letters are leads to Liza penning her Dear Josh letter that night, which we only catch a tantalizing glimpse of initially, before the narration and accompanying montage when Josh actually receives it.

While it was only brief, Charles asking Liza how she feels about him being back as publisher and her answering honestly, she just wishes Kelsey hadn’t been unceremoniously stripped of the title, is yet another lovely insight into their relationship. Charles continuing with, ‘what about you, always thinking of others, how do you feel?’, excuse me while I clutch my heart at the sweetness of it all and seriously, does ANYONE ever ask Liza this? The family picture on Charles’ desk is noted and it’s great but I also can’t help but feel it’s somewhat ominous so I’m putting my gush on pause (v. open to being proven wrong on this).

Kelsey and Zane continue to be all over the place, I have so little investment in them as a pairing and I really think it’s because I have simply not seen enough of them together to know whether I care, though I have enjoyed a number of their interactions recently. It also doesn’t help that Zane has been many shades of douche this season. Since professing their love for one another, he is being caring at the start of this week’s ep, apologising and saying he feels partly responsible for Kelsey’s demotion and trying to allay Kelsey’s self-doubt. It is Kelsey who says that she doesn’t know how to do this with Zane and that one of them always loses (the old editors-who-were-peers-and-then-one-became-the-boss-but-now-they’re-peers-again curse), which returns Zane to Douchetown in time for the staff meeting.

I felt for Kelsey, it would be so hard sitting in that first meeting with Charles at the helm again, though him going through all the acquisitions and saying these are a credit to Kelsey’s impeccable instincts was great and necessary. But then Charles brings up the Arabian Seas book and the ‘we’ enters the conversation, along with a list of books that sound like they belong on the bargain shelf because yawn and yes it’s fine that Charles has his own instincts, but Zane in this meeting is awful. Kelsey calls him out, she is clearly and rightfully angry about the unfairness of her entire situation and she warns Charles to, ‘pay attention…and you too Liza. I didn’t have any boundaries at work and look what happened’. I have no idea if this is foreshadowing but I feel like it could be juicy if it was so let’s keep abreast of any future developments (yes that is a boob pun and you’re welcome).

Highlight of this whole scene of course is Liza ripping into the guy and the whole office when Kelsey walks out of the meeting and can hear that her meme has been made into a banger of a tune. We get fearsome Liza schooling the entire room on the fact that Kelsey did get the money, ‘that’s why we all have a job, she’s a goddamn hero’. YESSSSSS Liza *praise hands*. Kelsey in turn agrees to speak at the girls school event that Lauren put to her earlier (yes it IS ok to be angry and Kelsey no longer distancing herself from her social media mistake but using it as a platform to empower others and be a role model…where do I sign?).

Lauren was in ultimate PR and friend mode for Kelsey this week, trying to figure out how to spin Boobgate and trying to see the positive side of all the invitation cancellations. I always say it, I know, but Lauren’s unrelenting advocacy for her friends is absolutely one of her best qualities and her line, ‘you are an example of a woman who made a very simple mistake and the patriarchy seizing that opportunity to tear you down’, was fantastic. She also very much latched onto the SHero theme and I appreciated her use of the word at any given opportunity.

It is as Lauren and Josh are leaving to catch an Uber to Inkburg Midtown that we discover this means he is very relieved Claire doesn’t have to move to LA now. I really don’t get this. I said last week that Josh is far too woke to expect the mother of his child to bail on her career aspiration just so he doesn’t have to move to LA, especially considering he knows the struggle Liza faced in her own career journey after having Caitlin (who you may remember is her daughter…or was. Current status unknown). If we’d seen in their conversation Claire saying that she really doesn’t want to move but she can’t see another way to give Gemma the life she hopes, then ok, Josh finding a way to up his income is ace. So I do hope we find out at some point this was the case, because Josh deciding he’ll get more money so Claire and Gemma can stay for his convenience, it’s just nope.

Though I do have to say that the biggest benefit of Josh securing the Infinitely 21 partnership is getting to see more Shelly because omfg I cannot with her. The way she talks about paint colours, giving her personal number, the line I could not believe I heard, ‘but seriously, Josh, unload on me’ ( I love that this season has seemed censored af compared to previous ones – I don’t love this but you know what I mean- yet lines like this get dropped in. Too good), I am in awe of her complete and unabashed lust for him.

It is between picking paint colours that Josh finds the letter from Liza and it is heart wrenching. And beautiful. The emotion really is palpable as Josh leaves the store to find somewhere to read it once he realises what it is. The flashback montage is certainly something that hasn’t been utilized in the show and it really leaves such an impression. Coupled with the narration of the letter, it really captures the impact of Josh on Liza’s life and Liza’s genuine commitment to make her relationship with Charles work. If this show was wanting to move these characters past this old relationship it would have been a poignant and perfect way to do it. However it plays out in the long run, I thought it was really well done.

The hands down highlight of this entire episode for me was Diana’s bachelorette party. Lauren running at an unsuspecting Diana screaming, ‘get in the Hummer bitch’ is one of the funniest moments of the series, I will be laughing for eternity. Liza reminding Diana that, ‘I get you’, yes she does and I just love everything about seeing these women, all the Younger women, out together. I feel like the focus of this episode really got pulled to the other drama but this is the first time we’ve ever seen every female character of this show together in a room and I feel like THIS IS A BIG DEAL. Maggie schooling Diana on how strip clubs work and SO many brilliant lines, as Diana waves her money in the air only to tell the first stripper, ‘You’re a lot, no thank you’, then ‘Hi, little one’ as she flags another. The hilarity does not stop with Diana, Lauren’s, ‘here’s a fiver, you should smile more’ is every kind of YES (I sense a whiff of Liz Lemon in that line and I approve). As Liza and Kelsey talk about men and work and blah, Diana tries to bring them back to the purpose of the evening, ‘ladies, there are bulging crotches in your faces, can you focus?’. Listen to the Queen people. Yet another Diana wedding related event in which she ends up asking, ‘how did tonight become all about you?’ and I was thinking the same Diva. *Eyeroll*

The Hummer ends up at Inkburg because Lauren wants to help Diana fulfil her wish of doing something she’ll regret for the rest of her life (and obviously the reason they all need to be there is so Liza and Josh can have their post-letter confrontation). They are all so drunk, it’s hilarious and I would watch an entire feature film about the antics of this group while inebriated. Seriously, take my money. From Lauren’s, ‘Get out of the hummer Doana’ to Maggie’s, ‘I forgot we were in a car’, they cover the entire drunk person spectrum. On top of that we have Diana’s penis balloon hat position which just cracks me up because I am 10 but my fave is Diana saying to Josh, ‘John, just something small, tasteful and literary’ and then as she’s leaving, ‘it was nice to meet you Jake’. Obvs a wise choice not to go through with the tat but I’d love to know what Diana would have ended up with.

Josh calling Liza out on writing the letter and trying to walk away never talking to him was completely fair enough. Him reminding her that she said she would always be there for him, be Gemma’s aunt Liza, he’s not wrong and his hurt and confusion are understandable. But it is so nice to finally hear Liza making a choice and sticking to it (whether she does or not in the future). Josh saying that he gets it, she’s scared of what they were, they still are, it’s powerful and her defensiveness of Charles when he says that she’s making the safe choice is exactly the right response if she really means she has chosen him. And not because I love Charles and Liza together, but because Liza is standing up for her choice and her ‘don’t you tell me what I feel’ retort is so charged and fierce and I love it. ‘I know this is hard to accept Josh, but we were a moment in time. But the time has passed’ - this whole scene is wonderfully acted, the chemistry between these characters has always been strong and this is no exception. And obviously I agree that they need to move on. However my second big disappointment for this episode is the, ‘you forget Liza, I know you. I know when you’re lying (a couple of seasons of thinking she was 26 might contradict that but ok), especially to yourself.’

I absolutely understand the sentiment and I completely appreciate the setup for the zinger, ‘you wrote a letter to the wrong guy’ (though I do take issue with that line in general considering Liza has just said she’s made her choice. Even a simple, ‘I think’ in front of it would’ve made it less arrogant), but if this setup is leading to a Josh and Liza reunion down the track, then I would have preferred the execution be different because to me, this is not insightful or romantic, it’s Josh once again questioning Liza’s understanding of herself and her needs (I know it’s meant to be him trying to get her to ‘be real’ but it just doesn’t land like that for me). I have no doubt lots of fans are jubilant but it feels manipulative and is not a tactic that compels me to think they might have something worth revisiting. If after Liza said, ‘I love him more’ Josh had looked at her with that heartbreak in his eyes he can convey so well and said, ‘well then I hope he loves you the way you deserve’ or something and walked away, then THAT would show growth and make the possibility of him being an option again (which is clearly where this is all heading) far more compelling IMO.

So in one of the best bait and switch moments this show has delivered, Liza returns to the loft and has a good hard look at the gala photo with Charles and Michelle and Tom (and in my head she’s thinking about how good it is she and Charles promised each other they won’t go to things like that anymore) before we see another letter starting, Dear Charles. And just when all the Team Charles Stans were going to have a collective meltdown, it turns out it’s Kelsey writing her resignation letter and we all exhaled but then didn’t because Kelsey, what are you doing??? So. Much. DRAH-MAH, so little time.

Ramble Lite™, that was a good joke wasn’t it? Can’t believe we’ve reached the finale but I am also very ready because WE GET TO GO TO A WEDDING!!!! Better get my neckwear sorted…

#youngertv #younger tv #ramble #6x11 #younger season 6 #liza miller #charles brooks #diana trout #kelsey peters #maggie amato #liza x charles #team charles #review

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