#you're not going out like that

[cirimotas]

More art stuff. I think I need to re-ink?

I keep trying to avoid going over everything again and again, but it's so difficult. I just want to go back and redraw and repost things on Webtoons and Tapas...

Help 😭😭😭

[blackwoolncrown]

I get it, I really do, but I feel like ppl w decision paralysis related to Gazans are also suffering from a kind of non-malignant egotism

"who do I decide to give it to? everyone needs help! I can't help them all!"

You're not the only person they're asking!!!!!

If you choose one person to help that day, a bunch of other ppl choose others

stopping to overthink your inflated importance as an individual versus one in many is what's giving you paralysis

the more you burden yourself as an incapable hero the less you all act as a group-- which is the exact answer you're looking for

fkn close your eyes, scroll on OOB and donate to whoever you click on first

you're not god, it's not your job to save everyone

JUST DO SOMETHING

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[moonscape]

[ionomycin]

[egophiliac]

still ruminating over Lost In the Book With Spooky Skeletons Part 1, so here's a selection of some of my favorite little bits! (...some more loosely paraphrased than others) (I just feel like Idia has no room to criticize in general, okay)

anyway, I'm sure we're just going to have a fun time celebrating Halloween and nothing bad is going to happen whatsoever! :)

[fictionadventurer]

Personally, it's always a bit wild to me to see commentators interact with the Hunger Games franchise as if Collins were writing science fiction stories instead of essays with faces. She's just not that interested in fleshing out side characters or digging into the details of the worldbuilding. These characters are concepts and symbols before they're people. There's an almost mathematical precision to who and what she explores and how deeply she does it. This is a step or two away from pure allegory. If she were writing a couple of centuries ago, she'd have named her characters things like Innocence and Anger and Watch-Carefully-Your-Soul-Lest-Ye-Be-Damned, but since she's writing for modern audiences, she has to settle for puns and allusions. If she has another essay to write, she'll assign some faces to it; she's not going to look into backstories or other eras just for the sake of storytelling, and it's not a failing as a writer that she doesn't.

[lil-lemon-snails]

sometimes you just need to hear it v some stills below the cut v

[swampybogg]

[poorly-drawn-mdzs]

Trapped in a vicious cycle of pining? Try gay sex! (More things to learn over at Tiger Tiger!)

[16th-of-a-twigg]

“And I am more than these bones I feel love, I feel alone I just wish you would come home” - Flesh & Bones; Keaton Henson

Original 2014 version Companion 2015 piece Ko-Fi

[pidgydraws]

⚙️ for a moment we had it all... ⚙️

[pangur-and-grim]

not a real animal

[a-scary-lack-of-common-sense]

My Great Grandma who loved her babies very much

Reference that I used for the face!

[sunderwight]

What if the plant body hadn't worked out, and the Holy Mausoleum solution had actually taken a long time to sort of "fix" Shen Qingqiu's body and fully call his soul back to it, so that hundreds of years passed and civilization in PIDW/SV world progressed to the point of something like the "modern era"?

Imagine Luo Binghe trying to delicately introduce his shizun to such strange concepts as smart phones and credit cards, while Shen Qingqiu is just desperately trying to figure out how dumb he should play this. Would it be believable for him to get everything on the first try? There have to be some differences between what he knows and this world's versions, right, because of the demons and cultivators and things? Right?? But it's not like any of this actually IS difficult for him to grasp!

Luo Binghe: Shizun already discerned how to type using a keyboard...?

Shen Qingqiu, sweating bullets: what, like it's hard?

[sualne]

first meeting and now