#you minecraft nerds.

[alleyesony0u]

okay. whatever.

grian's wings are clipped, have been clipped for a very, very long time. clipped so long he forgets how it felt to soar. who or what clipped them is a mystery.

jimmy's wings are damaged beyond repair. they can never fly, no one knows if he ever got a chance to use them. he wears braces on them so he can at least move them, just a little bit, to fold behind his back.

[tossawary]

I just know in my heart of hearts that in "Star Trek" at one point, there was some moral panic somewhere on Vulcan (among the uppity sorts) because Human culture was "infecting" the local youth with their overly emotional, destructive, unproductive, frivolous, and uneducational ways.

And what was actually happening was that a bunch of Vulcan kids got really into 23rd-century "Minecraft" or something.

Small Vulcan child @ another Vulcan child: (in a tone that sounds flat to Humans but angry as hell to Vulcans) "You have compromised the optimization of my fortress. I am having an emotional urge to blow up your house... in Minecraft."

[storgicdealer]

I MIGHT ACTUALLY DIE

[tropicalcontinental]

What if he was human chat (he is human)

[al-gay-tor]

A comprehensive guide to Raptordyne

(This is what my fucking life is I guess)

With a show as incoherently written as Dinosquad there tends to be a lot of guesswork and inconsistent information left for the fans to work with. But not anymore folks! I have scoured the entire show to bring you a comprehensive breakdown of Raptordyne, what it does, who works there, and how it’s built. Let’s get started.

What does Raptordyne do?

The show seems to push the idea that Raptordyne is pretty much exclusively built as a factory for global warming and ooze monsters but that obviously can’t be the only thing happening here.

in the first episode Rodger states that Raptordyne is a biogenetics company and phrase that, like most things in this show, is a vague mush of science-y sounding words. Then in the episode Easy Riders and Raging Dinos we see that Raptordyne owns an animal feed company.

With that in mind it seems safe to assume that Raptordyne is in the agricultural industry more specifically designing GMOs and related products.

Who works there?

Now that we know what Raptordyne does when it’s not making horrible mutants, let’s see who works there. I’m going to go in order from most relevant to least relevant.

Victor Veloci

The main guy, the clown that runs this circus, our leading man, the CEO of Raptordyne. Despite seeing this guy every episode we don’t really get to see him actually doing his human job, we do however know that he spends a lot of time on charity work, thanks to the first episode and the episode Perseverance.

Lieutenant Alpha

A surprisingly unknown character despite showing up in two episodes with speaking scenes the Lieutenant is shown to be in charge of most of the masked grunt force at Raptordyne. Though in his two episodes, Who let the dogs out and Scents and Scents Abilities he is shown to be disliked by Veloci and doesn’t seem aware of the true purpose of Veloci’s work.

Peter

Anyone who knows me also know that this guy is my personal favorite character of all time, despite only showing up in the first episode for 20 seconds. Contrary to popular belief Peter is not actually Veloci’s assistant, his real work lies in the engineering department. He developed nanobots that are supposedly used in primordial ooze and potentially built the robot seen in the episode Wannabe or the hologram dinosaur in Who let the dog out. Peter was injected with primordial ooze however the outcome of that experiment was never seen.

Gregor, Mina, and Robert

I would like to thank the Dinosquad discord server for helping me name these scientists, if you haven’t joined it yet go check it out. These three scientists appear in the background of a few episodes though are never named or given speaking roles. From left to right on the second picture we have Robert, Gregor, and Mina. It is implied in the episode Attack of the Brainasuarus that Veloci works directly with these three to develop prototype ooze.

The twins

These two only appear in the episode Pet Peeve and are the masked grunts working under Veloci for the day. I wanted to point them out not only because they are the only grunts seen without their uniforms but they are also significantly more incompetent than any other grunts seen in the show, thus designating them as their own significant characters.

Workplace Environment

With all our players in place let’s talk about Raptordyne itself. The underground lab seems to be made of one continuous room situated in a cave system underneath the main building. Let’s break it down.

The Entrance

Pictured above is the left end of the cave lab. It’s primarily just Veloci’s ominous skull chair and the entrance elevator (not pictured). This is the area we see the most in the show. What’s interesting about this area is the room over looking the lab just past Veloci’s chair, and the rail tracks cutting through the center of the room, but more on those later.

The Lab

Pretty self explanatory, just across the rail track is the lab where the ooze and mutants are made. The mutants shown in the test tubes are not used in the show but their humanoid shape does imply some sort of human experimentation.

The airlock

On the right side of the lab there is this specialized containment zone. As seen in the episode One Precent Inspiration this area is used for the temporary containment of live specimens and also has an airlock at the top of the containment unit for the release of airborne specimens.

The Greenhouse

Seen only once in the episode Growth Potential this room is what I believe to be in that raised portion of the lab seen in the entrance. This area of the lab is used exclusively for the production and study of mutant plants, a concept that is severely underutilized in the show.

Veloci’s Office

Realized i forgot this originally whoops. Being the influential man he is Veloci obviously needs an office that isn’t in a secret dinosaur lair. This is one spacious office in what looks like the top of the Raptordyne building.

The warehouse

Technically this isn’t a part of the underground lab, nor is it a single building in my opinion. Featured in Scents and Scents abilities we see what is one of possibly many warehouse outposts. Complete with their own security systems and staff.

In the episode it is featured in the place seems to be controlled exclusively by the Lieutenant and masked grunts. So why is this relevant? I propose that the railway seen in the main lab is actually a transit system between the main lab and a network of these outpost facilities.

Conclusion

Go nuts nerds

[did-sm1-say-catfish]

gem said she's building a castle. time to freak out.

a week or so ago I got annoyed at skizz for his "castle" being historically inaccurate, so much so that I developed a new obsession in castles and medieval architecture. In Gem's latest hardcore ep. she mentioned building a castle! I was so excited, but then I got worried because the definition of 'Castle' is kinda nitpicky.

The problem is that a castle is private, and gem is very dedicated to protecting and housing her villagers. BUT one way I could think of for Gem to have an actual castle, was if she had a bailey. A bailey is an enclosed courtyard, usually overlooked by a motte(elevated land on which (usually) a castle is built). And motte usually comes with a moat, but thats just getting into tangent territory atp.

Basically, what I'm saying, is that Gem could be a feudal lord/monarch who builds herself a castle, and builds a bailey for her servants to live in.

I'm probably just getting ahead of myself, BUT CMON SHE SAID CASTLE!!

[shadowknightapologist]

young CV!cadenza makes me so (chews on her)

WARNINGS FOR: animal attack, violence (both animal @ human and human @ animal), blood, injury, pregnancy complications (briefly mentioned), death (briefly mentioned). happy end :3 wordcount: 1.6k

cadenza's birth is a conflicting experience.

on one hand, joh and hayden finally have a baby. on the other hand, their surrogate, joh's sister, passes away from complications within the month. for a long time, the two are caught between grieving and celebrating. they're fathers now—after so much uncertainty, they'll have their own family. but joh's sister is dead and she was supposed to be there. she was supposed to teach their daughter how to be firm in her elegance, how to be fearsome in her beauty, how to balance softness and survival. without her, how can they do this right?

the village is ever so supportive, though, and cadenza is a sweet, giggly baby—rarely a crier. even as an infant, she has such striking similarities to her aunt. it doesn't eliminate the grief not the occasional guilt, but it makes it easier.

so cadenza grows up very, very loved and, of course, very spoiled. she gets almost anything she wants (that metelli can safely afford, of course). at three years old she starts expressing interest in fashion and her fathers hire the best tutor they can for her. at five years old, she's permitted to participate in trading, selling off smaller articles of clothing and weaving. at six, she's very adamant the only thing she wanted for her birthday was a big, fluffy dog to protect her, and sure enough—sateen, just a scrawny five-month old puppy at the time, is added to the family (and properly trained, of course, which cadenza puts a good amount of time into, as ordained by hayden). and at eight, despite hayden's initial reluctance, cadenza gets to train with the younger boys preparing for guard academy.

naturally, she ends up having to do things she doesn't want to do, too. as the daughter of a lord and a skilled diplomat, she's expected to be highly knowledgeable about the world and politics. cadenza, aged seven when she starts her schooling, couldn't care less. the only time she's ever remotely interested is when history comes up, lessons which she usually applies to her rapidly developing sewing capabilities. but even so, she's smart—her talent for retaining information is one of the few reasons she doesn't get punished for running off to skip her classes so often. usually, she can be found in the tavern, listening to exciting stories from the guards or learning about history from the older fellows, or hovering by the outskirts of the large courtyard used for training.

by eight, though, she starts getting a little too adventurous, and she steals further and further away into metelli's swamp every day, sateen in tow. try as they might, joh and hayden find themselves helpless to stop her. their attempts at doing so just make her more creative with her escapes, so, tentatively, because she's their darling angel, they let it slide.

and THEN. then one of the most eventful days of her life takes place.

traders show up in metelli, an uncommon sight. the village is thrilled, mingling, exchanging overseas goods and gossips, congregating in the plaza. cadenza isn't shy by any means, and part of her wants to stick around, but hayden was just giving her the most grueling lecture about currency translations across the countries and really, she thinks she'll die if she hears another word. sateen, bulkier now at almost two years old, follows like the good boy he is, set for another journey through the willows surrounding metelli.

usually, cadenza sticks close enough—a fifteen minute walk from the village at most, working in a semi-circle until she reaches the coast. she's not sure what possesses her to do it, but this time she goes further, traversing uneven ground and ponds quickly. by the time she thinks to slow down, what was noon is bleeding into afternoon, the sun creeping west. it doesn't really bother her, but no doubt hayden has realized he lost her in the excitement, and if she's not back soon she might not get off so easily.

sateen freezes, ears perking. cadenza follows suit, following his line of sight into twisted mangroves and thick oaks. a rumbling growl vibrates from his throat. and then a baby cry sounds off.

curious, concerned, careless—cadenza is all of these things as she tracks down the direction of the sound as best she can, flanked by sateen. her loyal dog starts barking suddenly, loud and sharp, and pulls ahead, and as cadenza breaks through to a small clearing just seconds after, she sees why.

there are three wolves in the clearing. even from a distance, she can tell they're starved, mangey fur stretched taut over sharp bones, faces gaunt, forms trembling with hunger. she can't ponder long on the circumstances that led them here, eyes drawn to the squirming mass of fabric at the paws of one of the wolves. it sniffles, shudders, and cries again, the tiniest hand cadenza has ever seen reaching out from the green bundle like some wordless plea for mercy. her little eight year old heart lurches when the wolf, lips pulled back to make room for bared fangs, growls, tongue flicking out, poised to snap.

cadenza shrieks, fearless in a way that's strange even to her in the moment, dashing forward with flapping arms in an attempt to scare the ravenous creatures off. it doesn't work as she's planned—she realizes too late that she's underestimated how determined the prospect of death can make a living thing. rather than flee, as is typical of wolves, the trio snarls and, in only a second, descend on her.

one latches on to her skirt and pulls hard, the fabric tearing under its teeth. they must be weak if they struggle to tear even cotton apart, but it matters little when the second one snaps its jaws around her forearm, tugging ravenously. in her peripheral she can see sateen throw himself at the wolf tearing apart her dress, high-pitched yelps screeching in her ears as he pummels its fragile frame into the ground. she wants to direct him to the baby, but she came make no discernable word out of her cries and hisses of pain.

turning her attention back to the wolf on her arm, cadenza beats on its muzzle as hard as she can, attempting to make it release. it shakes its head to and fro, dragging her through the motion, making her squeal. cadenza has really ever seen blood before, bled herself even less, and seeing so much of it coating her skin so red frightens some part deep inside her. but she steels herself, tearing her eyes away to look for something to help—

her gaze lands on a rock, half buried in the soft turf, breath catching. a saving grace.

she lunges for it, wrenching her arm in the wolf's mouth and sobbing at the pain, but her fingers manage to dig into the hardness of the stone and pull it free. now she is armed, slamming the point into the animal's eye, and it jumps away with a howled cry. an echo of the sound comes from behind her—sateen drives off his wolf and then he's back at cadenza's side, nipping at the heels of the its now half-blinded peer.

weapon in hand, cadenza forces herself to her feet and stumbles forward, panting. the last wolf seemed to have been waiting, watching to see how the fight turned out, unwilling to leave the easy prey if it had to make a quick get-away. now its eyes meet hers, hackles raised, and, seeming to understand the odds weren't in favor of its pack, dropped its head to steal away with its meal.

cadenza screams again, this time a resounding NO as teeth meet milky baby flesh, digging into the baby's shoulder and dragging it half from its ragged swaddle. the infant screams and cries, grating on cadenza's ears; teeth gritted, she throws her arm back and hurls the rock as hard as she can, hitting her target hard in the forehead.

"sateen, out! out! good boy, attack!"

sateen gives chase when at last, the wolves give in to retreat. he follows them past a cluster of river birches, a cacophony of barking, snarling, whimpering, and splashing ringing through the trees. for the moment, cadenza is alone.

well. almost.

the baby is silent and her heart drops. she creeps carefully forward, leaning forward, trying to catch a glance. as she shuffles closer, she hears it—the softest hiccup, and then a sniffle, and then a muted whine, and she's instantly relieved. as gently as she can, shaking and teary-eyed, she slides to her knees and cradles the baby towards her.

he has the brightest eyes she's ever seen in a baby. what color is that? parakeet? no, it's a little darker than that... emerald? with spots of jade and flecks of lime? yes, that sounds better. his eyes are like gems, precious stones—a sentiment she's often heard from adults but never understood until now.

he's also thinner than a baby should, she thinks. his cheeks lack that sweet chub. and he's cold. she knows because when she brushes her finger against his tearstained face it makes her shiver, and he coos and clings to it with little fists. she smiles, cheeks flushing, and collects the infant in her tattered skirts, cradling the baby against her belly as best she can.

sateen returns. he's sopping wet and limping, but his tail still wags when he approaches her, stooping so she can smooth her hand over his muzzle.

"good boy, sateen," she says. "do you think bābā and papà will be very upset with us?"

sateen barks.

────────────────

inspired sketch (not 100% accurate to the described scene, nor are the designs finalized, but i wanted to draw smth for this :3)

[d1sc0-1nfern0]

Philosophy With Disco: The Importance of Death in a World with Immortality (And Subsequently Why Fable is an Idiot)

On Fable SMP, Fable is on the warpath in a grief-driven, mad attempt to usurp the primordials and end death forever. This is single-handedly the worst thing he could do for himself, the other gods, and the world as a whole, and it all comes down to how the finite nature of death is vital in a world with immortality. This is a long one, so get comfy.

Immortality is a curse. To us mortals, it seems like the most amazing thing ever, but when you actually stop and think about it, immortality is a miserable existence. There are no stakes. Unless you are killed, you will live forever. Anything you create will rot and fall apart, so you won’t be able to enjoy it forever. There’s only so many skills you can develop in an eternity. Boredom is inevitable. Eternity stretches on forever. There are no deadlines, no concrete timeline. Every day is the same, weeks pass without noticing, centuries drift by as easily as a leaf in the wind, because there’s nothing to hold on to. Nothing will last except for you, the immortal, a constant presence in an ever shifting landscape, a pointless permanence.

You see, in a world where there are beings who live forever, the introduction of beings who don’t live forever is crucial. An immortal needs someone else to focus on, something fleeting and temporary and interactable to take their focus off their own impending eternity, something to give life meaning. Mortals live for such a short time, a blink of an eye for an immortal, yet they live and love and laugh and cry and then they’re gone. Caring for mortals and assisting them is the most fulfilling thing an immortal can do.

The immortal won’t be able to enjoy art for eternity, but several generations of mortals will. The immortal doesn’t need food or water to sustain themself, but mortals rely on it. The powers of an immortal don’t seem like anything spectacular, but to mortals they’re an awe-inspiring, terrifying force worthy of respect.

To mortals, an immortal force brings help in trouble and feelings of safety, protection, and a reason to come together in communities. To immortals, mortal life brings meaning, urgency, and a tangible timeline to disrupt the mind-numbing monotony of eternity. They are mutually beneficial.

The most common trap that gods fall into is the trap of thinking of mortal beings as “lesser,” but that couldn’t be further from the truth. To immortals, mortal beings are the most important thing in existence. In fact, it's safe to say that immortals need mortals more than those mortals need them. Interestingly, Fable has the opposite problem. Fable absolutely adores the mortals he created with every fiber of his being. But that love blinded him, and he lost sight of the reason mortals are necessary to begin with. His love turned obsessive, similarly to Perix but infinitely more destructive, as his desperate drive to save the mortals he loves from their inevitable fates upends the system that kept the immortal world stable to begin with.

At least, that’s my thoughts, and I’d love to hear what others have to say about it. :)

[lesbiansforlaurencezvahl]

i have the most perfect idea for an aphmau au but no one would get it because its sorority based. i can guarantee i am the only aphmau fan in a sorority. no one else would understand it. this is so unbelievably fucked up.

[silvertws]

PETRO WAS CRYING AND I WAS CRYING OMFG.

SABRE WHY.

WHY MUST YOU DO THIS TO US.

Nah.

Nah.

Bro better pull a fucking 180 on that freaking little fairy-blue thing BECAUSE HELL NAH, HELL TO HELL TO THE NAH.

Leave the boys alone bish.

I'm too attached to them.

I cannot.

I CANNOT HANDLE ANOTHER APO-OWEN SITUATION OK?!!!

I think I would simply perish.

Gone.

Just like that.

Poof!

I hate how attached I am to the silly Minecraft guys.

BUT MY BRAIN... THE PARASITE... THE DEMON IN MY BRAIN WANTS TO LIKE THE SILLY MINECRAFT GUYS...

I need someone as unhinged as me to talk about the sillies, for my own sanity.

Which is, barely there honestly, but that's besides the point.

I believe in redemption arcs PETRO PLEASE, PLEASE YOU CAN STILL FIX THIS.

Please, I just want them to all be happy, I'm sobbing.

ncjekwlalls PLEASE.

Let the fellas be happy.

Like, I usually don't ship characters ok? After Origins I just don't.

But tbh platonically??? Hell yeah, let the fellas be wholesome, no kissing no nothing, just hugging, telling each other sweet things- I will literally be kicking my feet like a little kid.

Also, on a side note.

Ruined Reality rants and theories up ahead.

Heyyyyy guys how are we feeling about the Newest Ruined Reality episode??? Yeah all good? Just doing a check in on all of us.

I mean, yeah, as expected.

Also, alright, this is gonna become a slight theory moment.

Rainbow crystal + heart of the soulstice?

You know how the rainbow crystal is made with the energy of the chromatics?

Yeah well, if the rainbow crystal still works, which I'm led to believe , fusing that energy with the heart, could potentially... Either give life back to the chromatics... Or... Create new chromatics but using the older souls, kinda like reincarnation.

ALSO AH, MY THEORIES WERE KINDA CORRECT HELL YEAH.

Mf First Curse better not bother Light smh Balance, go punch him, you literally can, since you belong in the same omniverse-? So go and punch him thank you very much.

Anyway.

I seriously do not know if Light will be able to bring everyone back.

If he manages to bring Steves back, it's definitely not gonna be everyone.

Not only because a lot of bodies were destroyed, but also for a storytelling factor.

Which is why all of them staying dead is a bittersweet victory, sure, you did it Light, good job! Every Steve who's left is now safe from that! Except... Well, the last Steve kingdom kinda... Doesn't like you. So I don't know if you're going to be allowed there...

Oh, so living with the professor? Yeah sure, if you want to have another metal rod in your leg you can.

Living with Ellie and uh... Cassian....?(I am so bad with names omg) in their little magic thing?

Yeah sure.

Go on.

They already adopted you my good sir, come on, they saw you and were like "yes, this one, ours now, yoink"

Also NCIEKSKSLLSLK PROXIMA.

Proxima the GOAT.

The FUCKING GOAT.

Even in death, EVEN IN DEATH BRO WAS STILL THE GOAT.

Another possibility.

TFC: "yo Light, sup"

Light "gtfo"

TFC "No u"

And then Light gets sent to ANOTHER UNIVERSE Just to suffer AGAIN.

Because remember kids.... TFC cursed Light to suffer FOREVER AND EVER AND EVER AND- yeah you get the gist of it.

So what happens when there's nothing more to make him suffer with in one universe...?

That's right... You send him to another one so he has to start all over again... And again.. and again...

BUT BIT BUT

I find this very unlikely because the reset trope is kinda overused and annoying and I also believe it would take out from the whole experience.

Like on a long run, it makes sense that TFC would do that.

BUT THIS IS A MINECRAFT ROLEPLAY GUYS.

There's just some things you cannot do or play with enough depth.

So, going back on the main topic.

What happens now?

Well, Light, Seer, Galaxy and To- FUCK THAT MF KILLED SOREN AGAIN I CANNOT.

I CANNOT WITH THIS GUY.

Smh, letting Light go through the loss of Soren not once BUT TWICE.

smh.

Anyway.

Now.

I already tried to explain how I think the rainbow crystal might be tied to "fixing" this.

And I think that's honestly our best bet.

Like, before this episode, I honestly thought they were simply going to yoink it from Lewis and Light was gonna use it.

But apparently they didn't do that...

Also like I'm sorry.

WHY THE FUCK DID THE RAINBOW CRYSTAL, STAY FUSED WITH LEWIS EVEN IF HE WAS DEAD.

Nah cause like, I always found that, not particularly logical.

Without the energy from the host, the only thing left with energy IS the crystal.

It would have made sense, in that case, if the crystal, its energy, also caused Lewis body to "live" but without actually being Lewis. But pure energy.

How would the crystal stay fused with Lewis?

Does that mean bro still has some energy somehow?

Was it the soul energy that kept them forcibly united?

I'm probably looking too much into it ngl, it's probably another plot hole or simply something that will be explained later... Maybe.

If the rainbow crystal is not going to be used in any way with the heart, I'll be surprised.

It could be like, a rainbow heart or whatever.

It's seriously the only thing I have going on right now.

Because it's the only thing with enough chromatic energy left to actually do something.

Unless SOMEHOW Light goes back to the other Steve Kingdom and Genesis is fucking alive, just like that, randomly, because he can.

I have no idea if any other deities are actually canon in RR.

Is Origin Steve canon? Or any of the other things in Rainbow Quest? Because Seer, Colle, Genesis, are all things from there as we know.

So just how much from that universe also transpired into this one?

Are demon Steves a problem we're going to have to deal with after everything and Seer is finally put to rest?

Also, yes, Seer will die.

I mean, he literally asked to be killed guys, what do you want? I say let him die. Colle is gone, that's enough pain already, I'm not gonna watch Seer becoming Void again (which btw, I think it's already happening or has already happened during the fight and Void is simply playing with everyone as per usual).

Still hoping for a Light corruption/villain arc (more like corrupt) because bro deserves to let out some steam and I support Light in literally everything he will do at this point.

He needs a beach episode fr.

Actually, no.

WE need a beach episode.

... I'm drawing that shit, I'm putting that in my nonexistent list of things I need to draw for my own sanity.

Oh.

Wait.

I completely forgot about the redstone core guys.

I mean, I don't think that's gonna help..? Idk I feel like it's a different energy from the one in the crystal or the heart so... Idk...

But maybe it could still be used for other things???

Also, we could simply get a time skip, to like, months later or something.

It has happened before and I honestly wouldn't mind it.

There's like, the option of going to the last Steve kingdom and asking them for help, but they must have moved by now, sure we can locate them with the assistant I suppose, if it comes down to it.

Also, one thing.

(idk man, some of y'all might find this offensive or call me chronically online for this :/)

Me whenever gay is used mockingly in a Steve-verse story while literally everyone is the same fucking gender as the other and their reproduction is literally based on MAGIC.

Like I'm sorry but make it make sense.

It's probably one of the things that annoys me the most.

I'm not saying that now everyone is forced to accept ships between certain characters.

I'm saying that there are not many sexuality options in a world where there's usually one gender.

You're either, Aromantic or something on that spectrum, Asexual or in that spectrum, Gay because there's literally one gender there to be attracted to.

Unless we're talking about universes that use more.

Or we could bring in the possibility that since they're all Steves or Alexes, they're all canonically non-binary.

I don't give a single fuck about romance, I can live without it.

But it annoys me, when comments are made, that logically speaking, don't make sense.

One of the biggest plot holes in RR until Ellie was introduced, was Cliff talking about women.

Which was resolved when Ellie came through and was like "no yeah, we exist actually, well used to".

Which again creates another plot hole to how tf did Cliff even meet one of those if they went extinct.

Disclaimer

I wanna clarify that I love RR and the other Steve verse stories or I wouldn't be talking about them. And that my rants are not directed towards the creators in any way, I do not, nor cannot, dictate how they decide to write their stories.

It's their tale to tell, I'm just here to watch, and listen.

I have opinions just like everybody else and if anybody ever takes offense (for some reason) to what I say, suck it up , talk to me like a normal person.

There are opinions to which I'm not willing to change my mind on, but I will still listen to others, just like there's some of which I will probably change my mind on.

As long as you're respectful about it, so will I.

Anyhow, I'm shit at explaining my opinions, because I'm horrible at conversations and English isn't my first language, so I'm sorry if I made it look like I was being rude or judgemental.

[endofthel1ne]

methinks that the Mike's WOE.BEGONE would have a minecraft server together.

mike's minecraft

mikecraft

[unnonexistence]

kicking my feet and giggling thinking about vector spaces

[yoiku]

I think I'm done testing the pc now, it's been a week without any issues. I still feel the anxiousness about it lingering every day but I'm hoping that will start to dissipate day by day now that it seems to be working as it should. Finally got around testing with bg3 + a bunch of other things running, and that was a nice thing to witness. I think bg3 is the "heaviest" game i have on hand to test with, and i still have it in recent memory how it ran on my old pc to compare. My old pc could barely run it on lowest settings with the temps hovering in the 80's even with the side of the case entirely off, during winter when my room temp is below 20C. This thing runs it at max settings at steady 50C during a heatwave when it's 25+ in here as well. Aside from the momentary spikes while loading scenes as usual, but didn't notice any of those go beyond 70 either. Which to me seems pretty good for a setup that "is going to run very hot" according to many. The case still has space for extra fans at the top as well if i ever need a little more wind in there. My old machine served well for 8 years, so here's to hoping this can do the same now that it works. Specs under read more for anyone curious

Intel Core i7-14700KF + Thermalright Peerless Assassin 120 heatsink GeForce RTX 4070 12 GB GDDR6X MSI MAG Z790 Tomahawk Lexar NM790 4 TB PCI Express 4.0 NVMe Corsair Vengeance 2 x 16 GB, DDR5, 6000 MHz EVGA SuperNOVA 850 P6 Fractal Design North

[s0up1ta]

finally finished a ref sheet for my sona 😎

i finally don't have only crack ocs on my artfight (they're all crack ocs)

[adorable-cow-lover]

[the-enchanted-mistakes]

"Ah, Misc, I was recently going through my temple's library and came across these tomes. they are of no use to me, but you are free to have them."

(@vox-the-warlock) (books can be anything you want, have fun)