#you like seeing two women get together but when they're ACTUALLY together it's a problem?
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electromains · 8 months ago
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I simply think that white straight male incels shouldn't be playing genshin/hsr anymore and should just die afterwards
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screeching-bunny · 2 years ago
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Part 2 on the Yandere supernatural heram please.
Yandere! Supernatural Harem pt.2
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Warnings: Obsessive Behavior, Yandere Thoughts, Bad Writing, Stalking, Possessive Behavior, Reader is Referred as ‘You’
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Pt.1
Your first ever viable memory was of a supernatural creature. At the young age of three, you encountered an extremely tall woman with long black hair dressed in a white dress. Looking back at the memory, she ended up turning out to be an urban legend called Hachishakusama. The eight feet tall women loomed down over you and followed you wherever you went. Everytime she was nearby you could hear her utter the sound “po” over and over again. Anytime you brought this up to your parents they would just brush it off as you being imaginative and thought that you made an imaginary friend. “Would your friend like to join us for dinner tonight?” Never, would they actually take your comments.
It wasn’t until you got tired of her appearance did you actually start to confront her. With your limited variety of vocabulary and baby voice, you spring out the sentence of “Why you follow me?” Only to be met with silence as you stomp your little feet on the ground. Geez how rude of her didn’t she hear that you asked a question?
Suddenly, the woman reaches her arms out to grab you. The grip of her hug was strong and firm. You were barely able to move around that much. Your tiny little brain panicked as you struggled to get free. It was the first time that you’ve ever experienced real fear. Soon, the woman opened her mouth and said, “Won’t you come home with me child. I’ll make sure to take care of you and treat you better than your biological parents.” You didn’t get a chance to respond before your mother burst into your room and screamed.
After that incident your parents took you to a Buddhist temple so that you could be dispelled from evil spirits or entities. This however, never really worked because some form of shape or another they just kept on crawling back. When your parents thought that you were safe you were finally able to leave the temple. Your parents wanted you to be extra safe so they decided to move out of the house and buy a new one. Thankfully, due to this incident they were more aware and took your concerns about others very seriously from then on.
Another vivid memory that you could recall was when you were at the age of eight. It was at the time when your new neighbors moved into the house next to yours. Your father wanted to greet your new neighbors and took you along with him. You remember waiting on their doorstep as your father knocks on the door. A few minutes pass and he knocks again. “Maybe they're not home, let’s come back later.” Just then the door swings open and out comes a tall blonde man. “Hi, we’re your new neighbors. We just came by to greet you and welcome you to our neighborhood.” The blonde man stared for a second before saying, “Thanks so much for that and your formalities. You have such a cute kid. I have two twin boys about their age, do you think they could play together?”
Just like that you were in the neighbor’s yard with his two twin sons. They were definitely an odd bunch with long bangs covering your eyes. Even though you couldn’t see them, you could feel their eyes following your form. As time went on hanging around them wasn’t that bad; they were very nice to be around and listen to basically everything you said. The only problem was that they were overly clingy, everywhere you were they just had to be as well. Another red flag was that they would never allow you to see their eyes no matter how much you pleaded and pestered, they would never allow you to see their eyes.
By the time that you were in the fifth grade, you three were inseparable best friends. During your time with them however, students at your elementary school started to go missing more frequently. An incident that you could remember was when you told the twins that you liked some kid and were planning to confess soon. A few weeks later your crush was missing and a community search was sent out. No matter how hard everyone looked no one could find them, it was almost as if they had disappeared out of thin air.
As the years went on more creatures showed up to you but they seemed to be intercepted by some weird force. You made sure to keep this a secret from everyone but your parents. It wasn’t until your senior year of high school that you found out the truth about your two best friends. One day, you just got so curious about what their eyes looked like that you peaked at one of the twin’s eyes when he was his face. His eyes were pitch black and darker than charcoal. Even though you didn’t know it at the time, they were called black eyed children.
Safe to say, you were extremely creeped out by this discovery but were even more creeped out that they were planning on kidnapping you to some faraway place. Yeah heck no, so on the day of graduation, you decided to run away from home to get away from them. You then wrote a letter to your family basically saying, “Yeah, so my childhood friends aren't actually human and it’s best I leave before anything happens to you or me peace out, xoxo your child.”
Leaving home was pretty rough for you. You’ve never felt so alone before in your entire life and to top it all off you were a newly fresh adult. Making it into an adult transition was difficult and confusing but you somehow managed with that.
Blasting into the future now, you were in quite a predicament. Waking up with your limbs tied to a bedpost was not your ideal way of starting your morning but hey at least your kidnapper didn’t you hard rope. Instead, it was a really thick ribbon and lace that bonded your arms. Your eyes start to adjust to the light as your vision starts to get clearer you notice that most of the furniture is Victorian styled. Soon you hear footsteps reach to the and it starts to open.
“My love, it seems that you're finally awake. Oh how I’ve dreamed of this moment, I can’t believe that this is real.” Wow this was totally not creepy whatsoever. Taking in his appearance you notice his sharp fangs and long glistening hair. Yeah he is definitely a vampire, this is so annoying you really did not feel like being a blood bag right now.
“Can you please untie me? I promise not to run away.” Before you could get a response from him, the ground suddenly started to shake, and you could feel your arms being freed. As you get up to run from your captor, you feel the arms of someone grabbing your waist. In a blink of an eye, you feel someone lift you up and fly you away from the vampire. “GOD DAMN IT, NOT THIS AGAIN.”
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mahoutoons · 6 months ago
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i'm feeling controversial today so here's another hot take. and before you type away at your keyboards, know that this is all coming from a south asian.
white leftists have got to stop acting like christianity is the only religion that deserves to be criticized and you cannot touch any other religion because that'd be racist and bigoted. because as an indian who's watching my country progress towards hindu nationalism, this attitude doesn't help at all.
white people see hinduism as this exotic brown religion that's so much more progressive but don't know the violence of the caste system, how it others a large portion of the population on the basis of caste, literally branding them as "untouchables". they teach us in school that this problem is a thing of the past but the caste system is still alive and shows itself in violent ways. and that's not even covering how non hindus are treated in the country. muslims especially are being killed, have their houses bulldozed, businesses destroyed, and are being denied housing, our fucking prime minister called them infiltrators and there's this fear among hindu extremists that they'll outnumber the hindus in the country. portraying hinduism as this exotic religion does a disservice to all those oppressed by the hindutva ideology
similarly, white people see buddhism as this hippie religion that's all about peace but have no idea how extremist buddhists in myanmar have been persecuting the rohingya muslims for years and drive them out of the country.
if anything portraying these religions as exotic hippie brown religions is a type of orientalism itself.
and also y'all have got to realize that just because christianity has institutional power in america doesn't mean there aren't parts of the world where they are persecuted on the basis of religion. yes karen from florida who cries christophobia because she sees rainbow sprinkles on a cake is stupid but christian oppression DOES exist in non western countries where they're a minority. pakistani christians get lynched almost on a daily basis over blasphemy accusations. just look up the case of asia bibi, a pakistani christian woman who was sentenced to death on blasphemy charges because of something she said when she was being denied water because it was "forbidden" for a christian and a muslim to drink from the same utensil and she'd made it unclean just by touching it (which is ALSO rooted in casteism and part of pakistani christians' oppression also comes from the fact that a lot of them are dalit but that's a whole other discussion). and that's just one christian group, this isn't even going into what copts, assyrians, armenians etc have faced and continue to face. saying that christians everywhere are privileged because of american christianity actually harms christian minorites in non western countries.
and one last thing because this post is getting too long: someone being anti america doesn't automatically mean they're the good guys. too many times i've been seeing westerners on twitter dot com praise the fucking taliban just because they hate america. yes, the same taliban who banned education for women, thinks women should be imprisomed at home, and consistently oppresses religious and ethnic minorities in afghanistan. yes, america's war on afghanistan was bad and they SHOULD be called out for their war crimes there. no, the taliban are still not the good guys. BOTH of them are bad. you cannot pretend to care about muslims and brown people if you praise the taliban. because guess what? most of their victims are BROWN MUSLIM WOMEN. but of course white libs who praise them don't rub their two braincells together to make that conclusion.
this post has gotten too long and i've just been rambling so the point of this post is: white "leftists" whose politics are primarily america centric should stop acting like criticism of ideologies like hindutva, buddhist extremism, and islamic extremism BY people affected by these ideologies is the same as racism or religious intolerance because that helps literally no one except the extremist bigots. also america is not the centre of the world, just because something isn't happening in america doesn't mean it isn't happening elsewhere
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bo0tleg · 10 months ago
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GEMS MY FRIEND SAID WATCHING 'TOP GUN: MAVERICK' FOR THE FIRST TIME:
"The jacket! The famous jacket that pulls women, pulls men, pulls the world!"
"Oh look how hot~ he looks on that motorcicle. He's even pracing his ass!"
(Maverick, on screen: "Well... He's not here yet.") The mans madness has begun."
"MAVERICK DON'T DIE YOU STILL NEED TO HAVE YOUR GAY ROMANCE!"
"He lasted two months at Top Gun? HA. He probably was a bigger piece of work than the students."
"From what I can tell, Maverick tamed Iceman. In the first one he was the little annoying bitch and Maverick saw a challenge."
"I mean, at least these two (Penny and Mav) have chemistry. They hooked up in a plane, after all."
"Iceman solves his problems, Iceman keeps his job, what a simp. That's dog behavior."
"Maverick doesn't look likes he's flirting with her, he's just confused. His confused face looks like his flirting face, and people assume. I know this because people do it to me."
"Yeah, he's kinda like that one Olívia Rodrigo song that she gets confused when she sees her ex... What was it again?" ('bad Idea right?' by Olivia Rodrigo)
"I like him (Bob)! He's pathetic like me!"
"Oooohhh they're (Phoenix and Bob) gonna be besties! I can feel it."
(When Phoenix racks Rooster with the cue) "OHOHOHOOOO I LIKE HER ALREADY."
(Didn't notice Hangman taking Bob's cue, I relayed the information) "Aaaahhh don't steal Bob's cue. Bob's cool, Bob's nice."
(After rewinding the scene) "NO, NO, NO! WHO IS THAT? NOBODY CAN STEAL BOB'S CUE! I don't like him (Hangman)."
(Hangman, on screen: Bradshaw! As I live and breathe!) *Slowly turns towards me with dead eyes*
"That's not enemies to lovers, that's just enemies."
"With just this scene, I can tell this guy (Hangman) comes and goes. 'Sometimes I flirt with you, sometimes I hate you.' He's like a tsudere."
"Oh, got it. Phoenix is adopted into the man's group. She's a bro."
"I wouldn't say that they're his support system, but those two are the people that know him the best. Hangman is paying attention because he wants to be the best and needs to defeat Rooster. Phoenix is demonstrating a more sibling like worry."
"Hondo is like Mavericks babysitter."
"Oh. Oh, now Mav's flirting with her."
(Following the 'Baby on Board' comment) "Don't talk shit about Bob! I don't like Hangman."
"Maverick is like a step father to Rooster. Not in the 'HAHA I FUCKED YOUR MOM' kind of way, but in the way that he helped raise him."
"Where is Iceman? I'm here for the two of them, I don't give a fuck about Aeronautics."
"I think Ice and Maverick had a long relationship, but they're not together anymore. They maintained a friendship, but their lives probably went in different directions. I'd say they were together for 10, maybe 20 years."
('I ain't worried' by OneRepublic starts playing) "This song is from 2022? OH MY GOD THE SCENE"
"DON'T PLAY AROUND WITH GRANDPA!"
*Started chanting "BOB! BOB! BOB!" When he got picked up*
*Eeriely quiet during the bird strike, until Maverick starts talking to Rooster* "OH THEY'RE NOT DEAD. THEY COULDN'T HAVE KILLED BOB! IF THEY KILLED BOB I WOULD STOP AND NEVER WATCH TOP GUN EVER AGAIN!"
"Definitely 20 years. Ice is probably the only person Mav actually loved. Like, not a fling?" "Yeah, probably." "He's been with lots of women, and men, but Iceman is the only person he was ever in love with– maybe still is."
"I think his (Ice's) wife knows. That's probably why she recognizes Mav and is kind of friends with him." "That's probably why she just let him go up to see Ice." "YEAH GO AHEAD, FUCK MY HUSBAND!"
"It's pretty easy to notice that Snowman– No, ICEman."
"That is the face of a man who just lost the love of his life."
"Damn, the mans a beast. If It was me I'd already have cried, alone, in a room absolutely destroyed, never to come out again."
"He's got nobody, dude! I just want his step child to come back, because If he doesn't that man's gonna kill himself!"
"Why does it always have to have a romantic ending. Just leave him with his adoptive son. Go away."
"They (Penny and Mav) aren't going to end up together."
"I have a theory! Fanboy is obsessed with women! Cus he's 'Fanboy'." "But wouldn't he be called Simp, then?" "Ah, then he's obsessed with men." "... simp can be for men too."
"There's gonna be a Top Gun Three? Who's it gonna be about? It ain't gonna be Maverick, that man has a foot in the grave already."
"Bob is my favorite in the second movie. I have no favorites in the first one because everybody is very macho and very gay, and that's boring."
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redgoldblue · 4 days ago
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so assuming Avery is actually pregnant / doesn't early-trimester miscarry (which is not a given), there's two reasonable ways this can go, right. number one is she gets an abortion, the plotline is used to pull them all back together again, and they all have some collective hurt/comfort about it. number two, the one i would write - don't get me wrong, i'm all for women getting career-driven abortions, but hear me out - is the one where she does have the baby. under the cut bc it got long.
she goes to med school at first while pregnant - Max is right, it can be done, people in my cohort did it - and either gets lucky with the timing of the actual birth being during holidays, or just works her way to getting time off for a few weeks around it. And then... there's a baby. And you know what else there is? There's two dads (because we're 100% Mamma Mia-ing this bitch. they never find out who the bio dad is and they never seriously try. Baby comes out with Avery's exact skin tone so that's no clue.), and an entire cruise ship worth of backup babysitters. So Avery goes back to med school, and leaves the baby with Tristan and Max.
And, yes, raising a baby while also running an infirmary with a rotating cast of temporary substitute nurses filling Avery's role isn't the easiest thing they've ever done, but Robert loves fulfilling grandparent duties any time he's not on duty; Rosie gets one of those strap-on baby carriers and walks her (i don't know why i've decided the baby is a her but i have now) around the engine room pointing out parts and explaining concepts and hey, the baby never complains about her Michigan stories; Corey gets a cart and a bundle of clean sheets and pushes her down the corridors until the smell of laundry powder automatically makes her start laughing.
Max and Tristan make a pact to send Avery at least two photos a day - which ends up getting supplemented by everyone else who's with Baby - and FaceTime her most days, and whenever she gets a few days off she meets them in port. (The most expensive part of baby-raising ends up being her flights to wherever the Odyssey happens to be at the time, at least until Robert finds out and figures out a way to start paying her 'maternity leave', despite her insistence that the whole point of this is that she isn't maternity-leaving and he should probably be paying himself that and anyway, isn't she technically not an employee right now?)
And the thing is, during this time, Max and Tristan start... realising some things. Like how neither of them feel like they've lost their only partner, because they.. haven't. Like how the co-parenting's been working out better than either of them expected, because they fell instantly (minus a few minor bumps) into a shared rhythm. Like how sometimes they look at the other one holding Baby and feel like their heart's about to explode.
Also, they've both started sleeping in Max's bed. Because Baby's spent so much time sleeping in the corner of the infirmary that now if she wakes up at night and can't see both of them, she starts crying inconsolably. And obviously Max's suite is more suited to multiple inhabitants, and they're usually too damn exhausted to even remember the first time they were in this bed together.
(usually. most of the time. and when they're not, they don't make it the other's problem)
So at the end of the first year of this, the last two days of the year's last cruise have been packed with crisis after crisis after demanding patient after crisis, and as soon as they finally wave the last passenger off they hand Baby gratefully over to Robert and go crash out in Max's bed.
Avery was supposed to be meeting them on board tomorrow, but her last exam gets unexpectedly moved up by a day (believe me, med school loves to pull that kind of shit on you), so a couple hours after the passengers have gone, she shows up to surprise them. And finds Robert (a known ody3 shipper) first, who lets her take Baby with minimal captainly sulking about it, and while she rocks and kisses Baby, tells her (as a known ody3 shipper) that the two dads will be on the Pelican deck, but they're probably asleep.
Avery kinda frowns at him, but doesn't question it, and takes Baby up with her to Max's suite to find them. And they are both fast asleep, on either side of Max's bed with a space carefully preserved between them (because it's usually where Baby would be and they're both terrified of accidentally rolling onto her in the middle of the night). She's also exhausted after exams, so she crawls into it, lies on her back with Baby on top of her chest, and goes straight to sleep.
Tristan and Max wake up before her, and when they look across at each other, at Avery and Baby between them, they both simultaneously realise, oh. oh. oh, this - this three, two-and-half, four people, all together - this is it. this is the love, this is the children, this might even be the home - the second, third, fourth bucket list items to happen in this bed.
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vidavalor · 6 months ago
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Hello! I brought leek and potato soup this time! Hope you like something hearty 😊
Not a question but an observation: in the pub in s2, when Aziraphale admits heaven is sending someone to check on the 25 Lazarii miracle, and that he told them he made Nina & Maggie fall in love because that’s the first thing he could think of, Crowley says: “Do a little miracle, wiggle your fingers about, Nina falls for Maggie, problem solved.” And Aziraphale replies: “Ah, miracles don’t work like that.”
So. I guess this means that he tried, and found out the hard way that it doesn’t work, because heaven clearly doesn’t seem to be aware that miracles don’t work like that 😬
Who do you think he tried to cupid into being together? And also, I don’t think Crowley has such a huge knowledge gap about miracles that he wouldn’t know this already, so do you think he’s saying something else in ineffable husband speak here, too?
Allo @procrastiel 💕 Thanks for the soup! It sounds amazing. Coffee? Banana bread? *shares* It's fantastic, if I do say so myself. 😊
I think the scene you're talking about is saying something a little different if you look at two words the show is messing around with in this and other scenes-- passion and miracles-- so, let's do that for a bit...
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In the pub scene, Crowley and Aziraphale actually don't have a gap in their understanding of "how miracles work" when it comes to love. They're actually just, initially, speaking of two different types of emotions: a pash versus a passion.
Because of Aziraphale's use of the word pash to describe his impression of Maggie's feelings for Nina-- and his tone when he does so-- Crowley mistakenly believes at the start of the scene that Aziraphale isn't very invested in Maggie and Nina having an actual relationship. Because of this, Crowley correctly states that doing a miracle would solve their issue. Miracles, in this case, do actually work like this. They can influence-miracle someone to replicate infatuation if they wanted to, which is what Crowley is suggesting, only because his impression from how Aziraphale has phrased Maggie's feelings versus the direness of them keeping Gabriel hidden for everyone's sake has led Crowley to think that such a miracle, while not really advisable, would solve their problem.
Crowley was not present for the scenes Aziraphale had with Maggie prior to the pub scene so he doesn't know how Maggie and Nina came to be roped into this whole 'miracle to protect Gabriel' mess. Crowley, in that moment in the pub, doesn't yet understand that Aziraphale wants to do more about this than just solve the issue when the angels show up to verify the miracle.
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He doesn't know that Aziraphale has this other problem happening where he unintentionally hurt Maggie and now he is trying to fix it so he really does ship the shop lesbians now and he wants them to get real deal love.
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Aziraphale isn't eager to tell Crowley the details about this at this point because, in doing so, he would have to talk more about his own emotions that led him to say the wrong thing here and he's not ready for that. Instead, he clues Crowley into the fact that he wants to see if they can help the women to fall in actual love without telling Crowley at this point the whole saga of how he messed up with Maggie by rejecting the influence miracle idea with:
"Miracles don't work like that."
By this, Aziraphale means what they both know to be true-- that love doesn't work like that.
Love isn't something they can miracle into existence. They can make someone appear infatuated with someone-- that is within their powers-- but they cannot make anyone actually fall in love. They can miracle up something of a manufactured pash but they cannot miracle up a true passion.
Once Crowley understands that Aziraphale is more invested in this relationship and how it plays out, he is then immediately into playing Cupid-- and also into using coming up with ideas as a way to seduce Aziraphale, romantically suggesting that they try to create a scenario like their own first kiss for Maggie and Nina.
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To which Aziraphale, who was just not long ago listening to Maggie-- who barely knows Nina-- sob about a failed attempt at giving Nina, who already has a partner, a record, replies: "Doesn't seem likely," which he means as if to say: there is no way these mortal young ladies who barely know each other and who don't have the slightest idea about romance could ever vavoom the way we did and do and which Crowley playfully takes as Aziraphale jokingly rejecting Crowley's narrative of their romance that has them both dead set, made-for-each-other gone on each other ever since that moment. He grumbles and insists that it's true that if you get humans (them lol) wet and staring into each other's eyes, that it's vavoom, sordid/sorted, and pretends he "saw it in a Richard Curtis film" when they both know exactly what he's talking about.
There is some wordplay in "doesn't seem likely" itself. Seem is homophonic for seam-- part of seamstressing as sexual euphemism-- and likely is of the word like, which can refer to the body (as in, someone's "likeness" and, uh, the like.) Both words are in other scenes as well--("O, Flour of Ssss' Cot Land/When will we see/sea your likes again" 😂)-- but the word choice is mainly just underscoring Aziraphale's whole tone of: um, I wouldn't get your hopes up, dear, I know you love your rainstorms but I'm not sure they are capable of vavooming like us-- it might actually kill them. Please don't break my shop lesbians.
Their initial confusion over this comes from Aziraphale using pash-- British English for an infatuation, or what we in the U.S. refer to as a crush. It's first blush of attraction and not really fully developed. It's puppy love or just thinking someone is attractive without a lot of substance or developed emotion or intimacy. The word comes from passion but, bizarrely, means kind of the opposite of it in many ways, which is part of the wordplay around the word in GO.
Passion was originally a word developed as a result of high up members of Christian theocracy specifically to describe one thing and one thing only: the crucification of Jesus Christ.
It comes from the Old Latin root pati and the Old Latin passio, which mean to suffer and to endure. This word that was originally quite literally created by humans specifically and intentionally to describe the martyrdom of the pivotal figure in Christianity? It is the Grand Dame of Crowley & Aziraphale words because, as we know, it has then been further evolved by humans to also become the foremost word to describe erotic love.
Passion in the erotic, sexual love sense is also in the scene with talk of pash and miracles-- just in synonym form:
Vavoom: Alternatively, va-va-voom: Voluptuously sexy; of, or pertaining to, sensual pleasure; passionate.
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It is primarily these definitions-- the erotic and the religious-- that Good Omens is contrasting but the other meaning of passion is part of the wordplay as well. For instance, as we know, there is a non-religious, non-erotic definition of passion and it is just to have a strong emotion for-- or interest in-- something.
If you are reading this post, it could be said that you are a passionate fan of Good Omens. In S2, Mr. Arnold and Mutt are both convinced by Aziraphale to come to The Meeting Ball based on their passions in life-- Mr. Arnold's love of Doctor Who and Mutt's love of the history of magic. Passion, in this definition, can refer just to things about which we are wild but that are not necessarily an erotic pursuit or that have any religious connection.
It's the erotic love definition, though, that is being most directly contrasted on Good Omens with the religious definition. It began in S1 in the 1.03 Cold Open with the Golgotha scene. Here, we had Crowley and Aziraphale in discussion as they watched the beginning of what would become called The Passion-- the suffering and death of Jesus.
As Jesus is being nailed to the cross, Crowley and Aziraphale discuss him and, in the process, the subject of Crowley's name comes up. It remains the most significant thing in the scene and on where the scene ends because the reveal of it-- something we do not fully understand until S2-- is the other definition of passion in the scene.
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What we can see in S1 is that Crowley has gone by many names and Aziraphale is well-aware of the reputations associated with those personas that Crowley has been adopting. He sounds a bit jealous over Asmodeus, in particular, whom he-- and we-- know to be the Demonic Prince of Lust. While further story indicates that this is largely something that Crowley is play-acting to make everyone think that he's something that he's really not, it is a thing and Aziraphale is pretending to sound like he's not envious of the idea of Crowley's attentions being elsewhere.
It's off of that pretty terribly disguised jealousy lol that Crowley tells Aziraphale what name he's chosen for himself and it's the one we recognize that he has still in the present. We see that the name seems significant to Aziraphale in some way but we don't yet understand why. As a result, we don't fully understand this S1 scene until after 2.02, because we hadn't yet seen the Job minisode that came chronologically before Golgotha:
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As a result of the Job minisode, we now more fully understand that Crowley's confession of sorts was really here, back in 33 A.D.. He changed his name to something with meaning to only himself and Aziraphale and we know now the circumstances that led to why. In doing this and telling Aziraphale, Crowley is admitting to Aziraphale that he's mad about him. The scene is visual wordplay around passion-- The Passion of the Christ and the passion of the Crowley.
So, there's the religious Passion that might become ever more important in a potentially Jesus-oriented S3; there are the passions-- the interests and hobbies of all of the characters; and there's the new pash of Maggie and Nina and its contrasting parallel-- the very old, romantic passion of Crowley and Aziraphale.
So, if Crowley and Aziraphale's language around pash got them mixed about miracles at the start of the pub scene...
...what are miracles to them, exactly?
We've already seen evidence that Aziraphale used the word basically interchangeably with "love" in his "miracles don't work like that." The two of them can perform supernatural miracles so there's always that level of it and there's the human understanding of and definition of miracles in play as well.
To us humans, a miracle may or may not be a word with a religious connotation. Either way, it is an event that is seen as supernatural or divine in its lack of a concrete explanation and its likely inability to be achieved through understood human means. It is always a welcome, positive event. It inspires a sense of joy and wonder in people. It is something magical.
Additionally, if you take apart the word a bit, as remains our strongest wordplay suggestion in the series from its opening war-in-warning shot, you have two other words of note: mir and acle.
Mir is a Russian word meaning peace and also a commune. In the West, it is most familiar to people as the name of the Russian space station in the 1980s and 1990s, which Crowley and Aziraphale probably liked. An acle is a kind of tree... which we could then add to the 'words related to the vavoomy canopy' list.
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In true Good Omens form, it's actually the scene after the one in the pub that underlines the fact that the word miracle is part of their vocabulary-- and it makes not only the pub scene make more sense retrospectively but also some moments in S1 (the "real miracle" bit in 1941, Part 1, in particular.) The scene that shows them being a bit arch about the fact that they mess around with the word miracle is The Clue:
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As Aziraphale explains the whole "Everyday" record thing happening with the jukebox at the pub in Edinburgh, he says to Crowley with dramatic flourish that is intentionally over-the-top-- even by Aziraphale standards-- that the mystery: "...is, as you might say, 'a miracle'" to which Crowley replies a dry: "Ooh."
Part of the wordplay is that the more usual way to say what Aziraphale says to Crowley here-- even if flirting with someone-- would be to say that the record mystery "is, as one might say, 'a miracle'". Aziraphale said "as you might say...," a joke on Crowley himself and both of them using miracle to mean more than the supernatural actions they were once assigned to perform.
The amusing thing is that we will learn that The Resurrectionist jukebox mystery actually really is a miracle, in all of Crowley and Aziraphale definitions of the word. It's a romantic action-- Gabriel's miracle for Beez-- that parallels the miracles Crowley and Aziraphale do to romance one another.
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So, what's magical to the magical Crowley and Aziraphale? What's miraculous to these two who can perform literal, supernatural miracles?
Love.
Miracles are a kind of magic that inspires wonder and brings about feelings of communion, joy and peace. That definition is, arguably, what a lot of people would call the positive emotions associated with being in love.
To Crowley and Aziraphale then, miracles and the miraculous do not just refer to the supernatural but to the romantic.
If love is miraculous, then talk of miracles can also be talk of love.
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If love is miraculous, then talk of performing miracles can also be talk, on one level, of making love.
You know what was a 25 Lazarii miracle? You and I the other night. We raised the damn dead, old serpent...
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If love is miraculous-- and if talk of performing miracles can be talk of making love-- then performing supernatural miracles can be a form of flirtation and romance.
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If love is miraculous, then expressing how precious the peace you find with your partner is to you is reiterating how much you love them-- especially poignant when spoken in the middle of a disagreement.
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If love is miraculous, then to use supernatural miracles to alter your partner's space-- really: your shared space-- can be a way to tease or a way to comfort.
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If love is miraculous, then performing a joint supernatural miracle together to protect each other and the contentious family that is currently staying in the guest room is basically getting engaged.
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If love is miraculous, then all phrases people have that are related to miracles of any kind can also be phrases related to love.
For instance: Real miracle.
A "real miracle" in the human world is a subjective thing, based upon an individual's level of belief in magical thinking but, to humans open to it, something considered a "real miracle" is something both wondrous and true and, if love is miraculous in Ineffable Husbands Speak, a real miracle would be a way to describe true love.
Since Crowley and Aziraphale can perform literal miracles, though, and since they have a wordplay thing... there's also that real is homophonic for reel.
A reel, in this case, being the part of the fishing rod used to reel in caught fish.
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A real/reel miracle (in Ineffable Husbands Speak): A supernatural miracle performed by one of them only for the purpose of romancing the other; an action the equivalent of expressing love for each other.
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If love is miraculous, though? A miracle does not have to be a supernatural one. Aziraphale, in particular, is especially good at miracles-- acts of love-- performed only with human magic.
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Finally, if love is miraculous, then:
"How about The Ritz? I believe a table for two has just *miraculously* come free."
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songbvrd · 8 months ago
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ok but i've been thinking more about eddie cheating arc and it actually makes so much sense (aside from just being fucking hilarious that he's cheating on his ex-nun gf he already avoids for two men with the doppelganger of his dead wife)
but here's the thing. eddie has objectively dated women who he has no reason not to like. they're women who are objectively good for him and for his son. ana was a teacher, who christopher loved, who genuinely seemed good with him, and yet, at the prospect of it becoming too real, he abandoned ship (there's other stuff with her, but the show didn't acknowledge that from eddie's perspective, so i'm not referring to it either). with marisol, despite the actress being just objectively bad, there's no reason for him not to want to be with her. she has been cool w his hot and cold behaviour, she's clearly good with chris, and she clearly likes him. and yet, eddie clearly doesn't want to be with her (as evidenced by him constantly asking her to babysit so he can hang out with tommy or buck or kim lmao, literally anyone else).
like, in universe, these are two women who are beautiful, patient and care about his child.
and yet, eddie can't let go of shannon. because eddie doesn't feel the way he's supposed to feel about these women and there's an easy excuse to explain it. he never got over his son's mother. the problem, of course, being that he wasn't actually happy with her either. they were just kids themselves when shannon got pregnant, and for the majority of their relationship, they were avoiding each other. they were constantly fighting/disagreeing and their last encounter before her death was literally her leaving him again (not shannon bashing, i like her, but it's hard to deny that they were dysfunctional as hell, and not actually happy together, despite the fact that they did actually seem to love each other).
but for eddie, if you're trying to avoid reality, what better way to do it than to hide behind 'the one who got away'. a woman who can never prove his hypothesis wrong because she's gone. whilstever he can explain it away as 'it's because of shannon', he never has to confront the possibility that there's another reason why he doesn't feel what he thinks he should feel for these women.
so then he sees shannon (kim). and shannon is his scapegoat. shannon is the reason he can't make it work. so in theory, seeing her again, in his mind, it should "fix" him, right? except, it can't. because he was never actually happy with shannon, and regardless, this isn't shannon. he says he wants to nest, and i do believe that's true, but he also can't go through with something he doesn't really feel, clearly, so he sabotages it. so he's going to throw himself into it, sabotaging his relationship with marisol at the same time.
and when he tries again with kim, and it still isn't working, eddie's going to break down, because there's another reality he has to address. shannon isn't the reason it isn't working. it was an easy excuse to hide behind, but it isn't about her. eddie breaks down, pushes everyone away, struggles to deal with what tthat means for him.
but the truth is, it isn't working because it isn't what he wants. it's what he THINKS he should want. now, obviously, buddie is what i'm getting at here, but this conversation isn't even necessarily about buck. it's about eddie as a whole, and what he's hiding from.
wham bam, thank you ma'am, gay eddie realisation arc season 8.
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mephistopheleswasrobbed · 1 month ago
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Ahh, I don't want it to be over! But alas, here we are, so let me tell you about all the gay moments in Peaceful Property one last time:
1
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We begin the episode with Home and Peach sitting next to each other and saying sentimental things. Framed by a flamingo. Which is literally a symbol of love (because they're pink and monogamous).
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Saying your meeting was destiny while looking each other in the eyes lovingly is somehow not the most romantic line in this episode. It comes pretty close, though.
2
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Back in the action, Peach is extremely worried about Home, alone with his would-be murderer.
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And when evil lawyer mentions the possibility of Home being dead already, Peach loses is completely. (Though, in a parallel that is funny to me, exclusively, he's again held back by two *according to themselves* oh so weak women. Just like in Kan's home when one woman was enough to completely immobilise him. I'm really not sure why Panpang is so insistent that Peach is so much stronger than her)
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Peach knows that they don't have enough time to waste it on those useless cops so he sacrifices himself by confessing to a crime he didn't commit, so at least Kan and Pangpang can try to rescue Home. That's some ride or die devotion right there.
3
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A found family bond so strong it single-handedly derailed these scooby doo villains' evil plots several times.
4
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Pangpang (seen here cosplaying as a ghost pizza) knows that in true romance fashion, Peach must be the one to save Home. (And because we've already established that physical strength can't be the reason, I'm choosing to believe it's the strength of his love for Home that's giving him the advantage.)
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So Peach arrives just in time (there's that destiny, that soulmate timing) to prevent Somkid from stabbing Home. And I've previously talked a lot about how much Home has changed because of Peach, but let's take a second to appreciate how much Peach has changed because of Home. He went from hiding behind his little sister at the sight of a ghost, to jumping without hesitation at an armed murderer to save Home.
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And once Somkid has been distracted, Home's first priority is, as they always do when there's danger, to go check on and help up Peach.
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And then he just keeps holding him while Somkid is busy coming to the realisation that all the evil shit he did was meaningless.
5
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There is no way Mr. Real Estate Heir doesn't know how to tie a tie. This is an excuse to share some comfort before the funeral and it is as understandable as it is boyfriend-coded.
6
There's been a lot of Home/Peach doing something the other had previously done, and here's one more:
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Just like Home before, Peach also notices immediately when something seems off with Home and wastes no time to go to him and see if he needs to offer help or comfort.
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And what is the problem? It's, of course, the impending separation that has Home moping over an electric stove cooker thing.
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But well, after almost watching Home die, again, Peach has realised he doesn't want to leave. Because even if Home goes back to the US, at least he'll be around the memories they've made together. So Peach decides to stay.
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And despite the excuse he comes up with about dialect speaking ghosts, we, and Home, know the real reason.
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The "I love you and I don't want to leave you" might be unspoken but Home hears it anyway.
And Home has also finally figured it out.
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So he's not leaving either.
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And Peach might be a little obtuse about it at first
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But Home's real dream has always been to have a family. And he knows he's finally found his. Grandpa knows he's finally found his.
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So Home makes it clear to Peach.
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And Peach gets it this time.
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(Of course, then they immediately have to make a joke out of it because those two might actually be allergic to seriously talking about their feelings for each other. But the message has been recieved, anyway)
8
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Their absolutely perfect timing can only be explained by soulmate shenanigans. (also look at him smile)
9
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Even the universe is trying to tell them to embrace the gay. With their Cok Long bar turned Cok Long restaurant.
10
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The dialogue from the beginning plays again, over shots of their family meal. And with the expression of destiny, the camera focuses in on them. Because while "family" is for all five of them, their "destiny" is just between the two of them. And they look so soft and happy in its glow.
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And they look at each other when they laugh, and we leave them to their truly happy ending.
(And maybe one day in the future they will be able to plainly say "I love you" to each other without having to hide it behind five jokes and three metaphors, but until then, they know the truth of it anyway.)
Lesbian Corner
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Kan has come to seriously trust and believe in Pangpang. And Pangpang, who felt like a useless burden at the beginning of the show, is made better by it.
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And in reverse, Kan, who's been completely serious and focussed on revenge for the last decade, who'd had trouble letting loose and making connections with others even before her father's not-completely-but-in-effect-death, has found in Pangpang someone who can not only make her smile, but make her make jokes to make others smile.
Just like Home and Peach, these two also complement each other. They make up for each others shortcomings and both grow into happier, more well-rounded people through each other.
And with that it's over. Except not quite because I've still got some extra that didn't fit here.
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tobiasdrake · 4 months ago
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Inspired by some recent posts: What are your thoughts on people shipping Bulma and Goku?
Oh, my feelings on that ship are complicated.
I actually used to like that ship when I was younger. I've always been a fan of ships between characters who genuinely enjoy each other's company and work together to solve problems with minimal friction. When I was growing up, the go-to for canon ship writing was tension. Two characters are in tension with one another until they admit their true feelings and fall in love.
You could see it in anime with ships like Ranma Saotome and Akane Tendo who absolutely, violently hate each other's guts 98% of the time but then occasionally are sweet together so you know they're really deeply in love. Japan loved tsundere romances back in the day. They were everywhere.
And you could see it in Western media like Han Solo and Leia Organa, where Han behaves as an aggressive sexual predator despite Leia's clear rebukes of his advances and it's supposed to be romantic because she's secretly in love with him the whole time.
80's and 90's Hollywood was all about women "playing hard to get". The cultural idea was that "No" means "Keep asking, big boy; I love it when you push my boundaries." Decades later it turned out a lot of people in Hollywood were sexual predators. Imagine that.
And I never really liked any of it. I wanted to see romances between characters who love and cherish each other, and make each other stronger through their mutual connection. I didn't want shows full of Shinji and Asuka romances, I wanted shows full of Frodo and Samwise romances.
This, I think, is why a lot of same-sex ships took off back in the day too; Heroes, especially male heroes, love nobody half as much as they love the best friend who fights by their side. They'll dump their girlfriends on the side of the road to go gallivanting off on a new adventure but they are ride-or-die for their bestie.
And I just. I couldn't help but look at that dynamic and ask, "How come the ride-or-die bestie that the hero's forever loyal to and whose emotional bond takes up half the story, isn't the love interest?" So, like a lot of people, I start shipping those dynamics over the canon ships.
Goku and Bulma aren't really ride-or-die besties. I mean, on Bulma's side, they are. But Goku's the kind of person who goes no contact with everyone for five years without notice and then shows up like "Hey guys, check out this cool technique I learned." Not out of malice or anything; That's just how he is. It's a special event any time you even get to see him. He has no ride-or-die bestie. He lives entirely in the moment.
But back in the day, when I didn't really know Goku or Bulma that well beyond what the dub was doing with Z, they seemed like they fit that mold. And I was about it.
These days, I have a much firmer grasp on the characters and I cannot imagine any version of a Goku and Bulma relationship that wouldn't feel skeevy and predatory on Bulma's part.
With Chi-Chi, there's the context that Chi-Chi's as much of a dimwitted naive backwoods hick as Goku is, so they mutually dumbassed themselves into a domestic situation neither truly understood. Bulma doesn't have that defense. She's cunning, well-educated, and extremely socially aware.
If Bulma and Goku had gotten together instead of Chi-Chi and Goku, it would have felt like Bulma taking advantage of Goku's naivety; Especially when that's literally something she tried to do the first day they ever met.
If Goku were a character that was more socially aware and, y'know, actually interested in romance at all, that would be a different story. But as it is, for both the integrity of the characters and their fantastic relationship with one another? I do think it's probably best that Goku was already spoken for before he became hot enough for Bulma to start considering him as a Himbo Arm-Candy upgrade from Yamcha. (Which she briefly did.)
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lukola92 · 4 months ago
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So personally, I think that there was issues between Nicola and Luke after the London premiere. I see that because she left the after party before he even got there. Then She went silent on social media. And before people comment, I know she was filming, but she was filming big mood and Bridgerton was still active on social media. We also during those early summer months she would post but she would not post her face and definitely not as much as we are used to. Personally, I think was deliberate. Clearly they somehow have made up. Or they've at least talked Because she's posting him again. And I also think she will slow down with how much she posting cuz things are slipping she showing her hand to much. And now we're getting all these songs. I also do not think that it's for Eamon or Jake. Those songs are definitely Luke coded. I think that they still have a lot to work through. But he needs to fully get out of this situation that he's in. Also, I've seen on TikTok people are mad because he's not posting a lot what do you guys expect him to do? He post you to say it's not enough. He doesn't post you say is not enough. No matter what move he makes right now people say crap to him. a lot of men I know are not big on social media. They might have one the post once in a while. They might call some videos. But they're not spending hours online looking for things the way women do. They could also be one of the reasons he didn't see this girl deviousness. I'm hoping he's seeing it now. They've all been so quiet because they're dealing with it BTS. Because since Italy, we haven't seen no pictures and we've seen pictures all summer long. Then that whole group is moving weird. Then all being quiet and S rearranging her post with her and her boyfriend being the main photos. Like I said I have a gut intinct that somethings happening. One last thing, we have all known that she leaks things to fan pages I'm 95% sure she does that. we also know that things were leaked to DM so it's not far off that things would be leaked to fan pages. so right now unless you see actual proof, don't believe anything anybody is saying. Because if he is trying to get away from her I have a really hard time believing she's going to take that lying down. She's going to try to create problems for him. And it's just so funny that we're starting to see all of these pages say that they're traveled alone (when fan pages have called that out) or talk of them getting married. It's wild rumors let's not fall into her traps. She gotten good with getting under the fandom skin.
I think that, after London N and L were ready to try to stay together, unfortunately third parties have ruined everything and L had to accept to be seen for a while with A, to protect N and not make her appear as the one who had made the "gf" betray, for sure N will have been sick but also L and we saw it clearly from his face, both have been sick these two months, but once L returned from Italy, he realized that he can't go on like this, for me he will have immediately gone to talk to nic (probably the day of the toast story) and N from that day on, has returned to being more social, returning to give us clues clearly referring to L, in italy, L will have been angry because private things came out and because they probably posted stories with the location and he didn't want it .. I think he got angry with everyone .. if you noticed the like that N gave today to chappel roan you will understand that she is tired of both her and L no longer having any privacy .. A is desperate and continues to do strange things but she hasn't understood that she is about to disappear because she is nobody, she will have to learn from her mistakes sooner or later, right? N is the only one we have to trust, I've always said that!
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demigodsanswer · 2 months ago
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Percabeth Royal AU + First Time
I also got sent royalty AU + baby fic, so I'm going to combine them!
Vaguely high fantasy setting, but with more or an ancient Greek aesthetic than medieval England.
Annabeth is first in line for her mother's throne. Percy is like 5th or 6th inline his father's. And he'd probably never get it anyway. He's a legitimized former bastard after his father married his (low born) mistress after the death of his first wife.
But the two of them grew up together, and get along really well, and have stayed in contact through the years, even if they haven't seen each other in person in a while.
So when it comes time for Annabeth to make an adventurous match, she floats Percy's name. The marriage would strengthen the alliance to a formerly-rival nation, he's not so important as to cause trouble, but he is legitimate.
Athena isn't thrilled about this, but she allows Annabeth to make the proposal because she knows if she doesn't allow Annabeth to do the proper thing she wants to do, then Annabeth will do whatever she wants to do the improper way. Athena doesn't really expect Poseidon to accept.
But of course he does. This is a marriage well above what he expected for Percy. The marriage is arranged, and now it's time for Percy to finally see his best friend again.
He arrives, and he is the most handsome man Annabeth has ever seen. And that she wasn't expecting. She'd last seen him eight years ago, when he was a pimply 13 year old who was shorter than her. He wasn't that anymore.
And Percy is thinking similar things about her. He's pretty sure they're going to have a great marriage.
Athena's kingdom is a little more (a lot more) regressive on ideas of virginity, particularly for high-born girls, particularly for the heir apparent. So Annabeth has never so much as kissed someone in a meaningful way. She's read books, experimented with a few things on her own, and that's it. And Percy's culture expects proof of consummation the next day as part of the wedding contract. So Annabeth knows she will be losing her virginity on her wedding night. It's been discussed at length, much to her shame.
A week before the wedding, she confesses to Percy that she's nervous. Or, rather, she expresses her nerves by asking: "On the wedding night, what should I do?"
"What?"
"Is there something I should do to prepare? Is there something you like that I should learn about?"
"Uh ... no. I just want you to be comfortable and relaxed as much as you can. I will try to make it good for you."
"In your experience, do women do anything that makes it more relaxing?"
And Percy just has to sheepishly confess that he doesn't have experience of his own. "I'm a bastard. I never wanted to condemn my own child to that fate. Or disgrace a lady like that. Or pay for it and end up with some pox I'd give to my wife. So I've just ..."
"So we're both virgins, then?" Annabeth asks, not really realizing that that's a bit embarrassing for Percy in ways it's not for her.
"Yes," he said.
"That actually makes me feel a lot better."
The wedding night ends up being incredibly ... fine. It's romantic for sure. But the sex itself takes a few tries to get right, and then ends abruptly. But there's enough evidence the next morning to make the marriage count.
Conceiving an heir isn't a problem. Keeping it is. Annabeth has three miscarriages the first year. She and Percy decide to stop having sex for a little while, to let her body recover and let them both recover emotionally.
They end up taking a tour of the nation six months after they stop having sex (or P in V sex, they figure out the alternatives), and on the tour, they stop by a secluded waterfall. The guards are a little ways away, and they decide to fully enjoy the water.
They're hidden behind the waterfall, and Percy is so happy to be inside her again, he just starts talking about how his people worship the water, and believe they emerged from the sea itself, and that water is healing and life-giving.
When Annabeth suspects she's pregnant again about two months later, she insists they continue the tour because "it will be over soon."
But it isn't.
She returns to court wider than she left. This one she carries to term -- a healthy little baby girl.
They start conceiving all their babies in the water, just to be safe.
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zvtara-was-never-canon · 2 months ago
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I've been in the fandom for a while. I personally think Kataang getting together after the EIP kiss without any resolution wasn't a good writing choice. I think many women HAVE been in a situation where they've been kissed like that, so they automatically dislike it.
I get why people would be turned off from Kataang after the EIP kiss. What I absolutely don't get is how people think Zuko is a better romantic partner. Did they see how Zuko treated Mai in The Beach?
That's what baffles me. Shippers will say Aang's entitlement in kissing Katara without her consent turned them off Kataang. I can understand that. But the same Zutara shippers all laud Zuko as a amazing bf, despite the fact that he:
accused Mai of cheating without any evidence
Accuses Mai of being passionless, hurting her
punches a guy and destroys his property for no reason
tells Mai that his abuse is more important than her feelings
Snidely tells Ma, "where's your new bf"
Never apologises to her for acting that way
Why is there such a cognitive dissonance, do you think? Shouldn't these shippers be turned off Zuko as a bf? Even in the last episode, Zuko starts shooting flames at Aang to "teach him a lesson", clearly showing he still wants to solve his problems with violence.
Why do the same shippers (mostly women) who hate Aang for EIP, love Zuko?
Okay, a few corrections:
1 - Aang didn't kiss Katara out of entitlement. He misjudged the moment. They were talking about feelings and Katara said both "I don't see you as just a friend" and "I don't think we should date right now." Aang, a 12-year-old, was confused by that, thought he could make things clearer by kissing her since they've both enjoyed the two previous times they kissed. That was a really bad move, upset Katara, and he kicked himself for it. Would an apology be nice? Yes. Was this a forced conflict for cheap drama? Yes. But it's not the same as Aang grabbing Katara and forcing a kiss on her while she's struggling to get away from him and telling him "NO" loud and clear.
2 - While Mai did nothing wrong and looked bored as hell whenever that guy came up to her, he WAS into her and disregarding the fact that she had a boyfriend. That's a dick move, and even though Zuko should not have escalated things to physical violence, nor blamed his girlfriend, he had every right to be mad at that guy.
3 - Zuko absolutely did NOT say that his abuse was more important than Mai's feelings. They're arguing about his behavior and how he's more irritable and impatient than usual, to which Zuko reminds her of the obvious fact that it's kinda hard to NOT be like that every now and then considering what he went through - to which Mai reminds him that it being understandable doesn't make it okay, and Zuko eventually admits that the REAL source of his anger is the fact that he no longer knows what right and wrong mean to him anymore and that's stressing him the fuck out. VERY different from "My life sucked, I get to make it your problem"
4 - While Zuko did not apologize for how he acted, we see in the following episodes that he is being a good boyfriend to Mai and he explicitly tells the Gaang that he doesn't want to keep relying on anger anymore. Apologies are nice and can be very important, but an actual change in behavior is what makes it mean anything.
5 - I do feel that the moment of Zuko attacking the Gaang in the finale to "make them take the war seriously" was very forced, but even if I were to take it as just Zuko being Zuko - by the end of the story he's clearly happy that Aang managed to solve things without violence, is proud of him for it, and even says that he believes OZAI could maybe change into a better person someday. If that isn't growth I don't know what is.
As for your actual question: They don't actually hate Aang and love Zuko for anything they did/did not do. They just think Zuko is hot, thought the show would pander to them with zutara, and when it didnt they lashed out and used pseudo-feminist points to go "Aang bad, Zuko good" to cover up a childish tantrum.
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austinslounge · 2 months ago
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girl thank you for bringing up the hate Austin gets for no reason. It’s so confusing. Imo I think the hate comes from jealousy and the assumption that pretty people are automatically arrogant dicks and unfaithful partners but I’d like to hear your take
Yea girlie, I am totally ready to have that conversation if anyone else is wiling to because to me it's just gotten out of control. 🥴 I've usually kept quiet on this topic because I don't like to complain or vent too much on my blog about silly things like this, but it's to the point now where I just have to say something.
This man has been getting hate for years, and for absolutely no good reason at all.
Some people hated Austin even while he was dating Vanessa.
He's even been called a clout chaser, when hello, Ashley T. hooked them up together and Vanessa had her eye on Austin! She admitted it herself!
Then, after the Aunessa breakup, Austin was blamed for that too! Even though, we really don't actually know what the reason was for their breakup, or even who actually broke up with whom or how it happened!
Then, people called him a cheater and just assumed that Austin cheating was the reason for the Aunessa breakup, even though, there's been ZERO proof that has come out in nearly 5 years since their breakup that he cheated on her.
Then, he's been bashed for dating KG, even though, I'm almost 100% sure that she went after him! (We've seen how she operates)
Then -- there was the whole stupid "Elvis voice" thing. 🙄 That "joke" has been run into the ground for two whole years, and it's almost like beating a dead horse at this point. That man has been bullied for over two years for the voice thing, even when he doesn't even sound like Elvis! And so what if maybe he got stuck in a voice inflection for a little while? It happens to a lot of actors. Why is he the one getting so much hate? Instead of bullying him, people should have been showing him compassion and just given him more time to acclimate to his more typical way of speaking again.
Then there are also the people online who say that they just "don't like him" because they think he's "creepy" or they don't like him "just because". 😒 Like wtf? 🥴 They don't even have a real reason to hate the man, but they are so proud to say that they dislike him. This man is one of the kindest people in the industry. I'm thinking, what on earth are they smoking?
He's also been called "pretentious", "arrogant", and "phony", but yet, if you watch even just one interview of Austin (even pre-Elvis), you'll see that he's one of the sweetest, most down-to-earth and genuine celebrities out here. Other people who have worked with him or met him also echo that same sentiment.
Now, he's getting blamed for the breakup of his costar and her fiancé just because they're currently filming a movie together, and there's absolutely zero proof of them having anything romantic off-camera whatsoever. 🙄
I'm just thinking, what on earth is people's problem with this man? If anything, he's been very private, he minds his business, he works hard, he's never been involved in any scandal, he minds his manners and treats everyone with kindness and has never been one of those jerk celebrities who act entitled. I'm just trying to figure out where people are getting their reasons to hate this guy from?
I think you have probably hit the nail on the head girl. I think most people take one look at Austin and assume that someone that good-looking just has to be a jerk, a cheater, or extremely arrogant. But he's totally the opposite!
I also agree with you that part of it is jealousy too. But a lot of the people saying these things about him online are women! 🥴 It's almost like women these days automatically judge good-looking guys as bad guys or smthg. Heaven forbid a guy be hot and actually a nice guy. Those men do exist! If Austin were ugly or even just average-looking, I kind of feel like the opinion on him would be totally different.
It just makes me so sad when I see people on Twitter or online just going in on him for absolutely no good reason, and making up lies in order to justify their hatred of him, because he is so not how some people assume him to be. 😔
Thoughts anyone??
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writershapeholeonthedoor · 1 year ago
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My favorite ships ranked!
There's a huge chance this list will change once every two days at the very least, but let's do it!
1. SUPERCORP
Literally my favorite ship ever. They're just perfect for each other in every possible way. Their love languages complement each other perfectly, they can rely on each other, and they work together like the best team in the world. Lena needs love and Kara knows how to offer it without asking for anything in exchange. She will take whatever Lena is willing to give her and be happy about it. But Kara still needs someone that will look at her and see who she really is, no judgment, and someone who she will be comfortable being herself - Kara Zor El - with.
Speaking of fanfic, I think it’s safe to say these fandom has some very talented authors who gave us very well written works. They can also work in every possible scenario, so that's a huge bonus.
Favorite scene: "Supergirl might have saved the city, but, Kara Danvers, you're my hero."
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2. SHOOT
Shoot is THAT couple that should have ended up together, but didn’t. I don't hold a grudge on it, though, because Root's death made sense to the show's ongoing plot. I can't say they would be perfect like Supercorp because Shaw has some emotional problems and Root is just also in love with a artificial intelligence or whatever, but they would work. Shaw would try - for Root - and Root would love every part that Shaw allows her to see.
Favorite scene: "You can't live with me and I can't live without you."
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3. WAYHAUGHT
Do I even have to say anything? Our most perfect CANON couple. They were perfect from start to finish. The way Nicole absolutely adored Waverly, almost like a worship even, but wasn’t afraid to stand tall on her ideas and opinions. The way Waverly acted like Nicole hung the moon and stars in the sky just for her, and how we know she would be able to do anything to keep Nicole happy. They're that couple that make everyone's teeth rotten with how sweet they are.
Favorite scene: "You guys make The Notebook look bleak."
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4. CABENSON
One of my favorite gay ships, so it has a special place in my heart. In the early seasons, it's pretty clear, at least for me, that Alex and Olivia could have something going on. I believe they were both shoving it away because none of them was ready to get seriously involved with anyone and they knew that whatever they decided to have would be too special to be treated lightly. Unfortunately, time was cut short for them when Alex got pulled away for WitSec.
I do think they will forever be each other's "almost", or "what if", but they're long past that now. They changed too much and they did it separately. If they were together, they would have changed around each other and, possibly, be able to work those differences to stay together. But now I don't think they would be able to keep a relationship. It's a bit sad, but it's also a very good portrait of reality.
Favorite scene: "You like being back on court, don't you?"
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5. BISHOVA
I'm new to this ship, but I already love it. They remind me a lot of Shoot, actually. We just know that Yelena needs to find someone who would love her with no restrictions and that she deserves to find love. And Kate needs someone able to ground her, but also someone who allows her to be as silly as she wants, someone that will always have her back, doesn't matter how insane her plans might be. They have chemistry too. Also, I can see them getting together with no drama at all, or maybe something they can easily solve, and then being together for the rest of their lives to the point that they can't even remember a time they didn’t know each other. We didn’t get to see them that much, sadly, but I keep my hopes up for more scenes of them in the future.
Favorite scene: "You have one fork?"
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6. FLEURMIONE
Okay, two intelligent and beautiful women together? Sign me in! I've been in Harry Potter's fandom for many, many, years now and, after giving it too much thought, I can safely say that Fleur would be the perfect match for Hermione. She would challenge Hermione, they would have endless discussions about any and every subject, they would have enough books together to fill up a library, and they would make each other want to be better every day. I also see Fleur being a bit sarcastic and Hermione keeps rolling her eyes at her at least fifteen times a day.
Fleur is constantly curious about the muggle world, always eager to learn anything Hermione is willing to show her. She would have a great relationship with Hermione's parents, mostly because she thinks they're one of the most genius people on the planet because they know how to fix people's teeth. Meanwhile, Gabrielle would loooove to talk with Hermione, especially when they get together to embarrass Fleur.
Favorite scene: You know, the totally canon one when Fleur asked Hermione to the Yule Ball.
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7. LOU MILLER X DEBBIE OCEAN
Heist wives? Yes, please.
We don't even need to pretend. These two were totally banging throughout the whole movie. The headcanon is that they used to date, then Debbie made some stupid decisions, met the wrong people, they broke up for a while and then Debbie got locked up. I believe Lou was so angry with her for both being stupid and for ruining what they had because she wanted to get more money than they actually needed, that she didn’t even visit Debbie in prison.
While there, Debbie had enough time to realize how much of an idiot she had been, so it's up to her to win Lou back. Meanwhile, Lou knows that she's screwed the second she sees Debbies smile again. She just can't help but orbit around her.
Also, they're the Moms, no doubt about that.
Favorite scene: "Baby, I don’t have a diamond yet."
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8. DANSEN
The only reason they’re all the way down here is because I hate CW, but I actually love them more than half of my family. They’re married, they’re moms, they’re in love, they’re perfect. Someone as caring as Kelly needed someone to make her go crazy like Alex, while Alex deserved someone that would understand her no matter what. Honestly, I just love them.
Favorite scene: THE PROPOSAL
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9. CAROLNAT
Is there any chance this could happen? No.
Do I still dream about it? Constantly.
It's just one of those couples where things would just work. My biggest headcanon for them is that they would be constantly laughing and having fun. Always joking and playing around with each other. Natasha would crave physical touch and Carol would be happy just to be around her at all. Carol would finally find a reason to stay on Earth without feeling guilty about it and Natasha would one thousand percent make a retirement party for her.
Also, they would protect each other so fiercely that no one would even dare to warm any of them.
Favorite scene: The one where Natasha ends up on top of Carol in the training room. Totally canon, trust me.
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10. GLORBIA
Might sounds crazy, but hear me out.
Barbie is literally Gloria's dream Barbie, and Gloria is the reason Barbie is alive. Once Barbie becomes human, I can totally see Gloria falling for her without even noticing it, while Barbie takes a while to realize what are those things she's feeling. I do believe Sasha would have a strong part in bringing them together. She would be the one to explain to Barbie what a crush is and what being in love should feel like, and then she would have to give her mom a gentle push to acknowledge her own feelings.
After that, fluff all the way. Gloria would be the most patient person in the world while she sees Barbie navigating human life, just happy to have whatever Barbie is comfortable giving her. Meanwhile, Barbie keeps getting surprised by how strong her feelings can be every time she even looks at Gloria.
Favorite scene: Not a scene per se. Instead, I'm bringing that Tumblr post that says "Ken only has a great day when Barbie looks at him. Gloria always has a great day when she looks at Barbie."
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Bonus
11. GAY BELLA
Quite literally, any lesbian ship from Twilight. My favorite one is Rosella, but Bella x Tanya is a close second. Bellice is also a very strong candidate, not to mention Bella x Kate. And, oh, did I hear someone say Bella x Irina or was it Bella x Leah? Honestly, just give me lesbian Bella and I will be happy.
12. ROJARIAS
One of the hottest couples that exist.
Thank you for coming to my TED talk.
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trekmupf · 6 months ago
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Trapped in a Car With Someone You Don’t Want to Be Trapped in a Car With
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Pro
Kirk being torn between his "duties" in the military structure of Starfleet and the duty to his crew / his friends
McCoy waking up and immediately doctoring
The way McCoy sits in the chair; Once again I'm stating the obvious: McCoy is very beautiful in this episode and his winged eyeliner is everything
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We're getting to know Spock better: his problems connecting with the human crew and understanding them (something he learns later on, which is great character development), a new side to his logic, the fact that he's not driven by power (getting command)
Also the fact that the McCoy / Spock dynamic this early on the show is different from later on: the disagreements are less friendly banter and more actual fights, McCoy doesn't know Spock that well (thinking he's interested in power / command is wrong) and they don't work together as well, which is a great way to mark their development in later episodes
there's also a clear separation between Spock and the others, Spock's alone and doesn't have someone to confide in; later on Spock and McCoy are a duo
especially the scene where they're fighting over the funeral service highlights why McCoy, Spock and Kirk work best together and what can happen when one of them isn't around to balance them out
Spock is genuinely so irritated by his logic not working, he's so visibly annoyed several times
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"Strange. Step by step I have made the the correct and logical decisions, and yet two men have died"
Spock's failures as a commander also highlights what makes Kirk such a great captain, as he manages to use logic and command while also balancing the human and empathetic side of it
Spock learning so much and growing during this, technically a great leader but he learns his own limits
Scotty best repair boy, the way he crouches and crawls into spaces to repair the shuttle and then engineer magic!
Also Scotty's attitude in the face of death is so great and telling about him. He realizes first what's going to happen and accepts it calmly, smiles and compliments Spock, having an air of comfort and peace around him
@ Kirk and McCoy in the last scene, how close do you guys need to be to have a conversation?
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Kirk pointing out that Spock's action was based on hope and was therefore human and Spock trying to explain it away as a non emotional and therefore Vulcan action and the others just like him so much while he does so; it's not mean spirited but just lovely and such a great contrast to the tension earlier in the episode
So many of the shots inside the shuttle are accidently funny due to the camera angles they had use because of the tight space
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Direct and straightforward episode set up: We have limited time (medicine needs to be brought to another planet) and the shuttle with two of our main characters gets lost in a phenomenon
Kirks desperation rising during his scenes the longer his crew is lost
great tension by the double plot: the immediate threat on the planet and the time pressure on the ship
I absolutely prefer the original special effects over the CGI remake. Look at how good the shuttle craft looks in comparison – taken from this youtube video which I recommend
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Con
even for Trek the monsters are sort of shit
very minor but I'm annoyed at the uniform inconsistency, its yellow shirts not red shirt dying, the travesty
I know the commissioner is there to remind us of the time frame but his constant repeating starts to be annoying. I'm Kirk, just done with this guy (even though yes, he's right)
everyone but the yellow shirts who die have shit to do and opinions to have except the women who is just scared and doesn't wanna die
Counter: none
Quote "Did I? I may have been mistaken" - Spock "Well, at least I lived long enough to hear that" - McCoy
Moment: When the group sits in the doomed transporter together, knowing they're about to die but they seem collected
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Free Bones because you can see his great make up in this one
Summary: Not quite bottle episode (even though it feels like it) that focusses on Spock and his struggles as a (half-) vulcan working with humans and his disconnect with them using a gripping and tense narrative; Over the course of the episode Spock learns a lot about humans, his connection to them and himself and he and his companions gather more respect for each other Previous Episode - Next Episode - All TOS Reviews
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teapartypenguin · 10 months ago
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Fairy Tale Allusions in Yugioh 5Ds
So I was rewatching 5Ds and Akiza's duel against the knight dude got me thinking about the fairy tale allusions in her design and arc, and thinking about it more got me to realize that 5Ds actually has a lot of loose fairy tale allusions throughout it. So here are just a couple of the ones I noticed:
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Akiza in general: Akiza's first duel of the series was already really heavy with the knight vs. witch symbolism. It also got me thinking about the "Princess, Witch, and Prince" theme from Revolutionary Girl Utena. A very basic rundown of what Utena says on it is that people will try to sort women into a box of good (Princess) or bad (Witch) based on how much they conform to the concept of what a girl should be like, a good Princess has to trade independence for protection from a Prince, any girl that doesn’t agree is a Witch. Problem is that no woman is ever just one of those things at a time, and Akiza definitely isn't. She is at first feared for her power, labelled the evil Black Rose Witch, and attempts to find comfort and safety in her "Prince" (Sayer). Only when she meets Yusei and the gang and finds acceptance from them and her parents do we see that she's actually a very kind girl. And even then, she doesn't go trading one Prince for another, she's never as reliant on Yusei as she was with Sayer and maintains her independence. Also just her deck in general carries the theme with fairy tale-like imagery (roses, knights, witches, fairies, and a dragon).
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Akiza + Yusei: These two are basically Beauty and the Beast. I am a major faithshipping fan, but even if you take out the romantic aspects, it still fits. Yusei being Beauty and Akiza being the Beast for obvious reasons. The scene with Yusei waking Akiza in the hospital also gives major Sleeping Beauty vibes as well (this scene also owns my soul).
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The rose imagery also still fits with both of them.
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Yusei: He's Cinderella: he's a poor boy, goes to a ball that he wasn't supposed to go to (Neo Domino), has to leave at midnight (gets arrested), but leaves behind a "glass slipper" (the mark of the Crimson Dragon) that makes it so that the prince (Godwin) can track him down and give him another shot at freedom (not for altruistic purposes of course, but it still fits).
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Jack and Carly: Scoopshipping are The Little Mermaid. The mermaid (Carly) falls in love with the prince (Jack), but for certain reasons, they cannot be together. Said mermaid makes a deal, by trading her soul, she gains legs (Dark Signer abilities + duel runner) which allows her a second chance to go after the prince. But the prince rejects her proposal (because she's undead and evil now), and the mermaid concedes. But being unable to hold up her end of the deal, she turns into sea foam and dies (turns into dust and dies).
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Leo and Luna: Luna's deck already has a loose fairy forest type theme (and in the manga, has a Fairy Tale archetype). I want to say they're Hansel and Gretel. Has the same beats of two siblings getting lost in the woods (Luna with her spirit world adventure, Leo dueling Devack with "Closed Forest" up). But most of it comes from their duel with Devack, in which Hansel (Leo) stalls the witch (Devack) for as long as possible until Gretel (Luna) can kill the witch by pushing him into the oven (win the duel). You could also say that Luna's arc of freeing Ancient Fairy Dragon has elements of Rapunzel (saving the princess from the witch that locked her up).
Those are at least the ones I noticed. I doubt all of them were intentional but it's interesting when you make the connections. Let me know if there's any I missed because I'm not done with my rewatch yet and don't have anything for Crow. Feel like Team Satisfaction and Neo Domino City have Wizard of Oz parallels, but haven't got enough info to say how yet.
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