#you don't even want to know the post i have in my drafts about what an awful person m*ria is

[angrykittybarbarian]

A list of things that bother me about Dragon Age: The Veilguard Part 2

I already touched on a few things that caught my attention and personally irked me about the game. After getting through some more of it naturally a few more points have come up. Though I think they are not really new aspects but more concrete examples of what I had touched on last time.

Without further ado, let's get into it.

!Spoilers below the cut!

The dialogue is repetetive and at times contradictory

Like I already discussed last time the dialogue is bad, to express it in the simplest of terms. As I progressed through the game I stumbled upon a glaring example for what I mean.

In the questline where you infiltrate a Venatori meeting there is a part where Neve in disguise and in company of Rook and another companion gets a Venatori to admit that Elgar'nan was present but not Ghilan'nain. For some inexplicable reason Neve turns around and repeats this twice as if Rook wasn't present.

But moving on.

I stated in my last post that the game feels the need to state the obvious. This is what I mean. It makes the dialogue feel like a rough draft that was incorporated into the game without further polish.

As of its contradictory nature two examples come to mind.

In Harding's companion quest you meet this dwarf of Kal Sharok. His dialogue is stoic, no bullshit straight to the point and passionless. Which was fine. But after several minutes of him being that way they get to stone statue Valta who speaks in these misteryous riddles and suddenly he switches to this unserious tone of "Oh that weird statue, we never know what she's saying, ain't she funny." (I'm paraphrasing here). I was confused for half a minute because of his sudden change in attitude and left wondering what his characterization is supposed to be now: serious or quirky?

Same thing with Taash's whole story. This is especially upsetting because I feel like they could have done such great work with it.

Instead it suffers so much from several inconsistencies that I felt sorry for the VA because they actually did a great acting job.

Taash has a coming out scene with their mother where they reveal they're non-binary. Ignoring the usage of modern terms in a medieval-ish setting, the conflict about their gender makes no sense.

The writing wants you to believe Shathann is not okay with her child being non-binary but she never actually expresses such a thing. Actually Shathann sort of had an inkling that Taash was no ordinary woman ("Behaves more like a man...") and she never passed any negative judgement on it. When Taash told her this she even tried to understand by categorizing their identity into qunari vocabulary she knew (remember the term aqun-athlok?).

I get how hard it is to have an overly critical mother and the feeling of not being good enough but that was not what Shathann was about in that scene and it did Taash so dirty because they looked more like an entitled teenager than someone suffering from trauma and perfectionism.

Some old characters are mischaracterized

It's Scout Harding. I mean Harding.

I was really excited to have her as a companion in the new installment but they sort of butchered her character that I found myself annoyed everytime she opened her mouth.

And this is because they make her sound so immature. Really think about it. DATV somehow makes Scout Harding sound younger and more childish than she was in DAI despite the fact that she is supposed to be a whole decade older in DATV than in DAI.

I don't know what direction her VA recieved while recording but everything was pronounced so slowly and extra clear that it seemed at times that Harding was either talking to a confused elderly person or a child.

She herself uses expressions not fit for her age. The most jarring moment was when she called the Blight in D'meta's Crossing 'weird' and sounded like a teenager who has stumbled upon furry art for the first time on deviantArt. This pattern pretty much continues throughout the game. And it hurts so much.

Also Morrigan. She at least still uses her even for DA setting standards antiquated vocabulary but she is too happy and cheery and friendly.

Morrigan is not a nice person to those she does not know and like personally. But to Rook she was so nice despite having met them for the first time.

The Morrigan we have come to know love/hate should have been more snarky or at least more neutral in her demeanor.

The Venatori

I don't know why they are still a thing honestly. I was under the impression they have lost all footing after the death of Corypheus. Why would they follow the Gods of the people their country systemically abuses anyway?

Bonus: Why would the Antaam for that matter, as the qunari are so notoriously arcanophobic that they leash their mages, sew their mouths shut and literally call them "dangerous thing"?

Solas' spy network and agents

What happened to them? Where are they? Shouldn't he have a small army? Why weren't they used as the gods' agents instead of the Venatori? Surely, Elgar'nan and Ghilan'nain would have an easier time simply controlling Fen'Harels elven army after imprisoning him in the fade.

The Chantry

It is just not present. Sure there are some Chantry buildings but there is no discussion of faith. In all previous DA games the Chantry has had a constant influence that could be felt everywhere. Faith was discussed and explored from various angles and perspectives, ranging from ultra conservative to progressive. But in Veilguard it's not there.

Why are we not exploring the Tevinter Chantry more? Why doesn't Emmrich discuss the nevarran Chantry, who follows the Sunburst Throne in Orlais, in regards to the Mournwatch, their necromancy practices and magic? Why was he not affected by the mage uprising that started in Kirkwall? How does he deal with faith and the Chantry? It is simply never mentioned.

By all accounts, this game avoids delving into the world like the plague.

[jasminedragonart]

Oh okay so I'm actually getting some genuine interest in this post.

I actually did a course on publishing when I was at uni, the process to actually make a book is actually really easy. Doing it alone might seem daunting, especially if you're planning on making more than one copy but it's possible.

I'm going to put the process here which I'm using to make my own book. By that I mean with my atla comic, my goal is, once I reach the end of book 1 I'm going to make myself a physical copy with my own hands.

First, you need an idea. Sounds simple but it's actually the hardest part of the publishing process. My advice: get it down, make it messy, do it fast.

Second, if you're doing this on your own, you're gonna want to take a day or two and not look at it at all. You want to wipe it from your mind and not even think about it until we get to the next step of our journey.

If you aren't doing this on your own youre going to send your draft to your beta. You're going to get that second opinion and listen to every disgusting plot hole and problem until you want to cry. If you are doing this on your own you will also be doing this step but you are the beta. Your fresh eyes will tear that project apart.

Third, redraft. This is where things get good. You have a skeleton of a fic at this stage, what you're going to do now is add meat and blood and skin until you're just as in love with this draft as you were the first.

Fourth, repeat the second step.

Fifth, take a break. Take a long break and then read over your second draft again, you're going to find a lot more wrong with it now than you did before. It shouldn't be as bad as the first purge but you should be able to fine tune your draft.

You're going to do and repeat this until youre happy with your draft and your beta is too.

This is where we go to our next stage.

Sixth, the proofreader and editor. If this is you, print your work out, it's a lot easier to find mistakes when you have a physical copy. You're fine combing it now. You're finding little mistakes, little grammatical errors and words that don't sit right. You're going to send this out into the world so be happy with what you've produced, dont leave anything to chance. Even if you have to get your parents or siblings or friends to read your work just do it. A new pair of eyes spot things you don't even think about.

Seventh, if you're finally happy with your work you're going to start the publishing process. If this is an Amazon book I can't help you since I'm going to be printing and creating at home but there are a lot of sites out there and youtubers that can help you with that.

If you're doing this at home you're going to typeset your work. You're going to adjust the margins, the paragraph space, font and size until they're the typeset you're wanting. Since mine is a comic I will be making sure the margins leave a big white space near the centre so the art isn't lost in the spine. There are pages out there debating the best typeset to use depending on your book so it's entirely up to you really. For example young adult books have larger fonts than adult books.

Eight, after this you need to either, manually, or with a pdf app put your book in printing order. This is where you need to know about how books are actually made. Books are made up of signatures which are three or four pages folded together. This means the pages go 1 on the right, 2 on the opposite side to the left, 3 goes onto page 2 and 4 on the opposite side to the left. It goes on like that and it's not impossible to do it manually but it does require a bit of thinking.

Nine. Once youve put it in printing order you need to print and make those signatures.

Ten, you sew those signatures together. There's a tutorial on YouTube on how to do this and, again, there are variations and it comes down to taste, a lot of stuff after this is taste. You can add a bookmark at this point as well as binding around the top. Make sure you glue your spine.

After that you need cardboard and book cloth and a tutorial on YouTube because, again, it's personal taste but at this point it's not impossible, you've almost done it and books don't have to be expensive to make no matter what some people say. Make it how you want to make it. Research book covers and bookbinders because they will tell you how to make the most amazing book ever.

I'm sorry I don't have a more informative tutorial. I will definitely post my process when I'm making the physical book but that's going to be a while from now. Some people to look into for cool books are Nerdforge and Seallemom. These are the people I watched on YouTube to learn how to make a book. When I was in uni we used Amazon books to make our own. But I hate how those ones came out, physically, not people work since they were great, and the book itself was a collaborative effort so when I make my own I want it to be my own.

With that in mind, so many people on Tumblr know how to bind a book, they love to read and have a keener eye than some professional proofreaders. I literally don't know how a bunch of us haven't got together and made our own publishing company by now.

genuinely wondering how some people on here haven't started their own publishing company. It's not like we don't have the skills. The amount of bookbinders, proofreaders and artists on here could rule the publishing world if they had the right motivation.

[that-was-anticlimactic]

i will never understand how or why the httyd movies did the books such an injustice.

the movies aren't even an adaptation - they stole the name of the series, the name of some of the characters and places, and the general idea that there are dragons. honestly, i would be fine with the movies and maybe even like them if they didn't capitalize off of cressida cowell's incredible books that never get any credit.

the books are an amazing story about the cycle of violence and how vengeance and revenge is dangerous. hiccup says that the past is a ghost story, one we need to learn from to better ourselves. the books are about how everyone deserves freedom, how every creature, every being on the earth deserves to be free. we see that in the slavemark, with the dragons.

and like... hiccup is so different. they did him a severe injustice. he's scrawny and intelligent and learned to talk to dragons simply by observing them! he chooses kindness first above all else; instead of yelling at toothless to train him, he is kind. and in the end, that kindness is why toothless chose to save him. bc even toothless himself says that dragons are inherently selfish creatures who care only for their survival. hiccup is brave - his beliefs differ drastically from both the vikings and the world.

hiccup is a child who chose to do the right thing even at the expense of himself. he agreed to free the slaves on nobert's ship, and in return, they gave him the slavemark which is easy to give but cannot be removed. he was like twelve. and having the slavemark means he cannot be with his tribe or his family, it means he isn't considered a human being anymore. and he keeps it a secret for awhile until it's revealed and when it is everyone turns their backs on hiccup. his family, his tribe, his mentor, people he TRUSTED. everyone except fishlegs, and, once she got over the shock, camicazi. he was thirteen. and even when he lost his memories and was really injured, he persisted. he was told to go to tomorrow and to save the dragons and he did bc in his heart he knew it was right even though he didn't know who he was or how he got there.

and fishlegs,,, oh my god FISHLEGS!!! the did him SO DIRTY!!! fishlegs is hiccup's best friend, one of the main motivators for hiccup. he steals norbert's potato for the sake of fishlegs, he gives fishlegs his dragon and goes to retrieve another, he takes the blame for fishlegs. and fishlegs does the same for him. he takes the slavemark with pride. he refuses to turn. he gives hiccup his lobster claw necklace which is his most prized possession. he is brave for hiccup, he believes hiccup is alive. he fights for hiccup harder than anyone else ever has. he does not turn. his is loyal, has allergies, has asthma, has a squint and a limp, has glasses bc he's blind without them... and he's still a hero despite being a runt, despite everyone even the adults telling him he's hopeless, telling hiccup to leave him behind.

and they cut camicazi! i'm sorry, but astr*d is nothing compared to camicazi. camicazi is a tiny, feral child who can easily best hiccup, fishlegs, and pretty much anyone in a sword fight. she can bring a grown man to tears with her rudery and smack talk. she is recklessly brave and craves adventure and follows hiccup blindly bc she trusts him that much. she isn't in love with hiccup - in fact she doesn't care about romance and love. she gives up everything to help hiccup bc she has a strong sense of justice. she is the motivator, the cheerleader, she finds a positive in everything. she never gives up. literally never gives up. and that's one of the most inspiring things about her: she always has hope.

and toothless! god!!! toothless is *thought to be* a common or garden dragon. he is horrifically tiny, he is literally toothless, and is the biggest brat in the world. he will cause problems on purpose. he has a stutter, he's the most selfless selfish dragon around. he and hiccup can talk to each other. he masks his fear with singing and being annoying. his growth is remarkable. he starts off refusing to obey hiccup, doing the opposite of what he says, making life harder for literally everyone around him, and he's still somewhat like that. but he's also braver, more caring, more willing to make sacrifices for the sake of others. he's clever, which he needs to be to make up for his size and aggression. he protects hiccup with everything he has, therefore, he protects what hiccup cares about just as hard. he was the only dragon that didn't abandon the vikings in the first book bc he cared about hiccup.

and snotlout,,, god,,, i will never forgive the movies for butchering snotlout. hiccup's cousin, the bully character, the one who is horrifically jealous that hiccup's dad was born before his. the one who desperately wants to prove himself, to be worthy, to make people proud. and you hate him, you despise him. he betrays everyone many times bc of the nothing promised to him by alvin and his mom. he loses himself, turns his back on himself, all bc he wants to prove himself. all bc he wants to be better than hiccup. and hiccup still forgives him and gives him chances, sometimes out of pity, but also bc snotlout is his cousin. he can't just turn his back on him no matter how miserable snotlout made his life. and in the end, snotlout sacrifices himself for hiccup. he gives up his life for hiccup in one last attempt to set things right. his death and the events preceding it are one of my absolute favorite moments in the book. gives me chills. makes me cry.

that's the thing with the books - they're so realistic. there is no inherently happy ending where everything works out. the first book begins with "there were dragons when i was a boy", implying that they're gone now. the books show there are consequences to our actions. they enslaved the dragons, they fought against them during the dragon rebellion all bc alvin and his mom said to, and now they're gone bc a simple apology doesn't fix hundreds of years of enslavement. and the only way for the world to move forward was for the dragons to leave and heal on their own. and now they have to learn to live without them. and yeah i've heard the third movie ends like that but. it doesn't have the build up. it doesn't have "there were dragons when i was a boy". it doesn't have eleven books of development to back it up, to make it feel meaningful.

i know that the movies are really special to a lot of people. i know that, on their own, they're genuinely good movies. i can acknowledge that the soundtrack is amazing and the animation is beautiful. i just can't see past the way they butchered the world that i love, the world that i grew up with. i can't see past the way people yelled at me for saying i liked the books better, the way that people gave me weird looks when i showed them a picture of the original toothless, when i tell them that nightfuries aren't even a type of dragon. cressida cowell created hundreds of different dragons, and the movies couldn't even pick from that. i can't forgive the way that barely anyone knows there are books bc the movie barely gives credit to them. i cannot forgive the way they capitalized off the books and then shoved them aside. i know cressida thinks they're good movies and i know a lot of httyd book fans also like them. but i just... i cannot get over how much they changed and how they missed so much and ignored the books. also they got rid of camicazi so hiccup could have a love interest and that is unforgivable to me.

if you disagree, that is a-okay. we're all entitled to our own opinions. i just ask that you, perhaps, try the books out. give them a chance. bc they're amazing works of art and also just like. don't yell at people who don't like the movies? whether it's bc they prefer the books or just aren't into that kind of movie. and just remember that dreamworks didn't come up with the story; cressida cowell did.

[mysticalcats]

ok fellas this post is really different from my other stuff so i'm putting it under the cut for people who don't care and also because i'm slightly embarrassed

ok so. is it unusual for a girl to want to have a deep voice and a flat chest and a more square face and also feel slightly jealous of men and want to sound like them and look like them

and also is it unusual to want to be all that, but also simultaneously not be very bothered very much by how you look right now or by being referred to with she/her except for sometimes when you think about it too much. because i usually don't think about it except for sometimes where i suddenly just get really sad about being a girl or i'll always have this faint feeling that i am just unhappy about it

and also is it unusual to try to ignore it and go about your life being unbothered by it even though deep down it does kinda bother you but you can't really. like. say anything to anyone because your family won't react well and neither will your friends because they'll think it's weird and uncomfortable. i feel afraid to ever feel this way because i know the people in my life won't react well to it

so like. genuine question please lmk wtf is goin on because i'm unsure if it's normal and i've felt like this for a long time and it's confusing me and i don't even know what i'm going to do with the information once i know i'm just sort of lost LMAO

[icewindandboringhorror]

boy in silly sitting positions compilation

[coquelicoq]

i'm now looking at my list of least favorite french words to pronounce and going "too many r's" for about 40% of them and "skill issue" for most of the rest. some of these are actually very fun to pronounce i just couldn't wrap my tongue around them a year or so ago, but now i can i guess??? so that's very exciting. makes me hope that someday i'll be able to pronounce the rest of them. this is a bit pie in the sky because i really don't see myself ever getting there with procureur du roi but you never know. and luckily the french abolished the monarchy so it's not like i'll ever have to use that phrase in modern conversation.

anyway here are the words i actually love pronouncing now: décaféiné diététicien filleul pneumonie

i now feel normal/neutral about these words that used to be hard for me: automne, condamner douloureux électricité, énergie inférieur, supérieur, etc. itinéraire lourdeur salmonellose sclérose subodorer succincte

words that are definitely within the realm of my current capability but i haven't practiced them enough: bugle hiérarchisation méditerranéen phtisie

words that are still the bane of my existence but i live in hope: [yʁ] plus at least one other r or [y] sound: chirurgie, fourrure, marbrure, moirure, nourriture, ordures, peinturlurer, procureur du roi, prurit, purpurin, sculpture, serrurerie, structure, sulfureux, tournure all words beginning with ur-, hur-, or sur- other difficult sequence of r's and vowels: construire and other -truire verbs; lueur and sueur; utérus too many r's: marbre, martre, meurtre, opprobre, proroger, réfrigérateur, rétrograde, rorqual difficult sequence of vowels and/or semivowels: coopérant, extraordinaire, hémorroïdal, kyrie eleison, météorologique, micro-ordinateur, micro-organisme, mouillure, quatuor, vanillier not pronounced the way i would expect from the spelling: indemne, penta-, punk just hard for some reason: humour

[wolpatinga]

[andtorturedhandssopale]

"i'm seeing a lot of people pushed to the edge. you ever wonder if maybe that's the point?" and "what if all of this was designed just to see how we'd react?" i know i'm clowning on him on the daily, but god.... jim "this is just like a rollercoaster" matthews is making really valid points

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[sol-flo]

i'm going to destroy this damn phone

- the boss avoider

[chuluoyi]

LOVER'S QUARREL

- fushiguro megumi x reader

“i can't do this anymore.” you and megumi are just too different; he's stoic, you're bubbly, he prefers solitude, you love being social. it starts with fights, words you don't mean, and ends with an event that would haunt him for a long time to come.

genre/warnings: angst, breaking up, post-breakup feelings, mentions and description of injury and blood, hurt/comfort, fluff in the end (you make up!)

note: dear god i’m finally getting this out of my drafts. loosely inspired by real life events i’ve seen around my friend’s relationship sooo it might hurt a bit 🤏🏻 but who can say no to angst to eventual fluff? tagging @lees-chaotic-brain and @kasumitenbaz (as per request in the ask!), you two are always here for my megumi works, thank you!! :3 and thank you for dropping by for the event!

a part of 1K MILESTONE EVENT

general masterlist

Everyone pointed it out as a joke, that you liked him way more than he did you.

And you used to never let it ruffle you. To you, Megumi’s sternness and silence meant that he was comfortable with you. You never wanted him to change his ways just because now you were seeing each other.

But when you thought it over now, as you stood before him with an aghast expression and knives stabbing your kind, soft heart, you couldn’t help but do a double-take.

You were the one who confessed first. Most of the time, you were the one who initiated dates. You always texted him first, asking about his day, and even when he brushed you off, you would keep being this ball of sunshine and wished him a good day.

You never realized it before… that through everything, it has always been you. Unfailingly.

So how dare he spout this now?

“I can't do this anymore.”

"You... can't?" you spat out, feeling the first tendrils of anger course through you. "What exactly it is that you can't do? What do you even mean?"

"Look," Megumi stared at you squarely, and you thought now, that it was the coldest of eyes, straight and true. "It's always been like this between us lately. It's only right that we end this."

This, he said. He didn't even want to define your relationship anymore.

You scoffed. "And why do you think we always end up this way? Have you ever considered, even once, that it's because you make no effort at all?"

"I'm trying," Megumi quickly replied, almost in a hiss, and you almost recoiled. "But I just see that we'll end up nowhere, that's why I'm bringing this up now."

Oh, that freaking hurts. You boyfriend had just told you that this relationship would go nowhere. Right in your face.

Your eyes stung with tears, yet you fought to hold them back, fixing your gaze on the lamp overhead and inhaling deeply.

"You're... selfish," you stated, filled with ire. "You're always walking around eggshells around me, never telling me what is it that you really want—"

Megumi's unclouded eyes fixed on your trembling form. "We just disagree on a lot of things. You know it and it bothers you. It bothers me too. Rather than forcing our relationship, I think it's better—"

"It's always me!" you yelled then, lips quivering and eyes watering, unable to hold your emotions back any longer. "All dates, lunches—everything!" you locked your eyes with him, in mocking disbelief. "How can you say you're trying when, in truth, I'm the one putting in so much for us?!"

In that very second, Megumi thought that he hated seeing you like this. You were supposed to be the cheerful one in this relationship, and when he agreed to go out with you, he made an unspoken commitment to himself that he would at least not make you miserable.

And yet...

"...I'm sorry."

Came his reply, and you were sure that this was it.

And to rub the salt in your wound, he added, "I can't lie to you and say I haven't thought this for a while too."

As tears welled within you, you wondered and questioned what you lacked that led to this. However, the overwhelming sense of betrayal consuming your thoughts ultimately prevailed over any other emotions.

Now he could've appeared before you as a stranger and you wouldn't bat an eye, as the cold steel in his tone said, "And if blaming me is what it takes to make you feel better, then so be it."

You couldn't pinpoint the source of your sudden boldness, but in the next hot minute, you marched past him, your shoulder harshly colliding with his in a deliberate, almost spiteful manner—which, indeed, was your intention—and then you ran.

Which led to the next scene: you found yourself bawling your eyes out in the girls' lavatory.

Yuji and Nobara saw everything unfolding right before their eyes. They hadn't meant to eavesdrop, but you and Megumi were literally breaking up right the middle of their shared classroom, and it was hard not to follow the discourse until the end.

"Are you okay?" Nobara had come to your side, ensuring privacy by locking the restroom door out of your consideration. You were a sobbing mess, attempting to wipe the overflowing tears away while letting out all your emotions.

"He's..." Your voice faltered amid sobs as you gazed at your steadfast friend, your throat clogging up. "He said... he's been wanting t-to... break up with m-me..."

"That's okay, that's okay..." Nobara brought you to her arms, patting your back in reassurance. "Fushiguro is insensitive like that... don't cry over him now. He's just a wimp, okay?"

"Why is it me?" you asked her, voice brittle, still shaking with tears. "I t-tried everything! Being the supportive girlfriend..."

"If he can't appreciate what you did, then the problem lies with him," your friend stated, traces of irritation brewing in her resolute gaze. And as she firmly grasped your wrist, her next words resonated. "Not you."

. . .

"Do you really have to break her heart like that?" Yuji fidgeted with his hoodie, staring at his best friend with a blend of confusion and sympathy.

Megumi sighed, finally ruffling his hair into a mess, as if expressing his own state of mind. “This is for the best.”

Yuji’s eyebrows visibly creased. “How is this ‘for the best’? She’s miserable, and you…” he assessed him, scanning him from head to toe, “it doesn’t seem you’re faring any better too.”

“The longer she is with me, the unhappier she will be.” Megumi glanced at the bathroom’s direction. “She can deserve better.”

He was always too quiet, too boring, not able to match your energy too. He couldn’t fault you for expecting more, whereas he was just not exactly built for your expectations.

Megumi really thought he wanted it to end. At one point, it even felt like a chore, but…

How strange. Why did it feel like something was clawing at his chest?

Time heals. Megumi knew that by theory, but he really did see it firsthand when he saw you all giggling and happy again three weeks after he initiated the breakup.

With Hakari.

“Yo, what are you glaring at?” Panda asked, but Megumi didn’t pay him any mind.

An upperclassman, Hakari Kinji, was naturally cool and talented. He was laid back, knew how to have fun—all in all, a total opposite of Fushiguro Megumi altogether.

Three weeks. It’s only been three weeks since then.

“Megumi?”

Wait… Aren’t three weeks too fast to get over your ex?

“Megumi!”

“Huh?” he turned to the sentient panda with a jerk. “Oh, what is it?”

He looked at him with a concerned gaze. "Why do you look so scary? It's almost as if you're about to punch someone..."

But who was he to argue? He had no right to be upset now.

"Is it Kinji?" Panda gasped, finally putting two and two together when he followed his line of sight. "Oh Megumi... but you—"

"Just shut up, please," he blurted then, a hint of annoyance in his tone. With that, Panda didn't pursue it further, leaving him with his thoughts.

From where he was at the field, he could clearly see your radiant smile for Hakari. It was clear that the two of you shared a degree of friendship, but Megumi never knew that you two were that close.

...huh?

Why did the sight irritate him so suddenly? Why did his chest twinge again?

What a fool. You're the one driving her away, you idiot.

Suddenly these memories popped up one by one—

Of you suddenly hugging him from behind in an attempt to surprise him.

How he pressed his lips on the crown of your head when you fall asleep on his shoulder.

How you would give him that dopey smile when he pulled you close.

But on harder days after missions gone wrong, he’d ignore you altogether— the slight disappointment in your smile then. How your expression fell when he told you to go. How you slumped and looked back in hopes of him changing his mind.

“Haaaah.” Megumi turned away, unwilling to keep watching you any longer. Why? Why hadn’t it occurred to him before now?

Why did he long for you now? Why not before, when you were still his?

They were right. It seems people tend to desire what isn't meant for them.

What could have been more painfully awkward than being sent into a mission with your ex-boyfriend?

You would kill Gojo for this. Or at least give him the lowest possible score in his teaching evaluation for the year. How could he? Your breakup was an infamous public spectacle, so this setup was undoubtedly intentional!

You were losing your head over this, and yet your ex-boyfriend...

"Keep your guard up," Megumi reminded curtly, in a warning tone. He looked as vigilant and straight as always, as if he wasn't even bothered.

You threw him a dirty look, offended. "You don't have to tell me twice."

This just cranked up the discomfort to an excruciating level. The mix of unresolved tension and memories—okay, you might be an emo, but how were you supposed to be cool with all of these hanging in the air?

Your site of exorcism was an abandoned warehouse, and the cursed spirit in question was supposed to be a grade 3. You two were grade 2 sorcerers now, so you were a perfect fit to exorcise it. But there was indeed this unease in the air that you couldn't put your finger to.

"Isn't it awfully too quiet?" you unwittingly muttered, staring at the darkness of the wall. You couldn't feel any cursed energy belonging to any possible malevolent entity, and that was what unsettled you the most.

Megumi frowned at your line of sight. "It is. Stay close."

You blinked at what he said, and before you knew it, the familiar scent of him being near to you made your entire body burst with this equally familiar warmth. When you looked up to him, seeing the solid sharpness in that dark eyes of his and his jaw set, dead butterflies in your chest rose back to life again, against your heartbreak and better judgement.

Stay close, he said... So he is worried...

And in an attempt to hide how flustered you were, you looked down.

You walked a few good steps, when suddenly he asked, "So, are you with Hakari-senpai now?"

"Huh?" You spun around, your expression a mix of surprise and confusion.

"You two seem close."

Seem close? Seem close... wait, so Megumi had noticed...?

Suddenly, you felt incited and it made you angry. "That's none of your business," your voice carried a sharp edge, hissing. And you knew you were being a bit mean by adding, "You broke up with me, so why do you even care?"

In that moment, Megumi could've sworn his chest throbbed. Your cutting tone pierced directly into his heart, lodging itself there.

You had all rights to be annoyed, and he knew that. Why did that question even slip out of him?

"Nah, nevermind," he mumbled in response, looking away.

Awkwardness lingered afterwards. You hated this, but no, you weren't above being petty. He had broken your heart and it still stung even now. If your intentionally biting words did to him even a fraction of what he made you feel, then you would find a small sense of satisfaction in it.

But you weren't able to ponder about your mess of feelings further when Megumi abruptly yanked your arm, his voice soaking with urgency, "It's here!"

Sure enough, the grotesque cursed spirit with the shape of a giant bee broke through the walls with a bang. The two of you immediately readied your fighting stance. Megumi was ready with his divine dogs, while you with your cursed weapon.

For a while, you engaged the cursed spirit with all you had. You were trying to focus on the enemy, but you couldn't help but notice the way Megumi always looked at you every few seconds, checking for any signs of injury or harm.

Frankly speaking, he trusted your strength and knew that you were a capable sorcerer. You had been paired in a mission before and he knew both your potential and shortcomings. It was just there was something about this place that had his senses on high alert.

And his fears were proven true when you yelped and were flung onto the grimy floor. "Y/N!"

"I'm fine!" you shouted in a rush, scrambling to your feet. However, as you spun towards him, your scream tore through the hall as you caught sight of the bee lurking behind him. "Megumi!"

He got distracted. The bee quickly latched onto him and almost stung him, until he wrestled it off and summoned Nue and exorcised it.

You went to his side that instant. "Are you okay?!"

"I am." But then he winced and almost fell on his knees if you didn't have a secure grip on him. He savored your touch and breathed a sigh of relief, thinking that now you two were safe.

"Megumi! Oh god!" Panic surged through you as you pulled him close. His side was bleeding, and you widened your eyes at the sight.

"I'm okay, I promise," he rasped, looking you in the eyes. "What abo—"

Then you saw it, the flicker from deep from that corner of platform, and suddenly, you grasped the source of the unease that had been lingering within you all this time. It wasn't the bee Megumi had just exorcised—

At that moment, there was no room for thought, one thing was certain: you didn't want him to get hurt more.

He didn't manage to finish his sentence when suddenly you pushed him away with so much force he never thought you had. Everything crashed so suddenly, he didn't have the time to brace himself or grab you with him, as another cursed bee appeared out of nowhere and—

Reality flashed before his eyes as he stared at you in sheer horror. At how the cursed spirit tore your body, sinking its hollow stinger in you.

You didn't really know what happened next. Everything was muffled—the frantic movements around you turned into a blur, along with Megumi's yells. Otherworldly pain coursed through your entire being and your ears rang, then everything in your line of sight became distorted and faded, along with your consciousness. Next and the last thing you knew was Megumi's battered face, a final imprint before you succumbed to the void.

Megumi had exorcised the remaining cursed spirit and staggered to his feet—falling a few times, but he made his way towards you through gritted teeth. You are hurt. He forced himself to get to you and pull you into his arms.

And suddenly, suddenly, nothing mattered anymore as overwhelming terror consumed him upon seeing you. Blood streamed from your abdomen so much that it made a continuous pool.

"You stupid—!" He choked out, voice hitching. You were no longer conscious and it devastated him even more. "Hey, hey? Wake up—hells—"

You, who did everything you could to save your relationship. You, who cried tears for him when he blatantly broke your heart. And you, who put himself first—and now facing the consequences.

It crashed upon him in that very second, the clarity. What was he thinking back then? He still loves you.

"If you die on me, I won't forgive you."

Megumi scooped you in his arms, pressing you close to his chest, the blood seeping from his wound be damned as he looked at your serene face. His heart shattered in the worst way possible and he almost wheezed at the sticky sensation of your blood—and how lifeless you felt in his grasp—but he willed it away.

"Don't," his broken rasp echoed the walls as he took each step to get both of you out of this hellhole. He winced and hissed at his own injury, chewing his lip in frustration, at how helpless he was.

"Don't leave me."

It was like a distant, hazy memory.

Was it a memory though? No. It seemed far too real for that.

The throbbing headache pounding through your skull and shivers that wracked your body pulled you back to reality. There was a heavy pressure on your abdomen and any movement sent sharp pain shooting through you.

You gradually opened your eyes, squinting against the brightness. You were in a hospital gown, an IV was injected on your arm, and the sterile scent made your stomach twist, as nausea creeping through your guts. Your vision was still blurry as you tried to look around to find someone who waited for you. As you slowly turned your head to the side, you saw him, sitting in the chair right next your bed.

Megumi was sleeping in such uncomfortable position, his head resting on the edge of your bed. He appeared peaceful, almost childlike, devoid of his usual stoic demeanor.

Your heartstrings were tugged at this rare sight. He also sustained injuries and yet... he was waiting for you to wake up, here.

Your chest swelled with warmth, which was quickly followed by a sting of heartbreak. Still, you two broke up...

You jolted, and the inadvertent movement sent a wave of pain that seemed to paralyze your nerves, causing you to whimper. The noise woke Megumi from his slumber, as he shot his eyes open in alarm, catching your hand in his.

"Hey... Are you okay?" Megumi worriedly looked down at you with a visible frown, and the grimace of pain on your face, accompanied by trembling lips, was enough of an answer. He hastily scrambled out in slight panic, "I'll get Ieiri-san."

When Shoko came and got you the painkillers, your pain receded somewhat. Through it all, Megumi stood there, casting concerned glances in your way.

"Bedrest for the week," Shoko stated firmly, assessing your wound with a no-nonsense expression. "Your injury isn't minor—it's serious enough that you're strongly advised against excessive movement."

You could only nod in response. Megumi bowed. "Thank you, Ieiri-san." Once the doctor departed, silence settled over the room once more.

“Why did you do that?” he quietly asked then, referring to what you did for him. And when you turned to him, you saw it clearly.

He looked pale, and there was this haunted look in his eyes. It broke your heart a little.

"You were hurt." Your voice came out dry, and you realized firsthand just how parched you were. Seeing Megumi looking down never quite sat right with you. He was meant to be an unwavering presence, someone strong enough to sway your convictions.

However, a pang struck when he countered with stern eyes, "You didn't have to do that."

...he was right. You didn't have to. What he didn't know was that you were still holding on these stupid feelings, which drove you to shield him. It made you ponder: if your roles were reversed, would he not step in to protect you at all?

"Why are you here?" You weren't sure if the bitterness in your tone was evident, but you continued anyway. "You don't have to be here either."

"Don't have to?" His gaze bore disbelief, as if not believing your words. "I'm—"

"If it's because I saved you, Megumi—"

“Do not even think, even for a moment, that I won’t be concerned over you.” His voice, deep and hoarse, struck you to the core, silencing your words. “Never. I always, always want you to be safe.”

Your mind became a blank slate. Suddenly, all that mattered was his voice.

"Don't you realize how terrifying it was? Seeing you like that?" Megumi spat, his green eyes shining with intensity, teeth gritted and fists clenched. "How could you even think that I wouldn't be here—" his breath hitched, and then his lips trembled slightly, "—for you?"

You blinked quickly, a feeling stirred within you—stemming from that cursed, fragile heart of yours to be exact, evident from the rapid thumping in your chest.

You dumbly uttered, "But we are—"

"Oh, Goddamnit." Megumi cursed, and honestly you were taken aback. It wasn't really in him to swear, so this really bugged him. He ran a hand through his hair in frustration, and despite the situation, your heart skipped a beat at the sight. Even a mess in a hospital gown, your ex-boyfriend was still undeniably attractive.

He stared at you squarely in the eye, unflinching, steadfast and true, the very image of Fushiguro Megumi you admired from afar and fell in love with in the first place half a year ago. "You don't have to... say anything, if you don't want to. Right now... just hear me out."

And the things he said next... all of them, you could say, caught you entirely off guard.

"I'm sorry. I'm sorry for not trying hard enough, and—damn it, for making you sad. I never, ever wanted to see you that upset."

Megumi drew in a sharp breath, averting his gaze. "And for days, I've wondered if you and Hakari-senpai are now a thing... and you know what? I hate it so much. I know I have no grounds to feel this way, after what I did, but..."

And like a train wreck, his final words hit you hard. Tears welled up in your eyes in immediate response.

“I'm a loser, and a coward too, maybe,” he shrugged, a tinge of self-deprecation in his tone. “And I suck at telling people my feelings, but I love you. I still do.”

A sob slipped out of your throat and you hastily pulled the blanket over your face, much to his surprise. He thought he had worsened things, with the way you were turning away from him.

But then, from beneath the blanket, in a croaky voice, you proclaimed, "Fushiguro Megumi, you're a complete and utter idiot."

And Megumi didn't know that he had been holding back his breath as he chuckled heartily, relieved that you would still take his ass back after this prolonged mess. He knew he still had a lot to make up for and was determined to show it through his actions.

"Maybe I am, yeah."

"That's possibly the longest shit you have ever spouted in one breath."

"Yeah..."

But he got his chance back, and he knew that you would be alright. Both of you are.

On one sunny day...

"Hey, are you alone?"

Megumi glanced up from his phone, only to be met with a random girl standing in front of him, batting her eyelashes with an ambiguous intent. He blinked at her curiously.

"No. Can I help you?"

The girl twirled her hair suggestively. "Ah, you see... I see you all in your lonesome and I think you're quite cute—"

The hell? Megumi frowned, and he was really about to give this bimbo a piece of his mind when—

Oh, oh. Forget that. Megumi's attention snapped to you on the opposite side of the crossroad. All pretty and dolled up with that crop tee and miniskirt he once mentioned would look great on you by a slip of tongue—that accidental comment earned him your teasing quips for weeks already.

"Sorry, I'm here for my girlfriend. Bye."

Abruptly dismissing the girl, he didn't catch how comically offended she was for being turned down in a span of 20 seconds. He took big strides towards you, as you crossed the street, and you immediately beamed when you caught the sight of his face.

"Megumi!"

Ah, this is going to be a good day, he thought. As he gazed at your pretty face, and caught your hand in his, clasping it tightly, reveling in your scent and the warmth of your presence beside him—

He was content, and once again it dawned on him, that he likes you so, so damn much.

"Let's get started on our date, shall we?"

[emeryleewho]

Saw a fun little conversation on Threads but I don't have a Threads account, so I couldn't reply directly, but I sure can talk about it here!

I've been wanting to get into this for awhile, so here we go! First and foremost, I wanna say that "Emmaskies" here is really hitting the nail on the head despite having "no insider info". I don't want this post to be read as me shitting on trad pub editors or authors because that is fundamentally not what's happening.

Second, I want to say that this reply from Aaron Aceves is also spot on:

There are a lot of reviewers who think "I didn't enjoy this" means "no one edited this because if someone edited it, they would have made it something I like". As I talk about nonstop on this account, that is not a legitimate critique. However, as Aaron also mentions, rushed books are a thing that also happens.

As an author with 2 trad pub novels and 2 trad pub anthologies (all with HarperCollins, the 2nd largest trad publisher in the country), let me tell you that if you think books seem less edited lately, you are not making that up! It's true! Obviously, there are still a sizeable number of books that are being edited well, but something I was talking about before is that you can't really know that from picking it up. Unlike where you can generally tell an indie book will be poorly edited if the cover art is unprofessional or there are typoes all over the cover copy, trad is broken up into different departments, so even if editorial was too overworked to get a decent edit letter churned out, that doesn't mean marketing will be weak.

One person said that some publishers put more money into marketing than editorial and that's why this is happening, but I fundamentally disagree because many of these books that are getting rushed out are not getting a whole lot by way of marketing either! And I will say that I think most authors are afraid to admit if their book was rushed out or poorly edited because they don't want to sabotage their books, but guess what? I'm fucking shameless. Café Con Lychee was a rush job! That book was poorly edited! And it shows! Where Meet Cute Diary got 3 drafts from me and my beta readers, another 2 drafts with me and my agent, and then another 2 drafts with me and my editor, Café Con Lychee got a *single* concrete edit round with my editor after I turned in what was essentially a first draft. I had *three weeks* to rewrite the book before we went to copy edits. And the thing is, this wasn't my fault. I knew the book needed more work, but I wasn't allowed more time with it. My editor was so overworked, she was emailing me my edit letter at 1am. The publisher didn't care if the book was good, and then they were upset that its sales weren't as high at MCD's, but bffr. A book that doesn't live up to its potential is not going to sell at the same rate as one that does!

And this may sound like a fluke, but it's not. I'm not naming names because this is a deeply personal thing to share, but I have heard from *many* authors who were not happy with their second books. Not because they didn't love the story but because they felt so rushed either with their initial drafts or their edits that they didn't feel like it lived up to their potential. I also know of authors who demanded extra time because they knew their books weren't there yet only to face big backlash from their publisher or agent.

I literally cannot stress to you enough that publisher's *do not give a fuck* about how good their products are. If they can trick you into buying a poorly edited book with an AI cover that they undercut the author for, that is *better* than wasting time and money paying authors and editors to put together a quality product. And that's before we get into the blatant abuse that happens at these publishers and why there have been mass exoduses from Big 5 publishers lately.

There's also a problem where publishers do not value their experienced staff. They're laying off so many skilled, dedicated, long-term committed editors like their work never meant anything. And as someone who did freelance sensitivity reading for the Big 5, I can tell you that the way they treat freelancers is *also* abysmal. I was almost always given half the time I asked for and paid at less than *half* of my general going rate. Authors publishing out of their own pockets could afford my rate, but apparently multi-billion dollar corporations couldn't. Copy edits and proofreads are often handled by freelancers, meaning these are people who aren't familiar with the author's voice and often give feedback that doesn't account for that, plus they're not people who are gonna be as invested in the book, even before the bad payment and ridiculous timelines.

So, anyway, 1. go easy on authors and editors when you can. Most of us have 0 say in being in this position and authors who are in breech of their contract by refusing to turn in a book on time can face major legal and financial ramifications. 2. Know that this isn't in your head. If you disagree with the choices a book makes, that's probably just a disagreement, but if you feel like it had so much potential but just *didn't reach it*, that's likely because the author didn't have time to revise it or the editor didn't have time to give the sort of thorough edits it needed. 3. READ INDIE!!! Find the indie authors putting in the work the Big 5's won't do and support them! Stop counting on exploitative mega-corporations to do work they have no intention of doing.

Finally, to all my readers who read Café Con Lychee and loved it, thank you. I love y'all, and I appreciate y'all, and I really wish I'd been given the chance to give y'all the book you deserved. I hope I can make it up to you in 2025.

[sticksandsharks]

congratulations to the newly wed couple

thank you to everyone who has not only purchased the comic, but also had kind words to say in tags and through asks!! I am away for holiday for most of this month, and I have been/will be largely offline on account of this*-- but please know that my heart is incredibly full to know people like this story!!

(*any posts that go up here have been scheduled before I left)

A few recurring questions I'll answer here real quick:

Will Sacred Bodies have a physical print? Yes! I would like to self-publish this book after the fair is concluded and sell it at conventions and through my online store.

What are the Ba'It based off of? Their body/limb plan is based on pteradons!! with some bat and bird anatomy thrown in. Garaang are semi-bipedal so that makes the silhouette even weirder, but you see some quadrupedal stances in the comic and it might make more sense then. I don't want to post or talk too much about some of the minutae of their design, as it is part of the story itself. :}

What medium did you use for the comic? It's all digital; I used Clip Studio Paint to draw the entire thing. I use the base watercolour and design pencil brushes that come with the programme. How long did it take you to make the comic? It's a little hard to estimate-- initial ideas, visdev and writing drafts were intermitent at the start of the year; once I landed on the story, finalising the script would've taken no longer than a week of recurring writing and editing. It's the actual drawing that takes forever, unfortunately. I started thumbnailing around April, and pencilling, colours and painting were a 10-11 hour work-day commitment for most of June and July. (I lost a lot of work-time in May cause I fell ill, womp womp). I'd probably say it was 4 - 5 months of labour. Are you going to write more stories in this world? I would really like to! I have a lot of ideas rattling in my head for the Valley of the World-- the place that the folk of the Spire have escaped. That being said, I have a whole graphic novel to finish first! It has been pushed back on account (but not exclusively because) of me working on my SBCF entries the last couple years, and I don't want to neglect it any further!! (it's 350+ full colour pages though so it was always going to be a huge undertaking)

Thank you again for the outpouring of enthusiasm and support; it means the world!

[shigarosie]

I don't want to talk about how long this has been in my drafts but I'm finally biting the bullet and posting it lmao have fun

It's intimidating. Sitting on your knees, it sat right in front of your face. Bigger than any other cock you've had in your mouth. Will it even fit? You look up at Kirishima nervously. He seems confident in your abilities, at least. You start off easy, poking your tongue out to lick at the head.

"Don't be shy, honey," he tells you, gently pushing himself against your lips. A small nudge to coax you along. "Can you suck on it?"

You pucker your lips around him, suckling and looking up to him for approval. He smiles, nodding encouragingly. It's not that you weren't experienced. But were you experienced enough for it to be good? To meet his expectations? The thought made you nervous, but you tried to take him a little deeper.

Another presence suddenly loomed behind you, the third person in the bedroom finally getting himself involved. He stood so close that when you moved your head back so that just Kirishima's tip rested on your tongue, you accidentally bumped into him. It made you jump a little and you tried to tip your head back to look up at him, but Bakugo's palm landed roughly on the top of your head, tilting it back down to focus on what was in front of you.

"Keep sucking," he instructed you.

Following his instructions, you slid your lips back down Kirishima's shaft, making it about a third of the way before you got nervous again and pulled back to just the head.

Bakugo grunted. "You can do better than that, we all know it. Heard you talk a lot of shit over drinks last week about deep throating that loser you went out with- take it deeper."

You took a deep breath, eyes flitting up to Kirishima's.

"It's okay baby, just give it a try. Little bit more at a time," the redhead encourages, brushing your hair back out of your face.

You tried taking him further into your mouth, getting just over halfway. As you withdrew, your head bumped into Bakugo again, standing ever so slightly closer than before so that the contact was unavoidable. He still wore his jeans, but through the fabric you could still feel Bakugo's cock starting to stiffen.

At first you thought you imagined the push against your skull, but the second thrust from behind you was unmistakable. Bakugo pushed your head forward with his hips, making you take Kirishima a little deeper into your mouth.

You squeaked as your cock sucking was guided by a couple experimental thrusts, but Kiri had no reaction other than a happy hum. Was he familiar with this behavior from the blond looming behind you?

Regardless, he seemed to enjoy how he was now reaching down your throat, feeling the warm squeeze around his member.

You gave up all resistance, letting Bakugo's thrusting hips control the pace at which you sucked Kirishima's cock. He pushed you further down his shaft, made you speed up and slow down as he wished. Bakugo was having fun controlling you this way; you could feel him growing harder against the back of your head.

"See," he growls, pushing you closer and closer towards taking it all. "Fucking knew you could take more than that." He shuffles a little closer, giving you less room to pull back and keeping at least halfway down the shaft at all times.

"Can you take it all, baby?" Kirishima asks, stroking your hollowed cheek with his palm. He glances up to his friend. "I wanna see her try."

Bakugo slows his thrusts, focusing on pushing you deeper and deeper. Your eyes watered a little as your throat was further intruded upon, but you didn't want to stop. You whimpered as your nose finally brushed against his closely trimmed pubes, and with a bit more firmness, Bakugo was pushing you all the way.

"Take his cock," he whispers. "Choke on it if you have to, but keep it there."

The gurgling sound as drool spills from the edges of your stretched lips sounds gross to you, but it makes Kirishima moan.

"Good job, pretty girl," he says. "Take my cock so good in that tight throat- we knew you could do it."

Bakugo let's you pull back a few moments later, giving you a few rough pets to the top of your head.

"You really are a cockslut, aren't you?" He barks. "Bet you can't wait to swallow his cum."

He crowds behind you again, denim clad groin setting you back onto a steady pace.

"See how bad she wants it? Look how fast she's going," he grunts to Kirishima, as if he's not the one controlling you. He's no longer experimenting with different paces, keeping you steadily bobbing up and down on Kiri's cock at a speed that makes it difficult not to gag. Bakugo's own cock is hard to ignore, hard and bulging and thick, even with layers between it and your skull. There's a subtle grind to the way he thrusts against you and you know he's getting off just as much as the man in front of you is.

"So fucking good, honey," Kirishima breathes, his head lolling back for a moment before falling back forward to stare at you. "Gonna cum soon- you gonna take it all f'r me?"

"She will," Bakugo says, accented by another forced, deep thrust. "She'll take it all."

You whine loudly, the thick cock in your mouth only able to muffle you so much. You think maybe that's what tips Kirishima over the edge- moments later you feel the thick ropes of cum shooting down your throat and flooding up into your mouth. You gag, bracing your hands on Kiri's thighs as you tried your best to take it all down. Bakugo holds you down as Kirishima's orgasm punches through him, pornographic level moans leaving the red head's lips, but you can still feel him grinding against the back of your head. Bakugo cums soon after Kirishima does. As cum dribbles out of the corners of your mouth, you feel him tensing and twitching behind you, his own moans much more held back but impossible to hide.

Kirishima steps back, his cock flopping out of your mouth and swinging in front of you like a hypnotizing pendulum, and he tries to help you wipe the cum from your lips, chuckling as you grab his wrist and suck his thumb into your mouth.

"Aw, what a sweet girl," he coos.

Bakugo breathes heavily when he, too, steps back from you. You can feel a wet, sticky patch on the back of your head where his cock had been sitting against you.

"Hope that pussy's ready for a reward," Kiri tells you, placing a kiss on your forehead before he starts dragging you up to guide you to the bed. "Katsuki's a bit of a friend with his own mouth."

[prongsx]

Jason todd who...

Who calls your office with a dying voice, sneezing and whining about how he's sick but can "try" to be fine alone at home. Your boss dismisses you because Jason's voice certainly sounds like someone who needs to be hospitalized.

So when you get home, Jason is comfortably lying on the bed in the shared room, reading one of his favorite books.

"Jay!" You say, running over to him and placing your hand on his forehead. He's at his normal temperature, not even at his normal temperature, the well changed things that should be normal for a human being. The thing is… your boyfriend is a normal color, tanned even, his eyes bright blue, his nose without any sign of redness. You've seen Jason sick, and he doesn't look like this at all.

"Jason?"

"Baby, hi," he says, having the audacity to fake a cough.

"Are you sick?"

When he opens his mouth, you can see the hint of a smile and you know what kind of illness he's going to say he's suffering from.

"Don't you dare say that."

He lets out a hoarse, loud laugh that hits right at your heart and gets in the way of your mission to stay angry. His large hands abandon the book and hold your waist, as he buries his face in your stomach, lightly lifting the hem of your shirt. blouse, his breath against your skin doesn't help your mission to stay irritated either.

"Sorry, honey. But it's not a crime to pretend to be sick, is it?" He says, a smile on his face that makes him look younger, even like a naughty boy who did something hidden from his parents. It makes him adorable, it softens his scars and makes his blue eyes sparkle. "What are you going to do? Call Red Hood to punish me?

It's a hard task to stay mad at your boyfriend.

"Jason Todd…" You start, but you can feel the smile appearing on the corner of your lips. Because months ago Jason would never do this, would never have the stupid courage to do whatever it took to stay by your side. And he looks so ridiculously happy with his ideia that it makes you equally happy, Jason looks alive when he smiles like that, his dimples appearing and you use all your strength not to kiss him.

He pulls you to the bed, curling up against you as if he physically depended on it, peppering kisses on your face.

"I got a break from Gotham today and I needed my favorite person by my side."

You let out a moan, he knows very well how to make you break. Adorable idiot with puppy dog ​​eyes. You let him wrap you in his arms, letting out a sigh of relief. giving up. It was too good to be hugged and kissed by Jason to be mad.

"When you're on Patrol, I'll call and say the house is on fire."

"I'll come running right away."

It was good to be loved.

I have a lot of drafts about Jason Todd lol, finally having the courage to post. I'm opening a box if you want to make requests, I just love Jason Todd so much

[letbuckfuck]

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