#you cant put two sad old cowboys in a show together and not let them kiss under the light of the desert moon

[daddy-treville]

Hello DinCobb girlies, I’m very late to the party but I’m having a VERY good time.

[thehighestmountains]

evermore review and ranking:

overall, i found this album to have more skippable songs than folklore and the middle of my ranking definitely feels like the middle whereas in my folklore ranking, #14 was still a fav. folklore was a true anomaly where i was just adding the whole album to my playlist. evermore really feels like folklore’s little sister getting the hand-me-downs, who just doesnt know who she is or what shes doing with her life, what is the theme exactly. 

tis the damn season. i fell in love in the first five seconds. i love the moody mature guitar strums and drum beats amping up the entire song. the story of coming back to an old love in your hometown reminds me of the show ‘the normal people’. im a real sucker for sagas, timeless loves that pull you in time and time again, familiar feelings that just feel right because you experienced them at such a young age.  this song gets me.

There's an ache in you, put there by the ache in me But if it's all the same to you It's the same to me

So we could call it even You could call me "babe" for the weekend ​'Tis the damn season, write this down

Sleep in half the day just for old times' sake I won't ask you to wait if you don't ask me to stay So I'll go back to L.A. and the so-called friends

long story short. this is such a banger r u joking. i feel every single one of my blood cells pumping as soon as this song starts. i even love the post-chorus, a great break from the chorus and the verses. i could post the whole song as my favorite lines.

And you passed right by I was in the alley, surrounded on all sides The knife cuts both ways If the shoe fits, walk in it 'til your high heels breakAnd I fell from the pedestal Right down the rabbit hole Long story short, it was a bad time When I dropped my sword I threw it in the bushes and knocked on your door And we live in peace But if someone comes at us, this time, I'm ready

ivy. hard not to compare this to illicit affairs, but this is like an upbeat version. if i didnt even pay attention to the lyrics, i would think this is so fun and catchy, it sounds good. there is no anger, there is a joy. and i just like it.

Oh, goddamn My pain fits in the palm of your freezing hand Taking mine, but it's been promised to another Oh, I can't Stop you putting roots in my dreamland My house of stone, your ivy grows And now I'm covered in you So yeah, it's a fire It's a goddamn blaze in the dark And you started it

willow. im really glad this was the leading single because this is a beautiful stringy piece with a great melody. when i was reading the lyrics before listening to the song, it sounded extremely cheesy with “thats my man”, “i come back stronger than a 90s trend”, but in the song, i love it. theres a lot of heart and oompf to this.

And if it was an open-shut case I never would've known from that look on your face Lost in your current like a priceless wine

The more that you say, the less I know Wherever you stray, I follow

coney island. i wonder why she picked coney island, a very summery location with the bright lines and merry go, when the whole album is supposed to be a winterscape. i barely understand what this song is about but i enjoy the sounds.

Did I close my fist around something delicate? Did I shatter you?

evermore. i love when justin vernon starts singing with that beautiful falsetto “cant not think of all the cost and the things that will be lost”.

Or the violence of the dog days I'm on waves, out being tossed

champagne problems. before i get into this, i like this song, im impressed with the bridge and the chorus, i enjoy the story. just a small thing: title phrase. i just dont vibe with it, the rest of the lyrics couldve been more connected with champagne, i dont believe champagne to be any alcoholic’s choice of drink. and one more nitpick, who likes that random piano mash at the end, anyone?

Your mom's ring in your pocket My picture in your wallet Your heart was glass, I dropped it

One for the money, two for the show I never was ready so I watch you go Sometimes you just don't know the answer 'Til someone's on their knees and asks you

tolerate it - this is a good mellow song, i can relate to the deep sadness of feeling ignored, every thing you do is just dropped. i feel this could grow on me, especially because at the end we really get that jolt of energy, i can leave, i can do it.

I wait by the door like I'm just a kid Use my best colors for your portrait

gold rush. this song is a little too sweet for me, specifically “i dont need a gold rush gold rush”. its just an upbeat and repetitive pop song. i also find this specific high school energy of really wanting someone but also despising their appeal to just not relate to the headspace im currently in.

no body no crime. whoooa that blast of country. it kind of feels weird in this album. i think the chorus is incredibly boring, “i think he did it but i just cant prove it” over and over.

No, no body, no crime But I ain't lettin' up until the day I die

closure. i cant get over the constant banging of industrial pots and pans throughout this whole song lol. i really went back and forth between do i like this, no i hate it, ok i could get used to it, no no it doesnt fit with the lyrics and how shes singing. i also dont care for “yes i got your letter, yes im doing better”.

we have a large pile of songs at the bottom, they all mush together in a sad corner. these could maybe grow on me but i also would be fine never listening to them again. with folklore’s sad songs, like epiphany or my tears ricochet, there was still something that appealed to me. most of these, there just isnt anything.

happiness - similar to tolerate it, i think the lyrics carry and convey a specific feeling very well, i have definitely felt this way, but i dont feel like the instrumentals match her emotional singing. i think she really carries this song and the instruments just let me down.

No one teaches you what to do  When a good man hurts you And you know you hurt him too

marjorie - i feel like a song about her grandmother could have been so great instead we get “what died didnt stay dead” over and over and a bridge that is mostly about herself. “shouldve kept every grocery store receipt cause every scrap of you would be taken from me” is the worst of the lines, thats what you want to keep? grocery receipts? the song should be about her grandmother leaving all her “backlogged dreams” to her, and im not getting much of that.

cowboy like me - takes one... to... know... one...... this song does not embody  the type of cowboy shes talking about, perhaps a 80 year old woman singing about her tendencies to run away. im not convinced taylor is singing from a place she understands enough about. my least favorite line in the album goes to “the tennis court was covered up with some tent-like thing”. tent like thing? lol ok. although i will say one of my favorite lines is “forever is the sweetest con”, but that gem cannot save this song.

dorothea - this is the worst version of seven from folklore. its about ten times less interesting, very bare bones, hardly any story or background information. i dont particularly like the name dorothea. giving me major grandma vibes, these last three songs are major grandma vibes. 

[brideylee]

Anti- Fan Fiction: James Woods and Robert Blake at Dan Tana’s

           The air inside is hot, full of dust, and too many rotting mouths had ordered the lasagna. James Woods sits in his corner booth at Dan Tana’s in the main room with his eyes on the bar full of shouting men in suits. Some are West Hollywood slick fratties  and others more smelly and introspective in itchy tweed from the land of 70s character actor city. Squeezed in between these men taking up more space than needed with either their narcissistic sadness or their loud, cologned  bravado are some young women desperately trying to enjoy a martini at the historic restaurant, but instead are resigned to hear a bald someones life story and feeling many passing hands needlessly touch their bare backs as men hover and spill around them.

          Woods watches disgustedly, he watches everything disgustedly: babies being born, the sunrise, an elderly woman saying “Hello, Deary”. It all makes him sick. His belly protrudes forward as he holds back a sudden burp and he releases some air through his famously skeezy lips as though exhaling cigarette smoke. He is repulsively sexy in his stony confidence. He checks his watch and decides to complain about something. Dead eyed with his arm stretched out, he points at a maitre de who is pushing 90 and is only meant to be looked at by tourists as a part of the ambiance. The command of Woods pointing hypnotizes the ancient man and he walks over in submission thinking this could hopefully be death itself beckoning him home. 

            Woods gives him his iconic half smile, where one side of his mouth stays in place while the other curls up his cheek as though being lifted by a fish hook, his head tips forward and his round dark eyes look up at him like an alcoholic father who “doesn’t want to have to discipline.” “Hey sarge, the bread is a little chewy, mind popping it in the microwave or something. I could break my teeth on it. And heat the butter up. It’s fresh, its just not soft.” Woods gets bored with himself half way through his criticism and winks at a woman at the bar whose glance regrettably fell on him. The maitre de with no capacity left to hear, nods and takes the bread away, disappointed to still be breathing. 

Woods spots Tim Allen alone in a four person booth holding up a plate to his face, licking it feverishly. They lock eyes and give each other big, knowing smirks, like two people who both know where the body is.  Allen gleefully goes back to lapping up the rest of the marinara, grease all over his chin, his napkin bib coming into good use. “Funniest man in America” Woods thinks to himself before being distracted by some plastic cleavage walking by.

           Suddenly, the air in the restaurant cools as the door wafts open and a small shadowy figure enters with the silhouette of a miniature cowboy.  “Finally.” James Woods says as Robert Blake plops down across from him “Are we angry?” Blake says defiantly with his headed tilted back, his lids hanging low and heavy across his beetle eyes. “There is this thing called time, Robert. I’ve been waiting here an hour.” Blake laughs with a childish grin crossing his face, and somehow in the smooth red lighting of Tana's, he looks twenty years younger, though still disturbingly gaunt, and getting more pale by the minute like a man whose only sustenance is the unease he inspires. He’s wearing a black velvet cowboy hat that looks too big for him, making him along with his small stature appear like an elderly child. “Time!” Blake regales with impish laughter as though hearing an old joke he hasn’t heard out loud in years. Woods stews, his eye twitches and he chews on the inside of his mouth.  Blake’s laugher continues, even Tim Allen interrupts his slurping to peak at where this sinister chortling is coming from. 

              After a few minutes, Blake calms down and stares at Woods lovingly. “You were always funnier than me, Woods. Never give that up, you can fall back on it.” Blake was full of these little jabs, always insinuating that Woods acting career never amounted to anything. Rehearsing a hurtful father son dynamic was one of the only ways these men could show their love. “How’s the old lady?” Blake is referring to Woods’ twenty-two year old girlfriend. “Driving me nuts,” says Woods gazing off, then he leans in towards Robert. “In all the right ways.” He winks at Robert. “Pet a pussy cat on the head too much, and they go bald.” Blake warns. Woods blinks, confused. He had a love-hate relationship with Blakes morsels of wisdom. On one hand it’s why he enjoyed his company so much, on the other hand, Blake had a way of making him question everything, particularly Blake’s sanity.  Woods decides to change the subject. 

“Some shrimp cocktail I ordered us an hour ago. They might be too dead to eat.” He slides an ornate glass rimmed with withered shrimp in front of Blake. All the ice inside the glass is melted and the shrimp look like they know how pathetic their fate is. Blake knocks all the shrimp off the edge of the glass towards the center and gulps them down like he’s taking a shot of vodka before going bear hunting. 

“So, what do you make of this 'Covid 19'” Woods puts Covid 19 in air quotes and his head bobbles with cocky indifference. “It’ll go away.” Blake states between sips of the shrimp water. “Everything goes away, James.” Blake studies the menu. “Not quite Vitello's…” James didn’t want to get into a Dan Tana's versus Vitellos fight tonight. For one, Blake hadn’t been there in decades since he took his wife there before having her killed and more than that Blake was just biased because Dan Tana's never named a pasta after him. Woods lets it slide, he understands the irrelevancy Blake feels to the modern world and the pain of being pushed farther and father back inside Hollywoods skeleton closet. 

         Yet, although Woods sees Blake as an oracle, his secret virus fears remain. There is a social distancing trend hyped in the media and a possible impending lock down for Los Angeles; a city full of the most insecure egos on the planet. A city that needed to love, use, and discard people so regularly that the notion of a lockdown seemed to go against its code of conduct. Furthermore,  Woods cant stand being in his house with his girlfriend for more than three hours, two if there was no oral sex involved, but even worse is the idea of being alone.

His anxiety is spiking as Blake with half glasses on seemed completely engrossed in the menu, ignoring him just like his old man. Woods dips into the pocket of his blazer and dabs his pinkie into a tiny bag of coke, neatly putting it away and rubbing the gums of his front teeth expertly discreet. Blake raises his eye brows. “They’ve got a chicken named after Sidney Beckerman. Did you know him?” Woods shakes his head, and gestures to a waiter to bring more water with an agro snottiness only he could pull off. “He produced Kelly’s Heroes. Good guy, but I never liked him.” Blake starts singing “Que Sera Sera” by Doris Day under his breath, while perusing the menu like it’s a gun catalogue.

Woods patience runs out, he blows a  long grey hair out of his eyes and grabs the menu from Blake. He smacks a passing waiter on the back with the menu. “We’re  gonna split a plain cheese pizza with a side of spaghetti, and two Roy Rogers. And lots of grenadine for this one right here.” Blake smiles like a school boy brat, pleased.

            “So listen, have you been following it at all?” “Following what?” Blake says with a gentle, Warhol deadpan. “The virus horse shit… Robert, they’re saying that we all need to go into isolation. That it’s airborne.” Blake whips the red napkin into his lap. “Get a hold of yourself. Will you? Fear is airborne. Do you know how many motherfuckers, here, still believe in Lincoln?” Blakes shifts were dramatic. Sometimes, he felt like you were talking to a screwy relative of Yoda and other times he had the grit of a  dried up cowboy that had made love with Joe Pesci. 

“FUCK YOU! NO!” The volume of Tim Allen shouting into his Motorolla razor silenced the place for a good twenty-seconds.  “500 million dollars in CASH or you can take your Santa Clause 6 and…make Santa Clause piss!!” The manager started a clap to diffuse any tension. After a smattering of applause, the place went back to normal. “Can I get a big brownie?” Tim Allen screams towards the kitchen like a kid at his grandparents house.

         Their Roy Rogers are placed on the table. Woods is sweating as the coke is hitting, and he can feel his phone vibrate with texts from his often pilled out girlfriend. Texts like “Can you remind me where the refrigerator is?”

  Blake raises his glass, admiring the red flesh of the maraschino cherry and the slow dance of the grenadine syrup descending towards the bottom, surrendering to him like a wounded lover. “Cheers! May we remember to lock the doors and make the baby swallow the key.” They clink glasses. Blake does a long exaggerated gasp of refreshment, his tongue  wagging out of his mouth for a long time. 

            “Woods, what do you think it was that got in the way of your success?” Triggered and high, Woods replies, coke speed with spit collecting at the corners of his mouth.  “Well, I think it was a lot of things. Particularly, that I am a man who values his freedom of speech and I don’t like my rights trampled on by so called “progressives” and  you know I thought I was pretty good in Ray Donovan, but I really wasn’t given much of a script, but, ah, fuck.” He wipes his forehead and collects himself. “Blake. I have a serious question.” They stare at each other. Blake has a gravelly distance between his soul and his eyes, but something in Woods reaches him. Their cheese pizza and spaghetti ruptures the eye contact, but Woods can’t give up.

“Say there is a lock down, and this virus is serious. I can’t be alone with the kiddo for that long, you know what I mean? I need a friend. Someone I can pal around with. Someone that gets it. Man to man. Blake, do you think we can live together? Either at the Ranch in Burbank or my place, wherever you feel the most like you can be you.” Woods heart is racing, this is the most vulnerable he’s felt since since the scene in The Virgin Suicides after his daughters die. 

         Blake stares at him coldly and takes a bite of pizza. “This virus frightens you.” Woods frustratedly digs into the pizza, his heart; a little more vacant, and confused. “Don’t worry.” Blake reaches into his pocket and takes out a vile of clear liquid and places it next to the spaghetti. “I got a cure for that.” Woods examines it. “Is this-“ “A vaccine” Blake says satisfied. “One sip and everything goes away.” 

       “CHANGE OF PANTS? PLEASE, CAN I GET A CHANGE OF PANTS” Tim Allen roars with a lap full of chocolate brownie. His face and khaki pants are covered in chocolate.  But Woods stays transfixed on the vile. “Where the hell did you?…” “We had to make vaccines during breaks on Little Rascals. Bastards always put us to work any way they could. Learned a thing or two though and this one is special… everything goes away. “Have you used it?” Woods asks, his head cocked to the side, watching the liquid float like the clear lip gloss his girlfriend….Kelly? Katy? wears.  “Used it plenty of times. Plenty of times.” Says Blake with the resigned faith of a Southern preacher.

          “Well, even so, if there’s a lock down, can I bunk with you? Forgive me, you’re single now, right?” “I’m dating,  but nothing to write home about," the eighty-six year old answers. Woods looks up from the vile, expectantly. “Listen, kid. My space is sacred. It’s between me and God. I don’t know if you think I can get you a bit part in something or…” “No, I just would like your company that’s all.” Woods assures him. “A man who can’t sleep alone, sleeps while awake. Take the vaccine. You’ll be free.” Woods leans back. Blake  always cuts him open and leaves him smelling like the chicken broth that seemed to emanate from Blakes pores. But that’s often the medicine Woods needs. He uncorks the vile, holds it up dramatically,“Salud!”

            Allen is standing in his boxers by his booth with his arms crossed waiting for the waiters to bring him pants while Woods finishes the last drop. The blood red walls moist from poor insulation seem to pulse around Woods as Blake stares at him. “Hows it feel?” “Like…uh..like nothing. I mean… like it was water, a placebo?” Blake giggles shaking his head. 

           Pants-less Tim Allen walks over to their table. “Hey Robert! I haven’t seen you in ages!” They high five. “You know me, keepin’ busy back at home.” Allen turns to Woods, “How ya doing, bud?” and then turn backs to Blake. “You know you’d be perfect for the next Santa Clause movie. You haven’t been in any of them yet, right? “Not yet!” “Well, right on,Cowboy!” Allen and Blake high five again. Woods gets dizzy and starts blinking slowly trying to steady himself. Perhaps taking a vaccine manufactured by Robert Blake was not smart, he didn’t know for sure. He barely knew anything. “Woods, isn’t it time we scroll through our imdb pages?” Blake baits him with their tradition. Woods nods and types his name into his phone. “I love this game! Can I play?” Tim sits down. 

           Woods can’t focus his eyes very well, but he has typed his name into imdb four times and nothing is coming up. Tim Allen can’t help  himself “Ok, so this is a show I was on where I played like a handy man…” His mouth hangs open as he excitedly awaits  the men to guess what show. “Garfield.” answers Blake without sarcasm. “It’s not working….” Woods interrupts. “Whats with your friend?” Tim Allen asks annoyed. Blakes eyes don’t leave Woods who is squinting at his phone. “Ok, I’m a dad and a handyman…” “My credits are all gone.” James’s voice seems to morph an octave lower the walls seem to run into the leather booths and booths seem to melt  into the floors and drip into the basement where a drunk couple are fucking among cans of tomato sauce.

Woods psyche seeps further into the earths crust, mantle and then core where he watches his entire identity burned in the furnace of mother earths blazing kiln. Alone with himself. To Allen and Blake, his body sitting at the booth looks like a prosthetic suite empty of an actor inside. “The vaccine works.” Blake thinks to himself sipping his pink drink through a straw. Allen whips his head from Woods to Blake and in his classic broad Tim Allen way says “Uhh, am I missing something???”

[generallyspecificblog]

  I watched episodes 1 & 2 of the new season of Stranger Things on Netflix this weekend, its been a long time coming. I’ve been waiting patiently for this season since the last one ended. The show grew on me in a big way, i did not like it initially. Something about it is mysterious and innocent and this season looks to have more of a suspenseful and scary vibe. I’ve only watched two episodes thus far so this is an incomplete project but I felt I needed to write about it because i haven’t blogged a long one in a few days. What follows are my hot takes, conspiracy theories, and honorable mentions of “Stranger Things” Season 2.

Ah, the ’80’s, things were slower back then i’m sure, i wouldn’t know though because i was -10 in 1980. The fact that in one of the opening scenes the boys are scrambling for quarters to go play arcade games just tells me that those were the good days. Reminds me of the movie/documentary, “The King of Kong: A Fistful of Quarters”, if you haven’t seen that i suggest that you stop reading this blog and go watch that documentary, you will not be let down, you will also have your masculinity tested by a man named Billy Mitchell. Also that is probably the only time i’ll suggest that you stop reading the blog so you know its worth it. Anyways, quarters are king and Mike robs Nancy of her piggy bank which i think is just great, but also i feel like Nancy is a bit too old for a piggy bank.

So the boys (Will, Mike, Lucas, and Dustin) rally at the local arcade room, Those for sure were only around for laundering money i imagine, and get to playing. At some point Will hears something and wanders off and somehow he is pulled into the upside-down place, his home pretty much the whole 1st season, and sees a dark sky with red lightning and a shadow demon thing with tornadoes for arms and then snaps out of it. First off i would like to say that i do not completely understand what the show writers are going for with the existence of the “Upside-down” place. I guess the easiest way to explain it is an alternate dimension that’s evil and terrible, but i just don’t know how it all works. I will admit that i think that if i were to somehow be instantly teleported to a place like that, i would for sure only be able to cry and close my eyes until i inevitably died because that place, and that monster thing seem completely terrifying. With all of that being said i think that calling it “The Upside-Down Place” is a rookie move and who ever came up with it needs to go to prison. It’s like calling it “Creepy Avenue” or “Elm Street”, how about a better name for the place that your main characters fear and where pure evil resides. As a matter of fact i will no longer refer to it as the “Upside-down” place and from here on out it will be called the “Thunderdome” or “Satans Basement” or “Oklahoma” ANYTHING but “Upside-down” place.  So, Will snaps out of it somehow and his excuse to his friend for being outside is that he needed some air, I found that funny because this show is set in the 80’s and no chance kids were as messed up and snowflakey as they are now. “Needing some air” in the 80’s was just something you said when you wanted your 3rd cigarette from your 2nd pack of the day, i assume. Be more dramatic Will.

The cameos in these first two episodes were very interesting and i didn’t hate them, i’d actually be excited if they all stayed on as regulars. First we have Brett Gelman playing Murray Bauman, aparrently some kind of private investigator with suspicion of Russian assistance in the events that transpired last season. Gelman is killing it lately with the cameos and honestly is just a really funny guy, i will never forget him in The Other Guys as the Arnold Palmer obsessed wanna-be swinger who begs Will Ferrels character to bang his wife.

Next and my favorite so far is the incomparable Mikey Walsh, the lovable Samwise Gamgee, Rudy HIMSELF, Sean Astin playing Bob “The Brain” Newby. Sean Astin is top 10 in my favorite actors, all around good dude, and just as lovable as they get. His character in Stranger Things is Joyce Byers’ new love interest it seems, and he does a fantastic job. The dynamic between him and Joyce is weird but i am fully invested after 2 episodes. Sean Astin nerding out about video cameras and radio shack is grade-a television folks.

Other than that there is a new pair of sibling characters in the show, Billy and Maxine AKA MadMax, that i just don’t know about yet. Billy is an absolute psychopath that resembles a younger Zac Efron who is fond of younger Zac Efrons who drives like a bat outta hell. This Billy dude is like a cross between Kurt Cobain on a bender and Jack Nicholson from The Shining. Pure crazy, but an entertaining character. His sister, i’m assuming, Maxine (or Max as she so rudely corrected the zany teacher at the school) is a very boyish little girl who is apparently good at arcade games and skateboarding, possessing some of the same crazy traits as her aforementioned brother. Some subtle yet understandable misogyny is featured in a scene where the boys are spying on her and say something along the lines of “girls cant play video games”. There is a new psychiatrist guy that talks to Will too but he is very boring and on the bad guys side so i don’t particularly care for him. Out of the new characters i mentioned above i would rank them accordingly: 1. Bob 2. Murray 3. Billy 4. Maxine 956. Doctor Boring D.O.

As for our returning characters a lot has changed in good ole Hawkins and its nearing the one year anniversary of the finale of last season some time around Halloween, obviously. The iconic Reagan Bush ’84 Campaign signs make an appearance in these episodes a couple of times in peoples yards and i love it, shout out Rowdy Gentleman.  The boys are still up to their nerdy shenanigans riding around on bikes and talking on their giant walkie-talkies. An exciting part is that they dress up as Ghostbusters for Halloween and being the season is set in 1984 i give 1,000 kudos to the kids for being such trailblazing fans of the film, and 2,000 kudos to their parents for making the costumes from scratch. There is a pretty comical argument between Mike and Lucas on who gets to be Venkman, Bill Murrays character, with an awkward reference to the only black Ghostbuster, Winston Zeddemore played by Ernie Hudson, being lame because he was late to the team.

  Mike is emotionally invested in 2 boxes of toys for some reason and misses the hell out of his superhuman girlfriend, 11, just being an emo little baby pretty much the whole time. Will and Mike make some weird pact while trick-or-treating where Mike says “If you’re weird, I’m Weird” kind of like Ryan Gossling does in the Notebook (If you’re a bird, I’m a bird). Lucas and Dustin fight over who is gonna date Maxine.

Our guy Will, who spent the majority of last season in the Thunderdome, has turned into a monster in the eyes of the kids at school. He gets bullied a bit, being called “Zombie Boy” and getting notes put in his locker saying the same thing, thank god Twitter or Facebook didn’t exist back then or this dude would of 13 Reasons Why’d his way through the rest of this season, probably. He takes it with stride though, animating his new nickname pretty artistically, wouldn’t be surprised if he creates a comic book about his Zombie alter ego and becomes a millionaire.

Steve and Nancy are still an item, probably my second favorite couple behind Johnathan and crippling loneliness. Nancy has become annoying because out of the clouds she starts actually caring that her friend Barb is dead, probably because she feels guilty, i mean you’d have to be an idiot to not blame Nancy for the demise of our homely heroine, Barb. There is a scene where Nancy and Steve go have dinner with Barbs parents and enjoy some KFC #fingerlickingood. Barbs parents are delusional at this point, in denial that Barb is dead. They are not in good health, mainly because of the fried chicken, and have plans to sell their home to fund a wild goose chase led by the wacky ex-journalist, P.I. Bauman. That should be successful. R.I.P Barb. Some how Steve has become more likable. Probably because of his hair which has some how become bigger, the higher the hair the closer to heaven, i see you Steve. Nancy and Steve go to a Halloween party together where she gets tipsy on some jungle juice, or as the raging toga bro, who is later seen yakking his brains out, calls it, “Pure Fuel”. Nancy, in typical white girl wasted fashion, says “bullshit” 9 million times after getting a cup of hunch punch spilled on her and brings up the past (Her and Steve basically murdering Barb, gone but never forgotten). Surprisingly Steve peaces out instead of taking advantage of Nancy like he did last season. Johnathan, in typical lonely guy fashion, swoops in like a sad pigeon and saves the day by taking her home and tucking her in. I feel it is necessary to say that i think Johnathan looks like an anorexic Bill Hader from SNL and i hope other people see that too.

  My favorite character, 11, or Elle as Chief Hopper adorably calls her, has taken up residence in a cabin out in the sticks. Chief Hopper is my 2nd favorite character in the show and he has become some type of father figure to 11 letting her stay in his cabin and is keeping her safe from the Russians or whoever is trying to get her. 11 is still a super hero and controls stuff with her mind. She has grown her hair out lookin like a jerry curl gettin real high up there, watch out Steve. Hopper is still whippin around in that dope ass Trailblazer and totin that 6-shooter like a rootin tootin cowboy, they should call him Sheriff instead of Chief. The interaction between Sheriff Hopper and 11 is perfect and comical. 11 is still very robot-like and says “five one five” instead of 5:15 at one point alluding that she hasn’t become much more normal than the first season. There are a few flashbacks to season one including one where 11 is breaking through some gooey womb-like substance out of Thunderdome and it reminds me of Jim Carrey being born from a rhino in Ace Ventura: When Nature Calls. In another scene 11 kills and begins to cook a squirrel to eat and then beams it at some hunter dudes face in the woods because i guess that’s what Russian cyborgs do. Sheriff Hopper misses hanging out with Elle for Halloween and that broke my heart, do better man.

As usual the soundtrack for the show is the absolute best, the beginning credit song that sounds like Daft Punk time traveled back to the 80’s is up there with Game of Thrones intro song. So far the show is fantastic and there are a lot more witty references and noteworthy things to say but i have just realized that i have written 2,000+ words and most of this was just mindless stammering on and so with that i give my superlatives and predictions thus-far:

Most likely to die alone: Jonathan Byers

Worst Father of the Year: Sheriff Hopper

Most likely to Smash for sure: Hopper and Joyce

Most Improved: Barb

Best Hair: Steve

Probably Gonna Finish Last: Bob “The Brain” Newby

Most Athletic: The Bike Boys

Life of the Party: Yoga bro

Most Likely to Become President: Reagan Bush ’84

Biggest Twist: Barb is alive!

Token Black Guy: Lucas

Least Likely to do Anything, Ever: The dumb psychiatrist guy

Most likely to end up in jail or an insane asylum probably: Billy

Most Likely To Confuse The Millennium Falcon with the Starship Enterprise: My Fiance while watching the show with me.

      Stranger Things: Season 2 Return of Barb, Maybe. I watched episodes 1 & 2 of the new season of Stranger Things on Netflix this weekend, its been a long time coming.