#you can feel free to assume connections too if you want if it makes sense

[pixlokita]

Sooo... Help Wanted 2 is out... What are your opinions on it? Who do you think we are playing as? Personally I think we are playing as Cassie's dad but it's okay if you have different opinion!

(Also Happy birthday to Security Breach btw (What makes me feel very old is that Security Breach came out when I was 11... I'm almost 14 at this point...) )

I honestly am so lost right now. I’ve tried to make sense of the game but after what happened with ruin I’m scared to get anything wrong =w= personally I’d like to hear more of the Helpy lore :’> like what did that lil guy even do xD

[withonly-sweetheart]

Starry Eyed Singer

You're a scientist, not a singer, but when the newest experiment takes a liking to not only you, but your voice, you might just be the key to finding the rest of them. And although he's stuck behind the confines that keep him away from you, that hide the songs that he knows could have you throwing yourself into the water for him, he won't hurt you. After all, how could he? When you're his starry eyed singer.

a/n: first lets ignore the fact there's only dialogue at the last bit im so tired of this literally its been two whole ass weeks I NEVER GO PAST A DEADLINE IM GONNA TWEAK buuuut i really really like this idea i just think that for a theme, this is short and sweet enough for me! i would definitely want to expand on this as a whole, and i couldn't resist adding a dead dove ending <3 (im a creepy mf ik)

find the bad ending here...

alright now its time for credits

@bunnivievve - this is literally her au. like seriously i took everything from her analysis sheet like i would not be here without you. i salute you fine woman you are the reason i wake up and write siren leon. + thank you sm for ur hc i hope it's fitting to what you were thinking!!! THISSSSS LITERALLY THIS IS WHAT INSPIRED ME SMMM <333

@larvamars - help im sorry for mentioning you but i kinda took the art of leon looming over the scientist in that one piece of urs to heart... yeah... thinkin abt that while writing this really helped <3 so tysm just crediting people where credit is due!!

@sirenhub <- ngl i thought of you while writing this the WHOLE time i was tryna be freaky... get it bc ur name is siren... also the dead dove ending is dedicated to you my love... please drown me to the bottom of the ocean.. <333

@vampiricgf <- KITAA WE'RE TWINNING SO HARD ON THIS ONE... ur au is better than mine i fear but its ok this is a connection i couldn't pass up

(psst. if i didnt mention u in this one artist moots TRUST you're definitely in one of the other three.)

tw: descriptions of loss and grief, reader's mother is dead, luis angst, tiny mention of smut but nun too bad, brother i can't write anything without making it sound like shakespeare and not in a good way...

wc: 7.3k

The pearl of the ocean. He’s watched every wretched person who’s confined him here, with their white coverings and spectacles resting on their too sharp noses, their awkward gait and their irregular size. And not one was interesting enough to keep him intrigued for more than a day.

And then you appeared in his life, a presence uninvited, a treasure undeserving of his touch, not that he would be able to get his fingers on you either way. Your eyes were so lively, restless, sparkling like stars through the clear material that separates you.

If only you could hear him. He was sure just a moment of his voice would be enough to ensure your enrapture, enough to ensnare you like they had caught him off the coast. His colony had warned him enough times of all the dangers the shore brought, yet something brought him back.

You are alike in that sense, hunger consuming you from the inside out, fatal if not for the restraints that were easier for him to hold than you. He can feel your eyes on him as he languidly floats through the somewhat roomy tank they house him in, temporary, of course, but for three months he’s been stuck behind this insufferable, invisible surface that sets the barrier between you both.

A creature of the sea and a creature of the land. He entertains quiet thoughts of you at night, when his dreams should be fitful, longing to be free in the ocean, yet the yearning for you is stronger. He assumes it is mutual, why else would you act the way you do? Enamored, entranced, elated enough to send shoals of fish skittering through his stomach.

But he mistakes fascination for infatuation. 

<><><><>

You cast Luis a sideways glance, a strange haze between you, air infecting what used to come so naturally, seeping into your skin, sealing your lips shut as if your banter was planned and you’re finally speechless.

His fingers flick the lighter lid open, then back, setting a rhythm that should be comfortable enough to make up for your unnatural silence, but it only serves to make things worse. You resist the urge to bristle when he finally speaks.

“You really don’t know why you’re here,” he murmurs, and you would’ve missed it, hidden under the whirring gears vibrating in the ground if not for the fact you’ve been expecting it. 

You scoff. “What do you think?”

“I think that you must’ve done something.” He sighs and leans forward, tense in every aspect except for his mouth, brown butter molding to the cherry of his lips that purse, abandoning the man you knew. “Why leave both of us in here? Alone?”

His tone is suggestive, and you might’ve dismissed it as playful under other circumstances, but you know exactly what he’s doing—making a fool out of you. 

“Tell me,” you insist. Luis leans back, the lamp in the hallway shining through the window, bronzing the copper planes of his face. He links his hands together and rests them palm upward on his forehead, closing his eyes. 

After a few moments of silence, he cracks one of them open, narrowed as soon as he realizes you’re still watching, still waiting for an answer he’s far too reluctant to hand over.

“Impatient, are you?”

“You’re the one who fucked everything up! If you had just listened when I said the radar was, what, three feet off, we could’ve caught it just fine! But no, guess who has to play the hero?” you seethe. You feel your heartbeat thrum under where your fingers lie on your wrist, pulsing like a warning. Back off.

“Are you a senior scientist?” He quirks an eyebrow, challenging you to a fight you’ll surely lose, but when have you ever backed down to him? “I didn’t think as much.”

That pet name irks you enough to spark a retort, one you didn’t even think about before it’s past your lips and hanging in the air between you.

“I’ll rip that badge off your shirt before they get here if you don’t tell me why the fuck we’ve both been stuck in here for three hours!” Your voice is level to an extent, level like you’ve never thought to be calm.

His arms fall down to his knees, elbowing the meat of his thighs, eyes drawn back to you. “Are you always this irritable?” A smirk tugs at the corner of his lips, curving them upward. “Or am I just lucky to be sitting next to a beautiful woman with the temper to match?”

You scowl, unable to summon the grin that you wish would appear in your mind. Seeing that you aren’t as amused at him at his little joke, the smile slips right off his face, and that sullen expression usurps his features.

“They found it,” he admits, albeit quietly, as if he’s afraid someone will hear. “Right after we left.”

“They… did?”

“Mhm,” he confirms, voice low and throaty. His lips part and you lean forward slightly, eager to hear his elaboration. “A new project is underway. Experiment 003. And you’ll be-”

The door swings open, and the white light that bathes you isn’t a good sign. 

<><><><>

You don’t understand the solemn look on Luis’ face. Shouldn’t he be happy for you? You actually got the assignment you had requested, for once, and with what was once thought to be a creature only found in stories. And yet he stands leaning in the doorway to the lab room, gazing at the water.

It’s been two weeks, and not once have you actually seen this supposed creature. You’re starting to think this is all some elaborate joke Luis has crafted to keep your enthusiasm fresh, but he knows that your praise and effort aren’t akin to fruit and vegetables.

“No progress?” he offers weakly, not once making eye contact with you.

“Why don’t you try?” you reply bitterly. It’s been a hot minute since you’ve gotten any quality sleep, and the laboratory’s coffee runs alongside your blood in your veins, which bubbles back up in the raw coffee beans that swirl on your tongue as you await his response.

“Ouch.” Luis pretends to wince, seemingly hurt. “You might hurt my feelings, chiquita.”

“Good.”

“You can insult me all you want,” he says, damn that clever tongue of his, “but you’re pretty cute when you're mad. Makes it hard for me to take you seriously, mi amor.”

“Why are you like this?” you grit out, sweeping the papers off your desk to slam your clipboard down, crisp paper untouched. Can’t take notes on something you’ve never seen.

“Like what?” he asks, tilting his head. “Ever charming?”

“I was thinking something like bipolar,” you groust. “You’re never just one person, are you? What else are you hiding from me?”

He puts his hands up in defense as you stalk towards him, but he waits until you’re a step away to respond. “Hiding? Me? I don’t know what you’re talking about,” he muses.

You tilt your head up just as he tilts his head down, and you lock eyes with him, the searing honey dripping from his eyes to yours, cooling quickly enough to create threads of sweet ice connecting you both.

How it feels to long for something you’ll never have.

Your eyes flit to the band on his ring finger.

<><><><>

The cool glass finds your fingertips, aching from restless typing emails back and forth, persisting that you can handle this one. Your encounter with Luis has left you determined to prove you can do it without him, that you’re perfectly capable of ignoring him in the hallways, in the lunchroom, pretending not to hear him call your name across the lab.

But the blue glow dapples your face as you stare into the mirror on your desk, angled towards the picture of you and Luis, acceptance letters crumpled in your hands with your arms over each other’s shoulders, eyes glazed.

One too many drinks that night led to peppering his face with kisses, sliding those glasses off his face, admiring how pretty he looked all tipsy and breathless underneath you, watching all those cocky retorts disappear under your fingers. 

It’s hard to get over someone you’ll never stop seeing, and you’ve got a better chance of being fired than retiring early. Besides, if you love your job, you’ll suffer through anything to keep it, right? Even if that means forcing smiles at his open face.

With no one to console you, a locked door and curtains dressing the windows, you let the tears flow freely, wishing that the water only a few inches away would somehow absorb the tears, make you seem stronger than you really are. Somber music tinkles away to an end in the background, leaving you in obsolete silence that seems to swallow you whole.

A tap on the glass. Suspended motionless just beyond the barrier, electric blue undertones of his skin mesmerizing, highlighting elegant fins and swirling markings. Deep azure pools that lock onto yours, hair framing his face like a snapshot in time.

"Holy shit, shit, shit!" you blurt out loud before you can help it. Your pulse races to life, drinking in every feature you can, drawing an image that will never be up to scale; whoever can put his flowing, inky locks to delicate fins that frame his lithe, powerful frame into words should be standing in your place, because you sure can’t.

You swivel around, hyping yourself up even more at the fact that you’re the first scientist in the building to see him with your own eyes, fingers curled around your clipboard as you shuffle back.

But you’ve dotted your name and scribbled down the date only to jerk your eyes back to the empty space, as if he was never there. Only one piece of evidence remains, and even that flutters down to the depths you cannot see.

An iridescent scale.

<><><><>

Your voice is croaky from even more lack of sleep, hours of waiting by the glass in vain; the frog in your throat leaps out to greet Luis when he saunters over, leaning on his elbow that rests on the table, eyes darting from side to side to confirm what he already knows from ten minutes of absconded silence - you’re alone in the breakroom.

“Well?” he urges, eyes slicing down to check his watch. “Make it quick, mi amor. I’ve got a meeting in ten minutes.”

My love. How ironic that he still calls you that, it must slip from his mind on days like this. “Isn’t today your rest day-”

“Well?” he repeats, more urgently this time. And under his persistence, you’re less sure of your theory than before.

Your teeth pierce the chapped skin of your bottom lip, cracking it open, savoring the iron tang of blood that flows freely, even though you know it’ll come back to bite you in the ass later. The sting calms you.

“Experiment 003,” you begin, digging your fingernails into your palm for a split second before forcing your wavering hand to push the files towards him. “The mermaid-”

“Merman,” he corrects quickly, before his eyes go slightly wider than before and raises his hands in defense, again, as if his open palms will stop the silent words of hurt that batter his skin from your eyes.

“Merman,” you repeat, continuing, “isn’t really a merman.” 

“What?” Luis’ eyebrows fly up and he claws at the folder, flipping through the papers before staring back up at you in disbelief. “You have no evidence to support this!”

“But I saw him,” you insist, admitting what you had told yourself you weren’t going to reveal to him. How is it that his face still gets your tongue tied in your mouth, coaxing secrets without him even knowing? “And… it displays none of the traits found in the fisherman’s tales.”

“They’re all old men,” he says dismissively, and his nonchalance, once again, only serves to irk you and fuel your need to prove him wrong. “So what if they couldn’t see right?”

“But—”

“No buts,” he says with a tone of finality, and it doesn’t occur to you to speak back this time. The point’s been lost in your first plea, and the honey bees descend from his tongue to spike you everywhere, scorn you for trying to doubt him. “Just get back to work, and don’t bother me anymore, señorita. I have work to do.”

You’ve never been dismissed by him before, so when he sinks into his hands, rubbing circles into your eyes, you don’t move a muscle, wondering if there will be any further instruction.

But he lifts his chin, so slowly that his gaze sears everywhere that it touches until that flame gets put out by the bucket of boiling water bubbling to life in his eyes. That dull demeanor lying over irritation lies bare on his face, soaking through like wet newspaper, ink unintelligible but meaning clear. 

Get out.

<><><><>

It’s hard to find something more consistent than the steady lapping of water, kissing the top of the glass where it connects with your ceiling. You stare into the abyss, willing the creature to appear from its depths, but where the flowing water meets your demands, the being does not.

Your thoughts begin to wander. How exactly had you called it— no, him?

“The subject is male,” you hear Luis’ voice ring in your ear, as if a ghost of a person still standing with you, a shadow of what you hoped could be true. That day, there was no sound in the room except for the steady current of your tears washing your cheeks for the umpteenth time that week.

It’s probably not that. After all, it would take a creature with keen ears and a sharper mind to hear not only through the glass, but to recognize the pain that even the person who causes it cannot identify. But you’re desperate.

So you conjure up the strongest memory you have, one that surpasses all levels of guilt and anger and pain to the highest level of sorrow you’ve ever felt. The night your mother died.

Your eyes stay glued to the simple white cloth adorning her body, cupping her gently like the beings from above have descended to hold her in their heavenly hands, the idea that if you keep your gaze away from her, she’ll long for it once more and return to you.

But as much as you know she loves you, she remains still. And when you drag your reluctant eyes to grace her pale, limp hands, rubbing some warmth into her spindly fingers, fingers that fed you and dressed you. Arms that hugged you when you finished elementary school, kept your grades up with a raise that was never a promise, only an empty threat.

And the eyes that sparkled like yours, now dead. How similar you look to her, even now, hollow cheeks and irises that lose their cheer, wilting flowers like your dress that billows in the wind as you stand with your feet in the sea, grounding yourself against the waves that threaten to pull you away.

Why couldn’t you stay? Why did she abandon you in a cruel, motherless world that you know is common yet feels like a situation that will only ever apply to your pitiful self? Why does nothing last, if only for a fleeting moment in which you light her pyre and watch the flames engulf her until she’s nothing but a pile of ashes.

Before the wind can steal her away with its greedy fingers, you sweep her into a vase.

And that vase will stay in the second wooden shelf, the sturdiest one right above your desk, two inches away from the ledge, pressed against the chipped paint of your wall. You will never let her go. She will always be with you; in one way or another.

You’ll make sure of that.

Guilt isn’t the right word. There is no word to describe the torrents of how disgusted you are at yourself, and if there is, there shouldn’t be. You’ve confined your mother to these lands instead of accepting the peace she deserves.

And suddenly, observing the creature doesn’t seem as important as before. There are more pressing issues at hand, issues that might have something to do with your current lack of luck, as of late.

What you miss as you scamper around the room is the eyes that watch you from the darkness, sharp enough to crackle fire that would burn this whole place to the ground if he wished, but he waits. 

In silence as you hastily grab your bag from the coat rack, abandoning your jacket. He knows you’ll be back from this one action and relaxes his tense body.

As long as you come back.

<><><><>

Aquamarine darkness envelops the far side of the room, if the building you’re in even resembles a room. It must end somewhere, especially since the peacock lights flash back in a rhythmic pattern, always circling back to where you’re planted.

Rooted to the peaty soil that squelches around your rain boots that were required before stepping into… wherever your current location was. Of course, the admin team is never happy with what they have, and apparently one subject to prod and poke wasn’t enough.

So you’re sent in here, to gain more information, the rookie’s always the guinea pig for anything, right? To find the rest of them, if there are any. You’re doubting this idea as a whole theory itself, because what if he’s one of a kind? Special.

But that something gets closer and closer to you. Your eyes have become accustomed to the darkness, adapting to the shapes that spark your vivid imagination, the murky water swirling everywhere the inky mass touches. 

Eight feet and four inches is intimidating enough to scan behind the safety of your reinforced glass walls, bulletproof and all, and you’re not reassured by the idea that although you shouldn’t be scared, you are.

Only once have you seen him through the water, and that was enough to spark your interest. The flame of curiosity burns falsely in your stomach, washed out by the waves of fear. You feel like nothing but a small fish at his intense gaze, a gaze that frightens you, and it must show on your expression.

Within a matter of seconds he backs away, perhaps sensing your discomfort, and you realize that your initial hypothesis must’ve been correct; he can feel others' emotions. You wonder how this works for a creature that cannot communicate, at least not with you.

Something flashes through his eyes, storm clouds and thunder alike, and a low hiss pushes its way through his canine teeth, an attribute you hadn’t noticed until the sound hits your ears.

It is strange, the look on his face, with his hair moist and clinging to his neck as he bobs further away, weaving between the speckles of moss that float from your little island to him, gifts or warnings, you don’t know.

He takes them as warnings, it seems, with his tense, hostile expression that seems to appear from thin air, staring at you tersely, somewhat like a dolphin or a seal at the aquarium before dipping back into the water without a sound, silence filling the area where he was.

And although you’re perfectly aware that your fear has not yet subsided from crashing against your lungs, you admit to yourself that now that he’s gone, you miss the thrill.

Who would’ve thought you’d become so daring, hm?

<><><><>

But wait, it gets worse. You had assumed this was a one time thing, a test run with a temporary guinea pig that happened to be the rookie of the lab, and although you weren’t too happy with the arrangement, you were perfectly content with the idea of admiring him from a distance, especially after such a close encounter.

Yet no one gives you a heads up or a warning before you’re shoved into the same room again, fear licking at your spine as those flashing lights proceed further through the water. And after a while, the initial horror bypasses your system and you grow used to the thick silence hanging in the air, mingling with the musty scent of swamp water.

You don’t know what they’ve fed him this week. Maybe they forgot to clean his tank. Whoever’s in charge of his wellbeing obviously fucked up the one time you take a break to visit friends touring the city, because when you return, rested and fresh, ready to succeed, something’s wrong

You’ve never noticed it before, but there are scales scattered on his neck, a light blue color, tile shaped as if a button longing to be pressed. Those are the northern lights transferred from the sky to the sea, plastered onto him, hanging loosely so his gills can pulse. Open, shut, as you inhale sharply and exhale swiftly.

They light up in assortments of azure, carribean shades of the murky water, yet so much more vibrant. And as if the thrill wasn’t enough to make its fingers around your neck and restrict your breath, holding your silence as if the air would scare him away, he starts to sing.

Vertigo overwhelms your senses the moment his euphonic voice escapes from those lips, marinated on his tongue, deep and resonant. A dizzying feeling that causes you to stumble to your knees, red dots sparkling all along your vision.

And through the haze, you swear you can see him smirk, the corner of his lip twisting upward, as if this was the intended effect, like you’re supposed to feel as if you’re about to throw up and dance and cry and jump for joy, all at once.

Guess what else you were right about?

He’s no merman.

You forget the word, the term to describe the hooks cast into the sea to lure unsuspecting victims, hooks that are merely sweet, velvety tones that are all hollow truths, a desire to be craved and a hunger that can never be satiated.

A warning to be reckoned, to be heard, to be feared.

A siren.

<><><><>

“What the actual fuck?” You restrain your voice to keep yourself from screeching, which you know you would do if you were alone, which you never truly are with the walls that hear everything, along with throwing yourself at him and wrestling him to the floor. 

“You said it yourself, he’s a siren! And you could’ve just died!” Luis’ hands are twisted his hair, madly clutching at their roots, and his concern for you is so profoundly surprising it sparks a laugh from you.

“I was fine, thanks,” you snap back, drumming your fingers on the table as you stare directly at his face, a face that seems crazy to love now. So many times you wonder what could’ve been, and now you’re wasting time sitting here with this fool.

“You. Could’ve. Died.” Luis accentuates each word with the ending sound as a growl, as if his voice will instill some sense of security in you, but you find yourself getting burning as he continues, “How could you even think about doing something so stupid?”

“Me?” Your voice has found a perch high in your vocal range, and it won’t come down. “Whose idea was this in the first place?” You scan his face for any hint of remorse, but there is none, and nothing in his expression offers an answer.

“Mi amor-”

“Stop fucking calling me that! You don’t get to say that like- like we still have something! Do you even know what love is?” Luis’ eyes go stony, a boulder pushed up the wrong side of the hill, and you’re not strong enough to keep it up. 

And it all comes crashing down.

“Love?” A dry chuckle erupts from his mouth, expression conforming to both disbelief and pity, both uncalled for and unwanted. “Excuse me? Of course I know what love is, but it’s a little hard to love someone that’s constantly putting themselves in danger!”

His accent is sinking further and further into his words with his newfound irritation, irritation aimed at you for no apparent reason. Maybe something’s going on at home, but does that give him the authority to take it out on you? Hell no.

You stand, far too loudly, and everyone watches you get ready to make your exit without another word, because what are you meant to say to something like that? Are you so unrecognizable, within less than half a year? How easy is it to leave your old self behind?

The one that clung to him. Is that his problem?

You brush past his chair on the way out, and out of the corner of your narrowed eyes, you watch him twist the band on his finger, flicking his fingers back and forth, an absent habit he’s had since your sorority years.

But before you can pass him completely, he glances behind him and rolls his chair back, maneuvering it to avoid your feet. You’re about to tell him to fuck off when he draws his eyes back up, lingering on your lips, and you know what he’s thinking.

“Wait,” he says quietly, voice soft and barely audible, but he’s stopped rolling his chair back to tilt his head up towards you.

“What?” you snap, at first unknowingly but strangely reveling in the way he flinches at your harshness, flitting back to the day he had dismissed your concerns so flagrantly. You justify your actions by determining that he deserves it. His eyes darken again as a frown puckers his lips and the space between his eyebrows. 

“Don’t… just… don’t leave, please…” he stutters, his usual confidence nowhere to be found, struggling with the words before speaking again. “Can we… talk?”

“No, because there’s nothing to talk about. Besides, I have work to do.”

He lets out a small sigh at your response, to the reference of that event, irritation fluctuating in his tone. “Work? You’ve been working for four months, and you’ve found absolutely nothing.” And so the truth slips out, whether branching from his will or against it. This is how he really feels, huh?

"You don't get to tell me that." you mutter. "I'm the one documenting him, not you. You sit in your little room behind the glass, perfectly safe, and not once have you thought about swapping our roles. You don't love me, and I honestly have no idea why you even bother to lie to me about it."

Luis grits his teeth, his irritation and anger clear in his eyes, those eyes that were once pools of admiration sinking into the depths of everything you thought was between you. "What are you talking about? That's not true, I... of course I love you!" Then he rises from his chair, taking a step towards you, as if you’d allowed that.

You step back, pressing against the door. Your fingers creep behind your back to the handle and his eyes flicker to them, to the hand that’s grasping it so tightly it goes whiter than his face as he retreats to the table, pale with horror.

“I wouldn’t… ever hurt you,” he murmurs.

“Then why did you marry her?” you ask, voice soft. It’s a question you’ve been tossing in your mind, a simple game of catch that started grabbing rules from all sorts of games, pickleball and why he chose her, badminton and how you could’ve done better, volleyball in the victory in which his wife revels, and in which you wallow, losing yet another thing you loved.

“Because you said it was temporary!” he grumbles, sliding his teeth over his bottom lip, refusing to make the very same eye contact he was practically begging for an hour ago, in this very meeting room where you would stare at your department head as she provided strict instructions, catching Luis’ fleeting glances at your side profile.

“Isn’t that all we ever were?” you whisper. “Temporary?”

The air shatters between you. Finally, the unspoken truth that you both have carried for so long in your hearts is out, and it feels like a burden has been lifted off your shoulders. You can see it in his expression, however horrified, there’s some form of acceptance. He’s known this for as long as you have.

“What… happened to you? To us?” he asks quietly, looking at you like you’re a stranger, fractured parts of you discarded behind you like a broken mirror, one and the same but reflecting another person.

The door clicks open, squeaking as it swings to show you away, to the exit, finally leaving behind what you thought you could never let go of. But you pause before you leave, entertaining his question. When you have your answer, you don’t hesitate to deliver it.

“Sometimes you lose people. And there’s nothing you can do about it.” 

<><><><>

As the rerun comes through, cracked on the cheap speaker, fading quickly, you waltz around your room, feeling serene enough in the moment, losing yourself to the melody. How many hours have you wasted soaring through the skies in your office, only to plummet back down like a shot bird when you acknowledge the stack of papers spawning on your desk?

But when the hard day’s stresses melt away to the sway of your hips and your however offkey voice, no one is there to judge you. Luis isn’t chastising you about anything, and it’s good enough for you.

When the chorus swells, you open your mouth and belt out the lyrics, hoping the grainy walls can contain your voice, but the volume seems obnoxious, even for you. That’s when you notice the shadow on the floor towering over you, and you spin around.

Your eyes are glued to his mouth, to the words that are achingly pure and smooth, somehow heard through the glass. Illuminated by the tank lights, ethereal tones blending perfectly with the recording, enhancing it in a way you’d never heard. 

Raw emotion, the longing in his voice, however foreign to you, the curve of his accent, words you’ve never heard. All so new to you, chills racing down your spine, tickling at your back.

And when the song crests, his unearthly high notes soar with a beauty strong enough to bring tears, tears that you have to hold back in case someone were to walk in. When he seals his mouth with a smile—a private, intimate thing that feels like it belongs to you, you’re sufficiently spellbound, the world ceasing to exist.

His eyes flash in the water, flitting behind you, to the rattling of your door, and only after you’ve twisted over your shoulder to verify there’s no one there does he choose to make his exit. You see the corner of his tail flick, you hope in temporary goodbye, before you close your eyes and replay his voice in your head.

Over, and over, and over again, until all you can think about is him. How wonderful would it be if he was real, hm? You see him as an illusion now, you suppose, because how do you ever know something is truly real before you can feel it under your fingertips?

And when the voice is gone, fading from your mind into the echoes of your room, vibrations clamoring to bury the sweet sound that you long for now that it’s not with you anymore, you realize there is something you’ve been doing wrong.

Something that you must fix right away. Someone you’ve kept for far too long, yet another person you’ve lost and tried to bring back.

Your mother.

<><><><>

The ocean is trying to draw you in again, rhythmic waves pooling at your feet, urging you to come sleep in its embrace, take an everlasting nap to the lullaby of the water. But you’re not so easily fooled. You remember all you’ve lost, all you’ve regained, and how you’ve been forced to let everything go.

Not for your gain, but for theirs. You suppose scientific curiosity was not what you were chasing this entire time. Your resignation letters were turned in promptly, along with an anonymous report to the people you knew you could trust to shut down what is undoubtedly an illegal operation.

Will Luis be caught in the crossfire? You’re sure of it, and although you’ll never stop caring for the man you first loved, only shreds of compassion remind, and even those shreds are not enough to bail him out. 

You are far more concerned for the experiment, hope that he survives. If there’s anything you’ve learned during your time at the laboratory, it’s that no matter what branch of government, no one is merciful to anything different.

So you call upon all the gods watching, if there are any, and pray to them for forgiveness. Plead to them for mercy, and spin the lid off the vase that you’ve seen so many times, staring at it absentmindedly while studying, unable to understand a concept without your mother to explain it.

But like with all things and people, you’ve learned to live without her. And you’ve kept her spirit with you for far too long, haunting you in dreams, dreams she shouts your name in, screaming for peace. 

You break those shackles with a gentle toss, keeping the vase cradled in your arms as the ashes pour out into the water. Taking a step back to avoid any sticking with you, you dig your feet back into the dry sand, watching the dark particles disappear into the clear water.

She is free. Your mother is finally free.

A high pitched call returns your initial sob, and you swipe at your face, bleary eyed and trying to get a good look at what it could’ve been. The assumption it could be a dolphin has you reaching behind you for your bag, shuffling through its contents, pictures of you and your mother. You will not abandon those, for memories are precious, you know this well.

But when you bring your eyes back to the sea, you see a humanoid figure in the distance, raising their hand in greeting to you. Tawny hair that reflects the descending sun, a simple white shirt, gloriously unbuttoned, and khaki beige shorts.

You do not recognize him, and so out of fear, you retreat further and further into your backyard, all thoughts of admiring the sunset gone, as the man approaches. You reach for your stuff as you stumble backwards, never taking your eyes off of him and this plays in your favor.

Everything about him is so different, so foreign to you, and when he speaks, his voice is raspy, and you feel like a tourist all over again, in a city where you don’t belong. You don’t deserve this, to be standing here.

You lost him, right? But you could never mistake those eyes.

And now he’s human. There are no scales, no gills, no affront to his identity, one and the same as you, and yet he feels so different. You recognize his eyes, they haven’t changed from their cerulean blue, orbs crafted from the sea itself, forged by Poseidon’s hand, a statue in the hands of the gods, but so much is missing.

The raven feathers of his hair that would’ve looked stunning in the night, now out of place and far too vibrant against the mellow shades slowly darkening, becoming more somber. 

Twinkling lights strung in the space where the muscle stretches as he twists behind him, as if checking the sea, now gone dim and dissolved into the pale, unsullied skin of his neck.

You suppose you should be happy his voice hasn’t changed. With just one word, he lulls you back to him, and you can’t remember thinking of the differences between the experiment you had so vigorously studied and the man standing in front of you, not to be studied, but to be loved.

“Hi.” He reaches up, ruffles the back of his head, as if that will rattle out all the words spinning around in his mind, mirroring your own turmoiled thoughts. 

“Hi.” You mimic his actions, running sharp nails against the side of your scalp, failing to push stray strands away from your face. Through your hair, you peer at him, the sun long gone behind him, and parts of him are hidden again, like you’re hiding pieces of him from your conscious mind, fearing losing him again.

Most mystifying of all was how right it feels to have him standing right in front of you, finally equal, aside from the few inches that he has on you. Those depths of ocean blue lingering in his eyes grounds you, realizing how many times you’ve looked into those same eyes, wondering exactly what he’s thinking of.

Now you can know. And you’re not about to pass up the opportunity and let fear engulf you like you’ve let it usurp your mind so many times before.

"It's still you in there, isn't it?" you ask softly.

He smiles, and your heart skips at the familiar gesture, a smile you’ve unsurprisingly missed. "It is. I wanted to see you again."

"But how? How’d you… do this? And why come back?" You step closer, drinking in each subtle nuance of his new appearance. It’s appropriate for him, nothing too flashy, blending into the background. Aside from that halo of blond hair pressed to his forehead, slick with salt water.

“You freed me,” he says quietly, eyes searching your body, as if he’s trying to ingrain an image of you into his head. You did the same, not too long ago. But there was a need for it then, and no need for it now.

Reaching out tentatively, you trace the contour of his neck, half expecting to feel residual traces of his missing bioluminescence. Only warm skin meets your fingers, and a low sigh from his lips, and now that he’s here, under your touch, you know that he’s real. Not just for your sanity, but in reality, as well.

“You don’t owe me anything,” you say, just to clarify, because you assume the last thing you need is to owe a mythical sea creature. “We’ll call it even since you didn’t eat me.” He barks a soft laugh, a seal-like sound, before lacing your fingers with his onto his cheek, pressing your hand further into his skin.

 "I changed so I could be with you without barriers. So we could truly understand one another." He gazes meaningfully into your eyes. "If you'll have me."

“I don’t even know your name,” you say, breathless, because haven’t you expected all of your loved ones to come back to you just like this, before inevitably accepting it’ll never happen? And now it is.

“My name?” That goddamn smirk, whether he is able to communicate or not, whether he’s human or not, tells you all you need to.

“Hm?”

“Leon.”

“Leon,” you test out, rolling the name on your tongue, causing him to scrunch up his nose.

“What? You do not like it?”

“No, no,” you say, with a chuckle. “It suits you.”

His expression relaxes, frown vanishing as he pulls you closer, leaning forward to rest his chin on your shoulder as he takes your other hand. A familiar tune thrums through your ear, reaching your brain at supersonic speeds, cruising into your blood. The first song he ever sang for you, and now both the memory and his voice seem so far away compared to this moment.

A single moment. Suspended in time, lovers finally reunited, pair after pair failing like incorrect puzzle pieces until now, you’ve found the one. 

And this time, you’re never letting go.

<><><><>

The stars arrange themselves in Leon’s eyes, constellations spelling out a story as you gaze down at him wholeheartedly, loving him with all your spirit and throwing caution to the wind. 

His gaze flickers from time to time, like if he truly blinks, you’ll be gone with the night breeze, a stray leaf on the sand, misplaced. 

“Did you like being a siren?” Leon’s eyes squeeze shut, head shifting on where it lies in your lap, hand creeping onto your knee.

“It’s all I’ve ever known,” he says timidly. “But you showed me more. I didn’t want to hurt people anymore after seeing you.”

“Me?” Your laugh is soft, melodious to his ears, and it soothes a little bit of the ache that has been forming since the day you arrived at the laboratory. “How’d you even find me?”

“Your mother,” he replies, voice soft. “I sensed her, and with her came you. And somehow, my father obliged in my wishes to… abandon my colony.”

“Abandon?” You quirk an eyebrow in concern.

“I can never return,” he says, but his tone is light and airy, unconvincingly so. “But I found that I would give the sea, my family, for you, even if it’s all I’ve ever known. There is nothing left for me there.”

“But you shouldn’t have,” you whisper back. “Give up all that, for me? You could’ve just visited once in a while… I wouldn’t have minded.”

“And yet I would find myself longing for your touch, even on the days that all seemed well, the ocean’s beauty is but a teardrop in comparison to yours.” Ever the charmer.

“You don’t… regret it?” Leon shakes his head.

“How could I? What part of my life would I regret if I gave something up to spending even a fraction of it with you? All those days, from the sun rising to the moon rising, and you were right there, even if you weren’t under my fingers.”

“You were beautiful,” you admit. “But…”

“And I suppose all along,” he continues, “I was truly just bait for my colony. It is better that I have left them, better to leave them safe where they are happy. Where I am now happy, with you, with your beautiful face and pretty voice.”

“Pretty voice?” You flush, hoping you can mask it as an abnormal overheating technique. He doesn’t seem to notice. “Really?”

“You always look so lovely when you sing,” he muses. “Sing a song for me, please?”

You don’t know what brings you to actually do it. Is it the warmth of his hair splayed out on your thighs, or his eager expression as his eyes drag upward, flitting to your lips. You hum a tune and instantly feel at ease, perhaps you should’ve pursued a life of music.

Music. It doesn’t sound as absurd as it did throughout high school and college, when you scorned the same people who have now grown famous for their voices. You saw them as lazy, when you should’ve seen them as talented.

You hold out a note, gazing towards the sea, wondering if your mother is watching you right at this moment. You wonder if she would be content with everything you’ve done in your life, if she’s forgiven you enough to let you have this peace. The peace you once denied her.

Leon’s approval comes in a hum of his own, snapping you out of your thoughts. His hand reaches upward, trailing your cheek before he tilts his head up and you lean forward and kiss him, and the seconds rush by far too quickly before he pulls away, lips already quite red, and the corner of his mouth ticks upward, exposing the pearl white of his grin.

“Just as perfect as the last time,” he murmurs, “my starry eyed singer.”

[thechekhov]

Dungeon Meshi Quick Reacts: CH38

Rip to these promising mages. I assume they will not survive this massacre.

IS that where her lungs and kidneys are? Because like. She's huge. Her entire body is behind her. Do you really think she'd keep her vital organs in the little human bulb on the front?

I mean, he has a point. What are you going to do? Fight off more hoardes of dragons?

oh noooo, Kabru.... too bad. That's so unfortunate.... anyway.

It's curious that Laios only got knocked away. He was just as likely to have had his head squished like a grape.

Guys, this is absolutely not the time to be concerned for her privacy.

Yes, queen. Free the tiddy. Murder everyone in this dungeon. I support women's rights and women's wrongs.

.......that's. One way to do that. I guess.

.......what's that rock about.

Oh, I see. That's convenient.

This guy dungeons! Maybe he even dragons.

So we got north (tallmen? dwarves?) and then the easterners.... and now the elves of the west?

He's going to give her to the Americans?! ಠ_ಠ

To be fair, at least they HAD a plan. And they executed it. It's more than you did. I don't mean to point fingers but... at least they... ya know... did something.

Kabru's like 'no, no, hang on, I need to hear what batshit fucked up thing this dude is going to say next, this is important'

Laios is so stressed he broke character.

Then again, maybe it's healthy to let them slug it out a bit. Get it out of their system.

It's true. They wore fitbits and everything.

...hey, hold on a second.

Now hold on a minute.

Damn, this is. Kind of even worse because. I guess I could have guessed that Toshi was just pretending to be polite, like you do. Cultural differences.

But the painful thing is, Laios doesn't seem surprised. He just seems resigned. He's been told before that he's difficult to get along with. To the extent that he doesn't even consider Marcille and Chillchuck his friends? Even though they arguably both care about him? But because Toshiro didn't bother to be deadpan about him being a bit odd at times, Laios thought it meant that was fine.

And that kinda hurts. Like damn. Laios just wanted to make a true connection. And I can't really blame Toshiro either, he was just trying to keep the peace but. Damn.

Free her! Let her do her illegal magics! She deserves it! （︶^︶）

Thoughts:

Senshi just being annoyed about that one last harpy looking for scraps.... like "shoo, this ain't the time"

That gnome seems genuinely nice. I'm sorry Falin squished his pet undyne.

Kabru hugging his..... mage? Girlfriend???? Seems very...one sided. Kinda feel bad for her.

Laios and Toshiro still going at it, I see. Get it allout, boys.

Uhhhhhhhhhh ninja girls.

Aww, doggo.

Last question: Where did the cat go?

Senshi: I can fix that.

Are you all worried because he's finally making sense?!?!

Laios and he punched their singular braincells into several new ones, it seems.

F./....Falin... please give the caterpillar some privacy........

My man, maybe lead with that............

I can't believe Marcille was potentially more forward about her feelings.......

"his pupils are dilated" yes, thank you sherlock. You've finally realized what everyone else who meets Laios feels almost immediately. he's a monster freak club card carrying member. Welcome.

p.....pubby......

As long as he was also inside the dungeon with them.... yes.

The issue with Kabru isn't that he isn't trying his best. It's that Laios isn't trying at all.

On a scale of one to Kabru, how badly do you react to being offered a food you don't want to eat?

......oh no. He's so pathetic it's funny. He's growing on me.

Absolute morons, the pair of them. Immovable object meets unstoppable force. The funniest combination ever. Ghost type and normal type pokemon, forever throwing moves at each other that will never hit. Laios thinking he's made a friend. Kabru just barely stopping himself from killing Laios. Best comedy pair. Tom and Jerry in a can.

Anyway. What a great manga.

[bouquetface]

Synastry Observations 1

Accuracy influenced by ENTIRE chart.

❣️ Mars conjunct Jupiter

These two can challenge each other’s beliefs/morals. One person likely Jupiter can encourage and support Mars.

If negative, Jupiter can trigger events that lead Mars to initiate change in their life. I say this is negative because the initial feelings Jupiter will trigger could hurt. However, it may be a needed experience to push the Mars person’s closer to their purpose. Especially if north node is being aspected.

One person likely Jupiter will increase the drive of the Mars person. This is a good indicator for attraction. The relationship with this aspect did not work out in the long term (for other reasons). However, when not seeing anyone else, they would still hook up.

If negative, Jupiter may not reciprocate Mars attraction.

❣️ Mars Opposite Moon:

This can indicate attraction. However, these two can bring out repressed anger in each other. Mars asserting themselves can be perceived as controlling or hurtful for the Moon person. Mars may want the Moon person to confront part’s of themselves that Moon does not want to.

The Moon person could become competitive with the Mars person too. And I have seen this play out in real life as my friend not getting along with her boyfriend’s mom. The girl is a Taurus Mars and the guy is a Scorpio Moon. His mom is VERY involved in his life and protective (he’s an adult but her only child). She is lowkey the definition of a toxic boy mom. However, it all depends on the entire chart.

❣️ Mars Conjunct Pluto

This creates strong attraction. In a fire sign, the two can start a relationship very quickly. Spending all free time with each other. The con this can lead to burning out quickly.

This relationship can be very transformative. I have seen this in aspect in people’s first sexual relationship. On the other hand, I’ve seen this manifest as being a very transformative breakup. The Pluto person spiraled out of control for a bit. This along with other life events forced them to confront their own psychological issues. They are in a much better place now.

❣️ Moon conjunct ASC

This creates a great sense of comfort. This can be a person you can fall easily back into. There is a level of understanding so strong that very little needs to be explained. This could be due to a lot of reasons: you may have similar careers, similar backgrounds, similar families, etc.

The negative is one person could assume they know the other so well, they begin assuming too much. This can leave the other feeling misunderstood. In one scenario, I noticed these people made great friends. In a different couple, the ASC person said they felt “disconnected” but noticed the Moon person felt “connected”.

MOSTLY FRIENDSHIP SYNASTRY OBSERVATIONS

❣️ Mercury Opposite Mercury

You can feel like the other person is a liar and/or feel misunderstood. A hard exact mercury opposite mercury synastry placement can make me question the potential for longevity in any connection (friendship or romantic).

For ex: Cap Mercury opposite Cancer Mercury. The cap is likely straightforward. They can be inconsiderate in the way they phrase things. Cancer can be hurt. Cancer may become passive aggressive. Cap in return likely doesn’t respect Cancer for their communication style.

This was observed in a friendship connection. The two still don’t talk to this day but had several years of friendship.

Ex.2. Sag Mercury opposite Gemini Mercury. These are two funny and clever placements. However, they may clash heads. Sag Mercury can become preachy. Refusal to admit their beliefs/opinions are wrong. Gemini Mercury may grow to be disinterested in the topic. Sag is likely to stay on the topic until they feel they’re done. It can create a bored student and teacher duo. This was observed in a romantic connection that did not last. Keep in mind the entire chart will influence accuracy in everyone’s experience.

❣️ Mercury opposite Mars

Unlike, mercury opposite mercury, the connections I’ve seen with this do not go far before ending. This is one of those aspects that can make you dislike someone right from the start. It’s like when you’re talking and someone interrupts you to be like “actually, xyz”. If the two can avoid trying to out smart the other, I think this could work though (i haven’t seen it happen tho but everything depends on entire chart).

❣️ Mercury conjunct Mars

For some reason, unlike the above, this seems to work much better. There are challenges as one could feel attacked - rudely criticized, nitpicked on the details, made to feel dumb, etc. Yet, it can be a fun challenge to outwit the other. The two can become more clever and engaged in the conversation. Specifically, I’ve noticed people with fire sign placements in the natal seem to enjoy a mental challenge. As long as both understand the other’s limit, this works. There is a time to be teasing and challenging your person but there is also a time when they simply need support and encouragement. This placement along with positive venus and moon aspects in the chart could work out very well.

❣️ Moon conjunct Saturn

The Moon person began to feel the need to impress the Saturn person. It was like they were always seeking validation from the Saturn. Moon may be feel judged by Saturn as well. Saturn can be a difficult person to gain approval from. Moon may feel they need to change themselves or hide parts of themselves when around Saturn. Regardless of the negatives, this is an indicator for a long connection. Instead of feeling restricted, moon could benefit from the boundaries Saturn requires. It could help the two level up their connection through maturing.

❣️ Venus Opposite Uranus

Abrupt start and/or end is noted in every chart I’ve seen this aspect. Reasons for this vary depending on entire chart.

[elizabeth-mitchells]

so. i'm still thinking and taking too seriously the different possibilities on "Why the Wilderness™ killed Laura Lee?" and especially thinking about the Wilderness killing Laura Lee specifically as a way to punish/hurt/control Lottie

first of all, obviously, this is all going along with the assumption that the Wilderness™ is ✨something✨ real and purposeful and powerful, etc etc

Now, Lottie and Laura Lee were holding hands as the plane went down right? they had a connection before ever setting foot there. fun fact that i want to include here: both of them voted against going down to the lake btw (like jackie, resisting going deeper into the wilderness). but then they reach the cabin! and Lottie starts acting weird, she stays behind, it's her first moment of isolation (i think). she starts to "feel" bad things. she ran out of her medication of course but we can assume it's the beginning of her "hearing" the wilderness

if we keep going along this route, you could say Lottie got officially "chosen" by the wilderness during the seance, and who interrupts it and breaks her out of it? Laura Lee! maybe the beginning of the Wilderness' beef with our girl Laura Lee

if we accept what Lottie said in the s2 finale to be true and the Wilderness chose her because she was the only one that could listen to it, it would make sense that the Wilderness needed her, and it needed her alone, all to itself, believing and trusting only what she heard and saw from the Wilderness

when Lottie goes to Laura Lee to explain away the visions, when she goes along with Laura Lee's baptism and idea that the visions come from God, it goes against the Wilderness' wishes. you could even say that Lottie's vision of Laura Lee's death during the baptism was the Wilderness giving her a final warning, an opportunity. maybe if Lottie had wholeheartedly believed in her visions back then instead of in Laura Lee's words, she would have done something to stop her from getting on the plane

the Wilderness killing Laura Lee was It proving its power to Lottie, telling her to never doubt it again

and, by killing Laura Lee, the Wilderness got rid of Lottie's closest friend, strongest connection, and last tether to sanity and civilization and the group. it had Lottie isolated from the group and free to manipulate and share the messages it wanted, without a translator that believed in other gods

[sluttyminghao]

imagine wonwoo slipping a blindfold over your eyes and letting his fingers drape over your skin gently, goosebumps rising in their absence. he knows how sensitive you are, and with the added aspect of taking away one of your senses, he wonders how far he can take it.

he starts off slow, his lips dragging down your bare arms and over your chest, watching as your breath hitches with each subtle touch. he lets his hands drift under your clothing, hitching it up so that he can slowly start taking it off.

wonwoo takes your shirt off first, and you can hear a soft groan of delight at the sight of your chest presented in front of him. his fingers make quick work of removing anything else in his way, until you're left stark naked in front of him, your body beginning to heat up at the thought of him just drinking in your physique.

it's only when you feel a second pair of unfamiliar hands on your body do you gasp and reach out for wonwoo, but he quickly settles you with a grip on your hand.

"just relax baby, i've invited junhui over so that he can have a play too, sound good?"

you can only whimper and nod as one pair of hands massages around your chest, whilst the others, whom you assumed to be wonwoo's, hands danced over your thighs. it's almost ticklish, but given your current situation, it's only turning you on.

"where do you want me to touch you?" junhui's smooth voice sends shivers down your spine, and you don't get the chance to respond before wonwoo interjects with a "don't ask them, they're just a filthy slut who will bend over backwards to please anyone."

the filthy words from wonwoo's tongue only had you spreading your legs open and letting him have free access to you, from which his filthy tongue now connects to your inner thigh, teasing the flesh just far enough away from where you want it.

"please..." your voice comes out as a hoarse whisper, but probably just sounds pathetic in their eyes. you can hear them both chuckle, a moment of silence ensues and you are then laid down on a cool fabric, you assumed silk.

"please what, slut?"

"please, fuck me."

[spaloonbabooguuscooties]

You could drink your whole life away and still never get that taste out of your mouth.

half commission for @salempie half completely self indulgent dreck pieced together from our insane conversations abt franke and elka. told myself id finally write a big explanation for all of the dum shit between these two for context so Thats Under The Cut.

so I already wrote some stuff about elka and franke's relationship back in whispering rock so feel free to look at that too . it goes over elkas blindness/‘seeing’ with clairvoyance and how her and franke started talking & all that good stuff

SO FOR STARTERS. a lot of thsi wont make sense without a big breakdown of elka herself. because elkas potential as a character is like insane to me. like just the idea of her in the long run of her life reads as something so potentially tragic; a young girl whos plagued with visions of doom and destined to be an outcast even in her own home for things she cant control and clings to the One vision of her wedding that she thinks is 'happy' even despite the fact she doesnt really love the person in it. im choosing to take the li-po doc as canon here because its funny shes the only one with backstory-

but my fucking god even the smallest look into what her parents are like is soo fucked up to me. and i do think elka especially gets a lot of influence from her mother; its funny how easily you can fit mabel doom into a box just from what elka says about her. knees deep in an avon-esque pyramid scheme and leaning into her daughters depressing ass visions & taking her to therapy at age 11 (which would be good if not for the kind of person you can already assume she is & so i doubt the therapist she has really does her any good. i think they share one). she reads as a very I Am My Daughters Best Friend type of mom to me and i can see elka being a centerpiece of the conversation when she has her Amway Girls over for drinks. wine-mom that lets her kid sip from the glass so she can feel like a big girl type deal.

and you can tell that elka is trying to hard to be too mature for her age even in her campster posts. how she writes letters to nils' mom and exchanges baking recipes with her and that feels like she really only interacts with middle aged women and not really many people her own age outside of camp (like her moms friends). which makes sense shed feel the need to ‘grow up’ early when shes probably had to process so many hard things at a young age bc of her visions.

theres a lot of filling the blanks here of course.

elka obsesses over nils to an overbearing degree even despite the fact he treats her like shit ('you promised no talking' and so on) and she treats him bad right back. she leans onto stereotypical heterosexual ideals like taking care of him and overblowing how Manly and Protective JT is and she admires romance stories like pride and prejudice and it feels like she Projects Soooooooo much of what she wants onto boys she barely feels anything for without knowing what its actually supposed to feel like. and clearly she WANTS that ideal future, a happy marriage, an actual romance- but according to nils even when they were dating she ignored him most of the time, which just seems Very Telling

like shes filling a role, overcompensating for emotions and lacktherof she cant digest quite yet, and it only makes more sense when you know shes had visions of their future together. how could that be bad for her? shouldnt it be like the books and movies? but she doesnt really connect the fact that her visions are only for Doomed futures, and if she does she certainly doesnt show it. Doomed relationships. it's been a part of her family for generations and she isn't turning out much different, is she? i dont think she even realizes thats all she ever sees yet, just that its Going to happen. that it's Her future, and it always will be

and like, her only reference for a real marriage so far has been her own parents, and she already Knows they have an affair, and theyre doomed to split, (and i actually like to think they were in rough waters anyway and elka was a child meant to mend a crumbling marriage but thats a whole other thing) and so without a framework for what an actual healthy relationship is supposed to be like she cant really grasp that her relationship with nils Isnt that and isnt ever going to be. she can only cling to this one happy idea of the future, and thats why she keeps chasing him, self fulfilling the actuality of her situation and creating and fostering the unhappy life they will inevitably live together.

and that bleeds into everything else in her life, of course, because as the years go on, as the visions grow in number it just makes sense for her to fall into the predictability of her life. she always knows whats going to happen, her visions are Never wrong- so why try to change things? shes had time to process tragedies days, weeks, months, years before they happen, shes had time to settle into every crack of her life. her parents divorce, her various break ups, her future with the psychonauts.

“and she's already seen so much of a future with [nils] she feels trapped almost. Like she has to be happy in it or else it just means her life is miserable. And it's a mixture of pride and fear of the unknown that keeps her clinging to the One thing she knows. BUT LIKE!!! She knows what's gonna happen! It's easier to grieve when she's been grieving for years... She wants so badly to be happy, But to do that she has to step into the unfamiliar. And that's more terrifying than staying the same miserable person she's always been.”

and thats where franke comes in— and yeah you Do have to take a lot of liberties for frankes character since it’s basically, like, all the info for her is just that shes a Supreme Baby Dyke but thats enough for me. i think she has protective butch itch in her . on campster shes defensive over other women evidenced in the way she keeps watch over the girls cabins for lili when elton is pursuing her . but shes also eager to please and constantly trying to make kitty laugh and also Very naive. but she tries! and i think it only solidifies more as she gets Older and really gets a hold of her feelings & her powers. this is incredibly franke to me

and i think as they grow older together— because i think franke and elka Do stay friends, both because elka is just pathetic and needs that positive connection even if she doesnt realize it and because i think franke is a very Loyal person & annoyingly persistent if you let her be . and i am also a kitty/franke truther. because kittys also important in this web we weave

because i think franke and kitty stay together after camp, to a point— theres a falling out facilitated on kittys end and they break up, but reconnect, and franke kind of... saves kitty from herself a little, from her strict military father whos love only extends thru finances , from her own stifling future , she drives all the way to bakersville in her shitty van handmedowned from her dad and they move in together eventually . they get jobs at the motherlobe , because it’s a pipeline to a decent job, because it’s whats easy, because franke doesn’t really have a future, because she’s never really been good at much, because shes never had much sense, because franke doesnt really care as long as she can live and help, sometimes, if she can, and because kitty’s there, and because elka’s there, and shes so used to being elkas eyes now and shes good at it. shes good at being the muscle of the missions when her colleagues lack it, when hypnosis and predictions arent enough. she likes it that way.

and elka appreciates frankes company. she listens, shes sweet, she does little things for her that no ones ever really put the effort for before; she likes her. franke is strong and bold and makes her laugh and shes always there but god elka cant let go of that future, of that box shes put herself in, that her mothers put her in, of being a Good Wife to a Loving Husband, of getting married normally and falling into unfailing familiarity. thats all shes ever wanted and shes not going to jeopardize that . not for franke, who may not be a boy but is handsome like one, whos always held her after every break up with nils and the men that filled empty days inbetween.

and elka is too stubborn to recognize those feelings anyway. too prideful to accept a way out. too set in her cycle no matter how much she hates it, her little self fulfilling tragedy of her own making, wallowing in her own doom. she struggles for control of her own life when she feels like every choice has been made for her anyway, she puts up her walls and carefully constructs what people see. but franke was always harder to trick, because while empathy isnt a particularly useful psychic power it’s certainly an inconvenient one. all franke has to do is get too close and all those carefully crafted walls fall apart, and elkas control is gone, and thats all she really has. and she tries to distance herself, really she does, but franke is also too persistent. and elka wears gloves, keeps contact that would make her walls crumble from happening as best as she can, but she cant really keep herself from the brief moments where she feels like someone actually fucking cares about her.

and that slightest lack of control, the need to wrestle it back is why she proposes to nils the next time theres a falling out— she knows how it happens, she plans every detail. and he accepts, despite everything. gets her a cheap ring and it feels like lead on her finger and its nothing at all like how shed thought it to be when she was a kid, theres no feather light feeling in her chest, only that dreadful reality that she cant turn this back. BUT WHAT CAN U DO LMAO

elka doesnt tell franke about this engagement until later, on their way back from a mission. late at night when neither of them can sleep, and franke invites elka to smoke in her van, because its been so long since theyve been alone like that, because elkas been so strangely absent lately. and because of everything, because frankes always so damn nice, because elka hates the feel of the ring on her finger, because she let herself get high alone with franke fucking athens whos always been so good at pulling her apart— the truth of it all spills out and its messy and emotional and she hates it, she hates the life shes made for herself, but franke makes it easier to bare and now shes here and shes so close and god she wishes she could see her smile again, she wishes she could see franke, thats all she needs right now and she cant but she can touch her and she can hold her and for tonight, she can be known, she can let those walls crumble, she can be something else just for once here with franke . she can kiss her here in this van, touch that happiness for just a moment, and forget the future that waits for her outside of it. franke begs her to forget the wedding, to just let herself be happy— and god, she wants to, but it means turning her back on everything shes known and everything shes saw to be inevitable, and franke has never been in her future, so if it were supposed to work out why hadnt she seen it and she cant, she cant take that risk but she can have this, even if its temporary, she can have it.

and just as soon as she gets a taste of it, its gone. after that night, after the missions over and theyre back at the motherlobe and have to pretend like nothing happened (franke doesnt, of course she tells kitty about it, she tells kitty about everything.) but that brief moment together haunts elka every time she sees franke, sees herself through frankes eyes, sees herself in her wedding dress because god its all franke can think about! of course it is! she knows how much elkas destroying herself she knows how much misery shes wallowing in that kiss in the van felt like an emotional punch to the teeth and she hasnt ever forgotten it and all she can do is sit and watch while elka throws herself into a loveless marriage. she can come to her wedding and see the way the bride and groom kiss with the emotional weight of a wet towel no matter how hard elka tries to hide it under a pretty dress and bouquets of flowers and meticulous planning.

and elka resents nils but she cant really hate him, its not his fault, not really. he feels trapped just like she does and his feelings of misery only cycle back into hers . they fight and gnash and wear away at each other and its a relationship thats crashed and burned a million times before elka even said i do. and its inevitable that she falls into her mothers habits, a sip of wine here and there to loosen up, until it turns to a glass, until it falls into a bottle on nights when whatever work nils does runs late.

but franke’s still there. shes always been there, hasn’t she? always trying to play knight, always trying to save her, dragging her home when shes stumbling over herself because god who else is going to do it but her? who else is left to care? certainly not nils. never nils. because franke knows her. because franke pities her. shes always pitied her. shes always known. and elka hates it, she resents it, but god in the same breath she’s desperate for it, she envies it to her very bones. elka is a mess but after frankes done with her she has someone to go back to that loves her. and god what elka wouldnt do to have that. to take it and keep it for herself because shes never ever got to have that movie romance shes always wanted.

so now comes this.

because elkas particularly miserable and particularly spiteful and she needs to get franke to understand, just for a moment, drink with her and get on her level and she needs her there with her no matter how her pity makes her feel. no matter how much it makes her shake with anger and envy and desperation, but god the way franke looks at her, the way she still tries to salvage what they have, the soft, slurred way she tells her that it’s okay but its not okay, none of this is okay, it never has been and she just wants franke to shut up and see that, and if she cant then she’ll show her, she’ll show her all the raw angry desperation, with too much teeth and hands that claw and grab and she’ll know why everyones always said she’s too much.

and she knows this puts her on nils’ level too. that this makes her a cheater, that shes no better than he is now. no better than her father and his affair. but god, she wants to be selfish. she wants to be in control. just for once. she wants to feel right and she wants to feel happy and she wants to feel loved. thats all shes ever wanted. and franke will let her have that, just for a little while, at the very least.

anyway. sorry. sorry for being crazy . this isnt even getting into the shit after the comic takes place . elkas stupid brainworld thag she has to overcome in order to finally be allowed in the polycule and live happily ever as worlds first lesbian divorceman

sorry for all the shit i make up instead of caring about actual characters with screentime . bye !

[genderqueerdykes]

I (21 AFAB) honestly feel like my femininity is more like transfemininity than cisfemininity. I'm autistic and intersex(ish? I've got hypoestrogenism) and spent a lot of my life (10 to 20) identifying as transmasculine. I've had top surgery and I was on testosterone around 3 years. I was cis male passing at 14 and 15, and again at 19 through...uhh... now sorta. I still pass as a young man (although people might think I'm a trans boymoder) if I speak in "guy" voice. I'm seen as female enough to not have any issues in women's restrooms since I started using them, but I stay quiet and use the men's room if I look too masc. I identify I guess as a girl, but not as a cisgender one, and not in the way that a binary woman would call herself one. I also identify as androgynous (or an androgyne). I'm submitting this ask sort of hoping that it makes sense how I feel connected to transfemininity and not cisfemininity. I'm also wondering if anyone else feels the same?

heya! that's actually almost exactly my experience, and many other peoples'. i've been wanting to explain this for a really long time so i hope this will make sense

often times when someone afab or transmasculine transitions and either pauses or stays on a lowish dose of T, our genders get garbled in the eyes of strangers. i don't know how to say it any other way than: often times when trans people who have taken testosterone for long enough have gotten deep voices, 'masc' faces, facial hair, etc. are dressed in a feminine way they will get read as a transfeminine person. like this is an extremely common phenomenon

we instantly become fags and "those type of girls". like it really doesn't take much for queerphobes to perk up. a little 'gay/tranny voice'. a little too limp wristed. when they see strong jaws, Adam's apples, strong cheekbones, and long hair they assume MtF. if the trans person is packing or had phallo things can escalate further, especially if they have breasts.

it's poetic and a bit silly but sometimes people's experiences are so deviated from the standard definition of "man" "male" "female" "woman" that they have to, in a way, transition into that identity for the first time. a lot of intersex people, poc, gender non conforming, people, gay folks, non binary people, lesbians and butches have gotten heavily misgendered as children. sometimes you just were not allowed to be that gender you were assigned at first and it's okay if you feel you're transitioning into that, especially given where you're coming from and where you're headed

i identify as transfemme for many reasons, but this is one of them. i was NOT allowed to be a girl as a child. i was deemed too masc. my nose was too big. my hooded eyes were too masc. i didn't wear flowery or feminine clothing. i acted like a boy. i had a very shitty haircut because my hair was causing me dysphoria. my mom kept calling me butch and a bulldyke. nobody saw me as a girl. i never was one until i transitioned into womanhood as an adult. there i found out i love being a butch woman- but i've had to fight for it.

i also use androgynous and androgyne :)

it's okay if you feel like youre headed on that path. i have met so many people who fall under this umbrella of experiences. many people use transfemasc or transmascfem, some people just call themselves whatever. folks who feel the same feel free to share input. thanks for stopping by, let us know if you need anything else

[welcometotheravenclawcommonroom]

(South) Indian Harry Potter Headcanons:

Harry knew he was Indian (mostly because the Dursley’s used to say racist shit to him) but he didn’t know where in India the potters were from until he went to Hogwarts. He finds out from the Patils, who were close with the potters because desis stick together.

The Patils are from the north and use Hindi to speak to each other. Neither of them knows Telugu/Tamil/Marathi/Malayalam/insert Southern language of choice here (I personally headcanon Telugu because it’s the only Indian language I speak and because there’s a huge diaspora of telugumandi in the west, but feel free to choose whatever you’d like). So Harry has to rediscover his heritage language on his own.

He also studies Sanskrit, and it opens up a HUGE world of spells that they don’t teach at Hogwarts (because of course Indian wizards don’t do spells in Latin). He and the Patils know a bunch of spells that nobody else does.

Harry’s pleat game is ON POINT. It makes sense, since he had to do all the chores at the Dursley’s and that includes perfectly folded and ironed laundry with the edges aligned neatly, or else he would risk being punished. But the result is that if you want your saree drape to pass the inspection of even the most judgemental auntie, you go to Harry to help with your pleats.

Even when they’ve graduated and all have their own homes, it’s a pretty regular sight for the Patil twins to come through Harry’s floo, half dressed, to have Harry pleat their sarees or their lehenga dupatta for them.

Harry LOVES spices. The dursleys only liked bland food, but Harry has always liked flavorful foods, and has no problem with (hot) spicy food either. He uses lots of spices in his own cooking now. His food is very flavorful, but when he’s cooking for himself, it’s too spicy for all his friends (even the Patils). So nobody can eat his leftovers unless he was specifically cooking with other people in mind. Ron learned this the first time he rummaged through Harry’s fridge after a night of drinking. Now Harry labels all his food as to whether or not it’s “Harry spicy”.

James LOVED to buy Lily sarees. He’d order them with custom, wizard-themed designs from weaving villages in south India. The women who made them assumed he was just very imaginative, so he wasn’t violating the statute of secrecy since saree patterns are often vibrant and unique. Harry finds some of them in the old potter manor, and they still smell like the perfumes and scented oils his mother would wear when James took her to the local temple for Hindu holidays.

Indian witches often store extra magic in or enchant pieces of their copious jewelry with spells that can keep them safe if they’re ever in a situation where they don’t have their wands. stuff like, each bangle can function as an emergency portkey that can take you to different safe locations if you say the activation word, or ones that create an instant magical shield when you tap them. Harry finds some of his mothers gajulu, gives them to his female friends.

He ties Rhaki on Ron and Neville, and all the weasley boys. Ron was the first person he ever tied it on, because Ron was the first person who he ever bonded with, and his closest brother.

Harry always cooks idli sambar or dosa for his friends for breakfast the next morning after a night of drinking together, and it’s the perfect hangover food because it definitely brings you back to full alertness/knocks the last bit of post-hangover grogginess right out of your system.

Harry’s parselmouth abilities are valued in his native culture because of the sacredness of snakes in Hinduism, and it comes to be something he’s really proud of (personally I think the ‘parselmouth connected to the horcrux’ thing is dumb, so I’ve always imagined Harry was just naturally a parselmouth).

As the number of Indian immigrants/expats continues to grow after they graduate, Harry helps some of his students (he’s the DADA teacher) start the Hogwarts “South Asian Student Union”.

He always has snacks out for his students when they come to visit his office hours, and they’re all Indian snacks and sweets. His personal favorite is kaju barfi, but he always has a good variety of both sweet and spicy treats, especially for stressed out owl and newts students.

He collaborates with Hermione, who works in the ministry, to make it mandatory for Hogwarts students to a “foreign magical language” course so they can broaden both their minds and their spell repertoires. Padma Patil becomes the “Sanskrit Spells” teacher, and Seamus teaches “Irish Gaelic”. (It took him a little longer to get his course started, since it turns out that at least 40% of Gaelic spells are just increasingly complicated and violent ways to repel the English).

Hermione and Harry also work together to make sure there are employees in the international magical cooperation department who specialize in post-colonial relations, because the magical world also has its issues with that colonialist mindset towards countries that were formerly part of the empire.

Just south Indian Harry embracing his heritage, learning about what was ripped from him, and using it to enact meaningful change in a multicultural magical society.

[herefortheships]

More thoughts about that psychic connection.

I know I've talked about the "psychic connection" between Lydia and Betelgeuse before, but since I'm a sucker for such soulmate links between characters, I thought I'd write a little more.

It's all speculative, and that might have been just a fun line for Betelgeuse to say there, adding to how hopelessly in love the poor guy is with Lydia. But what if they do share a connection?

In this post I want to speculate a little about how this connection formed between them, and when, and what it may mean.

If there is such a connection between them, I think it formed after their wedding in the first movie. Hear me out, the ceremony was basically complete; they just needed to be pronounced husband and wife, when Barbara showed up with the sand worm. So I believe there was a soul link between them that was being formed that night, which remains, although half-formed, until this day.

This ritual would have made it possible for Betelgeuse to have free access to the world of the living, so whatever metaphysical mumbo jumbo was going on there, it was powerful enough to bridge the world of the living and the world of the dead for Betelgeuse to cross from the latter to the former in full power (assuming he'd keep his ghostly powers upon gaining access to the world of the living; he might just become a regular guy, who knows. Still, restoring his body so he can walk as a living man again must require a lot of power).

When the ritual was only a step away from being finalized, it just left that link between Betelgeuse and Lydia which he eventually realized he could use to watch her from afar and try to reconnect with her. Call it a residual of sorts that was left when they were almost married the first time.

It may have only been possible for that link to remain or even form in the first place due to Lydia's own ability to see and communicate with ghosts, though.

As a matter of fact, as I mentioned before (because we all know how I'm a sucker for all the soulmate stuff lol), it may even be Lydia keeping that link between them alive, or even making it possible for it to exist. I have this headcanon that subconsciously she keeps calling him and allowing his presence around her all the time. She may sense a bond with him that she's currently unable to consciously notice. Betelgeuse feels the same bond and openly embraces it; he's an ancient, powerful soul, so he can see how the two of them are just meant to be together. But yes, I already totally talked about this in the other post.

More headcanon stuff: At the end of the sequel, when Betelgeuse shows up in Lydia's bed (and possibly in her nightmare, too, unless they were sharing the same dream), that it might've been Lydia's subconscious calling him right back to her after she banished him. There's a part of her that never wanted him gone. We can see how her face looks conflicted right after she sent Betelgeuse away. We can also see how her face went from scared and disgusted, to confused and surprised while they danced during the wedding scene. Lydia's heart was no doubt swayed, but she's struggling to come to terms with it. (You can clearly see how she's thinking "what the heck it was for real? This guy really loves me??" I totally didn't notice that the first time I watched that scene).

Anyway I'll leave this one up to here, lest I start repeating my points from the previous post (which I'm already doing, oops lol).

My Tl;dr for this post: Their psychic connection might have formed right after the first wedding, due to it being almost finalized. A link was formed and remained between their souls. Lydia might be keeping that link alive and calling Betelgeuse right back to her, subconsciously.

[ineffable-endearments]

I was rethinking the bookshop meta I wrote a while ago and realized I was not thinking big enough.

The bookshop has always been Aziraphale's version of Crowley's plants (his trauma reenactment), but also, absolutely everything Aziraphale does in Season 2 is a re-creation of Heaven's role. Crowley's behavior also encompasses everything, not just his plants.

I've seen it suggested that centering Aziraphale and Crowley's trauma histories is reducing their characters to behaving like just reactive victims instead of survivors with agency. Or worse, it's "excusing bad behavior." I don't agree with either of these, because I feel that part of Good Omens is about how large, powerful systems affect individuals, and so the context of every character's decisions matters a lot to the overall themes of the story. Everyone starts out working within a system they believe to reflect reality and then has to learn how to break free of it. You cannot really illustrate that without having the characters start out being genuinely trapped with different ways of coping with their reality.

This is an attempt at a pretty big-picture meta. Although it isn't a plot prediction, it's how I think some of the series' themes are going to progress. It starts out perhaps a little grim, but in the long run, it's how Aziraphale's character growth and relationship with Crowley can simultaneously be massive for them as individuals, a crucial part of the overarching narrative message of the series, and symbolic of a change in all of Heaven and Hell, all while allowing the themes to continue to prioritize human free will.

In short, it's about Aziraphale's problems, but it's also meant to be an Aziraphale love post.

All of the below exists in tandem with Good Omens as a comedy of errors. Just because there are heavy ideas does not mean they will not also be funny. Look back on how much of Season 2 seemed silly until we started to pick it apart! One of the amazing things about Good Omens is how it manages to do both silly and serious at once! (I feel like that's maybe a little Terry Pratchett DNA showing through. "Laughter can get through the keyhole while seriousness is still hammering on the door," as Terry himself said.)

Aziraphale has really embraced his connection to Crowley in Season 2, and he has also become considerably more assertive toward Heaven and Hell. These are both major growth points compared to the beginning of Season 1.

However, again, we have the concept of growing pains...Aziraphale is starting to re-create Heaven's role in his relationship with Crowley and humanity. It's really obvious with the Gabriel argument and the I Was Wrong Dance, but I think we see it all over the place: he seems to feel any serious dissent is a betrayal. He also seems to assume there's a dominance hierarchy and he, of course, is on top. Now that he's decided to take control of his own future, then surely that does mean he's the one in control, right?

With all that said, he still seems to have trouble being direct about the feelings that make him most vulnerable. He manipulates people and engineers situations in which he can try to get his emotional needs met rather than saying things outright (case in point: the Ball).

Like I pointed out in the bookshop meta: subconsciously, he's playing the role of God, modified with what God would be if She were everything he wants Her to be. He's generous, almost infinitely sweet, always does what's best for people...or, at least, what he believes is best for people. During the Ball, Aziraphale influences the people around him to be comfortable and happy even when they're not supposed to be, and he limits their ability to talk about things he thinks are too rude or improper for happy, formal occasions.

Doesn't this pattern sort of make sense for an angel who's just discovering free will? Like, at the end of Season 1, he made an enormous choice to stand against Heaven and realized he could survive it. Now he's gone a bit overboard with exerting his own will. Unfortunately, while he's learned to question upper management, he's still operating on a fundamental framework of the universe where there have to be two sides and there has to be a hierarchy. Also, since Aziraphale is on the Good side, he of course has to gear his desires into what's Good rather than just what he wants, so he sometimes thinks he's doing things for others when really he's doing things for himself. (For example, matchmaking Maggie and Nina started out as something he wanted to use to lie to Heaven, but by the time he was commenting "Maggie and Nina are counting on me," he seemed sincere, like he had genuinely convinced himself this was for them and not for himself.)

Aziraphale knows Heaven interferes in human affairs, ostensibly on God's behalf. He thinks She should be intervening in ways that are beneficial. What I believe the narrative wants him to learn is that God and Heaven shouldn't be manipulating people at all, not even for Good, and in fact there is no real meaningful hierarchy.

Anyway, a top-down, totally unquestioned hierarchy is the primary social relationship Aziraphale has known, and it's certainly been the dominant one for most of his existence: you're either the boss or the underling, and if someone seriously questions you, they don't have faith in you - they don't respect you.

No, his relationship with Crowley has not always been like that, but they've been creating their relationship from whole cloth, so how would he know it shouldn't become that way, now that it's "real" and out in the open?

No, human relationships aren't like that, but Aziraphale clearly does not see himself or Crowley as human. As the relationship approached something that seemed like it must be "legitimate," Aziraphale would naturally look for a framework to fit it to. And again, the only one he has is the shape of "intimacy," or what passes for it, in Heaven. What has "trust" always meant in all his "legitimate" relationships? It has always meant unquestioning obedience, of course. What have the warm fuzzies felt like in Heaven? Well, praise from the angels above him is nice, so that must be it, right?

Aziraphale even describes being in love as "what humans do," separating out that relationship style. Someday, I think he'll realize he favors the shape of love on Earth, something that's more inherently equal, more give-and-take. Look at how he idealizes it from afar at the Ball. But I think that, like Crowley before Nina pointed it out, Aziraphale maybe hasn't 100% grokked that it can and in fact should work that way for him and Crowley, too. Just like people can desperately want to dance without knowing how to dance, or can desperately want to speak a language without knowing the language, Aziraphale does not instinctively know how to have the kind of relationship where he can be truly vulnerable and handle Crowley's vulnerability as well.

Aziraphale is downright obsessed with French, known as the "language of love." He's trying to learn it the Earthly way. He's not very good at it, but he wants to be.

This pattern is still present during the Final Fifteen even if we assume Aziraphale is asking Crowley to become an angel again out of fear (and I find it very hard to believe that fear doesn't factor in at all). He's still building his interactions off of that Heaven-like framework: he asks Crowley to trust him blindly, he tries to assume a leadership role with a plan Crowley never agreed to and couldn't follow anyway, and he tries very hard not to leave room for an ounce of doubt. He also suggests making Crowley his second-in-command and obviously does not register that this could possibly be offensive. Again, I think this is because for Aziraphale, there has always been a hierarchy in Heaven, it's started to transfer to his relationship with Crowley, and breaking out of that assumption about relationships is going to take more processing than a single argument can do.

As I mentioned in another post, I don't believe Aziraphale had a real choice about whether he accepted the Supreme Archangel position. I think he could sense that he was not getting out of it and chose to look on the bright side, to see it as an opportunity. And instead of looking realistically at how that would feel to Crowley, he tried to sweep Crowley up to Heaven with him using toxic positivity, appeals to morality, and appeals to their relationship itself. Again, mimicking what Heaven has done to him.

To me, "they're not talking" is a big clue that Aziraphale's approach with Crowley is going to be the mistake the narrative really wants him to face. "Not talking" has, thus far, been presented as the central conflict of Season 3! After losing the structure and feedback Heaven gave him, Aziraphale started creating Heaven-like patterns in his relationship with Crowley, and breaking out of those patterns is what he needs to do. Discovering first-hand that Heaven's entire modus operandi is bad no matter who's in charge is how he can do it.

Look, either you're sympathetic to Aziraphale's control issues or you're not. Personally, I am. He's trying so, so hard to be good. I think trying to figure yourself out (which Aziraphale is clearly doing) is hard enough, and when you start balancing what you want for yourself, what you think are your responsibilities, and what other people are actively asking of you, you're bound to fall into the patterns that have been enforced for your whole life or for millions of years, whichever came first.

It is very easy to assume that people should Just Be Better, but it's not actually that simple to be a thinking, feeling person. My anxiety tends to move in a very inward direction and Aziraphale's moves outward. But I'd imagine the desperation and exhaustion are the same.

Unlike Nina, Aziraphale became a rebound mess. I don't think it occurred to either him or to Crowley that there could be any soul-searching, anything but carrying on with the new normal after their stalemate with Heaven and Hell.

Now, instead of getting rejected by Heaven and surviving it, Aziraphale needs to be the one to reject Heaven. It needs to be a choice. And that choice is going to come from realizing that Heaven isn't just poorly managed but also represents a bad framework for all relationships.

How could this happen? Good question. We're obviously not supposed to know yet, although I think picking at existing themes within the narrative could possibly give us hints.

It's possible Aziraphale's character development trajectory will be akin to Adam Young's in Season 1. Please see this stellar post by eidetictelekinetic for more thoughts about it, but basically, in Season 1, Adam saw that the world was not what he wanted it to be and decided his vision was better; as he ascended to power, he took complete control over all his friends and then soon realized that's not what he wants because there's no point in trying to have relationships with people who can't choose you. It's that realization that leads Adam to conclude he doesn't want to take over the world and to reject the role he's expected to play as the Antichrist. Maybe Aziraphale's trip to Heaven is an attempt at a control move during which he'll realize he's defeating his own point.

Aziraphale clearly wants to be chosen. From the very beginning, he's wanted to be special and cared for - just like Crowley has.

Incidentally, I think Aziraphale and Crowley are going to represent pieces of the bigger picture here, and this - first imitating and then rejecting Heaven's relationship style - can both symbolize Heaven's transformation and directly start it (probably in an amusing, somewhat indirect way, like when he handed off the flaming sword to Adam).

If I'm right - which I may very well not be - I think this would all be so, SO cool. Like, "An angel who is subconsciously trying to be a better God" is a concept with so much potential for both tender kindness and incredible darkness. Add to that the comedy-of-errors aspect of "...but even deeper down, he'd much rather just be super gay on Earth" and you have, in my opinion, a perfect character.

I think this could work for Crowley as well. It's obvious that in the Good Omens universe, at least so far, Hell is all about detesting humans and punishing them; Satan seems to genuinely hate humans (unlike in some of NG's other works). Our perspective on this could change, but it potentially puts Crowley in a complementary position to Aziraphale, as a demon who is trying to be "better" than Satan. But this isn't about being "morally better." It's about things having a point. Crowley's exploits usually have a point: they test people. And you can pass his tests! He sincerely likes making trouble, but Crowley doesn't live to punish.

But, once again, the above paragraph would describe a transient phase for this infinitely charming character. Because, again, I think the point will be that in the end, Crowley's deeper-down desire, moreso than testing Creation, is watching it grow with a glass of wine in hand.

[raven-at-the-writing-desk]

You're analysis are always very insightful! Your considerations about Malleus' restricted options in terms of partners made me wonder if Kalim would end up in a similar situation as him. This is of course entirely speculation, since we don't know much about how his parents got together, but to me it makes sense that in the future he might have to deal with something like an arranged marriage. He isn't royalty, but the Asim family still has a great deal of commercial and political sway in the Scalding Sands, so it's difficult for me to believe that they would just let the heir marry whoever he chooses. And despite how carefree he may act, I don't think he would reject an arrangement made by his family. He seems pretty aware of all the obligations that come with being an heir to the Asim. Besides, rejecting a spouse that was chosen for him might put said person under a lot of public scrutiny, and I don't think he would want anyone to go through that

[Referencing this post!]

Oh, hmmm 🤔 I actually never really though about this kind of thing for Kalim so I guess now is as good of a time as any www.

I do think like there would be some selectiveness involved for Kalim too, given the financial power and political influence in the Scalding Sands that the Asims hold (and that's not even mentioning their connections via family, some of which are royalty, and business partners). There's also been several attempts on Kalim's life, so there would probably be an intense screening and background check process for anyone courting Kalim. Who knows if they're actually there to kidnap him or to take his life??? The Asims would have very legitimate concerns, so they have every right to be vigilant and suspicious of those who may try to take advantage of Kalim's kind-heartedness and gullibility.

Mm, I do feel like (overall) Kalim wouldn't be in as much of a tight spot as Malleus?? I get the sense that his parents are way more open-minded and truly care about his happiness (unlike the Briar Valley senators) so they wouldn't exactly force him to marry someone he doesn't actually love. Rather than a "you have no say in this matter" arranged marriage, they might instead present Kalim with a pool of potential candidates that have already been vetted and encourage him to try them out? Like, go on various blind dates and see if he "clicks" with any of them. There would be more trial and error, more exploration allowed (since there isn't as much of a demand for Kalim to have an heir, especially not right away; he has so many other siblings and family members who could help or assume roles in the business). I believe this is similar to how matchmaking is done in some Asian countries (although I'm not too familiar with the concept, I've only learned a little about it through some podcasts). From my understanding, they try to "match" applicants with someone of a similar social ranking as you (so in Kalim's case, he would probably be meeting people who are also mega wealthy) and based on what you (and oftentimes your family) are looking for. If it doesn't work out, then there's less of a chance for backlash since pretty much anyone can use these services and a perfect match isn't a guarantee, especially on the first attempt. Please feel free to correct me if I got any information here wrong!! ^^

[confusedacenb]

Ya know what one last post for AAA and I think everyone who worked on the show did an amazing job. I think the problem is just the Marvel Format and that Marvel doesn't really know how to end anything cause they want every film/show to like connect with each other which causes honestly rushed endings that feel like they created more inconsistencies than nicely tying everything in the end. Y'know, like in no way did I go into the show for any sort of ships or anything. I loved all the character interactions and I think the first half of the season was really fun and put together in an interesting story. With like well developed characters, that had flaws, motivations, buildup and again development. I think that's why the ending feels so meh in comparison. Like in no way was it the worst and I can definitely logically see how they got to it from a logic stand-point. But like there are things that just make it so short of a good ending. Like Agatha's punishment which was I believe confirmed by Jac Schaefer (don't know if I spelled names correctly or if I have the info correct so feel free to correct me if I'm just wrong) was that she couldn't stop herself from killing Alice, but then she has like insane control over it in the finale like...? Am I insane for being confused by that. Also just how her son died in his sleep is a worse truth than being accused of selling him for the book of the Damned like I'm sorry I think the latter is far worse then the former. Lilia honestly had the best ending, in terms of following her character development. And like Alice's was tragic but I loved Rio being like "but you served your purpose, you protected" and Alice not being ready but still following death to the beyond. Also I liked Billy's character, there were times where I thought they could have handled him, and just the make shift coven dynamic better but I did think he made for an interesting story telling and narrative like hook if that makes sense.

And finally for the Vidarkness fans. Um... Just WTF, we were being hyped up on a centuries spanning love story and got none of it. Like I get the poeticness and that poeticness is beautiful... but like all we got of them was calling each other their loves, a declaration of hate and never wanting to see each other again, and a literal kiss of death. Like I didn't want them to just make out, I wanted to know the story there. But it just ended with no real story just how they came to be estranged and like what happened with Nicky between the both of them (which are essentially the same exact thing). Maybe I spoiled myself with Carmilla and Wynonna Earp. instead of being into OITNB (cause I swear this show was the start of the doomed lesbians trope never seen but can only assume cause I swear ever doomed sapphic lover always recommends that show to me)

Or maybe I'm just thinking about it too hard. This is my actual last post on the show cause of the post show depression and also cause I don't know what else to say. This has all been my opinion and I'm glad people found me agreeable or my commentary humorous enough for enjoyment. Have a lovely day everyone and may positive vibes lighten y'all's day.

[clawsandpaws-creativearchive]

Farewell

@tmnt-fandom-family-reunion (Cabin 15) ~ Cadoo 🐾 (Feel free to reblog + interact with the boy, he's strugglin) Don squeezed his eyes shut, his tail flicked out behind him, thumping repeatedly against the edge of his makeshift bed.

He’d crawled his way home the night before, exhausted from a full week of mischief, exhausted but happy. Don had flopped down into his nest for a well deserved sleep, comfortable, content, and looking forward to the following morning. He had plans to go back to his cabin after breakfast. To visit his friends, his brothers. He’d been woken up by the camp’s final event announcement, blaring over the intercom. “...our camp-sanctioned farewell meeting is upon us.” Don didn’t get up. Oh. Camp was ending. He’d be home soon. Back in his proper dimension. In his proper lair. With dad and Leo, and Raph and Mikey. Leatherhead and Casey and April. Back with his proper family. Like his instincts wanted. Like he wanted. …. Don thought….he thought he’d be happier than this. Excited maybe? At ease? 

Of course he expected to feel a little upset, after spending months connecting with his cabin mates and interacting with other versions of his family it was only natural for there to be a feeling of loss. This experience was never going to last forever, or at least they’d all assumed so. He’d been prepared really, this wouldn’t be the first time that he’d had to part ways with new friends or family. This wasn’t catching him unawares. Really. Logically he knew that. So why…. Why was he so….sad? No. Anxious? Scared. Scared to go back home. He could hear his heartbeat, too fast as it kept pace with the stressed swing of his tail. His head was buzzing just behind it, a not so soothing white noise to fill the gaps between beats. Don wriggled until he could bury his head under the blankets, it did nothing to muffle the noise and he whined, dragging his claws across the bottom of the nest to shred the sheets he was laying on. Not like he’d be needing them much longer. This was ridiculous. Stupid even. On the verge of panic over going back to his rightful universe. Why did that thought scare him? Terrify him?He was going home. Home. Where his nest was. Is. Where his family was. Is. Where they are. And sure, this week would probably be the last time he’d see Mike or Smokey or Mikey or Hunter or Scout or Mercury. But that was expected. That’s how experiences like this worked…when they weren’t orchestrated by some villainous higher power. You come, you meet new people, you leave. Maybe you go on a couple side quests, learn some fun morals and life lessons. Befriend a group of turtles who you can actually have a conversation with again. Sometimes you get to keep a souvenir, sometimes you even get to remember it all! None of that really mattered though, because he’d be going home and he’d be going to see his family and- He’d be alone. Don’s breath stuttered and his throat clicked. His hindlegs pushed him further beneath the blankets, curling up as tightly as he was able. A high distressed trill left his beak, smothered by the folds of the comforter. His head buzzed louder. Half formed thoughts and instincts fighting for purchase. No. That wasn’t right. He wouldn’t be alone. His family was is there. But it’d be quiet again. That didn’t make sense either. Especially when his baby brother was involved. The lair was never quiet. He would be.He would be quiet again.

Don blinked. Something cool slid down his cheek. He’d gotten comfortable here, distracted by the games and newness of it all. He’d forgotten that this wasn’t normal. That he wouldn’t be going back home to something like this. He wouldn’t be able to initiate play or physical touch like he could here with Hunter or Scout or the nibbles. Because his body language wouldn’t be understood. He wouldn’t be able to enter a room and announce himself, say I love you, respond to a question like he could with Mikey or Smokey or Mercury. Because he now spoke a completely different language. He wouldn’t be able to expect the same kind of patience, understanding, or flexibility like he could with Mike. Because he and his brothers were teenagers and despite every crazy thing they’ve experienced thus far it still wasn’t enough to help deal with what was wrong with him.Don would be alone again. And after months of not being alone he wasn’t sure if he could survive that.

[krokusplays]

On Yaoshi and Abundance

People often assume that Yaoshi, being the Aeon of Abundance, equals the Aeon of Life.

But there's a difference between life and abundance and they cannot be equated.

While Abundance is undeniably linked to life, its aim is to continually proliferate life without life ever vanishing or ceasing to exist.

Let me try to explain.

First of all, Yaoshi is also called the Aeon of Paradise.

Yaoshi wants to give everything and everyone "paradise". They want to rid everything of suffering and death. And how do they do that? By blessing everyone who prays and asks for Yaoshi's blessing and giving them immortality.

And to that "paradise" death is detrimental. Yaoshi saw death and that everything comes to an end and essentially couldn't stand that.

If no one and nothing ever died, everything would be fine, there'd be no suffering and pain anymore, it would be "paradise".

No one can escape death or suffering but Yaoshi made it their entire aim to attempt as such anyway.

Yaoshi wants to keep everyone and everything alive at any costs.

Yaoshi also doesn't seem to know or care that what they're doing is causing people such great pain(be it Mara, or simply having to live for so long, etc.).

That ties into Aeons being bound by their path, so even if Yaoshi realized they're the cause for a lot of pain, suffering and by extension death they wouldn't be able to stop it either way. They have no way of understanding that people see value in their life because suffering and death play a role in it.

Hanya says in her voiceline: "When one has forgotten the concept of death, life also becomes meaningless."

In the end, Abundance(technically all Aeons but this is only about Yaoshi) is utterly selfish.

They want everyone to keep living, free of the pains of death and illness regardless of the consequences. We see in the Simulated Universe just knowing that our body has limits(aka it being mortal) makes them talk to us in such a sympathetic way that it sounds like pity.

Yaoshi feels sorry for us, that we're bound by this life full of suffering, stuck in an existence that will inevitably end. And they wanna help. And the only way they know and can help is by gifting us immortality. An endless existence that according to them is bound to be free (of suffering), but incapable of understanding that we're not meant to live eternal lives, that we cannot handle such an existence(same goes for entire eco systems for example).

And even if they understood, they couldn't change their ways.

You could say that Yaoshi doesn't understand the cycle of life.

Something something "Everything you see exists together in a delicate balance [...] When we die, our bodies become the grass, and the antelope eat the grass. And so, we are all connected in the great Circle of Life."

Considering Yaoshi to be the Aeon of Life would mean they understand that death is a natural part of life, that every living being has a lifespan and will eventually die. As the Aeon of Life, their path would strive towards a balance rather than just giving more and more without anything ceasing to exist, without anything ever dying.

The entire point of Abundance is, that it keeps giving. It never stops. Even when entire eco systems and civilizations crumble because of it just being too much and they cannot handle living forever, Abundance will still keep giving.

------

I hope this made some sense. Putting the concept into words is more difficult than I imagined.

[sadkachow]

And Then It Is Monday - Why Sunday's plan did not (and could not) work

So normally I don't really make longer analysis posts, but I kept seeing people on social media outright supporting Sunday's actions in 2.2, and I wrote something out about why I personally think that Sunday's plan is wrong. I don't know if this is an issue with tumblr as well, given that the people I saw supporting him were on different forms of social media, but regardless.

Before I begin, I'd like to pose a reminder that the opinions in this are mine and mine alone. If you agree, awesome! If not, I'd love to hear your thoughts on it, so long as you're respectful! I have no idea if this is well written or will make any logical sense, but here we go!

(Spoilers for the 2.2 Trailblazer quest under the cut, if that wasn't already obvious)

So the first thing to get off the table: I feel Sunday is a very sympathetic villain, but a villain nonetheless. I understand the people that sympathize with him. I do too, to an extent. He was raised on unhealthy ideals and the belief that he was a "religious figure," one that people looked up to. Other people were allowed to just be, but Sunday always had to be better. He loved his sister, and the people around him, and he wanted to make a better world for them.

But that does not excuse what he did. Making a 'better world' can never come at the cost of taking away people's free will, because that world will never be "better". That's where Sunday's plan falls apart.

Because, yes, there are shitty people in the world, and yes bad things happen. Would it be amazing if we could stop all the bad things from happening ever again, and make the world a much better place? Yes! It would! I would love to live in a world where I don't have to fear for my life and my freedom for an assortment of reasons! But that world doesn't exist--in real life or on Penacony--, and getting it to exist shouldn't be the result of subjugating and controlling other people, because that in and of itself is violence. Albeit a different kind of violence, but violence nonetheless.

Not to mention that things like Sunday's plan and the concept of forcing everyone to act a certain way just to fit this "better world" to me almost serves as a condemnation of human nature and of the very act of choice itself. Your better world starts by saying that some choices are bad, so those choices get taken away, but where does it end? What if someone in charge views a harmless choice as a bad one, and takes away that one in return? Does it stop there, or does it continue, until no one at all is allowed to make any decisions, except those in charge? Who, really, does that benefit?

Consequences for certain choices exist. Generally, society says murder is bad (except for specific circumstances such as self-defense, which technically at that point is no longer even considered murder (at least where I live, it may be different in other areas, but I'm basing this off of my own experience)), so there is a concrete consequence to people murdering people--assuming that they don't get away with it. It doesn't stop people from murdering people, because the liberty of choice is still there, but it shows that just because you can do something doesn't mean you should or that you will escape without consequence.

People are going to do bad things. That is, unfortunately, how humans are. But our responsibility lies in holding ourselves accountable and in promoting growth and healing. That is how you build a better world. Not trapping everyone inside a dream world without any care for their feelings or beliefs, but in getting people the help they need, in fostering a society of positive change and human connection.

And that is why, as "golden" as Sunday's dream may have seemed, it was never going to work. In the end, as the story quest shows, human will and the desire for freedom wins out in the end. When there's a will, there's a way.