#you beautiful human

[arayeee]

I hope Katie McGrath is having a great day. She deserves it

[dreamings-free]

Louis photographed by Joshua Halling at Cabaret Vert festival 18/8/24

[joelmillerisapunk]

hi odette! 

to say the vibes have been off lately would be an understatement, wouldn’t it? because there has been a lot of negativity, too much for a place that is supposed to be about finding an outlet for your creativity and people to share your interests.

i know it has been difficult, draining to be around here and face all the discourse cankering the fandom. 

because of all this negativity, i believe it is important to try and balance it out with some kindness. so here i am, doing a little check-up on you <3

so first, how are you, really?

everything you feel regarding what is happening is valid and you deserve to feel happy and safe around here. so please, make sure you take the time you need from posting, from sharing fics, even just from being on the platform. i want you to know it’s okay and i support whatever you decide, for whatever reason.

i also want you to know that you have your place here, as much as the rest of us. you’re loved and wanted and i can assure you the fandom is a far better place with you in it.

i hope you’re taking care of yourself outside of tumblr as well. please remember to stay hydrated and to eat something 🫶🏼

now i would like you to sit back and enjoy the perfect, quiet night in with joel <3

do not hesitate to reach out if you need to talk, i’m here for you! sending you all my love and so many hugs 🫂

anna 💗

Oh my goodness! I'm a blubbering mess over here, Anna!😭💜 and now I hope you are prepared for my rambling mess of a response.

The negativity and seeing how it's negatively affecting the Fandom as a whole is so disheartening, and it hurts my heart. I feel a pang of sadness seeing the outcome of others' actions. We are a bunch of silly people coming together for a silly guy and his characters. So, to see the tidal wave of hurt and unkindess being spewed around is quite upsetting. It's hard to comprehend how there are real people who can hurt real people on such a personal, vulnerable level.

Honestly, though? I really needed this. I seriously can't fathom how you popped in my ask box at the exact right time. Aside from real life stuff, I have been feeling like I don't know how well I fit in, how hard it is to reach out and make friends, but then again, I'm sure most of us feel the same. So this was absolutely the pull I needed to stay. Thank you!

I hope you are taking care of yourself and staying hydrated and fed as well!

Ahhh, not the moodboard, not the most perfect night in with Joel. Those forehead kisses = heaven on earth

Thank you forever for being you and bringing such kindness and light to a community and a fandom that needs more beautiful humans like you. 🫂💜

[lgbtlunaverse]

The world exists in such a baffling state of simultaneous sex-aversion and sex-hegemony. Every social platform on the internet is trying to banish sex workers to the shadow realm but I can't post a tweet without at least two bots replying P U S S Y I N B I O. People are self-censoring sex to seggs and $3× but every other ad you see is still filled with half-naked women. Rightwingers want queer people arrested for so much as existing in the same postal code as a child and are also drumming up a moral panic about how teenage boys aren't getting laid enough. I feel like I'm losing my mind.

[hinamie]

subject, specimen, spectacle;

should i say that you're dead?

[itseghost]

the captured! quest was so funny that i actually drew multiple things at once

[where-that-old-train-goes]

not normal about orpheus and eurydice. you loved someone so much it opened the stones of the underworld. so much that death had to listen. so much that everything stopped for your love. so much that you turned around. so much that even when you did wrong. she forgave you.

[sherurose]

▪︎ All I want... is my partner back.

▪︎ [I persist after everything you've done] because I promised you.

▪︎ We finish this together.

“To have something you can't give up on must be a kind of blessing in itself.” - Tokyo Ghoul: Days

[inbabylontheywept]

Soviet Birds.

The secret facility that I work in has holes in the ceiling. We don't know how to get them fixed.

We tried asking the government to fix it, once. We told them that the holes in the older parts of the facility had gotten large enough to fit birds through, and that birds were getting through, and that, perhaps, a Soviet Spy could fit through as well.

After all, it is well known that Soviet Spies and pigeons are approximately the same diameter.

Our hope was that that this vague and nonsensical threat would put a little fire under Uncle Sam's feet. If the fed couldn't be bothered to give a shit about the giant gaping holes in the roof of our facility, perhaps they could be persuaded to give a shit about... Soviet Spies.

This attempt at manipulation 100% blew up in our faces.

See, the government does not need to be persuaded to give a shit about Soviet Spies. It still wakes up most nights, drenched in cold sweat, terrified and confident that a Soviet Spy is hiding in their nightstand. If it sees a rock on the ground, it flips it over, pistol drawn, ready to shoot the Soviet Spy it fully expects to slither out from underneath. Which is to say: The government is crazy. So when we dropped those two words - inflitration risk - in the repair request, they came in guns-a-blazin'.

Does that mean that they fixed the roof? Of course not. Don't be stupid. No, instead of performing basic maintenance, they installed a state of the art alarm system throughout the facility - lasers, sonar, the works - and told us to always be on the guard. Because of the roof holes.

Then they left.

So now we had an extremely good alarm system... and birds. Which have combined in incredibly obvious and predictable ways to produce an unending fountain of problems.

For Example: About once a month, someone gets called in by the local airforce dispatch because AAAAAAAAAAA a Spy is in the Rad Lab! We're all gonna die! Except every time, it's a bird. And I get why we have to check, but every time, the dispatcher is panicked and the person going out has to be like listen, listen: It's a bird. It's always a bird. It's been a bird every month for the last fifteen years. It will be a bird next month. All this stress? Bad for your heart.

Second Example: Sometimes, birds get in while we're actually working. And when it's in the morning, you know, it's a nuisance, and it stops testing (we are not going to risk irradiating a bird) but it's not an all-hands-on-deck situation because it doesn't take ten hours to get a bird out. But surprisingly often, the bird gets in riiiiight at closing time, and in that situation, everyone goes feral because nobody can leave until the alarm is set, and we cannot set the alarm while the bird is there, because the bird would immediately trigger it and then we'd have to stay another 4 hours to confirm that it was not a Soviet Bird.

So in order to go home, everyone's top priority is Get That Bird. And we have a system for it.

Step 1: The test stands tend to be located in rooms with 30+ foot ceilings. We can't catch birds in places like that - so we have to lure the bird into the relatively low ceilinged (8 feet only) upper offices.

We do this by turning all the lights off in the test rooms, then putting floodlights by the exits. I don't know why this works - some kind of evolutionary brain fragment shared by both Bugs and Birds - but work it does. The birds almost always follow after the lights. From there, it’s just two guys moving the floodlight and a third guy to turn off the lights.

Step 2: Everyone else has been waiting for this step. There is this long stairway up from the basement level into the offices, and in the final stage, the floodlights are brought to the base of the stairwell to bring the bird up. At the top of the steps there will be a group of tennish people, waiting for the signal. The light guys will set up the final transfer, everyone will tense, and then, swish...a bird will flit up the stairs and into the offices.

It's like watching werewolves on a full moon. Before the bird cometh, we are engineers. Nerds. Pale and skinny things, trembling under the fluorescent lights. After the bird, we are beasts. Feral, gnawing things, glowing under the orange sunrise of the 70's halogen floodlights.

And like all beasts, we cannot help but give chase.

Step 3: The were-engineers begin the hunt. The goal at the start is not really to catch the bird - just exhaust it. So the pack simply does not relent. Because the stakes are going home on time, the group is basically given free reign to go anywhere in the building. If someone's door is open, and the bird goes inside, they're going to have to deal with ten sweaty panting maniacs leaping around their office. They don't get to say that they're busy, or remark on how all this movement is a terrible distraction. They are allowed to sit in silence during the chaos, and perhaps thank the war party for chasing the bird while they sat comfortably on their ass. This has been explained several times, and it will continue to be explained until cooperation is achieved.

Anyway.

The chase can go on for quite some time. Sometimes, the bird will get tired and find a crevice to hide in, where it can then be reached through standard cornered-bird catching techniques.

Other times, it will slow down enough that someone can actually yoink it out of the air. But this will go on until someone catches the bird and triggers Step 4.

Step 4: The Finale. This is the get-the-bird-out-of-the-building stage, and it requires someone to adopt a specific role: To Become the Sacrificial Vessel of Bird Removal.

This job is both coveted and feared. It's coveted, because holding a wild bird in one's hands is a precious thing. To feel how small, and fragile, and scared it is, only to free it from the building? That is what it's like to be a benevolent God. But the cost! Oh, the cost. The entire time the Vessel is in motion, the bird will be biting the hell out of their fingers. And I cannot emphasize enough just how painful bird bites are. Their entire face is a set of needle posed pliers, and they know tricks the even the cartels haven't figured out yet. So there's always a little hubbub about who shall be The Vessel while onlookers, stranded outside The Office of Bird Capture, can only look on. Quiet arguments and pleas are heard, little fragments of fear and pride and glory trickling out of room like the silver dust left behind in a bag of well shook quarters. The sound of concensus is silence, and the argument will go on until that's all that's left. And then, from the darkness of the final office, the chosen sacrifice will step forward: Hands gently cupped, tears streaming down their face, fingers trembling from the pain of the ongoing bird chomps.

And this scene is what organizes people. Not leadership, not truly. No one can think and coordinate a crowd while their fingers are being attacked with a combination nutcracker/ear piercer. But the crowd sees the suffering of their annointed, and it is driven to do everything poossible to make the process flow. People instinctively flair out, finding the fastest path outside. Doors are held open. Paths are cleared. Someone, somehow, always knows the way forward and can describe it to the sufferer. Left, left, forward. Corner closet. Yep, there's a hall in there. Forward. Two-hundred more feet man, you're doing great. Just hold it together a little longer. You're killing it.

Then the final door swings open, and the bird flees out into what remains of daylight. And yet, even here, the deed is not yet done. I cannot explain it in words, but the crowd that helped is never content until they can see and speak on the Bird Vessel's wounds. They all have to pull the fingers back and see what was given. Estimate the price: One day to get better - No, three - No, a week! Are you blind? Do you see that blood blister? -Yeah, that's not going away anytime soon - Damn, can you believe how feisty those things are? Like wolves without teeth.

(They cannot help but touch as they go. It has always been this way. Even Thomas was not content until he felt the wounds in Christ's hands.)

Only when the last of the helpers has seen, and commented, and commended, will the engineers scatter. It is their return from the underworld that announces to the sun living surface dwellers that they too can go home. (@somerunner tolja it needed to be a post.)

[foldingfittedsheets]

I feel the need to share since my lube post is going around that my life is just like that since I worked at the sex shop. Sex Ed is a very standard topic. People just immediately pick up a vibe from me and even in situations where someone doesn’t know I used to sling dildos for a living they’ll just start confiding sex stuff to me.

Not in a creeper way. But like this weight had been lifted and they can finally talk freely about sexual topics. The energy I put off is just so blasé and accepting that people tell me about their sex lives, usually very quickly after meeting me. They usually then have a moment of panic or regret and apologize but I always reassure them that I used to work in a shop and that I see nothing odd about talking about it.

My go-to line is, “I’m a creature devoid of judgement.” They always laugh. Then the questions get more specific or people start asking for brand recommendations. It’s always been funny to me.

My beloved has always been a little confused by it. “People don’t just start talking to me about sex! I know you don’t bring it up. It just always seems to go there when people talk to you.”

“It’s just my energy.”

The first time I was meeting their mom she was coming to stay with us. We picked her up from the airport and brought her home. My beloved went upstairs to use the bathroom. When they came back down their mom was asking me questions about vibrators and their jaw hit the floor.

In our room later they said, “She doesn’t even talk to me about that stuff! She’s so embarrassed about sex topics, I cannot believe she was asking you about that!”

“What can I say,” I shrugged, “I’m a creature devoid of judgement.”

[greek-dracula]

Neil Gaiman on why he cast Michael Sheen as Aziraphale:

"Michael had said he wanted to be in it from the very start. Around 2014ish. We both assumed he'd be Crowley. Except as I wrote it, I kept thinking of the Michael I know: an incredibly sweet, sensitive, funny man determined to do good and to do the right thing, and I kept thinking of him as my Aziraphale."

My Aziraphale.

[europasage]

on being alive.

@delepiphany on pinterest // lucy dacus, please stay // @arthoesunshine // @leaf.guy_ on tiktok // bo burnham, that funny feeling // @peepuddle

[tunemyart]

But regarding the way Rio revealed herself to Lilia

She didn't choose just any old guise, she chose tarot imagery. She chose something specific to Lilia and Lilia's own language as a witch. She didn't appear as Death - Rio is always Death. She appeared as the Death card. Something so soul-deep for Lilia that the recognition would be instantaneous and unquestionable.

I don't think this is Rio's usual garb. I think she has a lot of control over how she chooses to present, and I think most of the time she probably looks like Aubrey Plaza. She's just Rio. She's a woman. She's the oldest, original green witch. That just also happens to mean that she's Death.

[roydeezed]

One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".

The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.

He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.

So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.

Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.

It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.

How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.

[fexjam]

Скетчі.

[star-girlfriend]

it gets better

(credit to @ink-the-artist for the borzoi art <3 )