#yet we're all humans here

[flowersforfrancis]

I'll take that as a challenge.

[chaosxcrushed]

There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.

That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.

However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.

“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:

The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).

Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”

1.) The side of you that suffers; Heart. He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.

2.) The side of you that so desperately wants you to get over it; Mind. Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.

3.) This album is about inner compromise and acceptance; About being whole. Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.

What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.

This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.

Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.

[iwritenarrativesandstuff]

I'm probably going to do a terrible job of articulating myself here but every time I think about the worldbuilding in Hatoful Boyfriend, I think about the implications of having the birds simply have adopted the structure and policies of human society and go insane.

It's clearly originally just for the ridiculousness of it all for the players, but AGH it explains so much regarding the extremely rampant classism/racism/speciesism and how apparently normalized it is. It also, to me, adds a bit of moral nuance to the Dove - Hawk Party conflict.

(Long post under the cut. I'm so sorry I just kept going.)

First off, I'm obsessed with the concept of the birds becoming sapient and simply... taking over a society that was not structured for them. It leads to difficulties in universe! Bird wings are not made for doing tasks that human hands can do naturally - there's a couple instances where the characters ask for Hiyoko's assistance or express envy since she can just do the task more easily than they can. The birds are outright disadvantaged in certain areas of life, and yet, the society is in such turmoil due to the newness of it all that there still aren't really any workarounds for stuff like this.

Not that there haven't been any suggested solutions, such as the Labor 9 series, put forward initially by the Dove Party. Yeah, you know, that one throwaway line about how the party that up until this point have been the "good guys" wanted to take still semi-conscious human brains and make robotic slaves out of them Cyberman-style? What the hell. And what gets me is that Shuu was able to find the initial proposal, which he really only made tweaks to, which means that the project was at least close to being finished on the conceptual/planning/design phase before somebody went "hey this is a little fucked up actually".

The Dove Party wants peaceful coexistence with the humans, while the Hawk Party wants to eliminate humanity entirely. But we don't really go into how these two lines of thought evolved. I believe I have a suggestion for at least one part of the puzzle though.

Of all the birds in Hatoful, who enjoys the most privileges and the highest status? Fantails, it would seem. A breed of pigeon that is popular as a pet, considered beautiful and sought after, and achieve high accolades in shows and competitions - for clarity's sake, fantails were valuable in human society, and this status appears to have transferred when birds became sapient and took over. Conversely, which birds are ranked lower and often blocked from entering certain higher class places? Rock doves, who, in human society, are given an unfairly bad reputation, and considered anything from unclean and dirty, to nuisances, to pests. Again, this status transferred over when the birds took over.

So, while we don't know too many of the birds who make up the agents of the Dove and Hawk Party, let's take a look at who we do know of.

Fantails (Yuuya, Dove Party) are considered valuable over other doves and pigeons for being specially bred for their striking tail feathers

Cockatiels (Leone, Dove Party) are some of the most popular and beloved companion birds, kept as pets and considered very friendly

Rock doves (Ryuuji, Hawk Party) are considered unclean pests who receive a bad reputation, and are generally not treated with respect or appreciation <;- notable thing to mention here is that Ryuuji actually does like humans - I think he was only Hawk affiliated for the grant money and research facilities, which... fair enough man.

Chukar partridges (Shuu/Isa, Hawk Party) are game birds, specifically bred and released to be killed and eaten, and considered a delicacy

...do you... see what's going on here?

(I haven't mentioned Tohri as he's a special case. Give me a minute and I'll get to him!)

The birds we see in the Dove Party are those birds that were already viewed in a more favourable light by humans, a favourability that transferred over to their new society. Of course they are more likely to advocate for coexistence! They have less to lose, overall. And the Labor 9 series, and how that could've ever been suggested in the first place, suddenly makes a lot of sense. For many of these birds, society the way it exists now benefits them. Some of these high ranking Dove Party folks may be less about actual peace and justice (like Yuuya or Leone) and more about maintaining the current order of things - humans coexisting under their control, while they get to maintain their status... which is itself a product of human invention.

The birds we see in the Hawk Party, by contrast, are looked down on or hunted. Historically, even before bird sapience, they did not have a harmonious relation with humans - and it's likely this status carried over to their new society also, with many of these birds being more likely to have been disenfranchised. Their goal of elimination is therefore reactionary towards perceived threat. After all, the people who suffer when things go wrong aren't the ones at the top - it's all the people who sit at the bottom of the social rung; the vulnerable members of society who do not enjoy the same advantages as others.

Of course, the Hawk Party has built itself up into such a powerful group that they may have lost touch with this starting foundation - the only thing that remains is likely that reactionary fear. After all, people caught up in the actual conflict - Nageki, Hitori, Ryouta, and Hiyoko - see this kind of horrible bloodshed firsthand (firstwing?) and just want it to stop.

Again, it's not usually the people in these political factions who are the ones caught up in their conflict. It's the individuals who lack power or influence.

But that's just the political groups themselves. On an individual level, it's kind of interesting to look at and theorize where along the spectrum our core cast falls based on their species/breed.

Ryouta (rock dove) is actually rather indifferent towards humanity as a whole - he just likes Hiyoko. However, his witnessing of the Heartful House tragedy led him to abhor violence and unnecessary loss of life, and I'd imagine his mother's later illness solidified this. Ryouta doesn't seem overly interested in political struggles or the broader implications of a lot of things - he's actually a rather self-oriented character when it comes down to it (this is not a judgment, nor a bad thing! I love my boy!). Ryouta just doesn't want to lose people, really. A conflict would mean more loss, and rock doves seem to have to struggle enough as is.

Hiyoko (human) is the daughter of two diplomats, but interestingly, we don't get to see much of her political views on things - perhaps because even if she expressed them, it wouldn't really matter - she's not herself a diplomat, and humans are the lowest of the low - her going to a fancy school doesn't really change that. Social-wise, except with her friends, she is tolerated, not accepted. Yet, it's safe to say that Hiyoko strongly disapproves of people who flaunt their status - she's quick to not take crap from Sakuya, to get angry on behalf of Ryouta and herself over the gull clerk's assholery, and also to defend Miru and Kaku as living beings worthy of respect. Interestingly though, she also uses Okosan's status as a fantail to get Ryouta to let go of him and let him do whatever he wants so... it's kind of unclear what her firm beliefs are. Perhaps, as a human, she still values fantails more highly. I don't know honestly. Implicit bias?

Sakuya, Yuuya and Okosan (fantail pigeons) may share the same breed, but their experiences are highly different. Sakuya is largely separate from the human-bird conflict, as he is unlikely to be directly affected by it. As such, a lot of his story and development has to do with actually learning and un-learning about the world outside of the limitations of his "father's" classist views, which he simply mimics without understanding the larger implications. Yuuya and Okosan, on the other hand, may be fantails, but are also looked down on and often treated as inferior - Yuuya for being a "half-breed" and for his reputation, and Okosan for being closer to feral than a lot of other doves. Interestingly, these two show more interest and respect for the individual than Sakuya does, who often makes sweeping generalizations based on status - which makes sense to a degree, as they've been on the receiving end of this kind of treatment, whereas Sakuya hasn't. Okosan believes that each person has their own "wonderful names" (read: identity outside of breed or status), while Yuuya is a genuine fighter for justice who is able to get to the heart of people, especially in Holiday Star. However, even though they have experienced classism, they still have certain privileges with regards to species/race - take Okosan's shock when Hiyoko and Ryouta are barred entry from his favourite store. None of them are quite as out of place in everyday society as some of the other birds here, and it's notable that "diverse" St. Pigeonations still apparently has a significant fantail student population.

Shuu (chukar partridge) is really interesting, as he doesn't particularly care for the politics of the Hawk Party, and yet his role as a killer/hunter of both his fellow birds and humans is an interesting reversal of the chukar being a game bird. Shuu also has a disability (his semi-paralyzed right side) which hinders him in bird society even more than most. His extreme, yet coldly logical solution to kill all humans to stop the fighting between them, could be as much his rationality, as his joy in the sadistic, as a reactionary survivalism (remember he was caught up in a human terrorist attack as a child - while overall he considered this beneficial to him, he also did lose much of his colour vision and the use of his right side, so it did leave him weakened). Shuu attains control by "flipping the script" as it were.

Tohri (golden pheasant) starts out in the Hawk Party, but much like his colleagues, doesn't seem to care much for their politics. Golden pheasants are game birds whose eggs can be eaten, but are more often bred and kept for their plumage - they're not prey, but they're not exactly pets either. All this puts Tohri in this interesting position of being somewhat in the middle of this conflict, and indeed he goes on to be a part of (found?) the Crow Party - an opportunistic group that seeks to benefit from the overall conflict. Golden pheasants are birds intended to be admired for their beauty and intelligence more than anything else, benefitting in some ways from humans without a strong connection or a reliance, and Tohri's opportunism fits nicely with that. (As an aside, our sole crow character, Albert, is also something of an opportunist, being an assassin on the fringes of society.)

Hitori and Kazuaki (button quails) are somewhat interesting. It would be both expected and understandable if Hitori held hatred for humanity after the Heartful House incident, or even before then, considering they were all war orphans. Instead, he doesn't seem to harbour any particular ill-will - he seems totally fine around Hiyoko, and her being a human has nothing to do with his reticence with letting Nageki hang out with her in the shrine universe. Kazuaki, too, doesn't seem to mind Hiyoko being human and isn't afraid of her any more than he is anyone else. While quails are game birds, with both meat and eggs being eaten, button quails are too tiny for that and are mostly kept as pets - they are considered cute, silly, and entertaining, though a bit too jumpy to be outright companion birds. The quails don't seem to experience too much in the way of speciesism (except arguably with the whole mistaken identity of Kazuaki's corpse... there may be a bit of an "all quails look the same" thing going on perhaps). At the very least, they are able to occupy teaching positions at a renowned school as respected intellectuals, and did go to university. Still, it's kind of a known thing that you don't put button quails with bigger, more dominant birds, since larger birds will often pick on them or even outright try to kill them simply because they're small and shy - this may, in hindsight, explain some of Kazuaki's demeanour.

Nageki (mourning dove) and Anghel (luzon bleeding heart dove) are the two who are uncommon bird species in Japan. Nageki is another war orphan, who would be forgiven for harbouring resentment for humanity, but instead is appalled at the violence and made a huge sacrifice to get it to stop. It's kind of unclear how Nageki fits into this society, as mourning doves are not prey or pets - they're wild birds. They live on the outside of the human world, and while Nageki exists within current bird society, he likely doesn't have a designated status within it. Nageki is unfortunately also alienated from much of the action due to his illness and later his untimely death - this is why a lot of Nageki's thoughts are somewhat from an observer's perspective, with his most emotional moments being derived from his rare direct experiences - specifically the Heartful House tragedy and the human killings he was forced into, which solidified a really firm stance of not wanting anyone to suffer like that. Anghel is another outsider, this time genuinely a foreigner, as opposed to Nageki. Again, Luzons are wild birds, not prey or pets, and so it's a bit unclear what his status is. This might explain why Hiyoko repeats Sakuya's remarks towards him without apparently realizing they're actually insults - Anghel is removed enough from the conflict she is familiar with that it seems she doesn't quite... get it. Again, Anghel's role is as this strange kind of omniscient observer, whose perspective is closer to the player's than to the rest of the cast. He definitely frowns on the Hawk Party's overall goal - the Demon Spores are evil to him, and his main objective is to stop them from spreading, as they would cause damage to both birds and humans. I attribute his morals to his mother having raised him right lol. The lack of a clear status for both of them may be why they appear to take the stance of judgment based on individual actions, but are not heavily involved in the conflict itself - while humans tend to like mourning doves and luzons, there isn't much interaction that goes on between them. Nageki and Anghel are simply less embroiled in bird society's human-derived status conflict, which makes them both outsiders and observers.

As a bonus note, Azami, Rabu and Kenzaburou are all species of birds that can be kept as pets (java sparrow, budgie, parakeet), which may account for some of their friendliness towards Hiyoko, and Kenzaburou's willingness to hire her. Kenzaburou is even a bit old-fashioned it seems - he sleeps in a cage, which implies his ancestors were probably pet birds themselves. It's likely he, in particular, has more positive views on humans.

...Please tell me I'm not the only one who spent ages thinking about the implications and workings of a fictional post-apocalyptic bird society. Also I hope this made sense I kind of went off the rails here.

[assortedvillainvault]

"#...though everything in me wants to analyse the intersection of power and species in this film I must grit my teeth and acknowledge it is#Not That Deep and british ecology will have no meaning in a fun little film adaptation from the 50's"

No, please keep talking. This is the shit I live for! Okay, we know the truth is that is makes zero sense, but trying to make sense of it sounds very fun.

My own tuppence worth on the subject is just noting that the film would have taken place only about 100 years after the Norman invasion, which presumably in this Disney animal 'verse means that lions and other non-native predators would have been in every major position of power for all of living memory. It makes me wonder if Marian being a fox could mean she was descended from and Anglo-Saxon noble line that was deposed by the Normans. This could then add to the reading of invasive species (the rich and nobility) harming the entire ecosystem of society by over-exploiting native species.

So we have a story of the trickster non-apex predator who fits into this ecosystem, who belongs there due to having a place in the multi-species (multicultural) society versus the invasive apex predator who is a symbol of royalty, divinely appointed, and yet he is very much not a real part of this community he would nevertheless rule.

As a Brit, it's pretty reflective of how the nobility of the UK still works nigh on 900 years on. It's not anti-immigrant (see the bloody tortoise character, which is definitely a non-native species) but I read it as a condemnation of people with power and status who are so removed from the common people they rule that they may as well be of another species from another continent.

King Richard returning at the end kind of undercuts this reading, though, so I am definitely trying to shove my anti-monarchist views into a narrative not made to accommodate them.

Anyway, please share your thoughts on this, I need someone else to go way too deep into things with!

@the-phony-king-of-england

You are both wonderful, terrible enablers and I adore you.

Honestly Lancre you've pretty much nailed the historical implications I was trying to articulate in my own brain - that of the rich being animals that do not suit the area they're occupying.

Be warned I'm going to expand on this via an ecological wandering ramble below with no clear conclusion, so yay???

This. Gets. LONG.

(Also I'm shaking hands with you tightly, Brit for Brit on monarchial views here)

Aight ok. Basics first.

The Disney 70's (not 50's, my bad) Robin Hood is a loose adaptation of various folktales regarding Robin of Sherwood, who's tales originate at earliest, from the 1100's, and stretch to the 1500's. Robin as a singular figue never likely existed as just one person, and instead is a conglomerate of various daring, altruistic thief figures of semi-dubious origin. Dubious because this is medieval England and there ain't much to do but get piss drunk and swap tales around the pub fireplace, so there's always an element of inaccuracy and exaggeration for entertainment.

The setting of the story takes place in the city of Nottingham, and the surrounding Sherwood Forest. Both of which still obviously exist, though Nottingham is obviously MUCH larger than it was, and the forest has been reduced to mostly pine plantations and scattered ancient remnants of the original woodland.

There's no map for the medieval borders of the forest becuase officials were relying on collective memory and physially walking around the wood occasionally to demark it's location, but guesstimates would move he green area on the left image to encompass Nottigham and widen the forest eastwards a bit too.

The above reduction in size makes me smad, but that's beside the point. Sherwood in all it's medieval 100,000 acres was a royal wood - permissible to hunt in ONLY for the King and his fave besties. This is a point I'll come back to later. There was 1 (ONE) road to london south through it, and that road was prime time for Robin & co. to do as they do best, as we see in the opening scenes of Disney's adaptation.

The disney adaptation uses anthropomorphic animals to depict the typical robin hood story.

This is where my little conservation-masters-equivalent-certificate having bum starts to get it's knickers in a twist.

Like. I get it. On a folklore and symbolism level, the basic animals make sense. Robin is a red fox, a figure in British folklore often associated with cunning, trickery and swiftness - making him a perfect rackish protagonist, an outlaw with a heart of gold. Foxes are known to steal, and adapt very well to both modern urban environments and the medieval woodlands and fields. Brilliant choice, no notes.

John.

...John.

*deep sigh*

I KNOW. Our national animal and symbol for royalty is a lion. I KNOW. John and Richard being lions is a direct tie in to the lion coat of arms of the Duchy of Aquitaine, one of the ruling families to invade as part of the norman invasion. John even speaks french on occasion in the film, and directly refers to it as 'the norman' way! I GET IT.

That we have not had any lions, much less the african lion alive today, living on our island since the last glaciation period is something I'm still bitterly annoyed about, but whatever. It's fine.

That this also implies that Normandy, aka modern France, has a thriving population of lions running about in some fusion of french temperate flats and the kenyan savannah is something I just have to grit my teeth and nod about, but WHATEVER IT'S F I N E -

*Insert aggressive bardcore accordion music here*

Ugh. Moving on.

Ecologically, and story wise, it would make most sense for the denizens of Nottingham to be anthropomorphised as animals native to the region. And for the most part this holds up. We have the rabbit family, the mice, the owls, blacksmith dog, the singing rooster and Lady Cluck the Chicken, who has my WHOLE heart in this film. Friar Tuck is allegedgly a badger...

...which I doubt, but I'll allow it I guess. (I would prefer the black & white be actually depicted, and for the man to have claws. Let him have his claws he deserves them.)

Then...we have Little John.

British ecology is famous as being incredibly lacking in the modern day, due to a combination of land management changes, hunting, climate change and our being an island nation. All our major carnivores are extinct, and have been for a long time.

John is a brown bear.

Brown bears have been extinct in Britian for over 1000 years.

Even at the earliest possible time of the film, brown bears will have been dead for 200 years. John's existence should have been something almost goddamn-messiah like in this film. Last of the giants type stuff. I'd love for Lancrew's above point of large british animals to have been defeated 100 years prior by Norman invading lions (deeeeeeeep sigh) to hold up here and have John be a last descendant of nobility. He's a common man in all the legends, but it would be a great addition to how he schmoozed John at the archery tournament.

Looking at Johns forces now instead...

...what the FUCK is going on.

This, I GUESS, is an easy hand wavy way to visualise bad guys vs good guys. Cute forest critters vs afro-french (DEEP SIGH) mega herbivores & carnivores shows an obvious power inbalance between the local animals and Johns forces, and explains why the townsfolk can't rise up on their own. Rabbits aren't exactly going to do much against halberd weilding plate armoured legions of Rhinoceros.

BUT GOD ALMIGHTY WE COULD HAVE TRIED FOR EUROPEAN FAUNA, AT LEAST A LITTLE BIT???

Easy stuff first. Sir Hiss looks about 1, maybe 1.5 meters long, is green, and has no allusion to venom in the film. I've got him down as a grass snake, our largest species. Excellent. No notes.

The wolves are also easy. Wolves didn't go exinct in England until the 1500's, and alledgedly survived in Scotland until the 1700's. While I personally dislike the depiction of wolves as purely villainous in media, here the Sheriff and his men are the perfect foils to Robin. A larger canine species, moving in packs and hunting him in his own woods (that he's SQUATTING IN, because the woods are owned by John and the crown!), and exempliying the selfishness of the crown by having the Sheriff be dressed in bright colours, with fashionable sleeves while the townsfolk are in rags.

Also aside from the Friar, who is fat in every depsiction of the story, the Sherriff is noticably overweight compared to his men and the pallid, sickly looking townsfolk. The fact his clothes fit him when he's a body type almost no-one else has is a great further subtle show of proof that he's living indulgently and comfortably in his life of active cruelty enforcing John's will, and has no intention of stopping.

His other soldiers....

...ok. Since Lady Cluck - a chicken - is half the size of brown bear little John, there's some leeway for size. The vultures I think could feasably have been ravens, magpies or crows: still a little subtly morbid still, fitting for guards. Or maybe storks or herons, or even seagulls! To keep the silly antics and mean streak.

I- look. The rhino's are the main kind of guard featured. They're big, they're strong, they're imposing to look at and occasionally bumbling.

European Bison were RIGHT THERE.

Pigs and wild boar are depicted as background characters in a couple of scenes. do. Do you have ANY idea how large wild boar can be? Especially 500+years ago?! These things FUCKED. And they actively fucked you up when they wanted to. This wouldn't even be a case of british animals being wiped out in the wars - these things were prevalent all over Europe!

WHERE ARE THE DEER. The penultimate prey species for large cats?????? Not a single goddamn doe or stag have I seen in this film?? Sherwood Forest was a DEER HUNTING FOREST?! Not even as soldiers, Robin should have been able to help anthropo-medieval Bambi away from the wolves at least once.

I am not going to even fucking talk about the crocodile. Madam, in whose climate? We can barely keep 3 species of finger-length lizard alive through our wet, cold, windy climate, howmst the FUCK-

My only course of action is to admit that at some point in this universes timeline: There rose a kingdom of immense power in East Africa that has since, over many generations, colonised northwards and subjugated/wiped out European ecosystems. They reached the british isles around the medieval period, and now thanks to Prince John and Sir Hiss hypnotising King Richard, they are continuing expansion eastward via the crusades.

The vultures are there to eat the carcasses of the conquered nations armies. There. Evil as fuck but also exonomical.

Do Not Speak to Me About The Raccoons.

As far as I'm concerned these are oddly coloured red squirrels.

I hope you enjoyed this absolutely insane spiel of nonsense.

[jadedaegis]

Oil Rigs look god in the eyes and spits on their shoes

SERIOUSLY WHO JUST WENT:

"Ah, mhyes quite. The Number Must Climb™; sacrifice peasantry to collect the Death that coalesces in locked-away packets of the deepest underground depths. This death has rotted beyond normal decomposition, giving it undue ability to effectively reanimate inanimate matter upon combustion. "

AND THEN CONTINUED WITH:

"Furthermore, we shall build a monument to this Death; a Hell borne of jagged angles and crude iron. Behold, ye witless peons! Harvest for with me! Partake of what we know not of handling! Imbue life into our mechanical automatons; derive VIGOR from DEATH! A brutalist siphon that exchanges life quality for work quantity- directly converting my serfdom's labor into cold! Hard! Cash! This has no chance of hurting the entire species. Harvesting the energy of death is a smart and sane thing to do : ) "

[united-under-skyfall]

.

[captainkurosolaire]

I've told you this before but you are an inspiration to me to keep going when I'm lost in the darkness. You're apologetically you and I admire that a lot. You're passionate about your projects and I will always be your biggest cheerleader to see you through to the end of Captain's story.

ANONYMOUSLY TELL ME YOUR HONEST OPINION ABOUT ME. I CAN’T REPLY, JUST PUBLISH.

[l-in-the-light]

This cultural mechanism of denying humanity of certain individuals (most often villains) has a name. Rene Girard wrote about it in his book called The Scapegoat. I tried finding ANY reblog of this post which actually mentions this, but despite scrolling through at least half of reblogs, I couldn't find it, which means even if someone did point it out then it still went pretty much unnoticed.

We all know who or what a scapegoat is. It's that thing or that person, the root of evil, the source of chaos, the troublemaker, the trickster disrupting the long established safety and order (which is, ofc, the ultimate good). If you only get rid of the problematic individual, everything will be okay again. That's how it works. But there's a problem with it. There's never one scapegoat. After one comes another, and another, and another, till you get hundreds and thousands of them and you can't fit them in one neat grave or prison anymore. They keep coming and there will be more and more of them, this will never stop, because it's a cycle. A cycle of violence. If you really want for "things to be okay", you need to break that cycle, instead of finding YET another scapegoat, yet another villain to bury for all of our sins. By sacrficing another villain, another victim, another scapegoat on the altar of society, you only support the cycle to keep on going.

Yes, you heard me right. Villains are scapegoats. But victims ARE scapegoats as well. Anyone we forcefully silence and refuse to give agency to is the scapegoat. The homeless, the LGBT, the mentally different, any disabled people etc. Anyone who fits into a very broad category of "otherness". But here's the catch. Because this category is so broad it's very easy to become that "other". That's why people are willing to go to extreme lengths just to make sure no one sees them as "other". They will deny their disabilities, they will deny they're not like those "others", they will even deny their own struggles, just to fit into the safe mold of "normal". And if you silence yourself just because you're afraid you might be the next one victimized or villainized, you're also a scapegoat, btw. Your inner life and self-consistency is the sacrifice on the altar of society that doesn't care if you actually have a heart. All it cares about is for you to make sure you're "normal", which has a very murky definition too. Who's normal? The one who acts like the majority of others? The one who has the applause? (applause can be shortlived and depends on trends, it's dangerous, you're dancing on the edge). Every time we see someone as the "other" we judge, we're scapegoating them. Yes, all of us, by succumbing to our fear of being judged, contribute to this mechanism. Otherwise the seams of the society might fall apart and we can all turn against each other, we can rip apart the system, they warn us of anarchy, you might get killed in the middle of the street, there will be no police to guard the order, no prisons to keep the bad eggs away from you. Stay quiet, endure, it's for the safety of all of us.

No one should have to carry that weight of the whole world on their own shoulders. Not like this. But we do, every single day.

We're all capable of being bad people and often are. But we also all want to believe we're good. People think if someone didn't get love there's a reason of why they didn't receive it. That belief didn't come out of nowhere. It's internalized violence and judgemental mentality. You prefer to doom someone else as long as it saves yourself from being doomed. You're not only hurting others with it, but YOURSELF as well in the process. You get rid of your true empathy for others, you decide whose pain or suffering is the one "worthy" of acceptance and which is not and needs to be condemned. You can't afford that empathy for anyone else than you after a while, after all you live in constant, silent fear of "being next" if you just stop for a moment and look too long at the scapegoats buried around you. And what you fail to see is that you're also a scapegoat. If we all accept each other and ourselves as "others", if we're all just different people and no one is normal anymore, will this finally break the cycle?

You want to feel like a good person? Of course, we all do. But you can't achieve that if you're too afraid to look into the abyss/mirror and realize you also do bad things. You also need to redeem yourself. You can do better, but it's not easy. You know what's easy instead? Finding a scapegoat and blaming them for their own misery. Literally requires no work, the world will applause you and all you need to do is repeat same words after others. The mechanism works like a perpetuum mobile at this point, it will mostly do this job for you. Just take a stand, deem the villains, blame the victims, ignore the struggles and pain of others.

But here's the catch. If you're too cold, you're also gonna be judged and called a psychopath. That's also a no-no, you're becoming the unacceptable "other" again. You have to show, in specific, allowed circumenstances, that you feel sorry for others. That you know how to choose the "right" side. That you understand "good" needs sacrfices and sometimes you're even expected to cry for them. And if you see those sacrfices as not-human "others", it's easier to accept it all.

Many people claim how scary it is to face certain truths, like "victims can turn into villains too", but the real truth no one wants to face is actually this: we allowed this to happen. We allowed the villains to be formed, all of us. Every time we engage in judgemental actions, every time we police someone dealing with their pain "in wrong way", every time we call someone "born evil". Every time we point a finger and call someone a villain, a victim, a barbarian, the other. By doing that we trap them in endless world of pain and suffering and abuse. They also want to be out of that cycle, but we keep trapping them, by silencing them and adding our own narrative on top. They suffer for our sins. Because they're our scapegoat, the sacrifice we made to keep on going, thinking how good this world is and how much worse it could have been, just look in the right places. Just don't look at the scapegoats too long. They corrupt. Maybe their otherness is even contagious, so stay as far away from them as possible.

You're allowed to be mad about this, btw. Anger is a neccessary emotion, it points at injustice done to you. But the society wants you to throw that emotion away and supress it, so you're tamed and silenced. It might even create a "safe space" to vent it out, by encouragig you into physical activities or taking part in some entertainment, so you can lose your steam in a way that doesn't challenge the system. It's a distraction. (the point here isn't to condemn sport or popculture btw, it just serves as an example, ok?)

All communities work like this. We're all trapped in endless cycle of violence. We bury endless scapegoats under our communities, they become our foundations. After all, nothing unites different people better than finding a common villain, it's us (the good) vs them (the evil). Wait, did I just say "different people"? But we're supposed to be all the same! No, that's a myth. We were all always different. We just have to choose who is "more different than others", so we can unite ourselves against them.

You know what that reminds me of? "We're all equal. But some are more equal than others". Animal farm was about power structures. By accepting easy scapegoats, by abiding to this mechanism, we support the power system that oppresses us. Think about it. Our civilisation is build on this and it would not thrive the way it did without the scapegoats.

And all of you blaming christianity for this instead, you need to understand one thing. What Jesus taught was actually the reverse of scapegoating. “Let him who is without sin among you be the first to throw a stone at her”. This is literally Jesus telling people "you all have sinned, so why are you judging them if you don't judge yourself?". What you all mean by christian/puritanist beliefs is how christianity got distorted and institutionalized into a power abusing system called religion. Swallowed up by what it tried to fight against. Always identify the actual source of abuse, instead of doing more scapegoating. I'm in no way inclined to defend christianity (not in the form it exists now), but also if we keep on muddling the truth we will always make the same mistake, so, always dig deeper to avoid it. Thank you.

not to post even more Villains Discourse on main but it really bugs me how people read giving villains tragic backstories as inherently excusing their actions and/or demonizing trauma survivors.

the actual message of Tragic Villains is (almost) always “people who are never taught or given any healthy, constructive outlets for their emotions will often find unhealthy, destructive outlets.” it’s that people who are traumatized and never learn how to cope with that trauma can become a danger to themselves and others. the message isn’t “trauma makes you evil!!!!” or “genocide is okay if you’ve been sad before!!!!” it’s “people need compassion and help to recover from trauma instead of becoming increasingly angry and harming themselves and others in the process.”

this site takes an alarmingly behaviorist and punitive approach to everything and it’s literally the most annoying thing. y’all have this concept that “if we just punish people hard enough, if we just scare them enough, if we just make them feel guilty enough.” that people just Do Bad Things Because They Do Bad Things, I Guess, and Because We Didn’t Threaten Them And Shame Them Enough. but humans are an innately social species. at our very core, we need compassion and kindness. we need healthy relationships with other humans.

you can keep looking at traumatized villains and being like “haha this dumb pathetic sadboi thinks murder is okay because his parents died” but as a survivor myself, unaddressed/untreated trauma absolutely can make you ragey and destructive. i was lucky enough to have support and eventually get the treatment i needed. but it’s not hard at all for me to imagine how, if that hadn’t been the case, that could’ve been me. obviously not on a movie-villain scale like murder or war crimes, but it’s so irritating as someone whose trauma has always manifested as anger to watch people on this site be like “this is just bad writing!!! real survivors/good survivors don’t end up like that the writers just hate survivors and want the audience to condone murder!”

[secondpersonpoetry]

HI!!!!! whilst eating dinner i watched the “once an otter always an otter” number retirement video on youtube and thought “ooh. cool. let me see what people are saying”. opened tumblr. saw your most recent reblog, pressed play. saw DYLAN STROME say the word “davo” and immediately had to pause it lol. put my fork down to boot. like…..flabbergasted. genuinely. man oh man. my goodness. unpaused. the past tense “it was (WAS!!!!) an honor to be your friend” (😧) and the “and hopefully we can make some more [memories] in the future” and the fade to black. SHUT UPPPPPPPPP. OH MY GOD…………….i don’t have anything of substance to add just im sick!!! im sickened!!!!!! it’s never overrrrrrrrrr. absolutely unbelievable!!!!!!!!!!!!!!! frank ocean ivy trust and believe you WILL be looped for the foreseeable future……..they’ll never be those kids again!!!!! and the game’s in a week and a half!!!!!!! gahhhhhhh. nuts crazy bonkers etc etc. going to have an absolutely exceedingly normal one about it for sure!!!!!! hope you have a good one!!!!!!!

also! just for future reference: do you prefer asks of this nature sent to this blog or your hockey one? thank you!!

"Centaur over Tomer Butte" [amended, abridged], Robert Wrigley

you know. i don't think i actually ever registered dylan saying "davo". i think my ears just decided i didn't need to hear that, for the good of my brain to continue functioning. who up having their present haunted by the ghosts of the past who are less like ghosts and more like someone you keep forgetting walked out of the next room but also aren't quite sure if they came back and you've only just worked up the courage to call out to them. schrödinger's best friend who might or might not be there in your future to make more memories with. but at least this time you opened the door and left it cracked for him to crawl back through.

[wizardofderpiness]

Not me rereading my own fanfics and getting obsessed again with kingdoms of amalur. psh no. that's that dude over there. *pointing away, no ones there and when you look back i tripped over my own feet trying to run away*

[lostiethoughts]

it really is so crazy to look at the show in terms of the purpose of life, especially for juliet, who's been trapped in abusive relationships all her life and repeatedly traumatized with her experiences of pregnancy-related deaths on the island to eventually discover that the life she was happiest and meant to live in an extremely fulfilling and health relationship would take place in both the space and time that caused her to have all that trauma in the first place (the island and detonating the bomb... that was always going to be her) like. everything that happened to her, both her life AND death, was circular and inevitable.

[crabussy]

hi gang. reminder that we are some of the best sweaters in the animal kingdom (second only to equines) allowing us to stay cool and keep moving in hot weather. we have 10 times the density of sweat glands compared to other great apes.

we are ALSO insanely good at smelling rain (specifically geosmin, found in the soil and activated by rain) with the ability to smell 10 parts per trillion. this is speculated to have helped our ancestors survive!

we ALSO have absolutely batshit diets compared to most other animals. caffeine and chocolate are completely toxic to most animals but we can eat it without even feeling sick. even avocados are severely toxic to many animals to the point where it can be fatal to eat, but humans love it!!!

we are ALSO the best endurance runners ON EARTH out of ANY other species. we beat horses in endurance running. you know, the animals that gradually evolved away most of their toes in order to be the best runners?? yeahhh.

and to top it all off. our lifespan is unusually long for our species' weight/mass. typically, the bigger a species is, the longer its average lifespan (e.g. weasels live for 1-2 years, whales can live over 200) but we're very small for how long our average lifespan is. big cats like tigers live around 14-15 years, brown bears 25 years, yet here we are expected to live around 75-85 years. that is NUTS.

humans as a species are so extremely cool. it's not just our intellect that makes us amazing. we may not be the fastest or the strongest in the animal kingdom but we're super cool in many other ways. next time you sweat you can go wow!!! humans are so cool I'm able to keep moving because of my absolutely insane number of sweat glands! thank you evolution!

[warthogreporter]

A second look at the human fucker community on monster tumblr

🧜‍♀️ Hermaid Follow

After a while you start to notice some trends in how people talk about fucking their hoomans

Vampires: This is Brother Reginald Regicus Regicum who I slowly corrupted and tempted with earthly desires across several long years until he became a creature of the night like myself. We're throwing his one year vampirization party in a month, here's the invite, if you don't come it's a personal insult, to me.

Orcs: This is Himby the Himbo who I snagged in some raid I did because I got bored on my way to the grocery store. It's funny when I make him wear cat ears.

🐻 Beard-Toucher Follow

Demons: These are Sir Good and Sir Goody. I make them wear matching collars because of how they were all but boyfriends before I enthralled them with my dark magic. You noticed their matching collars right?

Werewolves: You'll never believe this, but my human Stucky, who used to be called Lady Stuck Up, was actually a repressed and stuck up person before I helped her embrace her wild side TM.

🐍 Scaled-Scales-Scaling-Scales Follow

Naga: ...Anyway after spending 400,000 years praying I finally met the human who is the love of my life and we recited mantras together, after 200,000,000 years of this we began to *blushes* hold hands and then the gods...

Other kinds of dragons: This is King Dragonslayer the Unfucked. I use him as a display stand for my jewels when not fucking him.

(164,597 Notes)

🐙 WetterThanYou Follow

Showing the humans parts of their world they've never seen (the depths).

(9,846 Notes)

🐎 Seventaur-deactivated20230527 Follow

Man humans really are such pathetic creatures

🐎 Seventaur-deactivated20230527 Follow

Stop reblogging this as a human fucker post! I advocate for exterminating those pests! It's literally in my bio! Human Fuckers DNI!

👿PazuzuOfficial✅ Follow

Hey OP we need to 'talk' IRL. Don't bother turning on your location, I already know it.

(369 Notes)

🐺 HereWolf Follow

Seeing elves in human fucker communities is always such a "bro thinks he's on the team" moment. Oh yeah you're so different from humans with your pointy ears and... oh right that's literally it.

🛣️Elf-Hater Follow

Elves are like humans but lame and pretentious, even lame and pretentious humans are better. Eying a 'human' only to notice pointy ears is like biting into a blueberry muffin thinking it's a chocolate muffin, if blueberries tasted like shit.

🧝Elfeven Follow

🥺

🪓Orcasionally-Really-Cranky Follow

If it makes you feel better I fuck both humans and elves, just got back from a raid where I scored plenty of elves to make into my obedient little whores.

🧝Elfeven Follow

That doesn't make me feel better.

(685,734 Notes)

🦅Feathery Follow

Finally going to an actual human town. What do human eggs look like? Don't want to cause any problems by mistake.

🦋 Gregory-Grigori Follow

People on this webbed site will really just say anything about hoomans huh?

🐂 No-Yournotaur Follow

OP, humans don't lay eggs. It's weird that you thought they did. They're mammals.

🦅Feathery Follow

I thought they were like platypi no need to get up my ass about this

🐂 No-Yournotaur Follow

Okay you know what fair.

(5,873 Notes)

🦋 Gregory-Grigori Follow

I'd say good morning, but I didn't wake up with a beautiful human on each side of me so actually it was yet another mid morning.

(4,384 Notes)

Click here for part 1 and here for part 3 and here for the Christmas special

[savanir]

A sister's love

The justice league hurriedly responds to a call for backup at a little in the middle of nowhere place by the name of Amity Park. 

The situation had seemed so simple. 

A Star Sapphire had suddenly shown up on Earth which isn’t immediately cause for concern but she was unidentified, so a lantern was definitely going to have to look into it if only just to make sure that nothing bad was going on. There are two planet side green lanterns, Simon and Jessica. So they responded to handle the potential situation. 

Things rapidly spun out of control when they realized it wasn't just a Star Sapphire. 

"I hate to say this but we're gonna need backup" Simon tells Cyborg, "the Star Sapphire has brought something with her. My first guess was a white martian but..." The other one can do some manner of density shifting, and he can go invisible, but they know ways around that. Whatever this one is doing isn’t that though.

"Why isn't this working!?!" Comes Jessica's slightly panicked voice in the distance, "he keeps just going through my creations! dammit, think think Jess" She tried to contain him with a flamethrower construct but he just ignored it, like he’s seemingly ignoring everything else she’s throwing at him.

"Our constructs have zero effect on the other one, the alien, meta? man I don’t know he’s human shaped" 

"What is the situation other than the two hostiles?"

"Uh we got some government agents who are retreating because of the Star Sapphire wrecking their stuff. And the civilian people here seem to be falling under her influence, so she must be human. She's from here, she needs emotional connection to pull that stuff off."

The people are furious, the violet glow around them clearly indicates that the girl is using her ring to amp them up but if Simon didn’t know any better he’d say this was red lantern stuff.

Well there are more ways to whip people up into a frenzy, by hurting their loved ones for example.

There is a brief moment where it can be heard that Simon and Jessica try to get into a more advantageous position. 

Simon grunts, "dammit, those agents seemed to have weapons that actually worked on the other guy but the Star Sapphire used her violet constructs to shield him and destroy their guns and we've been struggling since" this whole situation stinks, he has a weird feeling about all of it.

"Simon this is really really bad, i can't keep restraining all these civilians, we're running out of energy fast!"

Cyborg tries to get a visual on the situation from his position in the Watchtower while he’s notifying any league affiliated heroes who are nearby and available. 

But all of a sudden he realizes there is just nothing, just a big lap of void where the two lanterns are supposed to be, there is no cctv footage, no cell towers, no internet connection. Just what the hell is going on here.

Then the audio transmission starts to violently crackle.

A new voice laced with static can suddenly be heard, "There you two are"

"Shit"

"Is the justice league coming yet? Are they finally going to do something?" the staticy voice continues.

"Stay back you-"

"Or maybe they still need more of a reason to act" 

The audio cuts out. 

"Jessica! Simon! Come in!" ... "Shit!" 

Cyborg finally gets a clear picture with the satellite cameras and now sees the entirety of Amity Park has been covered with a crystalized violet dome. It’s then that he remembers the story Hal told quite some time ago now about a Star Sapphire who managed to put a whole planet into love stasis.

They are gonna need more help with this one he thinks.

Meanwhile Jazz is still shakily trying to figure out how her new pink powers work, now that all the fighting is over (for now), the GIW forcefully expelled from Amity, and the two Justice league people captured and restrained.

Everything happened so fast, one moment the GIW had knocked out her brother and were forcefully taking him away and while she saw them drive off (she was pretty sure she was screaming) a pink thing just froze her in place, She was pretty sure someone said something about “great love in her heart” and then she was… well she was flying and- and there wasn’t really any time to question things then so she may have kinda gone and ripped into the van that had Danny.

She’s pretty sure she healed him, and then things just completely spiraled out of control from that point on. and now she’s here.

She’s pretty sure this is crazy villain behavior, she’s going to get put on some sort of watchlist and then she’ll never get to be a psychologist but it’s fine.

Her little brother is safe, that’s all that matters. And she will keep it that way.

[avelera]

Parallels between Jayvik and the Phantom of the Opera

I can't believe I haven't seen any discussion yet around the musical theater influences in Arcane S2 so far (besides my one mention of its parallels with Les Miserables).

So as a basic, Phantom of the Opera-loving bitch, can we please take a moment to examine the Phantom of the Opera parallels that are literally shoved in our faces during this opening sequence and what that means for Jayvik?

Viktor is the Phantom. The show opening outright says it. The parallels are there. They're impossible to miss.

And then, when you dig a little deeper, hooo boy those parallels become even more stark. Especially if you read Viktor as romantically pining after Jayce, which 99.9999% of humanity does.

To quickly summarize, Phantom of the Opera is the story of a deformed genius who falls in love with an opera singer, Christine, and then nurtures her talents, only for her to in turn fall in love with a nobleman, Raoul. The ensuing love triangle is the heart of the plot, with Raoul and the Phantom both vying for Christine's love.

This shouldn't be a hard one to see the parallels for.

Viktor = The Phantom. Literally a genius born with a disfigurement, in this case a disability he sees as a weakness and a disease that is sapping away his life and hope of a legacy. He is riddled with jealousy for the person trying to pull his scientific/musical partner away from him, a person who happens to be beautiful and live a life of privilege that Raoul/Mel could offer to Jayce/Christine instead.

Jayce = Christine. Instead of sharing genius in music, he and Viktor share genius in science. Like Christine, he is tugged between the glittering world of politics and privilege, vs his genius and love at a more esoteric skill, in this case science instead of music.

Mel = Raoul. Literally an aristocrat who is far more beautiful than the Phantom/Viktor, who steals away his partner's attention and offers them a glittering life of privilege in the public eye instead of the wonders of their joint musical/scientific pursuits. Whether or not Mel meant to embody this, or steal Jayce from Viktor, this is the role she fulfills in Viktor's view of the world.

But the most profound moment for me of, "Oh wow, they're doing Phantom of the Opera! Actually, they're not just doing Phantom, they're doing Phantom fixit fic?!" was this:

Which, if you'll forgive the potato quality of the screenshots, is literally the moment Viktor has his mask knocked away and then cringes in on himself to hide his exposed face from Jayce.

Which... is literally a scene in Phantom of the Opera? Just after "Music of the Night"?

But we're already in Phantom fixit territory, because Jayce doesn't recoil like Viktor expects! Instead, he embraces Viktor and loves him for all his self-perceived flaws.

And then, AND THEN, in a moment that made my Phantom-loving heart sing, Viktor tells Jayce to go!

And Jayce doesn't.

In the final song of the Phantom of the Opera musical, Christine is forced to choose between Raoul and the Phantom. She chooses the Phantom and kisses him. Flooded by remorse, the Phantom then relinquishes her to the man he knows she truly loves, and when Christine hesitates to leave, he shouts at her, "Go!" and then, of course, she and Raoul leave together.

Viktor is expecting that to happen! I think his order to Jayce very clearly implies that he thinks Mel and Jayce are still together. It's the classic, "Go be with the woman you love instead of staying here and dying with me," trope that we see over and over again in dramas.

But Jayce. Defies. The Trope.

Unlike Christine and just about every buddy war movie out there, he stays with Viktor. He chooses his scientific/artistic partner over the life of aristocracy and privilege that Mel would theoretically offer him. He chooses the masked genius with the disability and calls him perfect. He refuses to go when he is ordered to leave. He stays with Viktor until the end.

And I still can't believe that no one else is talking about this!

[myfandomrealitea]

I know there's a lot of advice for handling things like depression and its so fucking easy for people to say "just do this and you'll feel better!" and I hate that, I fucking despise it, but I'm also gonna throw in my two cents about what is personally helping me get out of bed some days and genuinely, not kill myself.

Its taking care of nature.

Seriously. It sounds stupid and some days it feels stupid, but I put up bird feeders because I live in a semi-rural area where human activity is decimating the local bird population and options for safe feeding. So I put up bird feeders. And now I have like 83 different birds flocking to my garden on the daily and screaming at my window if the feeders are empty. And I've seen generations of baby birds brought to my garden by their parents because this is where the food is.

And I researched what plants and flowers were native to my area and I spent like $5 on a few different seed packets and sprinkled them around the grass and the sad empty flowerbeds and the lawn because the bees have nothing to eat and that's awful and it turns out wildflowers will fucking GROW the moment you look away, but now every spring and summer my lawn is a pretty little multi-colored bug haven.

And I've even gotten the chance to save a few little bug lives because of it. I've taken in cold-shocked bees and given them a warm little tupperware to recover in. I've fed bugs sugar water to get their energy back to take their food home. I've given dying bugs a sheltered, safe place to spend their last moments.

I planted a veggie garden. And I know I'm very lucky in that I have the space to do that, but also, you can grow a lot of things indoors. My friend has literally the smallest apartment you can imagine but she grows chives in her bathroom and grows five radishes at a time in a pot in the kitchen. Literally five. But it makes her so happy every single time she pulls them up or trots off to the bathroom to snip some chives.

I pick trash up every two weeks. The pick stick was like $4 online and I just put the bag out with my bi-weekly trash pick-up and its disgusting but but nobody else is gonna do it and I've only got finite time on this earth. If nobody else is going to pick up that can, I will. Because some innocent wild animal doesn't deserve to get hurt by human ignorance, and I deserve to walk home and see pretty flourishing nature instead of depressing discarded trash like I feel like most days.

I've left water out for the wildlife and watched hedgehogs, local dogs on their walks, squirrels and all sorts stop by to take a drink, because humans are fucking selfish and we're making something as basic as water so hard to access for anyone but ourselves, but I can fix a little bit of that just by putting out a bowl. Sometimes I don't even have to remember to fill it because the rain will fill it for me, and its kind of like nature's way of saying "you're helping me so I'm going to help you out too." Which is neat.

Like most days I do not want to be living on this earth but my god earth did not get a choice about us living here, and we're ruining it, and it actually feels so good to help stop and un-do a little bit of that destruction.

And you don't even have to try everything I do. If the only thing you've got the spoons to do is buy one bird feeder and you only remember to fill it once a month, its still something. That once a month could mean the difference between starvation and a full belly to a bird.

Again, none of this is obligatory and I'm not saying at all this is some magical cure for depression, but personally these things are things which are helping me slowly find things to keep getting out of bed for and things to feel a sense of self worth and satisfaction over. I feel better both in and about myself when I feed the birds, when I see the bugs in the garden, when I pick up the trash.

If its something you haven't considered yet, it might be worth a try.