#yet here i am with twelve word documents of different story ideas
Explore tagged Tumblr posts
Text
writing fanfic is hard :(
#this is specifically about#911 abc#i've never really written fanfiction before#especially not with the intent of publishing anything#yet here i am with twelve word documents of different story ideas#all of varying degrees of making sense or being fleshed out#and document names that are loosely related to the contents at best#my respect for fic writers has yet again grown#bucktommy#<- target audience and also partly what i'm writing about#the rest... let's just say features bobby nash in various ways#i don't wanna talk about it (lie)
15 notes
·
View notes
Note
Get to know your (much beloved) fic writer!
# 4, 11, 16, 55?
(Obligatory your hilson breathes life into me every single day and I have reread them all a million times except for the ones I haven’t read yet bc I’m saving them so I don’t run out! 🥰🥰🥰 thank you for writing!!)
aww thank youuu and thank you extra for the ask!!
4. Where do you find inspiration for new ideas?
Re-watching canon always inspires show-specific stuff! And engaging with different media more broadly cross-pollinates in a cool way, like my yearly watch of Groundhog Day inspired TGIF, and seeing a random wedding-themed romance novel on the library shelves made me think "maybe this wedding planner plot bunny could be a whole story!"
11. Link your three favorite fics right now
(wording is ambiguous so I'm listing three of my own, because I barely read any fic when I'm in writing mode ahhh sorry 🙈)
TGIF - I am still so proud of this world. maybe I'm the one trapped in the time loop...
Adventures in Polyamory - I have 30k of the sequel written god Amber I am thinking about you all the timeeee
A Study in Lavender - I am also trying to finish the sequel to my Jooster fic feat. lesbian OCs before the summer's over wish me luck!!!
16. How many fic ideas are you nurturing right now? Share one of them?
Oh, so many! *Counts documents in House MD folder* oh kay oh jeez there are fully twelve story ideas that are developed enough that I'll probably write them at some point 😵💫 Let's see, which one have I maybe not teased before... aha! Femslash Hilson AU. I love this framework so much more than old school "genderswap" which has always, for me, come with icky binary straight transphobic connotations (though of course that is not necessarily the case and people have written cool trans stuff under this label!)
Here's a quick teaser from the sapphic New Orleans opening meet-up:
“As you will soon learn, if you aren’t bright enough to have picked up on it already…��� House slung an arm around Wilson’s narrow shoulders, “I’m not like most people. Give me the gruesome deets. But no tears, please, I’m squeamish.”
“You’re a total bitch,” Wilson marveled.
“Now, you’re getting it.”
Wilson put her arm suddenly—bravely—around House’s waist. “Buy me a drink. I’ll tell you the whole tragic story, and only cry if you get on my nerves.”
55. Of the characters you write for, which is your favorite? Has that choice been swayed at all by your followers/readers' reactions to certain ones?
Super basic, but it's House! He wears his weirdness on his sleeve to hide the different, more painful weirdness inside. It's a like a delicious Ferrero Rocher of psychoses <3 The way he processes and interacts with the world continues to fascinate, and on a personal/political level, I just adore getting to write a character with chronic pain like me.
Wilson is also fascinating, but I think I like to write him from an outside perspective/House's perspective best. Seeing juuuust enough through his mask of normalcy to know he's Not Alright, but still maintaining a sense of inner mystery. I've had a lot of very kind feedback on how I write Wilson, which encourages me to keep writing him even weirder and more unwell, which is delightful 💖
16 notes
·
View notes
Text
99 Perspectives on a Single Love Story #37
A/N: The Story of Kurt and Blaine told through the eyes of everyone else but them. Each chapter is a different perspective in the ongoing tale of their love story.
I started something like this a while back - and now I’m taking the idea and really running with it. Each chapter is a ficlet of a different character at a different point in Kurt and Blaine’s life - documenting their love story. This starts in Audition, and each chapter will be paired with a different episode until reaching Dreams Come True.
[Ao3]
***
Cooper J. Anderson (Big Brother)
“It’s a misnomer that only certain people can play the leading romantic roles. Of course, there are some people, such as myself, who embody both looks and smarts and therefore don’t have to put in as much effort. However, acting is about presentation. So, even if you are ugly, if you act hard enough, you, too, can still land the lead in the quirky rom-com of your choice. Believe me, I know. I have watched over two-hundred films, and most of those actors are just not as good looking as I am.”
Cooper J. Anderson takes a chair in his parents’ dining room and turns it around to sit on it backwards. His baby brother (Blaine) and his baby brother’s boyfriend (Kurt) had been doing their homework that afternoon when he had walked through to get a protein bar for his afternoon snack. He had been stopped but Kurt, who had asked if he had any more acting advice. Of course who is he to deny his own expertise in the field?
Kurt is looking up at him with wide eyes, frantically nodding as he speaks. Blaine could work on his enthusiasm, though. Frown lines are bad for the soul. How many times does he have to tell his baby brother that?
“What do you actually know about being a romantic lead?” Blaine asks. If there’s sarcasm in his voice, Cooper doesn’t catch it. Because it is a great question. And he always has more wisdom to impart.
“I have had to play the romantic lead in over four commercials,” Cooper says, a hand to his chest. “And I have found that there are three keys to making sure that you are leading man material. Would you like to hear them?”
Kurt’s hanging on to his every word. “Oh, yes, definitely!”
“What? Don’t indulge him,” Blaine says.
Cooper points a finger at Blaine though remains fixated on Kurt. “Not a rule, just a piece of general advice -- ignore him. He would rather be on stage instead of in front of a camera. And he has no idea what he’s talking about.”
“Thanks, Coop…”
“And how many commercials have you been in, Blainey? Oh that's what I thought. Zero. So, why don't you listen?"
Blaine rolls his eyes at him.
"Rule number one,” Cooper says, his voice loud and booming. Presence is, afterall, everything. He grabs a cantaloupe that happens to be sitting in a bowl in the middle of the dining room table. It will make for a great scene partner. “Good chemistry comes from them wanting you. So you have to make them want you. How? By giving them your best sexy stare that says -- I know I am good looking and you know you want this.” Cooper gives his best smouldering look to the cantaloupe.
“Oh, my god…” Blaine’s jaw drops open.
“Rule number two,” he holds up two fingers to illustrate, “is talking.”
Blaine tilts his head. “Really, talking? That’s it? So, if I just continue to talk right now I’ll get all the leads? Great advice, Cooper, I’m just going to keep talking until--”
Cooper, again, points his finger in Blaine’s face. “Hush. Hater. I’m trying to teach Kurt some real world advice.”
“Oh, that’s what this is? You’ve been in LA for six months because Denver, Colorado wasn’t working out for you. Though, really, you’ve spent most of your time in Columbus, Ohio - so I don’t know how much real world advice you really have...”
Kurt is gleefully watching between the two of them. Good to know he still has his real audience.
“Shut up, Blaine, rule number two is talking,” Cooper says quickly over Blaine’s continued babble. “You have to tell your scene partner that you are the one that they want.” He continues his sensual gaze at the cantaloupe. “Baby, I know you want a piece of this. Let’s make sweet, sweet love and if we’re lucky, we’ll make a bunch of melon balls.”
“And this has landed you four commercials?” Blaine asks. “I really have to say I’m impressed.”
“Thank you, Blaine. Finally some positivity out of your mouth,” Cooper says. “I did hit it out of the park with all four of the female casting agents I auditioned for. Maybe you’ll have better luck with the male casting agents. We’ll just have to see. They did not seem to appreciate my methodology much.”
“Shocking.” Blaine deadpans.
“Okay, okay,” Kurt says excitedly. “What’s rule number three?”
“Rule number three,” Cooper says, his voice demanding attention. “Is seduction. You have to show your partner just how much they should want you.”
Kurt tilts his head. “I’m sorry, I don’t follow.”
“Of course you don’t. He’s insane,” Blaine mutters under his breath.
Cooper holds up the fruit again. “Let me demonstrate on my scene partner who, I have to say Blaine, is much more giving than any actor that I’ve had to work with yet…”
“It’s a cantaloupe!”
“Blaine, I’m working, no distractions…” Cooper brings the cantaloupe to his lips and begins to kiss it. Not some lame peck. He is, after all, full method. He kisses the hell out of that fruit, open mouth, tongue gliding on the (god, ew, bitter bitter bitter) rind, some slobber but not too much. It’s important to be a good kisser after all. After another moment, he pulls off the fruit, trying to play down his grimace as he wipes his lips. “See - that is rule number three.”
“Yay!” Kurt lets out a little squeak.
Blaine is nearly doubling over in laughter. “My phone is charging. Do you mind if I grab it so you can demonstrate again? I think this is definitely something the internet needs to see.”
Cooper is about to make a retort and Kurt surprises him. “No, no, Blaine, I wanna try,” Kurt says, turning to face Blaine.
“Yes, okay, good, a scene to direct,” Cooper hands out the cantaloupe.
“Please don’t make out with a fruit,” Blaine says.
Kurt waves his hand at it. “No, I’m trying it out on you, silly.”
“Oh!” Blaine perks up.
“Oh?” Cooper tilts his head. This is not what he had been expecting, but he can work with it. “Okay, Kurt, remember the three rules. And…. action!”
Kurt schooches closer to Blaine. He bites his lip, pretending to be unsure while looking Blaine up and down. And then begins to give Blaine a deeply sensual look, glancing from his eyes to his lips to his eyes again. A smirk climbs on Kurt’s face as he hovers his lips above Blaine’s. Blaine is in unexpected shock
“Okay, good, good,” Cooper commentates. “You’re a little closer than I feel comfortable with, but I think it’s working. Rule number two -- talking.”
“Blaine…” Kurt’s voice is much lower than Cooper expects. It’s a little rumbly and raspy, and completely unnerving that someone would speak to his baby brother that way. “You make my heart undone. Your skin lights my soul on fire. I would make love to you until the sun rises, and even then it might not be enough to express how deeply I feel about you.”
“Okay, well, that’s a little more about him than you…” Cooper interjects. “Still, good effort.”
Kurt moves in for a kiss. It’s gentle, at first, but then he leans into it. Blaine opens his mouth, accepting the kiss, turning it much more heated than Cooper needs to see.
“Okay, and end scene,” Cooper says. They continue to kiss. He’s pretty sure he’s witnessing tongue. “What are you guys doing? You’re, like, twelve, and I called the scene....” Blaine lets out a little moan. Okay, this is becoming less and less about him… “Guys, it’s seriously time to end the scene.”
They break apart, both looking a little dizzy and giddy. “Thanks for the advice, Coop,” Blaine says, standing up, taking Kurt’s hand in the process.
“Well, I do have a few notes…”
“Nope, we’re good,” Blaine says, pulling Kurt up. Kurt’s grinning at him. “We’ll be back by tomorrow morning.”
“Wait, where are you going?” Cooper yells as they scurry out of the room. “I’m supposed to be babysitting you. Blaine, get back here! Blaine!”
Cooper lets out a huff as he stares at the cantaloupe resting on the table. Well… if they’re busy, maybe he can work on his next audition tape for Michael Bay. He picks up the cantaloupe and bounces it into the air. And he can’t go wrong with a good prop.
49 notes
·
View notes
Note
omg hiiiii i am here from cat (@luvdsc) wondering if you could offer any advice about college apps 🙏 especially about the uc piqs? thank you so much i hope ur doing well!!!!!!!!
yes yes hello friend !! 💝 miss cat directed you to me because i did my college apps last year !!! (yikes one year passed already?? why does that feel ages ago 🤧)
first of all, congratulations on making the decision to apply to college !! i know it’s been hard for a lot of people our age to figure out the college situation recently, so i’m proud of you for choosing to take the extra step this summer to buckle up and write those essays 💞
i’ve compiled a few tips on answering the PIQs (i was actually in the middle of typing this up when i received your ask haha), but some of them can be applied to other essays, as well !! they’re all under the cut (because, unfortunately, being brief is not my forte) 😊
(and for reference, the prompts i chose were #2 (creativity), #6 (subject), #7 (community), and #8 (anything) !!)
tip #1: understand the prompt.
before you even begin writing, it’s important to understand what the question is really asking. for the UC PIQs, this will look different depending on which four prompts you decide to do.
in question one, for example, they want to know about your skills in leading others, but notice that they’re also curious about your resolution abilities and teamwork experience. or in question two, they don’t want to know that you paint and that you love painting—they could be asking how resourceful you are, how you think outside the box when you have an idea.
once you know the question you’re going to be answering, you can move on to brainstorming!
tip #2: write down three (3) key takeaways.
these are like the most basic, not-even-a-sentence answers you would give to each question. so for me, in response to question eight (“what do you believe makes you stand out as a strong candidate for the UCs?”), my answers were perseverance, courage, and character. i had a story about that, so i wrote about my experience with martial arts.
i recommend you do something similar. decide on three things that you want to communicate to your audience, and write them in the footnote of your document. your goal is to cover all three points so that, if anyone were to read your essay, they would walk away understanding those three things about you.
i found this strategy really helpful for keeping my essay streamlined while writing—if a sentence didn’t relate to any of those main points, i would cut it since those words would take up valuable space in the word count. stay focused on what needs to be in this essay, and if you have extra words left in the word count later, you can add those details back in.
and once you’re done with your essay, make sure to refer back to your takeaways and check that you covered all of them sufficiently!
tip #3: highlight your stories.
i sent cat an ask a couple days ago with a few pictures of my response to an end-of-year college counseling survey that referenced this tip (you can find it here). basically i said that, when choosing what topics to write about, pick things that interest you! if you get excited talking about it, your audience should get excited about reading it, because they’ll pick up on the passions you have and then everyone’s excited !!! :D
i’ll tell you a secret: everyone you meet, everyone you see, has countless unique experiences that few others may have. me? i spend hours making mashups out of kpop songs. i earned my black belt years after a traumatizing experience during training. i get russian harry potter and spanish dr. seuss books from the library. and i created a collaborative online google photos album for my classmates that now has thousands of entries. although these aren’t necessarily unique to only me, they’re still special enough to the point where, when you put them all together, you get a better image of the person i am, and what i value.
so find a story, a habit, a hobby that makes you different, because i believe that everyone has them. give them some food for thought, or that one-liner that sticks in their brain and won’t go away. and remember: these stories don’t all have to be extraordinary—they should be about people or moments of special value to you, because that’s what matters.
personal tip: when i was brainstorming ideas, i decided that the best way to get ideas out there was to go on a rant (because sometimes it helps to just have a conversation with yourself !!) and i recorded myself, so i could replay what i said !! this was so so crucial to me finding my own voice for writing essays. notice the way you word things when you talk—a good line or two may make it into the final draft :)
i found it helpful to read sample essays as well! they give a lot of great ideas on the kinds of topics people write about. (also, it’s kind of fun, because who doesn’t love a good story?)
but the people reading your essay won’t be there to just enjoy your story; what they really want you to do is to tell them what you learned from your experience. they want to know whether you’re teachable and willing to grow both as a student and as a young adult. so make sure to take note of the life lessons you learned, experience you gained, character you built, etc.
minor tip on ending your essay: if you’re telling a story that happened in the past, then close with what you learned and how you can apply that to your life moving forward. if you’re telling a story that has no definite end yet (like a passion or dream you have), you probably don’t have everything figured out (and you can say that in your essay!), so it might be better to close with your hopes for the future.
tip #4: ask your family for help.
peer-editing is one of the most effective ways to detect errors and inconsistencies in your writing, because, after staring at your essay for so long, you might gloss over glaring contradictions. for all of my essays, i printed them out and asked my parents to help me revise them. we’d meet every other night (or every night, depending on how much time was left) to review and discuss improvements.
i actually kept some of those printed drafts (only the first and the final ones for comparison), and let me tell you from experience—you’re probably going to have a lot of drafts (i think the most i did was seven? but you don’t need to go that far!). this part of the process does take some time, so remember to be patient and kind to yourself :) these essays won’t happen overnight!
enlisting the help of others also helps keep you accountable. one of the struggles many seniors face while writing essays is just... setting aside time to do them. and even though the constant reminders from your parents will definitely get repetitive and a bit stress-inducing, i can tell you from personal experience that i’m so glad they did; otherwise, i don’t think i’d have my essays done in time :’)
while writing college essays is challenging, your family will be there supporting you each step of the way. chances are that they’ll have their own pointers to pass on to you, since they probably remember doing this process themselves! and, out of everyone in your life, they probably remember the most about you (because you probably don’t remember much when you were four or five), so they might have a couple starter ideas for topics when brainstorming. you can rely on them for their advice and their experience.
tip #5: self-editing.
here’s the part that takes the longest time.
use action words. this is probably something you’ve heard all throughout elementary school where they didn’t like you to say “said” because it was “boring”… but honestly, the difference between “doing my own version” and “infusing it with my personality” could go a long way. also, use words that you would actually use in an essay—then it’ll have your own special flair, and not sound like it’s taken from some stuffy 80s textbook!
here are some of the words i used (once again, you shouldn’t use these words if they don’t sound like something you’d write/say): potential, overlay, wrestle, launch, analogous, weave, infuse, experiment, outlet, revel, fascinate, satisfaction, pursue, expand, distinction, capture, range, archive, engage, beyond, build, adversity, cultivate, preserve, commit, explore, convey, naturally
also, be on the lookout for repeated words. i once wrote an essay without noticing that i used “hope” three times in the same paragraph. don’t do that! use synonyms :) personally, i tended to run short on synonyms, so i always kept a tab or two open on my computer reserved for searching up new words.
side note: unfortunately, during my search for synonyms, i discovered that thesaurus.com just didn’t give me what i was looking for. i highly recommend using wordhippo instead; it has so many more options and they’re grouped by the different definitions of your word! i found the synonyms i needed really quickly and it was very satisfying!
avoid the passive voice! my teacher gave me this tip for theses or any other college-level writing. here’s an example of the passive voice: “there was a large part of me that wanted to turn back.” that’s twelve words taking up precious space in your word count! instead, say something like, “i considered turning back.” you’ve just freed up eight words :)
tip #6: final revisions.
this is the step where you fine-tune your essays. meet that word count.
read your writing out loud. does it sound like you? it should. every writer has a different voice, and you need to ensure that yours is pervasive throughout your essay. feel free to use contractions—not only do they reduce your word count (this was a good thing for me, since i had a problem with getting under 350 words), but they also give a more casual tone to your essay, as if you’re telling a story to someone in the room.
next, pretend to be an admissions officer and have someone else read your essay to you. do you get excited hearing about this student who shares your name? if you do, there’s a good chance the real admissions officers will love your essays, too. this also gives you a chance to review to your essay as a whole. pay attention to the overall flow. is there a clear beginning and end? do you resolve the issues and overcome the trials you brought up? listen to it as if it’s a story, and take this time to enjoy what you’ve written. you worked hard!
final thoughts / encouragements.
oh my goodness, did we make it to the end? honestly if you did, thank you so much 🥺
okay but despite my relatively optimistic tone throughout this post, i’m still going to be honest with you—the college essay writing process is difficult. it requires you to look inside yourself and analyze the “why” behind some of the things that you love, and that isn’t easy to do at all. it’s intellectually and emotionally challenging, because not only do you need to use so much energy writing, but you also have to dig deeper to understand yourself, and that’s not easy, either.
but i wanted to encourage you, too. no matter what you may think of yourself at 12am, 2am, 4am writing these essays, believe you have a personality that others love and will love when they meet you. you are an interesting person with unique experiences who deserves to share your thoughts with others. you have so many people behind you, supporting you during these next few months. and when you find that you can’t write any more, remember to take time to care for yourself. have a warm shower. go to bed early. i could go on and on about why sleep is good for your brain but i’ll spare you the details in this post 😉
one last thing: keep the bigger picture in focus. remember, by december or january, you will be finished with most of the application process. that’s no small accomplishment. you can do it. 💝
i really hope you found tips that you were looking for, and that they’re applicable to your own PIQs and other essays !! if you have any other questions, feel free to send in another ask (i promise my response won’t be this lengthy LOL) 💘💓
oh, and if you feel comfortable enough reaching out about anything in particular, i’m only a DM away 💕 i wish you the best of luck on writing your essays and i hope you enjoy your final year of high school !! 💗🌸💟💖
29 notes
·
View notes
Photo
Wolfman’s Dilemma
(Story Post)
Dax was still at work when Wano called him, so he called the doctor’s office to ask if someone could check on his partner before he could get home. Reid volunteered to make a house call as soon as he heard about Nathan's incident. Nathan was still shaken by his partial transformation. He had gone to lie down after a shower like Wano had suggested, but he couldn't rest well. When Reid did arrive, he sat with him in his bedroom and Nathan had a hard time explaining to the doctor exactly what happened because he didn't want to try to remember. “Well, this all sounds like it would be pretty upsetting, so I understand this isn't easy for you,” Reid comforted, after receiving all the details he could. “But if you think about it, this could be a sign of progress.” “No, I know…” Nathan mumbled, wrapped up in a blanket. “I just don’t like the connotations. If my anger is what made that happen, then that could mean I'm very dangerous. More so than ever.”
“We don't know that,” Reid stated, rubbing Nathan's arm. “We don't truly know what caused any of this to happen and unfortunately, yourself and Wano were the only ones witness to it.” “So, then what? Am I supposed to try to make it happen again?” Nathan asked. “Well, not if you don't want to,” Reid explained. “But, it might be best to keep an eye on you for a week or two in case it does occur again involuntarily.” “So, you mean staying at APID,” Nathan sighed. “Even when I'm off wolf cycle…” “I consulted with Dr. Aias before coming here and that was their suggestion, yes,” Reid admitted. Nathan rubbed his forehead. “I guess it's not really a cycle if I start turning into a wolf thing in the middle of the day on off days…” “Again, it's your choice, Nathan,” Reid insisted. “Camilo's coming by as well to talk to you as this pertains to your case. He might make other suggestions for you.” Nathan nodded. His phone went off and he checked it. “Dax just got off work and he's coming straight home…” “That's great,” Reid commented. “And your language suggests the relationship is pretty serious. I'm glad it's working out.” “My language?” “Aye, you said he's coming home,” Reid said. “You have separate residences, don't you?” “Yeah, well… I can't handle the twins on my own, it's too much, and I don’t know what I was thinking when I offered for Wano to stay here,” Nathan said. “Dax has been…the glue keeping this hell house together and keeping me from going insane. I don't know what I'd do if he wasn't around.” Reid smiled and shook Nathan's shoulder enthusiastically. “See? I knew you two would be good for each other. Aren't you glad you went for it?” Nathan chuckled lightly. “I suppose I am… I guess I just didn't feel like I deserved someone new yet… And I feel bad dragging him into this whirlwind of a life I have right now.” “Nathan, you're a bit too selfless,” Reid commented. “Dax wouldn't be with you if he didn't want to be. The people around you are around you because they like and care about you.” “I know, I know… I just...” Nathan sighed. “No, you're right.” “Anyhow, I can stay until Dax or Camilo arrives, however long you'd like,” Reid said. “Wano seems to be doing well with the twins. Is he a good babysitter?” “Yeah, they love him,” Nathan said. “I think it might be maybe the depth of his voice? I don't know. He follows instruction well enough and he loves to play with them. Maybe he'll be a good dad… Did he explain why we got into an argument?” Reid nodded slowly. “Aye… Trying to make a wee one before he's gone. I can understand your frustration. Wouldn't want that happening under my roof, if I had one.” “Right? I get that he's an adult and he can do what he wants, but also I'm partially responsible for him because I'm letting him stay here,” Nathan said. “If Jeffrey gets pregnant, I have no idea how that'll complicate Wano's case to stay here.” “Well, at the end of the day, these really are things that should concern Wano himself more than you,” Reid reminded. “You’re doing a really nice thing, letting him stay here with you but you don't have to shoulder all his problems. They're not yours and you're not his father.” “I know, you're right,” Nathan sighed again. “I just want to see him get to stay here. He's worked hard to stay. He's improved a lot.” Reid smirked as he observed Nathan. “You know, the wolf might have something to do with this. Sometimes animals who've just given birth will adopt newborns of other species, even if they're an animal they'd usually pray on, like a lioness adopting an oryx, or vice versa, a chicken adopting a kitten. Only for you, your adopted newborn is a full-grown adult alien from another planet.” “I can't help it if he has the emotional intelligence of a twelve-year-old,” Nathan said. “But it's even more reason he shouldn't be having a kid!” “You can't make that decision for him, though,” Reid said. “And you can't make that decision for Jeffrey either. At the very least, one of them has experience as a parent…” “From what I've heard though, his cousin does most of the caregiving…” Nathan mumbled. “Och, you need to stop concerning yourself with them,” Reid said. “You can put your foot down about what goes on in your house, but outside of that, you can't be meddling in their business.” Nathan nodded. “…I bet Jeffrey’s pregnant already anyway…” Reid rubbed his back. “Come downstairs for when Camilo arrives. Eat something. I’d like to see the wee twins again. How're they holding up?” “They're alright…” Nathan said getting up. “I probably should feed them, but Grace refuses to nurse unless she's a pup, but she bites me…” Reid followed him. “Do you pump?” “I do, but they refuse to take bottles from me,” Nathan said. “Dax? Wano? No problem because they have no other choice. But me, all they want is tit. Am I going to have breasts my whole life now?” “We can worry about that later, and you can take my word from personal experience that breast tissue can be dealt with,” Reid assured, chuckling a bit. “Ah, right… Yeah, I guess,” Nathan considered. “Anyway, Wano should be playing with the twins right now… He lets them bite his arms and legs and stuff because he thinks it'll toughen them up but I'd rather he didn't normalise it… I'll show you.” “Aye. Please.” They got downstairs and Nathan broke up the playfighting so Reid could take a look at the twins. They both turned to human for him which he was a bit unhappy about because he really liked to study their animal sides, but he acknowledged that it was good training that they remain human in the presence of strangers. Camilo arrived a little later and they talked in the kitchen while Wano showed off the twins to Reid in the living room. Nathan explained everything he could to Camilo about what had happened. “That is a very new development indeed,” Camilo commented as he took notes into a tablet. “We haven't seen any kind of half transformation like this… Have you asked Nari yet if he knows of werewolves like that?” “He's away on a vacation right now,” Nathan said. “I don't want to bother him with this at all until he's back…” Camilo nodded. “I understand… Well, right now since this is a one-time incident, I don't know that there's much we can do. But, now that we know it's possible, I'd ask you and those around you to video document this type of transformation if it should happen again.” “So, you don't think I should be watched?” Nathan asked. “Well, I don’t know that it's absolutely necessary, but if that's what you want, you could stay a few nights at APID,” Camilo considered. “It's up to you.” Nathan shook his head. “I want to stay home... But only if you really think it's safe.” Camilo patted Nathan's arm. “You didn't hurt anyone, you just transformed. Since having your wolf cycle nights at APID, we haven't observed any violent behaviour at all, only a bit of protective behaviour towards your kids.” “Dax said the wolf bit Dr. Aias once,” Nathan said. “Ah, well yes, but that was just because they needed to draw blood,” Camilo acknowledged. “Wasn’t that the night of Wano’s incident?” “Yes, it was…” Nathan sighed, not enjoying the thought. “Right, it’s possible you could tell your friend was in trouble that night and you were restless. Wolves have exceptional sense of smell. You might’ve smelled blood,” Camilo hypothesised. “You're really okay. Seems as long as the wolf is well fed, they don't hunt.” Nathan exhaled. “Okay… Yeah… Thanks.” “Don't worry,” Camilo assured him. “Your support system is great, and we aren't afraid of you. Everyone is here to help you.” “I get it, I just wish I knew someone else who was going through all this like me,” Nathan said. “I at least had Kent for a hot second, but now I have no one… My kids aren't even the same as me They just transform whenever they please.” Camilo pursed his lips. “Well, maybe you're not alone…” Nathan perked up. “Is there someone else? With APID? Another werewolf? Or were-anything?” “Well, no… I just meant, um…” Camilo waved a hand. “Well, you know, there's the wolf we caught on your bodycam that night.” “Oh." Nathan frowned. “But they attacked me. I still have the scars.” “Yes, but if we tracked them down, we might have answers for you,” Camilo suggested. “Well, maybe… I don't, know. I feel like we tried that lead and it got me nowhere. And pregnant.” “Yeah…” Camilo folded his hands. “But if we could find someone with a similar affliction as you willing to talk with you, you would want that, right?” “Yes, if it's possible, yes,” Nathan said. “The only person I know that's as close to my condition as me is Dax but his thunderbird situation is still very different.” Camilo nodded. “Okay. Can you come in for a meeting tomorrow? I want us to talk more about your options, but I also want to consult with Korsgaard about some stuff beforehand.” “Yeah, for sure,” Nathan said nodding. “Honestly, I talk to you so much, I forget Korsgaard’s my actual case worker…” “Yeah, he does do a lot of work behind the scenes, but he's looking into potentially retiring soon,” Camilo admitted. “I think he's holding out until Maya's grown.” “I get it,” Nathan said. “Do you think you'll take his place?” “Honestly, I don't really know,” Camilo said. “I mean, I like it, and it's been great work while I've been in school, but once I finish my PhD, I might look around… I want to stay at APID though.” Nathan smirked. “PhD classes, a job like this, and a baby at home? Are you sure you're only human?” Camilo smiled sheepishly and rubbed his neck. “I'm just trying my best…” “I could never…” He motioned to the living room where Wano was flexing with the animal twins gnawing on his arms. Reid was just sitting by, taking notes of his observations. “I can't imagine trying to get through my masters when I was your age if I had these two on my hip…” “Should we do something?” Camilo asked worriedly. “No, Wano likes it,” Nathan said. “He calls it ‘warrior play’. It's been really difficult trying to train bite inhibition and I’m so tired all the time, it's easier to just let them do whatever exhausts them…” “I see. It'll take time,” Camilo said. “Have you talked to Yori about it? They might not be exactly the same, but there's likely some issues he's had with the triplets.” “Yes, trust me, Dax has learned a lot from having the triplets in his class,” Nathan recounted. “The very first day of school, Skylar bit a kid that touched her granola bar and later Marco ate his own homework. We've been in contact with Yori's partners, because the kids just seem to fall in line for Yori without much trouble.” “Oh, I see…” At that time, the front door opened, and Dax came inside looking worried. “Nathan, I’m sorry I couldn't leave sooner!” Nathan got up from his seat and went over to hug Dax around the waist. “It's okay. Reid and Camilo have been here to talk to me.” “Ah, good! Are you alright?” Dax looked over his partner for traces of the transformation described to him over the phone. “You look okay, but are you?” “Yeah, I'm fine now,” Nathan said. “Talking to these guys has calmed my nerves a lot and the transformation didn't last more than a minute.” Dax nodded. “Good.” He kissed his forehead. “I’m glad you're okay. And the twins are alright?” “Yep, they're still their usual selves,” Nathan said, motioning to the pair now climbing onto Wano's back and jumping off like goat kids. “I think if anything, my transformation made them excitable.” “That probably makes sense, I think,” Dax said. “Reacting to your transformation I mean.” Reid got up and came over. “Nathan, if you don't need me any longer, I should probably head out.” Nathan nodded and shook Reid’s hand. “Yes, thank you for coming over on such short notice.” “Don't mention it,” Reid insisted. He patted Dax's arm. “Good to see you too, Dax.” “Likewise,” Dax said politely. “Drive safe.” “Aye.” Reid headed out the door. “I should probably get going too,” Camilo said. “Nathan, can we get you in for a meeting first thing at ten?” “Yeah, sounds good,” Nathan confirmed. “I'll see you there.” “Alright, see you,” Camilo said going to the door. “You take care of him, Dax. We're trusting you.” “Don't you worry, I'll be here,” Dax assured. Camilo smiled and waved. “Bye!” “See you tomorrow,” Nathan said as the assistant left. Dax went to see them off and then made sure the door was locked properly before going back to his partner. “Tomorrow, would you like me to join you?” Nathan looked at Dax and contemplated it. “Usually I'd say no, but if you can spare the time, I would appreciate it…” Dax smiled and kissed Nathan's forehead again. “I'll be there, don't worry.” “Thank you,” Nathan said. He took Dax's hand and squeezed it gently. “I appreciate you so much.” “Also on the phone,” Dax recalled. “Wano said you got upset because he’s trying to make a ‘legacy’ with Jeffrey.” He motioned the air quotes. “Do you want me to talk to him about that?” Nathan sighed, glancing over to Wano, now rubbing both twins’ bellies. “No… At least not tonight… Just let him be. It’s not our business at the end of the day. I made it clear though that he can’t have guests here without permission.” Dax nodded and gave Nathan a proper kiss this time. “You’re going to be alright.” “Thanks. I hope so…”
33 notes
·
View notes
Note
how did you get into writing fic? i'd love to start but idk even where to begin! I loved adats so I was wondering do you have any advice?
Oh my goodness! I am so flattered you’ve asked me this. Yes, I can absolutely help. I’ll throw a bunch of rambling under the cut.
I started writing fic probably when I was... sixteen years old? A lot of my early works were oneshots. I couldn’t figure out how to do anything plot heavy for the life of me, so I just stuck to AUs or whatever I felt like. I wasn’t in any particular fandom -- I really wrote whatever I had ideas for. I remember I tried once to do a plot-heavy story and I received a review absolutely ripping it to shreds. Like, it was so cruel I cried lol. I ended up deleting the fic. Years later, I get what they were trying to say (basically, more substance, less style), but at the time it cut to the quick. Really, it was only when I was in my twenties that I started writing work that was longer and/or better.
The fandom that helped me actually write plot heavy work was a historical-based fandom. As I’m a historian, it was perfect. I got to use my research skills and knowledge to create works that, above all, aimed to feel authentic. I mainly read historical fiction, so I was familiar with how that genre worked. Miraculously, people loved my work. I think I wrote about ~200k in the period of a year? These were several short stories (20-40k) and a few oneshot filler fics. While I was part of this fandom I also helped organise a Big Bang which was a lot of hard work but was extremely rewarding. Along with that, I interacted mainly with other fic writers, so I spent a lot of time chatting to people about ideas and encouraging other writers, and it just created a lovely medley where no concept was impossible or any line of dialogue too difficult. We supported each other and it was truly like a little commune. I gradually stepped away from the fandom mainly because it was just a part of my life at a very specific time, and almost as soon as that time was over, my love for that story/ship faded, but I firmly believe I figured out a lot of how/what I do now purely through that experience.
Regarding ADATS
With ADATS, it stemmed entirely from wanting to “explain” three months in canon (at the end of season three). I was interested in the idea of season four setting up Will/Mike in canon, and I wanted to test the source material to see if I could draw from what already existed to create something authentic. I began with that simple idea: what happened from July to October in 1985? Then I thought about the major themes I wanted to hit -- family, friendship, coming of age, sexuality -- and I nested them around the bigger concept: how do I get Mike from being ostensibly straight to realising he is gay? That meant thinking of two steps: Mike discovering his attraction to guys; Mike discovering his attraction to Will. Those two concepts were separate “arcs” that needed addressing in different ways. Balance was key to weaving them together and making the reader feel like they knew what was coming (and that they felt smart for putting the pieces together) without just rushing through and going “now kiss!” That’s partly why ADATS needs a sequel, lol: because it’s not finished!
Writing process
The first thing I do when I start to get an idea is I write it down. Sounds obvious. But when you have a killer line of dialogue come to you in the shower and you think “I’ll remember that” -- reader, you will not remember it. You gotta get it down ASAP! I do that the whole way through, as generally I’ll be thinking of scenes I’m stuck on and then it’ll just come to me and I’ll quickly jot it down.
The next thing -- or what I do in the meantime -- is start structuring. I plan. I try to plan a lot. Sometimes it’s okay to write “and something happens here to get them here”, because you’ll figure it out later, but for the most part I’ve discovered that planning is like gold and you can’t get enough of it. I break my work up into generally 3-4 parts/sections, and I treat each section like a mini story. So each part needs a conflict and resolution, and it needs to flow into the next section. You need to have a feeling of things evolving and maturing. Once I’ve planned those little bits, I start thinking about the bigger plot arc and how I can drop in hints along the way. I’m probably not a subtle or skilled enough writer to yet pull off that sort of gasping twist you get in really excellent books, but I’m trying to get there. It’s hard, is what I’m trying to say, but that’s okay, because we’re all learning.
Then I generally do aesthetic stuff. Sounds stupid, probably. But nothing helps me get more into a mood than doing a Pinterest board or -- most of all -- making a Spotify mix. I start thinking about the vibe and the general atmosphere, and then I almost exclusively listen to that mix when I’m working. Sort of like muscle memory? Just to get the creative juices associated with that particular selection of songs.
Another thing I’ll do along with plot structure is character structure. This is a biggie. I mean, a story is nothing without characters. So I’ll just jot down a bunch of bullet points of characters and particular aspects that I want to highlight or remember. I hate continuity errors in fiction. Like, if someone says they work on Maple Street but later in the fic they’re working on Pine Street. I hate that. So I keep note of specific things that my main character might notice at repeated points in the story (colours, places, smells, names, sounds -- so they’re all consistent even as the narrative evolves). That’s another thing -- your characters’ motivations. Not everyone is going to be a huge player, but they all do serve a purpose. The most important character is obviously your main character. I personally think it’s important to let your M.C. be an arse at times. They’re going to be mean, they’re going to misinterpret things or fly off the handle... just let ‘em. Let them be wretched humans, and then bring them back and make them realise what they’ve done. Let them learn! I love consequences in fiction, lol.
At the same time, I’ll probably start writing. We’ve already written down some snippets of neat dialogue or descriptions, but now we should start the actual process. For me, I used to start at the beginning. Usually this was the most fleshed out anyway: I’ll have a clear idea of the beginning and the end, but nothing in the middle. These days, if I have a scene in mind that I can’t forget, I’ll just write it. It will possibly get scrapped or rewritten, but that’s okay, because at least you’ve got it down and now you can devote your brain power to something useful (like figuring out what the middle is supposed to be). I’ll have half a dozen of totally out of context scenes just littered in my Word document that I’ll add to as I go along. Eventually, though, you’re going to start writing properly, and that’s when you write your opening scene.
Opening scenes: super important. Every time I write a scene I think: what is the point of this? What do I want the reader to learn or takeaway? Sometimes you do have filler scenes, but they also serve a different purpose (perhaps to establish a group dynamic or to explore/describe a character’s surroundings). Mainly, though, every scene should push something forward in some way, whether it’s character development or a plot point. So, with an opening scene, I always think you have to establish: where you are; who you are; what they are doing; where they’ve come from (in a philosophical and practical sense); and where they’re going (ditto). That doesn’t have to happen in the first paragraph -- that would be silly. But if you sprinkle that information in over time it’ll gradually build up a picture of your character and that way the reader can get an idea of who they are. You basically need to give a snapshot of what your story is about. This also goes back to the character creator stuff: where they are at the start should be different to where they end up. How that happens is, of course, because of plot, and because you’ve structured everything to the nth degree, we’ve got a very clear progression of that character’s growth (/s easier said than done lol).
General advice
Write down everything: every idea, a bit of dialogue, a description, whatever. Write it down. Doesn’t have to be neat. Just has to be on paper. You can’t remember everything, so if you’re spending time trying to hold those things in your head, it’s taking up space for new ideas to come along.
Structure, plan, structure, plan. Sometimes it’s boring and I hate it. Other times, when I’ve not written in a few days and I open the Word doc and think wtf is this supposed to be, I am very grateful for Past Me for leaving such detailed notes. Seriously, it helps so much. Oneshots don’t really need planning, in my experience. You just get those out there. But multi-chaptered stories really do, even ones that “just” focus on a relationship.
Whatever you want to write, commit to it. Space goblins invade Hawkins? Do it. Eleven and Max find themselves in a cult akin to Midsommar (2019) and must escape? Yes. Just... whatever you want to do, remember that you’re writing it for you. Write what most interests you, what makes you when you reread it go AHHHHH I LOVE THIS!! Because that makes it a thousand times easier to actually get on with the writing when you enjoy what you’re doing.
Write a lot. Every day, if you can, or at least at designated times. Occasionally I have a very specific headspace/vibe I have to be in, but sometimes it just hits me and I’ll say to my partner “I need to write now” and just disappear, lol. The more you write the more you write. It’s so, so, so true. Cannot emphasise this enough. When I wrote that ~200k in twelve months? It was because I literally wrote every. day. Or near enough. Remember that some days you’ll write 200 words, and other days you’ll write 20k (this happened to me with ADATS -- part of the reason I finished it so quickly was because I had sprints of writing 10k+ at a time that only happened because I was in the rhythm of it). Write, write, write. Who cares if it’s crap! No one will see it until you are ready. In the meantime, just write!
Probably last of all (although I could go on and on) is connect with other writers. If you’re struggling to start, sometimes just talking about it can help a huge amount. I hope it goes without saying that you can message me whenever you want, anon or not, and I will talk to you. We can talk about ideas or I can beta stuff, whatever you want! Find like-minded people and talk to them about what you want to do. Another thing this helps is in advertising your work when you do publish. I see a lot of first time fic writers get super down because they publish their magnum opus on AO3 but no one comments. Honestly, it’s because no one knows you’ve published! You don’t have to be tooting your own horn every which way, but just actively talking about your work and even collaborating with other content creators with get you hyped and other people too (and the input and encouragement other fandom members give is just... out of this world. Anon messages helped me finish ADATS when I was really worried I wouldn’t [that’s the truth]. Seriously, support is everything). When you have people excited about your work, you get excited. It’s really as simple as that.
I could go on but this is already horrendously long. I hope even a bit of this helps! If you want to chat or have any more questions, just hit me up any time.
#writing tips#writing help#writing advice#answered#i really hope this helps/answers your question!#i can do something more structured if you want#otherwise here are just my initial thoughts#Anonymous
61 notes
·
View notes
Text
Gloves
Jack Fenton sat down in the uncomfortable chair, his bulk moving slowly and carefully to avoid scaring the girl sitting on the other chair. There was something odd about her, the way she held herself, the little glances out of the corner of her eye, the way her hair didn’t quite fall right. Jack couldn’t quite stop himself from cataloging all the little differences about her, even as he tried to stop himself and see her as just a girl. A girl in need of help. “Hi,” he said, keeping his voice gentle.
“Hello,” she said.
Jack opened his mouth to say something more, but nothing came out. He couldn’t think of anything to say. He let his mouth close again, his lips twisting in frustration. There was certainly plenty that needed to be said.
“Why are you here?” the girl asked, her thin fingers digging into the cushion of the chair. Although her knuckles turned white with the pressure, the stiff vinyl didn’t seem to notice the effort her hands were putting in.
“I like Seattle,” Jack said. “Nice city. Always wanted to do the haunted tour…” He trailed off, wondering if bringing up ghosts was, perhaps, a bad idea.
She scoffed. “Seattle’s not haunted.” The IV machine she was hooked up to beeped loudly, and the girl flinched. She studied it for a moment before sighing and sinking back against the hard chair. “That’s not what I meant. I called Danny, not you.”
“Danny couldn’t come.” Jack sort of fudged the truth. Danny could come. Danny had come. But not being 18 yet, the hospital didn’t particularly care what Danny had to say in the matter, requiring Jack’s presence. “I’m here to help.”
“I don’t want your help,” she said, shoulders crunching up around her ears.
Jack shrugged, falling silent, watching the girl glare around the small room. He had only the briefest of explanations as to who this girl was - a genetic malfunction, an aberration, a splintered example of a not-quite-human - and he understood almost none of it. His gaze fell to his bag, and he reached down, pulled out his latest needlework project, and quietly got to work. Jazz had said to do that when he was at a loss for words. She’d thought it might be helpful.
It was nearly twenty minutes of silence, the girl watching him slowly work through his project, before she spoke. “What is that?”
“It’s going to be a quilt,” Jack said, turning the scrap of fabric so she could see a bit better. “All the different types of ghosts from stories around the world. This one’s a banshee. Sits under windows and cries and screams, usually associated with someone dying.”
She studied it. “You’re… pretty good at that.”
“Lots of practice,” Jack said with a shrug.
“You don’t seem like… like a guy that would do something like that. Art stuff.”
“It’s calming and good for the mind,” Jack said, tying off the string and picking out a new color. “Jazz got me started on it years and years ago. I’m hoping to have the whole thing done by August, so I can put it in the county fair.” He chuckled. “I won’t win, not compared to the artwork of other people, but it’ll be nice to finish a project.”
Her eyes were blue, just like Danny’s. But there was a shadowed, haunted feel to them - and a blankness that hurt Jack’s heart.
Perhaps Danny was right. Maybe Maddie should have come instead.
The IV machine beeped again, and this time a nurse knocked and entered the room. “Hello,” he said, walking over to check the machine. “The battery on your IV is getting low. Gotta plug it in.” He smiled at her, holding out a hand. “Back to the bed, please.”
The girl sighed, but reached out for the assistance. She was unstable and barely able to hold her own weight. It was only a few steps, but Jack had to bite back the offer to carry her. She settled against the bed - too skinny, too broken, too empty - and laid her head on the pillow.
Jack was quiet as the nurse fussed for a few minutes, plugging in the IV machine, taking her blood pressure and temperature, setting the blanket over her legs.
Then he turned to Jack. “Parent?” he asked.
Jack wondered how to answer that. He set down his needlework, dug a paper out of his bag, and held it out. It was fake, of course; there were no real legal documents in the world for her. But the stamp was real, and the judge’s signature was real, and that was enough. “Legal guardian, for now.”
The girl on the bed flinched.
The nurse glanced at the papers. “As of yesterday, huh?” he asked. “Nice to meet you, Mr Fenton. Wanna chat in the hall?”
Jack leveraged himself out of the chair and followed the man into the hallway. “She’s going to be okay?” he asked.
“Eventually,” the nurse said, walking him to a quiet alcove. “How do you know her?”
“She’s a relation,” Jack said, trying to avoid being specific. “Her and my son are very close, although I haven’t had any real contact with her yet. She called him two days ago and we’ve been figuring out how to best help her.”
The nurse nodded. “She was found in a park, unconscious. Came in massively dehydrated, malnourished.” The nurse glanced around, his voice quiet. “She’s not saying much, but she definitely hasn’t been treated right.”
Jack frowned.
“I’ll send the doctor along, but it doesn’t seem like there’s anything permanently wrong with her, physically anyways. Really fragile mentally.” The nurse frowned. “The police have been around a few times to chat with her. Don’t think she’s said much to them. She’s in for a long road.”
Jack glanced over his shoulder, through the cracked-open door. She was picking at her sheets, staring at the sky through the window of the room. She looked so small. Twelve years old. Her third year of being twelve, if Danny’s explanation was right. And she’d be twelve until her broken body stopped working, whether that was next week, or five years from now, or ten, or twenty. “Anything else I should know?”
“Gentle, slow, careful. She’s a nice girl, when you can get her to talk. I’ll be around every fifteen minutes or so, checking on her.”
“Can she have visitors?”
The nurse hesitated, but then nodded slowly. “If there’s one or two people you think would do her good, I can’t see how that would hurt.”
“My son will probably scale the outer walls and sneak through the window if you try to keep him out any longer,” Jack said with a smile. “He’s worried out of his mind about her. He can probably get her to talk like nobody else.”
“Sounds great. You let me know if she needs anything,” he said.
Jack stood in the hallway for a long minute, trying to decide what he would say. From what little Danny had told him, the girl had been literally programmed to hate him. Created, somehow, in a lab from a mix of Danny’s genetic material, donor tissue from the corpse of a dead girl, and a ghost. Created and programmed, like a computer, for a task - to be used and then thrown away.
He walked closer, standing in the door, frowning at how little of the bed her frame took up. Her arms were too skinny against the hospital blanket - almost skin and bone. Whoever had created her had certainly not taken care of her.
She noticed his gaze, turning to study him with those sunken, haunted blue eyes. “You don’t have to be here,” she said.
Jack hummed, walked in, and dropped back down into his chair. The vinyl squeaked. “I want to be.”
“Because Danny told you to.” She sounded sullen. “It’s okay to hate me, you know.”
“I don’t hate you,” Jack said, surprised at the thought. Where had she decided that he hated her? What had he done to make her think that?
“I hate you,” she shot back, eyes narrowing. She leaned forwards a little. Little sparks of green shone against the blue.
Jack shrugged. “Join the club,” he murmured. He rested his arm on the bed, but drew away when she flinched away from him.
“I don’t want you to touch me,” she snapped, clearly uncomfortable.
He nodded and kept his arms to himself, careful to keep his arms to the small armrests. “I plan on sticking around, just so you know. And Danny’s planning on stopping again by after school.” He picked up his needlepoint, studying the messy shadowing job he’d done with a frown.
“Again?” came her soft voice after a minute of silence.
“He was here… day before yesterday,” Jack said, squinting at the banshee’s arm and trying to decide the easiest way to fix it. “You were out cold, and the hospital wouldn’t look twice at a 17 year old. Came and got me instead.”
“He told you who I am, right?”
“Yup.” Then Jack shrugged a half-shoulder. “Okay, a little. Getting anything out of Danny is only slightly easier than storming Fort Knox.” He grinned at her. “I got that you’re important to him, and that you’re family, and that I can help. That’s enough.”
“I’m a monster, you know that,” she said.
Jack pointed at his needlepoint. “This is a monster. You look like a scared young woman in need of some help. Maybe you’re not as human as me, but that doesn’t make you a monster.”
She bristled, but didn’t respond.
Jack let the quiet last for a few minutes, slowly fixing the bad shadowing on his banshee.
“I don’t know what you want from me,” she said.
He glanced at her. She’d drawn her knees up to her chest, and was hugging them close. She looked lost and broken, and somehow even smaller and younger than before. “I don’t want anything from you,” he said, confused.
She frowned.
“Danny said you wouldn’t trust me,” Jack said, deliberately keeping his gaze on his needlepoint. Jazz had been correct in packing it for him - it did seem much easier for the girl to talk when he wasn’t staring at her. “But you can, you know. Jazz has already cleaned out her bedroom for you, and Danny-”
“Bedroom?” she asked.
Jack blinked at her. “Room. With a bed in it.”
She scowled. “I know what a bedroom is-” she cut herself off, like she was going to say something more. She let out a breath through her nose. “You make it sound like I’m coming to live with you.”
“You are!” Jack grinned. “See, we got the legal-”
“I’m not coming to live with you,” the girl snapped. “We’ve been over this. I hate you. I don’t trust you. Why should I live with you?”
Jack twisted his mouth into a half-frown, turning his eyes back to his needlepoint. “Why wouldn’t you?”
“Take off your gloves.”
Jack hesitated. He didn’t take off his gloves. “Why?”
“Because I’m a monster. I’m contaminated. I’m broken, and seeping radioactive liquid, and, and, and I can hurt you just by touching you.” Out of the corner of his eyes, he could see her eyes burning a toxic, horrible green. “And I want you to take off your gloves.”
He watched the way the light gleamed off the black glove, slowly twisting his fingers. He didn’t take off his gloves. He just didn’t. Since learning how contaminated Danny was, Jack had even gone to great lengths to not touch his own son.
But Jack knew, in the depths of his being, that Danny wasn’t a monster. And neither was this girl. Yes, she could hurt him with just a touch. But...
Slowly, he took off one of his gloves. His skin was extremely pale, fingers a bit wrinkled from the moisture inside the gloves. His fingernails were in need of clipping. He flexed his fingers and ran them over the intricate stitching of his needlepoint, feeling details he couldn’t through the gloves.
Then he held out his hand to her.
#dannymay2020#not-at-all quick writing#this could have gone somewhere cool i know it#but i just... couldn't get it there#it refused#i've been trying for two days#i'm calling it quits and leaving it like this
204 notes
·
View notes
Note
from the ask meme abt writing, i have a few questions about your writing process! how do you stay organized with so many pov’s in AWPH? i always wonder what writing app/site fic writers use (word, google docs, etc.), and if it’s not too much, could you show a screenshot of how that looks?
Hi friend! :) I am terribly sorry it’s taken me a while to answer this- life has gotten in the way
Oof- so the answer to that question ‘how do you stay organized’ is probably ‘I don’t’, but I’ll do my best. (this ended up long and fairly disorganized)
About APWH POVs:
For the different POVs, there isn’t really a process I have to choose whose POV is used for what scene- I’d probably be more stern about it if were writing a novel, but because it’s fanfiction, I kind of just go with whatever feels right at the time. There is one thing that’s absolutely deliberate, though- I’ve never written a scene from Petyr’s POV, because he’s the exception to narrative omniscience.
There have been a few instances where I’ve had to switch whose POV i was writing from as I went along, or after I finished a scene- Meeting Jon Arryn is an example from the most recent chapter. Initially, it was from Sansa’s point of view, but Sansa overthinks everything and so it kept going off in all sorts of weird directions and I couldn’t pin it down. Once I started writing as Robin, it got much easier.
The single most difficult thing about keeping all the different characters straight is remembering who knows certain things, and who doesn’t know certain things.
Take this, for example. The two characters closest to omniscience are Oberyn and Sansa, but where Oberyn knows Baelish’s history and can understand certain aspects of his motivation because of years of working on the case and studying him (in addition to a hefty understanding of human psychology), Sansa isn’t always completely aware of how important certain pieces of evidence are, or how relevant certain things are to Petyr’s motivations. The two of them understand Baelish more than anyone else, but in drastically different ways. The biggest thing is that Oberyn is aware of Petyr’s relationship with Catelyn, and how he feels about her, whereas Sansa has no idea about that, and still doesn’t really understand why Baelish took her in the first place (although she’s been doing a repeat speedrun through the five stages of grief throughout the entire thing, poor kid).
But there are basic facts of the story, and then there’s the ‘who knows what’ aspect of it. Someone broke into the Stark’s home in White Harbor and stole Sansa from her bed- this is a fact. But only a few people know who it was that broke in or how it was done. An assassin was hired to kill Petyr Baelish at the airport and failed. The Lannisters know who the assassin is, but Oberyn and Daemon don’t yet.
There are lots of complicated relationships among the characters too- Jon knows more about Robb than any of the rest of them, except maybe Rhae, who only ever shows vulnerability to Willas and Marg, and so the rest of us don’t really get to see her soft side. Arya’s relationship with Catelyn is extremely complicated, and as such, she has a lot of baggage going into meeting Sansa that Sansa has no idea about. Lyanna is aware of what’s generally going on politically, and is working on several important stories that could provide some insight to Oberyn, but they haven’t talked about politics too much recently, because Oberyn’s too busy with the investigation and Lyanna’s busy with her job. There are secrets that Robb has been keeping for an extremely long time, and secrets that Sansa’s keeping without even realizing it. There are a lot of things that were odd or abnormal or red flags in Sansa’s childhood that she doesn’t even realize are odd, because she has no other frame of reference.
In terms of keeping the other stuff straight, I have a page at the beginning of the APWH Master Document (it’s so long dear god), that basically has character names, ages, locations, and time zones written down. I’ve tried making like, character info compilations, but I’m not very good at updating them so I stopped that (although I found a particularly funny bit about the targs in one that’s sampled below).
Generally, I think it’s more important to understand how your characters react to certain situations and their most basic personality traits and values, rather than just having a long list of stats on them, so that tends to be my approach. If I’m worried that I’m about to write something that conflicts with a previous plot point, generally, I’ll go back and skim the story for mentions of them to double check- I’ve reread APWH so frequently that I am genuinely sick of the first five chapters, haha.
Unfortunately, a lot of it tends to just be that I have an extremely good long-term memory for details. The trade-off is a god-awful short-term memory, though. It’s partially the ADHD. I’m on the verge of trying to keep things straight with an excel doc, tho.
The timeline is one of the trickier aspects, so I tend to scribble them out anytime I’m thinking about when and where certain events happened. Generally, I use Sansa’s abduction as year zero, because I do not understand how years work in Westeros and have elected to just use my own- here’s a sample of one I scribbled down the other day when I was trying to figure something out.
(Sorry about the post it notes- those are covering some spoilers! ;D)
About my writing process:
It is…. Not as streamlined of a process as I would like, haha. Generally, I go by chapter. I kind of have a rough idea of what I want to happen in each chapter, and generally that evolves as the story does.
For each chapter, I kind of just bullet point out some things that I want to have happen, and then try my hand at writing some of them. Some of my best ideas happen after this process, though, like the scene where Robb and Sansa find out that Baelish moved them out of the city while Robb was in town to avoid a confrontation. But I have those bullet points, and usually rough chapter titles and rough summaries before the chapters start. (Some things blacked out because of spoilers ;D)
I think that if I waited until I was inspired to sit down and write, then APWH would maybe be done by like, 2070, so I usually kind of sit down and just start writing- some of it is good, some scenes I discard completely, and usually, once I hit on something that works, the plot flows where I want it to.
I generally know how I want the chapters to start, based on how the previous chapter ends (My writing time for them usually overlaps bc it’s a natural continuation). Once I figure out roughly how I want the chapter to end, though, the whole thing starts coming together, and it’s easier for me to figure out what doesn’t belong in the middle, and what might be missing.
I started using one master document on word, because I swear to god I did not intend for this story to turn into the behemoth that it is, and that lasted for about twelve chapters before I realized that the damn thing was 368 pages of tiny font (I don’t double space my lines when I write bc I like seeing as much of it as I can). So I’ve switched to individual word docs for each chapter as of chapter 13, and used google docs to share the chapter with the wonderful @nowmywatch-begins who was kind enough to beta read the thing and remove the excess of commas I tend to use. I use color coded highlighting to indicate different things- turquoise means I want to go back and rework something, green means I need to check to make sure something doesn’t conflict with something I wrote previously, yellow is for sections that I might not want in that chapter and might need to move, etc. Anything I end up discarding goes in a section at the end of that chapter labeled ‘outtakes’. I used to have a lot of trouble rewriting things because I hated to get rid of them, so this circumvents that particular issue. I get to keep what I wrote, while still improving the story by being willing to throw out certain parts.
I write out of order frequently so I keep a separate document called ‘APWH- Bits and Pieces’ that I use whenever I’m doing something like that- it acts as sort of a holding tank for these scenes until I feel like they fit in the story. I also just keep random notes in there, questions that I think need answering, random sentences that just come to me, ideas I’ve jotted down when an idea sparks, etc. There’s a lot of stream of consciousness kind of stuff because I tend to process ideas by writing them down, and so I have stuff like ‘okay so what if Lysa did X and Petyr was here and does Sansa have a college scholarship???? Is the Braavosi prison in the northwest or the south? Why is Westeros still a monarchy? do the tabloids follow the royal family like in britain???’
Like, I have the ending for APWH written, but it’s fairly disjointed, and i think I’ll be able to flesh it out more as the story goes along. I like having a general idea of where I’m going with my writing, but I also will modify those ideas frequently as I go- sometimes the characters really do write the story for you.
This is probably not very organized, and waaaaay longer than you wanted, but I hope this answers your question!!! Thank you for the ask! :)
#APWH#APWH spoilers#my writing process#this is a long ass essay of me rambling#my writing process is abhorrent I am sorry#I am not an organized person here#Anonymous#ask answers
12 notes
·
View notes
Text
Chapter 1: 4 Months Later
Cover made on Canva.com
You were great at running. You’d been running from your problems for year, both figuratively and literally. Before however, your problems followed you, now they simply wait on bated breath for your return. What’s the point in running, though, if no one’s chasing you?
Previous - Next
Masterlist
Haha, funny story guys. This may become an angsty slow-burn. I still have no idea how long this is gonna be or take, but it may be a bigger project than I imagined.
. . .
Your shoes tapped quietly against the white tile as you waved to the receptionist as you passed his desk.
It was getting colder, so the police station interior was conversely getting warmer. You shrugged off your coat, reveling in the delectable, toasty heat.
You passed several more desks on the way to your own. At this point, you didn’t have to look to see who would greet you, ignore you, or just frown disapprovingly for simply arriving at work.
The quiet buzz of chatter blended together in a symphony of voices as you walked through the center of it, only to be intercepted by Taiyo.
“Morning, (Y/N)” The older investigator gestured for you to sit.
“Hey, Tai,” You pulled out the chair, and slid your sunglasses on before your eyes met. He pushed a paper cup over to you. “Thanks.”
“Good to see you didn’t take off on us. It’s nice to see you still in the country.” His eyes twinkled knowingly “Go anywhere exotic this weekend?”
Taiyo Antonov was the stern yet kindly man who was charged with keeping an eye on you. He had been the one to bring an end to your “traveling days” as you called them to people outside of the station. Despite him being the reason you where behind bars for three years in three different countries, he had become your closest friend and confidant. You two where a bit of an odd pair; you, a shifty looking 24-year-old who knew far too much about counterfeiting checks, and he, a 52-year-old police investigator who spoke with a vague Russian accent.
“Pfft, if you consider the grocery store exotic, I guess.” You rolled your eyes, peeling the lid off your paper cup to scrutinize its contents. “You visited your daughter, right? How’d that go?”
“It was good, I had fun. She took me mini-golfing.”
“And?”
“And she kicked my ass.”
You chuckled, then took a cautionary sip of your coffee. “Anything interesting on the bracket today, or am I gonna be bored out of my skull for another twelve hours?”
“Actually, you’re going to have some visitors.” Taiyo slid his reading glasses on and flipped through a file. “Ingenium and Deku should be dropping by at seven.”
“Hold on-” You sputtered in confusion, setting your mediocre coffee down. “Why? What did I do?”
“Do you even need to ask that?” He shot you an incredulous look, which you matched with one of your own.
“I’m serious.”
“So am I.”
You grunted, fleetingly picturing yourself strangling your friend. “Taiyo. Why do Deku and Ingenium wanna meet me?”
“They’re the ones who presented the idea of releasing you for parole. They fought with me to get you here.” The balding man pulled a paper out of his file and handed it to you. “This is the proposal they turned in.”
You skimmed the typed document. It was about a whole page long, and was a lot like those argumentative essays you had to write back in middle school. There were several well written points about why you should be released from Tartarus and how you could help the police station, even you found yourself being convinced this really was the best place for you. Your eyes skipped to the bottom of the sheet, to the handwritten signatures, Ingenium and Deku.
“Woah,” You breathed, mildly starstruck. You had originally thought that it was just Taiyo who got you out. You would’ve never imagined that two pro heroes would take this much interest in you. In fact, you found yourself a little hurt that they had taken the time to help you. Two perfect strangers handed you a Get Out of Jail Free card on a silver platter, but Taiyo, the pitying man who had worriedly handed you over to the French police for your first year of imprisonment hadn’t even thought to offer you the same luxury.
“Yeah, they want to check up on you.” Tai smiled a little, a proud dad-like gleam in his eye. “Last time they saw you, you looked like Hell.”
“Imprisonment wasn’t my best look,” You shrugged nonchalantly, pushing that painful twist of betrayal back down.
“I can’t imagine it’s anyone’s.” Your friend replied putting the parole proposal back in the file. “Anyway, I’ve got a few check for you to take a look at.”
He passed a second file over as you rolled your eyes. “So much fun,” You collected it and your drink, standing up. “Don’t you have anything challenging?”
“Our guy has a mix of real and fake checks. That’s interesting.” Taiyo insisted.
“No, that’s boring.” You stated. “If anything, it makes my job easier. This guy’s a real amateur.”
. . . . .
Your bosses seemed to think that giving you a surplus of work would make up for it being incredibly easy. It did not. It just made it tedious, and less fun. The first few days of work were interesting, getting to see different forgery techniques and all, but it had quickly just became monotonous.
You sorted through a pile of checks, easily discerning the fakes. Over years of practice, the identifiers where clearer than day to you. The paper being just a fraction heavier than usual, puckered wording where it didn’t belong, ink that didn’t smell quite right, and so on and so forth.
Your computer dinged, indicating an email, and you eagerly allowed yourself to be distracted. You navigated to your emails, and your eyebrows shot up upon reading the sender’s address.
There were no extra numbers or letters thrown in the address for individuality, so it seemed more likely than not to be the real deal. You were unsure why you were surprised. The hero was already coming to visit you, why shouldn’t he email you?
You shook off the initial thrill of being contacted by a pro hero, and clicked to open the message.
(Y/N) (L/N),
Good morning. I’m just writing to remind you that Deku and I will be meeting you at your workplace at 7:00 PM today. We’re looking forward to the visit, and hope you do as well.
Regards,
Ingenium
Another warm thrill dashed through you as you hit Reply. You fingers hovered above the keys, mentally drafting your response. A few words were typed out, before all being discarded, backspacing all the way to Good moring, Ingenium.
After muddling through your simple email and rereading and rewriting it twice, you finally hit Send, releasing a breath of air you hadn’t realized you’d been holding.
Good morning, Ingenium,
Thank you for your reminder, I’m looking forward to meeting you and Deku in person. Thank you for taking the time out of your day to see me.
See you soon!
(Y/N) (L/N)
“No email should be this stressful.” You reasoned with yourself, rolling your swivel chair away from your desk.
You leaned back, watching the seconds tick by slowly. Each minute seemed to be longer than the last.
8:46
“This is agony.”
#mha#bnha#tenya#iida#tenya iida#tenya x reader#iida x reader#tenya iida x reader#mha x reader#bnha x reader
29 notes
·
View notes
Text
Twelve Days of Holly Jolly Tidings - Day 12
Disclaimers: I watched “Dash & Lily” the other day on Netflix. This story is LOOSELY based on that book and Netflix series. I do not own “Dash and Lily” or Newsies or anything recognizable within the series. There are occasional curse words throughout the series, nothing too horrible but there’s some.
Catch Up Here
Tuesday, December 24
At exactly eight that morning, a knock sounded on her door. Already ready, she was dressed in a pair of jeans, a thick cable knit sweater and her boots. She had her bag swung across her chest. Throwing open the door, she grinned seeing Jack, dressed similar to her, holding two take away cups. “Good morning m’lady.”
“Good morning, dear sir.” She took the cup of hot chocolate he offered, leaning in to give him a kiss. “How are you?”
Looking at her from head to toe, he grinned. “Good. You ready for your last adventure?”
“As ready as I think I can be.” She made sure she had her bag, walking out of her apartment, shutting the door firmly behind her.
Once outside, Jack offered her his elbow, slipping her arm in the crook of his elbow, grinning as they started their walk down the street. “So I gave you a hint last night . . . any idea where we’re going?”
She had stayed up, later in her standards, trying to figure out where he was taking her. She had hit up all of her favorite places within the city the last eleven days. “I am officially stumped.”
“Good.” Jack grinned, as she gave him a look, taking a sip of his coffee as she did the same. “I was hoping that you wouldn’t figure it out.”
Her lip pushed out in a pout as he leaned over and kissed it away. “Don’t worry . . . you’ll figure it out quickly enough.”
They continued their journey throughout the city, Jack purposely winding throughout the streets, trying to throw her off. “You’ve got me totally lost.”
He chuckled, glad his plan was working. “Good. We’re almost there.”
“And where exactly is there?” She raised an eyebrow, looking around the neighborhood they were lazily walking through.
“Ah ah ah . . . nope. You’re not getting any additional hints from me.” Jack tutted, shaking his head. “All will be revealed in a little bit.”
Nodding, she continued to match his stride as they walked. The neighborhood they were walking through was decked out in full Christmas decorations. She grinned seeing the wreaths deck the doors and the lights strung around the doors and windows. “What are you thinking about?”
She was knocked out of her daydream by Jack’s questions. “Truthfully?”
“No, I want you to lie to me.” Jack’s voice was full of sarcasm as she grinned, shaking her head.
“Haha you’re a funny man. Well . . . I was thinking about how cool it would be to live in one of these brownstones all decked out for the holidays.” She shrugged, sipping on her drink. “They’re all decorated but they all have their own spin on color scheme and decorations.”
Jack nodded, his head swiveling as he took in the decorations. “Is that something you want? To live in a brownstone like this?”
“I mean, eventually.” She scoffed. “I can’t actually afford anything in this neighborhood.”
He laughed. “I’m with you on that. But maybe someday.”
“Maybe.” She echoed, getting lost in her thoughts once more, that she failed to notice what they were coming up on, until Jack stopped her, giving her a look.
“Surprise.”
Her eyes widened as she took in the many stalls of a Christmas Market at Bryant Park. She had always loved strolling between the booths, looking at everything that was offered and often picking up a Christmas present or two along the way. “You really do know me way too well.”
“I would hope after five year together that I would know a lot about you.” He teased, as she hip checked him, laughing at his offended pout.
She leaned forward and kissed him, successfully wiping the pout off his lips. “So what’s the game plan?”
“I was thinking we’d spend the next few hours wandering in and out of all the booths. We have somewhere to be at 11 so we’ve got some time to wander.” He said, unhooking her arm from the crook of his elbow, opting to lace his fingers with hers. “Do you need to look for anything special?”
She reviewed her list in her head. She was done shopping for everyone in her life. “The only thing I’m looking for is an ornament for this year.”
“I think we can cross that off your list.” Jack grinned, squeezing her hand. “How about we start wandering and seeing what we’ll come across?”
And so they did just that. There were about 60 booths and each booth had something different, so it was a must to visit every single booth so as not to miss out on anything. Jack mostly hung back while Kat talked with the sellers, exciting talking about the holidays and upcoming plans. A few times Kat must’ve said something about him because moments later both Kat and the seller were looking over at him in amusement. He meekly waved, causing both women to giggle and turn back to talking.
Soon Kat joined him as they wandered through a couple more stalls. As Kat was distracted by one of the booths, Jack wandered off to go look at something. He quickly found what he was looking for, purchasing it and was back at the booth before Kat even knew he was gone.
She joined him as they continued their journey. “Wanna grab some food?”
Jack nodded, as they looked around for a place to sit and order some food. A little booth caught their attention and they quickly made their way over to it to order. Sitting at the table, Jack looked over at Kat with a grin. “Having fun so far?”
“Yeah.” She grinned. pouting. “But I haven’t found my ornament yet.”
Jack looked around the square. “We’ve barely gone to half of the booths. I’m sure there’s going to be something that catches your attention.”
“You’re right.” She nodded. “Is there anything you’re looking for?”
Jack shrugged. “I’m not looking for anything in particular. Just browsing, seeing what people are offering.”
As their food arrived, a band started up just to the left of them. Jack smiled watching Kat sway to the music as she ate her food. “What?”
“Just watching you and continuing to fall in love with you.” Jack grinned, popping a blueberry in his mouth.
A light blush crept onto her face as she looked down at her Belgian Waffle. She bit her lip, a smile fighting to appear. “Thank you.”
“You don’t have to thank me . . . just telling you how it is.” He laughed as they continued to eat in silence, the music from the band a perfect background filler.
Lifting his fork, he snuck a chunk of her Belgian Waffle as her mouth dropped open. “Hasn’t anyone ever told you that you don’t steal food from someone’s plate?”
“You steal my french fries all the time.” Jack gave her a look, his eyes wide challenging her.
Shrugging, she plucked a strawberry from his plate and popped it in her mouth. “That’s different.”
“In what way?” He argued back, stealing another piece of waffle, quickly dodging her ill attempt to hit him.
Taking a sip of her coffee, she mulled it over for a moment. “It’s written in the girlfriend code . . . didn’t you have to sign one when we started dating?”
“Hmm . . . was that a document in that big stack you gave me before you accepted a date with me?” His eyes went wide as she giggled.
“Yep!” She continued laughing, pushing her plate away. “That was good but I’m full.”
Gathering their trash, they quickly disposed of it before lacing hands. Jack pulled her close to him as they started slow dancing along with the band as they played “Winter Wonderland.” Throwing an arm around his shoulder, she laughed as he led her through the steps. For someone who proclaimed he wasn’t a good dancer, Jack actually did quite well, not messing up at all.
Once the song was finished, a couple of people clapped around them as blushes crept up both of their faces. “There’s your daily dose of embarrassment.”
“Thanks for that.” She squeezed his hand. “You know, you’re actually a pretty good dancer, despite your protests. Who taught you?”
“Medda actually.” Jack grinned, as her eyes lit up.
Medda was their residential hall “mother” back in their freshman and sophomore years in college. She watched out for all of her residents but Spot, Race, Kat, and Jack all held a close place in her heart and she adopted them, along with Albert and Finch. She was the one they would all go to if they couldn’t talk about their issues with anyone - she was that calming presence and they all thought of her as a second mother. Medda was the one to always have a stash of candy in her office and would bake homemade goodies to bring them. More than once in college, they had all arrived on her doorstep in need of a hug and a warm meal.
“When did she teach you?” Kat asked, as they started their journey towards more booths.
Jack squeezed her hand, pulling her towards a booth. “Just before Amelia’s wedding.”
Amelia was Katherine’s freshman roommate who got married just after she and Jack got together. It was the first time Jack had seen Kat in a dress and heels. Though he loved how she looked, it wasn’t anywhere in his top ten favorite looks of hers, not that he would ever tell her that.
Kat raised an eyebrow as Jack continued. “I was worried about making a fool of myself, since you were a bridesmaid and all. I asked Medda for some help and she roped Race, Spot, and Natalie into helping. Race was natural due to dancing already but Spot and I were a mess.”
Natalie was Kat’s other roommate and had a fond spot for Jack. “I bet Natalie hated all three of you.”
“She did . . . until we figured out how to dance and not step on her toes.” Jack chuckled, pausing to look at a couple of knick knacks at a booth.
“How long did it take you?” Kat asked, looking at a couple of ornaments, not finding what she had in mind.
Jack sighed, tilting his head back slightly. “I think we practiced for two weeks. I was so nervous when the bridal party had to join Amelia on the dance floor. I just kept thinking to myself not to step on your toes or embarrass you.”
Throwing an arm over his shoulder, she leaned over and placed a kiss on the corner of his lips. “Can I tell you a secret?”
“What’s that?”
“I was so nervous to dance with you. We had only been dating for a couple of weeks at that point and one of our first big outings as a couple was a frickin’ wedding. It was a lot of pressure for a girl . . . not to mention it was all the bridesmaids could talk about once Amelia showed them a photo of you. They all thought you were ruggedly handsome.” She laughed as Jack stood a little taller at the compliment. “Not to mention how they all hit my shoulder for downplaying how gorgeous you were in real life.”
Throwing his head back, he laughed loudly. “Little did they know how gone I was for you and didn’t even bat an eye in their direction.”
“The same was for me.” She kissed him again.
Jack’s ears perked up as the clock at the church struck 10:30. He looked over at Kat who was purchasing something, glancing over her shoulder at him. He gave her a little wave as she turned back to the seller, murmuring a few words before walking back over to Jack, slipping something in her bag.
“You good?” He asked, as she glanced around the area, before nodding. “Good. Let’s find a bench . . . there’s something I need to give you.”
Her eyes lit up at the prospect, slipping her hand into his before letting him lead the way. They walked for a little bit, getting out of the Christmas Market and heading to Central Park. They walked for a bit, trying to dodge all of the last minute shoppers as they made their way along the sidewalk.
Jack tucked her arm in the crook of his elbow, ensuring that she didn’t get lost in the shuffle of the hubba babloo of the city. He heard her laugh at something as they crossed the street, walking into one of the many entrances of Central Park. Quickly locating an empty bench, Jack led her over to it, pulling the familiar notebook from his coat. “In the rush of the day, I kinda forgot to give you this this morning.”
Accepting the notebook from him, she slung her bag onto the bench, sitting back and cracking open the book, flipping to the correct page. A smile crossed her lips, seeing a rough sketch of them sitting on the couch in her apartment drawn out on the page for the day.
Katherine,
Happy 12th day of Christmas and Happy Christmas Eve. I hope you have had a wonderful morning so far. I kept the Christmas markets for the last day so I could go with you . . . it’s fun to see your face light up at each booth’s offerings and the way you engage with each of the owners.
So I’m going to let you in on a little secret . . . another favorite outfit of mine. Don’t get too excited but it was the outfit you wore when you first came to volunteer with me at the Children’s hospital. You wrote a red sweater dress, leggings, and your boots but that’s not the only thing I remember from that night. The thing that remains stuck out in that memory is the way you interacted with each child you came in contact with. You spent so much time with them, them believing you were one of Santa’s elves, they wanted to make sure they told you everything they wanted. And you patiently sat with them, coloring, and making notes so you could tell the Big Guy, or their parents.
I remember Maggie coming up beside me and telling me I need to keep you in my life somehow because you were real, true, and genuine. And she’s right. You’re all of that.
Pausing, she hastily wiped away tears that had clouded at her eyes as she read Jack’s words. She heard Jack chuckle as he pressed a kiss to the top of her head. “Keep reading.”
But what I didn’t tell anyone, or even you until now is that I kept thinking about how amazing you’d be as a mom. You would be patient, loving, kind, and so supportive . . . which got me thinking about our future kids but not for a long, long, long, time.
Laughing, she shook her head at her boyfriend. continuing to read.
But that’s not for a long time. Maggie mentioned something that night that has stuck with me all these years. She mentioned how more laid back I am when you’re around. She said that it’s almost that I can relax and not be on edge when you’re around me and it’s so true. I never realized it but it’s really true.
So we’ve got a few more places to visit before the day is over. Don’t fret . . . just take every moment in.
Love you,
Jack
Closing the book, she tucked it in her bag, leaning over and kissing him. “You never fail to make me cry when I read these entries.”
“I don’t mean to . . . it’s sometimes easier to write everything down than to tell you face to face.” He confessed, shrugging before pushing off the bench. “Come on, we’ve got places to go and people to see.”
Accepting his hand, she grabbed her bag, allowing him to pull her to her feet. Still holding her hand, he tugged her closer to his side. “I love you, Kat. Thanks for going along with my hair brain idea.”
“I love you too, Jack. I’ll always be your sidekick.” She giggled as they made their way through the park.
As they walked, Kat’s eyes kept dashing around the park, laughing a few times at the kids who were running around while parents walked lazily behind them. Feeling Jack squeeze her hand, she looked over at him with a grin. “Happy?”
“It’s Christmas Eve, of course I’m happy. It’s fun watching the kids run around in the snow and trying to wear off energy so they don’t drive their parents nuts.” She said as a family caught her eye building a snowman. “My dad used to bring my brothers and me to the park to build snowmen so mom had time to wrap presents. He used to bring us through the Christmas Market in case mom needed more time. Hot Chocolate was always given as a bribe, not to tell mom what we got up to in those afternoons out.”
Jack laughed, nodding. “It was similar with dad, Maggie and me. Dad would take us out, giving mom an opportunity to wrap all the presents. Anything that wasn’t from Santa would end up under the tree. Maggie and I couldn’t touch the presents or they would all be shipped back. No matter how many times that was said, they never were. I think my parents were worried the two of us would destroy the house before Christmas morning.”
“I mean, they probably did have plenty of cause to worry.” Kat grinned while Jack hip checked her. She yelped, shaking her head, giving him a look. “You know I’m not lying and there’s some truth to the statement.”
“You’re right . . . Maggie and I were hellions when we were younger. It wasn’t until we both hit our teenage years did we calm down slightly.” Jack admitted sheepishly, while Kat threw her head back and laughed.
“Part of me would’ve loved to know you in high school and even in the beginning of college but meeting you in Junior year was perfect.” She smiled.
Jack smiled, as he led her into a more secluded part of the park. “You would’ve hated me in high school and probably even in my freshman and sophomore year of college. I significantly calmed down junior year so I’m glad I didn’t meet you until then. You probably would’ve been running for the hills if I had met you any earlier.”
“I don’t think I would’ve hated you . . . I think I might have been a bit cautious.” She hesitated to tell him that but didn’t have to worry as he laughed.
“You were hesitant to date me when you did finally meet me.” He smirked. “I saw you around campus a lot, always surrounded by people. Spot told me your name in Sophomore year and I kept hoping we’d have a class or two together but fate never stepped in.”
She barked out a laugh. “Spot told you my name?”
“I mentioned that I saw you around campus once and Spot blurted out your name one time. Him and Race turned that into an opportunity to tease me about you.” Jack shook his head. “Race was especially awful when you and he had that Speech class together. They almost staged a run-in just so they could introduce me to you.”
“Little did they know we would meet each other all on our own.” Kat beamed as Jack led her through the Bethesda Terrace. Looking at the architecture and the gorgeousness of the terrace all decked out in Evergreen for Christmas, she looked over at Jack but didn’t see him, until she looked down.
“I’ve been carrying this around for the last eleven days, trying to figure out a good time to ask you. You have been a bright light in my life for the last five years and I love you. I love you and can’t imagine my life without you in it. Will you make me the happiest man alive and marry me?” Jack’s eyebrows rose as he cracked open the ring box.
Tears clouded her eyes as she nodded excitedly. “Yes, Jack Kelly, I will marry you.”
Pushing off his knee, he scooped her into his arms, twirling her around as they both cried excitedly. Lowering her to the ground, Jack cupped the side of her face, leaning in and kissing her. “You said yes?”
“Yes, Jack. Yes, I will marry you.” She said as he kissed her again before they broke apart by clapping within the terrace. Pulling away, they looked at people standing around watching them get engaged. “I guess I should give you this.”
Showing her the ring box, he took the ring out before slipping it on her ring finger. She held up her hand, admiring the oval emerald ring, flanked by diamonds as it laid perfectly on her finger. For the first time, in a long time, she was speechless and didn’t know what to say. “I love you, Jack. This is gorgeous.”
“I love you Kat. I’m glad you like the ring - it was actually hard to pick out which one I thought you might like.” Jack leaned forward and kissed her again. “And thank you for saying yes. I didn’t know if you could tell I was nervous.”
She grinned, shaking her head. “As if I was going to say anything else. And no, I couldn’t tell you were nervous.”
“As soon as you said yes, all the nerves went away and all I saw was our future.” Jack leaned over and kissed her again. “I love you fiancé.”
Her eyes lit up at that name. “Fiancé has a nice ring to it.”
Several Hours Later
He tugged on her hand as he led her up the path to the house. Squeezing her hand, he pulled her close, kissing her. Opening the door, he tugged her inside, slipping off his shoes, allowing her to do the same before they walked down the hallway to the kitchen. He grinned seeing his parents, Maggie, and Brendan standing there. “About time you two show up. We were starting to worry.”
Jack grinned at his dad, his eyes glancing over to Kat. “Sorry about that. We got caught up in the afternoon.”
“It was your last adventure, wasn’t it Katherine?” His mom asked.
Kat looked from Jack to his mom grinning. “It was. We hung out in the Christmas Market at Bryant Park.”
“Good day?” Maggie asked with a knowing grin.
Jack nodded. “The best.”
His parents traded glances, looking between their children. “Why do I feel like I’m missing something?”
Jack pulled Kat close to him, grinning at his family. “Because you kind of are mom. Earlier today, I asked Kat to marry me and she said yes.”
A cheer went up in the small kitchen as his mom and Maggie came over to hug Katherine while his dad and Brendan came over to shake his hand and congratulate him. Glancing over at Kat, he sent her an air kiss followed by an “I Love You.”
Later that evening, after dinner was served and things had settled down, Jack and Kat sat on the couch looking at the tree. The gifts have been given, everything unwrapped and oohed and ahhed over. She had gotten several wonderful gifts from Jack’s parents along with Maggie and Brendan. “Good Christmas Eve?”
Looking up from admiring her engagement ring, she grinned leaning into Jack. “It was the best. It was wonderful spending time with your family. They’re so excited.”
“They have always thought of you as a daughter, now it’s official.” Jack pressed a kiss to her lips. “Did you call your parents?”
Shaking her head, she bit her lip. “No. I figured I’d tell them when they come back from their travels.”
“Kat!” Jack was astonished at his fiancé’s flippant response. “Don’t you want to tell them?”
Kat bit her lip and shook her head. “They haven’t been exactly supportive of our relationship in the last five years. Mom has this notion that I’ll marry a doctor while dad thinks I’ll just be alone for the rest of my life.”
“Your dad doesn’t think you’ll be alone for the rest of your life.” Jack said off handedly, giving his fiancé a look.
Her eyes went wide, listening to him. “What do you mean? Did you go talk to him?”
“I may have. I went and saw him the day you went to the hospital.” Jack wrapped his arm around Kat, kissing her forehead. “I wanted to give him the heads up of what I was planning.”
Kat looked over at him. “Did you ask him for his blessing?”
“God no.” Jack snorted, shaking his head. “I just told him I was asking you to marry me and I hope he could support that.”
She nodded, leaning up and pressing a kiss to his cheek. “I love you for doing that. What did he say?”
“He didn’t say much . . . only that we should have dinner with them when they get back.” Jack sighed, cracking a smile. “I’m sure that’s as much music to your ears as it is mine.”
Holding out her hand, she grinned at him. “At least I have my partner in crime by my side. We can do anything together.”
He laughed, his hands cupping her cheek leaning in, kissing her. “I love you, forever and always, Kat.”
“Love you too Kelly, forever and always.” She kissed him again, snuggling deeper into his embrace.
“So I know I already gave you a gift but I got you a little something else.” He gave her a look, pointing to a lone bag with tissue paper in the corner behind the tree.
She looked over her shoulder at him as she slid off the couch and onto her knees. Grabbing the bag, she pulled the tissue paper from it before pulling out an item wrapped in tissue paper. “What did you do?”
“Just open it Kat.” He grinned, watching her carefully unwrap the item. She gasped as her eyes flew up to him. The item was an ornament that had “Just Engaged” painted on it with their names and the date below it.
She grinned, holding it up so that the porcelain caught the lights of the tree. “It’s gorgeous, thank you.”
“Got it at the market earlier.” He nonchalantly said, as she wrapped up the ornament before joining him on the couch.
She eyed him curiously. “How were you so certain that I would say yes?”
“A tiny part of me was worried about what you said but a bigger part of me knew you were going to say yes.” Jack grinned. “Besides you said that you were looking for an ornament for the year . . . and I think that one fits this year pretty well.”
Leaning over, she captured his lips in a kiss. “You did good, Jack. I love you.”
“Love you too Kat.” He smiled, kissing her again. “See you didn’t have to worry about your gift . . . you gave me the best gift by saying yes.”
She snuggled into his embrace. “Sap.”
“But you love my sappiness.” He chuckled, pressing a kiss to her head.
They sat there in silence, enjoying the Christmas tree and reflecting on the last twelve days and the happiness they felt along with gratitude for everything that was in their lives.
What do you think? Feedback would be wonderful and amazing. Thank you for following along on this journey with me!
#Newsies#Newsies Fan Fiction#writing#jack x katherine#Newsies Holiday Fic#Twelve Days of Holly Jolly Tidings
10 notes
·
View notes
Text
Kindness in the Time of Cholera
I’m still up in the air about the whole thing in terms of where this potential catastrophe may be heading. But what seems beyond dispute to me is that we should be heeding the advice of those wise experts specifically whose counsel is to hope for the best and prepare for the worst. And equally clear to me is that we should be insisting unwaveringly that the government put the responsibility and authority to deal with this looming crisis squarely and solely in the hands of scientists, public health officials, physicians, and epidemiologists…and as far as possible from the hands of politicians.
One of the most intelligent essays about the coronavirus outbreak that I’ve read, by Donald G. McNeil Jr., was published in the New York Times just this week (click here) and I recommend it highly to you. Basically, he observes that there are two ways to deal with a looming pandemic. There’s the modern method of bringing to bear the full force of modern technology to identify the infected, to perfect a vaccine, to develop new strains of drugs to deal with the already-ill, etc. And then there’s the medieval method of locking the infected inside their own cities, closing borders, forbidding international travel or commerce, and quarantining people who may have inadvertently been exposed to the virus until the danger passes and the infected either recover or die.
The latter approach, the one McNeil calls “medieval,” surely does have an old-fashioned feel to it. And it equally surely features a harshness that will make most moderns uncomfortable. But that doesn’t mean it couldn’t work and hasn’t worked. President Benjamin Harrison, for example, apparently successful kept America safe from an outbreak of virulent cholera in 1892, for example, by closing American harbors to any ships arriving from Germany, the epicenter of that particular epidemic in Europe. But, as McNeil goes on to muse, just how possible would that approach be today really? The word “quarantine” derives from the Italian word for “forty” and came to have its current meaning because the Venetian Republic had the very successful idea during the Black Death plague epidemic in the mid-fourteenth century of requiring that all ships arriving in their port be isolated for a full forty days before their crew could come ashore or their cargo be unloaded. But Venice has one harbor and its masters had the ability absolutely to control the comings and goings of boats in and out of their city, whereas it is very hard to imagine that approach being fully successful in our globalized world of highly porous borders and uncontrolled (and uncontrollable) interstate travel. Nor am I only theorizing here. The Chinese actually have turned Wuhan, the city where the virus first erupted into the world, into a single huge quarantine zone. But the virus behind COVID-19 is still spreading dramatically in the world, both inside and outside of China.
The Jewish world has yet another way to combat a pandemic, one that was the subject of a fascinating piece on the Lehrhaus website that I read just last week. The essay, by Jeremy Brown, the director of the Office of Emergency Care Research at the National Institute of Health, concerns a long-forgotten ceremony developed specifically to address the possibility of epidemiological catastrophe: the shvartze chasaneh, literally “the black wedding.” (To read the full essay, click here.) The name, derived from the fact that brides normally wear white to their own weddings, was intended to suggest that the wedding in question is not just the union of an affianced couple eager to wed under a chuppah, but something else entirely—something rooted not in love and devotion, but in fear and community-wide anxiety.
As far as anyone knows, the last time anyone participated in a shvartze chasaneh was in 1918 at the peak of the Spanish flu epidemic. I’ve heard people mention that specific epidemic many times in the last few weeks, but even by today’s standards the numbers are still astounding. Five hundred million people around the world were infected, about a third of the entire population of the world. (Click here for more on that almost unbelievable number.) The death toll is estimated by most authorities to have been somewhere between forty and fifty million people, but some authorities put it as high as one hundred million. Life expectancy in the United States dropped by twelve years after just one year of the epidemic. This was a terrible time, the cataclysmic coda to the orgy of senseless killing that was the First World War. And the pandemic lasted for three full years, from the beginning of 1918 through the end of 1920.
The idea of the shvartze chasaneh itself is a simple one: the community seeks out a single man who is disabled, orphaned, and/or impoverished and arranges for him publicly to marry a similar destitute and handicapped woman. The ceremony takes place, as would any normal Jewish marriage, under a chuppah. But this chuppah is set up in a cemetery—perhaps as a way of inviting the dead to participate in the simchah—and then the community showers the couple with gifts, including gifts of cash, in the hope that this great act of kindness towards the especially needy will somehow avert the plague.
To document his research, Brown uncovered an account of one of these “black weddings” that took place in Philadelphia in 1918 during the height of the Spanish flu epidemic. Citing from a contemporary newspaper account published in the Public Ledger of Philadelphia, Brown reports that one Fanny Jacobs and one Harold Rosenberg were married just behind the first row of graves in the Jewish cemetery near Cobbs Creek, Pennsylvania, on Friday afternoon on October 25, 1918. A certain Rabbi Lipschitz presided; a full thousand spectators showed up to witness the union. And then, to quote the newspaper story directly, “spectators filed solemnly past the couple and made them presents of money in sums from ten cents to a hundred dollars, according to the means and circumstances of the donor, until more than $1,000 had been given.” And the point of the operation was also made explicit in the newspaper account: so that “the attention of God be called to the affliction of their fellows if the most humble man and woman among them should join in marriage in the presence of the dead.”
Nor was this something invented on the spot to deal with the influenza epidemic. The earliest report of a shvartze chasaneh goes back to 1785, when one was performed in the presence of two of the greatest hasidic masters, Rabbi Elimelech of Lizhensk and Rabbi Yaakov Yitzchak Halevi Horowitz (the latter better known today as the Seer of Lublin), and was intended to address an outbreak of cholera. Brown reports that similar wedding ceremonies took place for orphaned teenagers in Jerusalem and Tzfat in 1865 during an infestation of locusts that threatened to destroy the food source for the entire country. (The picture is of the one in Jerusalem.) They must have been quite something to see, those ceremonies: the one in Jerusalem took place amidst the graves on the Mount of Olives and the one in Tzfat took place in the old Jewish cemetery there, where the chuppah was set up between the graves of Rabbi Isaac Luria and Rabbi Joseph Karo, each in his own way the spiritual leader of an entire generation of Jewish people. Other such ceremonies took place in Berdichev in 1866 and at Opatow in 1892, which town Joan and I actually visited last summer.
The Philadelphia ceremony inspired at least one further attempt to ward off the flu epidemic: on November 11, 1918—the very day of the armistice that ended the war—a similar wedding was held in Winnipeg, duly reported in the Winnipeg Evening Tribune under the headline “Hebrews Hold Wedding of Death to Halt Flu.”
I do not think—at least not yet—that we should consider going this route at the current time with respect to COVID-19. But I do think that we could be inspired—and profoundly—by the idea that underlying our response to what could conceivably turn into a world-wide pandemic should be the same sense Jews of a different day had that one responds to the possibility of disaster by being kind and generous, by reaching out formally and publicly to the most needy, by focusing on the future and not solely on the calamity at hand, and by refusing to abandon our most basic values merely because we suddenly find ourselves negotiating straits that even a few months ago were unknown to any of us. The notion that the correct response to looming catastrophe lies in deeds of compassion and charity is very resonant with me personally. My plan for the moment is to wash my hands carefully and often, to leave the real decision making to the kind of public health experts who actually know what they are talking about, and to try to avert the worst by ramping up Joan and my gifts of charity to the poor and the most needy, and I encourage you to do the same!
105 notes
·
View notes
Text
Director’s Cut of My Fic “I’d Rather Be Dry” Part 2 (Chapter 3)
Chapter 3 was probably the most painful chapter of a fic I’ve ever had to write, and not because I was sad writing the sad scenes. No, this fic was physically painful to write because it took 3 days and I was struggling to sit down and write it the entire time because even though I had the whole thing planned out, I just felt like I was dragging through it and eventually had to change some things to speed it up a bit. Still, it ended up being the longest chapter because I had to tie up so many loose ends! Luckily for me, my beta-reader @primal-shitposts read it through for me again, so I didn’t have to suffer again!!! If you want to support not only me but my beta-reader who makes sure my fic lacks grammar errors (and also gives you this great commentary on these types of posts), please go to their art blog @primal-interstellar and give their artwork some love!!! They deserve it after slogging through this mess of a fic for a game they don’t even play.
Since there are a lot of funny quotes from this proof-read, I’ll post them all under read more. Beta-reader (Primal) is in pink. If you see blue text, that’s me typing stuff in frantically before she skipped to the next line:
I actually originally wrote the opening scene with Satan in a lot more detail. It dropped us in the present where he was in the office, and Diavolo and everyone was just looking on as he slowly ran out of energy. But, I got about 3 pages in and realized it was dragging and so I cut it and swapped it for a flashback on the walk home.
While I intended for this to be a much more dramatic anime scene of Satan just silent as he ran out of steam and could barely move his arms save for slapping the guy, I love this interpretation.
I CAN’T EXPLAIN WHY BUT THIS WAS THE FUNNIEST COMMENT IN THE DOCUMENT. NOTHING TOPPED THIS. I DON’T UNDERSTAND BUT IT’S SO OUT OF LEFT FIELD IT HAD ME DYING
Primal knows about Lucifer birthing Satan because the moment I started playing the game I made her watch a crack video with me that mentioned it. Although I know she likes Leviathan cause sea monsters, I’m convinced Satan might be one of her favorites. On a side note, writing dialogue for Satan is very hard because he is very proper but when he snaps, I always feel unsure of whether it sounds believable or just like a string of curses that a twelve year old would think sounds cool. 😎 I do like the father/son dynamic Lucifer and Satan hint at though (and from what I hear the new lessons might be adding on to that? oWO)
I honestly don’t know how the demons who attacked MC aren’t dead yet. They’re basically disfigured and then Satan just doubled the damage and then tripled it in the council room this chapter. Somehow they’re not dead though! I wonder what MC will have to say about their punishment...
QUICK, SOMEONE DRAW SATAN WITH THE CRAFTING TABLE STARING AT THE DOOR WHILE THE EQUATIONS FLY BY HIS HEAD
I did choose the “yes” option when Beel asked to eat me in the animal event. It was not because of vore though, but I do make many vore jokes. I could imagine MC being forced to explain vore to Lucifer (or all the brothers) after making a joke and them being confused. Writing Beel’s breakdown this chapter wasn’t initially planned, and it was sort of what really started to make writing this fic slow down because as you might notice throughout the fic, I suddenly felt the need to give every brother an equal amount of screen time which sort of led to me RUNNING OUT OF VERBS for how to make each breakdown unique.
Okay, so the next part. I was actively seeing the comments as they popped up, but there was a delay with the comment box on the side appearing before the actual comments in the text. So, I saw this:
And had two seconds to go “Oh no” before this was added:
From here on it was chaos.
Listen, the boys are idiots. They’re all concerned, Mammon just doesn’t want MC to get upset again. In reality, this sort of dialogue stemmed more from me still lingering on the original idea of the fic. The original concept of this fic (when it was just a one-shot) was MC still getting attacked by a demon in the locker-room showers (for their soul) but because I was originally thinking about a female reader, I knew that it could have more of an undertone for sexual assault. I actually first discussed the fic idea with Primal months back when I first got into Obey Me, because I wanted to write a snippet of each brother helping MC after the event (it wasn’t going to be extreme, I was thinking more accidental scratches during the scuffle closer to the chest and such and maybe the assailants having more dialogue demeaning MC for being around the 7 brothers all the time) but I realized I didn’t have much experience with that and it would make writing scenes that I thought about (such as Asmo wanting to give MC a bath as aftercare) difficult as I could see someone after an attack like that not wanting to be in a bathroom with someone else or be vulnerable to them. I ended up playing with that idea in my previous Mammon fic with more different comfort aspects and touching on that kind of assault briefly, so this fic ended up just being focused on the brothers’ being upset over what happened to MC.
As much as writing Satan’s angry dialogue is a pain, I have fun making him talk with a more formal tone, it’s closer to how I normally talk, and prefer to write my characters talking. I have no problem writing contractions or more casual speech, but for one of my fantasy stories, where I’m writing in English but trying to differentiate different languages through italics or just whether they use certain contractions or not, I tend to really stress the characters that use absolutely zero and more complicated synonyms.
I DON’T KNOW WHY BUT IT WOULD BE HILARIOUS IF MC JUST ASKED FOR SOUP OUT OF THE BLUE I’M IMAGINING ASMO BEING LIKE “BITCH I TOOK ALL THIS TIME DEBATING OVER HOT OR COLD TEA AND NOW YOU’RE SAYING YOU’RE FINE WITH HOT SOUP???”
I know the shower idea may have been really corny or cringey. I know a lot of people write things like the water in Devildom as being much hotter (cause their near hell and their demons! It makes sense, also I think Asmo might have mentioned in a text chat he would make the water cooler for MC? But I could be wrong) but I imagine their is some demons who aren’t powerful enough to handle a lot of the settings. Of course though, our demon bros are 7 of the highest demons in Devildom, so they’re immune.
*Slaps this comment* Congrats, Primal. You just summarized the entire chapter.
I find Leviachan to be such a funny nickname, mainly because writing any dialogue for Levi makes me cringe because while I was a VERY big weeaboo in elementary and middle school, I was so lucky I never hit his stage of acting like an otaku. While it’s charming, having to type him in more modern fic is even more painful because it’s like “oh god he actually goes into the real world and talks like this). Sidenote, I always mispronounce Levi’s name when I’m talking about him, mainly because I have to remember so many anime characters where their name is pronounced Lee-Vai or I just think of the brand of jeans (fashion major brain). So, whenever I’m talking out loud about him to someone, I have to stop and be like, “Levi... Leviachan...Leviathan...” because that “a” sound corrects my brain to how it’s supposed to be.
*throws confetti again* Believe I felt the pain of this fic dragging through every boy going back on their character development I had given them but I felt it was only fair that each of them got time with MC. As the tag on archive says, “everybody gets time to shine with MC”. (I really just want to write Barbatos’ scene for chapter 4 though)
This scene was hard to write because I wanted Levi to get closure on the scene with MC, but I couldn’t have him straight up kabedon them because then he would be cornering them and I thought that would be too much like what MC went through in the shower. Although I didn’t write anyone in explicitly summarizing what happened to MC, and Levi saw the least of it, I think he’s seen enough series depicting it to know that cornering them would be bad, but he still wants to show that he loves them and cares about them. Also, when I was writing this, I remember just going through a counter of who got the most smooches in chapter 3. Originally only Mammon was going to get 2, putting him in the lead above everyone who got 1, but then I felt back for giving Levi the least screen time and just gave him 3.
Honestly, chapter 3 really took a turn for a more intimate chapter??? Especially with Asmo’s one-on-one scene with MC, it was all downhill from there. I have noticed with quarantine, my writing has become more focused on touch (if you read any of my Balance:Unlimited fics or even my Mammon fic, you would definitely die if you tried to do a drinking game with the number of times someone TOUCHES the other gently). It’s just an unfortunate projection issue that comes with writing.
And here is complete chaos. I had blocked this game from my memory and then I was forced to remember it right here.
Removing these meme images from the fic text will be tedious, and painful. But, I am preserving them here. (I type up these directors’ cuts before publishing the final version of the fic, so I don’t lose the comments)
I’m not even at lesson 16 yet, but based on all the spoilers I read, watched, and scene for research purposes, I’m pretty sure it was more of a-
This is what writing 11k+ words for one chapter worth it. The final read through I get to enjoy things like this.
I wish Belphie was 7′2″. 😳 I like Beel but Belphie is one of my favs. Ironically enough he was the one who skipped this fic. (I’ll make it up to you one day, Belphie fans.... will we ever know what they talked about and what made Belphie cry? Personally, I think it’s like the iceberg effect Hemingway talked about, and says more under the surface... it’s totally not because I got burned out, lolololol.... 🤭)
I WAS ACCIDENTALLY FEEDING DIALUCI STANS but again, if you’ve read my Mammon fic, you probably know my true thoughts on Diavolo and Lucifer’s relationship. This fic is so MC focused, I wasn’t intending to write it in so much, Diavolo was just supposed to order Lucifer to go home, that’s it. But, I got rejuvenated when I hit Lucifer’s scene, because I knew it was the homestretch for the chapter! I really played up a Hamilton reference accidentally, having the “Go home” line repeated, because it just felt like the vibe the scene was getting at. I am hoping to explore Diavolo and Lucifer’s relationship more in my modern au fic, Siberia.
I hate tumblr because if I attach a link in the initial post, this won’t appear in the tag, but Primal’s comment here made me think of this art I saw of Lucifer and Satan the other day by ObsessiveAlice (I don’t want to tag them because they’ll be so confused by this long unrelated post! But I’ll put the link to their art in the notes/replies on this post, so check them out!!!)
I know it wasn’t the most romantic kiss but again I WAS RUNNING OUT OF WAYS TO MAKE THE BROTHERS HAVE UNIQUE SCENES SO I GOT DESPERATE.
And that’s the end!!! Again, if you liked the fic, more than giving me a like or reblog, please go check out Primal’s wonderful artwork @primal-interstellar !!! She does a lot of great oc work and it needs more recognition!!! Almost all of my fics would never get posted without her help, so please, please, please show her support! (She has an animatic she just made which I will also link in the replies!!! Please give that love too!!!)
Anyway, if you made it to the end, I don’t know if you got a laugh out of this, but I hope you enjoyed the fic commentary somewhat! I was going to post chapter 3+4 at the same time like I did the prior chapters, but chapter 3 took so long I had to just lay on my floor for 3 hours earlier today to take a break from it, lol. Luckily, I’m very excited for chapter 4, so it shouldn’t take as long!!!
#obey me#obey me shall we date#obey me lucifer#obey me mammon#obey me leviathan#obey me satan#obey me asmodeus#obey me beelzebub#obey me belphegor#obey me mc#obey me masters#writing#my writing#fanfic#fic#obey me fic#directors cut
14 notes
·
View notes
Text
Parasite: tumblr Is Still A Viable Blog Website edition
parasite : something something society
The 2019 movie Parasite tells the story of a poor family who employs at a rich family’s home with falsified information. This movie takes place somewhere in South Korea, primarily at the Kim family's place of residency and the Parks’. The time this story takes place is in the modern age, most likely 2018, when the movie began filming. I’d be pedantic and put flavor text such as “the movie delves into the lives of people in different classes” and “the movie brings into light the unfair aspects of modern life” but that has already been said countless times since the release of the film. Instead of that, I’ll just say that the film is amazing and magnificent and now we can move on.
The goal for this project is to pass, since due to negligence and lack of a group this has been left in the gutter for weeks. Obviously, the main goal is to give a knowledgeable understanding of the film and how it serves the purpose of the topic the teacher “taught” us. Of course, since this is a text about my understanding of the film, my take on the topics of the film will be included. If, for whatever reason, you overestimated my capability of making a project originally intended to be worked on by a group by myself, you will be surprised to know that I am (ironically, just like the characters in the film) leeching off the success of others. These “others” shall remain anonymous, but thank you for letting me use your project as a reference point.
Topic One (1): deviance and conformity.
Theory One (1) of deviance: Strain Theory
In this paragraph, I would like to bring up the topic of one Robert K. Merton’s Strain Theory, which states that people who commit crimes are likely stressed or, as the name implies, strained by a certain variable, such as making a group project by yourself, twelve days past the appointed deadline. On the topic of the strain theory, I’d like to bring into question the scene wherein the Kim family forges documents in order to gain employment in the Parks’ home. Although the strain theory is present in most parts of the film, I just decided to use this one. The high standards of today’s society demands too much from the Kim family’s poverty, so they must cope by lowballing and scamming people for money. The main focus of this film (among other things) is that the Kim family is forging their way into the Parks family in order to leech of their earnings, like a parasite. Back to the forging scene, you can clearly see that not one of the Kims are against this method of earning money, as they have been doing it for a long time. They have clearly been tired of the strain that society places on them, and they are okay with doing these methods in order to get by.
Theory Two (2) of deviance: Labelling Theory
In this paragraph, I would like to bring up the Labelling Theory, which states that the actions, behavior, and self-identity of a certain person can be influenced by the labels used to describe them. Throughout the film (or rather, the beginning part where they formulate the plan), the Kim’s label their acts of connivery as (and I’m paraphrasing here) “what they must do to survive”, which means that they must commit these scams to live. Due to this label that they give their criminal actions, they perceive it as acts they must do to get by, like how one would work a nine-to-five in order to get by. Really short tangent, but it’s a prominent thing in the first parts of the film.
Topic Two (2): parenting style.
Proposal One (1) of parenting style: Neglectful
A feature in this film is that there are parents. Two of them are even main characters, wow! And like any “woke person” in the twenty-first century, I will critique the parenting style of fictional characters, even though no one asked me to, because my opinion matters, and people should listen to me dictating how they should live their lives, fictional or not. In my onion (if you noticed that typo, good job, you’re paying attention), there are two styles of parenting; Neglectful and Authoritative. I believe that there is a Neglectful parenting style present since the parents live in sin, thus they never saw it fit to teach their children proper morals because, you know, crime.
Proposal Two (2) of parenting style: Authoritative
Although a Neglectful and Authoritative parenting style may seem contradictory, it is present in the parenting style of the Kims. Google says authoritative parenting is “combination of warmth, sensitivity, and the setting of limits. Parents use reinforcement and reasoning to guide children.”. This means that the Kims set limits for their children, and use their twisted reasoning to make their children come up with more ideas on how to scam people. Ah, family.
Topic Three (3): experiencing personality through socialization
this is the long one.
Part One (1) of Four (4): socialization
The strange and mysterious act of socialization is present in the relationship between the Kim family members. Throughout the film, we can see them helping each other out of their predicaments and situations, although through acts that are probably highly illegal and morally questionable.
Part Two (2) of Four (4): Personality
Google says “Personality is the internal characteristic of a person while behavioral is the external characteristic that a person shows to a person or group of people.”, and I believe that personality is present throughout the entire film. Every prominent character has a clear personality that they showcase throughout their scenes. You can clearly see how each character behaves differently from one another. In this scene, you can clearly see how Ki-taek is irritated and angry at the fact that the Parks saw the rain as a blessing, when it ruined the Kim family’s house. You can see that he is angry at how an event that devastated his household is being described as “a blessing” from someone so high up the social ladder. However, he just looks like a grumpy man, most likely angry at the traffic or something. His personality and his behavioral expressions shine through the amazing acting by Song Kang-ho.
Parts Three (3) and Four (4) : Theories of Socialization
Theory One (1): the looking glass theory
Google says that the Looking Glass Theory is about “people shaping who they are based on what other people think of them”. In this scene, Ki-woo is “critiquing” art. Of course he isn’t, because he has no professional experience and education in the arts, and to him they’re probably just weird doodles that cost way too much. However, since the Parks view him as a highly educated person (through forged documents), they expect him to be well-versed in this field. And I still believe it’s a chimpanzee.
Theory Two (2): the I and Me theory
We can use the same scene above as an example for this. George Herbert Mead states that “The “me” is the social self and the “I” is the response to the “me. ” In other words, the “I” is the response of an individual to the attitudes of others, while the “me” is the organized set of attitudes of others which an individual assumes.”. In this scene, the “Me” is the way the Parks see Ki-woo as someone highly educated and very smart, while the “I” is Ki-woo agreeing with the way the Parks see him, even though it isn’t true.
Conclusion:
Parasite is a pretty good movie. It goes into a lot of topics about class, the divide between those classes, and a lot of other things. It makes the modern people do what they normally don’t do, which is use their brains and think about how they treat others of a lower class. The film also shows us how some people have to resort to scams and forgery in order to survive, and the possible repercussions of that kind of life. We also get to see the blatant obliviousness that people of higher status have towards the difficulties and problems of the people below them(see: rain scene). It shows us the benefits and dangers of using lies and deceit for personal gain. It shows us how gaining someone’s trust through these lies can lead to harsh results. It also shows us a kid in a native american outfit. Pretty cute.
The movie shows us the two sides of the coin of humanity, good and evil, and how one side can disguise as the other for selfish benefit. The Kims are good in the sense that they help each other out, and have a strong bond with each other. Yet they are also evil in the sense that they are getting by in life by scamming people out of their money. The Parks are good in the way that they help people they know, and are kind to their children. And they are also evil in the way that they don’t help the people who are obviously struggling in life, and those who have experienced disaster. A lesson to take away from this movie is that everyone is both good and evil, and a person who is fully good is hard to find in today’s environment.
In the act of forging their way into employment of a rich family, and living off their wealth, the Kim family are the namesake of the film, Parasites. The way the weird dude who lives in the basement leeches off the Parks by just living in their basement free of charge is also parasitic. There’s a lot of symbolism in this film that I think falls on most of the people who watch it. I highly recommend you watch this movie, it’s pretty good.
After watching this movie countless times (i can actually count how many times, but nah), I can say that the message of this movie is still not lost on me. I can watch the movie and still go “oh wow this really speaks about ______”. Its value does not diminish after every re-watch. It’s also a nice family movie, probably. You just have to sit through an awkward 30 second scene which I will not tell you about.
1 note
·
View note
Text
Scenic Route 34/47
Read on AO3 : https://archiveofourown.org/works/18268208/chapters/43229774
Start over : https://elopez7228.tumblr.com/post/620919089893933056/scenic-route-0147
***
Rey sat in the grass, contemplating the decision she had to make. The car was ready. BB8 was chasing crickets around. Right now, almost no one knew her location on the remote campground. But she couldn’t stay there forever. She was furious at Ben...but somehow she couldn’t forget about the night they had spent together. Just thinking about it sent shivers down her spine.
No, she had to act rationally.
It was a mistake to let Leia and Ben take advantage of her. She had been too rash, too trusting for her own good. She didn’t doubt Syed’s intentions; she had also seen Skylar’s brutality with her own eyes. And something told her they wouldn’t be fooled by bear spray twice. She wished she had been even firmer with Ben that it was his responsibility to reign in the lunatics on his team...
But the doubts crept in. What if he couldn’t do it? Or, what if he didn’t actually want to? Worse yet, what if he never really loved her at all? It was hard to wrap her head around his actions. His kisses were ardent, by all accounts he was even more earnest than he had been that night in Jackson Hole.
Sleeping with him hadn’t felt like a trophy fuck or a one night stand, she had felt like an empress. He’d been so focused on her pleasure, on unraveling her with a gentleness that almost seemed out of character. Still as driven as ever, but sweeter, somehow. No one had made love to her like that in ages.
Was that all in order to get his hands on the microchip? Beneath all her righteous anger she’d hoped that it had been a misunderstanding. Maybe then it would’ve been less painful.
Maybe it was time to embrace the obvious: Cupid had it out for her. Just like with Finn, when things were finally looking up, everything came crashing down.
What now?
She thumbed through her contacts mindlessly. She ought to check in on Poe, but she hardly felt like it. Calling Jessica seemed even worse.
It rang just then, startling her.
Ben Solo.
Was he about to tell her that Syed had been put in the naughty corner? Probably not.
“Yes, Ben?” She sighed.
“Please don’t hang up.”
She wasn’t going to, but it was nice of him to insist. She relented.
“What is it this time?”
“Syed and Skylar are looking for the Falcon. You can’t hope to get away in that car.”
“I see you haven’t been successful in convincing them to leave me alone. Also, this is escalating rather quickly, isn’t it?”
“Look, I’m sorry I put you in this situation, I—“
“Yeah, I suppose you should be,” Rey tried to cut him off, but Ben was determined.
“Whatever I did before, I regret it, and I’m trying to protect you now. So let me finish. You need to change cars.”
She snorted derisively. “Do you think I have that kind of money? Besides, your mother trusted me with the Falcon, am I really just suppose to let it rot somewhere?”
“No, no, don’t worry. I’m sending Kelsi Ren your way. Switch with her, and try to gain a few hours on Syed and Skylar.”
“And if I refuse?”
“You won’t make it past ten miles. Syed’s out for blood.”
“Is that a threat?”
Ben hesitated to respond. Rey could hear his uneven breathing on the other side.
“Rey, I know I fucked up,” he said hoarsely. “You don’t have to forgive me, but you have to trust me.”
“Trust is a big ask. As for forgiveness, we’ll see. I guess I don’t have a choice about the car...”
“I’m not trying to force you, but it’s your best option. I mean it.”
Rey rolled her eyes. Really, what alternative did she have? She sighed again.
“When will Kelsi be here?”
“Ten minutes, she’s on the way. When she gets there, switch the registration papers too. Don’t talk to her, don’t answer any questions.”
“It’s not like I’ll invite her to tea,” she grumbled as she hung up.
Ben wasn’t kidding: a large Lincoln Nautilus pulled up next to the Millenium Falcon in a matter of minutes. To Rey’s chagrin, it wasn’t quite large enough to fit her mattress, so they were back to sleeping in the car. At least this one had air conditioning. That would be a welcome change.
She supposed she should call Leia about the Falcon soon. She had promised to deliver both the car and the dog, but perhaps Leia would be receptive to the “looming killers” argument. Desperate times called for desperate measures...
Kelsi emerged from the car. Rey had seen her on stage before, but she was different out of costume, in broad daylight. She looked good in her ripped jeans and hiking boots, though she appeared younger now. Short platinum blonde hair framed her face, which was well-hidden beneath a combination of dark sunglasses and a tattered shawl that wrapped around her shoulders.
“Are you Rey?” She asked casually as she approached.
“Yeah. Here’s my car,” she replied, gesturing to the aging Oldmobile Cruiser.
The blonde grimaced, muttering something about a shitty last minute plan under her breath.
“Here’s the keys and the papers. The tank is loaded. Where’re you headed?”
Ben’s voice echoed in Rey’s head: don’t answer any questions. She realized it was time to play the clueless tourist again, since everyone seemed to think she excelled at the role.
"I don’t know,” she said, giving Kelsi her blankest smile. “I’ll just hit the road I guess. Go wherever life takes me.”
“Whatever,” Kelsi grumbled, mostly to herself. In an almost mechanical gesture, she handed Rey the keys and the registration document.
Now it was time to move the contents of the Falcon. Rey cleared out the glovebox, suddenly noticing that the toy car was gone. She panicked when she realized that Luke’s address was still there. Had Ben found it the other night? If that was the case, he now knew her location and her destination. And that meant he knew his uncle’s address. But he never once said anything. Another day, another game of hide and seek.
“Ugh, this piece of crap reeks of dog!” Kelsi complained. Behind her, Rey snorted. Good luck with that, princess.
Finally, Rey moved BB8’s toys and food bowl to the back seat of the Lincoln before getting behind the wheel. The engine revved up smoothly, and she instantly knew this was a major upgrade compared to the Falcon. It also came with a leather interior, GPS, and Bluetooth. Score! The rest of this trip was going to be so much fun.
She put her sunglasses on and adjusted her seat. Time to hit the road again!
For a little while she basked in the feeling of relief, forgetting that she was currently a crazy old woman’s pawn with no other plans in life, on the run from a pair of assassins and leagues away from her dying ex-husband.
She drove carefully out of Bozeman on Highway 89. She connected her phone to the Bluetooth system, finally deciding to give Poe a call. The conversation was brief as Finn was stable and nothing had changed. Rey neglected to mention her own circumstances because she didn’t want her friends in England to worry more than they already did.
Now that she thought about it, she wasn’t as scared as before. Was this her new normal—travelling alone, confronting bears, flirting with rockstars, and outrunning gangs? Despite the risks, she had never felt more alive.
She slowed the car as she approached what looked like a police barricade. Rey was about to pull the window down when the officer standing there motioned for her to keep going.
But by now her good humor had suddenly disappeared. Ben had said that she wouldn’t make it ten miles in the Falcon. Was this barricade the proof? Did FORCE really have the means to intercept her like that? The idea was so terrifying that she pushed it away.
She was headed even further west, in the direction of Idaho. It was 8 AM now. If she drove for another twelve hours, she could spend the night in Reno, Nevada. From there, San Francisco would only be four hours away. Rey would find Luke Skywalker, give him his dog and the microchip, and live the rest of her average life in peace.
Eventually, she would have to call Leia Skywalker, but right now she needed some dial-in advice from her Fairy Godmother.
“Rey, good morning! How was the concert?”
Concert? Maz’s question was brimming with so much enthusiasm that it took Rey’s brain scrambled to catch up. Ah yes, that concert. Before...before everything. The old woman listened patiently as Rey explained the events of that night, and the unexpected consequences.
“Rey. Rey! Listen to me, I don’t quite get the story behind this micro-SD thing, but it sounds important. So as far as I understand, group A hid this thing on you without your knowledge, and group B, the gang, is looking for it. And you’re angry at group A but you forgive them, while also being in love with the leader of group B, who you’re in a spat with right now. Is that it?”
“I am not in love with—“ her voice broke off mid-sentence.
Who was she kidding? She couldn’t even lie to herself anymore.
Maz was silent, allowing Rey to internalize her revelation.
“What about him?” She asked Rey gently, “Is he not in love either?”
“I don’t know, Maz. He’s been chasing me for a week with his smoldering looks and his but-I’m-a-sentimental-beast love songs. And last night he was—“
Rey sighed.
“Last night he was so genuine. Or so I thought. I believed his affections, and I believed his words too. But this morning he was sending me mixed signals. On one hand he was rummaging through my stuff while I slept, but on the other he just gave me a new car.”
“Rey, I’ve met Syed. She didn’t seem like a very nice woman. I’m willing to believe that she will hurt you, especially now that she has a bone to pick. So why is Kylo Ren risking himself to protect you, after he put you in danger?”
“Ben Solo. It’s Ben Solo who’s trying to protect me, not Kylo Ren.”
“What’s the difference?”
As Rey mulled the question over in her head, it dawned on her that she had always seen a clear distinction between Kylo Ren and Ben Solo. Why?
“Kylo Ren is just a persona. He’s a spy who operates the gears and collects the debts for FORCE. Ben Solo has a more complicated backstory involving his parents, and he doesn’t stand a chance against real villains like Syed Ren. He was the one who kissed me last night.”
“And the man who was looking for the microchip as you slept, who was he?”
“Definitely not the same guy who offered me a car so that I could escape.”
“It looks to me like this boy has a lot of soul-searching to do. I don’t know if you can help with his problems. Take the car for now and get as far away from them as you can! Go find yourself some shelter and let the boy figure out his own life. He’ll come back to you if he really means to.”
Rey contemplated this in silence. It was simple enough to worry about herself for now and let Ben come back when he was ready. It seemed reasonable, doable.
When their conversation came to an end, Rey stopped at Three Forks to get breakfast and buy a few more supplies for the journey. Ideally, she would make as few stops as possible to really stay ahead. Feeling a renewed sense of determination, she was ready to face the world again.
This part of the Rockies was different than the area east of the Teton, which she had passed on arrival. In Wyoming she had driven past dry mountain prairies that were almost desert-like. The other side of the mountain chain was much hillier, reminiscent of the Alpine countryside. She spotted grassy knolls, valleys, and snowy mountain peaks set against the flowery plains.
She followed the valley south, feeling lighter and lighter with each passing kilometer. There was no one behind her. No menacing SUV, no Syed in sight. Could it be that all her worries were immaterial?
Well, there was one person she still had to worry about contacting: Leia Skywalker.
5 notes
·
View notes
Text
Conflict
Here a Post Episode fic for Episode 3: Space Race (I know I’m pushing into the wrong week but I only got this finished today. Also it was written on a night shift/post night shift so I have no idea how it compares to my normal writing.)
This also contains my interpretation of the cause of the Global Conflict. This is purely from my head, because they never say anything about it.
*****
The war had started fast, and the brutality went beyond anything anyone could have imagined. There were multiple fractions, multiple countries clubbing together to fight for their best interests. Those in charge never thought the people though, never spared a thought for the most vulnerable. Her husband and brother had matched for them, had taken up the call to arms, not for president or country, not because they believed in the cause. No, they enlisted for the money, for the guarantee of a meal. They had been promised good pay, pay that would keep their family going in these uncertain times. The families would have been able to stay in their homes. Except her husband and brother had been killed within a week. The transport they were on had been shot down. Sasha had also lost her job when a bomb blew up the offices she worked in, not that it could have supported the family, now made up of her two daughters and now her parents. The rent on her small two bed apartment had been the cheapest so her parents moved in. It had been cramped, and the fear of more bombs kept everyone on edge.
Maybe that was why they had approached her, because they knew she would jump at the money. It matched the wages her husband would have made and more, it also came with a completion bonus, a massive completion bonus. Or maybe it was the shielding project she had been working on for the government. Or maybe it was just a bit of both. Not that it mattered why they chose her, what mattered was that they had, and she had accepted at the opportunity. She packed a suitcase, said goodbye to her family and moved to the warehouse. That's where she met Abdul, the designer of the mines. The mines she was to hide. He had shown her the plans, given her a tour of the production line, and then settled her in a small office. It took a while to get used to using a real pen and pencil, all the plans and documents being on paper. Better for security, was their response. It made everything that much more challenging, but she needed to rise to it. Her family was depending on her. She couldn't let her children starve. Sasha had met the deadline, twisting her design to fit their needs. She impressed herself at how she managed to meet it, staying up late each night. Sasha hated the pleasure she got when it was approved, and the thrill of watching the first circuit boards being prepared and emitters being put together. Her work wasn't completed. She now had to focus on getting the control network coded and running in time for launch.
*****
The mine was both basic and complicated at the same time. Brains had managed to remove the explosives, which were now being stored safely and were ready to be handed over to the GDF. The rest of the mine was simple apart from the small box that housed the shielding. This box was what he scanned and dismantled. It was incredible in its intricacy and once he understood how it work, was amazed by the simplicity within its design. The mechanism was complicated, but that did not faze him, Brains enjoyed getting his mind stuck into a good puzzle. He scanned and inspected the components, MAX passing him tools as he went, even getting him a glass of water when Brains hadn’t realized he was even thirsty. He was so lost in thought over the problem. He tweaked his scanner again, trying to find any detectable frequency coming off the device. There had to be at least something! There was small blip in the readings and excitedly he fiddled with the settings, making the blip clearer. Even with the shielding activated, he could still detect the small frequency coming off the device. Brains smiled, setting to work on a scanner that he could install into Thunderbird Three, and could be used to locate any more of these mines that might still be hiding out there. It was their duty now, to make Earth’s orbit safe, as they would never know when another mine might be triggered. They couldn’t take the risk, especially with their own ship frequenting the area. It pained Brains to think such a fantastic piece of technology had been used in such a horrible way, but now he had the design, he could improve it and maybe put it to better use. He was going to compared it to Thunderbird Shadow’s stealth systems and maybe see of there was some crossover and improvements that could be made. He might even be able to give FAB1 an upgrade. With new possibilities and ideas forming, Brain’s set to work.
*****
Sasha worked flat out getting the first batch of fifty units out. She called them units, not wanting to admit to herself what she was really doing. At least these units won't be hurting her children. They were safe, or at least as safe as they could be. Not that she'd had any contact with them. Contact was prohibited. It was to keep what they were doing from the enemy, to stop them from finding out. This unnerved Sasha, but it was too late now. No going back. The control network was coming along well, and in a few days, it would be ready for action. There would be no trial, it would go straight to live. Desperate times call for desperate measures. They had to protect the supply line, it was what was best for the people, the government had said. She was doing this for the Motherland, Sasha tried to convince herself.
Between control network, she sorted out the program for the mines. They had tested the shield so at least that worked. The boxes that designated which ships were not targets were being produced elsewhere, to her design. The first fifty units were given the ID XQ, which she hated, so in the programming when she had to put in the ID at the start, she coded the name of her brother, Markoff. They may have taken her brother away from her, but at least, in this small way, he could take a few more of them back. The dead would fight again. Sasha took what little comfort she could from it. The Motherland had started the war, not wanting to give up their mining monopoly of the nearest asteroids. Some countries had been happy to negotiate, and trade agreements were made, others weren't so pleased with the deal and when negotiations failed, and words got heated, those words quickly became actions. Sanctions quickly came into place and tensions rose. Her community suffered. Her community had started to starve. So, the Motherland said they had to fight. This was how she was fighting. Thorough these mines she would protect her 'brothers and sisters'. These mines would make the enemy think twice.
Sasha lived in the dormitory with the other workers. Including her and Abdul, there were twenty-six of them in total. The machines ran at all hours and the others took shifts. Twelve on, twelve off. She got to know the day shift well, heard their stories, which were a mirror of hers. She remembered the names of those they had lost and wrote them down in her office. Each batch would have a different relative fighting back. Every mine containing the name of someone the war had taken. Someone who never wanted to fight. At the end of the week they were given a piece of paper and a pen, and they were allowed to write a letter home. Sasha jumped on the idea and told her girls how much she missed them and that she'd see them as soon as her job was complete. She had no idea if the letters made it home, but it was the only hope she had.
A week later she was informed of the success of the mines. Multiple enemy ships had been taken out and they had no idea where the mines came from; they hadn't seen it coming. They promised her a bonus. She would never know if she got it as her wages went straight into her father's account. She received data from the network and used it to update the software. The hardware was left to her colleagues as the next batch, this time it would be known as XS, and there would be a hundred made. The Motherland was taking space seriously. Sasha named it Mika after her colleague’s brothers who died in the first air raid on his town.
*****
Thunderbird Three responded like a dream, as always. Alan loved piloting her and was glad to be back in space again. A few twists and turns as he passed through yet another cloud of space debris, scanner on, searching for more bombs. Brain’s had worked out a way to not only scan them, but to mimic the original control network, so they didn’t activate. John suddenly floated beside him.
“You know you could pick up some of the other debris as you pass."
"John, I'm on a deadly mine hunt. I don’t have time for collecting trash."
John rolled his eyes. "Just be careful."
"I am careful!" Alan complained, as he twisted out the way of some more debris. The mine that had just been detected was now in full view. John disappeared and Alan targeted the old technology. He got it first time, and it joined the eight others he was dragging along. Alan continued to methodically fly the grid John had given him of the areas he needed to scout. This was going to take a few days to clear, but at least this beat doing schoolwork. Another mine located, Alan captured it and headed to the island with another ten mines for Brains to make safe.
Over the next three days Alan clear Earth’s orbit of mines, before finally setting his eye on the junk pile that the GDF monitored and maintained with a space laser. The GDF knew of their plan, and happily agreed to turn off the laser to help them complete it. They didn’t want any unknown mines in there that could activate and blow up at any time. Alan scanned the whole area before starting to pull a few mines out that had become buried in the heap. Some had taken a little more effort than others to get out, but he felt a great sense of achievement when he got the last one free. With six mines trailing him, he moved away from the area and called John.
“Mission complete, John. All bombs removed from orbit.” Alan finished the sentence with a yawn.”
“FAB Alan.” John chuckled slightly. “I’ll inform the GDF they can reactivate the laser.”
*****
She had been here for almost five months now, completely cut off from the outside world. The war was close to entering its seventh month and she had no idea how it was going. Her family didn’t know where she was, only that she was alive and safe, if her letters were getting through. She missed them terribly. Sasha’s arms ached for her girls. The desire to hold them close and hear their innocent chatter was strong. She just had to keep going. She’d see them when the work was complete.
The current batch was almost finished and was just waiting for her to upload the program to their drives and network. This was the largest volume yet; two hundred units. Two hundred units to be scattered around the Earth, on top of the hundreds already orbiting the planet. A shield for their ships. Protection of the deadliest kind. These were the XZ batch. All Sasha had to do was give them the name, pick a relative or friend to replace the unit ID. She had a list to choose from but none of them jumped out. She needed to name the batch, and soon.
Sasha was brought from her thoughts by an odd noise from the factory. She stood from her seat and headed out to see what was happening. There was another sound, coming from the other side of the factory. She passed between the machines that currently stood still. They had yet to be asked to make another batch. There had been talk amongst them of heading home. The sound came again. She continued, heading past the assembly area where the last of the units had been readied for transport. The sound came again, louder now and unnerving. Sasha paused. She stood beside the crate. There was no indication of what was in it except for the unit ID that was printed on the side ‘XZ-198’. A door, a short way away, opened and Sasha watched, holding her breath. Two Chinese soldiers stepped out: their guns ready. An older, obviously more senior, officer exited after them. The noises started to make sense and fear filled her heart.
“The last one is the other designer. She’ll be in her office” The senior one spoke with authority, “I will then grab the papers I require from. After that we load the last three crates and burn this place to the ground.”
There was no response from the other two, and Sasha didn’t wait around. As quickly and quietly as she could, she ran back towards the office and sped to the fire exit not far from it. She pushed the bar. The door didn’t open. Panic filled her as it dawned on her that they had locked her in. There was no escape. Her heart fell as she though of the promised bonus. It was never something she was ever going to see. It was compensation, for her family, so they could go on without her. She was never going to see her children again. A tear escaped her eye. She had orphaned her daughters. Sasha knew they would be raised well by her parents, but that would never heal the pain they were going to endure. Their last goodbye had been months ago, she hadn’t seen them since. It hadn’t been a proper goodbye. Another tear fell. Without another thought, she ran back to her desk and took her seat. She typed in the name she wanted to give this batch and hit upload. She watched as it connected to the network, becoming part of it before being downloaded to each and every mine. The bar slowly moved along. She turned at the sound of the door, her body shaking. The men walked in. The guns were pointed at the ground. The gunmen flanked the senior officer, who stared directly at her. A chill ran down her back.
“Has the program been upload into the mines successful?” The man demanded.
Sasha glanced at her screen. The bar was full and the word ‘complete was beside it.
“Yes.”
The man nodded. The guns were raised and pointed at her chest. Sasha took a trembling breath as the shots echoed around the room.
*****
Alan had to wait for Brains to inspect the mines and make then safe before a full debrief could be performed. This took a little over a week, as they had to do multiple runs to the local GDF base with the various components. The explosives in particular were hazardous as they were so old, but there had been no mishaps, and all had gone smoothly. Brains now stood before him in the lounge. Alan was sitting on the sofa with Scott and John hovered beside the images Brains was taking about.
“Alan, you recovered eighty-three s-stealth mines in t-total. All from various batches. The GDF was k-kind enough to give us all the detail they had on these, which helped with the search. It turns out that many had been detonated during the conflict, or j-just after when the newly formed GDF had to try clear them to make space travel s-safe again. These mines have taken thousands of lives, and the GDF are t-thankful in our help ensuring there are no more out there. Where they were manufactured and by whom was never discovered.”
“These people make me sick.” Alan said, his words filled with disgust. “What kind of sick people make hidden bombs and scatter them through space? How could they live with the amount of people they killed?”
“The Global Conflict happened during a difficult time, both sides did awful things, Alan.” Scott butted in, fully aware that Brains had memories of the war. Scott had been too young to remember what happened, but it had been frightening times. “Just be glad the peace was achieved relatively quickly, and the World Council was created.”
Alan sighed and crossed his arms. “I still think they are sick people.”
Alan saw Scott share a glance with John and shake his head out the corner of his eye. Just because they were older. They weren’t always right!
“What d-does baffle me is the naming system they used.”
“What so special about the naming system?” Alan asked. XZ-157 wasn’t that interesting to him.
“In the c-coding of each mine, right at the start where you’d expect the ID to be is a name. It appears that each ID has a different name attached to it. For example, the XS ones had Mika and the XV ones had Sonia. They are all single first names apart from the XZ ones, like the first on you found.
“What make the XZ one so special?”
“That I c-cannot say. The XZ had a full name of a real person. Sasha Lidia Rudin.”
“Who was she?”
“Sasha Rudin was a Russian software engineer who went missing during the Global conflict. She is presumed dead.”
“So, no one important then.” Alan fidgeted, hoping the debrief was almost over so he could go play some Cavern Quest with his friends.
“Everyone is important, Alan.” Scott spoke sternly. Alan just crossed his arms and slumped down in the seat. Alan could almost hear Scott roll his eyes.
#tagrewatch#thunderbirds are go#space race#alan tracy#mines#global conflict#Scott Tracy#John Tracy#Brains#minesweeping#making space safe again
10 notes
·
View notes
Photo
Hello, hello! Thank you for the warm welcome!! <3
OK so I absolutely ADORE this idea and I love writing for these four so so much!! I couldn’t write just a couple of sentences and these turned into novel chapters, so I’m splitting your request into 4 parts. That way, I’m not just dropping a 10K word document on you asfhsfshfhsf
Here is Part 1 of your request- going numerically, that’d be Xigbar!
Thanks again for stopping by, I hope you like this one and the others to come!!
Xigbar
Words: 2388
-The mission started out simply enough. It definitely wasn't anything outlandishly difficult: just track down an overgrown Heartless, eliminate it, and report back. Absolutely no big deal.
-Except it WAS a big fuckin deal. There he was, wandering the Land of Dragons in the dead of winter, on the edge of hypothermia and certainly not thinking straight. Perhaps he was no longer capable of feeling emotions, but frostbite was another story entirely. He knew better than to RTC without finishing a mission, so here he was,in the dark, trudging through waist-deep dnowdrifts on a fucking mountain to find this stupid thing.
-Xigbar had been walking since he arrived that morning. In fact, he'd started out in a slightly warmer climate miles away at this point, and he'd briefly pondered taking off his jacket to cool off a bit despite the risks. Now, his teeth chattered violently and he wished with every fiber of his being for a fire. Just a small one, to warm his toes and keep his fingers firmly attached.
-In the faint light of the half-moon, he caught sight of something that stopped him dead in his tracks: a single, enormous footprint.
-Squinting into the darkness, he peered ahead and made out another, and another, heading up the mountain towards a small cluster of coniferous trees up ahead. Ah, shit. More walking.
-Before he could take a single step, a low, rumbling growl came from behind him. The Freeshooter turned, slowly, to face the biggest fucking Heartless he'd ever seen in his life.
-Glistening fangs, beady yellow eyes, twisted horns and inky black scales covered the thing. If he had to guess, Xigbar figured the thing was at least twelve feet tall and built like a tank.
-As he discovered, it was fast, too- even its eyes, glowing bright in the darkness, were impossible to track as the thing closed the distance between the two. It swiped at him with claws like kitchen knives and put him on the defensive immediately. No doubt, the beast had his number; at every point he warped to, it was waiting with jaws wide open, ready to crunch down. It batted him around, tossing him in the air and catching him in its jaws once it had its fun.
-Between the cold and the brutal sneak-attack, Xigbar found his energy fading fast. He raised his only free hand and squeezed his eye shut, focusing the last of his energy on getting somewhere, anywhere, safe.
-......
-....................
-Look, all you were trying to do was keep your head down and out of trouble. There were a lot of vibrant characters in San Fransisco, but all you cared about was doing well at your job and enjoying your ground floor studio apartment. Affordable housing of any kind was a rare luxury in the city, and you'd struck gold with a landlady who just wanted a good, responsible, quiet tenant. For her, you checked all the boxes.
-You certainly weren't looking to get involved with anyone else. Not platonically, not romantically, not even as roommates.
-And yet, here was this man leaned against your trashcan in the alley, bleeding everywhere and groaning. Despite the summer heat, he was dressed way up in a long black trenchcoat (torn to tatters though it was), trousers, knee length boots, and gloves.
-What was his deal?
-You'd never seen a dying person before. OK, so maybe he wasn’t dying. But as it was, if anyone else were to witness him in the alley, in front of your place, bleeding out with only you around, they might assume it was you who did it. Your brain short-circuited and, unable to fully think through the situation, you dragged the man inside your apartment and slid the patio door closed.
-So there you were, panicking inside your studio with an unconscious dying dude bleeding out on the floor. What would your landlord say? Would you ever get your deposit back for damaging the green shag carpet?
-At the very least, you figured you could ask him some questions when he woke up and help him contact the cops, in case he'd lost his phone. In the meantime, you put on a pot of coffee and watched the man sleep, contemplating his features. He was handsome, with nicely tanned skin and long, dark hair shot through with streaks of brown. A deep scar ran the length of one cheek, and the opposite eye was covered with an eyepatch. He sort of looked like an anime convention escapee, you thought, but then again, folks in the city proper were often just like this.
-”Ugghhh....” the man stirred gently, and you jumped. The single remaining eye fluttered open, and you were struck by the color: bright yellow, like your little Volkswagen Beetle parked outside. He glanced around slowly at first before sitting bolt-upright and grimacing. Perhaps he forgot about his injuries.
-”Uh... are you okay?” you asked dumbly. His head whipped around to meet you, and the intensity of his glare instantly made you feel... small.
-”Yeah, definitely, just dandy,” he grunted and waved flippantly in your direction. Steadying himself against the wall, he tried and failed to rise to his feet. The man raised a mangled hand into the air in front of him, ever so briefly, then sighed and let it drop to his side. “Can you... can you maybe tell me where exactly I am?”
-”Uh, I mean- it's, uh. My apartment. San Fransisco? California? Planet Earth?” You licked your lips and sighed. “I found you in the alley. Did you get hit by a car?”
-”Car? What are you talking about? I don’t know what any of that means. I need to get home. I need to get out of here and report back- OWWWW!” Xigbar yelped as his second failed attempt at standing brought him closer to the ground.
-”No. I don't think so, Mister. You might have a concussion.”At that point, you'd already folded the spare futon down from its hiding spot in the wall and tossed down some spare pillows and blankets.
-“That means lots of rest. I thought they were worse, but your cuts don't actually look horrible. Let's get you cleaned up and laying down, then maybe we can get you an urgent care appointment to look at your head.”
-”No. No doctors.”
-”You religious, or scared or something?”
-”Er- yeah. Somethin' like that.”
-.............
-Xigbar really knew he should have RTC'd as soon as he was able to stand. He should have reported back a week ago. Yet here he was, truly a stranger in a strange land, crashing on this good Samaritan's couch, eating good food, and- for the first time in a really long time- relaxing.
-For him, some peroxide, butterfly bandages and ibuprofen were the trifecta- his wounds cleaned up nicely and the pain was definitely more bearable.
-You called out of work for the week shortly after he woke up, feeding them a line about your brother-in-law dying or some shit; you didn't have one, of course, but nobody had to know that. He told you his name was Xigbar, and that's really all you knew. The dude was tight-lipped to say the least.
-Xigbar went with you on every trip you took. At first, he was pretty wary of your little yellow Bug, but he warmed up to it pretty quickly- at least, until you dumped the clutch and stalled on a hill for the first time. He jumped like he thought the thing was trying to kill him, and you couldn't help but laugh.
-He went with you on trips to the grocery store. You showed him your favorite restaurant (and taught him how to talk to the server like a person rather than a barmaid). He sat next to you on the sofa as you pointed angrily at the TV and complained about some goings-on in your world. He helped you uncork a cheap bottle of Trader Joe's wine, then another, and another, and you ended up talking shit about your coworkers. For you, it was the guy who followed you all over the office and wouldn't leave you alone for anything. Xigbar offered to punch him as a show of gratitude, but you assured him that no, it was really okay, the guy was just a little weird.
-On the other hand, Xigbar's work stories were different. You surmised that his office was comprised entirely of... er, vibrant characters. Like, for instance, the one that ditched work every single day by hanging out in the break room right next to his manager. There was also the “gambling addict in denial”- according to Xigbar- who had, just a few weeks ago, literally swindled the pants off of a man in a bar. And there was the one who could, and would, electrocute and stab anyone and everyone for the slightest of infractions.
-”Uh, dude. Have you talked to HR?”
-”...What's an 'HR'?”
-”Human Resources, duh!” you sighed dramatically.
-The loud, barking laugh that followed told you that he had not, in fact, talked to HR.
-.........................
-Six days had passed since you'd found Xigbar bleeding all over everything in your alley. Since then he'd improved dramatically, and when you could tell he was feeling well enough to stand on his feet, you decided that his seventh day with you would be devoted to seeing as many tourist attractions as possible together. The guy didn't have any memories, he told you, so you wanted to help him “start fresh” with as many happy ones as possible.
-This was, of course, a total lie: Xigbar remembered everything in his life, he liked to think, with the exception of how he got here. He was totally content to live the lie and continue following you around.
-In just a few days, something about you had grown on him. He couldn't quite place it, but it was something about your smile, your ripostes after his witty comments, the way your hair fell over your face when you slept, your tendency to rant and rave and scream at the endless city traffic... he didn't know what to do. For the first time in a long time, he was at a loss.
-You took him absolutely everywhere you could think of: a boat tour of the bay, a cable car ride up Telegraph Hill, a brief stop for brunch at a local bistro, gift store browsing, and finally a walk across the Golden Gate Bridge to watch the sun set. The roads were more peaceful than they normally were, even for a Sunday evening. Perfect, you thought.
-If Xigbar had a heart it would have been racing: being near him made his mind do backflips and twist itself into knots. He enjoyed being there, but more than he liked the sight of the setting sun, he loved the wind in your hair and the glimmer of joy in your eyes. Those beautiful eyes.... God dammit.
-”Hey, let's take a picture!”
-”Huh??”
-Before he could stop you, you'd produced your phone from your pocket and turned on the camera.
-You held the phone in front of the two of you, snapping a seies of pictures, and drew it close to examine. In all of them, Xigbar smiled even wider than you had- genuinely, not his usual, wolfish grin.
-He has such a nice smile, you thought.
-He peeked over your shoulder at the picture, too, and felt his chest tighten in a way he'd nearly forgotten.
-.......
-After that, Xigbar knew it was time for him to head back. Xemnas would surely drill him about his whereabouts. Xigbar thought it odd that he hadn't seen so much as a single Shadow in his time here. Even if the world was really as bad as you said it was, he supposed that a world yet untouched by darkness must have some kind of hope.
-The minute you got home, you printed out two copies of the picture of the two of you on glossy photo paper, each picture small enough to fit inside a wallet. He took it gratefully from you and turned it over in his hands, the tightness in his chest creeping back.
-”This has been a really great time. Thanks for takin' such great care of me. You really got a knack for it,” he started. Suddenly your chest, too, felt heavy. “But I really oughta get back to my life. Boss Man's gotta be wonderin' about me by now, ya know? Same with yours.”
-”Yeah... I guess so,” you sighed. It had been nice having him around, despite the rocky beginning. Your eyes swept over his lithe figure and settled on his face- angular, ruggedly handsome, and watching you intently for a follow-up to your response.
-”I'm actually going to miss you,” you admitted. “Who's gonna sass me for running stop signs and stalling on hills? Or talk shit about my coworkers with me? I hope I get to see you again. Please don't be a stranger.”
-He reached forward, fingertips brushing over your face, and tucked a strand of hair behind your ear. You didn't brush him off when he laced his fingers through your hair, and when he pulled you in for a kiss, you grabbed his coat and pulled him in as close as you could.
-He drew away sooner than you would have liked. Than you would have both liked, really.
-”I'll make a point to stop back by, 'kay?” he assured you. With a sad smile, he lifted a hand and was surrounded by wisps of inky black and purple smoke. Just like that, he was gone.
-”W-what?” Wide-eyed, heart racing, you glanced around your apartment and resisted the urge to scream.
-”What the FUCK was that?!”
-.................
-As soon as Xigbar was back within the walls of the castle, he realized he'd fucked up.
-”Aww, shit!” There was no way she hadn’t seen the corridor of darkness, and there wasn’t really a good way to explain it, either.
-Mortified, and more than a little tired, he reached into his pocket and checked to make sure the picture was still there. Xemnas could wait until tomorrow; he'd sleep on his little snafu and figure out what to say the next time he visited you.
#considermeafriend#kh imagine#xigbar x reader#xigbar#organization xiii#kh x reader#i accidentally posted this on my main and had to reformat it all asfkasfhs
91 notes
·
View notes