#yes this is from twilight

[lieutkenny]

I’m rewatching Detective Conan again and low-key wish Kaitou Kid was also a victim of APTX 4869

[cracklewink]

Harmony Syndrome Part 5/5

The last chapter of my mlp infection AU! Thank you to everyone who followed along. Some final thoughts on my twitter @cracklewink if anyone's interested : )

[xyl4-4444]

Dumping these doodles bcus Twilight Forest is STILL a GOATED Minecraft mod

[crismakesstuff]

ponyfies your superhero show 🐎🌟

[beannoss]

Something I think about a lot and wonder if maybe gets overlooked in Twilight’s story and as vitally indicative of his character is actually in the very first chapter:

Anya isn’t needed for Strix. Twilight decides to adopt her anyway.

[Spoiler warning: Mostly this post deals with early chapters already in the anime but there is reference to chapter 62, which has not yet been animated and will be in season 3]

Twilight decides it — “I’m going to rework the mission so it doesn’t involve a child because that’s too dangerous” and he’s 100% right! Donovan Desmond is canonically a far right warmonger with fascistic authoritarian aims. His government made liberal use of the SSS — a group to mirror the Stasi — who continue to operate in morally dubious ways (much more likely they’re actively morally reprehensible, though we’ve mostly only had rumours of that so far). From what we can tell, Desmond is at best an absent father and likely actually worse than that: if that's how he treats his own children, imagine how he might treat others. And the timeline seems to indicate that the experimentation performed on Anya was done under Desmond's government — even if Twilight isn't aware of experimentation on children, he is aware of both human and animal experimentation under Desmond's government. Taking all that and also the complexity of Strix's aims, undoubtedly there were other things that could be done, more straightforward if not necessarily easier.

So. Why? Why entertain the change at all? And then, having entertained it, why go back when the reasoning is indisputable?

On the Doylist level, I think Endo wanted to ensure that Anya had some agency within the set up — Endo also does this with Yor. It would be much harder to be on Twilight’s side fully, or to trust him on an ethical level/take him as any sort of moral authority, if he were just straightforwardly using these two people. To have them be active and consenting participants (arguably to actually be affirming the arrangement: Twilight sets it up, but Anya and Yor actually make it happen) even if the audience only knows the depth of their knowledge/motivations/etc currently, shifts the power dynamic in important ways.

But it also the set up tells us important things about Twilight. He is largely impatient, cold, detached in chapter one. His overarching feelings towards Anya are, I think, real annoyance, real confusion, and real impatience. He just doesn’t understand this damn kid and it turns out she’s a person which is frankly unacceptable — he’d needed and anticipated an automaton, ideally of himself in miniature form. (Though I think one could ponder whether Twilight was, in many ways, an automaton himself at this point, but that's maybe for another meta 🙃)

He’s not entirely unmoved of course — we're given to understand he’s affected when Franky tells him how many times Anya’s been adopted and returned, and isn't amused by Franky's joke about names. Franky's comment — "Just don't get attached" — reinforces this. The prospect of “the future” perturbs Twilight when he’s reading the parenting books. His initial reaction to Anya’s kidnap is horror. All these are true too.

Then there’s also this, from earlier in the chapter:

It’s exposition, yeah, and it’s also exposing. "Hopes" and "joys" are very specific words to describe those events. It could simply have been "A marriage? An ordinary life?" but describing them as such — hope for marriage; joy in ordinary life — expose something of what Twilight feels about those two experiences and, on the flipside, they expose what he deems he's lacking. No hopes of intimacy; no joy in (an ordinary) life. There's an argument as well, of course, that he's being ironic but I don't think that actually invalidates the above analysis. Drawing attention to 'hope' and 'joy' at all are revealing, regardless of Twilight's tone in thinking of them. I think it's also interesting this panel, taken in conjunction with a pair of panels in chapter 62, Twilight's backstory. The above is almost a pulled out version of this below panel of Twilight's recollection of his childhood, and of course the returning image of not just a rubbish bin but a rubbish bin on fire when it comes to disposing of his identity:

Back to Strix. Both his final interaction with Karen and the whole everything of the framing of Strix is making Twilight think (and feel, ahem) things that he hasn't for some time. Twilight decides, I’m reworking this. It can’t proceed this way. Not because Anya is a pain in his ass, not because she’s not as (apparently) intellectually advanced as he’d originally thought, not even because he thinks he can find another child who would better be exactly what mission parameters called for. No:

And what changes his mind is Anya asking to come home.

One of the important parts of this to me is this:

He seeks consent.

This moment is a keystone, I think, to understanding Twilight. It’s also more telling than he maybe realises. Twilight is decisive — we all laugh because he spirals at the drop of a hat when his daughter or wife look even mildly upset but outside those (also very telling) scenarios, he makes decisions and he pursues them. Often he makes decisions quickly. He’s a dab hand at it; it’s a large part of why he’s as good a spy as he is.

He’d decided to change Strix.

Anya asks him, in essence, not to.

So, he doesn't.

But it's wild that he entertains keeping her request at all — why? Why even entertain it? It’s dangerous; it’s impractical; there are too many moving parts outside his direct control; Anya isn’t the sort of child he’d wanted for the mission if he’d spent any time thinking about what a child might actually be like; Strix is in many ways an extremely long shot anyway, Desmond could just stop attending for reasons unknown and unrelated; etc.

So, yeah, why? Maybe because of this —

In conjunction, I often think of this moment in the cruise arc:

Twilight first naming the feeling as lonesome, and secondly tacitly conceding that he perceives Yor as a companion and that that relationship is important to him, something to be missed. What makes this for me though is that Anya calls this out "Papa's you're so sappy" and Twilight's reaction is that of someone caught-out. He doesn’t say “nuh-uh!” but he may as well have. Essentially, something landed a bit close to home, hm? Maybe some of that hope for marriage? A soupçon of joy of an ordinary life?

Twilight’s loneliness underpins many of his decisions with his family — probably without him being fully conscious of it. I think he is at least somewhat conscious of it, but also if he looks too closely... Well, best not to. I could fill this post, I think, with images that demonstrate his loneliness throughout the series; that sorrowful/pensive close-up of his eye(s) is one of the abiding motifs for Twilight throughout. I'd probably start with this one from Twilight's backstory arc:

Anya's request plays directly off his loneliness. Still though, he doesn’t immediately capitulate — he emphasises Anya’s choice. Is she sure? The last day has been scary for a child (and for him, but he's ignoring that part) and Twilight, in his increasing recognition that Anya is a person, is probably aware in the back of his mind that he hasn’t exactly been warm or welcoming or at all patient with her. Things that people respond to — he's otherwise excellent at manipulating people, so of course he understands this. So. Given she'd just had this scary experience, given he hasn't exactly been great with her: Is she sure? She wants to come home — with him?

I think the moment may get a little lost because Anya says something riffing off his own earlier thoughts and self-revelation (featuring that shadowed, lonely eye motif again!)

Were this a post about Anya, I’d talk about how it’s an important character moment for her as well by way both of demonstrating her agency/choice and also that she isn’t nearly as dumb as Twilight thinks (and the audience, maybe, also thinks).

But in my view, she didn’t actually need to say anything about it making her cry. I think she could simply have said yes in that moment and Twilight would have agreed.

Twilight’s an unreliable narrator; he’s disconnected from his heart and that shrouds his own motivations from himself — something he actually also concedes in this chapter!

And it shrouds from us just how much he actually understands himself. He’s also a master of deflection. Easy to assume or say that bringing Anya home is just to align with Strix. Nothing more to see here; nothing else going on. But also that ripping off of the mask in the panel above — and the literal 'riiip' sound effects — also indicate to us that this is an unveiling to himself.

In my view, Twilight agreeing to Anya's request, deciding to go back to original mission parameters, actually shifts his motivations, subtly. Now he’s committed not only to the original mission goals, but also to Anya. He needs Anya to succeed at Strix, not only for Strix's sake, but also because otherwise the mission will end and she’ll have to go back to the orphanage, and he’s just agreed with her not to do that (not right away, in any case). I don’t think at this point he’s thinking it’s forever — his thoughts throughout the manga indicate he still expects the Forgers to be temporary. I don't think the shift in motivation is necessarily even conscious, but given the set up, I think something inside Twilight recognises that agreeing to bring Anya home is a compact, jointly engaged. Mostly all this has become subsumed into Strix: he makes decisions. He pursues them. He deflects, even from himself. Of course it's just for the mission; this saved him the trouble of reworking it, of figuring out something else. Nothing more to see; no need to think any more on it. And to be fair to him, Strix is very high stakes, resting pretty solely on his shoulders, so of course that is, objectively, motivation enough. Why even consider beyond that?

But I personally think that to the extent he's aware of it at all, there is something else going on, that he wants to have Anya for as long as it takes him to work something else out for her. If that's the case, then of course, we have Occam’s razor: the simplest solution may be the best one.

Maybe Twilight should just keep Anya himself, eh?

[Image description: gif from Spy x Family season 1, episode 1. Twilight and Anya have just found out Anya passed her entrance exam and are overjoyed. Celebratory, Twilight picks Anya up and swoops her into the air as they smile at one another. End image description]

[hopetatic]

what. who the fuck is that. why are you outside my house

[cross-eyed-boy]

on, and off 🖤🥀🩷

[alch-emi]

I got inspired to design my own version of Link and Zelda and may have gotten a little bit attached woops.

EXTRA DETAILS BELOW IF UR INTERESTED:

For the timeline, these two are placed after Twilight Princess. TP!Zelda is this Zelda’s great grandmother.

Link works for her parent’s potion shop, she delivers their potions to people and general stores all across Hyrule. I imagine in a game setting you would deliver potions as part of side quests and use the shop’s alchemy station as a cooking mechanic.

The goggles that Link wears are magic goggles gifted to her by Impa. I can see it functioning as a “Lens of Truth” type item that allows her to see through illusions (which becomes very relevant).

Unlike her other counterparts, this Zelda is HATED by her people. They don’t like the way she disregards people’s feelings in favor of finding the most logical way to solve civil conflicts. Awful rumors are often spread about her. She doesn’t notice this.

Zelda was given combat training by Impa mostly bc of Hyrule’s history of being taken over by evil. She wanted to be able to defend herself and her people should something like that happen during her time. She also just respects Impa a lot as a mentor figure.

Link had a major crush on Zelda when they were kids. Now that they’re no longer close she thinks she got over it, but girl is in denial big time. If the subject is brought up, she gets rly pathetic and tsundere abt it.

Zelda sees Link as weak and a bit of a thorn in her side. She hates how stubborn and reckless she is. Part of her wishes Link would give up and tells her to “stop pretending you’re a hero” bc internally, she thinks Link will get herself killed and doesn’t want that.

They basically have that dynamic where they are rly brutal towards each other and have a lot of unprocessed feelings, but also ultimately know everything abt each other and will sacrifice themselves for the other no questions asked.

To elaborate on the plot stuff, basically Zelda gets trapped in a mirror which was actually a gateway to a “mirror world.” Its basically Hyrule but everything looks reversed and it kinda looks like a dark fucked up version of the SS Silent Realms.

When Zelda and Link both look into a reflective surface at the same time, they can see and talk to each other. This happens the first time on complete accident btw.

Perchance these two learn that they have to work together to get Zelda back to Hyrule and in the process confront all their weird hangups abt each other and their awkward situationship. Who knows.

[ixtaek]

Kindest reminder that aside from Sky and Wild, none of the others have even heard of the Goddess Hylia before meeting up. The goddesses they would invoke, if any, would be either Farore, Din, or Nayru.

[s-p-r-i-n-g-t-i-m-e]

mayhaps this is a hot take but I truly dislike “Loid gets murderous and overprotective of Anya dating Damian” content

like. there are sm reasons I dislike it

first off, just fundamentally, I hate that trope. I think parents being protective of children in general is cute, and even maybe protective against their partners to an extent, but it rlly feeds into the Western (esp American) notion of parents owning their children. it gets even grosser when it’s the dad and his daughter, it’s just a branch of ‘women and their purity having to be guarded until they’re properly married’ sexism

secondly, if this is pre-reveal (either Damian comes over/talks to Anya in front of Loid and it’s p obvious he has a crush, so Loid, of course, course notices, OR somehow, post-canon yet not revealed, they get together), Loid would absolutely use that to advance Operation Strix lol

obviously Loid is NOT a bad or uncaring father, he is absolutely not that, BUT he does also very vehemently care about achieving world peace thru his spy work, AND ANYA UNDERSTANDS AND EVEN AGREES WITH THIS (to the highest extent she can as a child, at least). he would never partake in extensive manipulation that’d harm Anya emotionally (or even Damian tbh, his whole goal is to create a world where no children have to cry) but he would DEFINITELY encourage their relationship in order to eventually, somehow get to Desmond the ghoul-eyed freak

thirdly, even if this is POST-reveal, I still don’t think Loid would be unreasonable. sure, he may apprehensive due to Damian’s family and more concrete examples of Anya growing up (MAYBE bc honestly I think Loid would be ecstatic with every milestone in Anya’s life considering how genuinely supportive and proud of her that he is) BUT. but

he, again, not only wants to create a world where no children have to cry, so he clearly values the youth and their quality of life, but ALSO KNOWS abt how shitty Damian’s father is. personally, I think he’d be GLAD that Damian has a safe place to come to, with ppl who’ll support him (unconsciously, bc Loid is very oblivious to his own emotions lmao)

anyways, tldr; the “Loid being super hostile to Damian dating Anya” trope is tired and sucks and we should move onto appreciating a trope that honours the CORE of sxf, more found family, where Damian joins the Forgers, even before he and Anya potentially marry (even before they date if possible tbh)

[gilbirda]

hot take but we as a society need to be more comfortable about discussing "icky" parts of history, and even telling the side of the "bad guys"

hear me out

history is written by the victors, and will be heavily biased. The defeated will be painted as evil, deviants and/or like they have always been "the bad guys".

Reducing people to "the bad guys" does a huge disservice to the opportunity of learning from the past, because it creates a distance between the modern reader and the actual events, it creates the comfortable position of "I'm not like the bad guys, so i will never make their mistakes"

I think is important we understand how and why people believed in something, and where did things turn a certain way. Yes. Even "the wrong side". Even the nazis. Even those people you are thinking about, whoever they are.

Because you are not immune to propaganda and it's so so so so important to understand what happened and how did we get to those points before we fall to the same techniques again and again.

"Learning from the past" isn't deleting the ugly parts or cringing when someone brings up war. Thinking otherwise is a huge mistake and precisely what someone who wants to make the same mistakes wants you to think.

[skyward-floored]

...What are people’s favorite wordless lu panels?

Like, the dialogue in lu is amazing, and I love updates where the boys chat a bunch, but sometimes the wordless panels are even better, you know? These are some of my favorites (all @linkeduniverse’s of course)

[michy16]

Double Black

Chuuya and Dazai's dynamic is so interesting me because dazai feels so far removed and rejected by society he feels 'no longer human' pun intended, while chuuya because of his ability his life style, absence of childhood and most obvious being compared to a God makes him feel 'no longer human' as well or as if he was never a human at all. Dazai and Chuuya are paired up as the double black for a reason and no doubt Mori knew that when he paired them. No matter how much they hated each other they understand each other on an unspoken, deeper level only the two of them will get.

How strange is it to be anything at all

[introspectivememories]

[astarionsknife]

Day 7 of bloodweave week: wedding

[imagitory]

Dress Up Time Princess's Shadows of London: Chapter 2 definitely had a few plot turns I didn't love -- and perhaps I'll write about them another day...but these new artworks? These might be some of my favorites in the DUTP catalogue.