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paranormal-potatoes · 2 years ago

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Here is a sad prompt with the old man, Gherman:

"....You were... My sunshine, My only.. S-sun... Shine, You made me happy... When skies... We-were gray... You'll ne-never.... Know, Dear, How much I loved you...."

*His voice becomes shakier, Tears begin to fall*

"....So please... Oh please don't take.... M-my sunshine away...."

"....Gehrman, Are you....crying?"

okay i swear i meant for this to be angstier but uhh idk, not as much crying, could be more but i need to just post what i have before i overthink and then never do it bc ~anxiety~ also this hasn't been betaed or edited that much so. also ended up longer than i thought so under readmore. also ended up only having like 1 line of the song being said/sang bc i feel weird about including songs in stories unless its like. karaoke or a song playing on the radio

takes place in my time travel au. anyways have this before i chicken out

given im posting this from my phone, i hope the formatting doesnt fuck up.

=====

“...my sunshine, my only sunshine...”

“... are you singing?”

Taylor startles, spinning around and knocking their Saw Cleaver to the ground, fortunately missing the bottles by the work table.

Hm, I should probably move those, it’ll be quite a mess if they break.

“Fuck! How are you so quiet? You’re in a wheelchair!”

They’ve been here some time, their mask hanging around their neck instead of pulled up to their nose. A new scar marks their neck, likely a fatal one from its placing.

They retrieve their weapon, placing it back on the table.

He should probably ask how they’re handling the constant dying.

“Were you singing?” he repeats instead.

To his amusement, their cheeks immediately redden.

Good gods, they need more sunlight, they’re paler than Maria was.

They rub the back of their neck, embarrassed.

“No? I’m not that good at singing.”

And some self-confidence. Are they this nervous in combat?

“I was just humming, I’m sorry if–”

He interrupts, “Why are you apologizing?”

They shrink a bit and he can hear Ludwig lamenting his people skills, already poor before his confinement. He prefers teaching over reassurance.

Gehrman tries a different approach.

“What can you hear?”

They blink, tilting their head to listen, the burnt feather edges of their cap making them even more birdlike.

Hm, I wonder if Eileen is still the Hunter of Hunters.

“Wind. The fire. Messengers chittering,” they frown, focusing.

“And what does Yharnam sound like?”

Their expression blanks for a moment.

“Before nightfall,” he clarifies.

“Um. Dogs, people moving inside their homes. Quiet talking, birds. Water in the canal. Wind, fire crackling. Huntsmen walking around,” they list.

He lifts an eyebrow.

“Oh,” they realize what he’s getting at. “It’s a lot quieter here. There’s less, uh, life.”

“I might prefer quiet over dozens of talking people, but that’s a preference, not–” he gestures around them.

“That’s a choice.”

Well, this was a choice, too, but not one he knew the extent of.

Their expression suggests they’re familiar with choices being taken from them.

“Your humming, or singing, isn’t a problem. You’re welcome to continue.”

They nod hesitantly.

He leaves.

~-~-~-~-~-~-~-~-~-~-~-~-~

After that, he hears Taylor humming in the Dream, sometimes singing softly enough he can only catch some of the words.

(“...my sunshine, my only sunshine...”)

They always turn to humming or simply stop when they notice him.

They’ll come looking for him at times, if only to say hello, sometimes asking questions or showing him something they’ve found.

He almost starts laughing when they show him a Reiterpallasch and Chikage they recovered from Cainhurst. He’s less amused when they explain they found an unopened summons addressed to them, even less so when they admit they accepted a covenant with the Vileblood Queen.

They grudgingly tell him what happened in Cainhurst, about Logarius and the Vileblood slaughter, how the grounds are overrun with bloodlickers and dead women roam the halls.

He doesn’t know how to feel about that.

Maria’s mother came to the funeral to see her daughter again, refusing to look at any of the hunters. Her cousin, Cole, spent ten minutes glaring at Gehrman, blaming him for his cousin’s death.

He doesn’t disagree.

~-~-~-~-~-~-~-~-~-~-~-~-~

Taylor brings more weapons to show him, ones they found in Yharnam or the dungeons.

They’re extremely delighted to show him ones recovered from the dungeons, enamored with the Beast Cutter and Boom Hammer.

He shows them a picture of the Whirligig Saw, telling them it was designed by the Powder Kegs, who also made their Rifle Spear and the Boom Hammer.

Their eyes glitter in excitement.

Perhaps telling them about it was a mistake.

~-~-~-~-~-~-~-~-~-~-~-~-~

They find some of Teague’s old writing from before he shortened his name. He would be delighted someone else who rejected gender would take his name.

Teagan looks far livelier than when they first arrived.

~-~-~-~-~-~-~-~-~-~-~-~-~

He finds himself humming as he puts them back together, stitching their chest closed.

A beast didn’t do this. This was done by a knife, someone was careful and deliberate. Someone with experience carved them open.

(“H–help...”)

He shouldn’t have let himself become this attached. Once the hunt ends, they’ll be gone, forgetting all of this. He and Plain Doll will be alone once more.

He keeps humming and putting them back together.

~-~-~-~-~-~-~-~-~-~-~-~-~

He finds himself humming the tune again while working on a Saw Cleaver.

He’s accepted this isn’t a dream, which leaves him with time travel. Somehow he’s in the past, before the first Blood Moon, before his contract.

Before Maria’s suicide and Teague’s death.

Before Teagan.

He’s sure they had something to do with this. If it were a dream, he’d say Flora was responsible but it isn’t.

Are they somewhere in the past? Or did they take his place?

No. Why would he have been pushed into the past if they had? So where are they? What happened to them?

~-~-~-~-~-~-~-~-~-~-~-~-~

Teague, unsurprisingly, comes to find him, leans against the doorframe in silence.

“Still having too realistic dreams?”

He doesn’t answer.

“Or, uh, are you just not sleeping to avoid them?”

“Like you’re one to talk.”

Teague and Maria carried the most guilt over the hamlet. Maria threw herself into caring for her patients and Teague tried to run from it for a long time.

They all did. Sooner or later, it caught up to them. He hopes they at least found peace in death, but he doubts it.

Sometimes he thinks he got lucky, undying as he was. Other times he envies them for finding release from the guilt.

He wonders how Teague would react if he told him everything. Probably think he went mad. Perhaps he has. He has no proof anything he remembers happened at all.

Even his right leg is back, which keeps taking him by surprise. He keeps expecting pain when he walks for too long but it never comes. His memory isn’t failing him constantly and the world is no longer foggy.

It feels like a gift. It feels like a curse.

He shouldn’t have gotten so attached to Teagan, he shouldn’t have let them get so attached.

He has nothing of the dream but memories, a song he doesn’t even know the words to and the knowledge Teagan likely sacrificed something to give him a sunrise.

“... Gehrman, are you crying?” Teague asked.

He reaches up and finds tears.

“It would seem so.”

“Want to talk about it?”

“No.”

Teague snorts.

“Yeah, figured. It’s like pulling teeth with you. Between you and Maria, I’m about ready to get Ludwig involved. Let you two get motherhenned.”

“I’ll tell him you’re the one who broke his bedroom door.”

Teague holds his hands up in surrender, alarmed.

“Geez, alright, alright! No need to go that far, damn!”

He wipes the tears away.

“But, uh, seriously. I’m willing to listen.”

“I know. Go to sleep, if I have to wake you up in the morning, I’m using a bucket of water.”

“Only if you stop for the night and get some sleep yourself. Don’t think I haven’t noticed your shitty sleeping habits.”

He sighs but lays his tools down.

~-~-~-~-~-~-~-~-~-~-~-~-~

“So!” Ludwig claps his hands, grinning brightly. “Someone from the south brought word of a village that had a three day long storm.”

Maria’s expression tightens. If he didn’t know what to look for now, Gehrman would have missed it. He kicks himself for missing it last time.

“And? Storms can be fucked up,” Teague said, picking at his nails.

“They aren’t normally preceded by a light burning through the woods and the waters rising several feet before the storm. It happened a month ago. They’ve requested assistance, the wildlife has turned aggressive and avoids the deep woods.”

“What is the village’s name?” Maria looks as she always had, but Gehrman can see the guilt and shame weighing on her now.

“Aramore. I thought us five could go investigate.”

“No, originally you wanted to take some new Hunters and I vetoed it because they wouldn’t be able to convince you not to adopt twenty children,” Laurence said, amused.

Ludwig waves him off.

“Bet we’re still coming home with a kid,” Teague jokes.

“Don’t jinx us, Amelia’s enough,” Gehrman said.

“Yes, my daughter is wonderful,” said Laurence, deliberately ignoring the two’s meaning. “She’d probably like a sibling. Or maybe one of you two will bring home a child.”

“Hell no, I’m not having kids ever.”

“I can barely tolerate adults, what makes you think I want a child?”

Teagan comes to mind. He doesn’t know when they were born or even their birth name but he thinks they would be the only child he’d choose to care for. Although, with his luck, he’d traumatize them more than they already were.

He turns his attention back to Ludwig, pushing the thoughts aside. The chances of him being able to find them again are low, especially without a birth year and family name. And even if he could find them again, he wouldn’t be able to do anything. They mentioned a mother once, clearly living and he’s not kidnapping a child.

It's pointless to consider.

He has nothing from the dream but memories and a song he doesn’t know the words to.

#potato answers #wyrms-bitch #potato writes fic #fic: old man hunter & his eldritch child #my writing #potatoes finished fics #its been uhhhh ages since ive posted anything not wip so literally just take this before i chicken out and delete everything ever #oh fuck do i want this in the main bb tag #hhhhhhnnnnnggggg #do it do it do it just do it #bloodborne #literally cant express how rusty i am in writing #yes i know its mostly dialogue and introspection #im bad at description #wait no its deliberate. totally #totally deliberate #okay im just stalling at this poitn so fuck ig #ANYWAYS TAKE THIS #the actual au fic this is part of (not that this will be in it‚ this is just a one shot) is primarily a comedy so just #be aware #potato rambles in tags #<- BIG TIME RAMBLING #IM GONNA GO PLAY AND PRETEND IM NOT HORRIBLY ANXIOUS NOW HAHAHA #im deeply attached to this old man alright #WAIT HANG ON IF YOU'RE STILL READING THESE TAGS‚ EVERY RELATIONSHIP MENTIONED IS PLATONIC #INCLUDING MARIA AND GEHRMAN #I EXTREMELY READ HER AS GAY AND HIM AS AROACE #i also can read him as gay but mostly aroace #okay bye now

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0ssianic · 3 years ago

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havent written much recently so im gonna talk about/summarize some of my wips because i can (this ended up as all FFXV based ones oops)

-Mermaid AU: mostly pulling from the little mermaid and various mermay fics ive read. noctis and regis are at cape caem on vacation and while playing on the shore, noctis falls into the water and is saved by mermaid!lunafreya. the two eventually keep meeting up and talking. some specific things to bond over include magic and being prince/princess. soon after, the two do some kind of spell that turns lunafreya human. noctis helps her back up to the house from the shore, but its difficult going for the two of them since a) luna doesn’t know how to use her legs yet (and for parts like this, i was thinking of incorporating og little mermaid stuff, like every step hurting) and b) helping luna aggrevates noctis’s old injury (as something i was trying to keep in line with canon).

dont really have more than this, but a possible second half of this would go like this: regis wakes up in the morning and when going to wake noctis up, also finds an unknown girl in noctis’s room. he tries to figure out who she is and whats shes doing here from noctis, but only gets the full answer from luna later. would mostly be regis trying to figure out what he’s supposed to do when he finds out she’s a mermaid princess (with magic!) who’s effectively just run away from home

-Fateswap AU: Noctis is the oracle and luna is the chosen king. main focus on noctis, ignis, and prompto. main “story” i have is noctis and ignis are plotting to escape their niflheim guards, of which prompto is one. the two put their plan into motion: noctis pretends to be sick, prompto goes to help/check out whats happening, and ignis disarms him. its right at that moment that prompto decides yes, he really does want to defect and can he go with them pretty please? ignis thinks its a bad idea, but noctis does agree. thats where i initially ended my outline, but i can see expanding it to include some roadtrip stuff, but its harder to find a solid stopping point after that

-Insomnia: started this one with “somnus couldn’t sleep” purely bc i find the irony amusing and i have fun writing hooks. then i had to work backwards with why he wasn’t able to sleep and it turned into one of my standard introspection oneshots. ends up more as a reflection on being in someone’s shadow/being expected to be like/just as good as an older sibling and deciding to do your own thing despite expectations/comparing yourself to others. this one partially arose because i was on an ardyn & somnus kick as seen in my next wip

-Somnus gets the ring: this one is a mix of gap-to-fill type of fanfic and wanting to do something with the high messengers (theres 24 messengers, but we only see a few of them. soo... [insert free real estate meme here]). I had fun coming up with a High Messenger OC for this, who i mostly based as being an opposite of gentiana in appearance and is dressed a bit like a roman soldier. i also sort of incorporate my HC that the gods/bahamut/messengers very rarely interact with the line of lucis and don’t tell them much when they do. this would be dialogue heavy which is where im getting stuck.

my current outline for the story goes like this: somnus realizes he’s in a dream and in front of him is the crystal and a soldier. somnus quickly realizes the man’s not human, but something divine. the messenger delivers what he��s supposed to say from bahamut and theres a bit of back and forth as somnus tries to pry more info out of him. somnus eventually accepts (almost a vow-ish type thing) and wakes up with the gem of the ring in his hand.

-regis, noctis, and the crystal: takes place when noctis is really little, before regis finds out he’s the chosen king. main thrust would be its cute, and a bonding moment as regis teaches noctis about the responsibility that comes with their (literal) god given powers. events would be: noctis has been slipping out of his room to sleep on the throne room steps (which i HC the throne room to be right above the crystal). regis takes this as a good opportunity to teach noctis about the crystal, their magic, and the duties the gods gave to them as the world waits for the chosen king. they go to see the crystal and noctis finds himself both drawn in and frightened by the crystal and the magic (his magic).

#most of the time i have no clue where to take stories #bc theyre based on the daydreams i have as i go to sleep #these would all be one shot or two shots lol #ive been debating posting snippets on tumblr vs waiting till im finished and putting them on ao3

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cherry-toxic · 4 years ago

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Fic writer questions!

I was tagged by @introvertia - thank you so much :) Your answers were really interesting!

How many works do you have on AO3?

Only 8

What's your total AO3 wordcount?

141754

How many fandoms have you written for and what are they?

Four: Beyblade (gen fics mostly), Shizaya (Durarara), Grimmichi (Bleach), and Harringrove (Stranger Things).

I usually sit in a fandom for a quite a while before I actually start writing anything. I'm amazed by those people who can get stuck in right away (how do you do it!?!)

What are your top 5 fics by kudos?

1. end the fight; before the fight ends you

2. Bound to Happen

3. Year of You

4. Broken Boys and Butterflies

5. So come take a drink (And drown your sorrows)

All Harringrove aside from 'Bound to Happen' - which I'm rather surprised came in second because the Grimmichi fandom is waaaaay smaller than the Harringrove fandom.

'end the fight...' is also the only wip here. The rest are completed one-shots.

Do you respond to comments, why or why not?

Yes and no. It depends. I want to respond because comments really do mean a lot to me and I love rambling with people, but I have issues with online communication. Like, sometimes I write out a response and when I read it back to myself my brain just goes 'no that's terrible you sound like an idiot delete it now' and then I go 'yessir you're completely right how silly of me.'

When it comes to wips, I tend to reply to every comment when I'm getting ready to post the next chapter, that way it's like a little heads-up - new stuff incoming soon!

What's the fic you've written with the angstiest ending?

Y'know as much as I love angst I actually prefer to have my fics end on a relatively positive note (angst with a happy ending is my shit).

But I suppose 'So come take a drink (And drown your sorrows)' is overall pretty angsty and I left the ending open so if I ever felt like continuing it I could do so easily.

Do you write crossovers? If so what is the craziest one you've ever written?

Big nah. Kind of like AU fics, they just don't interest me that much.

Have you ever received hate on a fic?

Yes, but it came from someone who was just making the rounds on a bunch of Harringrove fics and they were highly suspected to be an anti so it didn't really bother me that much because I knew they were trolling.

I've had a few like, vague comments/back-handed compliments that got under my skin a bit though.

Do you write smut? If so what kind?

Yes, occasionally I do. Generally I'd say I'm pretty vanilla, but I am currently writing an a/b/o fic, though I think it might go under non-traditional a/b/o because, again, vanilla lol

My smut usually comes with a lot of introspection, like they'll be doing the deed and one of them will be internally streaming a 5000+ word monologue (I do this with Grimmjow sometimes because he's a big virgin who views sex as silly human nonsense).

Have you ever had a fic stolen?

Parts of a fic, yes. I came across this fic that was clearly plagiarizing from several different authors (they forgot to change the characters names and everything) and I found entire paragraphs that were copy/pasted straight from one of my fics.

The thing is, this was over 10 years ago, something I wrote when I was... seventeen, maybe? So... I don't get why they copied it because it was pretty bad to be honest...

Have you ever had a fic translated?

Yes, an old one called '10 Miles in Your Shoes' (beyblade) although it was never completed because well, firstly, I never completed the original, and secondly, when the translator asked me how long I was planning on it being I said around 20-30k and uhhh... lets just say I overshot that by a mile!

Have you ever co-written a fic before?

No. While I think it would be interesting to try I honestly don't know if I could give up control like that!

What’s your all time favorite ship?

Hard to say because I tend to go for characters over ships. Like, I got into Grimmichi because of Grimmjow and Harringrove because of Billy.

But since Grimmjow is my all-time favourite character then, I guess Grimmichi, but Harringrove is definitely a close second because the fandom has spoiled me rotten with all their amazing fics (in terms of reading material, Harringrove is my fav).

What’s a WIP that you want to finish but don’t think you ever will?

'10 Miles in Your Shoes' - the bodyswap fic.

It's been a long time since I engaged with anything related to beyblade but I have a lot of fondness for this fic because it was the second I ever started writing and it was the fic that allowed me to truly grow as a writer. There's a huge improvement from the first to the most recent chapter (most recent being 5 years ago...) to the point where it looks like it could have been written by two different people, and I received so much positive feedback and encouragement throughout those years. I wish I had it in me to go back and finish it off but I struggle enough while writing for my current obsessions so it's looking more and more unlikely...

At the very least, I think I might transfer it to AO3 since ff.net seems to be slowly going under. Even if I never complete it, I don't want it lost forever.

What are your writing strengths?

This might sound ridiculous but I don't know? I always feel like I'm winging everything!!

I guess. One thing I've been complimented on a lot is my ability to portray messy (for lack of a better word) situations in a realistic way. I've been asked a few times if I've ever studied psychology and -

Nope

Just winging it!

What are your writing weakness?

EDITING!!!

I really should get a beta because I miss so many stupid little mistakes, like - okay - I always used to write in past tense, it was never something I even thought about, past tense was just the default. And then suddenly, around 2017/18, I began transitioning to present tense completely unconsciously and now every time I re-read 'Bound to Happen' I get angry because I bounced between tenses all the way through that fic and I didn't even notice until a year after I posted it.

Also. Incredibly slow. Lack of consistency. Perfectionist until I get stuck and then I feel like you can spot exactly where I lost momentum. Utterly hopeless when it comes to descriptions of setting/scenery. I don't think I'm very good at building atmosphere either. Dialogue, although I am improving at that.

What are your thoughts on writing dialogue in other languages in a fic?

I can't say I really have any thoughts on this? I don't do it much myself.

What was the first fandom you ever wrote for?

Beeeeyblaaade! I was fifteen when I wrote my very first fic (now deleted because it was awful!)

What’s your favorite fic you’ve written?

Oh god, this is hard!

If we're talking completed fics only, then probably 'Year of You'. That was my I-Do-Not-Accept-Billy's-Death fic but I WILL take all of the angst material from S3 and ride it hard.

If we're including wips, then both 'end the fight...' and 'metamorphosis' are probably my favourites right now.

'End the fight...' is my BIG Billy redemption fic which I started plotting out not long after S2 and there's so many scenes I'm looking forward to writing (yeah I know its been a while since i last updated but the past year has been rough okay)

'Metamorphosis' is the a/b/o fic which I was kind of nervous about at first because its not a trope that i read a lot of but i'm enjoying how its turning out so far!

Whew! That was a lot!

I'm tagging: firstly, whoever wants to do it because I like reading about peoples writing experiences (make sure to tag me!) And then: @shadowthorne @bentnotbroken1fanfiction @callieb @backwardshirt @memes-saved-me @murderlight @magniloquent-raven @aeon-of-neon @louhetar

#tag game #fanfiction #my fics #grimmichi #harringrove

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maglors-anion-gap · 4 years ago

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Fic Writing Asks

Thanks to @samarqqand for the tag! Sorry for the late-ish reply!

how many works do you have on AO3?

I have 8 fics on AO3, with one WIP that I have been neglecting for Ages (so sorry to the anon who requested it, and to user findrahil for helping me beta in, like, march...), and three Tolkien Reverse Summer Bang fics coming very soon!

what’s your total AO3 word count?

Currently 36,972

how many fandoms have you written for and what are they?

Mostly Tolkien. One sad MCU fic (it's not finished, please ignore it, I started it in a brighter era where I wasn't exhausted by the MCU movie industrial complex)

what are your top 5 fics by kudos?

"Why Breaks Thou the Wand" - Gimli/Legolas (qpl) Tam Lin!AU

The MCU fic that I will not be linking to

"Your Mouth is Poison (Your Mouth is Wine)" - Celebrimbor/Sauron, the events leading up to the sacking of Eregion, also known as "how to bottom in the most manipulative and vindictive manner possible"

"There are Roses That Come Without Seeking" - Curufin/Finrod, midwinter masquerade celebration turned hook-up

"Turning Shadows Into Shapes" - Feanor&Fingolfin, brotherly loveloathing and the aftermath of Finwe's death

do you respond to comments, why or why not?

Every single one. I don't get a Ton of comments so it's pretty easy for me to do and I talk non-stop so.... it's a natural instinct. I love to see what people have to say abut my work, and I love to let them know I appreciate their commentary

what’s the fic you’ve written with the angstiest ending?

Angstiest ending is hands down "Where the Spirit Meets the Bones" because it ends with Maedhros yeeting himself toward his doom... In general a very angsty fic because it's all about failed obligations, self hatred, and being a flawed person.

do you write crossovers? if so what is the craziest one you’ve written?

I've never written a crossover, I haven't really found universes that I desperately wanted to smash together. The closest I'll ever get is AU works.

have you ever received hate on a fic?

Yes but not on anything posted on my AO3. The commenter left me something mildly obnoxious, but when I checked out their profile they were a huge bigot. Bidoof's law for general assholery.

do you write smut? if so what kind?

Yes. More often than not. Excuse #1: the pandemic is keeping me from being my slutty self and I am projecting. Excuse #2: self-introspection. It's no coincidence that my smut fic is most often either something I find kinky, or an exploration of my identity or something I want to communicate in my life. "Halos Made of Summer, Ribbons Made of Spring" was me exploring my attraction to women (when I still thought I was a woman). A lot of my other stuff was me coming to terms with being transmasc (though I haven't included trans themes in my fics yet - that's gonna change tho).

have you ever had a fic stolen?

Nope! I don't think my stuff gets enough traction for that (rare-pair hell, my beloved). I also don't think I'd notice if themes were lifted from my work. I treat fandom like a soup pot. It would be rude to take the stock wholesale and say it was your own. That said, it's likely that at some point two or more of us are going to come up with similar flavor pairings. If you're inspired by my work, it's good grace to say so. But swapping ideas is pretty par for the course.

have you ever had a fic translated?

Nope! But you guys are always welcome to do so! I've been meaning to translate my stuff into Spanish, it's good practice for me and I know that fandom can be pretty English heavy.

have you ever co-written a fic before?

Nope! I would like to at some point, I think the closest I've gotten is like, trsb exchanges.

what’s your all time favorite ship?

Probably Fingon/Maedhros because of my penchant for self-flagellation and bad decision making. It's an old standby pairing for me, and I like its Romance, in the classical sense. Celebrimbor/Sauron is a close second because I like working through how I feel about deception and betrayal and really unhealthy love.

what’s a WIP that you want to finish but don’t think you ever will?

Um... I don't want to say the WIP that's currently languishing in my drafts. I have Got to finish it because I went out of my way to get people's opinions on it. Um, probably this thing I started for Gimli/Legolas, I don't think it was imaginative enough, I have a hard time being imaginative and it feels derivative. I need to significantly re-tool it.

what are your writing strengths?

Setting up a central theme, and characterization. I like implicit meanings.

what are your writing weaknesses?

Dialogue is hard, pacing is hard (it's really hard for me to read, so I always want to pare my stuff down when I should expand on it). Executive function is non-existent so the writing process itself is just. odious (/humorous).

what are your thoughts on writing dialogue in other languages in a fic?

Ah, like adverbs and epithets, it serves a purpose (to indicate something specific). I think about a) can readers understand this b) is this respectful and does it fit the situation or characterization c) does it add something special d) do I have a good enough grasp of this language. For MCU fic I won't be linking I taught myself some very basic russian to include some russian dialogue because I wanted english readers to be temporarily out of the loop like one of the characters (like, in dramatic irony the readers know something the characters don't - I wanted a situation where the readers didn't know either). Don't go looking for that fic, my russian is embarrassing to me and others.

what was the first fandom you wrote for?

The lord of the flies :( I was 13

what’s your favorite fic you’ve written?

Probably "Halos Made of Summer, Ribbons Made of Spring" for managing to write something long and detailed :)

I’m tagging @galadhremmin @arofili @undercat-overdog @findrahil @dialux (some of you may have already done this, sorry) - this is the moment where I forget every single one of my followers and mutuals... I'm so sorry, if you're reading this please consider yourself tagged and back-tag me with your replies

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terrific-togekiss · 4 years ago

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What if there was a Walt Disney Fighting Game? [Video Game Concept]

Note: I am well aware, that Disney would probably never say yes in a million years to this idea. Taking their beloved, child friendly characters and having them fight?!

OH THE HORROR?!

I am also aware there have been concepts for this in the past.

Final Fantasy Dissidia was supposed to be a Kingdom Hearts fighting game, but Nomura felt uncomfortable portraying Disney characters in such a violent atmosphere.

And there are sketches of what a Walt Disney fighting game could've been, inspired by Super Smash Bros, before it was canceled. It would've focused on more violent characters such as Gaston, Beast, Ursula, Captain Hook, Captain Silver and the Horned King. But the idea was dropped.

Here's the link.

This entire post is just building and putting together what a Disney fighting game would look like to me, if one came out in today's world. It's all merely speculation and ideas that's been in the back of my head for awhile.

(Special thanks to @mayflower-gal for helping me set this up. 😁)

Anyways, let's get started!

Part 1: The Plot

For the plot, I believe it would have to be something simple, since this an idea for a first game. It's the start of a potentially huge franchise, so I wanna keep it not only simple, but an aspect that helps kick off the potential series. And pull in many fans, old and new of Disney.

Let's take into account one thing: what's a recurring theme across various Disney movies (and overall media)?

Is it the lovable, comic relief sidekick that makes audiences laugh? Is it the songs that kids find themselves singing, long after the tale is done and the curtain has closed? Is it perhaps, the clever celebrity choices for important side characters?

No, It's the one defining aspect that draws in audiences, both new and old, bringing you to fall in love with the characters as the story is told:

Wishes.

Pinocchio wishes to be a real boy. Beast and all his servants wish to be human again. Tiana wishes to have her own restaurant. Ariel wishes to see the world beyond the sea.

Everyone wishes for something more in their life and have dreams that they wish come true.

What if all those wishes were counted? Collected?

Watched over. Much like a parent to their children. Or a teacher to their students.

Found engaging. Found entertaining. Found comforting. Found peaceful. Found introspective.

Looked at with childlike wonder and glee when accomplished.

But frowned on when those wish for selfish desires. And an even deeper disappointment at those very same inhuman desires, coming true.

Good and bad exists inside every person, it's just a matter of what one chooses to act on and stand by at the end of the day.

What someone wishes for is reflective of that.

Now imagine that same being coming to life and wrecking havoc across the Disney universe. Judging for themself, if any of these colorful, imaginative characters, truly deserve their...

Happily,

Ever

After.

Yep, the main plot of the story mode is all the various Disney characters literally fighting for wishes and dreams to come true...

against the LITERAL embodiment of wishing upon a star.

Each playable character having their own unique ending.

Some endings being repeats of your favorite Disney movies, with some minor changes to acknowledge the game's plot. While others are original due to the wide cast of characters that are available, besides your favorite Disney Heroes.

For example, you beat the story mode as say, Pinocchio, he wishes to be a real boy.

I know it sounds very redundant since a majority of these things already happen in the Disney movies, but I feel as though relieving them would be fun. In addition to some original ones that didn't happen with either the villains or less major characters.

It's only the hypothetical first game and I wanted start with something simple, that fans could easily get into. More complex plots, with more character interactions should be saved for any possible sequels.

Part 2: The Gameplay

The game would be your typical 2D fighting game. You have,

Combos exclusive to every character that requires practice.

Playstyles that make each character feel unique.

Special moves for each character to get the upper hand and the main focus in besting your opponent in 1 VS 1 matches.

Of course, there's dialogue before fights in the character intros. With so many to pick from, it had to be put in somewhere.

It resembles 2D fighting games that you've all no doubt heard of, such as Marvel VS Capcom or Street Fighter.

But what would a Disney fighting game have to offer on the table, in order to survive the overall video game market?

It would have to be something unique and a feature that not only gives it originality, but a chance to stand out with so much creativity and innovation. Practically begging fans for more.

Which is why I present to you: Disney Songs.

Or as this game prompt will call them: Musical Finales.

The highlight of many Disney movies and overall media, the music is what leaves a lasting impression on many audiences. Which is not surprising, since Disney is mostly a musical. At least in terms of most of their films.

With so many iconic songs from throughout the company's history, of course I'll be squeezing them somehow!

Each character has a music meter, that can only be filled up with how the player times and follows the beat of the character they play as. Follow the rhythm and beat of a character, and it will fill up quicker. Get cut off by the opponent and it doesn't fill up.

That beat being the music of the stage each player fights on, by attacking to the music and the same time. Think of it like the Sound Battles mechanic in Mother 3.

Every character has four different kinds of attacks: Neutral, Musical, Wonderful and Special.

Neutral Attacks are normal attacks that are mostly used to set up combos.

Musical Attacks are attacks that deal more impact, when timed with the music of the stage.

Wonderful Attacks can be seen as character oriented attacks, that embody the personality and charm of the character you play as. And can be used to entertain the audience. We'll get into that later.

Special Attacks are unique finisher moves that require a separate meter to be filled up, as with most fighting games.

Now what happens when the music meter is full? A Disney Song starts playing of course!

Say you filled up Cinderella's music meter for example, then "Bibbidi-Bobbidi-Boo" starts playing, granting some unique abilities for Cinderella.

Each song would grant different outcomes and bonuses for the various characters. They're not Special Attacks, as that's already a separate mechanic already.

For example, "Part of Your World" starts playing if you're playing as Ariel, filling up the stage with water and slowing down the opponent, giving Ariel a chance to either take advantage of that, bump items into them or create big waves of water.

But what happens if BOTH characters trigger the music meter at the same time?!

Well, that's where this gimmick becomes a fight for which song keeps on playing!

Both songs would start playing, both at the same time and volume. Except, both characters have to compete to see which is stronger.

This is done by the two characters fighting, before triggering a rhythm game between the two. Once one is the victor, the other song fades, while the other stays playing. Doubling the duration of that character's Musical Finale.

Another mechanic is the Entertainment Meter. Every level you fight on has one, that determines which fighter the audience likes more. Via Wonderful attacks, you can charm the audience into supporting you more. This activates things like getting healing items or stat boosts in power and speed. Some of your favorite Disney sidekicks even provide aid from the audience!

It's almost like watching a Disney movie live and being able to interact with the story!

Or the battle system in Paper Mario: The Thousand Year Door.

I feel as though this is the best way of keeping the game interesting, giving it an identity of its own and still embodying that magic people will grow to love. It can also lead to some entertaining interactions in the background or foreground of a stage, as the music meter also brings in characters that would not be playable, but support playable characters nonetheless. Like Flounder and Sebastian.

Of course, either feature could be turned off if you're not a fan of that sort of thing, but that's a given.

Part 3: The Stages

With many Disney movies pick from, it's no wonder there's plenty of choices to pick from. Since this is the first game, I chose to focus more on the movies. Here's my take.

Steamboat (Mickey Mouse cartoons)

Duckberg (Ducktales)

Spoonerville (A Goofy Movie)

Dwarven Forest (Snow White and the Seven Dwarves)

Wonderland (Alice in Wonderland)

Monstro (Pinocchio)

The Prince's Ball (Cinderella)

Neverland (Peter Pan)

Forbidden Mountains (Sleeping Beauty)

The Coliseum (Hercules)

Andy's Room (Toy Story)

Elsa's Ice Castle (Frozen)

San Fransokyo Institute of Technology (Big Hero 6)

Atlantica (The Little Mermaid)

House of Mouse (House of Mouse)

The West Wing (Beauty and the Beast)

Cave of Wonders (Aladdin)

Pride Rock (The Lion King)

Ant Island (A Bug's Life)

Tamatoa's Trove (Moana)

Hawaii (Lilo and Stitch)

Headquarters (Inside Out)

Mor'du's Ruins (Brave)

Big Ben (The Great Mouse Detective)

Notre Dame (The Hunchback of Notre Dame)

Merlin's Cottage (Sword in the Stone)

Emperor's Palace (Mulan)

The Great Before (Soul)

Todayland (Meet The Robinsons)

Paradise Falls (Up)

Zootopia (Zootopia)

Monsters Inc (Monsters Inc)

Nomanisan Island (The Incredibles)

The Bayou (The Princess and the Frog)

Atlantis (Atlantis: The Lost Empire)

Halloweentown (The Nightmare Before Christmas)

Oakey Oaks (Chicken Little)

Spirit Mountain (Brother Bear)

Sherwood Forest (Robin Hood)

Treasure Planet (Treasure Planet)

Horned King's Castle (The Black Cauldron)

The Secret Lab (The Emperor's New Groove)

Bald Mountain (Fantasia)

The Grid (Tron)

World's End (Pirates of the Caribbean)

Radiator Springs (Cars)

Grandmother Willow's Forest (Pocahontas)

East High School (High School Musical)

The Axiom (WALL-E)

Regent's Park (101 Dalmatians)

New Mushroom Town High School (Onward)

Happily Ever After Castle (Walt Disney Opening)

Part 4: The Roster

The bread and butter of many fighting games, the roster is no doubt one I had a bit of trouble putting together. With so many characters from over the years, it's no surprise. But since this is the outline of a possible first game, here's my interpretation.

Also, the cast is big to avoid being too barren or dull.

And because I had a lot of fun putting it all together.

Mickey Mouse (Mickey Mouse): The all around character of the game, he mostly fights by a series of cartoonish tricks, magic tricks and his paintbrush from Epic Mickey. His Special Attack would have him break the fourth wall like and rewind the fight like an old film projector in reverse. Except he heals, while the opponent receives twice the damage. His Musical Finale "Sorcerer's Apprentice" has him use Yensid's Sorcerer hat to its fullest and give his overall moveset more flashes to distract the opponent and slow them down.

Donald Duck (Donald Duck): Everyone's favorite, greedy mallard and the world's angriest duck. Donald would fight mainly with toon force, his fists, his bad luck and his anger. The more damage he takes, the angrier he gets. His Special Attack would have him don the Duck Avenger persona from his PK days and use a series of superhero gadgets to finish the opponent. His Musical Finale "The Three Caballeros" trades his anger for Jose Carioca and Panchito Pistoles showing up, making him happy. As they hurt the opponent, each time they hit Donald, to keep him happy.

Goofy (Goofy): Everyone's favorite Disney dad, Goofy joins the fight as not the brightest but with the biggest heart. He has toon force to aid him in some unconventional ways. His Special Attack would have him become Super Goof from his older days. His Musical Finale "Eye To Eye" would restore health everytime he dodges an attack, with a dancing flair to it.

Snow White (Snow White and the Seven Dwarves): The first Disney Princess, Snow White makes her debut and she's not alone. The Seven Dwarves direct most of her attacks, such as tossing rocks, mining tools as weapons and even just grabbing the opponent and tossing them. Snow White herself can sing and command woodland animals to tie up opponents or just fight to defend her. Her Special Attack would have the Dwarves try to roll a boulder, only for lightning to strike on the opponent and the boulder as extra damage. Her Musical Finale "Whistle While You Work" will call on a huge number of forest animals, as they tidy up the stage and Snow White, slowly replenishing her health and slowing down the opponent.

Pinocchio (Pinocchio): Don't lie in his presence, as that nose is not only for show. Pinocchio fights mostly by using his nose as a staff, the Blue Fairy bringing other toys to life to aid him and Jiminy Cricket distracting the opponent with music. Pinocchio's Special Attack would have him wish upon a star and turn himself into a real boy, as the opponent is turned into a puppet and loses damage as a result. Pinocchio's Musical Finale "I've Got No Strings" would cover the stage in thin lines used for puppets: if the opponent touches one, their frozen briefly. If a projectile attack hits, the same happens.

Cinderella (Cinderella): The bell of the ball and someone whom never gives up on kindness, Cinderella will use the dance moves she showed off at the ball for her moveset, having a dancing and musical feel to how she plays and flashy dances to win against the the opponent. With her Fairy Godmother using her magic to help her, such as flashes of light. Her Special Attack would have the clock strike midnight and she leaves behind her glass slipper: once the opponent touches it they get weighed down by a giant magic dress. Cinderella's Musical Finale "Bibbidi-Bobbidi-Boo" would have the Fairy Godmother cast a series of spells over the stage, as a new carriage pops up every time Cinderella pulls off a combo. The carriages run over the opponent and can even carry Cinderella to safety.

Peter Pan (Peter Pan): Leader of the Lost Boys and Captain Hook's second biggest pain in the butt, Peter Pan and Tinkerbell are here. Peter Pan has a pocket knife with him and Tinker Bell's pixie dust for aerial attacks. His Special Attack would have him toss a bunch of gold on the opponent, as the rest of the Lost Boys tackles them and beats them up for the treasures. His Musical Finale "You Can Fly" would create a trail of pixie dust behind him, that randomly causes the opponent to either jump too high or too low.

Captain Hook (Peter Pan): Keep all 'ticks' and 'tocks' away from this pirate! Captain Hook has a wide array of hooks to switch between, a flintlock pistol and his sword to win the battle. His Special Attack would have him run away from the Tick-Tock the Crocodile, as said crocodile attacks the opponent instead of Hook. His Musical Finale "A Pirate's Life/Elegant Captain Hook" would call his ship the Jolly Rodger onto the stage, as the pirates on the ship occasionally throw knives at the opponent and shoot at them, everytime Hook is caught in a combo and can't escape.

Aurora (Sleeping Beauty): Aurora, sleeping beauty herself, is doing anything but sleep and her guardians are making sure of that! Her attacks has the Good Fairies use their magic in numerous ways, such as moving objects, animating objects and even petrification. Her Special Attack has Prince Philip show up with the Sword of Truth and the Shield of Virtue, to deal heavy damage on the opponent. Her Musical Finale "Once Upon A Dream" boosts her stats everytime she's hit.

Maleficent (Sleeping Beauty): The Mistress of all Evil, Maleficent uses a wide array of magic powers from cursed, throny vines, to her iconic green fires, she's one tough fighter from a distance. Her Special Attack would have her turn into a dragon and breath fire down on the opponent. Her Musical Finale "Once Upon A Dream" would have her make the opponent more drowsy, each time they hit her, until falling asleep, unless they keep moving.

Robin Hood (Robin Hood): The sly fox of England and one talented theif, this fox focuses on disguises, archery, swordsmanship and woodsmanship to make his way. His Special Attack would have authorities show up to arrest him, as they rain down arrows on the opponent in the process. His Musical Finale "Running Through The Forest" would allow him to dodge all attacks, without needing to hit the controls or input buttons.

Basil of Baker Street (The Great Mouse Detective): World's greatest detective! At least in the mouse world that is. Basil would investigate the stage of the fight, much like a crime scene and even pick up clues that double as weapons, such as a propeller or a mouse trap. His Special Attack would have him investigate a crime scene that hurt the opponent, before pushing them aside as 'worthless' evidence. His Musical Finale "Let Me Be Good To You" would have him require no further evidence and counter each hit with a deduction on his opponent's crime and even stop them from performing combos. Doing damage in the process.

Professor Ratigan (The Great Mouse Detective): Never call him a rat. Ever. This crime boss of the miniature crime world be no stranger to fist fights and gleefully take a swing at your demise, whether it's his fists, cane or traps. If not him, then his minions are more than happy to drown some orphans! His Special Attack would have him call his pet cat, Felicia to devour the opponent. His Musical Finale "The World's Greatest Criminal Mind" would give him more durability to hits, more destruction to the stage and traps cover more range on the stage.

Ariel (The Little Mermaid): Princess of the Sea, everyone's favorite mermaid is ready to explore beyond the sea. Armed with her father's trident, some amazing swimming skills and various sea animals at her command, she's more than ready. Her Special Attack would have her conjure a giant wave, that also covers the opponent in sea creatures. Her Musical Finale "Part Of Your World" fills the stage with water and can have Ariel bump floating objects into the opponent.

Ursula (The Little Mermaid): The last sea witch you would want to cross paths with, Ursula has eels to do her biding, poisonous ink clouds and even thunderclouds. Her Special Attack would have her turn giant via King Triton's trident and use the added power to attack the opponent. Her Musical Finale "Poor Unfortunate Souls" has her disguise herself as the opponent and slowly regain health from all souls being eaten by her. As a bonus, if she's infront of a mirror that's on the stage, her reflection will be her true form.

Belle (Beauty and the Beast): My, quite an odd girl, reading books and getting on the field of battle?! Belle's entire moveset would revolve around books; not magic books, just books on the rest of the cast and fairytales overall. She would be able to switch between each of these books and use what she's learned from them. For Example, 'Romeo and Juliet' gives Belle immunity to stat changes and rose themed weapons that hurt the opponent, like throwing weapons. 'Aladdin' gives her a magic ring that can conjure up magic smoke, furniture on the foe and teleport her. 'Jack and the Beanstalk' plants vines that can raise her up or entangle the foe. There's more books at her disposal, but that's just the general idea. Her Special Attack has her father ride in on his invention, chopping up an entire forest until the opponent is covered and crushed by chopped up logs. Her Musical Finale "Tale As Old As Time" gives her the power to 'skip' a fairytale, turning each of her attacks into the endings from the books. For example, 'Aladdin' would trap the opponent in an oil lamp, leaving room for her to attack.

Beast (Beauty and the Beast): The poor and cruel prince, turned into a monster as evil as the one in his heart. Beast has his boost in strength from his beastly form and claws to defeat the opponent. The curse not only affected him: his servants are by his side. Lumiere can incinerate the opponent or plant fires on the ground, Cogsworth can distract them with timed clock sounds, Mrs. Potts can spill tea to slip up the opponent, Chip will knock over bookshelves and Wardrobe can block attacks. His Special Attack would turn the opponent into a piece of furniture, leaving them open for attacks: each opponent having a different transformation. His Musical Finale "Be Our Guest" would have every attack with one of his servants, also heal Beast in addition to hurting the opponent.

Gaston (Beauty and the Beast): Nooo oooone's slick as Gaston! Quick as Gaston! No one's neck is as incredibly thick as Gaston! He's especially good at combo breaking! Boy what a guy that Gaston! Gaston has his inconic blunderbass and his fists, along with a bow and quiver and a hunting knife to deal with an opponent, almost as if they were an animal he's hunting. His Special Attack would have an angry mob charge at the opponent and beat them up. His Musical Finale "Gaston" gives him a strength boost, everytime he pulls off a combo successfully.

Aladdin (Aladdin): Everyone's favorite street rat and theif, he's not alone on the field of battle as Abu and Genie are here to help him. Abu can cling to the opponent and hit them repeatedly, Magic Carpet can be used for aerial attacks, Aladdin has a sword that he 'borrowed' from a guard and Genie can shape-shift in a variety of ways to best the opponent. Aladdin's Special Attack would have Genie distract the opponent, as Aladdin steals something off them and uses it to beat them. Aladdin's Music Finale "Friend Like Me" would have Genie grant a wish, each time Aladdin gets a combo, such as a stat boosts and healing.

Jasmine (Aladdin): The sultan's own daughter that would rather be anything than a prize to be given away. She has learned self defense skills, her father's guards and her pet tiger Rajah in her moveset. Her Special Attack would have the guards arrest the opponent and toss them into prison, as they struggle to escape and take damage. Her Musical Finale "A Whole New World" has one the Seven Wonders of the world occasionally pop up in the background to hurt the opponent, as the fight goes on.

Jafar (Aladdin): The Sultan's Royal vizer of Agrabah and one whom believes he should rule Agrabah. Jafar has his magic staff to hypnotize and cast spells onto his foe. Occasionally tapping into the phenenomal, Cosmic power of his Genie form to do some real damage. And Iago is here as well... mostly to complain. His Special Attack would have him become an all powerful Genie and Iago wishing for ways to 'hurt' (not kill) the opponent. His Musical Finale "You're Only Second Rate" would boost all of his stats and attacks, except he can't KO the opponent until the Musical Finale is done.

Simba (The Lion King): King of the Pride Rock and son of Mufasa, the Lion King himself is more than prepared with his claws and iconic roar. His roar can even control the weather to strike lightning and cause windstorms. His Special Attack would have him call on the spirit of his father, Mufasa, as the two of them roar at the opponent. His Musical Finale "Circle Of Life" will have him remember, how we are all connected and draw on the life-force of nature, slowly healing him and giving his roars more range.

Scar (The Lion King): Mufasa's little brother and King after his timely demise, Scar has his claws and his hyenas to make short work of his foe as if their nothing more than a light snack. His Special Attack would toss the opponent of a cliff, into a Wildebeest stampede just like in the movie. As a bonus, he would say 'long live the king's son' if Simba is the opponent. His Musical Finale "Be Prepared" has him do damage without needing to attack the opponent and just walking into the opponent.

Pocahontas (Pocahontas): Daughter of Chief Powhatan, this Disney Princess has the skills necessary in order to survive and win. Her Special Attack would have her people come in to fight alongside her and best the opponent. Her Musical Finale "Colors Of The Wind" gives her attacks more launching power and each dodge she does generates winds that hurt the foe.

Governor John Ratcliffe (Pocahontas): The main villain of Pocahontas, this greedy scoundrel will do anything to claim what he believes is rightfully his. He has a sword and uses his position of power to call his men into the fray. His Special Attack would have his men charge like in the movie at the opponent. His Musical Finale "Mine, Mine, Mine" prevents the opponent from interrupting his attacks and tripping over any gold sticking out of the ground.

Quasimodo (The Hunchback Of Notre Dame): The hunchback of notre Dame himself and quite the sweetheart, he just wishes to see the outside world. His job as the ringer of the bells comes in handy to stun them, swing bells at them, his talented acrobatic skills and surprising strength. His Special Attack would have him reenact the Festival of Fools and have the opponent be caught up in all the chaos. His Musical Finale "Out There" turns all of his bell attacks, into soothing sounds, that heals him.

Esmeralda (The Hunchback Of Notre Dame): An outcasts, like many other outcasts of Notre Dame, she's picked up on a multitude of tricks to evade capture. Such as illusionary tricks to trick opponents and various circus acts from the Festival of Fools. Her Special Attack has Phoebus teleport out of a field of smoke and beat the opponent. Her Musical Finale "God Help The Outcasts" plants multiple pillars of light over the stage, that burn the opponent and heal Esmeralda.

Judge Claude Frollo (The Hunchback Of Notre Dame): Someone whom believes only he can purge the world of evil and that all he does is for the greater good. Frollo, due to his old age mostly uses his sword, his horse and his 'fears' to end the opponent. Those 'fears' being cloaked figures that defend Frollo and burn the sins of his opponent. His Special Attack burns the stage, with the opponent caught up in the flames being tied to a stake. His Musical Finale "Hellfire" burns the opponent every time they hit and touch Frollo.

Arthur (Sword in the Stone): The rightful king of England, proven by pulling the sword in the stone, Arthur is ready to be king. Merlin's apprentice is armed with the sword of legend: Excalibur and his mentor Merlin is there to provide some magic aid by turning Arthur into various animals and predict the opponents attacks with foresight. Arthur's Special Attack has Merlin turn into a germ to infect the opponent. Arthur's Musical Finale "Higitus Figitus" grants Arthur increased weight, almost as if he's the sword in the stone and making him harder to launch and knock away.

Hercules (Hercules): The son of the Greek God Zeus, Hercules goes to prove himself as a true hero and this brawl may be his greatest trial yet. With his power as a Greek God, granting him immeasurable strength, agility and endurance. And his pet Pegasus shows up for aerial attacks. His Special Attack has his father Zeus come in and hurl his thunderbolt at the opponent. His Musical Finale "Zero To Hero" increases his durability each time he pulls off a combo, making him immune to attacks at times.

Hades (Hercules): Greek God of the underworld and lord of the dead, Hades will claim victory. In addition to mastery of fire and smoke, Hades can shift between generally calm and collected, to angered and enraged, which affects the range and power of his attacks. Pain and Panic also shapeshift to provide some help. His Special Attack has the Titans show up and attack the opponent. His Musical Finale "My Town" floods the stage withdead souls that slowly deplete the health of the opponent.

Mr. Incredible (The Incredibles): One of the greatest superheroes whom ever lived, in spite of an unneeded early retirement from the government. Robert "Bob" Parr, known to the public as Mr. Incredible, has his moveset revolve around his superstrength and invulnerability, also being able to use the environment to his advantage like uprooting trees. His Special Attack calls in the rest of The Incredibles; Dash, Violet, Elastigirl and Jack-Jack to help take down the opponent as a family. His Musical Finale "The Incredibles" has his attacks all release shock waves that occasionally make debris hit the opponent, like it's the intensity of a comic book.

Syndrome (The Incredibles): You better catch him while be monologues as he does not play around! The wannabe superhero uses zero point energy to toss the opponent and send objects flying their way. His Special Attack calls in the Omnidroid to make short work of the opponent. His Musical Finale "Kronos Unveiled" forces the opponent to not stand still for too long or repeat the same attacks, or else the Omnidroid will fire lasers at them almost as if their being analyzed.

Mulan (Mulan): From lying to save her father's life, to saving all of China to joining other famous Disney heroes on the field of battle, Mulan has been through a lot. She has a sword, fireworks, a staff and a fan to best her foes. Mushu tags along, spitting fireballs at the opponent and tricking them into attacking smoke illusions that resemble Mulan. Her Special Attack has fireworks hit a snowy mountain, crushing the opponent under an avalanche. Her Musical Finale "Reflections" has Mulan disguise herself and blend in a crowd that slowly came onto the battlefield. The opponent attacking a random person will have them retaliate and hurt them.

Jack Skellington (The Nightmare Before Christmas): The pumpkin king and the patron of Halloween, his title comes with a wide array of pumpkin bombs, a flexible and detachable skeleton body. His Special Attack would have him trap the opponent in a series of giant pumpkin bombs, before his pet dog Zero lights them up. His Musical Finale "This Is Halloween" plants a series of tricks and treats all over the stage: treats for Jack that heals him and tricks that leave the opponent in a scared state. They take more damage while scared.

Oogie Boogie (The Nightmare Before Christmas): A literal burlap sack of nothing but bugs, Oogie Boogie has those very same bugs come out and harm the opponent. From spiders that tangle them up, to tarantulas that poison them to flies that hoist them up, he's as gross as sounds. His Special Attack would have him inhale the opponent and let his bugs do the work. His Musical Finale "Oogie Boogie's Song" increases his luck of landing higher damage, by also hitting a dice on the stage.

Tarzan (Tarzan): A man raised by apes, Tarzan has the strength to even keep up with apes and survive in the forest. In addition to his amazing strength, Tarzan can also swing from vines, use his impressive smell and hearing to counter attacks and a spear. His Special Attack has him command an army of apes to beat up the opponent. His Musical Finale "Son Of Man" puts fruits on the trees he swings from that he can heal himself with: since the opponent is not Tarzan the same fruits either poison them or make them dizzy.

Yzma and Kronk (The Emperor's New Groove): The former advisor of Emperor Kuzco and her most loyal henchman. Kronk does the fighting with his astounding strength and Yzma will be in the background, occasionally throwing potions on the opponent. Kronk will pull the lever, that will do a variety of things such as drop a bust of Yzma, a giant rock, a vase, etc. Their Special Attack has Yzma yell 'PULL THE LEVER KRONK!' sending the opponent and Yzma down a trap door to below the stage. Leaving it up to interpretation what happens, as Yzma casually walks back to the stage with a crocodile biting her leg. Their Musical Finale "Snuff Out The Light" replaces Yzma's potions with singing that prevents the health bar from going any lower.

Milo J. Thatch (Atlantis: The Lost Empire): An orphan that grew up to be quite the cartographer to even finding the lost city of Atlantis. Since he's not much of a fighter, the friends he made on the trip will do the fighting for him. Vinny plants explosions, Mole digs holes and attacks from the ground, Sweet heals Milo and boosts his durability, Audrey sends vehicles at the opponent and Cookie leaves food for people to trip over. He's even picked up on some Atlantean magic from Kida. His Special Attack has him pilot an Atlantean cruiser, shooting lasers at the opponent. His Musical Finale "Where The Dream Takes You" reverse the opponents controls, every time Milo lands a hit, almost as if their lost without a map.

Kida Nedakh (Atlantis: The Lost Empire): Princess of Atlantis and the current Queen, Kids is armed with a spear and a connection to the Heart of Atlantis, granting her forcefields and runes that dish out the ancient city's might. Her Special Attack summons a giant tsunami with the opponent being hit as Atlantis sinks. Her Musical Finale "Kida Returns" has the stage covered in runes, as the guardians of Atlantis will hit the opponent if they step on a rune.

Stitch (Lilo and Stitch): Experiment 626, also known as Stitch is an alien that befriended the kind-hearted Lilo Pelaki. Stitch is indestructible, has four plasma blasters, can roll up into a ball and lift up to 3000 times his own weight. His Special Attack calls in his cousins to each hit the opponent once, before Stitch himself smacks them with a car. His Musical Finale "Hawaiian Roller Coaster Ride" doubles the strength of any attacks timed with the music.

Captain Jack Sparrow (Pirates of the Caribbean): Captain Jack Sparrow comes to the battle with his signature sword, musket and flintlock pistol. His Special Attack has the Black Pearl ram the opponent and shoot cannonballs at the opponent. His Musical Finale "He's A Pirate" makes him impossible to KO, he can still take damage though.

Sulley and Mike Wazowski (Monsters Inc): The dynamic duo and best friends, Sully and Mike fight with the former scaring the opponent and the latter being pulled from the background, used as a ball to hit opponents. The more combos they land, the more scare is generated as energy: this energy being used to power machines to attack the opponent. Their Special Attack has the stage be overloaded with scare energy, to the point of canisters bouncing all over the stage and hitting the opponent, much like in Monsters University. Their Musical Finale "If I Didn't Have You" makes the opponent laugh each time they hit Sulley, generating energy and leaving them open to attack.

Jim Hawkins (Treasure Planet): Jim Hawkins, someone with the 'makings of greatness' according to Captain Silver has a chance to prove that here. With his solar surfer to pull off some amazing tricks, a knife and a blaster, he can hold his own just fine. His Special Attack would simply be Treasure Planet blowing up, with the opponent caught in the explosion, as he flies away on a ship. His Musical Finale "I'm Still Here" gives him the markings of greatness, in the form of stat boosts everytime he pulls off a trick on his solar surfer.

Captain John Silver (Treasure Planet): The fearsome pirate cyborg and only real father figure to Jim Hawkins, Captain Silver is ready to use those pirate skills from over the years to claim his treasure. As a cyborg, he has a wide selection of tools and weapons, such as lasers, a cybernetic eye, guns, a sword, a cleaver, a battering ram, the list goes on. His Special Attack has the opponent fly into space, while he leaves on a pirate ship. His Musical Finale "I'm Still Here" fills the stage with comets that can freeze the opponent if they come into contact with them and increases the strength of Silver's lasers if they pass through.

Merida (Brave): The Scottish princess and daughter of Queen Elinor and King Fergus, enters the battle with her archery skills and swordsmanship to win the fight. Her Special Attack has her ride in on her horse Angus, delivering a series of arrows to finish off the opponent. Her Musical Finale "Touch The Sky" makes all her arrows hit the opponent, without fail.

Kenai and Koda (Brother Bear): The bear brothers, one born a bear and the other cursed to turn into a bear. Kenai and Koda fight as a team of bears from claws to wilderness skills they picked up. Even the Great Spirits watch over and protect them, by influencing nature to protect the brothers. Their Special Attack has the spirits of Sitka and Koda's mother come in to protect them and deal with the enemy. Their Musical Finale "On My Way" increases the range of their block, with the Great Spirits protecting them.

Tiana and Naveen (The Princess and the Frog): A hardworker that believes the only way you can make it in the world, is through hardwork. Even if that meant kissing a frog. Tiana has a wide assortment of cooking utensils to win. With Naveen distracting them with singing and dancing. They can switch to being frogs, where they use their tongues to tangle up the opponent and hop off lily pads. Their Special Attack has Mama Odie turn the opponent into a series of animals, before sending them away with her Voodoo magic. Their Musical Finale "Almost There" gives Tiana a golden glow that greatly increases the range of their attacks and distracts the opponent with golden glows.

Dr. Facilier (The Princess and the Frog): The Shadow Man himself and one whom turned Naveen into a frog, Dr. Facilier fights with his cane, Voodoo magic, shadows and spell casting. His Special Attack has him pull the opponent into a deal, as their dragged down by the Voodoo Spirits. His Musical Finale "Friends On The Other Side" let's him take a gaze into the opponent's future, turning all of his attacks into counters, if they hit the same time as the opponent's attacks.

Rapunzel (Tangled): The lost princess of the Kingdom of Corona, blessed with magic hair and has quite the efficient frying pan. Her hair can not only heal herself a bit, but can be swung from, tie up the opponent and makes for a surprising whip. Her Special Attack has Flynn and Maximus ride in, with Rapunzel hitching a ride, as the three take down the opponent. Her Musical Finale "I See The Light" fills up the stage with lanterns, that can blind the opponent if they touch any.

Hiro and Baymax (Big Hero 6): The child genius and the helper robot turned fighter have become quite the crime fighting duo, that honor Tadashi's wish of wanting to help people. Baymax does the fighting, with Hiro on his back, such as martial arts, rocket fist, an energy blade and sonic blaster. Their Special Attack calls in the rest of the Big Hero 6, as they teamup and take down the opponent. Their Musical Finale "Immortals" assuming they get the rights to the song has Baymax dodge every attack that comes, without needing to move the controller and slowly heal up.

Judy Hopps (Zootopia): A young bunny from Bunnyburrow that came to Zootopia to pursue her dreams of being cop and help people. Her bunny physiology grants her enhanced hearing, quick agility, high jumping and she has trained herself to take down foes much bigger than her. Her Special Attack has her do her job as a cop and arrest the opponent, with the entire police force joining in to help. Her Musical Finale "Try Everything" plants tourist attractions all over the stage, that can hurt the opponent and heal Judy.

Elsa (Frozen): The Queen of Arendelle and the Ice Queen herself, forced to conceal don't feel, don't let them know. But she'll be doing anything but that here! Elsa has ice powers to freeze the opponent, create pillars of ice, ice slides, ice skates etc. Her Special Attack calls in Marshmallow to deal with the opponent. Her Musical Finale "Let It Go" allows her ice powers to come to life and aid her in battle.

Moana (Moana): Moana of Motuni, whom has sailed the sea to return the Heart of Te Fiti with Maui. She has a harpoon and an oar, along with the ocean helping her and watching over her. Her Special Attack returns the Heart of Te Fiti to Te Fiti, whom fully heals Moana, temporarily boosting her attack. Moana's Musical Finale "How Far I'll Go" covers the stage in water that has boats to hit the opponent and granting Moana faster speed.

Maui (Moana): The Maori Demigod of the wind and sea, with quite the number of feats from over the years. With his magic fish hook, he can shapeshift into a number of animals, his most common being a hawk. His Special Attack being lassoing the sun into the opponent. His Musical Finale "You're Welcome" makes all damage to Maui, take longer to leave an impact.

And that's that. A LOT longer than I thought it would be. Now your probably thinking, what about all the other Disney media? It's an idea for the first game, so other characters (Oswald the Lucky Rabbit, Scrooge McDuck, Goliath, Kim Possible, etc.) would appear in a potential sequel.

Or DLC, since every game these days has it.

Thanks so much for reading all this and taking the time to do! I would love to hear some thoughts and feedback! I had a blast making all this and would like to see if you're interested in hearing more video game ideas.

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angelinarecs · 4 years ago

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Updated Pacific Rim Recs

Organized by pairing (or gen) and then alphabetized by title. Summaries (which have been copied from their respective stories) and descriptions are provided. Notation at the end of the description indicates if a story is completed or a WIP.

Gen

Take Up Your Spade and Break Ground - Tendo Choi is a 911 dispatcher because it pays well and because he’s damn good at it. He doesn’t take the job with the expectation of finding a family – but sometimes the people who call end up up meaning a hell of a lot, and Tendo’s never been one to stay detached. Friendship/Family. Tendo POV, very well written and the plot is original. A great AU overall. I really loved following Tendo and his relationships to the Shatterdome people through his work at 911. One-shot.

Hermann, Newton Friendship

All the Colors of the Rainbow - The first thing Newt noticed about Hermann was that he was a neat freak. Well. Okay. Maybe not a neat freak. Maybe just an ordinarily-neat person who didn’t like kaiju guts in his work space. Sharing a lab was going to be a challenge … Drama. Am I reccing this because Newt is autistic? Yes, yes I am. Also, these drabbles do wonders at showing the day-to-day struggles of Newton and Hermann sharing a lab. One-shot.

Hush Now - Hermann is upset and Newt tries to cheer him up. It either goes horribly wrong or horribly right- he’s not sure. Hurt/Comfort. Hermann gets an unfortunate phone call from his father and Newt is there to pick up the pieces. Drabble length, but still sweet. One-shot.

Not Unwelcome - Set directly after the events of the movie. Hermann leaves the celebrations to give himself some space, away from the loud people clapping him on the back, away from the happily drunken crowd, and, maybe, a bit of space away from Newt. Naturally, the moment he disappears, Newt goes after him. Minor angst ensues. Friendship/Angst. Cute, fluffly, indulgent, everything you want out of a feel-good story. An enjoyable read. One-shot.

Tröstung - When Hermann is three years old, his mother gives him a stuffed lamb. Angst/Friendship. Following Hermann through the years in his interactions with his comfort object (an adorable sheep names Oskar). The premise and structure of the story really does a nice job at providing snapshots in Hermann’s life and development as he grows into the brilliant scientist he is. The story also provides a brief insight into Hermann and Newt’s relationship. One-shot.

Hermann/Newton

a ghost will be here in my stead - Hermann is feeling under the weather. Hurt/Comfort/Fluff. Post Uprising. Hermann falls ill after pushing himself too far to save Newton from the Precursors. Newton picks up the pieces. One-shot.

A Hand That Hold No Weapon - On their way back to the Hong Kong Shatterdome, Newton helps Gottlieb adjust to the after effects of drifting together. Drama/Hurt/Comfort. A much needed story after Hermann and Newton drift. Fun story, okay writing. One-shot.

A Momentary Lapse of Reason - It’s Newton’s fault, really. That Hermann is stuck on the floor of the Kwoon, feeling more than a bit useless and broken. Fluff/Hurt/Comfort. Hermann pushes himself too hard trying to physically work out his self-loathing. Newton is there to pick up the pieces. One-shot.

A Not so Simple Cold - Herman is sick. Really sick. He, however, is choosing to ignore how sick he is which Newton does not agree with. Fighting ensues but some realizations about their feelings for one another also come to a head. Fluff. One of those sickfics that’s not particularly original nor well written, but definitely scratched the hurt/comfort itch when needed. One-shot.

A Warm and Gentle Tug - Hermann has a fear of having his blood drawn due to the fact that he always passes out or gets sick while it happens. This time around however, Hermann takes Newt along with him to his appointment to help ease him. Hurt/Comfort. Not the best writing here, but the relationship is fun. Mainly reccing because I have the exact same problem getting my blood drawn. One-shot.

Battered and Bruised - When Hermann comes to Newt’s defense, it doesn’t end well. Hurt/Comfort. Short and somewhat sweet. Newton and Hermann try to fix each other up after getting into a fight at a bar. One-shot.

Blue All Over - The worst one was recorded on a cold dreary day in the autumn of 2021. Hurt/Comfort. One of their many, and possible one of their worst, lab accidents. Herman is a self sacrificing idiot and Newton is at least fast on his feet. One-shot.

Collision - A kiss gone wrong. Romance/Humor. Hermann and Newton being dorky and clumsy. Cute, but short, story. One-shot.

Dehydration Sensation - Hermann doesn’t handle heat well. Hurt/Comfort. Hermann doesn’t take care of himself in the middle of a heat wave and Newt once again has to pick up the pieces. Including obstinate, delirious, and dissaproving Hermann alongside exasperated Newton! One-shot.

Homeostasis - The K-science laboratory stands on its own plane of existence; life within its concrete walls runs in parallel to life in the bigger world of the Hong Kong Shatterdome. Yet even here the laws of physics apply. Whenever Hermann’s body isn’t failing him, Newton’s mind is on the verge of breaking. Hurt/Comfort. The scientists have a rough day in the lab. I really enjoyed the contrast of the mental and physical given that each Hermann and Newt suffer from their own handicaps. Seeing the ailments as both a foil and a complement to each other was a very compelling look into their relationship. One-shot.

Incessant - Hermann’s physical limitations frustrate him to tears. Angst. Newton tries to help Hermann after a fall, Hermann is frustrated that his body won’t cooperate with anything. Poor Newt has to make this situation at least bearable for both of them. The selling points for this story is mostly domestic science boyfriends and an accurate depiction of the frustrations that come with being disabled/handicapped. One-shot.

Keep Your Mouth Shut, Keep Your Guard Up - Hercules Hansen does not understand why Hermann won’t just tell him why he got in a fight with the new J-Tech. It’s obvious who came out worse for wear. Hurt/Comfort/Romance. Hermann just wants to protect Newton, they just keep getting into trouble. So wonderfully in character. I love these two. One-shot.

Laundry Day - “I must have almost popped the question a hundred times, but the timing never seemed…right, you know?” “And you decided nearly killing me in the middle of laundromat was the Platonic ideal of romance, did you?” Aka the one where Hermann launders Newt’s jacket and finds rather more than he bargained for. Hermann/Newt. Romance/Humor. This story is just so cute. I love how the everyday interaction between Newt and Hermann turns into such a touching/adorable moment. One-shot.

Oh, They’re Gonna Have to Fight Me - The Drift makes them realize they belong together. Now that they cancelled the apocalypse, there’s nothing left for them to do but live out their lives in happiness. That is, until Hermann realizes there’s more to the nightmares that Newt keeps having. (In which they don’t spend those ten years apart, and Hermann is there to figure it out and save Newt when the Precursors start taking over him.) Fluff/Angst. They win the war, get married, and live happily ever after until they don’t. If you were anything like me, the sequel really disappointed on the whole “haven’t seen you in ten years” bit. This is the fix-it that we needed for our science husbands as Hermann has to navigate his relationship with Newt while realizing exactly how compromised his husband truly is. Complete.

Pride - Newmann oneshot. Newt takes Hermann on a date to his first LGBT parade- fluff through and through, except for a little reference to acephobia. Romance/Friendship. Am I reccing this entirely because Hermann is asexual? Yes, yes I am. Also features cute relationships, Newton coming up with a bunch of “queer” orientated pet names for Hermann, and some good points about sexuality. One-shot.

Somewhere, Something - Newt and Hermann start dating in the rush of change the end of war brings. Each of them is frightened that the other doesn’t realize what he’s in for. Hurt/Comfort/Angst. The science boyfriends help each other out as they grow closer in their relationship. I really appreciate the take on both mental and physical health issues. Two-shot, complete.

strange perceptions - The most essential question to pose, obviously, is why is Hermann presently finding himself contained in a shut-down emergency decontamination unit with only his lab partner as company, having forgone not only the process of actual decontamination but also the process of being noticed by anyone at all. The answer is frustratingly straightforward: because Newton. Angst/Hurt/Comfort. In which feelings are shared and realizations come to. I really love the dialogue, character introspection, and use of flashbacks in this story. I also love the fact that it literally took getting stuck together and completely helpless to force them into a conversation about feelings. One-shot.

Strong Enough - the Precursor in captivity, nobody knows exactly how to get Newt back to his old self, if that’s even possible. But Newt was always stubborn, and damn if Hermann would ever give up on him, or, worse yet, let him give up on himself. Emotional Hurt/Comfort/Angst. Hermann is going to get his husband back, even if he has to fight the entire Shatterdome, the alien possessing his love, and his own nightmares to do it. Another precursor!Newt fix-it, but we need all of those that we can get because I want my science husbands to end up happy. One-shot.

Taken Care Of - Newt helps out Hermann when he’s having a bad day. Hurt/Comfort. A short and fluffy slice of life story that follows the companionship of Newt and Hermann through a rough day. One-shot.

The Ghost and Dr. Priestly - Newt is pulling an all-nighter in the university library studying for a chemistry test, when he begins to hear strange sounds. Good news: it’s not a ghost. Bad news: he only finds out after giving his lab partner, Hermann, a mild concussion. Drama/Romance/Hurt/Comfort. Newt is an unbelievable idiot and poor Hermann suffers the consequences. Or, Hermann is concussed and is probably not thinking properly, but he still kisses Newt even after the daft man nearly brained him with a book. One-shot.

Tricks and Treats - Seven fics for the seven days of Gottbleed week (Oct. 5th-11 2015). Each story: 1. Is Gottbleed 2. Fulfills an OTP prompt from tumblr 3. Is newmann and 4. Is Halloween related. Trick or treating, costumes, haunted houses, ghosts, too much candy - and much more! Cute, funny, with a side of seriousness. Humor/Drama. Hermann and Newton make such a fun couple and these somewhat Halloween themed shorts perfectly show off their characters. Complete.

You and Your Dog Teeth - Desperate to find ends and solutions, Hermann wears himself out to exhaustion looking for answers, especially his already lame leg. Being around as his usual working late night companion, it’s up to Newt to help take Dr. Gottlieb home. What seemed entirely like a normal night only ends with two scientists realizing there’s a lot more between them than they thought. Angst/Humor. Such a fun story, this has a good balance between emotional tension and moments of hilarity that only the K-science boys can fully pull off. The awkward approach to romance in this story works very well for the characters and give an authentic feel to the whole thing. Two-shot, complete.

You Know I Love You: I Wrote It Down - Drs. Geiszler and Gottlieb’s relationship goes back almost ten years. We know this because the paper trail goes that far back, too. Romance. Where do I begin with this story? It’s so well done and amazingly written. I can’t get enough of it. The idea to follow the relationship of Hermann and Newton through their paper trail was brilliant and well executed. The sheer nerdy romance is amazing. I don’t even care if it has smut in it, it’s still well worth the read. One-shot.

#Pacific Rim #pacific rim fanfiction #hermann/newton #hermann gottlieb #Newton Geiszler #romance #hurt/comfort #angst #so much fluff #science husbands

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memcaked · 4 years ago

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send him home in a limejuice tub!

Source: Subarashiki kono Sekai | The World Ends With You

Relationships: Kiryu “Joshua” Yoshiya & Sakuraba Neku, Kiryu “Joshua” Yoshiya & Hanekoma Sanae, Sakuraba Neku & Honjo Sota

Characters: Kiryu "Joshua" Yoshiya, Sakuraba Neku, Hanekoma Sanae, Honjo Sota

Additional tags: Alternate viewpoint, Mostly canon dialogue, Week 2 Day 6, Introspective, Character study, Gift fic, TWEWY Secret Valentine, Not beta read

Summary: Joshua looks down at his hands for the first time. Almighty, almost a month and he forgot what it was like to be physical. Instincts, skin, nails - unchipped, rounded, inch-long keratin buried into the heels of his palms, threatening to break his skin.

Beginning notes: This was made for ShibuyaPharmacy as part of the TWEWY Secret Valentine event. She asked for art or writing with Joshua, Minamimoto, or Fret, so obviously it meant I had to enact one of my TWEWY ideas rolling around in my brain for this. Inspired by a tumblr post which I can sadly not find written by @/shadnoise analysing Joshua's body language in this scene, and pushed out today for my headcanon birthday for Joshua. Happy birthday to this anime game guy who hasn't left my brain for years I think its because we share a star sign

Body:

No matter how Joshua’s beams of light should be vaporising the Taboo noise the sound of them being Erased is always the same: screeching, scraping, like the coalescing of Shibuya soul and the something Minamimoto put into the refinery sigil roiling in its soul code. It's the same discordant chords striking their way across Shibuya this week. They’re awful, through and through - Joshua hacks on their smoke-and-oil stench, whether it's a horn or a kick or quills they leave his skin stinging and red. Taboo noise were nothing, a mystery untold until this week and it doesn’t do anything to convince him that this place can be saved when it's able to foster the frenzied supernoise brainchild of some young Officer with a usurper fantasy. Sanae would tell him J, you always think everyone’s out to get you, and he didn’t believe Joshua when he cited his evidence. As he feels himself falling out of the Noise plane he argues with Strawnae that his attempted murderer has learnt how to breed the dark arts and if he’ll even let him go he’s meant to be doing it thinking he shouldn’t be so negative and everyone he meets is an angel.

They drop back into the UG, or only Neku as he floats in the air. Down on the ground he’s planted to his feet, looking expectantly on wounded, Erased-to-be Sota. He should’ve put the unpartnered timers on their hands before he gave up his powers and his clairvoyance, has to count it by himself with one mississippi, two mississippi, three mississippi, four, without any ticking clock that he can see or divine when it’ll happen. “You OK?”

“Yeah... you saved my ass,” Sota cracks a half-smile, the muscles on the left side of his face going limp. His chuckle is half-hearted, a little pained. He knows his erasure is inevitable to be genuine about it, Joshua thinks along with eleven mississippi. “Heh, for now, anyway. I lost Nao... I don't have much longer.” He groans, body shaking as his voice cracks and a second of static courses through him.

Neku droops, his hair falling under his eyes, head buried in collar, spine slumped. “If... if we'd gotten here sooner--” Twenty two mississippi, twenty three mississippi.

“Ain't your fault, dawg. I wasn't strong enough. End of story,” He wheezes, gags a little trying to get the air back. The static flashes repeat, repeat, the pauses closing in. “Neku and Joshua, right?” Joshua lifts his head up, makes eye contact with Sota.

“Yeah.”

“You two survive,” The right side of his face falls. thirty nine mississippi, forty mississippi, “Get your old partner back,” He painfully clings to the last happy face he has, static almost falling out of his screwed-up eyes. “I hope all three of ya get back safe.”

He’s Erased with a buzzed heave, gone in a flash and a crackle. Sota Honjo, small-time criminal, Nao’s partner(-in-crime), joins her in Shibuya’s soul. Sixty mississippi. Neku runs into his spot, the crest of a building’s tall shadow, squinting towards the silver-lined rooftops. He shakes his fist, voice crashing up an octave, “Fucking reapers!”

“Angry, I see,” Joshua lowers himself down, huffing when he scuffs his sneakers on the pavement. When Neku whips his mink-lithe body around Joshua almost hears cracking bones.

“Hell yes, I’m angry!” The vessels in his eyes look swollen red, like if he has to feel for any moment longer they’ll burst into blood and tears.

“So what?” Joshua isn’t particularly interested in making eye contact with Neku - he runs the stopwatch in his head again. “At least you’re still in the game.”

Neku lunges two steps forward, the same shaking fist maybe two inches from Joshua’s nose. “Yeah, and what about those who didn’t? Screw the game!” He stomps his feet on the pavement and makes Joshua forget what he was going to say before he opened his mouth. “They’re people, not toys!”

Neku Sakuraba himself, grandstanding about people? People? The ones he was bemoaning a few days ago, the ones he hated so much Joshua chose him. He was such a rugged survivalist - knew how little time Beat and Rhyme had and only caved when they thought it was a good idea - and suddenly when he echoes Neku, Joshua walking away from this with a bruised bloody nose seems to rest in the balance of his outburst. The adrenaline of his thoughts distill into a slow cool-tongued mumble. “Why the sudden interest? I didn’t think you cared about other people.”

“No…” The taut muscles in Neku’s knuckle strain, his voice run ragged by his screaming? His crying? His energy?

The trail-off’s a chance for Joshua to load bullets into his barrel. “No what?”

Neku clears his throat and backs away, opens the sore fist into a palm. “Sure, other Players are strangers. Not just Players. Everyone,” Joshua looks down at his hands for the first time. “I don't know who they are, where they're from, what they care about,” Almighty, almost a month and he forgot what it was like to be physical. “But... since I came to the UG, I... I've talked with them a little.” instincts, skin, nails - “Got to know them a little. Felt them a little…” - unchipped, rounded, inch-long keratin, “Felt my world grow. Just a tiny, tiny bit,” buried into the heels of his palms, “It's different now. They're not just some strangers. I can't shut them out like that.” threatening to break his skin.

“My my,” He’ll understand, Joshua keeps assuring himself. Neku wouldn’t exactly be joyful but he’ll agree Shibuya needs to be shut down, die off with him. He’s - and a lump forms in Joshua’s throat - sounding like now, he won’t back down. “This isn’t like you at all.” He doesn’t even want to make eye contact. How does he get through to Neku? “Well, don’t get your hopes up. You’ll never really understand the people around you.”

“Enjoy the moment.” It’s what imprinting does to people but he only realises how wrapped Neku was around Sanae’s middle finger to Joshua’s crisis of function. Neku’s eyes shine, he mourns the Erased, he thought they’d walk together hand in hand but Joshua feels more and more like he’s reaching an arm out for someone crossing a threshold he can’t.

“Hmm?” Joshua imagines Sanae sitting on Neku’s shoulder, adjusting his halo and sitting in the white flowy robes he hates. Frustration shoots up his fingers and digs harder into his hands.

“Enjoying your world means making it bigger,” Joshua remembers how Neku told him of a girl who’s grip floated up and away from him. “I finally get that.” Joshua remembers that erased couple, arms linked in life, death, erasure, the erased couple who would hold Neku, Joshua, Shiki, everyone in their hands if they didn’t only have two. “The world as one person sees it is tiny.” Joshua remembers Neku, every day in his solitude admiring the mural, rubbing and caressing the wall of paint. “You've gotta... gotta reach out to other people.” Joshua glances back at Neku’s shoulder. He can’t see anything. His hands unfurl, hang free and limp at his side.

“...... Hee hee.” He doesn’t feel anything in his throat. “Maybe so. Only by allowing strangers in can we find new ways to be ourselves.” He wrings his body, one he needs to get used to. “It's possible. This mission looks like it’s up to us.”

Neku silently starts moving towards Q-Heads before stopping, staring over his shoulder while his partner stares at splayed hands. “Joshua?”

"Hold on,” he picks at his fingers, “I’ve broken a nail.”

Ending notes: Not exactly sastified with this but its been a busy lead-up to Valentine's offline and online, I'm glad this is done, and I'm happy if at least one person enjoys what I've wrote. Happy valentine's day, Jordan!

#twewy #the world ends with you #neku sakuraba #joshua kiryu #yoshiya kiryu #sanae hanekoma #fanworks #writing

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thelightofthingshopedfor · 4 years ago

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Dear Yuletide writer,

I’m 100indecisions on AO3. just based on numbers of requests/offers in the signup summary, it seems fairly likely that you matched with me on Avengers Academy, but it’s also slightly possible it was Silent Hill 3 or The Bifrost Incident. numbers also indicate nobody else requested or offered my other two fandoms, but I’m including them here anyway in case you or anyone else wants to take a stab at them. (there’s also this post if you want a little more info about why these fandoms are cool and where to find them.)

regardless! the important thing as always is that you have fun writing the fic, and for the most part everything that follows is just a suggestion. whatever you come up with, I’m sure I’ll love it.

I feel like…most of the fandoms I requested aren’t too likely to lead to fics with my major DNWs, probably. I wouldn’t want to see dubcon or significant manipulation in a relationship that’s supposed to be positive and healthy, for instance. I’m not opposed to explicit sex scenes of any kind, although I often end up skimming them because I’m the type of ace person who is just Not Interested in most of the physical aspects, so…you’re welcome to write sex scenes if it’s relevant but you absolutely don’t have to feel like you need to.

in general, my biggest DNW is unhappy endings. I’m thrilled to see my favorite characters go through all kinds of hell to get there, so for most of these I would be very happy to get something tagged Crueltide, but I also like things to be okay or at least hopeful by the end. if canon is the unhappy part in one way or another, I’m always happy to read fix-it fics. Between post-canon fix-its that could reasonably happen in the future and canon-divergence AUs where things are okay now because of some mid-canon change, I have a slight preference for the former, but both are good.

as for stuff I like, well, the other thing implied by my main DNW is that I do often enjoy fairly dark fics, as long as they end okay. I also like Loki a lot, as you can probably guess from my requests. if you ended up matching me on Avengers Academy Loki or Bifrost Incident Loki, and/or you want to take a stab at one of the other Loki-centric requests, the Loki fics I’ve actually written are pretty representative of stuff I like in my Loki fics, which basically boils down to “sympathetic interpretations always, with loads of angst and/or whump on the way to a reasonably happy ending”. I tend to take a somewhat lighter tone in general with my Avengers Academy fics (I’ve written several of those and only one of them doesn’t involve Loki at all, so…yeah I have a one-track mind where Loki is concerned), although I did also write a pretty damn whumpy fic for AvAc Loki. I’m very invested in the relationship between Thor and Loki as brothers, although Thorki is usually a personal squick. for things that aren’t necessarily Loki-related, I like found families and deep friendships, sibling bonds, stories about characters reclaiming their own agency from some outside force and/or figuring out how to take control of their own narratives, and probably plenty of other things that aren’t coming to mind at the moment. I’m equally good with plotty fics and little slice-of-life or introspective pieces. I will always always always be happy to see queer characters, especially asexual ones.

more detail about my specific requests, basically just expanded versions of what I wrote in my sign-up:

Silent Hill 3 (Heather Mason). I love this game and that’s mostly because of Heather–she’s resourceful, brave, and incredibly tough, and the game is essentially all about her reclaiming her agency (in a very literal, physical way) from people who used her for their own ends. Anything that gets into Heather’s head would be great, whether it’s a missing scene of some kind during the game or something afterward that explores what she does next, how she recovers from a frankly massive amount of trauma, and how she reconciles the various layers of her identity. The ways in which Heather, Cheryl the child, and Alessa both are and are not the same person are endlessly fascinating to me, and it seems like she probably has a lot of weird memories bouncing around in her head at this point--and possibly some extra trauma from Alessa’s memories of things Heather never physically experienced, as if she doesn’t have enough to deal with already. I would also really love to see something involving Angela and/or Maria from Silent Hill 2; I’m not sure how the timelines would line up (although realistically, considering the setting, that part would be trivial to handwave) but the way Heather basically said “fuck you, you don’t own me” to the cult makes me want to see other female characters find their own agency as well, and it would be really awesome if Heather found a way to help them do that, either by helping them directly or just by influencing the way the town operates. in general, I love these games for their atmosphere and symbolism, so anything you can do along those lines would be great.

Avengers Academy (Loki, Thor). I still miss this game. I especially miss Loki, who was a snarky little bastard but really not a bad dude. Mostly I’d be thrilled to see anything that focuses on him (or her, I super loved Loki’s canonical genderfluidity) developing actual friendships at the academy, with any characters who might be relevant (Steve, Natasha, America Chavez, Nebula, Union Jack, Angela, Jane Thor, really anybody). Working things out with Thor and/or the rest of his family is always good too; Loki’s Frost Giant storyline didn’t involve Thor at all, for instance, probably because it was written long before Thor was added to the game, so I’d be interested to see how things went when he found out his brother was a Frost Giant. I’m also always happy to see crossovers of some kind with other Marvel universes, especially considering AvAc was an interesting patchwork of film and comics canon; meta stuff where characters are aware of their multiverse counterparts is always fun (again, my own AvAc fics are pretty representative of what I like…and if you wanted to build off anything in those, I’d be thrilled). and hey, if you want to pick up or expand on any of the plot threads the game never really got around to, like more about the Academy’s supposed mole, the actual nature and origin of the timefog, or other worldbuilding-related stuff, that would be awesome. random slice-of-life stuff is also fun; so is expanding on any of the event plotlines or digging into in-world reasons for various gameplay decisions (way back during the Civil War event, for instance, Loki was one of the characters who could do stuff to earn points for Team Cap even though this didn’t come up in dialogue--it was almost certainly because they needed another non-event character to round out the rosters, but it would also make a fun premise for a fic). I’d also be happy to see something post-canon, showing what characters are up to now or doing some kind of reunion. I’m realizing somewhat belatedly that last year I only requested Loki because that’s the character I wanted most, and this year I requested both Loki and Thor even though my actual wishes haven’t changed, which...I’m not sure if that’s a potential matching problem or not. But just to be clear, the only character I require is Loki, and everything else is basically a suggestion. If there’s a character I haven’t listed but Loki had an interesting interaction with them, or they never spoke but you think they’d play off each other in fun ways, go for it.

The Bifrost Incident - The Mechanisms (Loki, Thor, Sigyn). I...need a fix-it. Like, for these characters specifically, but also for the universe in general, because the premise of this album is absolutely fascinating but I can't deal with tragedy, so--I need somebody to fix it. Somehow. I mean, I would also be very interested in pretty much anything about Loki and Sigyn, backstory or otherwise (especially if there’s Loki whump due to cosmic horror in general or Odin being a dick specifically, because...I am who I am), or Loki’s relationship with Thor, or...yeah, pretty much anything Loki-centric? But also I am a baby who cannot deal with tragedy so I gotta have like...at least a hint that things are going to end up differently than in canon. Or if you really don’t want to do that, speculate on this universe’s version of Valhalla or something, I don’t know. And yes, even though this isn’t a Marvel universe, I would also be very happy with some type of crossover/fusion with the MCU or another Marvel universe.

Loki: Where Mischief Lies - Mackenzi Lee (Loki). I had a lot of issues with this book and I’m not sure how much of that is just me not appreciating what the author was doing with an unreliable narrator (in part because I’m already pretty attached to certain interpretations of Loki) and how much is the author not quite doing it right, but I’d love to see something that would…make it make sense internally in terms of Loki’s motivations and actions. It doesn’t necessarily have to be a fix-it, although I’d love one of those too, with Loki reuniting with Theo and/or actually reconciling with his family. A giant crossover that includes this Loki with other major versions of Loki could be fun too. I’ve been planning for a while to write up some kind of actual review to articulate what about this book didn’t work for me, and I’ll update this post with a link when I do that, although…again, I know nobody else offered or requested this one. (if you think it sounds fun or you just want to read this book in general, my library actually has the ebook on Hoopla, so it’s worth checking to see if your library does too.)

What If... Thor Was Raised by the Frost Giants? (Loki, Thor). This is such a great little AU and I need MORE. Slice-of-life stuff with Thor and Loki growing up (and Laufey being an abusive bastard to Loki)? Fix-it where Freyja survives or somehow gets brought back? Post-canon fic picking up immediately after the end of the comic? Far-future speculation about what the present-day Marvel universe might look like with this change in its history? Literally anything post-canon about Thor and Loki tentatively reconciling? YES PLEASE. As always, biggest DNW is unhappy endings.

#yuletide 2020 #yuletide #avengers academy #silent hill 3 #the bifrost incident #loki: where mischief lies #marvel comics #look at me doing my Yuletide letter in a reasonable timeframe for once #mostly because...the majority of this was copied from last year's but whatever #marvel what if

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helenarasmussen87 · 5 years ago

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Writing Asks

This the post where I know no one is going to ask me anyway.

1. Describe your comfort zone—a typical you-fic.

Something that is like a “Oh hey, what happens if we do THIS!” and go from there. Usually ends up having loads of emotions, comfort, angst, introspection, loads of kitchen sink dialogues, not too much action. Families, happy endings.

2. Is there a trope you’ve yet to try your hand at, but really want to?

Fluffy stuff and humourous stuff. I am a little too serious for either one and my humour is drier than the desert and very odd. So no.

3. Is there a trope you wouldn’t touch with a ten foot pole?

Teacher and Student relationships. Necrophilia, abuse of all sorts, underage. Just not my thing. I’ve gotten unable to stomach a lot of grimdark and super dark stuff as I get older so I won’t write it. But go ahead if that’s your thing.

4. How many fic ideas are you nurturing right now? Care to share one of them?

Two, since I can’t have more than two on the burner. Learned THAT early on and they’re Terror AU’s One is a fixit, but with health complications and angst. The other is a Modern Day AU which has two professors falling in love after one gets injured and the other worked as an EMT and helps to take care of him and they fall in love.

5. Share one of your strengths.

I can offer insights on what flows and what doesn’t. I can also happily shred my own drafts if they don’t work.

6. Share one of your weaknesses.

Action. I work at it, but it’s not my favourite. Or war writing.

7. Share a snippet from one of your favorite pieces of prose you’ve written and explain why you’re proud of it.

“Danny had to turn his head away to hide his smile, because he knew that it was a legitimate concern for Jose. Most of the time, he had jumped into bed with his partners first and then did the mating dance.

Although extremely smart in other aspects, dating and social interactions were always a bit skewed, because he was always second-guessing himself and nervous as hell.

“That’s actually how things work out in these situations. At least it did for me and my ex and for me and Claude.” Danny explained calmly, making Jose nod and take another pull of his slurpee.

“So what do I do? Like is there a time when I bring up the possibility of us sleeping together?” Jose asked, the words slightly mumbled as he chewed on the straw.

“You don’t bring it up. You’ll just know when the time is right for it to happen. Sex isn’t what a relationship should be built on. Yes, it’s nice and it’s part of it, but it’s not the end all to be all. Trust me on this. It will happen if it’s meant to happen.” Danny explained, hoping that he had put it all in the plainest and simplest terms he could for his friend.

I am proud of this because it was majorly borrowing from life and I can see the difference from earlier writing.

8. Share a snippet from one of your favorite dialogue scenes you’ve written and explain why you’re proud of it.

“Sergio laughed shortly. “I’ve already done enough of that, and look at where it’s gotten you. Yeah, legally I hold claim over you. I could make the club buy out your contract and sit at home all day, having litter after litter.”

Iker’s blood froze at that and he turned to look at Sergio to see if he really meant it, but Sergio’s face gave nothing away.

“Or I could sign your rights to the club and let them sell you wherever or to whomever. Take you out of Spain, or sell you to Getafe or Malaga. All of these things I could do. The club actually did bring it up at that meeting you didn’t show up for.”

Iker blinked, his hands going numb as Sergio’s wickedly honed words hit home.

“I’m not telling you this to hurt you. Or make you feel indebted. I’m telling this to you because you’re this close to losing your spot and that’s the last thing I want for you. But there’s only so much I can do for you.”

He sighed and looked at Iker dead in the eyes.

“I miss him too, Iker. I miss Antonio every fucking day. And I miss you.”

Iker swallowed hard as Sergio abruptly turned and left, slamming the front door and freeing him from the command so suddenly that Iker fell onto the couch and curled up in it.

He had no energy to do anything else. Not when he was all too aware he’d fucked up and fucked up big and needed to fix it.

Borrowed from life again and it was more of a dialogue that needed to be had when you finally realize how much you fucked up and how much you need to stop coasting and make it right.

9. Which fic has been the hardest to write?

ALL OF THEM! Kidding. I want to say the one I’m working on right now. I was lucky enough I got a ton of help fleshing it out. I can see the end of the 1st chapter and I am having a hell of a time writing Goodsir’s chunk. He’s turned out more emo and romantic than I was expecting.

10. Which fic has been the easiest to write?

The QuiObi prompts for the prompt week. Took me like two hours to knock them off and post.

11. Is writing your passion or just a fun hobby?

Its a passion and a hobby. It helped me through a lot of rough patches and keeps me sane.

12. Is there an episode above all others that inspires you just a little bit more?

Mostly music or a change in life. I tend to write when everything is in flux with me.

13. What’s the best writing advice you’ve ever come across?

Just write. Worry about editing later. Once you have something on the paper, fixing it up becomes easier.

14. What’s the worst writing advice you’ve ever come across?

Edit as you write. You don’t get anything done.

15. If you could choose one of your fics to be filmed, which would you choose?

Oooh. I think it’s a toss up between my Qui-Gon/Jango fic in a pastoral setting where they have put their pasts behind and are farmers on Concord Dawn. Or the Werewolf fic I wrote during my RPF phase.

16. If you only could write one pairing for the rest of your life, which pairing would it be?

Bloody hard. I would have to say Fitzier (Commander Fitzjames/Captain Crozier)

17. Do you write your story from start to finish, or do you write the scenes out of order?

Depends. Sometimes I go straight from beginning to end and sometimes I end up writing the middle and not figuring it out until later.

18. Do you use any tools, like worksheets or outlines?

Outlines. I have notebooks I jot down point form notes about the characters and the plot.

18. Stephen King once said that his muse is a man who lives in the basement. Do you have a muse?

Mine is a librarian or an alchemist trying to figure out answers and how things fit in.

19. Describe your perfect writing conditions.

A good playlist. Alone, in my room.

20. How many times do you usually revise your fic/chapter before posting?

I revise it along the way when I sit down to write. Then before I post, I give it a once over to make sure it flows and makes sense.

21. Choose a passage from one of your earlier fics and edit it into your current writing style. (Person sending the ask is free to make suggestions).

All my old fics are honestly gone so I’m skipping this one.

22. If you were to revise one of your older fics from start to finish, which would it be and why?

Honestly? The Duo and Heero one I wrote about them being in an abusive relationship where they split up, then got back together again. I was again writing from life, and I have seen couples who did overcome it, but looking back, I think I should have written it that they separated and went their own ways.

Keep in mind I was very young when I wrote this, and I was in an abusive relationship myself and didn’t realise it at the time. He hit me once, apologised and never did it again. But he did end up manipulating me, gaslighting me, and emotionally abusing me until I finally had enough and left.

23. Have you ever deleted one of your published fics?

Yes. Loads of them due to me not wanting to finish them. Or the hosting sites going under.

24. What do you look for in a beta?

Someone who is honest, someone who knows the way I write, and has suggestions to fix those said things. But someone who is themselves is the best. Because they know what they want. Same here.

25. Do you beta yourself? If so, what kind of beta are you?

I do, simply due to lack of steady betas. Flow and story telling, but I also look for syntax and formatting as well as grammar. I will miss typos, so I run spell-check too. I mostly use a mental rubric. Teacher training.

26. How do you feel about collaborations?

I haven’t had a successful one due to the second person always deciding that they can’t follow through or up and disappearing. So I don’t do them.

27. Share three of your favorite fic writers and why you like them so much.

Oh my God! I read so much and so many different people that I can’t pinpoint three. I usually end up reading a fic or two, so I can’t say why I read the author.

28. If you could write the sequel (or prequel) to any fic out there not written by yourself, which would you choose?

I haven’t done that. I do admit to having inspired by fics. I wouldn’t ever presume to do that. It just feels like a snub.

29. Do you accept prompts?

Not really. I can’t tailor write stuff consistently.

30. Do you take liberties with canon or are you very strict about your fic being canon compliant?

Oh always! I end up liking the characters that somehow never make it until the end. And in the Terror, unless you want to write angst all the time, you HAVE to ignore canon. And I mean BOTH the book and the show, since the book is nasty. The show is amazing, but oh my god is it depressing.

31. How do you feel about smut?

Yes damned please!

32. How do you feel about crack?

Depends on how well it’s done. Sometimes it is needed. Sometimes it’s like “Why?”

33. What are your thoughts on non-con and dub-con?

A bit tricky. I don’t mind non-con, but it has to be handled well. Dub-con, especially in A/B/O happens within context and it is usually dealt with. So I can tolerate that more than the first. Outright abuse, no.

34. Would you ever kill off a canon character?

Yes. Not often thought. But yes. I usually try and keep as many alive as I can though.

35. Which is your favorite site to post fic?

AO3, its a wild place and I love it for that reason.

36. Talk about your current wips.

It’s an AU where two professors that live in the same building and work in different faculties get thrown together and start to get to know each other. Due to circumstance, one gets injured and the other kind of volunteers to help take care of him, where they fall in love. The others in the vicinity do also. There’s Canadian shenanigans and baking.

37. Talk about a review that made your day.

That they really liked how I wrote Frank Randall and would like to see more with his son, an OC I created for the story.

38. Do you ever get rude reviews and how do you deal with them?

I either delete, or give a generic reply and leave it. I’ve got stuff to do.

40. Write an alternative ending to [insert fic title] (or just the summary of one).

Nope. It just doesn’t work for me.

*somewhere I fucked up on the number but here you are*

Whoever wants to do this.

#about the author #asks #memes

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thelawyerthatwaspromised · 6 years ago

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We Really Need to Talk About the Forehead Kiss Scene

Consider this another iteration of the Sansa and Jon “Would that be so terrible?” scene that I covered a little while back.

For a lot of people that believe that Jonsa will happen, the scene on the battlements in “The Winds of Winter”, the finale episode of the sixth season of Game of Thrones, is the starting point of that belief.

It’s unusually sweet, as Jon and Sansa scenes tend to be. It’s almost semi-unnecessary to the plot. It’s the last we see of Jon before it’s revealed that he is the son of Rhaegar Targaryen and Lyanna Stark, making this decidedly un-sibling like interaction with Sansa a bit less suspicious except upon rewatch. (Sidenote, imagine if this scene took place after we learned about R+L=J...)

But a lot of Jonsa skeptics (I’ll call them that though there are obviously varying degrees of this such as “venomous”) seem unable to understand why this particular scene feels so different from just about every single other scene on the show. To me, there are multiple factors that make this particular scene unique from any other on the show.

It’s an almost perfect example of a “romance setup” from multiple angles.

1.) It didn’t really advance the “plot”

For some reason, this scene was included among the 10 most crucial scenes of the series by HBO pre-season 7 buuuuut not a lot happened at face value.

Jon had just banished Melissandre for burning someone alive (inquisitive emoji) and was watching her leave on the battlements. He’s approached by Sansa. She says she’s sorry. He credits her for winning the battle. They say they need to trust each other. They leave. So why is a “recap of events” considered a crucial scene? Why was it on the show at all? Viewers wanted to know what Jon was going to do about Sansa arriving with the KotV and if they were going to have a conflict about it. Except that part took about 5 seconds. And the opposite happened.

Similar to the Littlefinger choke scene in season 7, this didn’t really directly affect the actions of the characters in any way. Even if a scene doesn’t advance “plot”, it’s meant to advance the “story”. What happens here between Jon and Sansa? It revealed something between the two of them that wasn’t revealed simply through the dialogue. It’s inclusion in the show at all should leave you wondering about its purpose, but the added layers of the length, framing, and use of reaction shots should make it fairly obvious that it’s a romantic scene.

2.) Both characters are pleasantly surprised by each other’s tenderness towards the other

I think to really grasp this scene, you have to get inside the heads of each character.

Normally, any surprise in Game of Thrones is a bad thing. The strange quality of the battlements scene is that it’s an inversion of the normal routine. We need to take a step back and evaluate the psychology of Jon and Sansa as they’re entering.

Jon has just banished the person who resurrected him. He’s just won a battle that he knows he should have lost. He’s clearly been quite introspective about Sansa and what she meant and her importance in winning the battle since he’s already preparing her chambers. Somehow, the tent scene is magnified in its intensity because this scene is its exact opposite and it’s where we last left off with Jon and Sansa.

Sansa pleaded with Jon to listen to her.

To be fair to Jon, it’s hard to understand what Sansa is saying but instead of trying to understand her more, he allows them to be dead locked and unable to finish their thoughts.

and it ends with Jon’s sad resignation that he desperately wants to win but he’s not sure if he can.

So this was the last time they spoke privately before the battle. Jon feels guilt for failing to listen. Sansa feels guilt for calling in Littlefinger, an option neither she nor Jon would have wanted.

Then - their relationship suddenly became stronger because of the weakness they revealed to each other. Instead of punishing each other, they forgive each other. Instead of gloating, Sansa reaches out and expresses to Jon that she never wanted it that way. Instead of holding it against Sansa, Jon reaches back and validates her importance in multiple ways.

The most rewarding part is how they each give wonderful gestures to each other in turn without being prompted.

He’s publicly affirmed her place as the Lady of Wintefell...

She objects but only because she thinks he should be seen as the head of the family...

Sansa tells him he should take it. Jon responds with a sad smile and says he’s not a Stark. And then Sansa gives Jon the most gentle but meaningful affirmation that he’s ever gotten on the show...

“You are to me.”

(I decided halfway through this to leave the text off the gifs because I want the focus on the micro expressions of the actors because...damn...)

What else could anyone say to Jon that would mean more to him at this point? His entire life has been marked by his non-Starkness. Sansa is working to undo the biggest source of his sadness without his ever asking for it.

Jon’s gift to Sansa is recognition and it comes in two parts;

1) “You’re the Lady of Winterfell.” He was right there as Lyanna Mormont referred to her as a Lannister and a Bolton. He was right there as Lord Glover looked right into her eyes and told her that House Stark is dead. No. Jon is determined that those statements are to be corrected.

2) “We’re standing here because of you.” He’s not just “gifting” her the position and the lord’s chamber. She’s earned it in his eyes. Her place is meant to be elevated above his at this point. This is before he was crowned as king. He was content for her to be in charge until he was thrust into the position of command.

So what does Sansa do? He’s just basically said “you were right” and she has a chance to respond. Does she gloat? Does she say “well yes I suppose I am the last remaining Stark (that we know of) and so I should rule our house...I also command the loyalty of the Vale”? None of that, she apologizes to him. She’s still expecting his anger and disappointment and feels she deserves it.

And it makes sense. Leave aside that it was absolutely necessary for Sansa to bring in the KotV and ask yourself “when was the last time Sansa was ever actually rewarded or treated gently by someone she thought she wronged?” She’s existed in a constant state of punishment since Littlefinger betrayed Ned in the throne room in season 1. Misery is her expectation. Her expression as Jon approaches confirms this exactly.

Part is her actual guilt, and I’m sure part of it is an expectation based on her experiences...and to her pretty obvious surprise, Jon does the exact opposite.

HA. You’ll have to wait for the kiss gifs because I want to change gears now.

The entire last section was explaining why this scene was so unexpected given the context of the setup. Both characters had reasons to treat the other harshly. Jon for his stubbornness. Sansa for not telling Jon about the Vale. All the components were there to reinforce an ongoing feud between the two. These were the factors commonly cited by those oh-so-brilliant Starkbowl predictions leading up to season 7.

Yet despite that tension, we didn’t get a shouting match and glares and future plotting. We got a moment of clarity for once...and a whole new set of questions about these two. The beauty of their quiet moment together was in its simplicity - but also in the way that the writers indicated that there was so much more going on than we could have ever known.

Yet all of this information is packed into a scene that’s so quiet and slow. It’s in the romantic pacing.

3.) The Pacing

Jon and Sansa have had always had a distinct strangeness to their scenes in that they’re almost all completely different from any other. Their reunion was a moment of triumph for any Stark fans as they were the first two reunited since the pilot episode. Their fireside chat started incredibly sweet and ended with the heightened stakes of Sansa attempting to convince Jon to re-take Winterfell. The Pink Letter scene is the realization that their little oasis was about to meet the realities of a harsh world that still viewed both of them as threats.

The cloak scene where Sansa gifts Jon a Stark cloak after Jon takes keen interest in Sansa’s new dress is another moment where each took the initiative to validate the other without any prompting.

They argued twice, while at the encampment and in the tent before the battle, but each scene was unique as Sansa indirectly criticized Jon’s decisions to follow Davos considering Stannis’ ultimate failure, and Jon mostly tried to tune Sansa’s arguments out - while the tent scene is where those complaints came into a direct collision.

Then they met on the battlements and it was equally emotional but in a total reverse of tone.

Simply put, this scene was about “Jon & Sansa” as an entity and not about “Jon” having a talk with “Sansa”. It’s all in the pacing and it’s all in the framing.

We already know the setup. Now comes the payoff. Jon has already told Sansa they need to trust each other. That would be the “plot” purpose of the scene. As far as things happening that affect the story directly, it could have ended right there. “It’s ok Sansa. We’re a team now.” Or, alternatively, Jon could have kissed Sansa’s forehead and THEN said they need to trust each other and the tone could be viewed entirely differently. Instead, the show disposed of the “textual” purpose of the scene and continued right through with the “subtext” (which also continued into season 7) which is: what exactly is the nature of Jon and Sansa’s relationship?

It’s not just the forehead kiss. It’s not just the romantic back drop. It’s not just the setup. It’s not just the micro expression of the actors. It’s not just that the whole scene is relatively unnecessary. It’s all of that mixed together.

This is where the pacing comes into play. Let’s recap the scene to this point...

Sansa gets about 13 seconds of an entrance before Jon tells her he’s having the lord’s chamber prepared for her.

Sansa waits 3 seconds before answering “mother and father’s room?”

Jon waits about 3 seconds before he says he’s not a Stark.

Sansa answers “you are to me” almost immediately.

Jon has roughly a 5 second reaction shot.

There’s about a 5 second pause after Jon gives Sansa credit for winning the battle before Sansa starts apologizing.

Sansa says sorry and Jon waits about 6 seconds before he even starts walking over to her.

There’s about 3 seconds between Jon saying they have enemies and him reaching up to kiss her.

Jon gets roughly 3 seconds to kiss Sansa and about 4 seconds of gazing at her (and her gazing at him). They make this moment last.

Then they transition into a micro expression that juuuuust says everything.

The second Jon closes his lips, he looks down and abruptly starts to walk away. But his mood has immediately turned almost melancholy or sort of a confusion. It’s not normal to kiss someone tenderly and then just turn around and leave. Even if it were entirely platonic. There’s something left unsaid...especially since the camera focuses on the post-kiss for almost 6 seconds altogether before Jon starts to leave. Viewers aren’t the only ones left a bit bewildered.

Sansa’s reaction tells the same story.

She stands in the same position, almost frozen. She’s internally probably as confused as Jon. She came to Jon to apologize (remember, she approached him) - which I’m assuming she would have been dreading. She got her apology, and he delivered his form of “there’s nothing to forgive” which would normally signal that her part here is over. Yet he initiates physical affection for her when positive physical affection is something that’s a very complicated subject for her.

And it stuns her. As he begins to leave, we see her expressing that she doesn’t want the moment to end.

It’s ridiculously beautiful. Sansa finding a reason for Jon to get one last look, right after he had turned away in sort of Byronic melancholy, only to have her call him back again is extremely romantic given what we know about both of these characters.

The immediacy of Jon’s response in turning back towards her and the utter-seriousness of his look again makes the end of this scene a twist of its own.

“Winter is here.” That phrase is of course a play off of “Winter is coming” the words of House Stark and the ominous warning of fear and looming destruction echoed throughout the entirety of the series. Those words should mean “fear”; real “fear”. (also take note of her deliberately deep breath as her eyes scan Jon again..)

And how do they react to this potentially terrifying threat? By being adorable again!?!?

Well of course they do. Because winter is here and they are home. Think about this. Being together (moments after entering a scene which they both began reluctantly) is enough to make them smile sweetly as they acknowledge the coming storm.

And the end really cements Jon’s view of Sansa as a noble lady.

And the pure joy Sansa feels as the scene concludes.

To wrap up...the scene didn’t have to happen in the first place. The setup made you wonder if there was going to be fracture. It was tender. It was warm. It’s pacing made you sit and take notice. It didn’t waste any time - it took its time.

We were meant to see not just the displays of forgiveness and validation by Jon and Sansa towards each other. We were meant to see them expecting the worst and getting something beautiful instead. We were meant to see them wrestling with the confusion of where the scene was heading. We were meant to see them completely comfortable in each other’s presence in this very moment - and we were meant to see a very subtle but also very unsubtle indication that the direction of their relationship is causing (and must cause) them inner conflict before it can truly provide them fulfillment.

They weren’t a royal couple in this scene but I’m fully confident that after the finale season has concluded, this scene will be the one everyone can point to and say “this is where Jon and Sansa ending as king and queen truly became possible.”

#jonsa #jon x sansa #king and queen in the north #jonsa is endgame #tltwp meta

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