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#yes i edited this i thought you were talking about my main theme im so dumb lmao but thank you
sleepyhomosexual · 9 months
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y- HOLY FUCKERONI THIS IS A COOL THEME. I almost always use mobile so I never see how cool my mutuals' blog themes are holy crap it's so cool and red oohoooo
THANK YOU THANK YOU!!! :)) means a lot glad you like it!! ❤️
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goosefeather · 1 year
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finished riverstar's home which is uhh the first super edition i actually finished since graystripe's vow?? i wanna say??
anway! final review: not enough death!!!
(actual, long review under the cut)
riverstar's home is Good. granted i had no expectations for it and kind of forgot it was a thing until it came out. but for a super edition that most people were like "huh? riverstar? really?" it really knocked it out of the park
and i just really think that the erins had a theme in mind (finding home and what that means to our guy riverstar) and the text actually supports that. and i know, most books do this and it is something we all had to learn in high school english. however, warriors has a thing where the messaging is telling us one thing but the actual text is saying something completely different (think of like... everything to do with bramblestar)
that being said, i liked reading about a young riverstar (yes, my character tag for him is river ripple and i prefer that but y'know riverstar is shorter) and his struggle to find a place in the forest territory. it's actually a really good coming of age story that really resonates with anyone who has like moved out of their hometown and has felt incredibly isolated because of that (like me!)
also as a dotc Enjoyer i really liked seeing the events from riverstar's perspective. unlike uhh the last two super editions where the new viewpoint didn't add anything (or it retconned something to make it worse!) or added in things that were just kinda... bad (still dont like brushpaw), riverstar was just enough of an enigma that it worked. like from gray wing's pov, riverstar is an Established Cat on the river and he plays it well. but in actuality he's just a lonely guy trying desperately to maintain his friendships while trying to carve out some space for himself. it's interesting and fun and even the one eye and slash bits that i didn't care for in dotc were fun to read about from his pov
unfortunately, this is dotc so the last half Drags. like it makes sense, obviously, after riverstar feels settled into his life and home and new role as leader, someone from his past comes back and makes him question all of it. love it, really. the problem is once they leave and make it a journey! idk what it is but the minute these cats start wandering off territory it turns into a snoozefest. tell me one book where a journey to some place was Fun to Read and you cant say TNP cuz we both know it wasnt
also, im so sorry, i know we love women here and we have to cuz the erins don't but i dont like finch. like the most she shows up to help with fighting slash's rogues and riverstar was like "she was feisty!" or whatever i knew it was So Over. im sick of this thing where they introduce a she-cat just for the purpose of giving our main male lead kits. it was bad with gray wing and slate and it's bad with finch. remember when she almost stayed behind? i was hoping so hard that it would stick
and like compare finch and riverstar to say night and riverstar (im not pitting two bad bitches against each other give me a sec). before riverstar leaves to go back to help the park cats, night is nervous, her and riverstar have been through a lot together and they lean on each other. so she's vulnerable with him and he's like "oh im sorry i dont think of you that way??" and she's like "no!!! you idiot!! as a Friend" and yeah it made sense cuz we've seen them grow together in real time. finch got None of that because she is not meant to be a character and it bugs me
however, clear sky came in to save the day and cause problems on purpose at the end so the book ended on a high note (for me)
and uhh yeah, this is already pretty long and i actually have More Shit to say cuz i genuinely did like this book a lot i just wanted to get my thoughts out while they were still rattling around in my brain
god i didnt even talk about how i wanted more cats to die
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letteredlettered · 4 years
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hi! ive been following your writing for a few years now and i drop by periodically to check if you have anything new posted, and im really surprised that you seem to be enjoying the untamed? im curious what you think about the show - its story and characters, the acting, the production, etc. idk if you know, but the untamed is the most successful example of a current trend in chinese entertainment, where popular online novels centered around a gay romance is adapted into a 'safe' drama.
continued:
due to the many explicit and implicit restrictions imposed on creative media in china, many crucial plot points have to be changed (often badly) or removed, including the nature of the relationship between the main characters. the untamed is considered the most loyal adaptation so far, but like all other works in the genre, it received criticism for weak acting and queerbaiting. that's why im really curious about what you think of the show as it is, as itself, free from its context.
if you're interested, you could also check out guardian! it features much better performance and chemistry by the leads imo, but the story was heavily botched bc the original incorporates and reinvents a lot of classic chinese folklore beautifully and stuff like that is considered disrespectful and not-pc. i think it's really sad how so many great pieces of writing with complex world-building and plotlines are simplified into... idek what to call them, but just, less than what they are.
im sorry this turned into a rant. as a mainland chinese person with oh so many frustrations about our current society, it's hard to comprehensively describe my feelings about the untamed's popularity. it's the first mainland chinese show/movie to gain this much organic interest abroad so i should be glad? but, but. anyway, yes, im sorry.
There’s no need to apologize for ranting, but I admit to some confusion as to whether you want your question addressed or the rant. Because I’m me and tend to be thorough, I’ll address everything, in reverse order.
First of all, I’m sorry that this show is sad to you. I’m sorry that the popularity of it is difficult. I’m also deeply sympathetic to your frustrations about your society, as I too am deeply frustrated by my own.
Secondly, yes, I’m aware of the context of The Untamed. I’m aware that the book it’s based on is a BL novel, and that, in order to align with Chinese politics, overt queerness was erased from the adaptation. I’m aware of the censure laws of gay media in China. I’m also aware that some aspects of necromancy and morality were adjusted to make the show more palatable for general audiences, but I’m fuzzier on those details. Lastly, I’m aware that the popularity of the show calls attention to certain things, such as fanfic, and that attention results in more censorship,
The fact of this erasure and this censure provokes a lot of questions: by consuming this product, which contains erasure and censure, do we engage in the erasure and censure? By posting gifs and writing fanfic and talking about this product, do we increase its popularity, thereby encouraging additional erasure and censure? By increasing the popularity of this product, do we diminish the popularity of the original gay morally gray canon, thereby decreasing representation? Do we discourage other authors in China from writing explicitly gay morally gray material? In short, are we allowed to enjoy this media?
I don’t know the answer to these questions. However, I do know that boycott is a very effective tool when it can inflict economic pain on the producer, or when it can exert pressure on an entity to change. That said, I feel like a lot of the calls to boycott certain media these days are a lot like telling people to stop driving their cars to stop climate change: it’s suggesting that individuals can solve the problem, which presupposes individuals are the problem, and therefore fails to address the scope of the problem, or present the possibility of a real solution. Not watching The Untamed isn’t going to change laws about portrayals of homosexuality onscreen in China, partly because the laws in China are a much bigger problem.
The other part of it is that The Untamed is coded queer, so if you run a successful boycott against it, you end up with . . . less queer TV. I know a whole lot less about China than I do about the Hays Code, but if you had told gay people during the Golden Age of Hollywood that they couldn’t enjoy movies that were coded queer because they weren’t explicitly queer, they’d have said you were crazy. In fact, many people will tell you that media that was coded queer was a big reason we got more explicit queer stuff later. And as I’m sure you’re aware, the US is still fighting that battle . . . partly because it wants to sell movies to China.
So then there’s a question about whether me, an American in the US, liking something coded queer from China but not explicitly queer--does that encourage Chinese censorship? Should I only support texts that are explicitly queer? But the answer is the same--it’s not addressing the scope of the problem, and by supporting texts that are coded queer, you could be paving the way in the future for something brighter.
But you weren’t talking about boycott! You were talking about your discomfort with the popularity with this show, which I accept. I understand feeling uncomfortable. I can only hope it makes you a bit more comfortable to know that plenty of fans are deeply aware of the context and do wrestle with the question of what liking this show means in the context of a society that would never allow aspects of the original to be portrayed onscreen.
Thirdly, I’m not against trying Guardian at some point, but by comparing the acting and chemistry of the leads to The Untamed, I feel like you prove our tastes are very different in these regards. I love the acting of the leads in The Untamed; I found their chemistry off the charts. It’s okay you don’t feel the same.
Lastly, you asked my opinion of The Untamed: its story and characters, the acting, the production, sans context of the canon upon which its based and censorship laws in China.
a. I love the overall story, but the plot has deep plot holes. Quite a few segments do not actually make sense to me, because the plot is so haywire. However, I’ve never cared that much about plot, except when it gets in the way of characters and themes, and for the most part, this plot serves its characters and themes, except when the parts they leave out are so confusing that I cannot follow the story. As for the story, it feels like it’s built for me, because ultimately it’s about moral decisions and how to make them; it’s about guilt and paying for mistakes; it’s about learning, changing your mind, and remaking yourself. Really, I’m not sure there are many stories I love more--except they killed my favorite character, and I almost quit. So, that certainly put a damper on things.
b. I love the characters most of all, although the villains are really two-dimensional. However, large parts of the plot are not Hero vs Villain, they’re Hero vs Society, and then some Hero vs Himself in a way that suggests the Hero is no longer a hero. I could talk about the characters forever, but suffice it to say I think they’re really strong. Also, the relationships are really exquisite, particularly when it comes to family dynamics. Unfortunately, they killed my favorite character off. Also unfortunately, there are six women in this show, only two of them are main characters, and every single one of them dies. It disgusts me.
c. I think the two leads are exceptional, in particular Xiao Zhan . . . when he’s not being too broad, which he is quite a bit. However, I do wonder how much of this is direction and production style, because in many instances, he’s quite subtle, and the choices he makes are astounding. Then there are times where it’s like they needed more footage, or wanted to drive home a point, and he turns on the extra, and it’s awful. It could just be him, but I actually feel it’s the case with most of the actors, which does make me think it’s a directing issue. Meng Ziyi never really has that problem though, because she is the most perfect of all. But then take He Peng, who I actually thought could be incredible, but every scene was just SO BROAD that I began to feel sorry for the poor dude having to act that part. But there is nothing to be said for Wang Zhuo Cheng, who really is just terrible, which is sad, because it’s a great part.
d. Production-wise, it’s really hit and miss. So much of the locations are truly beautiful. A lot of the costumes are too, unless the shot is too close. I actually don’t mind the wigs; I love the long hair. The CGI is terrible. And then while a lot of the shots are beautiful, some of them are awkward, and the pacing is really difficult, imo. It really seems like they wanted to drag it out, and there are so, so many scenes where I’m sort of embarrassed that we’re in the same scene or that we’re still looking at someone’s face, or that everyone is just standing there waiting for the shot to finally end.
I will say that film is a language that does differ from culture to culture. It could be that both the broadness of the acting and the awkwardness of the editing are my cultural lens based on American and a lot of western film. When I watched older Hollywood films, the acting is a lot more broad and maybe a little less “true” feeling, but I understand that it’s not the case everyone in the past was a bad actor. It was just a different style, so I’m not sure I’m equipped with the cultural knowledge of Chinese acting, cinematography, and editing to be able to really judge the value of these things.
I do know how I feel, which is that the editing is the biggest hurdle for me while watching the show. However, I feel that the beauty of it makes up for a lot, and the strength of the characters and themes really carries it.
I hope I addressed your points adequately, and I wish you well.
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masterhandss · 4 years
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Hamefura♪ Idol AU! (part 3)
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Thank you so much to the people who have voiced their interest for this AU! I honestly wouldn’t have planned on writing any of this and just planned to keep it all in my head if no one asked :’’DD Special thanks to @ineedglassesalways​​ for the song reqs for this one! please check her out she has amazing art!
Please bare in mind that my thoughts are an absolute mess and that what i’m talking about switches between Fortune Lover and Hamefura at the snap of a finger. Most info is the same, so just try to understand which i’m talking about while reading fjhgsdjhfg
(Also i’m gonna start calling this “My Next Life as an Idol?! All Routes lead to Doom!!!” or HameFura♪ now hgfjsdgf)
Directory: Hamefura♪ Part 1 - Fortune Lover ||  Hamefura♪ Part 2 - hamefura
Edit: I added a cut bc i’m starting to sympathize with the people who has to scroll passed all this gjshgf
Random Plot and World-building stuff
Sorcier Entertainment is the biggest entertainment business for the past 2 decades, bringing out and producing the best quality of idols, actors, models, composers, musicians, DJs etc. It is a parent company to a lot of branches and agencies. 
Sorcier Pro. is the main sub-branch of SorEn, being the most popular agency for producing the current hit in the market, which are idols. There a few other agencies within SorEn, but they wont be important until later. Geoffrey Stuart is the president of Sorcier Entertainment, and is the overseer of the main idol branch (no one knows why though, probably bc his lil bros are there). Entertainment is such an important and prevalent part of Society that the combination of the Stuarts holding power of the the entertainment industry, as well as Mr. Stuart being the prime minister, they are truly considered to be the most influential family in the country, which is added by the fact that every member of the family is an outstanding and well-respect individual. 
Sorcier Pro. has a variety of high quality facilities for their idols, and even had a dormitory where they can stay in. This was done for the sake of maximizing the idol’s work hours while giving them a comfortable and accessible place of rest. Not all idols are living in the dormitories, and is usually just housing the popular ones at the time. 
All of the main characters (except Sirius, and Villainess!Katarina) are living in the dormitory during the events of the “game”. Nicol and Sophia has rooms there, but they usually return to their home because they are more comfortable there. Katarina and Keith also regularly visit their parents whenever they are free, so their stay is a 50/50. Maria doesn’t visit her mother often (as her house is too far from her private school and work) so she’s always at the dorms. 
A lot of the well known powerful, political and celebrity families (that are the equivalent to “nobles” in this world) are collaborators and sponsors of the company, one of the main sponsors being the Claes Family.
I thought of just making the setting an “Idol Academy” like in Aikatsu! and EnStars!, but I though nah, that’s just too easy. Industry idols are much more interesting to me, and that plot works better for a “idol rhythm game/producer simulator”, specifically for what M.C. gets to do in the game (plus I was listening to IM@S when writing the first part so hgfsdjhfdgsj)
Most prestigious families has their kids be home-schooled, especially ones that are involved in the entertainment industry. This is so that they can focus on their career while they are still young. The exception to this was Maria, until she became an idol and had to take a hiatus from school as Sorcier Pro. expects her to focus on expanding her career. She takes supplementary classes on the weekends.
Katarina’s solo unit name in Fortune Lover is Nobelia (a combination of “nobilis or noble” and “lobelia”, the blue flower of malevolence or evil). She sometimes gets temporary teammates to join for tournaments and projects, but she is a solo idol. 
So the units are Fortuna (Gerald, Keith, Alan and Nicol), Amour (Maria, Sophia, and Mary), Nobelia (Katarina solo), Picotee (Sophia solo), Marigold (Mary solo), Alcea (Maria solo), Regalis (Gerald and Alan), Edel Herz (Keith and Nicol). 
The name’s origins being: Fortuna as the greek of ‘Fortune’, Amour as the french of ‘Love’, Picotee as the dual colored flower (that can be white and red), Marigold (bc obviously) as the flower of passion, Alcea from alcea rosea (the pink hollyhock, which almost means strength and healing), Regalis as a root word/synonym to royal/royalty, Edel Herz being just a google translate of “noble heart” in german teehee (pls appreciate all the googling I had to do dhfgsjhfdg yes it’s mostly flower names bc I have no originality)
yes i changed the names form my original post, don’t call me out asdfgh
Idols don’t really need a stage name if they are a solo idol, but most popular idols are associated with one so it just became a trend to have both stage names and unit names. 
In the original game, Maria’s default stage name is “Cinderella”, which you can then change into the username or player name. This is so that Maria can keep her name while still giving the players a custom name. 
Maria’s original stage name is a nod to a lot of things: the “Cindrella syndrome” that her character is based on, The name of Fortuna’s fans/fanbase (as most players really are a fan of the boys), and is also a reference to how you are the main love interest for the boys (as you are their true Cinderella)
Katarina doesn’t retain the same stage name “Nobelia” as Villainess!Katarina does, in fear that it might her more similar to her, leading her to a doom end. She doesn’t have a stage name, unlike her friends. Her fans would call her “Bakarina” online though, but she never finds out about it jhagjsfg
Fortuna is an all-around male idol unit, one that can take on different images and genres with ease. The image of the unit changes depending on which boy is the center/lead of the song:
With Gerald, the music focuses on the instrumentals or the orchestra, giving a royal or heavenly vibe. The songs have an emphasis on righteousness, the beauty of life and a prosperous future. The songs for the fans usually has a theme of “reminiscent love” or “looking forward to a future with their partner”. A good example of a unit center song for his is Genuine Revelation from EnStars, and Flower as a solo song from his VA
With Keith, the music becomes more mature. The songs have more seductive lyrics, and has an emphasis on “forbidden love” or “having a secret relationship” with the fans. The lyrics are usually innocent in nature, until you read in-between the lines. Sometimes, his center songs throw a curveball and becomes about a “pure and innocent love” or “longing to be loved”. A good example for his solo song is Gekkoujou no Aria from A3 (please listen to it, it’s by Keith’s VA and the lyrics screams “Keith”)
With Alan, the guitar, violin and piano take the center stage.The music usually has more instrumentals than lyrics. The songs are primarily about being one’s true self, loving who you are and looking back at the past. Friendship and Identity are common themes in his songs. Sometimes, his center songs would throw a curve ball and be about something like “not acknowledging one’s feelings until it is too late”. A good song that represents his usually themes is Bokura no Kizuna from A3
With Nicol, the music is more slow and deep. The songs are usually about self-conflict, self-development and change. His songs sometimes have a theme of having an extreme adoration for the fans, a love so strong that time nor age can make it falter. “Being the only one for him” is the theme of his more popular songs. A good example for his solo song is Sword and Soul from his very own VA!
Yeah, basically the image of the center idol is reflected in the performance.
I don’t have a full list of idol song recommendations yet, but my friend who i mentioned above already recommended a bunch of good duo songs for the boys!: (feel free to suggest stuff if you guys have any :DD)
Gerald/Keith - Es No Yutsu from A3
Keith/Nicol- Plastic Poker from A3
Alan/Nicol - Don't Cry from A3
In the original game, all four boys we’re scouted while the girls all auditioned to become idols. Now, since they are all close friends, Gerald was able to market the talents of his friends and was able to get them all scouted into Sorcier Production. 
Fortuna has a producer before Maria, but by the beginning of the game, he had to leave due to health reasons, leading to the sudden application for a new producer. While many producers offered to take care of the boys alongside their other idols, Fortuna insisted that they want a new producer who would focus solely on them. 
Mary and Sophia also have their own producers, but they are barely present because they are busy handing other idols (and eventually, will let go of Mary and Sophia once they decide that they want Maria to produce them)
While Fortuna, Mary and Sophia’s careers were able to skyrocket quickly do to their appeals and talents, Katarina’s career grew slowly compared to her friends. This is because, despite to protests of her Producer Anne, she usually takes smaller gigs in far away towns, malls and small live houses. This is because Katarina wanted to perform in front of people who can’t easily access or attend live performances outside of the internet, just like her own small town in her previous life. She knew how happy she’d feel if there was an idol performance near her area, so she wanted to share that joy to other people. 
Katarina doesn’t join her friends in doing acting and modeling jobs until much later, when Maria joins their group. 
Anne Shelley acts as Katarina’s fitness instructor, personal health manager, and producer. She was brought into Katarina’s life even before she regained her memories, only exclusively as a health manager recommended to the Claes Family. She ended up taking on more jobs that involves watching over Katarina as the years pass by, as the young girl started gaining more and more interests and hobbies. Katarina wonders how Anne is able to be qualified for so many jobs, but she just sums it up as Anne being amazing! (Katarina: I guess she’s kind of like a maid!... or a babysitter...) Anne was (somehow) able to become a producer in Sorcier Productions and was easily recommended for Katarina due to their history. Anne cares a lot about Katarina in her happiness, and will do anything to support her (both version of her, in fact), so much that she is willing to juggle so many careers in order to stay by her side. 
Katarina has a small farm that she tends to in her free time (since she doesn’t get a lot of job offers in the first place) that is located in the garden grounds near the main office of Sorcier Pro. Her visitors/helpers differ each day, depending on who is available (and who intentionally made themselves available to make sure they can spend as much time as they can with Katarina)
While her friends constantly get fan mail, the delivery man is always wondering why Katarina always specifically gets a small light box. In reality, it’s packages sent by Tom the gardener, from the Claes Mansion, showing her all his new prototypes for the snake toy. While Katarina first started out as making them out of paper before deciding on buying them online, she knew her family would be suspicious and question why she’s making such a purchase, so she was surprised when Tom started joining her in making fake snakes, until the snakes started to look even more realistic than the plastic ones online!
Maria Campbell: A Girl Chosen by Destiny
Since “Maria” is an involved protagonist, she gets to keep her name in the game, with her idol alias being the “username”of the player
Just like in HameFura, the game doesn’t give much on Maria’s actual history. 
The game does have an implied personality for her, being a kind and hardworking girl who puts all her focus on the task at hand. The game implies that she is also a bit introverted, with her personality becoming more open and outgoing as the game progresses (implied through the slight changes in dialogue choices).
She’s a bit of a country bumpkin who moved into the big city in order to experience the world outside her town. She was able to gain a scholarship to a school in the city, and moved alone to stay with her aunt from her father’s side.
Due to her father leaving the family when she was young to due to rumors that she might be the daughter of a different man, Maria’s relationship with her mother is still very strayed. Thanks to these rumors, her father left her and her mother when she was young, and her town heavily criticized the two for the adultery that her mother apparently committed. These rumors stemmed form the fact that even as a child, Maria was beautiful (with clear blue eyes and bright blonde hair, that are in contrast to her mother’s dull eyes and dull hair). While her mother was fare-faced, the appearance that Maria had was usually associated with celebrities or artists, making people believe that Maria didn’t come from her father. Despite Maria’s mother claiming that none of it was true, the rumors got so out of hand that Maria’s father became ashamed of his family, leading him to leave without a word.
In the beginning of the game, she stayed with an Aunt from her father’s side, on the condition that she somehow pays the bills by herself, leading her to want to get a job. 
Maria saw the announcement of Sorcier Production being in need of new staff, so she applied quickly in order to start saving money. Thanks to a set of misunderstandings, she accidentally got the role as a producer, despite her lack of credentials (not knowing that she was the beginning of a big project of SorEn)
Maria is an extremely hardworking person, believing that if she worked hard enough, she will be one day rewarded with the love that she’s always dreamed of receiving.  Fortune Lover makes you think that Maria is naturally able to produce 7 idols, but in reality, it’s at the expense of Maria overworking herself to the bone, with almost no time for herself at all. Sometimes she sleeps in her small desk office instead of the household that she’s paying the bills of, in order to maximize her work hours. She dedicates every second that she has on the four boys, so when they shower her with love and attention, she was able to easily fall in love with them as well (and sadly becomes dependent on their validation as a personal reward for her efforts). 
A month before one of Fortuna’s biggest live performance (or a little bit after Maria joins them as their producer), Maria oversaw the training of another idol who came to her and ask for help (not knowing that she was just trying to get close to Maria to get close with the Fortuna boys). Maria helped her train her dancing and singing, and even memorized her choreography in order to critique her steps. She became too dedicated in helping that idol improve, thinking that the girl wanted to be friends with her. When the event happened, the female idol was hit with bad karma and injured her leg just as the live started, leaving her unable to perform. This causes an uproar among the staff, as the set list was too complicated to change in such short notice. Gerald, who is aware that Maria has been helping their colleague, encourages Maria to take her place since she knew the lyrics and the dance. Thanks to the encouragement of the boys, Maria debuts in front of a huge crowd, gaining instant popularity as the cinderella idol that saved the live event. 
Most of Maria’s job as a producer in arranging the schedules of the boys, staying in contact with their costume designer, staying in contact with their personal composers and lyricists, sorting through job offers, keeping watch of their health, watching them while they practice and accompanying them in their jobs. When she isn’t there to accompany any of them, another producer temporarily takes her place. 
As Maria’s popularity increases, she is given job offers that prevents her from focusing on being a producer. Since the boys are very fond of Maria, they are very encouraging of her desire to become an idol too, and offers to help support her and themselves moving forward. 
The game itself doesn’t make the changes in Maria’s occupation obvious, since Maria’s idol life is only prevalent in the Idol Rhythm Game Mode, but in reality the increase in workload is slowly eating her up (not that she’d let anyone know that)
Maria, as an idol, gets constantly harassed by her peers (especially Katarina) for being a nobody idol who took the spotlight away from them, as well as for being a close ally to Fortuna. A lot of scenes in the story mode is the boys saving her from the harassment (leading to a lot of good CG art that are sold as posters :P)
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Depending on whose romance route you are on, Mary and Sophia start out as very hostile towards Maria, as her existence takes away the attention that their loved ones were supposed to give to them. Sophia warms up the fastest, as Maria’s lack of hostility towards her makes both her and Nicol easily attached. Even after the three starts as unit as Amour, Mary’s relationship with maria is mostly professional, before she slowly warms up to her somewhere near the end of the Alan Romance Route. The three can be considered friends, but they still seemed more like colleagues in the eyes of other people. 
When Katarina meets Maria, she was very surprised to know that the Maria she played as in the game was a more humane person than the game shows up (somehow who isn’t perfect in every way, and works hard and long to be able to provide for both herself and the four boys)
Their meeting and friendship bloomed in the same way as the Otome Game version (because i’m too lazy to jot down every minor difference hgfjsdgf), surprising Katarina that baking hobby that was just mentioned in text or used as a plot device is actually real and flourishing, and is something she actively supported Maria. 
Due to Katarina’s slow popularity gain, and Maria being a novice idol, they usually took and accepted jobs together since they both needed a boost. Instead of the quick burst of popularity that Maria has in the game, this time she wants to take each step slowly with Katarina, with the desire for them to grow at the same time.
Since Katarina is now aware of the hardships that Maria must be facing as both a producer and an idol, this time Katarina and Anne often help Maria with her paperwork and organization. Whenever Maria isn’t there to follow Gerald, Keith, Alan or Nicol, Anne now takes over if she’s available or she’d recommend a colleague that she knows would assist the boys like a pro. 
Katarina insists that Maria doesn’t have to shoulder all her burden alone, and that she has all their friends around to help her and support her as they do with each other. Katarina tells her that it’s okay to ask for help and even offers her hand constantly (wow, Katarina can easily carry all these boxes of documents? My hero~) and Maria takes this lesson to heart.
Even though Maria felt nervous about joining Katarina’s friend group so suddenly, which even includes the very idols that she’s meant to watch over, Katarina was very insistent that Maria’s wonderful and warming presence would let her blend in so easily (Katarina isn’t aware of how the relationships of the characters were like in the original game since she never finished). Maria is eventually able to become friends with everyone, and is easily able to hold conversations with Mary and Sophia without Katarina around. Maria is there to act as a straight man to Mary’s exaggerated attempts at hindering the boy’s time with Katarina, and Maria often acts as an ear to Mary’s gossips about other idols. Maria, while not an avid fan of novels as Sophia and Katarina, can still join conversations about books by asking details, recommendations and insights on books she’s already read. Maria can easily get along with the boys as well, since they are in each other’s presence most of the time due to her role. They don’t hesitate to help Maria whenever they can (despite her resistance), and she’s usually the one who stops the arguments between Gerald and Keith whenever they are in the middle of a job. 
Since Katarina ended p being so attached to Maria, the boys sometimes takes advantage of Maria’s role as a producer to have her work instead of attending to the woman of their affections (of course they feel somewhat bad about it, but it’s better than watching them look so love-struck with each other!) but it ends up backfiring when Katarina lets go of all her activities in favor of assisting Maria with her job as a producer.
Whenever Maria is free, she insists on borrowing the small kitchen in the Office in order to use the small over to bake some pastries and treats for her friends. Katarina constantly endorses the amazingness of Maria’s sweets, and they are both happy whenever their friends compliments the results of Maria’s hard work.
Compared to her work schedule in the game, Maria can now work comfortably as both an idol and a producer, thanks to the support and help of her friends. 
Sirius Dieke: The 5th Love Interest
Sirius Dieke is a non-payable character in Fortune Lover, who usually appears in Gerald and Nicol’s stories and side story events to explain things about the world and the past relationship of the characters.
He is another idol in Sorcier Pro, and is an old friend to Nicol.
In reality, he’s actually a hidden character within the game that can only be playable if you get a Friendship Ending in the first playthrough. Getting a neural ending is already super hard, so Sirius being playable wasn’t revealed until two months after the game initial release. The game is so good at hiding this fact that not even the dataminers were able to find evidence of his existence outside of being an NPC. 
Getting a Sirius Route is only possible in the New Game+ Mode, with story events and side story events dedicated to him alone. He only comes with only one new song though, so people in forums usually don’t recommend going to the Sirius Route in the second playthrough (unless you’re a completionist dgjfd)
There’s also the fact that Sirius’ Route has a completely different tone than the rest of the game. The developers of the game planned on removing his route in their game update, but due to the outcry of his fans, they kept it in, and even included a payed DLC where you can instantly unlock his route on your first playthrough. 
In Sirius’ Route, it’s revealed that he was the son of a former celebrity and one of his maids, and that his real name is Raphael Wolt. His mother quited her job just before he was born. They were ultimately hunted down by Mrs. Dieke, who refused to believe that her husband had a mistress.
Raphael and his mother were kidnapped by people payed by Mrs. Dieke, and as his mother begged for her to spare their lives, Mrs. Dieke’s plans were revealed: Her own son is ill and was slowly dying from an illness, and in her jealousy of Raphael’s strong physique and health, she has decided to take Raphael as her own son, as both him and her original son both looked like their fathers more than their mothers. 
In front of his eyes, Raphael’s mother was murdered in cold blood and Raphael was left to suffer from various degrees of shock therapy and blunt forces to the head in order to forcefully induce amnesia without killing him. He wakes up in the hospital bed with no memories of who he is, and Mrs. Dieke graciously plays the part of a concerned mother who is visiting her own son in order to sell the idea that Raphael is her own. 
In the background, a news headline states that a mother and son was found dead in an abandoned warehouse.
The doctor tells Mrs. Dieke that her son “Sirius” might not recover his memories, and despite the glee in her voice, Mrs. Dieke acts and pretends to be devastated by the news. Unbeknownst to both of them, Sirius did eventually regain his lost memories over time and realizes that the woman claiming to be his mother is in fact the very person who had killed his only family. 
Sirius learns that the reason Mrs. Dieke is so insistent on having a son was to be able to nurture and create a new star that would dazzle the entertainment world, with hopes of being able to live vicariously through her son’s career and success. Feeling disgust and hatred towards the woman that he is now forced to call “mother”, he plans to enact his revenge by destroying the entertainment world from the inside, exposing its ugliness to the world.
Sirius ends up becoming an idol because of the encouragement of his “mother”, leading him to be affiliated with Nicol and Gerald. He had already met them when they were all young, and he even planned to have them as allies in his quest to destroy the entertainment industry, only to find them as disappointingly bright eyed teens when they reunited.  
When Sirius finds out that it was the effect of Maria Campbell, their new producer, he decided to wage war against her for acting as a thorn to his perfect plans. It’s revealed that a lot of the bullying scenarios in the story mode was orchestrated by Sirius himself, in an attempt to get maria to lose her reputation and her job. 
Maria was able to trace back all the incidents to him, and confront him alone in the Office at night, before he left to go home. Sirius laughed and admitted to all of his past and crimes, and mocked Maria for having no proof against him. Instead of condemning him, Maria hugs him while telling him to change his ways. Despite the violent ways that he tries to get Maria off him, she doesn’t let go, trying to convince him that his way of acting in correspondence to his grief is wrong. Sirius cries as Maria spoke sense into him and dissected the flaws in his grand plan, until only the sound of his crying is left in the cold and empty office that day. 
In Hamefura, When Sirius finds out that this was the effect of the “saint” Katarina Claes, he had orchestrated various events that could lead Katarina to being condemned by the public through her supposed “bullying” of the public darling Maria. This plans fails, so he plans on using Maria as a form of blackmail to get Katarina to leave the entertainment world in exchange for her friend’s safety. Maria disappears for a few days, causing her friends to be very worried for her, especially Katarina who is somewhat aware of the events that were occurring. During the search, she was able to find Sirius and tried to engage in some small talk, until she remembered a detail that her old friend Acchan said about a dark and secret love interest. Without any thought, Katarina questioned Sirius about Maria’s disappearance, surprising him with her sudden awareness.
Sirius admits to his crimes, and before Katarina can escape, Sirius hit her on the head so she can lose consciousness, but not before screaming about how he hates her ignorant enthusiasm, how she changed his pawns and made them better people, and how he wont let her take his heart and change him as well before he could enact his revenge, with tears in his eyes. This act leads to Katarina going unconscious for a few days. In this come state, Katarina was able to gain information from her old friend Acchan that she can use to save Sirius and Maria. 
In the abandoned warehouse where “he” and his mother supposedly died, Sirius has Maria locked up, with no plans of letting her escape until he can guarantee that Katarina is out of the picture. He is shocked to find out that Katarina and her friends were able to find both of them; he goes on a rampage about how he wants to destroy the Dieke family and everyone associated with them and the cruel world they have created, before the feeling of despair and fear for his future leads him to almost taking his own life as a final escape. 
Katarina stops him, and tells him that both of them has no future, as a secret love interest and as a villainess, and how she can’t save him the way Maria can. But that if anything else, she can a least stay by his side and take some of the weight off his shoulders, like what her friends have been doing for her since the beginning. Katarina calls him by his real name, Raphael Wolt, leading him to unlocking the final memory that he had lost from his temporary amnesia:
A memory of his mother, in her final moments, telling Raphael that she will always be by his side, and that she wishes for him to have a happy future, even if it wouldn’t have her in it. Katarina’s words made him realize that this wasn’t what his mother would wanted for him, leading him to see the error of his ways. 
In both versions, it ends with Sirius turning himself in and confessing to the crimes of both him and Mrs. Dieke, leading to both of their arrest and the return/resurface of the Wolt Family murder case investigation. Sirius’ contract with Sorcier Entertainment gets terminated, and heavy manipulation of the media was used in order to prevent the story from coming into light. 
Since Raphael lacked any crimes that would have him arrested, he was set free and left the Dieke family as it slowly fell apart from the controversy. He announced that he wants to spend his freedom as himself, but will one day come back to all of them as a better person. 
Without Katarina realizing it, Raphael confesses that his rampage was caused by his fear of his desires for her and her company, and that he was scared that if she continued to open her arms to him in such an easy-going and warm fashion, he would lose all his will to have his revenge on the entertainment industry. Much to the annoyance of Katarina and Raphael’s friends, he takes her hand and promises to come back, to stay by her side, like she had promised to him. 
In the Raphael Ending, Maria and Raphael meets again years later as both were on the way to work. Maria has already left the entertainment business and had no plans of returning, while Raphael became a changed man with a good heart and a steady job. Eventually, Maria was able to fall in love with the good man that Raphael was always meant to be/has become, and Raphael was able to rekindle the love and affection that he felt for Maria when they were still idols together.
Raphael had declared that he will back, better than ever! As an idol? who knows :3c But where will he go from here...?
Fortune Lover 2/Fortune Lover Re:Dive
Spoilers for Volume 3 of Hamefura and beyond, since this is about FL2
I’ve had a bunch of ideas that I’d like for Fortune Lover 2, but I’m not really sure if I want to put it out there because it seems too fanfiction-y in a way?
I feel like my ideas are straying far away from the original version, which disappoints me in a way, but then again, My Idol Game version of Fortune Lover is nothing like the Otome Game counterpart, so I’ll still write about it. 
If you like the premise for an Idol Game style Fortune Lover, then feel free to just absorb the content above because for (my version of) Fortune Lover 2 to happen, Katarina will still get her bad end: Public Humiliation and Self-Banishment. I’ll save how it happens in part 4 
In Fortune Lover 2, there would be 3 new produce-able idols, but in My Next Life as an Idol, there will be 5 new idols:
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this is what i meant when I said the plot is gonna feel like a fanfiction :DD
Fortune Lover 2 isn’t really a sequel, as it is like a bulkier and softly rewritten version of FL, like how Persona 3/4/5 remakes are to their original games.
FL2 introduces a new Idol Agency that is affiliated with Sorcier Entertainment: Mahouka Production (also known as MahoPro), a recently established talent agency created by a mysterious Director. Despite being new, they were able to quickly gain a following through the eccentric idols in their line-up.
With a longer story, halfway through the game you start being introduced to three new male idols: Sora Smith, Cyrus Lanchester and Dewey Percy. They are idols that are under MahoPro, who dislikes the idols of SorPro and claims to be their rivals.
They start out as rival characters in the game, taunting you (Maria) and the idols of Fortuna constantly for a few chapters. Some time after your initial introduction, you slowly get to know the boys, until you’re finally able to gain their trust. You can then start to secretly “produce” them without their Director knowing (just like Shika from IM@S Stella Stage), which leads to gaining events, scenes, idol clothes, songs and CGs of the three new boys.
As the new character gets introduced later into the story mode, they are more of an optional route, as the game still prioritizes the original 4 boys over the new cast. You can still “romance” the 3 new characters, but since they are introduced late, it can only be done at the expense of focusing on them almost exclusively during story events and side stories so that you can quickly gain Relationship Points for them.
So basically, halfway through the game, you have the option to produce 11 idols: Yourself (Maria), Gerald, Alan, Keith, Nicol, Mary, Sophia, Raphael, Sora, Dewey and Cyrus. The first 5 being obligatory, while the last 6 are optional
Rufus Smith (or “Sora”, as he reveals to you his real name during the story) is new idol in MahoPro who was able to quickly gain a female following due to his attractive figure and maxed-out sex appeal. Many compare him to Nicol Ascart due to the fact that he is slowly taking a lot of his jobs (or works alongside him at times) due to his handsome face. While both of them are handsome models, the public is aware that there is no point in pining the two against each other since their beauty works in different ways.
In the story (and as hinted in a few side story events), he was a slum rat who didn’t have much for himself. One day, he met a man who had join him and his fellow slum dwellers into their territory, a man by the name of David. The man was able to give Sora a new perspective on life, his new name, as well as how to sing. After David died, he wandered around the country, doing dirty jobs for shady adults for money. A few years later, we was caught singing in the streets by a man who offered to take care of him and cultivate him as an idol at the age of 13, complimenting him for his beauty and his singing. While Sora rejected the offer, the man’s words never left his mind. He started out by singing in the street for change, then getting singing jobs at cafes/live houses/restaurants for money, until he suddenly got a small following as an underground idol. The Director of MahoPro offers a place for Sora, alongside with giving him jobs as a full-fledged idol that can help him provide for himself, leading him to be affiliated with Sorcier Entertainment. 
Sora starts out having a rather sarcastic relationship with Maria, thinking that she is one of the many women who throws themselves at him to get his attention. He always gives her back handed compliments as always has a vicious tone when speaking. As the story progresses, Sora realizes that Maria isn’t disgusted by his history, and realized that Maria is truly a good and kind person. Sora starts to unconsciously seek her out, trying to reverse the bad impression that he must have left on her and to be with someone who doesn’t look at him lowly, like the other adults and idols of SorEn who dislikes people that aren’t of celebrity-upbringing.
Dewey Percy is a young idol that auditioned for Sorcier Pro. and won, but was rejected at the last minute in favor of a less talented wannabe-idol who was related to a famous actor. The Director of MahoPro came to Dewey with an offer as an idol, acknowledging his talents in music and dancing that he evidently have been polishing for years. In his town, Dewey was known as a Music Prodigy, as he was talented in singing, dancing, acting and playing instruments, though that’s not to say that those weren’t the effects of his own hard work. Because his family wasn’t the absolute best financially, he decided to audition as an idol in order to get jobs despite being young.
Dewey is revealed to be somewhat of a childhood friend to Maria, as he lived in the same town as her. Despite this, he is very wary of her due to the bad impressions left on his by Sorcier Pro. after he almost lost his chance at becoming an idol. Dewey absolutely hated asking for help, even when it was draining him down. He is very desperate to keep his title as a music prodigy, even though he knows it’ll be drowned once he’s in a battlefield of idols. (Also he tries very desperately to be seen as a mature and hot idol, despite his youth and appearance giving him a cute one instead lol) 
Maria realizes how hard Dewey is pushing himself, and convinces him over multiple instances that he doesn’t need to be hard on himself and suffer alone. Maria offers herself as a shoulder to lean on, making Dewey embarrassed but happy at the idea that he can finally have someone to rely on, and that he doesn’t need to be alone anymore. They were also able to bond about their similar upbringing, making Dewey feel at home in the arms of Maria despite being miles away from their town. 
Cyrus Lanchester is an idol from a different agency, who was transferred to MahoPro by the time the events of the game began. He has a very strict personality, and is an overall perfectionist as an idol. He was let go from his original Agency because his strictness and tendency to scold his fellow idols caused his peers (who are a bunch of lazy and stuck up children of celebrities) to take him out because they didn’t vibe with his attitude. Before his original producer was able to tell him that he was done as an idol, the Director of MahoPro offered a place for him in their new agency. 
While being grateful to the Director for taking him in, he does not hold back in letting everyone know about his distaste for their odd Director. While is he very talented as an idol, he is just using it as a chance to learn more about the industry and gain connections that he can use to be a part of it in the near future. 
While he doesn’t start as wary of Maria as his fellow male idols, he insist on keeping distance with her due to the fact that they are of different agencies, as well as the fact that he is not good at dealing with women.
Notes
(I’ll have to rewrite Cyrus and Dewey’s descriptions after Volume 7 comes out, since I don’t have much to work with. I’ll add the Sora, Cyrus and Dewey endings in the edit as well.)
I know some part of Maria and Sirius’ backstory doesn’t make any sense but just use your imagination lol hgjgfjsfgd
More about Katarina, the silhouettes, the Director, and how it affects the story on the next part :DD my fingers really hurt from all this typing hgjsdgfjs
If ever i’m dissatisfied with what I have here and end up changing things, don’t be surprised jhfjshdgfs
Next Part is gonna be plot points that I want for this AU and a bit of FL2, so sorry if the next one might not be that exciting fsjhgfjsd
feedback and suggestions are very much appreciated! Thank you to the few people who are interested in this AU :DD
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hellishvu · 5 years
Text
Imagine BTS (maknae line): when they are inexperienced with luv
— this SHIT IS SO CUTE, TELL ME WHY IM CRYING but while i have a massive breakdown i also wanted to kinda experiment with texts/media in my imagines because they are rlly rlly fun to make!! also there is one sex joke in this, obviously it’s not meant to be taken serious just for a giggle.
Park Jimin: ˚✧₊⁎
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Jimin had a mission, he bought the empty scrapbook and the obnoxious amount of crafting paper full of floral prints and poke a dots. The amount of glue on his hands when you two had a first, it was... uh annoying but the final product was always worth it.
Like that one time you two went on a date, for the first time. He pulled out his old dusty Polaroid camera that he bought on instinct. You squeezed his hand walking down the streets of his hometown. Pointing out things you’ve never knew were there, while Jimin took photos of you pointing them out seeing your bright smile. That page was filled of purple themes and the receipts of the snacks you two bought together.
Or like that one time when you kissed him on the side of the beach that you drove hours just to get to. Jimin dropped his camera when you pulled him close to you pressing your lips against his, slowly closing his eyes before wrapping his arms around you letting just one tear spill from his eyes. The page was filled of sea shells he got from the beach, the photos of the ocean waves and you posing with him as you took the photo.
There was a time when you made him a playlist of songs that reminded you of him, and dear god he cherished that playlist like it was the only playlist that existed in the world. The small giggles and the flustered Jimin as he heard lyrics. Since there wasn’t room on the page to fit in all the songs, he picked his favorite songs and the lyric that made his stomach fill with butterflies.
This scrapbook was a one time thing, he simply can’t imagine doing it for anyone else. You were his first and maybe this was creepy he thought. Just recording all of the memories together, maybe you thought he couldn’t live in the moment that he always had to record but that ended quickly when you sent him a video edit of you recording him. Jimin tears up when he recognized the song instantly, the one being on the playlist.
The videos were filled of kisses, whining from Jimin, him kissing your cheek, full of mukbang moments of him shoving his mouth before blushing when he saw you recording, and when you caught Jimin looking around vulnerable was the word to describe what he looked like. It was almost a month since you two started dating but there was already so many first’s.
Of course there were first’s that were a bit scary, like going to his concert for the first time. Holy shit the amount of people and you got special tickets to the front of the stage. Seeing so many people cheer on your boyfriend and the members, I mean he told you he was famous but not worldwide! The adventure of just buying a lightstick that Jimin said was important to get, so waiting in line for 3 hours to get a lightstick was just the beginning.
Of course Jimin said he would pay for everything you just needed to say the special word to the cashier and they will bill it to him. Of course you bought... all the available Jimin merch possible just to show your support to him.
After the concert you waited till you got escorted to the back of the stage seeing Jimin sweating, you gave him your water bottle seeing he needed it way more than you did. You pulled him into a hug being the most proud boyfriend in the entire universe. All of the members could see just by the little interactions that you two were made for each other. 
“Scrap booking will have to wait for tomorrow or the next few days till I can feel my legs again.” Jimin chuckled seeing your little Jimin fan and Jimin poster peeking out of your clear bag. Jimin widen his eyes seeing the legendary scrapbook in your bag, disguising it with a blanket.
“Thought you might want to take this with you while on tour.” You smiled giving it to him seeing him frown already missing you even though he hasn’t left.
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Kim Taehyung: ˚✧₊⁎
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Taehyung got the courage from many of his members to ask you out. He pulled you away for a second while you were on a break at work. You questioned what he was doing here because he hadn’t talked to you since forever.
The reason for the distance was because one night while you two were out, drinks were being shared and intoxication was a main part of the event. Next thing Taehyung knows he woke up next to you in shock. Taehyung did like you like... a lot but this wasn’t the way he wanted to confess to you while he vomited his guts out on the toilet seat. So he left and he thought you two ever being a couple was history now. Distancing himself even though all of his members told him to just talk to you but he ignored their advice till he saw you with another guy. In reality you two were just friends but Taehyung’s head was like a ping pong machines with the possibility of you and that guy.
“Taehyung what are you doing here?” You asked still having your cheesy work uniform. You could see the nervousness on his entire face and body posture. “Here we can go in the back if you want.” You pulling him behind your workplace to get some privacy. Taehyung paced around you making you dizzy trying to keep up with him.
“Okay, uh- You’re gorgeous. No. Wait I mean you are but that’s not what i’m trying to say.” Taehyung sighs covering his eyes feeling the heat rise up.
“I like you! I want to do all those couple things, I want to kiss you, I want to hug you all the time, and I want you to be my boyfriend.” Taehyung quickly releases all his built up feelings.
“Yeah I want that too.”
“And I know that like I left you on seen in life when we hooked u- Wait you feel the same?” Taehyung jumped up his poor heart bouncing all around.
“Yes, I’ve liked you since you brought me to your concert. I want to be your boyfriend.” Taehyung gasps out, remembering how long ago that was. You two were like jumping through hurdles, trying to see who would confess first.
“I can get someone to cover my shift if you want to go out and get some ramen.” You smiled. Taehyung nodding, you left to tell your boss while Taehyung was spamming the group chat of how he has a boyfriend finally.
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“Well I got an okay! Let’s go even though I smell like smoothies and organic fruits.” You chuckled queuing for Taehyung to walk with you to your car.
You two walked in but before that you had to adjust your outfit and your hair wanting to look nicer for Taehyung since this is the first date. You and Taehyung sat a booth looking at each other. To strangers you two already looked like a couple for years rather than minutes. The waiter came around snapping both of you two out of luv world.
“Yes, I would like to order pho and for my boyfriend he would like ramen.” Taehyung said eyeing you, seeing your massive grin. You could get used to being showed off, maybe Taehyung already was the one, it felt like it in your soul.
Jeon Jungkook: ˚✧₊⁎
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Jungkook finally got time in his schedule to have a sleepover at your house, Jungkook would love if you could meet the members but he felt that it was too early for you to meet them. He didn’t want to overwhelm you with meeting so many important people in his life. You were excited to have your very first sleepover with him, to be able to see him in a more vulnerable state was all you could think about.
The way you thought about him sleeping next to you, feeling his heartbeat when you pull him closer just so you can feel his body next to yours. You were his first boyfriend, just asking him out was an adventure itself because Jungkook spent much of his time conflicting with himself when he said yes then no... then back to yes. It was scary for Jungkook as dating anyone in general of gender he always questioned what would happen? I think he thought his sweaty hands, stuttering sentences, and blushing moments were just because he thought he wasn’t comfortable with you but that theory was shut down quickly because he knew he that was wrong.
Jungkook knocked on the door but you knew that someday Jungkook would just enter as he pleases being completely comfortable with you. You walked to the peephole to see Jungkook with his pajamas already on, but he hide himself with a black hoodie that was probably two size larger than regular. Seeing a massive army bag behind him that was the size of him.
You unlocked the door opening it to see Jungkook looking around before he noticed that you opened the door. Jungkook smiles widely walking in, giving you a hug. You had trouble hugging him back due to his bag that looked like he filled it with his entire house.
“What do you have in there Kook?” You asked making Jungkook look at the bag before setting it down on the ground, sitting on one of your armchairs basically opening the pandora’s box which would be his backpack.
“So I brought many things such as movies, clothes, snacks, and board games.” Jungkook pulling out each item showing it off before setting it down on the coffee table.
You had netflix but you didn’t tell him since he brought such a wide collection of anime love movies to horror movies. You smiled seeing the many changes of clothes wondering if he was going to spend more than one night with you.
“Wait board games?”
“Yeah! Like Jenga, Twister, and Life! I also brought pillows, blankets, and condoms-” You choked on the glass of water that you were drinking when Jungkook had mentioned the last part. Jungkook looked up in concern seeing you in a coughing fit.
“Condoms- Jungkook we- We’ve been dating for 2 weeks-” You said in between the coughs. Jungkook looking up wondering if this a thing couples do. Maybe you were his first romantic interest ever. I mean he told you, you are his first boyfriend but you never thought his first first romantic relationship.
“Yeah but I didn’t know when that comes to play.” Jungkook explained pulling out more boxes of condoms making your face heat up, trying to cover them. You felt exposed even though no one was in the room besides you two.
“Okay Kook, we aren’t going to do that tonight. You will know when the time is right, but just because we both are guys doesn’t mean we are going to go at like rabbits every second.” You explained to him holding his hand, you saw that he also heated up realizing that maybe he was jumping the gun with that. I mean he wasn’t forcing the intimate moment onto you he was just purely confused and you could tell just by his face. Jungkook learned that he was fine with kissing and holding hands, that is all he needed in his life. 
“Also why is there 6 boxes of them?!”
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kingofthewilderwest · 6 years
Note
it kinda bugs me how they cant make httyd3 longer just so they can emphasize the story in a deeper meaning, like your post abt it being disproportionate. httyd3 had a LOT more plot than httyd2 and we can already see how it has to cramp so much and why that makes D2's pace felt pretty fast. the structure of the story is actually well planned.. perfect, to be exact! but the execution like putting pauses, necessary humor, longer dialogue, is whats needed to make it um, understandable? im not sure..
this isnt meant to judge the movie as bad though! but its a question ive been asking why they cant do it longer, for that sake. is it the budget? was Dean really certain the script is okay? or is it meant to be like this so people can interpret the movie their way? (oof that one is confusing).. i dont know, i want to ask about your thoughts on that >
From this.
It’s an interesting conversation for sure! I believe that THW doesn’t have to be longer to be extremely successful in the ideas it needs to convey! The core ideas being:
Toothless cannot be a wild dragon and strong alpha leader with humans. Other dragons probably deserve the respect of needing wild dragon needs, too.
Humans like Grimmel are extremely dangerous to dragons and will continue to arise, so dragons need to go to an area separate from humans to live in optimal peace.
Hiccup and Toothless’ powerful friendship will separate (insofar as physical location) due to the first two points
I know you’re not the only person I’ve talked to who wanted a longer time because you feel like certain elements were cramped, needed more breathing room, or that dangerous plot points didn’t get enough sense of weight. More time would presumably give that flow and sense of scale and danger. Now, it’s true that more time would give us more content to develop these things. That said, I believe solutions aren’t always “add more.” Creating good art isn’t about adding new things; it’s about knowing when to take away or alter, and how to make every second of your creation count optimally.
I remember when I was doing my music composition degree, my instructors hammered into me what would make a good final piece: the editing process of deleting measures - even measures that were really good! - because they didn’t fit what the final product needed. It’s painful to delete, but ultimately, it’s freeing; instead of making a music piece more cluttered to put all possible good ideas in, I can make it less cluttered, more manageable, more beautiful, more meaningful, and more effective to audiences. A better overall piece isn’t putting in every good idea I have; it’s leaving the piece with the beautiful ideas it needs.
I suggest The Hidden World doesn’t need added materials so much as it needs refining what’s already there.
Budget, production green lighting, and carefulness to the script all seem to have been done. HTTYD 3 was given a longer production time than originally planned. They pushed back the date exactly so they could make their best product. Interviews with people like DeBlois and Spielberg (who read several definitions of the script) talk about how much the script was transformed and bettered through its drafts. They did enough tweaking and care to rework the script. As for budget, the movie was 129 million USD, which sure was the cheapest of the HTTYD trilogy to create, but it’s about on par with what DreamWorks has spent on other movies like Home and Trolls - it’s not like there was skimping - and it’s all about making your money count, which I think this glorious, top notch animation quality film effectively did. So from what I’ve heard, I think production ran fine and we can’t question THW there.
I think most of THW’s problems can be solved simply by tweaking how scenes go down, taking a few small elements out, and adding a few small elements in. It doesn’t need time changes; it needs internal modifications to what’s already there. What I propose wouldn’t change much of the movie’s length - though maybe I we could add 5-8 minutes for things like a longer climax.
1. To Feel Less “Cluttered” or “Rushed”
The movie didn’t feel rushed to me or too cluttered, but it’s cluttered. You’re right. In addition to creating less clutter, my suggested tweaks will clear up time THW can spend elsewhere, streamline THW into fewer palatable essential ideas, and give a slight tone makeover that will add more sense of danger and conflict that THW needs.
Fewer humor side gags with minor characters (and less time spent on them). The gang’s antics are fun additions, yes, but that doesn’t mean they’re central to what the plot needs. Spending too much time with them adds clutter and takes away from plot-central, tone-central material. There’s a huge gaggle of gags in THW, more than any movie needs in a less-than-two-hour-long run time. Do we need all these to give THW its comic relief? Don’t get me wrong - I loved the humor - but time needs to be prioritized, and the movie will be improved once “less is more.”
Less time with Tuffnut’s pep talks. This goes with my first point. This comedic gag was lengthy in particular. It’s in part because it connects to the idea of Hiccstrid marrying, which THW does make more central in its themes. However, I also propose:
Spend less time (or delete) the will-they won’t-they marry Hiccstrid plot. THW intends to parallel Hiccup and Toothless maturing into adulthood, including their romantic connections. However, a will-they won’t-they marry subplot in Hiccstrid isn’t needed to create that parallel. Not to mention: it can be uncomfortable to have this undertone of romance as “required” adulthood maturation, and the fact that Hiccstrid are so close and intimate makes it feel “off” that they’re so uncomfortable talking about marriage. Spend less time here, simply make fans aware they’re going to marry in the future but not today, and return to the main relationships THW needs to pay attention to: that of Hicctooth and Nightlight. 
2. To Make Grimmel a Greater Sense of Threat
One of the central points is that Grimmel is extremely dangerous and represents one of many humans that’ll continue to be a threat to dragons. While Grimmel can be overcome, Hiccup will need to interact with Grimmel in such a way he can understand that dragons and humans cannot coexist in today’s civilization without continuing to risk danger, and that it’s best for everyone to live happily in two separate civilizations. It’s not being defeated by the enemy’s oppression, but taking a brilliant countermeasure to give humans and dragons both a better existence.
Making Grimmel feel like a greater sense of threat, and helping audience members understand what Grimmel represents overarchingly of humanity’s current antagonistic state, will help us and Hiccup process why a separation is best. This can be done by:
Show Grimmel’s impact on human society. All we’d have to do is change what his base looks like: it could be located in an area taken over from another human civilization, showing his army’s power and place in this world over humans.
Greater weight placed on Berk’s exodus. The Hooligans lost their home, but it’s played too lightly. It’s not written optimally as an emotionally impacting or destabilizing moment, which decreases the sense of threat Grimmel has. Instead of having the Hooligans excited to find New Berk, show them grieving. They can butt against Hiccup’s ideas of finding the Hidden World, but instead in a way where they’re frustrated at his naive solution and hurt at what they left behind. This isn’t adding time to THW; this is tweaking phraseology and presenting an event differently.
Change how Berk is abandoned. To make the attack feel more dire, threatening, either: 1. Have the Hooligans more reluctant and grumpy to leave in the town meeting, and not play the leaving scene so lightly, or 2. Have Grimmel chase them out of Berk so they have to flee then and there. This might even reduce time! 
Show Grimmel’s power over dragons. We could have a few-second-long flashback of him standing over a field of dead Night Fury bodies, or have his place cloaked in dragon skins or skulls. 
Show Grimmel’s power as a warlord. Grimmel acts in almost a solo fashion, despite cooperating with warlords and having an army. It doesn’t give us a good sense of scale. Show his interactions better with the whole of his forces to make him feel more dangerous, and for humanity as a whole to feel more like a threat against dragons. For example, in the scenes where he’s trying to trap the dragon riders, show him commanding more people.
Show Grimmel’s impact on the dragon (and/or human worlds) through landscape. What if, as the Hairy Hooligans try to find a new place to stay, they fly over several islands that have been destroyed by Grimmel’s forces? Either human civilizations, or homes once havens to dragons, with characters making comment they “hope” people got away. And what if, when Grimmel takes their dragons near the end of THW, it’s again through more violence and a raid and fire and destruction? 
Conversations more clearly talk about Grimmel’s dangers over dragons and humans, and how he’s one of many people that’ll arise. This idea is embedded in THW dialogue, but not clearly enough to fully grasp its weight, especially not in the sense we see characters grasp this. Have Hiccup and Astrid and Valka or something talk about how widely destructive Grimmel is, how even once he’s gone another man like him will take his place, and that while they may continue to fight and win for human and dragonkind, it’s ultimately not the right move to make for everyone to live safest and alive. A conversation laying this out makes a world of difference in our understanding of what dangers are going down and why we need to come to the solution THW concludes with. Again, this isn’t adding time; it’s changing phraseology. 
Add a few minutes to the climax. Make the final fight with Grimmel obviously the final fight, the threat bigger, the action more intense.
Perhaps show that Berk’s done good work changing the world by their choices. Even though Berk ultimately decides to let the dragons go, they are meant to be the voice of peace that changes their world. The good guys can’t resign to letting themselves live under the thumb of bad guys’ choices. Show that they’ve made a difference - Grimmel and his armies are gone and the world is regrowing (no more torched landscape, if we add that element in) - but that it’s still going to help their world by letting dragons go, too… for this generation, at least.
3. To Make Hiccup and Toothless’ Parting Jive Better
Hiccup and Toothless separate out of need - they can’t live in the same place for the better of both their kinds. However, since the movie spends so much time on Toothless chasing after the Light Fury, we don’t get that full sense of need. I propose:
Open THW with a clear Hicctooth sappy bonding moment. We need things like “Forbidden Friendship” and “Where No One Goes” to feel the power of Hicctooth’s love. Give us that starting sense in THW of how close they are before adding in the complications. It can even be done by tweaking how the opening fight scene goes down.
Show dragons profiting by living with humans, but it also being Complicated with their wild side. We need to acknowledge that the relationship between humans and dragons has done the dragons good, too! Otherwise it might feel incongruous with the rest of the franchise.
Show dragons being unfit in the urban area through their own restlessness. The movie tries to show this with Moosie Boi being too big for Berk, and Berk being so crowded with dragons Gobber finds the soup unsanitary. But if we see Stormfly restless and want to leave for the Hidden World, too, wouldn’t this say something more about where dragons are pulled to and belong?
Less time spent on Toothless investigating the Night Fury. You can’t cut this down too much or we’ll feel like rushing, but since THW focuses so much on just Toothless and the Light Fury’s connection rather than an overarching problem for dragons, it’s hard to feel the full-scale issues of the problem. Making it just him and her feels more like a hook up love story than “dragons and humans are incompatible for their needs.”
Change Toothless’ body language. Show more emotional division in Toothless about his conflicting options. Show him hesitant to leave Hiccup and the two interact over that. Show him lonely away from his kind when with Hooligans. Show him feeling that loneliness met - that deep emotional need of being with his own species - when he’d thought was lost to him (rather than focusing on it being a romantic hookup interest). This doesn’t take more time; it tweaks what was already given on screen.
Change Toothless’ emotions with the Light Fury to feel more like loneliness being met than horny boi practicing kissing with a rock. This does a better job of showing that Toothless has a deep need that needs to be met as a wild animal and as a social draconic species.
Change conversations Hiccup has with humans about Toothless’ struggle. Maybe have Hiccup processing less with people and more by himself or with Toothless. Don’t write the conversations with people be about “Toothless has a girlfriend” and “of course he left.” Discuss instead how Night Furies are social creatures and Toothless hasn’t been with his kind in six years - that’s a huge hole in his heart being filled. Validate the deep connection Hiccup and Toothless have, while simultaneously acknowledging the struggle of this moment now. The movie shows that the Light Fury can never be domesticated, so I think that’s fine, but maybe one line from Astrid saying, “I don’t think she’ll come to live with us,” would be enough to help other audience members pick that up too.
More time spent on all dragons being in danger, and Toothless as an alpha unable to protect them with Hairy Hooligans. The story doesn’t show Toothless being much of an alpha - intentional - until he reaches the Hidden World and it clicks. But I suggest it’d be more effective to pull this out more than having an issue with Moose Boi taking up too much space in Berk, and Berk being so crowded Gobber has a dragon in his soup.
Put more of a deal on Toothless being an alpha. You can say that Toothless didn’t understand or use his role as alpha when with humans, but I think showing more sense of conflict, and of an alpha needing to be wild to protect his own, would be useful. Make this an issue for all dragons. The alpha status being used as a blackmail device against Toothless to keep the Light Fury alive could be replaced with us seeing the full species of dragonkind being unable to be protected by an alpha apart from his own people. More needs to be done than dragons bowing to him in one scene to understand what the alpha does for his society.
Show Toothless with more Light Furies. The Light Fury being his singular focus is great. But what about, in the Hidden World, Hiccup and Astrid watch Toothless interacting with a whole group of Night Furies, and he’s clearly in a situation that was Made For Him?
THW already has great content in there - Toothless and the Light Fury interacting, Hiccup crying when he realizes Toothless is fit in the Hidden World, Hiccup freaking out and Astrid comforting him when he feels a low, and Hiccup and Toothless parting ways touchingly at the end.
With these proposed tweaks, we get Toothless and Hiccup’s relationship being addressed deeply from the angle of both friends. We understand what both Toothless and Hiccup emotionally feel, and palatably sense how both love the other. We get a sense that Toothless is attracted to the Light Fury and might want to mate, but that she’s also calling him into a wild life and reminding him that he’s been alone, separated from his kind. We get a sense that it’s not just Toothless, but all dragons who might be called back to the Hidden World. We get a sense that it’s not just Toothless, but his whole role as alpha affecting the entirety of dragonkind.
And once we add in a greater sense of Grimmel being dangerous, and that more humans like him will continue to rise up, we can understand why Berk would release all their dragons. It’s not that dragons hate living with humans - THW can make that clear - and it’s not that dragons haven’t been profited by living with humans. But in the current call, the current situation, it’s best to go to the Hidden World.
I’m mostly tweaking how scenes go down, changing lines and reactions rather than adding material. Feel free to propose a longer movie! For me, THW already has enough space to share its message. Maybe it needed to be a few minutes longer, but I suppose my own sense is that they had enough time to budget in this material, make a smooth-flowing movie with all the material they needed to present, and come away with an astounding storyline.
Like you, this isn’t meant to judge the movie as bad! It isn’t bad! It’s downright wonderful in many aspects. I’m so happy I’ve seen it and can scream over it! Simply, if I were in charge of tweaking the script, these are the first alterations I’d make, and I think it would make THW even better.
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flandesuka · 6 years
Note
Yo you should answer all of these scene questions👀👀
:OOO
you think so lad???? shit dawg i was thinkin just a few at a time but if that what u want my dear nonnie i will supply
1. wats ur scene name?
i was thinkin maybe ‘gods mistake’ would be a good one but then. i found a way to make it both danganronpa related, and, even better, a fucking pun as well. ‘kamukura kamukura jasqueen’, or just ‘kamukura jasqueen’ for short is good k thxxx
2. describe ur dream outfit!
oooo gosh this ones trickyy!! there are so many good outfits out there, especially in the scene community!! but it’d have to have a few tiny elements of dr cosplay to add a lil of my dangan-weeb culture in there ofc! more specifically, id really love to get one of kazuichis jumpsuit and just wig out and add shit like this just because i could:
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(id just rlly love going out in all those glowy/shiny things at night like all that haha..and yes the shoes would probably kill me/my fuckin feet if i tried to walk in them but shut up i love them theyre cute as fuck)
3. describe ur dream haircut!
oo another tricky one!! i do like my regular hair, and honestly id be lying if i said i didnt love ibuki’s hairdo too but id defs have to go with something like this!!
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yaaaassss, so pretty and spikeeeey! maybe id dye my natural hair colour black and/or add some funky colours if i ever actually got this style down!
4. describe ur dream room!
i have a lot of ideas for dream bedrooms actually, but heres a visual image of one of them i found!!!
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MIKU ROOM MIKU ROOM MIKU ROOM MIKU ROOM
(this specific idea arose mainly just for the aesthetic but i also find it super cute and a good environment to be in general hhhnnggg)
5. if u could make anything out of kandi, wat would u make?
oh you mean those colourful beads and bracelet things??? i love those man!!! theyre so visually appealing to me aaaaa…id probably just make a fuck-ton of those and most probably use the little letter beads to say random words/phrases like ‘aubergine’ and ‘despacito’ knowing my shitposter self lmaooo! id definitely make a sansmaeda themed one too thoo fr
6. wat would u write on ur shoez?
it’d probably range from things like a simple kaomoji doodle to something randum and stupid like ‘seesaw’ bc yes asjnd
7. wat kinda piercingz/tattooz do u hav/want?
i dont think i rlly want any real piercings (at least not atm) but id totally go for those fake stick-on gemstone lookin’ ones! and as for tattoos, i cant rlly see myself gettin one of those rn either, but id want something like a mario power-up, preferably the bell one/cat suit powerup!!! its my favorite powerup and its sooo cute!!!
8. fave genrez?
i dont rlly have a specific genre, i like most kinds of music, but i rlly like energetic music that i can dance tooo!!! >w
9. fave bandz?
im a big fan of gorillaz and botdf!!! i like p!atd as well but havent listened to it in a while.. gatta catch up loool
10. fave songz?
my favs alternate a lot, but atm im super into ‘slow dancing in the dark’ by joji!!! so much emotiooon quq…also rlly hooked on botdf and jefree star’s ‘sexting’ tooo lmaooo
11. fave lyricz?
‘The world keeps spinning Among this sinning Oh what a cruel and disgusting place The purest moonlight Is bloodied by plight And screaming resonants But somehow I know That it’s all for show The world will reveal it’s true beauty soon And we’ll all reach towards the moon ‘
its so deep but its from a fucking kaito momota fansong and i love that asnkjdnefe
12. hav u evr been to a concert?
not in a damn long while my lad,, rip australians not havin many artists they like from other countries tour there ;-;
13. do u wanna be in a band?
ive always thought thatd be pretty cool ngl!!! tourin around with ur bandmate friends, makin awesome fuckin tunes, people lovin u and ur music, just livin the dream in general,, nice
14. wats da best soda/energy drink flavour?
havent rlly had any as of rn  my lad so i wouldnt know :/
15. wat do u miss most abt old internet?
i loved that we could all just be ourselves and act like the kids we are inside without bein reprimanded at all.. it aint rlly that much of an issue for me but i still think itd be a lot nicer if it was like that again sometimes,,
16. wats da best old meme?
ooohhh there are so many i still miss man! numa numa ermagerd and doge still remind me of the glory days…when old animeme was good and you could still haz ur cheezburgers in peace. also rage comics! rage comics were good what happened
17. best place 2 buy clothez?
i dont think theres any hot topics in australia but if there is. i will hunt it down you hear me
18. wat r ur fave accessoriez?
OH THERES SO MANY GOOD ONES??? as i stated b4 i rly love kandi bracelets and other glowy/led things!!! also rlly love ties with cute and fun patterns and long colourful and/or ripped socks like ibuki’s too hehe
19. wats ur best tip fr ppl that just got into scenecore?
im not rlly the best at advice, but my main point would be-just hav fun here dudes!!! dont let anyone else bulli u abt it, we’re supportive people, u can talk to me or anyone else whos willin to listen an/or help for reassurance ofc
20. opinion on furbiez?
oOH MY GOD YES. FURBIES. MY BABIES I WANT 10 OF THESE CHILDREN…I ACTUALLY HAVE A FURBY HE LIKES SLEEPING IN HIS SPECIAL DRAWER AND HIS NAME IS TINGLE I ADORE HIM I’LL POST A OF PICTURE LATER MAYBE
21. opinion on funko popz?
i like em and ive seen lots at eb games, but i dont buy em much..i do have a megaman pop with a broken arm tho loool
22. wats ur fave pattern? (zebra/leopard print etc)
i looove a lot of patterns but not gonna lie im always a sucker for rainbow checkerboard patterns yknow hehe!
23. fave color combo?
i dont have one rlly…soooo many possible comboooos…cx
24. sumthing u liked as a kid dat u still like?
im still going on girlsgogames and recently, ive finally mastered sues beauty machine!!!! its so good and fun all of ya’ll should try it my dudeeees
25. wats ur most used emoticon? 0w0
as most of ya’ll probs alredy know i spam ‘:O’ a lot, but one of my bigger favs is actually ‘x3′ and my fav kaomoji is ‘ଘ(੭ˊ꒳​ˋ)੭✧’ (both of them are so kyooot >w
26. wats ur fav typin quirk?
i luv talkin like dis, but i dont rly do it that often loool…i awso wuv tawking in ‘owo’ speak wike dis >//w//>
27. do u wish ur fllwrz talked 2 u moar?
hellz yeaaa!!! i luv followr interaction my dudee! it makes me super happi when u all talk to me heehee! x3c
28. tag ur fave scene blawgz!
:O !!! oh gawd!!! i dont know many atm but heeereee!
@xxadam-antidotexx (op of the ask meme)
@glitchkichi (not sure if this counts but their stuff’s rlly cool >v
@otonashi-banana (scene boyf…wuv im more than anythin >///w///>
29. wat got u into scenecore?
i dont remember exactly how it happened but i’d always sorta wanted to go back to the glory days that was the old web and the scene era, and that, coupled with a bright, colourful aesthetic that i could really enjoy, drew me in like a moth to a neon colored flame ig looollll
30. how long hav u been scene?
i’ve only been officially apart of the community for about a few months now (at time of writing) i reckon so some things are still a lil new to me ig ^^;;
31. wats da best thing abt being scene?
the freedom of bein able to express myself 4 one thing, and its just so fun being so ‘out-there’ yknow???? it feels so great really
32. do u hav a fursona?
i…actually used to but ive moved on from the furry fandom and ive grown more attached to my human sona anyway sooo :/
33. r u in sum “cringy” fandomz?
YEA man!! i dont rlly think dr is inherently considered ‘cringey’ but undertale is and im in that one for sure!!! i also kinda technically never left the skylanders fandom(?) so theres that too ig??? oh yeah and who wants to let me draw my old moshi monsters characters COWARDS
34. do u liek plushiez?
YASSSS QUEEEN!!!! i have HEAPS of them in my room on my desk with my gonta shrine
35. do u liek stickerz?
also a big yaaassss from me dawggg!!! i love them and i love those ones that you stick on your fase like this!
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its so cuuute!!!
36. do u hav a friendproject?
i dont, not at the moment a least, actually! didnt even know what it was til recently but it looks kewl haha
37. do u hav any other scene account?
well, i haz this one, and i also have an emowire account for shuichi if that counts!!
38. do u make art? (drawingz, blingeez, etc.)
YES!!! i love to draw and i also make blingee edits sometimes!!! ITS SO FUN XD !!!
39. wats da most scene thing? (anything!)
hmmm, weeell…i think the most stereotyped thing would be that kewl, suuuper big hair like this;
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its really prettyyyy, and i love all that colouuur!!!
40. ask ur own randum question!!
hm, oh wowie, since the anon didnt specifically ask this one…POTATOES!!! X3
phew, finally done, that was a lot of typing! this was so fun to do though, so thank u nonnie!!! :3
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opalgelance · 6 years
Text
HOLY FUCKING SHIT BATTLE OF HEART AND MIND WAS A LITERAL MIND FUCK
- WHITE DECOLORING GEMS
- THE DIAMOND FAMILY WAS REALLY FUCKED UP
- WHITE FUCKING BROKE STEVEN AND PINK LOST HER FUCKING MIND
- ROSE CAN NEVER COME BACK
- EVERY CRYSTAL GEM HAS A NEW OUTFIT I HAVE NO FAVORITE BECAUSE I LOVED THEM ALL
- EVERY CG + STEVEN FUSION WAS STUFFED IN HERE AS WELL AS MY TIED FOR FAVORITE WITH OPAL FUSION, OBSIDIAN
- FUCKING LAVA FUSION I LOVE HER SO MUCH THE CRACKS IN HER HAIR AND HER MAGMA SPIT THAT BECAME A FUCKING SWORD KILLED ME
- RAINBOW FEELS VERY FAMILIAR WHO VOICES THEM???
- SUNSHINE IS LEGIT A LOVE YOURSELF COMMERCIAL FROM THE 90S IN A CORPOREAL FORM
- FUCKING PINK STEVEN STILL SCARES THE EVER LOVING SHIT OUT OF ME HOLY FUCK
- WHITE HAS A WHOLE CHARACTER ARC IN 5 MINUTES
- SO DO BLUE AND YELLOW
- JASPER NEVER FUCKING TALKS BUT
- WE SEE A WHOLE FUCK TON OF GEM DESIGNS INCLUDING JASPER, BIGGS, CENTIPEEDLE, THE BEETLES, THE PUFFERFISH, AND A LOT MORE
- IM STILL NOT OVER THE PINK STEVEN THING IT WILL LEGITAMaTELY HAUNT ME FOREVER
- EDIT: I forgot to add how mindblowing the animation is in the Pink Steven scene?!?! I was just so stunned by the scene itself that I didn’t mention that the lines are SO clean and crisp, and the animation literally looks 3D, and that seems to be because the legendary James Baxter did it, and from what I saw from his work on the Adventure Time episode, he’s an absolute master in the art of animation, and I feel like I’ve been blessed seeing that animation with my own damn eyes
Ok, now that I’ve calmed down a bit, I have to say it felt really REALLY rushed but I still enjoyed it a lot! I do have a few gripes with it though:
- I wish we could have seen Sunstone, Rainbow 2.0, and Obsidian before this, or at the very least seen Sun and Rainbow before, with Obsidian being this big stressful event because as we’ve seen 4+ Gem fusions like Alexandrite can be very hard to keep stable, and they had one chance to fuse and keep it together
- Steven said one sentence to Pink Pearl, and White didn’t recognize CG Pearl, which is really weird. Pink didn’t even react to Steven, or realize that he had Pink’s Gem. We don’t learn what happened to Pink Pearl either. Steven seems to already have connected that White’s Pearl was once Pink’s, and when talking to White, it seems like he is understanding what his Pink dreams really meant, which is weird bc it seemed like he didn’t understand that they were memories before.
- I felt like with the exception of the Pink Steven scene, the Diamond fight at the very beginning and the confrontation between all 4 Diamonds, it didn’t really feel like the characters were reacting as much as they should have? Like, it takes a second for Pearl to figure out that she and Steven fused, and her reaction is kind of cut off, but Garnet doesn’t really react to fusing with Steven? I also feel like Obsidian should have been a bigger deal to everyone, but it felt like Garnet was like “ok, lets form obsidian then” like they’ve done it a thousand times?? Yeah, they’ve fused with Rose before, but Steven? And Alexandrite has always been a big deal, since she’s so unstable, while on multiple occasions in season 1 the Gems were pretty clear that fusion was for emergencies only. Obsidian is literally a White Diamond only level emergency, but while it was a big deal for the audience, the CGs (including Connie, Bismuth, Lapis, and Peridot)  weren’t as shocked by this as I would have thought? Peridot says “they’re huge!” or smth like that, but not much else. For me it was really frustrating when Blue and Yellow, and ESPECIALLY Amethyst, Garnet, and Pearl, were drained of their color, it felt like it SHOULD have been a Keeping It Together level of horror, but it wasn’t on the characters’ faces, which was disappointing. It took me out of the action on my first viewing because it looked like the CGs weren’t that bothered by it. WHITE IS LITERALLY MIND CONTROLLING THE DIAMONDS AND YOUR FAMILY STEVEN WHAT THE FUCK I have to say that the Pink Steven scene was legitimately disturbing, and I applaud the storyboarders for that, I just wish it could’ve continued throughout all of the horrifying scenes.
- Steven didn’t tell anyone about his Gem being ripped out, possibly because there wasn’t any time left in the episode, and that was really weird to me. Like, you got HALF OF YOUR SOUL RIPPED OUT STEVEN. Like, White and Connie HAD to have said something, right? Was it just not shown?
- That brings me to how ridiculously rushed the ending was, because here’s what happens in the last 5 or so minutes (seriously, I’m looking at the time the ending starts)
      - Steven gets home while Sadie’s having a concert on the beach
     - WITH THE FUCKING DIAMONDS
    - Lars also gets home with the Off Colors
    - Sadie and Lars say hi for an awkward amount of screentime
    - THE DIAMONDS HEAL THE CORRUPTED GEMS INCLUDING JASPER, CENTIPEEDLE AND A LOT OF THE GEMS WE’VE SEEN OVER THE SERIES AND THERES NO DIALOGUE BC STEVEN IS SINGING A SONG OVER THIS WHOLE PART
     - The Diamonds leave, seriously, after less than a minute of screentime on Earth
    - The CGs are on the beach, with NO recently cured corrupted Gems to be seen, and it’s kind of like the theme song, with Greg grilling hot dogs, and the CGs sit on the beach with Steven (just Garnet, Amethyst and Pearl now) and Steven sings a song. The End.
It just felt really rushed? So were the Diamonds’ “redemptions”, but this was insane. Every plot line in the whole series is supposed to be solved in 5 minutes? I mean, there’s a lot left unanswered, but it felt like they were trying to tie everything up with a nice bow, and it was rushed. Also, you know how everyone said that the Gem designs at the ball were lazy and that we only saw a few new Gem types because the crew didn’t have time to design new Gems? (I personally really liked the cog Gems bc I love gear designs but I know a lot of people didn’t like them and that’s valid) BULLSHIT LOOK AT ALL OF THE UNCORRUPTED GEM DESIGNS THEY LOOK AWESOME. But why could they not have done that before? They designed at least 10 new Gems for a minute or two long scene. Yeah, they were based on the already done corrupted Gem designs, but that’s fine! We could have easily seen Ocean and Biggs Jaspers at the ball, or even at the Zoo, in a flashback (like We’re Only Falling Apart, the war scene in Single Pale Rose, Your Mother and Mine), the ending of Legs From Here to Homeworld, but we didn’t, and I can’t understand why. Now it’s strange that we didn’t see any uncorrupted counterparts on Homeworld. What, is every single corrupted Gem part of a super rare Gem type? Yes, we’ve SEEN Jaspers before, and we HEARD about Nephrites, but even at the start of this episode we had some cool silhouettes of Gems, just like in The Answer, and they were never fleshed out into actual Gems. It’s just kind of strange that they had all of these templates but never used them. Plenty of fans have used the silhouettes and corrupted Gem designs to make Gemsonas, but the crew couldn’t? Just paste the color palette of Biggs or Ocean onto a Jasper base and you’re good! That’s essentially what happened this episode but I STILL LOVE THEM SO MUCH I will protect Ocean, the Beetle, the Centipeedles and the waterbear Gem with my life, BUT they could have appeared MUCH sooner as background Homeworld Gems
- EDIT: Since I’m always criticizing the animation and character models, I feel like I have to note how impressed I am with a majority of the animation in this episode. I felt like during the Blue vs. Yellow scene in particular though, Yellow’s expressions felt... odd. LET ME EXPLAIN FIRST PLEASE. See, for me, while I don’t like exaggerated facial expressions most of the time, I can get past them as long as it’s for comedy relief or to express raw emotion. The problem for me was that Yellow’s expressions were drawn as if she was supposed to be in a comedic scene instead of a heartwrenching, emotional outbreak uncharacteristic of Yellow, where you are supposed to feel with her, to feel her pain. But for me, it felt like she was pulling faces like she was trying to make a crying baby laugh, and I felt like Patti Lupone’s expressive, heart-wrenching voice acting didn’t match up with what I was seeing on the screen. 
  - As I said above, James Baxter’s Pink Steven animation slayed me, I’m still dying haaa
   - OBSIDIAN WAS THE BOMB/COM THO her hair is so amazingly detailed, it had to be hard to animate that.
  - Most of the lines were crisp. One of my main criticisms is how starting in season 3, while the animation and art quality went down, both were hindered further by the blurry lines, which I KNOW is because they resized the art. When I’m resizing an arm, or the head when it’s out of proportion, the resized lines become blurry whether you’re shrinking or expanding a section of a piece. But in this episode the lines were pretty crisp for probably 80% percent of the episode? And I’m counting all 44 minutes, and considering how bad it usually is, I’m very pleased.
tl;dr I LOVE THESE EPISODES TO HOMEWORLD AND BACK but there are a few issues I just can’t see past and some of these issues just threw me out of a great episode to ask myself why??? But also I’ve rekindled my love for Steven Universe and FOR ONCE I can see past some of the bad character models and animation because this episode was just so good!!! 
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vsoocannounce · 6 years
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OOC SURVEY/ADMIN EVAL #1.
We do a lot of things well. Everyone is so friendly with each other, we talk about a lot together, and overall I think everyone is pretty talkative with each other in the OOC. I think it’s a lovely place to be, the majority of the roleplay agreeing! I want to thank you guys for your lovely comments on my adminning that nearly made me cry ( happy tears ). Reading the results, almost everyone agreed the environment was friendly, welcoming and something that surprised me – fast paced. For me, this came as a surprise – but I realized, though the dash is not always fast paced – the OOC Discord is. So, I think activity here is very much partly dependent on the OOC communication, if you’re around, participating, talking character headcanons etc. I definitely see why it’s fast paced, so, I’m going to maybe try to stretch out timestamps more, maybe even lengthen our activity limit, etc. I know it can be overwhelming when you’re not around to jump into the RP, so I will definitely try to be better with the summaries channel, but please know you can take your time and there’s no rush. 
A few things that I’ll note that I’m not going to change, there was a very small minority that didn’t like the different channels, felt they didn’t help the OOC, and since a large majority didn’t agree ( as well as myself ), that isn’t going to change. If you’re extremely concerned, please come to me directly and we can definitely discuss it! The people who people had problems with have either left, been kicked out, or talked to. But overall, there weren’t really any which was really good to see.
Overall, I think that we all are trying, we’re all here, I think there’s something really solid here as well. Over 85 percent of you guys felt that based on the OOC environment this RP would be long lasting, which is so fucking amazing! Like wow! I’m still shook.
But just like Our Lord and Savior Shuri has said ‘"Just because something works, doesn’t mean it can’t be improved.“
The overall theme of the things we need to work on is communication. from what I see as well as have been told, there’s a lack of it between everyone. Though we all talk with each other, there’s a lack of communication between where we all stand, what’s going on, and plotting . I want to preface this by saying, the reason I’m so strict about these certain things ( and my rules ) is because I’m very lenient regarding other things. In order for the roleplay to be successful OOC, the rules in place need to be followed, so that leniency is something I’ll be able to grant. There’s a certain idea and sense of community in this RP I’m trying to foster, communication being an important factor in this. There are people who feel ignored, people who feel the RP is hard to break into, and over half of the RP feels the RP is cliquey. Even though most they also think the clique(s) are welcoming, some feel they are hard to break into. I don’t think ANY of this is on purpose, but I can’t ignore what I’ve read & how other members are feeling. I’ll explain more below, but no matter what, it’s not acceptable & something we’re going to work on.
One thing I have noticed is the way each intro seems to have a different number of notes, which was something that I noticed early on ( I didn’t think it posed an issue then because it wasn’t that major ) which then drastically change., This denotes to me that they’re not being read or at the very least, liked, as a way to be welcoming and archive it for later. I could be wrong in this assumption, but as it’s a rule in the rules, from now on if I don’t see everyone liking intros within a week or so, I will send out messages individually. I know it seems extreme but no one in this roleplay’s intros should have less than ten notes at least & that’s being generous. There’s over 20 people in the roleplay. The numbers are off there. There is nothing that makes me feel worse than coming into an RP, posting my intro, and seeing multiple people on / around in the chat but none of them liking my intro.  A quarter of the RP have not been approached by at least three people to plot  and with all of this, these two things combined I’m most disappointed about. Because no matter what, there’s absolutely no excuse for these rules to be broken.  I’m going to be pairing everyone up for threads that they must communicate the status of within a week. Whether the starter is up and you haven’t replied, your partner hasn’t replied to your IM, you couldn’t get a starter up you’re still plotting, etc. I need you guys to communicate with me and each other.
Like each others intros. Reach out to each other to plot. Seriously.
The tags are there so you can go through them, check out everyone’s info, creations, self paras, moodboards, etc. – support each other with it. I’ll try to be more proactive myself in not only reblogging each edit on the main, but putting it into our Edits & Pinterest channel. To ease some people’s minds I’m going to make a player updates channel where everyone can put whether or not they’re on hiatus, what’s going on with them, the status of their activity & PM answering, etc. so we all know where we are with things. I think a good chunk of the miscommunication in this area can be solved with a channel like this. This is a group RP, so please try to interact with the whole group & learn about their characters because it’s only right. This is something I stress in the rules as well because no one likes to feel like them or their characters aren’t important in an RP – something a few people have been feeling.
When you talk about a headcanon that might pertain to another person’s character, @ them in discord! Another thing someone mentioned was the lack of follow up via messaging. While I completely understand not being able to have the concentration to reply to PMs as opposed to a group chat, this person was extremely discouraged by the fact that they’re plotting messages didn’t really go far, their messages unanswered after over a week, while seeing people plot with each other in the main chat & talk about plotting with each other via PMs. Something I’ve also seen, something I’ve also done, which I apologize for! This isn’t acceptable to me. We do all have lives, yes, but just make sure to communicate what is going on. A simple ‘I’m busy, slow, and having issues with reaching out at the moment to plot so I’ll answer this as soon as I can’ can really go a long way. I think these thread pairings with the player updates channel would be a good start in turning that around.
Another thing I’ve noticed is that there’s a lot of talk of things that are from other roleplays, other experiences, that are shared between groups of people that are often talked about in the general chat. What I mean is: I see a lot of talks of other roleplay experiences, characters not in the roleplay, that while I know you don’t mean to exclude, I don’t believe anyone in this roleplay would, it can be intimidating and come off as very clique-ish. In fact, this is where I think the perception of people thinking half of the people in this group are cliquey are from.
This was one thing that reflected in the survey that seemed to be spilt down the middle – half of the roleplay felt that the group wasn’t cliquey while the other half felt it was as well as either: hard to break into it ( minority of this half ), or it was but still friendly ( majority of this half ). While I know everyone is willing to explain these past experiences that are shared together to anyone who ask, it’s intimidating to come into a group with people who know each other who then talk about private things. I’ve indulged in this too ( I’m sorry about that! ), so I’m partially to blame for allowing this, but please watch talking about things not related specifically to this roleplay as it can make it seem as if you’re clique-ish. It’s intimidating and makes other people not want to approach and especially discouraging when a few people mentioned they felt their characters aren’t important or that their thoughts weren’t cared about. So, unless you’re willing to explain enough of what you’re talking about to other people so that they get it, then don’t talk about it as it makes people feel excluded. Inside jokes between people who know each other are going to happen, but try to remember that there are other people who might feel excluded due to you talking about those experiences in a group setting/chat. If you were in there position, watching a bunch of people talk about their character connections from other RPs, it might feel excluding as well.
To some of the people who do/might feel excluded, one thing I’ve noticed is the lack of just jumping into conversations – which is understandable. But I highly encourage you to try, engage with other people in the chat when you can, ask questions, offer things to talk about. Ask about their characters. Read up a bit in the chat if you can to see what is being said & talked about before jumping in, respond to others, engage with them the way you want to be engaged. The people who are talking with each other in the chat have put in effort & time to talk with each other, plot, they didn’t always know each other if they did, but they had to put themselves out there first & foremost. I know I have both anxiety and social anxiety so it can be hard, but we are in a group roleplay where communication is key within the group – so I do think an updates channel will be helpful so you don’t have to constantly remind or let people know but there needs to be an effort from your end as well. So, if you see a conversation, jump in!
Those are the points that I’d touch on most, and really, I know that all of this was not of any malicious intent or trying to be excluding at all, but it’s how some people have felt and some of the things I’ve noticed that I think we can really all improve on.
Thanks for coming to my TedTalk and please like this when you’re done reading it! Any feedback on this survey I would appreciate off anon via DM/PM or in the group-ideas channel! Thank you!
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riskeith · 4 years
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you just responded and i nyoomed to answer. yes my days consist of waiting for you. yes i’m not ashamed to admit it. <3
that makes so much sense actually? like A Lot of sense. i don’t think you should feel bad about that at all i mean if you are comfortable with how you perceive them then by all means! haha! what’s fun about fanfics is that people can take one character and shape them in so many different ways. canon doesn’t anyways give us depth to characters yet writers do which 🙏🏽 godsent. but then again, it can feel weird if someone makes them behave like ~someone~ else haha. i remember it used to be a hot topic in voltron actually, where people would portray lance as a weak and emotional guy only even if he’s arguably the bravest and most bamf... people didn’t like that very much. do you know what i’m talking about?
I’M SO EXCITED TO READ ALL OF THESE. thank you so much you just set my late night weekend plans 😏. and oh god esselle is the ao3 writer. i love their bnha fics so much. can’t wait to read their haikyuu stuff as well. kagehina too... 🥺 dude, i saw some oikage things last night and i have my eyes open.. 👁 i know you like them a lot so hm... i’ll definitely read that as well i love the summary already.
he’s puppy-like so would he like to play in the water? i want to say so, just bc i think it would be cute for him to splash around 🥺
just one?? wow now i get what you meant in your earlier messages, shskdhsk. all my current friends i’ve known since we were children, i don’t even know how to make new friends irl tbh.... AND SAME!!!! CHILDHOOD FRIENDS TO LOVERS GO BRR. and god the best thing is how things change but at the same time they don’t? like they start to notice little things and realize they’ve always liked them? or the ‘i thought best friends felt like this towards each other’.... aaaaaaaah. 🥺 but then again enemies to lovers.. the tension and the yearning? the moment everything just snaps? god i couldn’t pick my favorite i don’t think. i just love those two so much equally hahah.
if it’s cyberpunk vibes i will combust. i love those aesthetics so much.. (waiting for ps5 to restock so i can run around in night city in cyberpunk 2077 forever.) but yeah it makes sense for it to be themed like that but it’s so funny to think about transporting from the whispering woods to like... large billboards and grungy streets. AR 35?? oh that’s must earlier than i expected. so i take it the main story isn’t done yet?
how sexy, even though this blog is just our messenger app at this point snskdhkddhj.. once again, i’m sorry riskeith stans.. 🙏🏽
i wish i could get you all the cotton candy in the world. and wow kenma HAIR!! sounds so cute but wait oh my god,,, do you have short hair,....... 😳💗💓💕👁💘💝💓😭💗👀💖💓💘💝💞 do you? 😳💢 how was it shaving everything? must’ve been such a big decision!! 😳
ikr? like most of the fics i’ve read portrays them as a angst ship which i do love a lot but you’re right it’s funny bc in canon they’re just.. supportive idiots. i think it’s the oikawa fangirls thing and iwa being annoyed by it that people get hooked on. at least i think since it’s almost always there in the fics... :+ DO YOU LIKE IT? i’m so obsessed with it i saw a edit on ig with klance and that song earlier and it fits them so well too... 🥺 anyway back to iwaoi, i think i like writing from iwa’s pov actually? i haven’t tried writing much from oikawa’s yet but idk.,, iwa’s personality just speaks to me. also i like that oikawa’s personality is so complex to understand, it’s easier to spice up the angst that way. (I DON’T 🥺 it’s such a sad topic for me bc it’s my ultimate dream to drive but it costs soo much money to get it here and i’ve been too busy to invest... 😭 wbu?????) I KNOW MEMO AND OH MY GODNESS? i’m sure the fic is sooo good oh god.... the vibes. 😭 please tell me what it’s about. please. 🙇🏽‍♀️
OH it means that i’m just gonna reread your fics until you post something new... here i thought i was being clever and cute shshskdhdks
STOP YOU KEEP MAKING ME SO EXCITED aaaa ma’am please... think about my heart. 🥺
here’s a new topic to discuss; are you a coffee or tea person? (or neither.. please don’t say so)
kiss, m.a. 💘
i keep forgetting to check whether you’ve responded or not before shutting down my laptop and i’m left to answer on my phone 😭😭 and i too spend my days awaiting your responses <333 but i always forget to check after a period of time HFJSKFKSKCKNC i swear i’m checking like once every 5 min but the moment i forget you respond NCKSNDN
bro (do you mind being called stuff like that lol) writers give us everything canon is too cowardly to give.… truly blessed 🙏🙏 yeah i do!! there are a lot of complaints about mischaracterisation in hq fandom too actually… which i think is fair enough but at the end of the day just let these people have their fun you know.. it’s not harming anyone and if you don’t like it just don’t read! lol
i haven’t read much of esselle’s bnha actually (aside from tdbk) but i just know they’re absolutely amazing!!!!!! absolute legend i hope (i know you will tho hehe) you enjoy her kagehina toooo. and yes oikage!!!!!! omg pls 😭😭😭 i wish they were more popular aaaa
🥺🥺🥺 razor in one of those baby pools.. RAZOR WITH POOL FLOATIES!!! my goodness 😭😭😭😭
fjksnxksndm yeah but i think i might be an outlier in that… LOL oops. and you’re so right like they just grew up together and like grew in love it’s so natural and just comes to them like they were always supposed to be together and they are <333 bc soulmates <33333 BUT YEAHHH THE MOMENT EVERYTHING SNAPS YOU KNOW IT!!!!! god when person A SAVES person B even tho they’ve “hated” them the entire time...… but when they were faced with a tough circumstance they realised they couldn’t bear the thought of being without them 😩😩👌👌👌👌👌👌
omg ps5.… ngl i considered buying a ps console so i could play the last of us 2 chxjjskskxjxjs. have you seen all the cyberpunk memes tho? lolol. nah main story isn’t done!! i think the main story is supposed to develop all 7 worlds until we find our sibling so like.… it ain’t gonna be over for a LONGGGG time (lol omg could you imagine if mih*y* pulled a me and like 4 worlds in was just ‘ok soz i’m uninterested now you can imagine how the game would’ve gone’ HFJSJFKSKFKDJ)
HAHAHAHHA it legitimately is. riskeith who??? more like marriage anon stan account. fjdkfnnd anyways to my other followers hope y’all are enjoying the show 🤪
i do have short hair rn!!! lowkey a bowl cut but i’m also trynna grow out a mullet djksndksnd. and having a shaved head was so nice.. i literally just couldn’t stop touching it after cjskckksnfks. and it wasn’t that big of a decision to me tbh i’m not that fussed about my hair like i know some other people are djskkd the biggest obstacle was getting my parents to agree 💀💀💀 (much like i am trying now..…) i used to have my hair long for ballet, but once i quit i just kept getting it cut shorter and shorter and then voila! shave. GJDJKSKDND
true.. jealous iwa.. i have that in one of my wips i believe FJSJJCKSKDK (it might even be in the memo fic?) AND UHHHH i didn’t love the song ;–; it’s just… slow HFKALDLAKDK and not the mood i was in when i heard it cjdkslxllskcjskcnkscnkzmxmcm omg no not klance 😭😭 they have a lot of angst too.. (i say, as if there isn’t a single klance fic of mine that doesn’t have angst JFJDJSKDJ) OMG YOU LIKE WRITING IWA POV TOO???? you 🤝 me iwa kin. i joke that it’s because i, much like him, am very much in love with oikawa. (aw no i’m so sorry for bringing it up 😭😭😭😭😭😭😭 but i’m on my learner’s rn!) IVE POSTED THE OUTLINE ONCE (not a good sign… LMAO) https://kaheyama.tumblr.com/post/190015338287/yall-want-some-iwaoi-angst THERE!! also wait i just realised it has manga spoilers.… maybe don’t look fjdknfjd (you could stop after “pining iwaizumi hajime” but i don’t want to accidentally spoil you 😭😭)
JFKSKSLAKFKSKCJLSKD IM so sorry it WAS clever and cute my brain was just not big enough at the moment to understand 😭😭😭😭😭 but thank u as always i appreciate 💗💗💗💗💗💗💗 so honoured you would even think about going back to them lord knows i don’t KFKSJSKA
HEHEHE NO MERCY!!! but ok ok i shall lay low until the day comes 😋😋😋
tea!! simply bc i can’t sleep if i drink coffee fjskfjsj. but that’s been happening with tea too so i haven’t even had tea recently 😭😭😭😭😭 flavour wise i think i like coffee more but also you get so much more variety with tea? hm. HAHA. hbu??
hugssss, c.r. 💝
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mizuurei · 7 years
Text
Im sorry, but I need to geek out over the music in WKM for a hot minute.
Cause like HOLY SHIT. DAN. OMG. There is some good shit in there. I’m mostly going to talk about the songs that Dan’s posted tutorials for to his YouTube channel because I can actually look at all the notes and chords and do some theory analysis (and forgive me if any of my analysis is wrong; I’ve only taken a few semesters of theory and I’m trying my best to remember everything we ever talked about).
BUT BEFORE I GET TO THAT, HOLY HECK DOES THE UNDERSCORE HELP SET THE MOOD.
I mean, I’m just looking at the very beginning of episode 1. The transition when the DA enters the house, the climb up and around the A-major chord creates this sense of being swept up into Wonderland. AND GUESS WHAT? THANKS TO MARK’S EXPLANATION LIVESTREAM, WE REALIZE THAT OH HEY! THAT’S KINDA WHAT HAPPENED. As soon as we entered that house, we were sucked into it’s “realm” so to speak. And the music reflects that.
AND THAT’S PARTIALLY WHAT MAKES AMAZING SOUNDTRACKS AMAZING. There’s a reason certain soundtracks are more memorable than others. Memorable soundtracks not only have big, catchy, main themes, but they are also able to communicate ideas and themes in both the main tracks and the underscore. AND DAN DOES THIS IN SPADES THROUGHOUT WKM.
I’m going to look at episode 1 again. The music almost acts as our emotional and verbal response to characters. Jazz piano in the background for Damien reinforces his sophistication, charm, and trustworthiness. We’re happy to see him and fully prepared for a fun night playing poker.
The sudden modulation to heavy low notes and the tense, quiet tremolo when we meet the chef immediately classifies him as scary, intimidating, and quite possibly explosive.
Then the change to the Butler. The immediate threat seems to be gone as we no longer have a large, angry man thrusting a ladel in our face, but that residual shock is still there (hence the ringing bass notes). And then we get these high pitched dissonant chords when the Butler hands us our drink and tells us to “enjoy our stay.” This sort of musical cue is typical in a murder mystery setting, but it works so god damn well. It immediately makes the Butler untrustworthy even though he hasn’t done anything particularly suspect yet (you know besides a slightly ominous line and eyebrow raise, but even that’s questionably ominous). And that makes sense considering the trope of “the butler did it” in murder mystery stories.
It’s so easy to write off how important the underscore is in big projects like these! Because it isn’t necessarily obvious (by design of course), but credit is due where credit is due. AND DAN DESERVES A LOT IF RECOGNITION! He created such an appropriate atmosphere for the entire mini-series.
NOW TO THE POINT THAT MADE ME WANT TO WRITE THIS ENTIRE POST IN THE FIRST PLACE: the ending song to the entire series.
(Again, forgive me if any of my analysis going forward is wrong; it’s been two semesters since I took a theory course that had to do with tonal music, so I’m kinda rusty in my analysis. Also fair warning, lots of Roman numerals ahead.)
Oh my god. How fucking appropriate. This piece (EDIT: known as “Who’s There 2” composed by Peter Sanberg with a section arranged by Dan (thanks to @corruptedmetadata for reminding me about this :D)) really helped elevate the ending of WKM to new heights emotionally. The song is so effectively simple. It’s mostly arpeggiations and sustained chords in minor. So we immediately recognize this scene as a somber, tragic moment (but it’s also a little bittersweet because there is a major chord or two in there).
But do you want to know what my favorite part of this entire piece was? The last chord.
Oh. My. God. The last chord is simply two Cs an octave apart plus the fifth of the scale, G. This is called an open fifth chord. A “proper” chord is supposed to have at least three different notes, normally the root of the chord, the third and the fifth. The open fifth has two: the root and the fifth. The lack of a third in the open fifth leaves the chord feeling hollow, albeit powerful. Our ears still recognize the notes as a chord, but it sounds like something is missing.
In WKM, this open fifth chord also acts as the final chord of the final cadence of the song. This is the chord that is supposed to signify the ending of the song. And it does! Sorta. The cadence seems to be a plagal cadence (IV-I instead of V-I). The plagal cadence does provide a form of resolution, but not a very strong one because it lacks a leading tone. Normally a plagal cadence is a device used to extend the tonic chords (which it does slightly earlier in this same song; the IV chord goes to the I chord before leading back to a VII chord). But by ending the song with a plagal cadence, it makes the resolution weaker, leaving the listener unsatisfied and thinking “there has to be more than that.”
So this last chord is an open fifth chord and part of a plagal cadence. So why does that get me so excited? Why does that make it my favorite part of this entire beautiful last song? BECAUSE IT FITS THE ENDING OF WKM SO GOD DAMN WELL! The fact that the song ends in a plagal cadence reflects the ending. While the story of WKM was technically finished, the audience was left with a plethora of questions and the sense of anticipation. A plagal cadence technically ended the song, but the resolution was so weak that the audience got the sense that this wasn’t the end. If I were to use one word to describe how I felt after watching all four chapters of WKM it would be hollow. Hollow in the sense of being emotionally drained and sad beyond all belief. The open fifth chord is a hollow sound.
TL;DR- The WKM ending is sad enough as is. But the ending music and the theory behind it adds an extra layer to the ending that just makes it all the more sad. AND I LOVE IT.
So everyone just take a minute to recognize what an AMAZING job Dan did with the entire soundscape of WKM. I highly doubt that Dan was writing/picking the music he wanted to used based on any of the music theory that I prattled on about above this (“Ah yes, let’s find a song that ends with an open fifth chord; that’ll really make things sad!” No. That’s not how it works; you find/compose stuff you think sounds appropriate). But nonetheless, he picked the music he did and performed it gorgeously. Having the theory reflect the ending is just a cool added bonus for me that I thought others might find interesting too.
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thecultoffilm-blog · 7 years
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IT (2017) Review.
I had been excited for the new adaptation of IT since I first saw that iconic picture of Pennywise, grinning creepily with pleasure and contempt. I couldnt wait for it. When the first trailers dropped it got me even more hyped and excited to see what Muschietti would bring to the table, as I was unimpressed with the miniseries. Today I saw IT, and have to say am fairly underwhelmed by it. What I hoped would be a thrilling, scary and atmospheric horror film was an oddly edited, cliche and predictable film. Over this review I will be talking about what works, what doesnt, what I loved and what I hated and finally, an overall score out of 10. Please remember this is all opinionated and very personal, rather than a group opinion. What I loved: Personally the best part of the film for me was the losers club. Not only were all very well performed and gave off a very real and serious vibe, the children acted like children, a rare occurrence in many modern films. The kids throughout this movie are swearing, making your mum jokes and mentioning dick size, like a kid would. Muschietti really nailed this side of the spectrum and due to the great performances by all the children and realistic and relatable behaviour, I found myself really enjoying the club, far more than I thought I would. Another thing I thoroughly enjoyed was the coming of age theme throughout. I really liked this and thought it really added to the story. In a way Pennywise could be a metaphor for all the problems and hard times these kids are facing, and them dealing with him is them working together to beat their daily problems. It may seem stereotypical but I thought it was sweet to see the club grow and learn in such a small amount of time, all of them facing their fears and issues (some more literally than others) Im glad the story wasnt just, "oh look, there's an evil clown who is hurting people, let's go beat him up," as for me this would have made the film flat and uninteresting. I'm very glad it was included and felt it really added to the film. Pennywise is a weird one. I thought he worked at points but at others I just hated him. Saying that, he definitely had far more good scenes than bad but I still just felt unimpressed at his character. It wasn't even Bill's fault, it was just the look and feel to him in general. Again, sometimes he was incredible but sometimes he felt to comedic and cartoon like. Overall though, he was a very strong character and I did enjoy when he was on screen (most of the time) The cinematography in this film in my personal opinion was beautiful. So many scenes were shot so well. Muschietti made sure to use locations and places to their full effect and it shows. The shots used also fit in with the scene. For example when outside in the day the shots were wide and vast, showing off the beauty of Derry or the quarry. However when inside a location it felt claustrophobic and cramped, adding to the intensity and fear of the scene. The lighting was also on point. When in a dark room it felt eerie and as an audience member I felt blind but at the same time little details and important features were clear and visible. When outside the lighting felt very true to life without blinding you of course. Both lighting and the cinematography were very well done and should be applauded. The sound design in the film really sold it for me. Most of my fear produced actually came from the sound rather than whatever else was going on. One scene which I will never forget is Pennywise exiting the cupboard. It really did chill me. But the main reason for doing so is him tapping his long, gloved fingers on the side of the box. It was genuinelly terrifying. The sound was perfectly managed, sounds in the foreground were loud and violent whilst little ones in the back were small and hard to pick up, but the amount it added to the atmosphere was great. I'm very glad the sound was well done and pin pointed in just the right settings and times as it really added to the film for me anyway. What I didn't like: To me, the jumpscares in this film were terrible. I hoped to every possible god that all the jumpscares would be fair and needed. Alas, this is not the case. Thankfully, IT didn't stoop to the level of the classic "it's just a ....." jumpscare but far to mamy were predictable and dull. There were pointless loud noises and violins squealing at me from the screen and a lot of the scares were cheap and commonly used in Hollywood films. There were probably 7 scares which I predicted and out of all of them in total, only a few made me jump. Which isn't great. One thing that really annoyed me was Georgie's walkie talkie screeching whenever he ran by. Stuff like that is what ruined this film. Yes, it is better than a loud bang or smash, but still. I could do better and I've never made a film. It really did upset me as I do love a good jumpscare, but there were very few to be found. As much as I did love them, the kids in the film made such stupid and contradictory decisions. It really got to me. They would constantly wonder off by themselves after all being told not to and it was so annoying to watch. Even Bill, who said to them all countless times to stick together decides to walk away from the group. You could argue that this is Pennywise luring them away with his powers but I personally believe it's a dull way to create another cheap scare. Another thing they all do is the classic, "let me go in this dark room, nothing could go wrong" This is just so pathetic. For example the library scene with Ben. No one would ever follow those eggs and go down there. It felt wrong and fake, exactly the opposite of what this film wanted and was meant to be. I do see why it was needed, but there were far better ways to lure the characters. Pennywise, as mentioned above, did work. But there were so many instances where he didn't. And what does it all come down to? CGI. What ruined him for me was the large amount of CGI that went into the film. I understand that it's nessecary and in some ways it did help, but it sucked any amount of realism out of the film. What does this result in? A lack of tension and fear. For me, the more realistic, the more scary. That's why for me, The Strangers is the scariest horror of all times. It was so real and plausible that it made it far more intimidating simply due to how it was handled and filmed. No CGI, no demons or ghosts. Just 3 insane people trying to murder a couple. It sounds basic but it is so much more scary than IT. For example, the garage scene was so poorly created it nearly made me laugh at how conical Pennywise looked. It just didn't work for me. I do understand it's hard to create a film like this without using it, but I believe that more practical effects could and should have been used. Even if that had meant making it less extravagant. One thing I enjoyed about the miniseries is that it seemed more real because there was no (or very little) special effects or features. This made it feel more real, and in turn, added to the danger and intensity. I wish this interpretation had done the same. The editing was so odd in this film. It went from happy to sad to scary in seconds. It felt misguided and oddly created. A good example is the basement scene. It goes from Pennywise screaming and trying to kill Bill to Bev sat on a staircase in the sun, content and happy. This breaks the tension with ease. Whats even weirder is that it never show the aftermath of the scene, Bill's reaction or thoughts are never shown, it just stops. It's almost like a scene was cut. It felt wrong and misplaced. I understand in some aspects why what was done but still, it felt so strange. Many scenes felt cut and half completed, some seem to short and others to long. The best word for it would have to be inconsistent. I really enjoyed some of the editing, but disliked others. The kiss scene. Is dreadful. This is not a fairy tale world. This is a world where a young boy has his arm ripped off and is pulled into a sewer. Magical kisses do not tie in well with that sort of theme. This infruriated me. Genuinelly. I don't understand. It wasn't to develop character or even a relationship, it wasn't to advance the plot, it didn't add anything to the story. It took away from it. What seemed so real was whisked away in seconds. Was it meant to show that the underdog can always succeed or help others? I for one, am clueless. It really did disappoint me. Am I supposed to believe that a kiss from a random boy can wake up a girl who has been affected by the deadlights? It was so random and wrong. It felt like it had been ripped straight from Disney and plonked straight into the film to add to it's character and charm. It didn't work. At all. And it really did spoil the film. It was cheesy, unasked for and laughable. I still can't think of any reason for including it. My final complaint is the end scene. The final fight. For a start, I'm glad it wasn't long and drawn out over 20 minutes. It would have become boring. But it felt so odd. How Pennywise just collapsed to the floor and started to deteriorate. Again, the end scene reminded me heavily of a Disney film. "We beat you out of love and teamwork." That sort of thing. I understand what they were going for, and it was a sweet ending but it felt wrong to put it in a film like this. What happened to the battery acid? That was great and it made sense. But instead we get the classic fall to his "death" scene. I'm glad they all conquered their fears and I'm glad that they could beat their common enemy but it could have been made far less lovey dovey in my personal opinion. I get that it was to make the audience feel and perhaps even relate but to me this fell very flat. Another issue regarding the scene is Bev. I do understand that sexual abuse must be a horrifying thing do deal with but the fact that Pennywise didn't scare her is dumb. He is the true manifestation of any fear, a monster, a beast. Yet she isn't afraid? Again I know that the whole overcoming her fear had to be included but it was fairly annoying to see that she wasn't bothered even in the slightest. It may seem like nitpicking, but I cared about the film a lot and some bits and pieces made little sense to me, regardless of what the general public say. Overall: IT is not a bad film. It's not incredible, but far from bad. It had it's scary moments and ideas and the film is certainly not for the weak hearted. Themes and ideas are shoehorned in nicely and darker topics are presented in a careful and appealing light. Performances all round are great from everyone, especially the losers club. Pennywise is an intimidating villain throughout and never fails to either disturb or creep you out. It does have it's flaws, but as does any film, and it is impossible to say that IT is not an entertaining film. Even if I wouldn't class it as a true horror it is very amusing and fun to watch in pretty much any situation and I would recommend it if you're ever bored or have nothing to do. Unfortunately I didn't feel it lived up to it's hype but hopefully chapter 2 may be able to improve and evolve from that. I didn't watch the film I was expecting and hoping to see, but it did work and it did achieve it's goal; to entertain, and entertain it did. Overall score: 6/10 Best shot?: The best shot of this film for me is when Georgie attempts to crawl away from Pennywise, his arm bleeding and him crying. IT's inhumanely long arm appears from the drain and we know it's all over for poor little Georgie. So harrowing, but so good.
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briteboy · 7 years
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MORE ASKS I’VE BEEN IGNORING!!!!!!!
GET ‘EM WHILE THEY’RE HOT
P.S. ALL OF U WHO SENT ME THE CHAIN THINGY ILYSOMUCH 
Why is her step-douche such a foken piece of shit? omg i hate him
some mysteries are never meant to be explained tbh. why is he so ugly and evil? who wronged him? but also who cares he’s in jail forever now good riddance ugly
I know this is probably really bad, but after I saw the newest molly posts, I thought of that video where the little girl is yelling "MISS KEISHA, MISS KEISHA, oh my fukin gosh she fukin dead"
OMFGFD I DIDN’T KNOW WHAT THAT VIDEO WAS SO I JUST WATCHED IT AND I’M LAUGHIN
i don’t blame u i bet when it happens i’m gonna be like “u know she ded”
(To the previous anon) i agree with you so, so much! In Poland, these dumbass politicians are letting shooting pregnant bisons (?? Im not sure how they're called) become legal. Like BITCH WHAT. Can you imagine??? A fucking pregnant lil' cow getting shot????? I feel Molly's pain on an emotional level rn (sorry if this is too nsfw, just needed to get that outta my system...)
i think this was in response to someone saying that hurting pregnant women is one of the worst crimes but um WTF shooting animals at all makes me itchy but pregnant ones..............nah that’s......nah
it’s ok get it outta ur system i’m here 4 u
the first thing I check in the morning is your account.... you have me whipped! ;|
OMG WHA LMAO REALLY that’s wild. i feel like i’m the only one who looks at my page which is dumb but like idk i still feel like a little kid that no one cares about lmao. but then you guys exist and amaze me with your responsiveness every day and i just ;____________; ily all
hi Sunny. first of all i'm gonna say i love your story and your editing style so much! your blog is goals like literally. i need an advice if you don't mind. you always find such amazing angles for your pictures while mine are so boring. any tips or tricks you can share?
HI thank you so much ;-; sooooo i’ve been thinking about this question the past couple of times i went in game, trying to figure out how to describe how i take pictures. for one thing i live in tab mode lmao. meaning you press the tab button on your keyboard to go into camera mode and get all these sexy angles and super zoom and stufffff. i almost always zoom in super far idk why. so there’s one tip. i honestly just play around with going up and down with the q and e keys (i think?) until i find angles i like. i take a lottttt of pictures with so many different angles just so i have a lot to choose from. basically i try to focus on different things in each picture in order to get a mix of the most diverse and dynamic shots possible. you just need to experiment and get creative. i know that’s the most vague advice ever but really just try a new angle that you’ve never considered before and i bet you’ll get cool results. an interesting setting is also the biggest factor, because certain objects and their placements will give you interesting results. 
i honestly want to print out your reaction pic to that one post and just hang it on my wall, put it in my heart locket necklace, stamp it on people's faces, start an email thread with it. i love it.
an add on to the last ask i sent about your reaction pic. i've been looking at it religiously since it was posted, and i dont regret a minute of it. LMAO I'LL STOP NOW.
SAKJDLJKGKSDAF STOPPPP LMAOOO i looked so ugly but that was my pure unadulterated reaction to that question and i trust you all to not judge my ugliness and instead share this reaction with me. i’m glad u liked it that much, i just printed it out and i’m cutting it into a small heart to put inside ur locket ok
everytime i hear cigarette daydreams by cage the elephant i think of a serious case of the novembers like its so fitting and then i get all emo when i listen to it lmao rip
OMMMMGGGGGGG YESSSSS how have i never made that connection before honestly. cage the elephant is one of my faves and i’ve seen them perform twice actually!! i’m watching the music vid for that song now and even that reminds me of my story ;-; i cry
thank you for sending this, and also i cry @ the fact that you used the actual title *dies* now this song is gonna make me emo til the end of time thx
i might sound like some crazy stalker fan but i just want to say you are so freakin awesome and nice and funny and cute and (i can go on forever) so caring! i love your blog so much and all the hard work and care you put into all your posts and followers. thanks for making my day and making me smile so much. you have no clue how much i look forward to seeing your posts and your hilarious hashtags and answers from asks and AMAZING story posts. im sorry i just wanted to let you know ur awesome ily
OFMG WHAT!!!!!! I AM ONLY AN EEL!!!!!! but no you don’t sound like a crazy stalker, i actually love this, you’re too sweet, thank you ;-; i’m just blushin so much reading this omg. YOU EVEN LIKE MY TAGS WOW that’s true love. ily ;-; <333
how do you get your sims' facial expressions to line up with your scenes? I feel like my sims' faces are never right :(
tbh i just use a lot of the same neutral poses...my go-to’s are @helgatisha‘s poses lol. they’re the easiest to work with when i do just plain talking scenes, and often i tweak my sims’ eyebrows and mouths with the liquify tool if i want them to look a bit more concerned, sad, mad, happy, etc., it works like a charm!! i also tend to play around with angles, you’d be surprised how much a different angle can enhance a scene.
Hey smol bean, I'm sent you an ask and now I feel bad that it probably made you feel anxious because you didn't answer it. It was the one about you not liking my posts, I have anxiety too so I'm sorry If I made you feel sad. I think I'm just looking for validation from people I look upto you get me? Anyway sorry again, don't worry about it! Love you!
hiya bb, i know you saw my answer to your original post (and i’m sorry it got some negative attention, i didn’t mean for that to happen by any means) anyway don’t sweat it, and i really appreciate this follow-up message. you didn’t make me feel sad, i just wanna know what i can do. it’s just a hard question y’know. i understand what you mean, i think everyone wants validation to some degree. tbh you can just come off anon and message me, i promise it’s not as nerve-wracking as it seems! ily
How did you make Santi's tattoos? I want some like that for my Sims but idk how to do it
boop
I HAVE A FEELING THAT MOLLY IS GOING TO DIE DURING THE BIRTH OF THE BEAN OR IT HAS SOMETHING TO DO WITH HER STEPFATHER FINDING OUT ABOUT THE BEAN
WELP U WERE RIGHT ABOUT ONE THING
how did you make your characters page on your blog like that?
uoohhh like what?? i used this theme (monolog) if that’s what you mean aheh. here’s a guide on how to use custom page themes
okay so THIS IS MY THEORY: they might keep the baby and molly might actually carry it to full term, but then the kid dies in childbirth and either molly also dies or maybe kills herself or gets killed later? or maybe she's still alive but just won't speak to santi anymore cause she like can't look him in the eye after all of that or idk?? since ppl were sending theories i wanted to add mine lmao. another possible theory is that the stepdad finds out and kills her but thats TOO DARK omg
TOO DARK U SAY...WELL!!! it’s not AS dark as you guessed but only marginally
If Molly turns out to be alive and raising their kid alone (though from what I'm seeing in response to most questions I think that may not be the route) am I allowed to slap Santi (unless Molly didn't give him the option to help) because raising a child alone is not easy I've watched my mom do it for years.
YEAH i would give you permission to slap him lmao he would be a grade A piece o’ shit if that were the case. i would never ever write that tho because santi does own up to his actions if they’re that detrimental. his altruistic nature, no matter how backwards, would never allow him to do that.
There will be complication with the abortion so she will not be able to carry a baby anymore and she's going to kill herself OR her step dad is going to find out and he'll beat her to death. And in both situation Santi his blaming himself because he wasn't there at the right time... Okay I really really hope I'm wrong now !
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I don't even follow your story very closely but every time I see your posts my heart hurts.
OMFG...that’s how u know the pain is real
but like wow my stuff is really so visceral that even my apathetic followers can feel the hurt...that’s real...that’s real my guy
omg!! you should 100% play or at least watch a playthrough of life is strange! legit the best game ever made, its so beautiful. the storyline kills you a thousand times over (much like your beautiful story) <3333
yaaaa i’ve heard lots of good things about it!! my bf played it actually, maybe he’ll revisit it again someday and i’ll watch him do it (i’m only a fan of video games if i can watch them like a movie lmao) thank you btw <3
I am shook and I worship you and your story and you are amazing WOW BYE
WORSHIP LMAO WHAT!!! PLS I AM UNDESERVING...ily tho don’t worship false gods
Do you let Molly and the younger versions of your characters frolic around your main save or do they have a separate one?
UM YES LMAO because i didn’t even know you could have separate saves until after i started the flashbacks lmao i’m...a noob. i don’t want separate saves anyway because 1) it’s too much of a hassle switching back and forth and 2) it gets too confusing for me and i’d be afraid of overwriting one save with another and NOPE too much anxiety for that soooo yeah there’s three santis in my game: child, teen and adult lmfao (fun fact: teen santi’s name is literally just Lil Santi)
I made it to my senior year with 6 A's and 1 B ... Be proud of me too? 😂 Lmao I told this to people and some of them were just like .. okay cool?! LMAO it's so funny but also kinda sad
I AM PROUD OF YOU TOO!!!!!!!!! my smart childrens
“okay cool” UM PLEASE that’s a feat...at my school if you got an A in a class in senior year you were allowed to be exempt from the final. so yeah that rules. ily
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comicteaparty · 5 years
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April 18th, 2019 CTP Archive
The archive for the Comic Tea Party chat that occurred on April 18th, 2019, from 5PM - 7PM PDT.  The chat focused on The Carpet Merchant of Konstantiniyya by Reimena Yee; Edited by Atla Hrafney.
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RebelVampire
COMIC TEA PARTY- THURSDAY BOOK CLUB START!
Good evening, everyone~! This week’s Thursday Book Club is officially beginning! Today we are discussing The Carpet Merchant of Konstantiniyya by Reimena Yee; Edited by Atla Hrafney~! (https://reimenayee.com/the-carpet-merchant-of-konstantiniyya/)
Remember that Thursday discussions are completely freeform! However, every 30 minutes I will drop in OPTIONAL discussion questions in case you’d like a bit of a prompt. If you miss out on one of these prompts, you can find them pinned for the chat’s duration. Additionally, remember that while constructive criticism is allowed, our focus is fun and respectfully appreciating the comic. All that said, let’s begin!
QUESTION 1. What is your favorite scene in the comic so far and why?
my favorite scene is definitely the one where zeynel sneaks off in the middle of the night after eating the cat to go pray. i love this scene for how emotionally raw it is. like this is somewhat being stripped and presented at their most desperate and vulnerable, and every part of the scene shows that. while at the same time, it has a good balance of feeling sort of mystical and expressing zeynel's faith through the choice in visuals and how many of the panels are composed together.
another of my favorite scenes is the end of volume 2 where certain ppl kick the bucket. it too was a powerful scene in terms of emotion and vulnerability, and another moment where i truly felt like the character in question was being their truest selves without the layers that ppl build up to protect themselves. not to mention i appreciate the bittersweetness of how it played out and how kindness kind of won in the end.
mathtans
Heeeey there. So, I kinda screwed this one up. Because normally when I reach the navigation page, I hit "FIRST". Aaaand... yeah, that wasn't the Carpet story. There's apparently a whole lot of other stories that come first. I was very confused, and this was a busy week. I figured it out half an hour ago and am reading now.
RebelVampire
oh dear. thats a lot worse than i was assuming too cause i knew the other comic was interspersed between the first and second volume. but now im glad i was vague in that last answer XD
mathtans
I was surprised it had been running since 2013 and then I noticed the artist had said they started it in 2016 in their kickstarter and derp. So I'll just kinda thumbs up stuff as I spot it.
reimena
If it makes it easier; here are the ebook versions of Volume I and II
Vol I: https://reimenayee.itch.io/the-carpet-merchant-voli Vol II: https://reimenayee.itch.io/the-carpet-merchant-volii
mathtans
Oh, hello author. Thanks.
(And now I must go tend to the wee one.)
RebelVampire
let's see then in the meantime. i loved the first scene where we see zeynel plying his trade and selling a carpet. like the scene immediately paints a picture for the visuals and draws you in with them. and the visuals are consistently beautiful throughout the comic.
but by contrast, i also appreciate the scene later on in the second volume where Mora wtfs Zeynel just taking the insults and Zeynel explains how its part of the job etc. etc. It was interesting to see this other take on his job and that not everything about selling carpets is all that fun and even if youre a cool vampire, sometimes you gotta swallow your pride and accept customers being dumbasses.
mathtans
Back-ish. Oh yes, the visuals are amazing. Not just the carpet patterns either. Even the sheep were different.
Lots of neat cultural stuff too.
RebelVampire
what i appreciate i think is the character of the backgrounds. cause a lot of them have what im going to describe as this splash effect. and while it may not always have anything to do with whats in the main panels and is mostly there to not be white space, i feel they always add great atmosphere to each individual page.
yeah i really adored the culture stuff. this is definitely not a heavily featured culture in comics so it was super interesting to get to see it.
though i also appreciate later zeynel's ability to just kind of meld into different cultures. cause it really gives the opportunity to compare, contrast, and appreciate
one thing i also want to say in regards to culture is that i also appreciate that the comic balances having unique culture features while still telling a story that is really universal to anybody. so you dont need to have some deep specific connection to the culture in order to appreciate the story in its fullest
QUESTION 2. One of the comic’s central themes is related to stories and story-telling. Overall, what do you personally think the comic is saying about the importance of stories in our lives? Of the fables that were juxtaposed to the main narrative, which one captured your imagination the most? How did you feel it related to what we were seeing in the story? In what ways did you see stories affect the lives of the characters within the story? Additionally, what did you make of Zeynel’s explanation about each carpet having a story within it? How do you think this applies to the works we see in our own lives? In total, how has the comic changed the way you see stories and how they shape our lives?
mathtans
Okay, little one's settled back in the crib, more fully back now.
Yeah, the story seems universal (from what I've gathered so far, with the two families). So it's more a bonus, the phrases and references and things.
RebelVampire
ill tackle the second question first. my favorite fable juxtaposed to the main narrative was Karagoz and Hacivat. there were a lot of reasons this juxtaposition really worked for me. first off, its premise of being a show that zeynel was watching i think somewhat helped build a feeling of nostalgia. like because the show was in the past, it helps illustrate how far away zeynel is from that. however, i think it further helps set up the idea of culture clashing. and predictively shows that both sides kind of have a negative and specific view of the opposing culture. so when these come up in the story, they help paint a particular perspective regarding them. and kind of force us as the readers to recognize that both sides have their biases as zeynel adjusts to life in different places.
mathtans
I know the feeling of being a better listener than talking about oneself. (Just as I'm reading, not sure if that necessarily relates to the stories idea.)
RebelVampire
in terms of the importance of stories, i feel like the comic was overall trying to say that stories help us connect to the world around us. and i kind of think this is represented with young zeynel. cause he sucks at talking about himself, but tells and listens to stories to connect with others. and this is how he bonds with people, learns about the world, and somehow down the line eventually learns about himself.
reimena
I do have thoughts of the intention behind the Karagoz and Hacivat scene, but I'll wait until everyone's done typing! (unless you want it now)
RebelVampire
you may go ahead since math definitely wouldnt be close to that one. participate as you would like
mathtans
I agree with what Rebel said, both about the bonding and learning through stories, and about the do your thing and don't wait for me, I'm a slow reader in general.
reimena
Haha I'm just lurking (doing other things while keeping this discord open). Only dropping in when necessary. (I appreciate all of the discussion though! <3)
mathtans
There's some really good non-dialogue panelling as Zeynel is opening himself up to the merchant life.
reimena
With the Karagoz and Hacivat story, it was meant to act as first, a parallel to Zeynel and Mora (with Zeynel being Hacivat, and Mora being Karagoz). Second, a subversion of the Other. Since Vol II is a jab at Orientalism, I thought it would be fun to have characters who are normally seen as "Other" to call out the Western world as their "Other".
Muslims both in the past and the present have always been constructed as monstrous or barbaric in Europe. Very rarely in a visual medium's critique of Orientalism do I see the opposite. Especially in the context of the era the comic is set in.
RebelVampire
i definitely appreciate the subversion of the "Other" then if it was intentional
reimena
Which explains the European wooden puppets at the end. The costumes, the white facepaint and blush, and the 3D construction of the design. Those are European. And they look rather jarring and out of place in a book that's mostly visually Ottoman.
mathtans
I was a little worried about how Zeynel's parents would react to his independence. It felt spot-on in the end, in particular the embrace and such, I'm glad he managed it. (Then fainting, hah.)
RebelVampire
this is true, their design really is odd compared to the rest and it did make me wtf for a moment admittedly. but i also definitely thought it made sense in the context
zeynel's parents reaction surprised the heck out of me, but probably in the good way
usually when you have overbearing parents, you expect them to be stubborn and not able to be persuaded. and yet here they were not and i thought that was a nice variety.
mathtans
Yeah, I was wondering about that, but the conditional acceptance worked for me.
Oh, well, the next sequence is a kick to the heart for me.
reimena
That's because they really love Zeynel. It's more overprotectiveness than being stubborn
mathtans
Speaking as someone with infertility issues in the family, ouch. Captured well though.
RebelVampire
QUESTION 3. Though much of the comic is about stories, there is also a lot of focus given to defining ourselves and achieving our dreams. Between Zeynel and Ayşe, which character’s struggle with their future path did you identify with most? What about it made it compelling? What do you think the comic shows and says about the way we define ourselves and pursue our dreams as it relates to others? Further, the narrative somewhat creates an identity crisis for Zeynel when he becomes a djinni/vampire. What part of his transformation did you find most compelling in his reaction towards it? What do you think we can learn from the comic in regards to moments like this where who we are changes? Is there anything else you’d like to mention in regards to identity and the comic?
i think i identified most with zeynel in regards to the future path struggle. cause ive been there with zeynel where you dont know what to do. and then you encounter ppl like Ayşe who just are 100% of what they want to do. and it can be an intimidating experience that makes you feel more lost sometimes, which i do think at first kind of happened. mostly cause zeynel really opened up and laid everything bare after some pressuring and i think its because Ayşe caused those emotions to reverberate more strongly than ever.
mathtans
Yeah, I've never really been clear on where I'm going, but I'm highly organized in the moment. Then there's those times when I know where I'm going (start a family) and reality just kicks you from behind and says you need to adapt those plans.
RebelVampire
yeah. but ultimately what i found about zeynel's struggle was how we were shown how he overcame it. in that he found something interesting that he was good at and decided to give it a try against all he was taught. but that it was something he did with those around him supporting him. and i think in a large way this is part of what the comic shows about defining ourselves. that in essence we are defined somewhat by the people around us, such as how zeynel's parents picked his career or how Ayşe herself was defined by her family's occupation. but at the same time changing how we see ourselves is made a lot easier when those around us who originally helped define us support explorations into other areas.
mathtans
Yeah, Zeynel also got a lot better at talking about himself. (I'm at the part where he heads off, runs into a guy and is suddenly telling him all about himself and carpets.)
RebelVampire
its easier to talk about yourself when youre proud of what you do
i really enjoyed how zeynel's vampire situation kind of goes through a lot of the stages of grief. though not all with zeynel either. cause i think denial hit Ayşe a lot, lot harder. but i think it played out really well because of that since his reaction felt extremely realistic.
and i love how hard they tried to make it work before hitting that acceptance stage
but all together i think the comic shows us that sometimes we do change, its sad, but we have to accept it cause no matter how hard we may try to make something work, the reality is it doesnt always
mathtans
I'm at the transformation part. That's rough. Some stuff you can just write off, but then reality hits you once again... and yeah, I agree Rebel, reality can be at odds with what we want or believe.
Interesting how the tavern guy, while being a jerk, still had an element of sympathy to him, what with his history.
RebelVampire
i felt bad for tavern guy. cause he was definitely a jerk, but at the same time all i can think of is how this poor guy will be found and no one will know who the murderer was. and maybe therell be a vague description of some out of town dude showing up. but then nothing cause this isnt modern day and its not like they have forensics or security survellaince footage.
mathtans
Yeah. Though I guess he did kinda want death, just earlier when he was with the sultan... his reality didn't work out either.
RebelVampire
it certainly did not.
i like to think tavern dude was the showcase of what happens when you choose to define yourself with anger and revenge
mathtans
Perhaps he wanted to beat someone up and figured an out-of-towner was better than someone who might have relatives nearby.
The night imagery when he goes back home is very effective
RebelVampire
that is probably true cause that scene made me marvel about how if you killed for self defense, the best course of action probably is to just run the heck away. cause like, who are you going to tell? and what is the liklihood those you tell are going to believe you that it was self defense? cause if i was like some town guard and some out-of-towner said to me "nah dude it was totally self defense" i might be like "idk man that sounds suspicious"
QUESTION 4. Much of the second volume focuses on the character of Mora and Zeynel’s affect on him. Overall, what is your opinion on Mora? Do you feel Zeynel handled the situation correctly, or would you have done it differently? Why do you think Zeynel had the affect he did on Mora? Do you feel Mora’s regrets at the end redeemed him, or do you feel that he had done too much damage by this point? Do you think Zeynel was sincere in saying that he would try and start forgiving Mora at the end? In essence, what do you think Zeynel and Mora’s story together says about good and bad people? Additionally, what is your take away in regards to the themes of redemption and forgiveness? What in the comic made you feel this way?
i love mora because he is a conflicted, murderous teddy bear who got dealt the worst hand in life.
and i think zeynel handled the situation 100% correctly. because i think that played into a large reason why he has an affect on mora. cause i think its relevant to even the scene where we first see mora. in that mora is flat out just not used to kindness. and that she be shown kindness reminds mora that not everyone are the people who were awful to him in his past.
mathtans
I don't think I'll get that far. Ayse is taking this better than I thought she would.
RebelVampire
honestly i didnt know what to expect for how Ayşe would take it. i was legit as nervous as zeynel about it. cause this is an unbelievable situation where you have to ask a person to 1) believe youre now a supernatural creature and 2) be okay with the fact that you sorta murdered someone, even if out of self defense
but i enjoyed i didnt know what to expect
cause it helped put me in zeynel's shoes
mathtans
Yeah, I kinda thought she'd let him go and try to find a cure or something. But in the story she told, I guess she still needs him as a constant in her life.
It's kind of regressed Zeynel back to the point where he's not sure who he is any more, or what he wants. Before it was his family affecting him, now it's this inner demon.
RebelVampire
since you wont be to that volume i wont dwell on it, but i do want to finish the last set of questions off by saying i do feel mora earned his redemption in a sense. not in the lets all forgiveness sort of way, but in the sense he finally took a satisfying step in the right direction since he acknowledged everything he had done to that point was wrong. but with mora and zeynel, i think the story is saying bad and good people are still people. and that bad people are often bad for reasons and that while we dont have to forgive them, theres a degree to which we should still show them some human decency. and that if said bad person is trying to redeem themselves, its good to encourage it even if to us personally they cant be redeemed.
mathtans
Definitely address your questions, they seem like good ones.
RebelVampire
i think thats a good way to look at the transformation. that hes regressed. cause its definitely an identity crisis
like even without the vampire thing i doubt zeynel would have labeled himself as someone capable of murder
so that in itself is a holy crap moment
mathtans
He never knew what he was capable of until it was thrust onto him.
Something I've noticed narratively is the use of flashback. We started with the little blurb on the boat... then to the carpet selling... then back again 25 years. (There was something similar in the very first story too, the one I started reading accidentally.)
RebelVampire
yeah and tbh i think thats kind of within the comic as well regarding identity. that as much as we can come to define ourselves, we may still be missing portions of that definition if we never test ourselves in certain ways and find out what were actually capable of in certain situation.
mathtans
I always hesitate a bit with that style, like I wonder if it's really necessary, but I thought it worked well in terms of how the 25 years got kind of "fast forwarded" through the relationship to bring us to the present rather than jumping back. That was good.
(No idea if that narrative idea happens again.)
That's a good way of putting it, Rebel. Not only missing portions from testing but if other people are needed to bring those things into focus for us.
RebelVampire
yeah the use of flashback is interesting. though i think i most appreciate the first flashback transition from the boat to zeynel's successful merchant life. cause i think the boat really set up some great expectations. so when you see zeynel all happy selling a carpet youre like "hey werent you just eating a rat on a boat how did that come about."
mathtans
I'm not sure I made the link that fast, I just thought they were related or something.
RebelVampire
well even related i still think it sets up ominous tone for future events. so eh.
mathtans
I'm reminded of a conversation earlier today with colleagues, of when someone gets old and feels like maybe it's just their time and isn't necessarily proactive about health and stuff. But others may need that person to still be around. So they make an effort for that reason.
This two-panel style between Zeynel and Ayse is pretty effective.
RebelVampire
i think thats true to whats happening in the story for sure. cause as confident as Ayşe is, i dont think she wouldve accomplished her goals without zeynel. and tbf we dont really see them have that many friends who arent family and working for them. so they probably a close knit group
one thing i want to say at that end is that this comic really made me want to learn how to make carpets so i too can have beautiful carpets on my floor
mathtans
It's like, there's so much emotion here, it needs space to breathe.
I think there was a tutorial panel somewhere in there.
(For making carpets.)
RebelVampire
there was and id be lying if i said i didnt legitimately studied it for a bit
but then i gave up
and felt Ayşe's pain
mathtans
Made it to #300. Rough stuff. Very emotional.
You'll just have to weave your stories in the meantime, Rebel.
RebelVampire
this chat was missing a pun
COMIC TEA PARTY- THURSDAY BOOK CLUB END!
Sadly, this wraps up this week’s Thursday Book Club chat for now. Thank you so much to everyone for reading and joining us! We want to give a special thank you to Reimena Yee and Atla Hrafney, as well, for making The Carpet Merchant of Konstantiniyya. If you liked the comic, make sure to support Reimena Yee’s efforts however you’re able to~!
Read and Comment: https://reimenayee.com/the-carpet-merchant-of-konstantiniyya/
Pledge for a Hard Copy: https://unbound.com/books/the-carpet-merchant-voli/
Reimena’s Twitter: https://twitter.com/reimenayee
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clubruido · 7 years
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A Club Fonograma favorite since the mid 2000s, Daniel Riveros AKA Gepe, is known to combine Precolumbian instrumentation, folk sounds from Latin America’s history of protest music, daydream pop, and sometimes, reggaeton.
Gepe’s latest album is titled “Ciencia Exacta” and here in Chicago you can catch Gepe live at this year’s edition of Ruido Fest on Friday July 7th. We spoke over the phone briefly this week- Gepe in Santiago- me recording our conversation from a squatted 13 unit complex in Chicago’s West Side.
Our interview is in Spanish but I loosely transcribed some of Gepe’s most interesting thoughts into English. We talked about Mapuche cosmovisions, the rise of autonomous & anarchist practices in Chilean society, reggaeton, and whether or not him and Alex Anwandter will be sharing a stage during Ruido Fest 2017.
ZE: Hello Gepe. What can you tell us about your new album “Ciencia Exacta”?
GP: “Ciencia Exacta” is a very simple record, an acoustic search for nobility.
ZE: What about Christian Heyne’s participation on “Ciencia Exacta”?
GP: He is a very close friend who knows what works and what doesn’t work. Someone who can say add this song or subtract this song. It is a relationship is based on trust.
ZE: We are living through a very dark sociopolitical situation on a global scale. What are your thoughts about making music during the end of the world?
GP: Its a very complicated moment. There is a fascism created by capitalism has made some terrible threats. People are scared right now, fear of being robbed, of being killed. There is this fear of the other. In Chile we are experiencing a lot migration from Ecuador, Peru, and Columbia. There is a city to the north of Chile where a large part of the population is Black which hasn’t really happened in Chile. In every country there is this theme. How do I assimilate or deal with these topics? In general, musicians in Latin America we have always felt like we aren’t from any particular country but rather from Latin America. Before I am Chilean musician and I am Latin American musician and then I add that last name. I feel like we as artists are on a type of vanguard of extending Latin American culture without geo-political barriers. On my side of these things, my contribution to this is to build contextual alliances between contemporary music and folklore. To me Columbian folk music is just as important as Chilean folk music. Violeta Parra is as important as Eduardo Mateo, or Victor Jara.
ZE: How are you experiencing life under capitalism in your corner of the world, in Chile?
GP: Capitalism has generated a great damage for a long time, a great darkness. It is found in the deepest corners of our conscience, blood, or spirit or whatever. There is a great damage, especially in Chile. [Neoliberalism] became the main message after the dictatorship creating a very scared Chilean populace, very far removed from its roots of the original people, the Mapuche people mainly. There is a deep damage but I don’t know to find something in my music that speaks against this system would be “Marinero, Capitan”. There is a line that says “I am neither sailor nor captain, I am not the overseer or the worker.” It talks about a chain- about submission. Work is one of the chains that enslaves us. I do not feel part of one or the other. The idea is that there is an option outside of this. We have to aspire to this, to think outside of hierarchies, especially material hierarchies, between people who have power and those do do not.
ZE: Talking about “Marinero, Capitan” it seems very interesting that you chose not to glorify work or the work ethic. I do not know of any contemporary pop song that rejects worker essentialism and chooses not to glorify these chains.
GP: Yes of course. Everything should gravitate around political ecology. I am not simply talking about natural resources but also social relations amongst people, the way people relate to the planet. We have to step outside existing relations and stop believing in the hierarchy of the powerful and the slave.
ZE: You mentioned the original peoples of Chile. Has Mapuche cosmology influenced you as an artist, as a human being?
GP: Without a doubt. In fact, there is a song on the latest album “Flor del Canelo” that talks in a clear and honest way about the Mapuche culture. There is a Mapuche belief that says that the human being is simply the point of unity between the Earth and the Sky. This changes the entire schema of what were talking about, regarding the powerful man the dominates over nature, the powerful that dominates over the less powerful. In Mapuche cosmology one is a small part of a gigantic system that is a unity between the elements, the celestial and the spiritual. Nature is a place where these elements transit through. The Mapuche people in general have tried to maintain that order but have been met with conquest and the terrible things that have been brought upon them and their lands by the Chilean state.
ZE: In regards to autonomy or perhaps even a DIY ethic, does Gepe have any thoughts on this?
GP: In general, the anarchist movement is generating cells and daring people to think freely which is an essential exercise because here in Chile we are used to thinking in terms of masses. Its good to break that bubble and think more freely. I think anarchy is synonymous with liberty and it is an exercise of the maturity of Chilean society, especially amongst student manifestations which has generates an opportunity for the masses in Chile to think more freely which finds affinity with the type of free thinking that the anarchist movement is trying to foment.
ZE: Getting away from politics, you gave use quite a surprise when you started making reggaeton music. What can you tell us about your reggaeton aesthetic.
GP: I love reggaeton as a rhythmic form more so than its aesthetic. Artists like Munchi and Farruko are ones that I find interesting and have influenced me. Im not sure, it is particular and interesting that reggaeton is found everywhere in Chile, everyone listens to reggaeton. It can be alienating but there is a real corporeal allure towards reggaeton. But at least in my music I haven’t dedicated too much time to reggaeton but I have used its rhythmic and melodic components but not much more than that. I am not a reggaeton artist.
ZE: What is the future of your project with Alex Anwandter- Alex & Daniel?
GP: I would love to and I’m sure Alex has as much need to get back into the project and do something again. But as far as this year, no. Every time I am asked this question, I always respond I would love to do it again or at least do the project live.
ZE: You will have the opportunity to perform alongside Alex at this year’s Ruido Fest. Will Alex & Daniel perform live at any point during this year’s Ruido Fest?
GP: I wanted to leave it as a surprise but it will be a surprise nonetheless. All the Chilean artists will be doing something together.
ZE: Your friend Javiera Mena who is also performing at this year’s Ruido Fest just signed to Sony. What is the future of Gepe will you stay with Quemasucabeza or move to a bigger label?
GP: In that sense, I want to remain with Quemasucabeza. There have been thoughts about going bigger but theres some mistrust on my end. I love the artistic process with Quemasucabeza and want to grow with the label and have the label grow with me rather than grow with a bigger label and get all tired and stressed out.
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divincr-arch-blog · 8 years
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steph’s guide to roleplaying
Heyo! Bare with me, for this is a long post.
So, within various fandoms, I have seen a common trend that rubs me the wrong way. People asking, either their followers or blogs they follow, why they aren’t popular/roleplayed with. Or, they ask for advice and do not apply it, for one reason or another.
I have been in the indie Tumblr roleplaying community for over three years now, across three big fandoms (Marvel, Harry Potter, and Fire Emblem) as well as smaller fandoms. I have seen many trends come and go, many popular roleplayers come and go, and more.
It’s hard to get your foot in the RP door on Tumblr. I was there. Your favorite blog that you cry about being so good was there. Everyone was there. It’s a BIG pond, with many fish. Things are ever changing on Tumblr, so this will be reference guide to what you need to get started on your RP blog!
When it comes to edits, whether they are icons, themes, or promos, they are very important to RP blogs. Icons are a staple within the RP community, across fandoms, indie, and group. It may seem hard to get and make graphics without Photoshop, a very expensive program, but there are ways around it. Your graphics do not have to be fancy or hand drawn, but cleanly sized and cropped. There are many image editors out there, but these are my personal favorites. 
GIMP- a free and downloadable image editor. it works very similarly to Photoshop, and will work for basic things like cropping, coloring, and resizing images. It does not have all the features of Photoshop, but will work fine for simple things.
Pixlr- a free image editing site that requires no download. Again, it works similarly to Photoshop and Gimp, but more on the basic side. I recommend this if your version of GIMP or Photoshop is acting wonky or broken. If you are iffy about downloading programs, this will be perfect for you.
Photoshop Torrents- While stealing, pirating, and torrenting is wrong and illegal, Photoshop is expensive. You can get older versions of Photoshop through various torrents on the internet (I found mine through tumblr). I like using CS5 because it is a well known version with plenty of tutorials online. I recommend downloading Photoshop Portable, as it can easily be stored on your flash drive.
As for what is actually on the blog and what people like to see on a roleplay blog, there is a few things that people prefer not to see. The number one thing most followers want from a roleplay blog is writing. They may want that through interaction with you as a partner, or they just like reading it as a personal or follower. As for the things that people do not like to see, there are the top few things. 
6 Pages of Memes- It is okay to reblog memes. It is how interactions between partners start, and can serve as good ice breakers between new mutuals. However, as someone who has gone through many blogs, six pages of memes with a few RP post in between is not appealing. Just because you may not be getting responses right away, does not mean you should spam your blog and the dash with memes every half hour. People may not be online or interested in that meme. If you like all these memes, queue or schedule them for when people are online more. Also, send some to the people on your dash and focus on making new threads from them.
Short Replies- Before I start, yes, one liners are fun. They are quick, easy, and light, but they should not be the only thing on your blog. Many people like to expand to paragraphs because they are writers. Paragraph responses also show potential followers how you write and if it will click with their style. They may seem intimidating, but take your time on them. Save part of your responses to the drafts and come back to it later. Roleplaying is not about how fast you can respond, but the quality of your writing. This is especially true when you do not use icons. If a blog doesn’t use icons, I look for description in shorter replies rather than dialogue.
Negativity- This monster comes in many shapes or forms. Negativity/guilt tripping, drama with other blogs, and personal posts do not belong on a roleplay blog, though. Instead of guilt tripping and vague posting, talk it out with a friend for a confidence booster or take a tiny 1-hour break from blogging. Keep whatever beef you have with someone private, as well as your personal/political beliefs about an issue. That’s why personal blogs are things.
Lack of Pages- Pages about your blog are very important! It serves as your personal anchor on your blog, as well as people’s knowledge to your and your character prior to following and interacting. If someone does not see pages about your blog on it, they are more than likely to brush your blog aside. A rules page is the first thing people look for. They want to know how you are as a person, and how to interact with you. Besides the general “do not be a jerk” rule that everyone has, many people elaborate on how interaction with them work. An about page also helps people know your character. Do not just link a wiki page, especially if play as a canon divergent canon character. A well thought out about page helps both OCs and canon characters. It gives a personality and base for your muse and sets it apart from others.
Make it this far? Hella! You are almost through that metaphorical door! Now that the basic and bare bones of your blog is out of the way, let’s talk about trends, or what it is more commonly called aesthetics. They constantly change in the rp community. GIFs used to be the common thing, now it is still icons. While the trends may change, the basics of tumblr rp stays the same.
Themes- Right now, as I write this long essay of a post, container themes are all the rage. They were not always, nor are they required of an RP blog. As long as a blog does not have the basic preloaded themes that tumblr offers, most people don’t care too much about what it looks like. A few good theme blogs for RPers are soldierholiic, theme-hunter, and octomoosey. Don’t like any of those? Look at someone’s blog. There is usually a small icon in the bottom corner that links to the theme maker’s blog. My personal favorite is soldierholiic’s sora theme.
Formatting- You do not have to format your post to be considered quality! You do not have to hate formatting to be considered quality! As long as you can use basic grammar and spelling, you are good. Many people use small text because it looks a bit cleaner. The shortcut for small text is ctrl+shift+ -, if that helps. Also, many people expect your posts to be cut, meaning the latest two replies on a post. If you do not want or cannot download x-kit or other extensions, just politely ask your partners either through talking OOC or in your rules, to cut your post for you.
Function>Aesthetics- While having a nice looking blog is...well, nice, if someone can’t read or navigate through it, then they most likely will avoid you. Many experienced blogs are guilty of this too, not just over zealous newer blogs. Make your posts readable, both on the dash and the blog. Make your pages easy and accessible to find, especially for mobile users. Use colors that won’t kill my eyes because I’m reading your reply on your blog.
Graphics pt 2- While many blogs have personalized or hand drawn icons and promos, it’s not a requirement. You can use the icons you find in the tags. You can have icons that don’t match your theme. As long as they are sized correctly (100x100px is the norm), they do not have to be super edited. For promos, many fandoms accept the casual promo, containing an icon and a bit of info about your blog. It’s easy to spread around and learn a bit about the mun/muse. A fancy photoshopped graphic designed promo is not 100% necessary in most fandoms right now.
I know this post is getting very long and boring, but I swear I am almost done. Your blog is set up. You know the basics of roleplaying on tumblr. But everyone seems so scary with their rules, friends, and mains, etc. Many people on here are shy when it comes to new people. You probably are too. This is how you talk to people who seem intimidating. 
Be Casual- There is no need to call everyone senpai or quality or perf. That just makes things awkward. Just be casual with people you want to interact with. Talk about your fandom, scream headcanons with them, ask for their name. You do not have to go in with ‘HI DO YOU WANT TO RP WITH ME, [muse name here]-MUN-SENPAI?!!’ That comes off a bit strong and off-putting.
Be Respectful- First off, don’t be a jerk to people. Secondly, just read someone’s rules before messaging them with questions about something. While many are open to answering any questions a follower may have about them, if it something already stated in the rules of that blog, just save you all some trouble by reading them. Also, do not hate on their interpretation of a character. Each blog is different, even if there are 100 duplicates for that character. 
Don’t Be Afraid To Ask For Help- Is there something in the reply you don’t understand? Something about their character you don’t understand? Questions about the universe? Feel free to ask a partner for help! They won’t bite if you are respectful about it. Also, if you are close to your partners, they will often be open to help you with graphics if they have experience/time. Just don’t strut into their IMs expecting a theme done before you get there. Ask first! Be okay with their answer, even if you do not like it. 
Lastly, roleplaying is a hobby. Do not let it consume your life or stress you out. If that does happen, it is okay to take a break and come back. It is okay to restart your blog from scratch. It is okay to follow new and different people. Just have fun and be yourself.
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