#yes Zuko obviously

[rj-anderson]

"I was brought up to hate you but I've now realized that my upbringing kind of sucked, please involve me in all your wacky do-gooder shenanigans" is definitely one of the best redemption arcs

[joodeegemstone]

i love zuko's transformation from homicidal maniac with bad hair to homosexual maniac with great hair

[cowboygideon]

I don't know whose idea it was to kill off sokka for tlok but if I ever find out I'm putting a hit out on them because WHY WOULD YOU DO THAT HE AND KORRA WOULD HAVE HAD THE BEST DYNAMIC WHY ARE YOU A COWARD

[dickpuncher420]

peak zukka dynamic to me is zuko's 0 to 100 journey of thinking sokka is mildly annoying cringe side character to secretly the coolest smartest most funniest handsomest guy in the world. he thinks everyone feels the same and that this realization was just another part of his journey. this is post-boiling rock. while sokka goes from thinking zuko is intimidating and mysterious to knowing accurately that he is actually a hugely awkward dork. also that they both genuinely laugh at each other's jokes

REALLL ugh u Get It

[discordiansamba]

really funny to think that no matter the AU, it's the exact same cast performing the exact same characters in The Boy in the Iceberg. just like the Gaang is fated to save they world, they're fated to play them in a terrible adaption of their adventures.

[flilisskywalker]

I'm the one ATLA fan who wants Netflix ATLA's writers to be like: "Hey, what was Combustion Man up to before Zuko hired him to kill Aang?"

[questioningdragons]

Also, can we talk about how it took years for Hama to invent bloodbending, but Katara figured it out in a single evening, just by becoming aware it was possible and seeing a brief demonstration?

[spicymancer]

If the Actirangers are the Five Man Band trope, what roles would they all fill? Obviously Blue is the Big Guy, and I feel like Grey is the Lancer. (Haha) But who would everyone else be?

(If you don’t know what I’m talking about, much apologies and I highly recommend Overly Sarcastic Productions’ video on the five man band)

"You merely adopted the TVTropes; I was born in it, molded by it...!"

*cough* Sorry yes, I am familiar! The Actirangers obviously follow the Super Sentai / Power Rangers archetypes but if we were to slot them into classic tropes:

Red: Leader Red is probably the simplest member of the gang and the one who most reflects his archetypical role as the Paragon, generically good heroic guy. A Captain America-esque baseball captain figure in the team. I should probably flesh him out more tbh. Green: Lancer (loyal) / Smart Guy Green is Red's second in command, and she's more sardonic in contrast to Red's earnest character. Green is heavily inspired by Garrus from Mass Effect and Zoe from Firefly. A steady, focused and competent lieutenant. Blue: Big Guy / The Heart Blue is leaning more into the gentle-giant style big guy, befitting a Hockey Goalie. Probably no small amount of Grin from The Mighty Ducks cartoon and Broadway from Gargoyles. I think he's the kind of person who's often underestimated. His kindness makes people assume he's foolish, and his gentleness makes people assume he's soft. And he can be a soft fool, it's only when he wants to be.

Pink: Lancer (foil) / Token Evil Teammate Pink is probably the character I center most of my own mental energy around. "Token Evil Teammate" is probably a little excessive, but she's probably the Ranger who's most willing to fight hard and is the meanest of the group in general. She's rich, angry, and working on it. She's the sort of person who struggles with loneliness even when surrounded by people who care about her due to her own self-isolating mental baggage. Her story (insofar as the Actirangers have a story) is about working through that. Yellow: Plucky Comic Relief / The Heart Yellow is just having a good time. She's the sort of friend who doesn't really occupy a specific role in the group but is happy to support anything that needs doing. She isn't the type to worry overmuch about the future and firmly believes everything will work out.

Gray is obviously the Sixth Ranger, and as of yet isn't really part of the core band. He's the resident angsty boy of the cast. Shadow the Hedgehog, Prince Zuko, etc. A little overdramatic and a little bit of an edgelord but please forgive him, he's still figuring himself out.

Pawnathan might also count as a Cowardly Sidekick? I dunno he's doing his best.

[ecoterrorist-katara]

Zutara, romance novels, and the female gaze

Okay so I’ve been thinking about the female gaze a LOT so I checked out a subreddit about romance novels, despite never having read one. I came across this meme (which was initially a Tumblr post and then got posted to Instagram and then to Reddit and I’m now bringing back to Tumblr — Internet telephone, pls never change):

And…what is The Southern Raiders, if not a platonic grovel? Katara’s pain is central to the episode. It’s central to Zuko. Zuko asks Katara what he can do to make up for his betrayal; she demands the impossible. He reads between the lines, cockblocks her brother to get the necessary information, and then waits outside her door overnight (which he also did for Iroh, the one person we know for sure he loves). He basically makes himself a receptacle for her rage, and he holds space for her by coming with her on her revenge quest and carrying their bags and not saying a damn thing about what she should and should not do beyond like…asking her to rest. And obviously the grovel works! She forgives him and then they’re thick as thieves, bantering and fighting and saving each other’s lives, etc.

On a different note, I’ve been told that enemies to lovers is one of the biggest tropes in romance novels, similar to YA lit and fanfic. Here’s something else I found in the romance novel discourse:

And…yeah. In TSR, Katara really does show Zuko her worst self, because she doesn’t feel the need to perform for him. She doesn’t feel the need to perform moral perfection OR cold blooded vengeance. She bloodbends in front of him and he just goes with it. She doesn’t kill Yon Rha and he just goes with it. He doesn’t treat her any differently afterwards. Maybe they talk about it off screen, but I kind of like the idea that they don’t, because Katara doesn’t need to explain anything. And it’s so interesting, because some people in the ATLA fandom have a totally different read on TSR. They think Zuko was encouraging Katara to get revenge (by what, keeping his mouth shut?), and that Aang is the one who acts as her moral compass. I believe that either Bryan or Mike said in the DVD commentary that Aang is the angel on her shoulder the entire time. And this interpretation does make sense if you see it from the male gaze, where Katara as an object of affection is acting in an angry, irrational, threatening way. But if you see it from the female gaze, you recognize that actually it’s probably the most emotionally taxing experience Katara has to go through, and she doesn’t owe it to be nice or perfect to anybody. Katara’s formative trauma literally comes to a head, and she has to make a decision — no, a discovery — about who she is in relation to the tragedy that defines her life and even her identity (as a waterbender, as a parentified child who becomes the mom friend, as a genocide victim), and she’s accompanied by someone who trusts her judgement and validates her feelings.

I’m not saying TSR is explicitly romantically coded, but when it conforms so well to romance novel tropes…is it any wonder that so many people thought “yes this is her man?” And then he takes lightning in the heart for her and reaches for her when he’s literally dying, I will never be normal about that either

[suzukiblu]

excerpt from in-progress "timebending with Zuko" fic

Zuko wakes up and everything hurts.

Most specifically, his scar hurts.

That . . . doesn’t make sense, he thinks, and reaches for it automatically. A strong hand catches his wrist before he can touch it, which seems–fair, yes. Probably a good idea, anyway, because spirits does it hurt. Just . . . so much.

“Uncle?” he asks reflexively, attempting to open his eyes. It’s surprisingly difficult. And Uncle is in Ba Sing Se, of course, but he’s on his back on a futon or bedroll or something similar and someone’s sitting beside him and his head is swimming and he’s injured, clearly, so options for who said “someone” might be are limited, really.

So it’s not Uncle, obviously, but . . .

“Nephew,” Uncle says, very quietly, and Zuko . . . blinks.

At least, half-blinks. The one eye’s in too much pain to open.

The ceiling is metal, he notes absentmindedly. That’s . . . odd. He was in the palace, wasn't he?

“What happened?” he asks, vaguely bemused. Uncle pauses in a very concerning way, and Zuko has about three heart attacks about just how badly he doesn’t want to know what he’s about to say before–

“The Agni Kai,” Uncle says, very carefully. “Do you remember it?”

Zuko frowns–just with the one side of his face, because again, his scar hurts right now. To the point that his whole body feels wrong, does his scar hurt right now.

“Um–which one?” he asks, because there’s been about a dozen this month alone, and frankly he’s getting really sick of fighting them at this point but if the old guard of nobles are just going to keep dragging everything out like this–

“With your father, Nephew,” Uncle says, very carefully.

Zuko . . . blinks.

“Oh,” he says, vaguely perplexed. Uncle never talks to him about that. “Yeah, I remember that. What about it?”

“Do you remember what happened?” Uncle says.

“The part where I disgraced myself or the part where he burned my face?” Zuko says, because it’s so fucked up and awful and horrible that he can’t even get upset about it anymore, except when he’s really upset about it. But if Uncle’s bringing it up, presumably he has a good reason to be, so . . . “Or the whole ‘go find the Avatar who no one even believes exists anymore or you can never come home again’ part?”

“. . . all of that, yes,” Uncle says, still sounding very careful. Zuko frowns a little–again with just the one side of his face–and then looks over at him. His body still feels weird and wrong, but . . .

But . . .

They’re on a ship, he realizes. A Fire Nation one.

Well, explains the metal ceiling.

It doesn’t explain why Uncle is wearing red armor and a topknot like he hasn't in years, though, or why he looks so unspeakably sad.

“Um,” Zuko says, and attempts to sit up. His head immediately starts swimming even worse, and Uncle catches his shoulders and keeps him pinned against the . . . futon? Looks like a futon, yeah. “Where are we, exactly?”

“We are aboard a ship,” Uncle says. “I . . . may have slightly commandeered it.”

“. . . you paid for it, right?” Zuko asks, a little skeptical at that idea.

“Yes, Nephew, I did,” Uncle says, giving him a very tired, pained smile. Zuko doesn’t feel much better, seeing it.

“Is someone dead?” he asks, because he can’t think of anything else that would make Uncle look that way.

“Ah–no, no one has died,” Uncle says.

“Then what’s wrong?” Zuko asks warily.

“. . . you are injured, Nephew,” Uncle says, slowly. Zuko frowns, bemused. “And your father . . . I did not know he was going to do this. I am so sorry.”

Zuko . . . pauses. Looks around the room again, and then realizes: he knows this room, doesn’t he. He knows this ship.

This is the same ship he woke up on after the Agni Kai.

“Hold that thought, Uncle,” he says, then lifts his hands and looks at them. They . . . well, they are his hands, obviously.

But they’re not his hands, obviously.

“Huh,” he says, frowning in bemusement at them; turning them around like he half-expects them to stop being a thirteen year-old’s or something equally ridiculous. They don’t. They are very definitely a thirteen year-old’s hands.

Specifically, his thirteen year-old hands.

Huh.

“You don’t have to be sorry,” he says after a moment, putting his hands back down and glancing back to Uncle, who’s obviously the more important concern. “It wasn’t your fault.”

“I took you into that meeting,” Uncle says, his voice tight. “And I watched the Agni Kai. And I did nothing to stop any of it.”

“I know,” Zuko says. “But it wasn’t your fault.”

“It was,” Uncle says, his smile a sad and terrible thing. “You were there because of my actions. My mistakes.”

“You’re not the one who wanted to sacrifice all those soldiers,” Zuko says. “Or the one who decided to throw fire at my face.”

“You were there because of me,” Uncle repeats, his voice tight and his smile no less terrible. It occurs to Zuko, briefly, that Uncle must be thinking of Lu Ten.

He only ever looks like that when he’s thinking about Lu Ten, so . . .

“Uncle,” he says. “Really. It’s not your fault.”

“Nephew,” Uncle says, and his voice is somehow even tighter. Zuko tries to get up again, and his head swims again, and Uncle moves to stop him again. This time he grabs onto Uncle’s wrists and uses them to pull himself up, and then . . .

Well, then he’s sitting up, at least.

So that’s something.

He tilts his head and his hair slips into his eyes. It’s loose, and long. Not shaved on the sides yet, like he wore it the last time he was thirteen. He supposes he should cut it, but then again, why should he? He's not changing anything, after all.

Except for this conversation, he supposes, because that went very differently last time.

. . . hm.

"Uncle," he says one more time, and reaches out for him. Uncle doesn’t seem to understand what he’s trying to do, so he has to reach out a little farther, and then Uncle makes the connection and leans in and lets him wrap his arms around him and alright, yes: that’s better, Zuko thinks, and clings to him.

Just a little, perhaps, but . . .

Yes. He clings to him.

Uncle wraps his arms around him in turn, very carefully, and makes an awful sound.

“My boy,” he chokes. “I’m so–I’m so–”

“I forgive you,” Zuko lies, because of course there’s nothing to forgive.

But of course Uncle doesn’t understand that, does he.

[bouncybongfairy]

Freezer Burn

Prince Zuko x Fem Reader Smut

Summary: Tensions are running high which causes a argument between Zuko and yourself. He bruises the confidence you have in your hunting abilities and reaffirms your fear of being a burden. Wanting to prove otherwise, you go out in the cold to hunt. Feeling guilty about how he treated you, he goes out to find you. The two of you find some innovative ways to keep warm.

Word Count: 2.0k+

<3<3<3<3<3<3<3<3<3<3<3

Everyone was having a rough day of travel, even Appa was reaching his limit. It was freezing and the optimism of finding a warm place to sleep was fading in everyone. Anng found a small cave that would work for the night. It was on a small mountain and overlooked an even smaller village. Zuko started making a fire while Katara and yourself set up the tents. Yang and Sokka were already asleep, curled into Appa’s thick fur. You were hungry but so was everyone else. 

“Are we going to be able to hunt for food soon? Or get some water?” you asked. 

“We could but I don’t think the cold would allow us to be out there for long. Not to mention there wouldn’t be any animals out, it's just too cold,” she said. 

“Not to mention you’d barely come home with anything in good weather,” Zuko grumbled, poking at the fire. He’d been making cracks at you all day, at first you could ignore him. Excusing his behavior on fatigue and hunger pains, but now you were taking it personally. 

“You’re not a prince among us, so stop acting like it” you say in hopes of lowering his ego.

“I am the best fighter and hunter, the past two battles you’ve only slowed us down. Maybe if we had a successful kill earlier we wouldn’t be hungry now,” he said. 

“Zuko don’t say that!” Katara snapped. 

All day you’d been beating yourself up over that mistake. Deep down you knew the rest of the group was irritated about you costing them the meal earlier. It just reaffirmed your insecurity. Grabbing your bow and arrows, you start putting your clothes back on while preparing for a hunt. 

“We’re all really tired and yes we may be hungry but you’re not the sole reason for that. Zuko is obviously just grumpy, don’t let his outburst get to you,” she says, grabbing your arm. 

Deep down you wanted to listen and calm down, rest for a while. Your pride however wouldn’t allow you to stop yourself. As you left, you could hear Katara yelling at Zuko to apologize. The feeling of dread bubbled in your stomach, you didn’t want to make anyone worry but your ego was clouding your judgment. Everyone in the group had their own ways of helping and at times you did feel like a burden. Extra weight that Appa had to carry on his back. It wasn’t that you were mad about what Zuko said, you were more frustrated that it was true. At this point it felt like you’d been walking for hours. The snow was coming down hard, without any signs of lightning. Not eating and your lack of rest was starting to get to you. Your stomach felt like it was eating away at itself. Eyes burning and muscles starting to stiffen from the cold penetrating your clothes. You tried not to go too far, knowing you couldn’t carry an animal in the cold that far. But you had to get some distance between you and the cave in order to find any wild game. Finally spotting a young Moose Lion, looking lost and confused, you almost hesitated when readying your bow. After successfully hitting the animal, your body floods with adrenaline. This quickly fades as you realize you’ll have to drag the thing home. Seemingly underestimating the size which caused a struggle when walking back. Even though it was freezing, you’d broken into a sweat. Starting to feel lightheaded, you took a moment to catch your breath. 

Katara was pacing at the entrance of the cave, anxious for your arrival. He wouldn’t admit it, but Zuko was feeling his own regret about how he’d spoken to you. He didn’t mean to let his anger get the best of him, it just sort of happened. 

“I think I should go out to look for her, she could be freezing to death,” she said, starting to get dressed.

“You can’t, it’s a full blown blizzard,” Zuko said, standing up. 

“Well we can’t just leave her to die out there!” Katara snaps, upset that he would even suggest stopping her from leaving. 

“I know, but only a fire bender would have the resources to survive such severe weather. I’ll go,” he said, making the fire sustainable for the time he’d be gone for. 

“Just be careful,” Katara said as he walked into the cold.

Once he felt just how bad it was outside, his guilt intensified. It wasn’t true what he said about you being a burden. He was just feeling insecure about his own place in the group. Simply projecting his inner turmoil onto you. Knowing it pushed you this far was getting to him. He took a deep breath and started following the faint track you left. Even though a fresh layer of snow was now covering the foot prints, it was still enough to follow. At times Zuko would use his fire for warmth and light. Getting desperate, he began calling your name out. Fatigue was starting to affect him as well. He finally thought he saw you, laying against the animal. He assumed you were just pulling the arrow out but when he got closer he noticed you were passed out. He immediately started assessing you, looking around knowing he had to find shelter that was closer than the rest of the group. Using his fire, he melts a coating of snow and ice, covering a small cave. The animal luckily kept you warm while he wasn’t there but he was still worried about your fingers. They had practically no color and your lips were tinted blue. Once he got you inside the cave, next to the fire he created, he brought the animal in. Impressed that you shot it right through the chest. Taking off his outer layers and bundling you up in them. He was relieved to see the color coming back to your fingertips and cheeks. Checking every once in a while to make sure you were getting too close and burning yourself. 

The two of you wouldn’t be able to make the trip back any time soon, so Zuko began skinning and sectioning off the meat. Washing his hands with melted snow he was slowly collecting. As he roasted the meat, he couldn’t help but admire your beauty. Your eyelashes were long and the light from the fire was illuminating your face. Sleeping with your lips slightly parted, hair completely unraveled from the tight bun it once was in. After a couple hours, you slowly began to come too. Sitting up rubbing your eyes, Zuko rushes over to you.

“Are you okay?” he asks, brushing the hair out of your face. He grabbed a bowl of water, bringing it to your lips,

“Sit closer to the fire,” he said, helping you sit up fully. Still weak, you were wobbling while you sat criss-crossed. Still shivering a bit because your back was cold, not able to feel the heat from the fire. Zuko notices this and comes to sit behind you, stabilizing and warming you up. He was using a stick to roast the meat he’d prepared from the animal. It smelt really good, and was the only reason you were keeping your eyes open. He brought the stick to your lips but you were too weak to rip a piece off. Trying to bite a small chunk but not having the strength to actually get a bite. He laughs at your attempt and rips a small piece off, bringing it to your mouth. He repeated this a couple times, giving you sips of water in between. Letting you digest, he rests his chin on top of your head and keeps cooking. After eating, you could feel yourself gaining strength and energy. Becoming more aware of your surroundings.

“What happened?” you asked, looking around and noticing it was only you and Zuko. 

“You went out to hunt and passed out. I came looking for you but the storm was too powerful to travel back to camp with you and the kill. So we're camping here for the night,” he explained, adding more wood to the fire. 

That was when you slowly started putting the pieces of your memory back together. You were grateful to be sheltered now, definitely counting your blessings. Noticing that Zuko wasn’t wearing a shirt, you took off what he gave you. He accepted it but didn’t put it on right away, instead just laying it on his neck like a scarf. 

“I’m sorry for egging you on like that, and for not stopping you from leaving,” he said, moving his chin from your head to your collarbone. 

“It was my decision, I knew it wasn’t a good idea. It was my stubbornness that put both of us at risk,” you said. 

“I like that you're stubborn, that you don’t listen to people who underestimate you,” he said.

“I thought you hated me,” you chuckle. 

“I know that’s what I show but it couldn’t be further than the truth,” he spoke softly. 

“Oh yeah? Why’s that?” you asked, moving your back closer against his chest. 

“As mean as I’ve been, you always are so nice and understanding. Even when I don’t deserve it,” he said. 

“Zuko you always deserve it, you’re easy to love,” you say, turning to face him. 

His face was bright red and for the first time you were seeing his vulnerability. Just slightly, like he didn’t want to give too much away. You move his hair out of the way and look at his scar. Although he looked a little embarrassed, he tilted his head so you could get a full look. Without thinking, you started kissing the skin around his eye. He ended up catching your lips with his. Immediately you move so that you’re straddling his lap. His back was pressed against the wall of the cave, your back was facing the fire. Running your fingers through his hair, admiring how soft the strands were. He moaned into your mouth as you pulled and tugged. Rocking your hips against crotch, your stomach tightening after feeling him get hard. You take in a sharp intake of breath and narrow down, focusing on rubbing against his shaft. Zuko’s hips began to buck involuntarily, which led to his taking his pants off. You follow his lead and do the same, also removing your top. Using his hands to rock your hips against his. Partly because he liked spreading your wetness along himself but also enjoying watching your chest bounce. He takes one of your nipples into his mouth, you let out a strangled moan. The pleasure was so intense the rocking of your hips was becoming erratic. Seeing you react so intensely to his touch made him go somewhat feral. 

Flipping you over so your back is against the cold ground. He was feverishly kissing your neck and chest, at times making you giggle. He smiled down at you, taking in how beautiful your eyes were in the soft glow of the fire. Your entire body felt like it was burning down to your core. Pulling your knees to your chest, taking the hint he sat up. He was now towering above you, his member laying on your front. Leaking pre-cum onto your lower stomach. He grabs himself, slapping his dick on your pussy. Enjoying the moans and whines coming from your mouth every time he rubbed his tip against your clit. He enjoyed watching you beneath him, desperate for his touch. A relief only he could provide you. Unable to take any more foreplay, he presses into you. Muttering curses as he is overwhelmed by your heat. How tight you felt around him and your moans matching up with his movement made him feel overstimulated. Like he couldn’t slow his heart rate down. Watching as your tits bounced with every thrust, how braindead you were from pleasure. He presses his hands down on your stomach so he could feel this cock pounding in and out of you. The sudden pressure was enough to send you over the edge. Pulling Zuko down and raking your nails down his back, 

“Fuck!” he said it loud, right in your ear. 

His thrusts were unrelenting as he chased his orgasm. Groaning and moaning into your shoulder as he finally came. Rutting into you as he came inside you, pressing himself as close as he could be to you. Petting his hair and whispering encouraging things into his hair. He laid down beside you, pulling you into his chest before covering the two of you with a woven quilt. Giving the fire one last hit before drifting off to sleep with you.

[sanrielle]

I honestly think a lot of people are against 'cop Toph' because they envision the rebellious twelve-year-old version of her waking up one morning and saying, "I think I'll enroll in Ye Olde Police Academy and become part of The Machine." Obviously, that would be wildly out of character for her.

Instead, consider:

She was freshly minted child soldier on the winning side of a finished war. Quickly growing up. She was strong and bored and wanting to do something worthwhile. Something meaningful. Aang was the Avatar, Katara was probably at his side a lot, or doing her own thing with the Water Tribes. Zuko was the Fire Lord. Sokka and Suki were posted up in Cranefish Town near Toph's metalbending school, trying to keep crime under control.

And so she put her skills to use. She trained up her students to help combat the crime. She was good at it. Good at teaching, good at fighting, good at leading, good at unraveling schemes with her truth sense.

She was so good at it that she actually made a huge difference. Cranefish Town became Republic City, which suddenly had a functioning government. Her loyal band of vigilantes now had actual funding, and rules to follow.

She didn't join The Machine, she was The Machine. And her only choices were to keep running it, or let someone else take control of her life's work, the thing she built from nothing. Holding onto that as hard as she could for the sake of pride is not at all out of character.

[were-wolverine]

listen i love firelord!zuko as much as the next guy* but yk what i love even more?

zuko getting to be a teenager and not having to rule a country that literally just ended a 100-year long genocidal war with no actual political training or experience and a shitload of trauma

like just have iroh rule for five years at least before shoving the responsibility onto him. ideally zuko wouldn’t have to rule at all because clearly that was never something he wanted, but you’d have to rehabilitate azula first

azula was definitely actually trained for the role anyway, cuz ozai obviously never planned to make zuko fire lord. she’s a natural leader and actually wants to be fire lord

yes i’m still mad they made 17 y/o zuko firelord, no i will never stop being mad about it

*yeah this is a lie i do not love firelord!zuko i think it’s a terrible ending for him. free my boy

[thatbookgirl1118]

I cannot for the life of me find the original post (tumblr is a hellsite) but this was sent in an atla gc:

@the-badger-mole

and tbh i always kinda felt like kataang was weird exactly because of that one-sidedness??? like there's one episode of katara maybe sort-of seeing aang as a love interest (when the fortune teller tells her she'll marry a powerful bender), but then the rest of the show is her being passive in the relationship or actively pushing aang away (like their second kiss). and then at the end she just randomly decided "okay i like you i guess."

whereas aang got a bunch of pining moments and you actually believed he was in love with katara.

and most of their relationship was about how she helped aang - he did contribute to her character development over the course of the series especially as a bender of course but it didn't feel as emotionally/spiritually deep as katara's literal one episode sidequest with zuko.

but then someone else wrote "I would argue the opposite? Kataang is where Katara choose the peaceful nomad which subverts the trope presented where zutara is where she chooses the strong protector/combatant. Aang as a character is a subversion of the typical hero while zutara is like,,, coloniser romance idk"

and honestly... i kinda get that. aang was problematic in a lot of ways, but he was definitely a subversive protagonist, and i can see the power of allowing the woman to choose the pacifist vegetarian over the extremely obviously hot jock badboy. this is an incredible oversimplification of their characters of course, but the point stands.

Basically, Kataang is the ship we all logically want - the sweet, friendship-based, seemingly subversive one. But Zutara is the one that actually makes sense in the story, with these characters, not their tropes. Aang is subversive, but he and Katara are also kind of terrible for each other - he isn't mature or selfless enough for Katara, who needs someone to force her to take care of herself because she's always the one taking care of everyone else (wonder what that's like). That's why she and Zuko are so perfect, because he not only takes care of her, he makes HER prioritize herself. Aang... does not. He's pretty selfish, which yes is partially due to his immaturity (I personally don't count Korra as canon because it treated ALL the og characters terribly so I'm speaking purely from his 12 yo self), but it's also just a basic incompatibility thing. And Katara is actually equally bad for Aang - she enables him waaay too much, and he needs someone who doesn't. Who forces him to stand up on his own two feet and take responsibility. She's too much of a mother, and her relationship with Aang is too mother/older sister-ish.

With Zuko, on the other hand? Katara started out HATING him, forcing him to prove himself to her instead of handing him everything she had like she tended to do with Aang and Sokka. He had to earn her care, and as a result he appreciates it way more and demands way less of it. He's a far less selfish character generally for the same reasons, and is much more mature/has a better understanding of life and gray areas. Southern Raiders is a great example of this - he's down for whatever Katara decides because he understands that there's no one right answer, unlike Aang who simply preaches forgiveness. I'm not necessarily attacking Aang about that either - I do believe that grudges eat away at a person, and taking a life does haunt you, so forgiveness isn't necessarily bad advice. But it's not what Katara needed. Aang is great as a friend, but I don't think he's what Katara needs from a romantic partner. Zuko just... is.

[seyaryminamoto]

My latest completed commission may have been a bit ambitious... because I went wild with it. But I certainly relished in doing so :') Combining my favorite ship with my favorite-ever Disney movie is, uh... a dangerous concoction :'D

The commissioner specifically requested for Azula as Mulan, Sokka as Shang, and Xin Long (my OC dragon from Gladiator) as Mushu. The rest of the cast was up to me to choose, and I pretty much went wild rewatching this movie and picking out some of my favorite moments to recreate them in my style, with these characters. I came up with a lot of correlating characters between both ATLA and 1998's Mulan, but I couldn't hope to draw EVERYTHING, unfortunately. Still, if you want my reasoning for the cast correlation... check out the Read More! Beyond that, feel free to reach out to me if you'd like to commission me, or if you want to join my Patreon!

The Herbalist as Mulan's grandmother might feel arbitrary but she honestly felt like the ATLA elderly lady with the most similar personality to Grandma Fa. Fickle, with a unique connection with a seemingly perfectly ordinary animal, old and sassy? Figured it fit! So for once, the Herbalist is Azula's grandma! xD strange notion, I know, Azulon/Herbalist is not a ship I ever thought I'd accidentally put out in the world but there have been wilder ships than that in this fandom...

Momo became Cri-Kee, I wasn't 100% sold on it but when I considered that Avatar features soooo many hybrid animals... I figured he could be a hybrid cricket-lemur. Weird, I know, but eh? Better than nothing xD

Aang as Chien-Po was a no-brainer. He's the only character I settled on instantly, never even considered anyone else for the role. Their personalities line up really well, and Chien-Po's tendency to be OP and resolve things that are outside of other people's reach sounded like he was prime Avatar material! So, while their dietary preferences are an obvious difference between them, I decided to go for it nonetheless considering all their other similarities!

Kino (another Gladiator OC) is Ling, and he actually did give me a ton of trouble to choose. I considered many characters for the role right up until I realized that Kino's personality actually lines up fairly well with Ling's, down to being a class clown type (who ABSOLUTELY would have cut gym class!) and breaking out in song about the hypothetical woman he'd like to fight for? Yeeeeah that's right up his alley xD but there's another reason why I picked Kino...

... And that is my likely unexpected choice for Yao:

ZUKO.

ZUKO IS YAO.

YES.

I'M NOT EVEN SORRY.

(For the uninitiated, Aang, Zuko and Kino are best friends in Gladiator, very often together, and they make a really good team, so that's the extra reason why Kino became the obvious choice for Ling aside from having really similar personalities, definitely closer personalities than, say, Jet, for instance.)

People have likened Zuko to Shang a LOT since ATLA aired. This is the main reason why I'm even making this huge note! I suspect it's primarily because of the aesthetic, let's be real here, and because he becomes Aang's teacher, but people have exaggerated Zuko's alleged similarities with Shang, or taken them out of proportion, in many ways. I actually remember an AMV ages ago with "Be a Man" and it was Zuko "training the Gaang"?? It... didn't feel right to me. Obviously, someone might rebuff with "well, how does Sokka make MORE sense than that, though?" And believe it or not, I have arguments for that... (when do I not...?)

Not only is this what the commissioner specifically requested (and it obviously lines up with the ship we love!), but let's examine the actual reasons why Sokka as Shang adds up:

Sokka actually had to train a bunch of toddlers who weren't paying any attention to him. You know. Kind of how Shang had to train the unruly soldiers who weren't getting anything right. Sokka has a positive relationship with his dad (Zuko, ofc, does not). Shang also has a positive relationship with his dad! And not only this, but there's a military component to both relationships, specifically with Shang wanting to follow on his father's footsteps and aid him in the war... so much like someone else I know, who jumped at every opportunity to rejoin his father in the war, even wishing to join him as a child until Hakoda tasked him with protecting their Tribe instead (kinda like Shang is tasked with training soldiers rather than joining a battlefield).

And the final cherry-on-top that I'd loooove to hear Zuko fans try to argue against... is sexism :') didn't Sokka get characterized as a sexist guy for four episodes, which made people decide that this was his main character trait even if it went away that quickly? Um, yes, that happened. Shang literally sings the memorable song that's a crazy ode to masculinity, including the rather sexist line of "did they send me daughters when I asked for sons". Shang outright abandons Mulan once they discover that she was a woman all along (while, admittedly, choosing to abandon her rather than KILL HER, which as we saw from Chi-Fu, he was NOT supposed to spare her!)...

So, is this REALLY what Zuko fans, who willfully believe their boy is a feminist king (... why? beats me...) are trying to compare their unproblematic blorbo to? :'D Me? I have no problem linking Sokka with Shang due to Sokka's beginnings and due to the fact that both Shang and Sokka have similar growth when it comes to accepting femininity is as valid as masculinity, and as they both learn to respect women as fighters and potential heroes! (I simply do not believe Sokka's ENTIRE tenure in ATLA was about that, though, and that's what I continue to clash with the fandom over...) So... all this is why I've reasoned that Sokka is a VERY solid choice for Shang, in fact, better than Zuko could hope to be.

... but this isn't all.

Maybe some might accept my arguments for Sokka-Shang. And then, they might ask:

WHY ZUKO AS YAO, THO??

... And the truth is it took me long to see it, myself, but HOLY SHIT, DOES IT FIT!

What is the primary thing we remember about Yao in Mulan? This guy is constantly itching for a fight, to prove himself, surely riddled with insecurities that he exteriorizes through overcompensation of masculinity. He's funny as fuck, but he's taking himself 100% seriously as a manly man all the time, and he's always ready for violence. But there's one more thing...

He treats Mulan as his RIVAL.

And more often than not? SHE SCREWS HIM OVER. Intentionally or not.

What does that sound like? Why, yes, it sounds a LOT like Azula and Zuko's sibling relationship!

The fact that Yao is a temperamental dude who lashes out easily at things (oh, something he has in common with Zuko!), that he specifically resents Mulan (in this case, Azula, just as Zuko does!) and is either constantly looking to defeat her and prove his superiority over her (... wait, just as Zuko with Azula??), that he has a black eye perpetually across the movie, and it's his LEFT EYE (just as Zuko's scar is on his left eye! :'D), that he's friends with a pacifist he has basically nothing in common with, personality-wise (just like Zuko and Aang!), and that he pretty much has a REDEMPTION ARC in which he goes from a bitter, asshole rival to Mulan to treating her as a friend and ally, to the point where he was disappointed to leave her behind and THEN joined her at once when she says she has a plan? :') I have always been critical of Zuko's redemption arc, goes without saying. But if ANY of these characters redeemed himself in any significant way, it certainly seems to be Yao to me, and with people gushing NON-STOP about Zuko's redemption? Why, he ought to be the character who goes from bitter rival to loyal friend, right?

So. I'm not even sorry. Zuko is Yao. And I'd dare say that he should be flattered by the comparison, even, because Yao ends up being cool as FUCK!

I don't really talk about this much nowadays, but Mulan was my favorite Disney movie growing up, it ABSOLUTELY had a formative influence on me as a little girl, and Mulan was my favorite female character for a looooong time. Thus, any excuse to rewatch this movie makes me happy as heck. With the wisdom of age I know, of course, that it's not perfect, it's not what China wants, it's not the most thoughtful depiction of Chinese culture or the most faithful adaptation of Mulan's poem (... but I'd also dare bring up that the 2009 Chinese adaptation ISN'T all that faithful either...), but it has a kind of magic in it, a solid storytelling flow, so many memorable moments one after the next, that I could hardly choose which scenes to depict... Disney has never again seen the storytelling heights it reached with Mulan in 1998. I don't even care if that's a controversial opinion in any way... this is their best animated feature for me, and nobody can change my mind.

So... depicting Azula, my beloved, in all these scenarios as this character I adored and idolized as a child, was so damn fulfilling for me. While some might think that, personality-wise, these two ladies don't have much in common, the fact that Mulan is sent to a matchmaker who basically tells her she looks good but is going to be the worst wife ever...? Our girl Azula, with all those insecurities about being unloveable and a monster, probably would relate big time to that.

Mulan is also an INTELLIGENT soldier rather than a brawny one, which is how she starts to make progress in the army, it's how she manages to overcome the huns with that avalanche... and Azula's primary difference with most other antagonists in ATLA is that she's smart as fuck. She is very strong, no doubt, but a LOT of that strength comes from her intelligence, from assessing situations in unique ways, from planning and strategizing. The way Mulan finds the most unexpected solutions that still pay off reminds me a lot of how Azula achieves unexpected feats through rather unorthodox means, capable of taking over a city with basically no bloodshed while her nation has spent 100 years trying and failing to do so through major army incursions and who knows how much senseless violence. Obviously, I'm not saying what Azula did is GOOD and it's kind of dumb that we always have to point that out... I'm merely comparing the magnitude of the feats, and the fact that they both come from ladies who use strategy and intelligence to achieve their goals rather than muscle and physical power.

And while anyone would rage at me for the comparison between Fa Zhou (her dad) and Ozai, the truth is the dynamic between them CAN be compared, if loosely: Mulan literally goes to war to keep her father safe. Azula goes to war under her father's orders. Hell, she makes herself BAIT in the Eclipse to make sure the Gaang won't get to her dad?? While it's very much possible to say that both characters have different personalities and attitudes in life... I'd also bring up that their contexts are evidently completely different. I wouldn't say for certain that Azula, had she been raised outside a Royal Family, would be EXACTLY like Mulan... but they might have more similar traits than one might expect. Ultimately, though... I love them both. And this opportunity to swap their places was pretty much a dream come true!

Alright, that was plenty of rambling xD ultimately, I had a blast doing this commission, as I'm sure is obvious by now. So! If anyone wants to commission me, feel free to check out my prices right here and hit me up if you're interested!

[sapphic-agent]

Let's Talk About How Book 3 Ruined Aang

If you've seen any of my prior ATLA posts, you know that I don't hate Aang. In fact, I quite liked him in Books 1 and 2. He was flawed, as all characters should be, but the show didn't shy away from those flaws or justify them. He was called out for burning Katara and rushing his firebending, Sokka and Katara were rightfully upset when he hid Hakoda's letter, he willingly owns up to the fact that his actions helped drive Toph away, and his entire arc after losing Appa and finding hope again in The Serpent's Path was beautifully done.

(Hell, even in The Great Divide Katara says what Aang did was wrong and he agrees. It's played for comedy, but the show still makes the effort to point out that what he did wasn't the right thing to do. You're just meant to understand that he was fed up and acted off of that)

Those flaws and mistakes were addressed and improved upon and helped Aang to grow as a character.

But for some reason, that aspect of Aang's character was completely flipped in Book 3.

The best examples of this are in both TDBS and EIP. Both the show and the fandom are too quick to brush off that Aang kissed Katara twice without her consent, one of which after she explicitly said she was confused about her feelings.

(And yes, she is angry in response and Aang calls himself an idiot. But after this, it isn't really addressed. They go on like nothing happened for the rest of the episode. Aang's lamentation comes from screwing things up with her romantically, not that he violated boundaries)

The show never really addressed why what he did was wrong. Not only because he wasn't given consent, but also because both times he isn't thinking about what Katara wants. In both instances, Aang is only thinking about himself and his feelings. This is something that persists through a lot of the third book. And by Sozin's Comet it ultimately ruins any character development he had built up in the second book.

One thing I feel was completely disregarded was the concept of having to let go of Katara in order to master the Avatar State.

For me, the implication wasn't that he had to give up love or happiness necessarily. He was emotionally attached to and reliant on Katara, to the point where she was needed to stop him from hurting everyone around him and himself. This is obviously detrimental to his functionality as the Avatar. And the point of him "letting her go" wasn't that he had to stop caring about her, it was that his emotional dependency on her was stopping him from being the Avatar he needed to be and that was what needed to be fixed. I don't even think it's about the Avatar State itself, it's about being able to keep your emotions and duty as the Avatar separate.

(If you look at Roku, he loved and had a wife. It wasn't his love for her that messed everything up, it was his attachment to Sozin. He wasn't able to let Sozin go and not only did he lose his life for it, the world suffered for it. It's the unhealthy attachments that seem to be detrimental, not love itself)

And Aang realizes that in the catacombs, which is how he's able to easily enter the Avatar State and seemingly control it. He let Katara go.

So then why does it seem like his attachment to Katara is not only stronger, but worse in mannerism? He liked Katara in Books 1 and 2- obviously- but he was never overly jealous of Jet or Haru. He only makes one harmless comment in Book 2 when Sokka suggests Katara kiss Jet.

But suddenly he's insanely jealous of Zuko (to the point of getting frustrated with Katara over it), off the basis of the actions of actors in a clearly misrepresentative play. Katara showed a lot more interest in Jet and Aang was completely fine with it.

(Speaking of EIP, Aang's reaction to being played by a woman was interesting. He wore a flower crown in The Cave of Two Lovers. He wove Katara a flower necklace. He wore Kyoshi's clothes and makeup and made a funny girl voice. He willingly responded to Twinkle Toes and had no issue being called that. And for some reason he's genuinely upset about being played by a woman? Aang in Books 1 and 2 would have laughed and enjoyed the show like Toph did. His aversion to feminity felt vastly out of character)

I guess my point is, why did that change? Why was Aang letting go of Katara suddenly irrelevant to the Avatar State? It felt like him letting go was supposed to be a major part of his development. Why did that stop?

Myself and many others have talked about The Southern Raiders. The jist of my thought process about it is his assumption that he knew what was best for Katara. And the episode doesn't really call out why he was wrong. Maybe sparing Yon Rha was better for Katara, maybe it wasn't (the only one who's allowed to make that choice is her). Pushing forgiveness? That was wrong. But the episode has Zuko say that Aang was right when the course of action Katara took wasn't what Aang suggested.

Katara's lesson here was that killing him wouldn't bring back her mother or mend the pain she was going through and that Yon Rha wasn't worth the effort. That's what she realizes. Not that she needed to embrace forgiveness. How could she ever forgive that? The episode saying Aang was right wasn't true. Yes she forgives Zuko, but that wasn't what Aang was talking about. He was specifically talking about Yon Rha.

And that was wrong. Aang can choose the path of forgiveness, that's fine. That's his choice. But dismissing Katara's trauma in favor of his morals and upbringing wasn't okay.

I know it sounds like this is just bashing Kataang. But it's not simply because I don't like Kataang, in my opinion it brings down Aang's character too, not just Katara's. But let's steer away from Kataang and Katara for a minute.

The one thing that solidifies Aang's character being ruined in Book 3 for me is the fact that he- at the end of the story- does the same thing he did in the beginning.

He runs away when things get hard.

Aang couldn't make the choice between his duty and his morals. So he ran. Maybe it wasn't intentional, but subconsciously he wanted an out. And this is really disappointing when one of the things he was firm about in Book 2 was not running anymore. His character went backwards here and that's not even getting into the real issue in Sozin's Comet.

There's been contention about the Lion Turtle intervention. For many- including myself- it's very deus ex machina to save Aang from having to make a hard decision. And that in turn doesn't reflect kindly on his character.

Everyone- Sokka, Zuko, Roku, Kyoshi, Kuruk, and Yangchen (who was another Airbender and was raised with the same beliefs he was and would understand which was the whole point of him talking to her)- told him he had to kill Ozai. They all told him it was the only way. And he refused to listen to any of them, rotating through his past lives until he was given the answer he wanted.

And before anyone says that I'm bashing Aang for following his culture, I'm not. Ending the war peacefully, in my opinion, wasn't the problem. In a way, I think it allowed the world to heal properly. However, that doesn't make up for the fact that Aang refused to make a choice and face the consequences of that choice. Instead, he's given an out at the very last second.

Even if he couldn't kill Ozai and someone else had to deliver the final blow, that would have been better than the Lion Turtle showing up and giving him a power no one's ever had before. It would have been a good compromise, he doesn't have to have blood directly on his hands but what needs to be done needs to still get done. It would also show that being the Avatar isn't a burden he has to bear alone. That when things get hard, he can't run away but he can rely on the people closest to him to help him through hard decisions.

All these issues aren't necessarily a problem with Aang. Aang prior to Book 3 didn't have most of these problems. This is a problem with the way he was handled