#yes I actually really liked him. I just think he's underdeveloped

[hollowflight-propaganda]

Ngl, I'm pretty excited to revisit arc 3 + Dragonslayer for my series reread because book 11 is the only one of those I've done a proper reread of, and that was 4 years ago

I'm also excited about that because then I can imagine my own complex rewrite for it all :)

[thedykeparade]

I know for a lot of people the relationship between Elphaba and Fiyero feels rushed and underdeveloped, but, I don't know, I happen to like the fact that she had such a strong impact on his life in such a short amount of time... like, yes! of course she altered his brain chemistry and whole philosophy of life after a grand total of 3 encounters, she really is THAT girl (I just realized what I did there as soon as I finished typing it, I swear the pun was not intended).

I think they gravitated towards each other because they were exactly what the other needed in their lives.

In the beginning Fiyero was a person that felt comfortable reducing his entire existence and purpose to just being a "hot prince with a scandalacious reputation". But then he meets Elphaba, and she is different than anyone else he'd ever met in all those schools he went to, in more ways than one. She is Not Impressed by his looks or his title. She challenges him because she's able to look past his "nothing matters" bullshit and see that he's actually a really kind, caring person. She looks at him like she knows that he can do better, be better ("no matter how shallow and self-absorbed you pretend to be..."). She inspired him to become the best version of himself.

Fiyero needed that, someone to push him to take control of his life and act upon his wants and beliefs. Without Elphaba he would've had a content but unfulfilled life.

And Elphaba needed someone to stand by her, to not leave her alone, to not be ashamed of her, to fight for her, to prioritize her, and to love her unapologetically. That person is Fiyero (and yes, Glinda could've been that person too, but ultimately she made her choice, and by the time she realized she chose wrong it was already too late).

Elphaba spent her whole life feeling unwanted. She needed someone that would spend years looking for her!!! Someone that would risk everything for her!!! Fiyero did that!!! That man was devoted!!! And that's exactly what she deserved!!!

She was alone her whole life until Glinda (except for Nessa, I guess, but even in that relationship Elphaba was always the one that had to take care of her sister), and she is so strong, but in the end she didn't have to be alone anymore, and she didn't have to be strong, she could just let herself be held and loved, and I love that for her 😭❤️

In conclusion: fiyeraba they could never make me hate you

[ledesaid]

Seeking a Father for Saturday ►○◙◄ #1

Do you know the solution to enjoy the snack table on Bring Your Child to Work Day?

Billy had an idea, you might be thinking of the same answer, and no, it doesn't include cloning himself...

Just asking for a small, tiny, and harmless favor.

What could go wrong?

There is a gift bag at stake, and Billy knows from a good source, Nightwing, that Batman has included two limited edition toys and a generous supply of various candies for several weeks for each child who confirms their attendance.

"So... if I didn't hear wrong... you want me to bring you in your mortal form on Saturday?"

"Yes?"

There are very few people Billy would ask this of. Really very few. If he really didn't want Batman to find out, this was the way... or so Billy believed.

"Your bravery flatters me, kid, but that statement is going to get you in a lot of trouble. I've already pawned my firstborn."

"So... is that a no?"

"Sorry, Cap, but hey, there are many good guys in the league, try another. I've heard from a good source that Batman has a horde of kids at home. Jefferson calls them Batman Incorporated."

Well, getting Constantine's help would have been easy, but he didn't want to impose... but he had no more viable ideas. It would be very strange for Victor to say he's his dad, and Zatanna would scold him for lying like that...

It's not a lie, it's not a lie if the truth is slightly altered to be clarified at the end... preferably before the day ends. A simple "Hey, it was just a godchild, nephew..."

But now he was doubting... His secret was important... who in the league?... Who in the league could he ask for help?

As Mr. Constantine said, Billy was brave... he needed an adult who was also brave... Someone who could lie... obscure the truth and have fun in the meantime... Brave...

Brave... Brave like...

A lantern.

And coincidentally, he had three today. Hal, Jon, and Guy.

Billy knew Jon wouldn't be very open to helping if he found out he was a child; Hal prided himself on being single and not having kids; Guy was someone who couldn't be forced to tell the truth... He was a cool guy!

And you know what would be even cooler?

For him to be his ticket to the gift table!

Finding him alone in the cafeteria was lucky and even more so that there wasn't a Kryptonian in the watchtower to spy on their conversation.

"Hey, Guy, got a minute?"

"You're in luck, big red cheese, my burger is taking its time, shoot..."

"Well.... you've heard the fuss for Saturday... for the day to bring..."

"... your gremlins to work, Nightwing is spamming everywhere."

"I have a small... Yes!, a small... um..."

He didn't think much about it certainly, this was very spontaneous. How could he tell Guy, 'Hi, I'm a kid who wants you to be my dad for Saturday and hey keep it secret or Batman will eject me from the watchtower for not meeting the minimum age'?

There's no way. Not in Billy's mind at this moment. And wasn’t he supposed to be the brave Captain Marvel?!

"Look, Guy, I'm actually a ten-year-old kid who wants a gift bag and the whole show on Saturday, but I can't tell Batman or he'll kick me out..."

It's an understatement to describe how Guy’s expression bewildered. Billy supposed it didn't go so badly upon seeing Guy laughing heartily while slapping the cafeteria table.

"Damn, Cap! That's the funniest thing I've heard in the last decade!"

But Billy didn't blink. He also didn't doubt. It took a bit, but Guy seemed to understand that Billy was serious.

"Hell, you must be joking... You're joking, right, Marvel?"

"Not at all."

Guy looked at Billy from head to toe... Trying to find some logic...

"Are you an underdeveloped kid or something? Or is it some magic thing that gives you these steroids?"

"A magic thing."

Guy grabbed his burger to savor it.

"Well... I've seen weirder things out there."

"So... is that a yes?"

Guy mumbled unintelligible things while chewing, but to Billy's surprise who was about to run away...

"If you cover one of my shifts, we have a deal, Cheeky Red Cheese."

---------------

Part 2

[hugsandchaos]

Follow-up to Halfa Dash AU

Believe it or not, Danny starts to get jealous of Dash. In his eyes, Dash got everything while he got little to nothing. Everyone in town knows Dash’s “secret” and work to hide him from the GIW or prying eyes. Valerie and the Fentons work together with him, and Vlad learned to let go of his anger a long time ago and isn’t in the picture.

When Danny helped in his universe, he was called a menace for accidentally causing property damage in ghost fights, half of which is caused by the other ghost attacking him and the other half is Danny being thrown at buildings or the ground, so he literally has no control over it! Even when he tried! He still tried to help the best he could, but it was never enough for the town.

“I gave all I could for them, and then some, but what did I get? Hunted! Torn open! I didn’t expect anything, not even a thank you!”

When Dash does it, he’s considered a hero, gets pats on the back, that kind of stuff. His fire core in still underdeveloped, but he warms up the area when he’s in ghost form. People love that, unless people are already hot and sweating, but no one lashes out. Danny’s ice core lowers the room temperature, and sometimes his body temperature. No one wants to hold hands that are cold.

As you can tell, Danny is pissed about this. He’s happy Dash doesn’t have to deal with what he did, but he’s still pissed.

As for Sam and Tucker, I have two ideas.

They went along with him to the alternate universe, where none of them existed, and all live and work together to get by and help each other out. There was no way they were leaving him alone.

The alternate Sam and Tucker like Dash. They think he’s a pretty chill guy, and they don’t understand why Danny keeps avoiding him or flinching. A part of Danny feels betrayed by this, even though he knows they’re not the Sam and Tucker he knew.

I think the last straw for Danny would either be Vlad or Lancer.

When Vlad comes into the picture, he’s not just… well, not a fruit loop, but he helps Dash! He helps him with his ghost powers, he teaches him, and Jack, and Maddie! He gives tips and advice on what to expect in the future and how to deal with it, and gives him his number incase he needs him!

Danny’s anger reaches a whole new peak.

If it’s Lancer, then it’s when he figures out that Danny has no parents and is living on his own. When he talks to Danny about this after school, he blows up at him. He goes on a rant about how Lancer thinks that he knows what’s best for him when he doesn’t know the full story. He lets it slip that he’s from another universe and had really bad experiences that made it hard for him to trust people and asks how he can be sure this isn’t a trap of some kind.

Eyes are glowing green, the room is freezing, and Danny’s cussing while trying not to have a mental breakdown and failing. He doesn’t want to be put into any adoption or foster care, especially with some strangers, and he’s determined to not let that happen. If anyone, he’d allow Frostbite to adopt him.

Surprisingly, this Frostbite and the one he first met are very similar and recognize him. It’s as if they’re actually the same! Like the Ghost Zone didn’t change, or at least, the Far Frozen didn’t.

Or maybe I can add the Nightingale Family from the PenPal AU! They’d be the one able to adopt him because he meets them all over again, and they’re some of the few people who are still the same. He knows he can trust them, so when they offer adoption, his answer is yes and a big hug.

I think that eventually, he and Dash might have a rivalry-type friendship. Ish. Danny’s constantly pushing Dash to get better with his skills. Dash likes to challenge him to a sparring match or race. Or maybe it’s like this closer to the start, but Danny’s genuinely mad under the mask. He’ll start to appreciate this Dash sooner or later.

[whytheylosttheirminds]

A few questions about Don’t Call Me Kid (my obsession 🤩🤩🤩):

1. What argument did Rafe and Carter have their senior year?

2. Has Rafe really always have feelings for reader? If so, why did he seem to be embarrassed by her when they were in high school?

3. Does Rafe understand reader’s high school experience? Like does he see now how much him being hot and cold to her and the others picking on her made her how she is now?

Omg thank you for these thoughtful questions! Sorry it took me so long to reply, I typed out a whole thesis paper and then my app crashed and I lost it 😩

Gonna put my answers under the cut because there’s some spoilers for the final chapters 🫶

1. There will be a flashback to the argument in chapter 7! It’s a big piece of the puzzle that reader is missing which gives more context to how Rafe really felt about her in high school.

2. I don’t think it’s really a yes or no answer. Part of the reason I like writing for Rafe is that in any universe whether he’s a literal murderer or just an aggravating frat boy, nothing is ever black and white for him, even though he wants it to be. He wants to know if he’s a good person or a bad person, if he’s in love or if he’s not, if he’s making the right choice or the wrong one, but it’s never that simple and he gets frustrated, usually resulting in dumb, impulsive decisions. DCMK Rafe is going to reckon with that in the last few chapters and he’ll be more frustrated than ever that it isn’t so simple. Still I think at the end of the day, yes. He loves her and he always has, but his underdeveloped teenage boy brain was more concerned with being well liked and maintaining an image and at the end of the day, he chose that image over her.

3. I don’t think he does fully. I think he knows she liked him and he was certainly aware that she wasn’t considered “popular” but I don’t think he understands how his actions and the actions of others affected her long-term. He sees her now, self-assured and thriving and he doesn’t fully understand that something else could be going on under the surface (don’t worry, she’ll tell him 🙂‍↕️). If anything I think he’s actually jealous of her for being able to leave it all in her past when he feels like he carries everything around with him like a weight on his back (another trait of Rafe in every universe).

I’m hoping to tie a lot of these loose ends in the final few chapters! Thank you so much for reading and being invested in I these lil characters, they mean a whole lot to me 🙏💖

[cityofmeliora]

What do you think about Copia’s childhood? I saw your post about Terzo’s, so I started wondering. Where do you think he was raised, who do you think he was raised by, how did it contribute to who he is today?

YESSSSSS YES YES YES YES THIS IS THE ASK I'VE BEEN WAITING FOR RAAAAHHHH–

ok so first, i just wanna be clear that this post isn't gonna include anything about Cardi's twin because i'm still waiting to see what happens next in the lore before i try to write anything involving him.

with that out of the way,

like all my Ghost headcanons, my headcanons about Cardi are built on the foundation that the band Ghost lore is about 1) an evil satanic cult, and 2) a dysfunctional showbiz family from Los Angeles.

basically, i think Cardi had a very lonely childhood. and he has psychological issues caused by a lifetime of Sister Imperator's insane parenting. his anxiety in Rite Here Rite Now, about how being Papa is all he wants to do and all he thinks he could do, SCREAMS of "unethical Hollywood parent who molded her child to be a star" to me.

i do think Sister 'raised' him, or was at least present in his life since he was a child ("You'll always be my little Cardi.") and she just... didn't him she was his mom / Nihil was his dad. (i guess it's quite similar to children of catholic clergy IRL, who are sometimes raised by family but never told about their true parentage, or know the truth and are told to hide it.)

Cardi is autistic, obviously, but i also think his awkwardness is him being socially underdeveloped because he comes from an isolated cult environment. he was a weird satanic homeschool kid who almost never interacted with anyone outside the Ministry, and he was basically left to watch movies and listen to music and play video games all day. i like the idea that Cardi had dance training when he was young, though. that was probably the only time he really got to interact with others. and because he grew up in the Los Angeles area, on the occasions he did get to go out, he was always surrounded by the entertainment industry and people trying to rise to stardom.

anyway, i think this was all somewhat intentional, or at least worked in Sister Imperator's favor, to mold him into a neurotic showbiz baby in service of her evil satanic death cult. (though i don't think he cares about the cult aspect of Ghost at all. he's been in it his whole life because he didn't have a choice and has never known anything else. he really just wants to be a rock star.) growing up without the love of friends + family, Cardi filled that void with games / music / film. so... of course he wanted to be an entertainer when he grew up– that was his only avenue for human connection.

and i think Cardi kinda knew Sister Imperator was giving him special treatment and pulling strings to put him in position to become Papa, though he never understood why.

a major point in my Terzo character analysis post is that he was very ambitious and he loved being an entertainer and a showman, but he was frustrated because he wasn't allowed to express his full potential. i wrote that his mindset was "i know i'm good enough. and i could prove it if they would just let me."

and ever since i wrote that, i can't stop thinking about how Cardi feels the exact same way.

he's super talented. he's worked very hard. he's proud of his accomplishments. he's proven he's capable! but Sister Imperator doesn't respect him. she infantilizes him. she keeps the training wheels on. she doesn't want him to be capable!

Sister Imperator does not allow Cardi to have independent thoughts or make real decisions for himself. she allows him the illusion of autonomy when she needs to, but every time he shows a little bit of awareness of how fucked up his life actually is, she shuts him down to keep him under control. she purposefully hides information from him so he won't know anything she doesn't want him to know. she intrudes on his privacy because his bedroom doesn't have a door.

i think their relationship has been like this his whole life.

you can see examples of this manipulation / obfuscation throughout the Chapters, and you can see a lot of it in Rite Here Rite Now.

first off, the opening narration gives the context / background information that sometime in late 2021, when Cardi was 51 years old, he found out his two bosses are actually his parents, and his mother kept this a secret from both him and his father his whole life. which is. wild. to say the least.

(i think when he found out, he was disappointed by the realization that he got to where he is because he was secretly a nepo baby and not because he was doing a good job on his own.)

moving on. in Rite Here Rite Now, Cardi's main source of stress was that he fully believed his parents were going to murder him and then put his body on display to sell VIP tickets for his successor's concerts. this was genuine fear, and he had a legitimate reason to believe they would do that to him because they actually did that to his three older brothers! and in the later Chapters, Sister Imperator and Mr. Psaltarian were totally fucking with his head and making him think he was going to die!

he asks Sister why he can't continue being Papa for longer –because he doesn't want his parents to kill him when they're done with him– and she just brushes him off and tells him to keep playing his show. then in the Miasma scene, Cardi has a critical moment of awareness and asks what the hell is actually going on in his life and who's in control.

PAPA EMERITUS IV: One thing I do not understand… All these things… here, all of this stuff, and all of these things we're doing, where we go, and when, and to where… Who decides these things? I mean, who's calling the shots?

this is totally fair! he has a right to know this information!

in response, his parents completely avoid answering the question. they shut him down and basically tell him he sounds ungrateful for the life he has.

SISTER IMPERATOR: You waste so much time and energy worrying about what's been and what's next, who's next and whatnot. As with all things in life, it circulates. Everything that has a beginning has an ending. There just has to be an orderly transition.

she never tells him the truth. she just tells him to stop worrying. stop thinking.

they never tell him they're not going to kill him. They Never Tell Him They're Not Going To Kill Him. THEY NEVER TELL HIM THEY'RE NOT GOING TO KILL HIM.

Cardi spends the last third of the movie making peace with the idea that he is going to die soon and his parents will be the ones to kill him. after Respite On The Spitalfields, he seems resigned to his fate. he tells the Nameless Ghouls they're not doing an encore. he says "Fuck it." but Sister Imperator, still explaining nothing, tells him to do the encore and he unenthusiastically gets back on stage.

SISTER IMPERATOR: Even though you don't understand right now, sooner or later, you will know what I'm talking about. Things –events– are unavoidable. Now you go back out there and give them one hell of an encore. And that's all you have to worry about. PAPA EMERITUS IV: Okay. SISTER IMPERATOR: Off you go.

by the beginning of Square Hammer, he decides he is actually happy with the life he has and he's okay with whatever's coming. and he still expects he's going to die... only for them to totally fake him out.

Sister Imperator dies instead. in the letter she leaves him, she tells him, "My son, I'm sorry I could not find it in my heart to tell you about my condition. I was afraid you might lose your sometimes frail concentration." more obfuscation. more infantilization.

at the end of the letter, she promotes him to head of the Clergy. he takes on his new job assignment as Frater Imperator and he seems to think he'll have more power now that Sister Imperator is "not in charge anymore." i'm not so sure about that.

and this isn't even getting into all the other weird shit going on between them in that movie! why was Cardi literally unable to see her wheelchair and medicine until the Spoksonat scene? why couldn't he remember his twin brother who he spent time with as a child? either Cardi is even more mentally unwell than we know, or Sister is messing with his head in even more ways than we know. maybe both. probably both.

i do believe Sister Imperator loves Cardi. that does not negate the fact that she is also manipulative and dishonest and has no respect for him, and that made her a terrible parent. she caused him a lifetime of unnecessary confusion and suffering in furtherance of her goals. yes, he is often childish and irresponsible. but i think the way she treated him didn't allow him to mature on his own.

the worst part about all this? i think he's convinced himself that he loves her, too. (he doesn't actually know how to feel about her. it would be too painful to think about.)

in summary, to me, Cardi's life is like The Truman Show, except it's the bad ending where the producer (Sister Imperator) successfully convinces him to stay in the bubble.

this was supposed to be a headcanons post and it totally turned into an analysis post, but i cannot help it. i just love Cardi so fucking much!!!!!!!!!!!!!!!!!!!!!!!! I JUST WANT CARDI TO BE SAFE AND HAPPY!!!!!!!!!!!!!!!!!!!!!!!!

btw i think his actual legal given name is Cardinal Copia Imperator. yeah. i believe Sister Imperator actually named him that.

[seyaryminamoto]

Any thought on Toph's writing and "arc" in ATLA? I personally think Toph was the most stunted and underdeveloped character. She never really develops at all and is mostly just a walking joke. It's clear that the writers loved her but also clear that they never did anything with her.

If you mean stunted and underdeveloped character in the main cast, definitely yes. A lot of minor characters were done a disservice by the show, given next to no complexity, so I wouldn't rank her as #1 altogether, but among the main cast, absolutely.

Now, I wouldn't say she had zero growth, it's just... not an arc. I also don't think she was only a joke, though they used her for comedy a lot. It's part of why it weirds me out when the fandom acts like Sokka, and only Sokka, was comic relief in ATLA. Toph, Aang, Iroh, even Zuko whenever the narrative wanted to poke fun at him, provided comic relief often, so it's kind of stupid to pretend it was only ever Sokka.

... But that ridiculous perception, then, caused the not-so-funny LOK phenomenon of "Bolin is the funny one", where basically all comedy was meant to be about/around this one character, which didn't work nearly as well as they expected it to, and did nothing for the team's synergy and bonding, but I digress...

What do I think about Toph's story and journey in ATLA?

Toph starts out as a girl who wants nothing more than to be independent and for people to stop underestimating her. When we consider that, in her final action scene in the show, she's clinging by her fingertips to someone else, and that her survival and life depend expressly on HIM, it suggests that she's learned that she doesn't have to go at everything alone, and also that she doesn't have all the answers to all situations. The first time we met her, it doesn't really feel like she wants to work alongside other people, as shown in her conflict with Katara in The Chase, where Toph felt absolutely no need to chip in and help out with anything but her personal needs.

I will say, in Toph's defense about that last thing, it's perfectly common for a child who has spent most her life being cared for, not having anyone expect a single thing out of her, to not understand why she needs to contribute ANYTHING to the team. It doesn't hurt that she's new, which implies that the others have been setting up camp, finding food, traveling across the world, without needing an earthbender's contributions. So it's fairly easy to see her side in this: why does she need to help at all? Why can't they handle things on their own when they always did?

But in her chance encounter with Iroh, Toph is given a chance to think on things and ponder that there's nothing wrong with relying on others. It's so effective that this scene concludes with Toph telling Iroh that maybe he should tell Zuko that he needs him too. This might even be one of Toph's strongest moments in the entire show, honestly. She has no idea who she's talking about, has never met Zuko or Iroh before, but what she tells Iroh doesn't sound like it comes only from having determined that IROH needs Zuko: it sounds like self-reflection, based on Toph realizing that maybe she can open up to needing her friends, too, and working alongside them isn't such a bad thing.

I think this is decent writing. Really!

The issue is... this is about as good as it gets with Toph.

I really like her character, she has a lot of good jokes, some interesting moments of vulnerability here and there, but this scene with Iroh is the only instance of the show I can think back on that actually features Toph questioning her strict ideas and reasoning with them, choosing a different path and abandoning something else she wasn't ready to forsake (complete and utter independence). What's more, this isn't even the kind of growth where Toph has COMPLETELY abandoned her individualistic mentality: she's adjusted it. She allows herself to consider she could be part of a team, to have friends, to work with others, but that doesn't mean she's tied down to them. It never stops feeling like Toph is more than ready to do things on her terms, in her own ways. No matter how much she bonds with the others, she will rely on them exclusively when she needs them (see how she clings to others when she has little to no visibility), or when they need her in combat and such, but outside of such spaces? It's unlikely that Toph will be the type of person who feels the need to be accompanied all the time, who feels better if someone is constantly watching over her. Her friends allow her to find some kind of balance between her need for independence and the comfort of having allies and friends to connect to... but that doesn't mean that she'll never break off on her own when the urge hits her, when the big battles are settled, when problems are resolved.

And I'm the last person to think Yang, of ALL PEOPLE, has any solid understanding of these characters, but whether it was his idea or Bryke's to feature Toph as a teacher, and to have the Gaang drop by to pick her up during The Promise? Ultimately, this just proves she doesn't feel the need to be with Aang, Sokka and Katara non-stop. If even someone like Yang thought she'd go do her own thing (... the quality of what he wrote is, of course, forever in question), down to even leaving her out of The Search entirely? It's clear that they're not trying to promote the idea that Toph is forever clinging to her friends now. She's still independent.

But like I said earlier... this balance Toph finds between her friends and her freedom isn't the product of multiple episodes and lots of hard work and bumping into obstacles to achieve. This... is literally just Toph's second episode. That's the last time the show actually challenged Toph on a PERSONAL level that doesn't involve "becoming a more powerful bender".

Take her relationship with her parents, for instance: the fandom is convinced they were abusive as fuck and that Toph would hate them forever. Ironically, the show DOESN'T promote this notion at all (which makes The Rift kind of insane when compared to the show's treatment of Toph's parents), for it features her parents as two idiots who underestimate Toph immensely and who simply want her to come home and stay out of danger. This could be deemed as abusive in some people's minds, as usual the word needs to be taken more seriously nowadays... they're not good parents, there's no denying that. They don't understand their daughter, outright. They allow their preconceptions of her disability to determine who they think their daughter is. There's nothing in the show that suggests otherwise.

So why, exactly, is it that every instance where Toph considers communicating with her parents or meeting them, she seems to be perfectly content with doing it?

Xin Fu's trap for Toph was completely cemented on the notion that Poppy Beifong had come to visit Ba Sing Se and that she finally accepted her daughter for who she was. Toph's reaction isn't some kind of jaded dismissal because there's noooo way her mom would ever accept her... she outright goes to see her. Which allows Xin Fu to trap her. Which then results in Toph discovering she can metalbend. But the thread that started this whole plotline? It... goes nowhere. Of course, Toph's parents AREN'T there, there's no real reason to assume they've changed, and this was just a trap... but we get no reaction from Toph when it comes to this. We see no conflict. She simply embraces her new abilities and runs back to Ba Sing Se. A quick glance through the transcript shows zero focus or interest in what she went through. Hell, there's not even any acknowledgement that she learned to metalbend. It's all about Aang's struggles with the Avatar State and Katara being in danger.

Next time? The Runaway. A very frustrating and annoying episode. What happens here? Katara decides to dig into Toph's old wounds regarding her parents, tries to psychoanalyze her and decides that all of Toph's rebelliousness against authority boil down to having a bad relationship with her parents. Which... maybe it's true? Doesn't really justify Katara trying to act like her mother anyway? And then the episode ends with Toph asking Katara to help her send a letter to her parents, which sounds like Toph has made her peace with them and like she's ready to accept that she would like them in her life too, and that she wants them to accept who she is. Yay.

... The issue here is there's no follow-up. This doesn't feel like development because nothing comes from it. Nothing really changed. It doesn't come from organic writing either: it comes from Katara's forced "mother friend" role that she didn't use to hold at all (as I said in the ask about why I think Katara loses her appeal as a character the deeper we go into ATLA), and it never actually confronts Toph with her parents again. It doesn't feature a deeper reflection from Toph regarding why she feels the way she does about her parents, nor does it feature Katara realizing that Toph's parents actually did fuck up a LOT with her and that she has every right to push back against them. It merely makes Katara calm down because she realizes the others care about her (while eavesdropping, ofc) and are ready to accept her for who she is... even though she, too, merits a LOT of reflection regarding this mom friend role and nobody else should be comfortable with that, let alone her :'D

Point being, the show really just holds this as the only thing about Toph that wasn't actually resolved, but it acts like it's fine because Toph sent a letter. What growth did we see in Toph that actually means this letter makes all the difference, though? We have no idea how it affected her parents -- as much as Yang acts like it didn't affect them at all, it could have made them rethink some things, or it could have made them mount an even more desperate search for their child, who knows? And it's a pretty solid thread to pull at, to tug loose, to TRULY challenge Toph's character... aaaaaaand they just don't do it at all.

The way I see it, that's really what it boils down to. The show doesn't challenge Toph in any significant way after her... second episode. This isn't the case for most main characters, and I'm not even asking for Toph's story to feature an intense, horrible, super harrowing and difficult plot...! Just, make some things complicated for her. Show her frustrations, show her difficulty to grasp things she hasn't experienced before. Confront her with realities that she, a sheltered girl from a pretty well-off city, has never really needed to face before. Her attitude towards Ba Sing Se is never questioned or challenged narratively: she's constantly proven right about the city being fucked up, and about her reads on all high society people. While all this makes Toph feel smart to a viewer, the issue really comes where this character basically only has her admittedly sizable charisma to win us over. She succeeds! But what does this show give her to work with besides a very quick "I don't wanna work in a team-I learned to work in a team" conflict that is resolved even faster than Sokka's sexism, which pretty much died out within 4 episodes?

There's definitely a component here were Toph is successful not only because of her personality, her abilities, her strength... but also because of the message she conveys regarding disabilities. A LOT of disabled people have clung to Toph as an example and inspiration to not allow whatever ails them to define them or hold them back. Whether the comparison between a blind girl with magical powers and a disabled person of our world without them is valid or not? The effect Toph has had on a lot of viewers who related to her struggles is undeniable. In a sense, it almost feels like the fandom's worship of Toph suggests that in not giving her further challenges on a personal level, they actually hit some kind of jackpot as far as social messages are concerned... but once you actually scope in and pay proper attention to her character, you might find she's got so much more potential that went ignored by this story in favor of presenting her as this unquestionably strong girl who relies on others when she really needs to but otherwise is independent and free from all of society's restraints on her.

Personally, I know this to be the case because of the pushback and reactions my version of Toph in Gladiator initially resulted in. She had no reason to think anything of Sokka and damn near killed him when they first clashed in the Gladiator League... and this horrified a LOT of people! They couldn't BELIEVE Toph could be like this! An older Toph, 7 years older to be precise, who broke free from her parents' hold, struck a bargain with her would-be-captor to get him MORE money than he'd find if he turned her in, and who wanted nothing but to measure her strength against other powerful fighters. If she doesn't have Aang's group's influence on her as early on as when she's 12-years-old, is it REALLY that crazy for Toph's problems with her parents and authority to fester, for her craving for independence to reach new heights, for her readiness to prove herself stronger than anyone to actually be a hazard for other people who stand in her way?

Thus... a lot of the work I've done with this character has been deconstructing these flaws, building her into someone who understands herself better. It's in learning from the examples Sokka and Azula set for her that she starts to realize what kind of person, what kind of LEADER she wants to be. One of my favorite scenes to write about Toph is when she's setting her city free from Fire Nation control, extending her earthbending reach all across Gaoling, putting a stop to the FN army while focusing on creation rather than destruction. On building up her people, on leading her forces with the power of her seismic sense, on capturing the enemy leader, all of it without razing her home city to the ground. Early Gladiator Toph? She wouldn't have cared one bit to join the war to begin with, and if someone had told her that her city, the place she associated with rules, limitations and restraints would be razed to the ground? She might have even encouraged it. Yes, a part of her would have felt guilt over her parents... but she would have been so emotionally stunted that she would have forced herself to ignore any part of her that still cared about them.

And worth noting? One of the biggest personal issues Toph faced was actually nearly killing Azula and Sokka because of her absolute determination to win against them during an event. They were already friends, but they were also each other's biggest rivals in the League... neither side holds back when it comes to this particular competition, and Azula and Sokka had actually beaten Toph and Iroh on their previous encounter! Which meant Toph's desperation for victory was driving her a bit crazy. But once Toph takes it too far at one point, she freaks out. It triggers guilt that actually jumpstarts a much deeper and more complicated arc than anything she'd been through before. Her determination to win at all costs, her pride over her lifelong winning streak within the League... she's suddenly facing the possibility that all this shit she used to cling to, so damn hard, means NOTHING when she could lose two of the people she cares most about if she continues to privilege all that stuff over their wellbeing and safety.

And this doesn't mean that she didn't like fighting as a Gladiator anymore... it means she really came to terms with the fact that other things mattered more. Later on? She realized there are BIGGER fights out there, too, than what's going on in the League: she was the last line of defense against a brutal attack by a rogue waterbender who killed a lot of people and could have killed many more... and after the fact, she spends quite some time worrying about what could have happened if she had failed to protect everyone, if her strength had faltered when she needed it most.

Yes, touting my own horn a lot... but everything I've typed about my own story is exactly why it can even piss me off, at times, to see Toph's potential as a character squandered to the extent it is in canon. I've done so much more with her than they ever did, and granted it's a huge story, but Toph ISN'T the main focus on it and I still managed to give her more to work with than canon ever did. It makes no sense, does it?

I don't think she was given the respect she deserved, and partly, I feel this happened with a lot of female characters who straight-up don't have arcs at all. There's this latent fear that in questioning a character, showing they're flawed, they could become unlikeable... ironic how this is seldom a concern over male characters, but it is with female ones. And mind you: it DOES happen to male characters, because Aang himself is the most egregious example of a male character showcasing flaws and people spiraling over them, turning them into something they never were, all be it to pretend SOMEONE ELSE (*cough* Zuko *cough*) is that much better than him. But they WEREN'T scared of writing Aang into complicated situations that showcased his flaws and resulted in his growth, though. They are with Katara, Toph, Suki, Mai, Ty Lee... :') wonder why, huh?

Ultimately, Toph is a much better character, boiled down to basics, than many characters I tend to talk about and criticize openly. The issue with Toph, for me, isn't really that she fails as a character, or conveys wrong messages, or that the narrative is biased in her favor (though sometimes it is...).

The problem with Toph is she has no chances to truly grow into her own. That her biggest growth comes from a singular conversation with Iroh in episode 2x08 is incredibly unfair to a character who can provide SO MUCH if you simply give her a chance and let her be... human. Flawed. Complex. There's so much more that can be done with her, and if given a chance? She really could have been the best character of the entire show. Too bad they didn't have the guts to let that happen.

[trashyrosie]

Leona, talking about the fountain as he gives a tour: So, he built it when his son was born-

Yuu: So, he built what is essentially a pretty thing to look at, but he couldn't have used that money towards better things? Like putting an effort into rebuilding the slums?

Grim: Henchhuman-

Vil: Could you be any blunter, potato?

Yuu, crosses arms: What? Oh and this whole "being one with nature" thing and allowing some of the natural resources to go untapped-

Kifaji: It's because we don't want to drain the land of what they have given us-

Yuu: No one said you were draining it. Just think of a more eco-friendly way of handling things. Leona said you guys have the greatest concentration of sunlight, right? Turn that into solar energy. Convert some of the heavy smog machines into ones that run on solar.

Lilia, hums: She might have a point...

Kalim: Wow, Yuu! You're so smart!

Yuu: Thanks. On top of that, it'll create jobs for people, especially those who work in high poverty areas. You guys can still be surrounded by nature without having to sacrifice nature for it. *Sighs* I'm done, sorry for ra-

Leona: Marry me.

Yuu: You get Grim in the process if I do.

Leona: Deal.

Kifaji: My Prince!

#twisted wonderland#twst yuu#yuu homura#lilia vanrouge#twst grim#vil schoenheit#twst kifaji#kalim al asim#leona kingscholar#cloudcalling on the savanna

No but like as an economics student AND a Leona stan hearing about the way they're handling their economy in the Sunset Savanna ... was sure..... Shocking to say the least

I hope I’m not being to forward but your comment has me thinking, as an economics student how do you think they could improve their situation, what policies can they implement, I would love to hear your ideas💡please

...fam. I'm about to yammer. Also this is my favorite question ever

As an economics student and mind you I might come off as abit harsh or even cold but I want to keep things factual. I don't think the game itself even recognizes what a big of a deal it is to purposely not develop the infrastructure. Underdeveloped infrastructure is one of the things that we take in consideration wHEN MEASURING POVERTY. This is what threw me off, in a way it sounded like they were INSISTING on having poverty related issues. AND WE KNOW THE SUNSET SAVANNA HAS PEOPLE LIVING IN POVERTY. The slumps being the biggest proof.

Leona's ideas ARE actually great solutions, he's completely right in my opinion. I just I think a lot of people don't exactly understand what he means when he talks about industrialization.. And I don't blame them. I too thought industrialization is just big factories go brr pollution and that's what the game seems to be sitting up but... I'm about to "um actually 🤓☝"

So, why is industrialization the solution (that AND developing the infrastructure bECAUSE OH MY GOD people don't have basic needs like water in 2024 ..??? I don't even feel the NEED to explain why that's bad at this point oh also the renewable energy idea is just PERFECT chief kiss) .. Now industrialization doesn't mean 100% destroying the environment.. Does it have a bad effect on the environment.. Yes but it doesn't means absolute destruction of the environment especially in this case..

Think about it...if the products they should be producing depend on natural resources as their input..would they really go, is Leona really presenting that they should go and absolutely DESTROY the sources of their inputs.?, even looking at it from a greedy economical perspective it makes no sense. Also industrialization provides ✨job opportunities✨ and this is very important. Job opportunities and providing the people with income "moves" the economy and improves people's living conditions, people now can afford education and health (which we know the people of the slumps have next to no access to, Ruggie's mom died while giving birth to him and it was mentioned there's a lot of crying kids in the slumps that means women in the slumps don't have access to good healthcare for giving birth a common thing found in countries suffering from whaaat? Poverty.) Providing people with an income improves their living condition (no sh*t) and the best way to provide them with that is by providing them with jobes and yOU DO THAT THROUGH INDUSTRIALIZATION (also side not here, governments can GIVE their citizens "monthly allowances or icomes" these amounts are usually small but better than nothing .. My country is doing this as of now and it's for this exact same thing "moving the economy" aka the people selling, buying, getting married reproducing... Basically living)

Another solution I really like is tourism.. Which Leona mentioned.. twice. .. I think? Okay so they don't want to mass produce? Okie dokie. Then lean heavy into the cool epic greenery you got. A lot of countries irl do that actually and it would also provides the people with the needed jobs (I'll never stop shouting about the importance of income and job opportunities)

but this time in the tourism industry.. and the sunset Savanna really can make banks out of this that place is gorgeous and they should use their beliefs and pride in what they've got as a force to move forward not being all like "the circle of life😍"... As a justification for Underdevelopemt. I really adore the tourism solution like personally like it. I actually I'm an average environment enjoyer myself and I don't think we should destroy nature.... But mothers are dying in the slumps and children are getting no food... And we don't even NEED to destroy nature... We simply need to IMPROVE the way the economy is going NOT DESTROY IT AND CHANGE IT.. Just modernize it a bit.. A region in my country is actually doing this. Leaning heavily into the old castles and mud houses we got (we old as heck) modernizing things a bit to make it tourists friendly while also keeping our history (that I love) intact and BOOM tourists destination and more jobs for the people

in conclusion, I love this ask so much thank you so much so much so much for asking.. my field of study + my favorite lion boy. I'm on cloud nine.. Hands down made my night..i think I gave three solutions.. I'm very sorry if I didn't go in more depths or if this isn't what you wanted I'll clearly be more than happy to answer more stuff about this because I'm a giant nerd. Also I should rule the sunset Savanna. Thank you.

[bibibbon]

The Lov deserved better endings

Yeah they did.

I personally think the leauge of villains deserved better arcs in general because realistically if we tried to redeem them with how the war arc played out how would society react? Also how would the leauge themselves react? It's all complicated jumbo and in the end ITS HORI WHO WROTE THEM THAT WAY

like yes they could of been redeemed if hori wrote them to be saved but he didnt. Iam still incredibly pissed at how underdeveloped shigaraki is and his whole goal of being to destroy and not actually developing into "I want to destroy the HPSC/the corrupt society that has caused me and the leauge pain" still pisses me off.

Look I know this is an unpopular opinion but I don't mind someone from the leauge not being able to get saved and dies (but at least make the death well written hori come on man). Personally Iam a sucker for toga dying simply because of the way I have come to associate her character with red spider lilies, blood, cannibalism and pomegranates. Also it just adds to the tragedy of her character which is something I love when it comes to her writing.

On the other hand while I do think depending on the characters arc and actions some (and I mean also hero characters) should face concequences for some of their actions or attone for them. I think that twice, spinner and mustard were pretty redeemable characters.

Shigaraki and Dabi should of been written to be much more complex overall (well this mainly applies to shigaraki, Dabi just got his backstory retconned to make enji look good) and have hints of a redemption or something that still says they have good in them. Like Iam still pissed that we didn't get much of Shigaraki consistency in general and when it comes to Dabi I would of enjoyed hori to give us Dabi in all of his complexity and I mean all of it.

Iam mainly pissed at Dabis ending because why I mean why would you revoke all of his autonomy and agency and leave him stuck all alone, slowly dying and being stuck with his abuser that wants to dance in hell with him but enji doesn't even understand what Dabi has been through in total.

I would of enjoyed more of spinner and shoji's dynamic and I honestly wanted more of spinner in general but dam hori did done and went and ruined him. Like I wanted to see spinner, wanted to see more of the discrimination plot line, wanted to see more of his thoughts on stain and how he would develop out of it/create his own thoughts of what a true hero is. I wanted more development when it came to him and shigaraki because all of it felt out of place in a way. Idk just wasted potential when it came to him.

Don't get me started about kurogiri Iam still sad about his death (it was cruel to just have him die that was just cruel there was so much potential with kurogiri that never got done right)

Honestly would of loved to know more about magne but I would of wanted her to die either way.

I think we should of gotten more of compress and his whole robin hood style. It's a shame I really wanted to see him do stuff like steal from the rich and give to the poor or simply give him more development then him being just there.

[afsosville]

Shen Jiu, if he was actually a competent shizun

My HC for how Shen Jiu is like with kids without trauma/healed trauma and shit: Honestly with a person like Shen Jiu, I can only see his interactions with kids going one of two ways, him being so very fond of them, and ofc, how he's like in canon. Ok look, in the third book under Shen Jiu's character description, it said that Shen Jiu definitely had more reasons to relate to Luo Binghe than to hate him yet he still chose violence for some fucked up reason. So yes, I for one headcanon that when he's in a better place mentally, he would choose to be doting and fiercely protective. We've seen that he's capable of being like that with Ning Yingying (and Qiu Haitang), and it's not outwardly obvious, but we can see it with the way she behaves around Shen Yuan when she thinks that's still Shen Jiu. She definitely acts like a spoiled younger sister/daughter who looks up to her guardian and shows a great amount of trust in him. So just imagine if that was extended to all of his disciples.

No coz if he was spared enough kindness for him to actually want to do better, he would choose the first option and emphasize with LBH instead BECAUSE smn gave HIM a chance and emphasized with HIM. LBH and SJ are parallels, and so whatever happens to SJ, it would be reflected onto LBH.

I am dead. I am so dead. I'm bleeding out so fast and goddammit it HURTS- SJ and LBH's whole story hurts sm.

Anyways-

I kinda like to imagine that when Shen Jiu's heart settles on the fact that maybe, just maybe, bleeding on ppl who didn't cut him and taking his hurt out on LBH is a no good very bad idea, he's going to end up over compensating for his whole fucking childhood and the way he projects on him is completely flipped.

"I'm going to treat you the way I wanted to be treated and ur going to feel loved and safe do you hear me?!?"

"Yes shizun (*＾v＾*)"

Here's the thing, he may be fond of his disciples, but he is still shit at taking care of them. He was robbed of his own childhood, so he doesn't know what normal kids act like in the first place. And he has no idea what the typical stages of development are and he would totally underestimate how dumb kids who didn't grow up like him would be. So yeah, shit at babysitting but loves them anyhow, for the same reason he would hate them in canon. (They remind him too much of himself). Idk, him being bad with kids regardless of trauma is so funny to me.

That moment when it clicks for him that he may not hate them after all: "oh gods these brats actually like…me? Me? Fuck what the hell do I do?! This is why no one should trust me with kids Aghhhhh!! Still think they're brats tho :( but they're my brats >:) "

He'd be like Shifu from Kung Fu Panda as a shizun. He's strict, harsh as hell and shows no mercy when training, coz becoming a cultivator/martial artist is fucking hard and requires alot of discipline anyway. So he really is doing his best to make sure his disciples come out on top. Shen Jiu is a prideful person by nature, it's just that his disciples are his pride. He's always there for them when they need him, and he will make sure that none of his disciples will ever have to go through anything he has. He wants to be the reliable adult that his disciples seek out. (He will never let it be known that he seeks his disciples' approval and validation as much as they seek his.)

Really fucking specific but idgaf. My social teacher brought chocolate bars to class and gave them out one time. After a few moments she asked if everyone was enjoying themselves. After she heard us agree she went on a lesson about slave labour and the production of goods in underdeveloped countries. Shen Jiu. Would do this. Because he’s a madman.

And Binghe. He would still end up a little unhinged. Like sure being under a master that abuses you will fuck you up one way but if you had a guardian who will start genocides and watch cities burn for you… It does things.

Shen Jiu is morally ambiguous as fuck and that rubs off onto his disciples. He is still a terrible role model, but his kids wouldn't trade him for the world:)

Would be the type that gives 5 yr olds knives for birthdays, bc he had a shit ton of them hidden away on his person when he was that age and knew how to use them when he was on the streets.

“What? It's an appropriate gift! The kid needs to have smt to protect herself! Yeah I know she didn’t grow up on the streets so what? No need to rub it in. Ok fine! I’ll teach her then just shut up. Let’s go Yan-er, some people just don’t appreciate the value of giving practical gifts WAIT PUT THAT DOWN-”

Is this lowkey self indulgent? Yes. Do I particularly care? No. I just want my favourite blorbos to be happy, is that too much to ask for? My Roman Empire is that SJ probably could've been a crazy good shizun if he had a chance to heal. If you've read The Hidden Flower, then you know exactly what I mean.

I already made a post with all of the soft BingJiu fics ik. I could literally make another one rn where they're just chilling platonically, or even as an adoptive family bc I have no chill like that and read all the SJ fics there is to read.

It's already summer and all I have going for me is my job rn and I am sooooo close to going through all nearly 400 pages under the SJ tag coz I simply can.

[autisticlancemcclain]

Jackie supports the lion swap? How dare you!

Okay SO. This is not the first time I’ve gotten an ask or a comment like this, and I’m fully aware it’s a joke (or at least I think), but I also know that it is kind of a controversial topic on here! And I’ve already written an essay in the topic, but I have some more thoughts I’d like to dive into.

I used to be team Blue Paladin Lance, and hardcore on that team, too. If you look at some of my old fics, you’ll see that. However since I am a contrary person by nature, I started to notice that Red Paladin Lance was way less liked, and so I started to like it more. I really grew fond of the dynamic Keith and Lance got to have as co-leaders, both because it was homoerotic as hell and because the symbolism was fun to explore, but klance is not the main reason I started to care so deeply for the lion change — it was actually Shiro and Allura.

I’m going to start with Shiro, because he’s one of the most fascinating characters in VLD, if not underdeveloped. Part of that fascination for me is that he probably has the most arcs and opportunities for character growth and development in the show, and yet somehow he’s the flattest. He’s portrayed as very one-dimensional in a lot of fic — he tends to be less of a character and more of a role. He’s the Space Dad, or the older brother, or the cool teacher, or the kind and wise friend, or even the stoic Black Paladin. He is loved, I think, but the role he plays is loved, not quite the person he is. And that makes sense, because that is exactly how he’s portrayed in canon.

To Keith, Shiro is “like a brother to [him]”, but what do we see of that dynamic? The show has a clear sense of how a brother acts, that’s a good chunk of Pidge’s character. We barely even know Matt, but Pidge carries herself in such a way that it’s clear when her brother shines through her. And yet even though Shiro also goes missing, twice even, Shiro does not shine through his brother. Keith’s impulses are his own, developed from general abandonment issues rather than Shiro’s specific absence. Shiro’s absence becomes less of Shiro’s absence and more of an absence of a beloved leader figure, kind of a martyr, a “Shiro would have wanted you to carry on”. It is really hard for us as a fandom to use Shiro’s disappearance as anything but a plot device, because that’s all it felt like! We have occasional moments with Shiro, enough to care about him in some way, but as a figure, not as a person. Someone pointed it out on one of my fics and I agree wholeheartedly — Shiro is not shown with any flaws, and that makes it really hard to love him, because you don’t really get the pleasure of defending him, of seeing his motivations, his reasons. Not until the very end, at least.

This is, in all honesty, likely just poor writing. Shiro’s character was honestly just sidelined to a role, because he is really not that present in the show. But I am going to work with the benefit of the doubt, and see if I can use the lion change to explain why we all kind of love Shiro anyway, despite the fact that he’s flat as hell.

Shiro isn’t the Black Paladin. He never was. He flew the Black Lion, yes, and he flew her well — but he was never her Chosen. He couldn’t have been. From the very beginning, the Black Lion was in mourning; she was in no space to choose a new paladin. She accepted Shiro, and she loved him, but he did not fall into her as much as he fell into the role she provided for him. He piloted the Black Lion, but he was not her Paladin. This is made obvious in two ways: in that he never got her bayard, and that from the very beginning, he set up a replacement for himself.

Doesn’t that strike anyone else as odd? I haven’t seen the show in five years, and I don’t plan on rewatching, but I do remember that every moment with Shiro almost had this underlying tension. The closest thing I have to canon off the top of my head is the Handbook (which I had to stop reading because they did everyone SO dirty there, even though some of it was honestly pretty funny), which was released in S2, and even that incredibly early canon talked about Keith replacing Shiro!

From the very beginning, Shiro was planning an out to his role. He knew it was not meant for him. He did the role well, but it was not his to do.

Aside from those two reasons, Shiro also…can’t be the Black Paladin. He can’t be that and himself, I mean. This part is a little more complicated, so I’m going to borrow some of my own tags from some awesome fanart I saw:

I really do think Shiro is defined by his humanity (as is heavily implied by his illness — this is a character who is completely and totally bound to his mortality. Of all the other characters, he is the one most familiar with death, so he is the one who is most intimate with the raw fear of being human. But more on that later), but it’s my last comment that I want to focus on — “he is DEFINED by his his humanity…even as his greatest asset is the part of him that is not human”.

Every second that Shiro is leader of Voltron, he is the Champion. That can literally be his only goal — he is the head of the fight against Zarkon and the Empire. Either Shiro comes out the Champion, or Zarkon does. Either Shiro has to grit his teeth and fight off the flashbacks and the fear and the pain and use the one thing that forces him to reconcile with the fact that he had his entire personhood stripped away (his arm, his Galra arm, one of their biggest advantages as a team; his connection to Zarkon through Black, something that can only help the war effort at a direct cost to him; everything he does in this war is shoving him right back into that Arena again and again and again), or Zarkon wins. Every second Shiro pilots Black, every time he plays her paladin, he has to be who the Empire made him to be. He has to be the Champion. Once again he is not Takashi Shirogane, the person, the astronaut, the man, he is the Role. He is the Space Dad he is the Pilot of the Black Lion he is the Champion. For every second he is in that lion he is stripping away himself.

Obviously, that is something that was never sustainable. On this argument alone, Shiro was going to waste away eventually. There was always going to be a point where Shiro was not going to be able to be the Champion anymore. There was always, from the very way the dynamic was set up, going to have to be a lion switch. Now, interestingly enough, there could have been a really easy fix to this: Black Paladin Allura. She’s already a born and raised leader, already shown her immense competence, already someone the rest of the paladins follow. With her at the helm, nothing else would have to change, right?

Well, maybe. We’ll never know. One part of that is absolutely true — Allura should have been a paladin from the very beginning. Her quintessence is canonically closest to the entirety of Voltron (something that bears its own essay,; the relationship between all six of the paladins and Voltron is wrought with heavy symbolism), she is the most highly trained, she is smart, and she actually wants to be out on the field. She should have been in that armour from day one.

But Allura cannot be the Black Paladin. Allura cannot handle other’s sacrifice.

Of course this is a complicated subject. Should a leader sit back and let her crew sacrifice themselves instead of her? Must she hold herself in higher regard, convince herself she’s more important? Of course not! Teams, especially Voltron, are built with assets. While not everyone might be ‘equal’ in the traditional sense, they are all integral, and expecting sacrifices is not the stance I am trying to take here. But the point of a team, especially a team so small and vital as Voltron, is that everyone is willing to be the sacrifice, as they have to be, and Allura simply can’t handle that. She shows us this from the beginning, when she disguises herself as Galra and is taken in place of anyone on the team she barely knows, and again in Oriande with the White Lion, and finally in the piece of shit canon ending. Allura has to be the sacrifice. Every time.

And how could she not be? The last time she spared herself of sacrifice, she lost her entire people. The last time she let others sacrifice themselves for her, she was left alone, to shoulder a war bigger and greater than she could ever handle. Allura is painfully familiar with the agony of being the survivor, and she cannot do that again. She cannot and will not put herself through that again. As the Black Paladin, she would have to let her team make sacrifices — she would have to let them have their own agency, their own decisions; she would have to let them choose to get hurt and choose to do risky things and analyse and react and act. As leader she would have to trust her team to put themselves in harm’s way, and not only that, but she would have to authorize them to do so.

Like Shiro cannot last as the Champion, Allura cannot last as the Survivor. Shiro cannot even last in Voltron, and it is foolish to keep Allura out of it. A lion change is absolutely necessary for the show to move forward, for the war to move forward. The initial team was doomed to fail.

How would it change, then? What would fit? I know I’ve said my piece. I know who I think would fit where. But since I’ve been comparing character arcs to their roles as paladins, I’d like to keep doing that — what about Keith makes me so sure that he’s the true Black Paladin?

I’ll show you with process of elimination. I know Black Paladin Lance is a favourite, and I can see why. Lance has many leadership qualities, is a good tactician, and cares deeply. However, aside from his desire for power making him less suitable for the role, Lance functions best as support, despite how much he hates it. He is the one who knows how to pick up the pieces of a broken situation. He is an excellent guide, which makes him an unbelievably valuable second. He is adaptable, so he can fill in for many different roles. He can step in for leader when necessary, but putting him in Black would encourage a more active role for him; would force him to anticipate and plan for specific outcomes rather than his strength as one who analyses any outcome as it arises and works within it then. Lance could be the Black Paladin, yes, but taking him from the body and placing him in the head would be a fool’s choice. It would be crippling to Voltron, to put the jack of all trades as a master of one. Lance’s arc is all about learning to love and trust himself as he is, as the seventh wheel. Not to put him in charge of the vehicle.

Well, what about Hunk? Hunk is incredibly intelligent and analytical. He probably could lead Voltron, and did in several occasions. But Hunk’s arc is interesting because it was handled so early in the show. Unlike the rest of the team, Hunk’s arcs were solved largely in the first season. His biggest flaws were his distrust of people and, literally, his inability to fly. He could not take his feet off the ground. He was so untrusting that he could not manage to take a step forward. However his bonding with Yellow and trust with the team and their subsequent and returned trust resolved these issues, more or less, which is probably why Hunk was treated more and more like a side character the longer VLD went on. Hunk didn’t need the role of Black Paladin because he had settled into the Yellow Paladin in a way that was sustainable.

Pidge is in a similar boat. Her arc, primarily, has been about finding her family. Voltron was almost second priority for her, or at least not her only first priority. And understandably so! As the youngest she was afforded with that lenience. Her growth was about growing into her own pain, about becoming her own person alongside what she had become in the absence of her brother. As the Black Paladin, she would no longer have the space to prioritize her search for her family alongside Voltron, so her position as Black Paladin would be unstable. She is best suited in Green, where she can focus on several things at once.

That really only leaves Keith. In many ways it comes full circle — the Black Lion healing from her grief by choosing the man who ran from his Galran heritage and his power as a leader, rather than the man who chose nationalism and power over anything else. Keith is Zarkon’s direct opposite, and as such is the other side of the same coin, the one who is truly Black’s Chosen. We know this because Keith is the one who wields the Black Bayard, and Keith is, from the very beginning, the one the rest of the team chooses to follow — I ask you whether it was for Shiro that the three other humans ran off to chase in the desert, or Keith? Who was it that Lance could not leave alone? Who was it that piqued Hunk’s curiousity? Who was it that challenged Pidge to choose Voltron, rather than the search for her family?

That covers Black Paladin Keith. But what about Red Paladin Lance? I’ve established already why he cannot be the Black Paladin, but why did he have to move from Blue? For that, I bring you another few slices from early, S2 and previous canon:

“I thought what we had was special!” “Seventh wheel, if you count the Alteans.” More than once, Lance laments over being forgotten. He struggles with feeling like anything but the extra, the unnecessary. Whether or not Blue Chose him is irrelevant — he does not feel Chosen by her. The Pilot of the Blue Lion position for Lance is as unsustainable as the Pilot of the Black Lion position for Shiro — Lance does not trust it. He doesn’t trust himself in the role, and doesn’t trust Blue in having chosen it for him. Obviously, this is not the role for him.

But Red? Keith’s Red Paladin, at least? Yes, he struggles with feeling like Keith’s second, but that is literally his arc. Lance’s development is about becoming his own person despite his own misgivings about being second-best. His role as the Red Paladin is the fulfilling of his arc, and is thus the best Lion for him, the Chosen. And Red did Choose him, mind you. There was an adjustment period, of course there was, but Red did more than let Lance pilot her. She opened up new possibilities for Lance — think the broadsword — that he could not see. Red saw his potential and revelled in it. She Chose him.

Lastly — and this turned out to be less relevant to the essay than I expected, but I do want to go over it a tad — is Shiro’s tie to humanity. I mentioned two important points: Shiro’s connection to mortality makes him the most intimate with his humanity out of all the characters, and he is undoubtedly the flattest character of them all. That is, if you don’t consider his clone to be part of his character.

But I’m begging you to reconsider. Reconsider, perhaps, who the clone is — Haggar had pure access to Shiro for a year, you remember. His thoughts, his dreams, his mannerisms, his priorities, his body. Even him at his most human, his most deranged, his most scared. She had Shiro then. She had Shiro when he had nothing to look forward to. She had Shiro when he hurt his crew to make sure they would live, at direct cost to himself.

She stripped him of his humanity — his connection to his own mortality. She took his illness from him. And who, then, did she return to the team? Who was clone? Shiro, mostly. The clone was happy to play with the team. The clone was clever. The clone believed, fully, that he was Shiro, only he was angrier and meaner, a little, and less capable of shoving down his own pain. Shiro, stripped of his tie to humanity and mortality, stripped of his compulsive need to be strained and stressed and the one everyone else can rely on, the Role rather than the Person, is emotional. He has flaws and outbursts. He can’t manage his own pain. He is is cruelest to the one person on the team — Lance — who canonically reminds him closest of himself.

Shiro, in the purest form that Haggar can make him, is flawed and self-hating. That is where our love for him comes. Not the man who pushes himself down at the same time as he sacrifices his personality to be someone for others, but the man who is struggling and can’t keep it locked down. That’s where it comes from.

Anyways. Like with my other essay, I’ll admit that this analysis is probably reading into this. The writing of VLD was flawed, at best, but regardless, I think the lion change is a rich amalgamation of the characters and who they really are.

[my-pjo-stuff]

For the Great PJO Ask Analysis event: (ask no. 3)

You've got a topic in PJO you'd like for me to analyze?

The way demigods inherit their godly parents powers. Percy has a long list of abilities compared to Annabeth/Clarisse/Beckendorf, etc.

Want to share YOUR analysis of stuff with me and my followers?

Grover Underwood is an incredibly complex character who tends to get forgotten both by the fandom and the author. As satyr, he's got different aging to demigods and while Annabeth and Percy know him well, they don't seem to completely know. He doesn't talk about his family, his relationship with Juniper and is generally used as comic relief. His status as Pan's legacy holder seems underdeveloped as well. Thoughts?

Want to hear my take or shares yours of different characters and aspects of the PJO universe?

The exploration into the realms of Greek mythology is interesting. The Underworld is relatively easy for the trio to get into and for them to escape which seems to contradict the Underworld being a terrifying place with Tartarus, etc.

Nico and Bianca Di Angelo's storyline seems rather complicated and doesn't really explore them as characters. Opinion?

The way demigods inherit their godly parents powers. Percy has a long list of abilities compared to Annabeth/Clarisse/Beckendorf, etc.

Now I'm going to be honest and say that in my opinion there isn't much to analyze? Like, at the start of the series it seemed pretty obvious to me that powers are rather rare to be inherited from godly parents. Instead, it was more like talents that were passed down (Apollo kids being good at archery, Athena kids being smart etc.) For Percy's powers I honestly just assumed it was because he was the MC, and thus obviously had special or cool stuff to make the story interesting. In universe I chalked it up to just being a genetic lottery like irl in which actual powers were like a super recessive gene.

There's always a chance you'll inherit it and it'll show, it's just VERY small. Then as the book went on and more and bigger threats got introduced, as well as more characters being thrown into the mix a classic case of power creep set in. 'Cause you need the new characters to be interesting for the reader to get invested, while also needing to up the stakes from time to time to keep it interesting. Yet at the same time the characters also need to be able to reasonably defeat the enemies. So the most logical way to solve all that is to introduce new powers.

And I honestly there's not much more you can really analyze or explain. It's not really a coincidence that most characters introduced in the first five books didn't have any powers or only relatively weak ones, while those later introduced tend to have them or have them more powerfully.

Grover Underwood is an incredibly complex character who tends to get forgotten both by the fandom and the author (....) Thoughts?

I think Grover is one of the many wasted characters in the PJO books, he specifically having suffered from being treated like a side character despite having the setup of a main one. You already pointed out that Grover is very interesting as a character and has a lot going on- which, in my opinion, would have been better explored for a character if they had been a demigod.

Grover is in this sort of weird position where while yes, his themes are very cool and even relatable, they are not relatable enough. Because who do you think would children (aka, the books target audience) rather read about? The cool human demigods their age who look pretty and do cool stuff? Or the satyr guy who doesn't fit conventional beauty standards and isn't human? Fact is that Grover just isn't really as "attractive" as a character compared to others- he always seemed to take more of a background role supporting other characters. Which yeah, is most definitely a HUGE waste (which I honestly don't think I need to elaborate on further). And I honestly blame the fact that he just isn't pretty enough. Is he ugly? No, but he certainly isn't pretty or very fandomizable. He doesn't really have popular ship options and already gets pushed into the background of the books to make room for Percy and Annabeth. The fact that thus the fandom largely ignores him and he seems to lose importance as the story goes on doesn't seem suprising to me.

The exploration into the realms of Greek mythology is interesting. The Underworld is relatively easy for the trio to get into and for them to escape which seems to contradict the Underworld being a terrifying place with Tartarus, etc.

Again I'll just have to go meta and say, I think it's just the fact that they are in a children's book. It would get pretty boring to just always stay in America/the "human" world with a setting that could offer locations such as the Underworld, Tartarus, Olympus etc. so logically Rick searched for ways and reasons to get characters down there to use them. PJO and HOO being a kids' book series of course meant that he couldn't truly portray places like that as horrifying and dark as they should be, so he had to tone it down to keep it child-friendly. Same goes for the escapes from Tartarus and the Underworld- Rick can't just have his characters die, so he has them come out relatively unscathed. That's personally one of the reasons why I think that PJO would have been much more interesting had it been a young adult or teen series, since it would have allowed darker themes to be explored more thoroughly than they were. 8Some examples being locations like the Underworld, the true dystopia that a world would be where demigods just straight up have no human rights, the systematic issues with CHB ect.) Nico and Bianca Di Angelo's storyline seems rather complicated and doesn't really explore them as characters. Opinion?

I mean Bianca's only major character trait was just "Nico's sister". She was as flat as a piece of paper, died a few chapters after her introduction and really just served as a plot device for Nico's storyline. So I honestly don't think I have to say and go over the exact same talking points as everyone has gone over with her before. Nico on the other hand had some very cool set up where we could explore HIM growing angry with the gods. I mean, Zeus was the one who killed his mother, no? His father (even with good intentions) just straight up erased his and Bianca's memory completely. Bianca ended up dying not only for a god (Artemis) but also indirectly because of the gods (the scrapyard they have and the robot thingy). And Hades just also straight up attempted to semi-kidnap him and train him up to be the Child of Prophecy for what I can only assume to be his own gain. Not to mention the disrespect children of Hades got at camp. Nico is, as much as I see it, one of the characters with the most reasons to be hostile towards the gods. Right up there with Luke and Ethan for what I see. Unfortunately though that was never explored, purely because Rick either A) didn't have the time or B) couldn't have the antagonist look too good. I'm not yet finished with all the books, so there is a chance that the part about the story being overcomplicated could refer to something else- but as of now I gotta assume it's the "he's from ww2, actually!" thing. Which, honestly? To me, it is much less overcomplicated and more underdeveloped. Nico's "time travel" is, when it boils down to it, just a loose excuse for Rick to have another kid of the Big Three there without anyone breaking their vow. We could have had a cool exploration of how demigod life changed over the decades or an interesting arc of feeling displaced in time. Instead, we got none of it because, frankly said- for Nico as a character right now that backstory just frankly isn't important. Nothing would really change for him as a character if we just push away that time travel thing. All we'd need to say is that he and Bianca got their amnesia in an accident and then BOOM. Nothing would change for their characters at all really. We could easily say that Maria was killed by Zeus together with her unborn child to get Hades to curse the oracle and keep the time line in check. So yeah, to me their backstory is more of an excuse to have them here and is severely underutilized and unexplored- and Bianca is just a dumpster fire overall.

[mixterglacia]

THIS IS THE PART WHERE LOGAN BITCHES ABOUT CARTOONS

WARNING: VIVZIEPOP CRITICAL, STOLITZ CRITICAL

YOU HAVE BEEN WARNED. I don't like this show, and I don't pretend to. Full transparency, I'm meaner in this then any before now. This is also slightly more disjointed than normal because I was directly reacting to the episode it's self.

"I swore I wouldn't dwell on the divorce." MAYBE WE SHOULDN'T BE RUSHING THESE THINGS BECAUSE IT FEELS LIKE HE'S WAITED TWO DAYS. EVEN IF IT'S BEEN MONTHS IT DOESN'T FEEL LIKE IT.

"I'll hear him and not the voice that says I'm not enough" Oh boo hoo bitch. You've seriously done nothing to convince me to feel bad for this stupid fucking asshole. His writing is full of holes and contradictions. It makes him feel like two different people.

"I'll set us free!" Are you quite sure that means what you think it means you stupid fucking ass.

Framed adoption certificate is a nice touch. Very cute.

Blitz is immediately not coming off how they want. I think they're -trying- to imply he has some deeply buried feelings too, but it comes off as "i didn't want this and i still don't want this, why can't it just be normal hookup shit."

"I'll die alone if this goes wrong!!" You have the emotional depth of a teaspoon and are about as interesting as one. Boo fucking hoo. BAD.

NGL this really made their wealth difference hit home. Why the flying fuck is blitz still bordering on abject poverty dude? You should be able to help him advertise send something IDK man, if you really gave a shit, why aren't you trying to actually help him in a genuine way? I'm sure he wouldn't say no if you slipped a hundred bucks or so into the book every so often. I fucking hate it here.

"Would he want me if he was free?" No. Next question. (You've done very little if anything to prove Blitz actually wants strings attached in this.)

"If he's only here as a prisoner what kind of monster does that make me?" Little late to have this realization but I'll take it. Also can we seriously stop downplaying how awful this is for BLITZ to go through? Stolas is severely over represented in Blitz's own fucking show. Why is Blitz so underdeveloped??? Why, dude? The episodes that mainly focus on him are pretty okay, but once Stolas shows up it's all fucking stupid.

If Blitz rejects him (which he should. Look how fucking anxious he is just THINKING about this.) he could lose his entire way of life. No more apartment, probably gonna get Loona taken away. Probably has to resort to prostitution or return to clowning. Stolas just gets to go about his life of luxury.

Why is Blitz's emotional well being such an after thought in this duet? THIS IS NOT STOLAS' SHOW.

"He showed me that I could choose" ...Dude. You have given no weight to swing that line at us. This isn't much of a choice in the grand scheme of things. Stolas and Stella already had the kid. The marriage never had to last. Not from the impression you've given us. He's a toddler deciding he wants chocolate milk instead of regular. We have never been shown he's actually going to lose anything of real value. He's still a prince. He's still got his money. Like are they trying to have him killed, sure but lets be real he's A PRINCE OF HELL. Assassination attempts are like...Tuesday for him.

GOD THIS SONG IS ASS. I will not allow Blitz to be painted as the bad guy here. Fuck Stolas, and fuck the team for trying to make it seem like we should feel bad for him. They both suck. BUT STOLAS IS OBJECTIVELY IN THE WRONG.

Ah yes, The Helluverse special of "let's yeet a stupid ass joke in the middle of plot, completely derailing anything." it has only been a few seconds and it's already going on for too long. Go learn from Bojack or RvB.

...........This cherub bit is throwing your entire lore off. If these idiots are having to do this shit to get by, why are they acting like heaven bound can do whatever they want in Hazbin? If all you meant by that line is the human souls in heaven, you totally screwed up the message there. Your points are murky at best, and you're contradicting yourself at every turn.

...............Are the cherubs mortal now? Like they're flying and glowing but they have to eat???? Huh? I don't think I've ever realized you're showing they eat a lot, but surely you don't actually have to eat as an angel or demon? Surely it's just a choice???? That's genuinely so fucking stupid???? WHY IS THAT EVEN A THING?

WE DON'T NEED FIVE ANTAGONISTS IN A CHARACTER DRIVEN EPISODE YOU FUCKING IDIOT. YOU ARE LITERALLY RUINING YOUR MAIN PUNCH. YOU ARE TAKING AWAY TIME THAT SHOULD BE USED TO ACTUALLY PROVE BLITZ HAS SOME KIND OF FEELINGS FOR STOLAS. BAD.

Honestly the stuff with these five would have been a fun standalone minisode. NOT IN THE MIDDLE OF ONE OF YOUR SINGLE MOST IMPORTANT EPISODES.

Bloody alleyway was a phenomenal cutaway gag. Points.

You really are not making it sound like Blitz likes this at ALL.

"If someone wants to see you less and less? Big red flag." NOT IN A HEALTHY RELATIONSHIP, DUH. He's literally a prince of hell in an affair with a """childhood friend""" who was literally PURCHASED for him. The whole thing is a red flag. Not just this!

You are making it exceedingly clear Blitz's just in it because he think's he'll lose the book. I don't give a rats ass about what micro-development you're going for. You take away time needed for showing that Blitz is conflicted on more than one level to do stupid ass tertiary character shit. YOUR CAST IS OVER BLOATED. BAD.

If you wanted me to feel bad for Stolas, maybe don't show that Blitz has an Angel-esque box of sex toys because he thinks he has to impress him. Stolas should have made it very clear AGES ago that he just wants Blitz. If Blitz is this hung up on needing to impress the damned bird, something very VERY wrong is happening in the bedroom.

If you seriously want us to think Blitz has feelings/cares about Stolas (Not that he HAS to), this sex candle shop would have been a perfect place to do it. "Well, he really likes it when I do this-" "This is his favorite colour." "This is his favorite scent." Blitz clearly knows nothing about Stolas, and both of them are to blame. This relationship is never EVER going to work if they know this little about each other when they've been regularly boning for ages. He should know more about what he likes. "What's the mood!?" "I don't know!" Woof. Full stop. This is never going to work in a real scenario. Womp Womp Move on.

HOW DOES BLITZ NOT KNOW HIS MEASUREMENTS. HOW CAN HE NOT JUST HELL-GOOGLE HIS MEASUREMENTS. STOLAS IS A PUBLIC FIGURE IT WOULD BE KNOWN. HE DOESN'T CARE, ERGO WE DON'T CARE. BAD.

Like he seems to MILDLY know what Stolas likes but this should be WAY clearer. Especially if you want us to think Blitz secretly cares too.

Love Fizz's new outfit. Very cute.

Gonna be real, Fizz and Blitz are seriously adorable. Can Ozzie pick him up too and actually show Blitz what being sexually valued is like? Because clearly he pulled it off with Fizz. Because he clearly enjoys sex and it feels like Stolas is just...using him. Not enjoying him. It's gross and SHOULD feel gross, because it FUCKING IS.

This whole bit with the cherubs makes it feel like we aren't supposed to give a damn about the main plot. That it's just a silly background to TERTIARY CHARACTER NONSENSE. BAD.

So far this confrontation is good as far as the pit of dread it opened in my stomach. I still really don't feel bad for Stolas. I feel bad for blitz. Him begging tore my soul out. It's so obvious how bad this power imbalance has gotten. I refuse to entertain these two any longer. This show needs to GROW UP and get over them, leave it here and I will forgive it.

Stolas should have 100% consulted Blitz before OFFICIALLY PUTTING HIM UNDER OZZIE'S JURISDICTION THAT'S NOT OKAY. Even if he leaves him alone, that can absolutely be weaponized.

"Am I not fucking you good enough?" Doesn't come off as him wanting more. Blitz feels like he's waiting for the other shoe to drop. For the love of the gods stop stringing this POORLY WRITTEN. BADLY RETCONNED. PATHETIC ATTEMPT AT A WELL DONE TOXIC RELATIONSHIP ALONG. BAD. MOVE. THE FUCK. ON.

"I care very deeply and have for a long time" You sure as shit never showed it.

To Those in The Back. ONE GRAND GESTURE DOES NOT FIX A TERRIBLE RELATIONSHIP. This is Mr. Peanutbutter with the library thing. This is Not ROMANTIC. This IS EMBARRASSING.

If he really cared, Blitz would not be living in poverty. If he really cared, he'd make an effort to engage beyond sex. IF HE REALLY CARED HE WOULD HAVE DIVORCED HIS WIFE THE PROPER WAY AND NOT TRAUMATIZED HIS FUCKING DAUGHTER OVER AND OVER AGAIN.

Stolas is a godsawful woobified piece of shit that doesn't have the decency to acknowledge he's the problem, and when he does, has the fucking AUDACITY to behave like a pathetic child. This I was wrong speech is DOGSHIT and has no punch to it because more than half of the episode was TERTIARY CHARACTER BULLSHIT.

Blitz has EVERY RIGHT to see this as a joke. I immediately burst out laughing because YEAH. WHEN HAVE YOU GIVEN HIM ANY IMPRESSION YOU CARED BEYOND GETTING YOUR FREAK ON?

"Thank you for being here for a little while." Oh boo fucking hoo. Get over yourself. "It's just about sex" BECAUSE YOU NEVER MADE IT ANYTHING ELSE YOU FUCKING BOZO.

I am immediately cheering Blitz on in his retort. He's fucking earned it. You're not going to make me feel bad by making them show up in the room from their childhood. Blitz is completely in the right here.

If Stolas really thought so highly of him, he'd be putting in more of an effort. Stolas treats Blitz the way he treats Octavia. Like they're dolls from his childhood. If he wanted to do right by them, he would. He is FUCKING ROYALTY. There is NO reason he can't put in more effort for the people he supposedly loves. You don't love them. You love the idea of them. You can't accept that they aren't the idea in your head. This isn't love. It's abuse.

Fuck you. Blitz has NOTHING to apologize for.

It's like Stolas doesn't seem to think he's the problem. No shit, of course Blitz isn't going to react the way you thought he would. Why are you just THROWING HIM OUT RATHER THAN TALKING TO HIM? BECAUSE YOU DON'T WANT TO ACTUALLY WORK FOR YOUR RELATIONSHIPS YOU STUPID ASS OWL. YOU WANT EVERYTHING TO BE HANDED TO YOU ON A PLATE YOU RICH DUMBASS.

Fuck everyone trying to paint Blitz as the bad guy.

FUCK. YOU.

He's just trying to survive! He has a fucking daughter! A found family! EVERYTHING to lose!

Stolas just gets his fucking feelings hurt. He is the architect of his own undoing. Suck my entire ass. This was easily the worst episode bar none.

The tone was ALL OVER the place, and not in an effective way. The plot moved at a halt and go pace and all the fun bits were BOGGED DOWN by the supposed point of the episode! You can't tell me this shit took all that time, unless you were constantly saying "OOOO YOU KNOW WHAT'D BE COOL/FUNNY?" and shooting your production scheduled in the foot!

The rest of the portraiture being covered up is a very nice touch.

I can't believe you've gotten me to defend BLITZO of all people. But here we are. I guess I'm on his team. (He's an abusive dick, but NO ONE deserves this.)

[beifong-brainrot]

Beifong babies appreciation post

This is gonna be a more self indulgent post. But if you spend any time on my blog, you know how much I adore the Beifong family, particularly Suyin and her children. And you know what I don't see enough appreciation for Suyin's babies, which makes sense, since they're side characters, but here's a lil ramble about them and some reasons why I love them.

Baatar Jr

Actually, I think Baatar is actually a very underutilised character for being Kuvira's supposed right hand man, as well as her fiancé.

He's technically the brains behind Kuvira's collosus, and probably much more.

As damaging as living in his father's shadow was for him, I do find it extremely adorable how he engineered all Baatar Sr's projects, it's really cute!

His loyalty to Kuvira and his love for her is admirable. It's honestly adorable, how much she means to him.

Btw mans stared into Korra's eyes while she threatened him im the Avatar state and laughed. Say what you want about him but he has balls.

The angst surrounding his involvement with Kuvira is absolutely delicious.

Like imagine turning your back on everyone you know and love for one person, only for then to turn on you and try to kill you with upur own creation?

And then everything you've worked for for 3 years is null and void? Gnarly

Also him being under house arrest with the family he betrayed? You could argue he got off really easy, which he did... but goodness gracious the angst.

Huan

I'm like 75% sure that he's a reference to The Dark One, one of Toph's metalbending students, which is actually really fun I love you emo metalbenders.

I always found non combative benders very interesting, especially when they use their bending for things like art, it's very cool.

While I think a Huan's character is made to mock "tortured abstract artists" a bit, he actually isn't terribly caricaturised?

Like... he has a pretty clear ideology and moral compass, and he sticks to his guns, even when threatened. He clearly values personal freedom and freedom of expression, and is willing to stand up for it.

I also love headcanoning that he had a close relationship with Aiwei. Since some of Huan's ideals match up more or less with Red Lotus ideology, which makes me wonder if Aiwei did subtly indoctrinate Suyin's children.

Huan and Ikki's friendship is really cute too lol.

His design is also really cool ngl

Opal

MY BABY AHHH 🧡 honestly my fave female tlok character.

Free her from the heterosexual love interest dimension she deserves so much better lol.

Like, I really dislike Bopal as a ship, and part of it is because of how much of a disservice it does to both characters. But most anti Bopal takes I see are also horrifically anti Opal.

Honestly, Opal just gets a surprisingly large amount of hate in genral? Like why? People call her annoying and a brat/ a knockoff Korra and she's barely done anything lmao

Opal's is very interesting, her journey to independence, her unseen development between B3 and B4, her firece loyalty to her family despite her separation from them

A lot of people criticise her attitude towards Kuvira, but honestly, she was quite rational in her anger? I also think she should have been allowed to hold a grudge against Bolin for longer, like yes he redeemed himswlf somewhat when rescuing her family, but it does feel really shallow and a fast way of tying up a pretty complex storyline.

Her arc reminds me very much of Toph's in atla, which is bittersweet since we see how that ended for Toph.

I love her lil pouty face ahh.

Wei and Wing

Genuinely. Might be my fave underdeveloped side characters.

Avatar has a habit of making very interesting twin duos and these two are no exception.

I really like their strong bond with their mother, they really are the most mamma's boys to ever mamma's boy.

Similarly to Opal, the twins' firece loyalty to their family and city is really sweet, but also there's a lot of potential for angst here. Like, Opal gets to see the world and adventure, but the twins are probably stuck in Zaofu forever.

The twins also are the only ones of their siblings upholding that "Beifong metalbender" archetype that Toph started. I think there is a bit of pressure on them, ad they are the "golden boys" of the family

I'm also a sucker for when benders work together/combine their skills so seeing the twins work together is really sweet.

Also. Gay™️. [Insert longass ramble about weilin lol]

I actually find the small differences in personality between them that we are shown. Where Wei is a bit more snooty and competitive, Wing is very playful and outward with himself. I like picking their differences apart.

Okk.. that's it my ramble for today us over 😭 I love the Beifong babies so much and wish there was more appreciation of them lol

[meta-squash]

I really wonder how much Ian's early "relationships" with older men and all that affected how poorly he reacted to Mickey's sexual assault in 3x06.

The entire night before that morning is obviously a very positive one for both of them, considering the good mood they're both in the next morning, just before.

And then Terry shows up, and we all know what happens.

Later, in 3x09, Ian confronts Mickey at the abandoned building. I still don't fully understand how he doesn't connect the marriage thing with Terry, but he's a dumb kid and he's pissed off so maybe he's just blinded by his feelings.

Anyway, he asks Mickey who he's getting married to, if it's "Angie Zago, or some other piece of trash you screw so you can pretend I don't matter to you." Mickey doesn't really give any sort of response, which is fair on his part because Ian's being kind of an idiot. He gets up and walks away.

But Ian continues, and says, "So that's it, we're over? Your dad beats the shit out of us and you're just gonna get married, no conversation, nothing?" He grabs Mickey, who shoves him and tells him to get the fuck off. His retort, instead of listening to Mickey, is to essentially taunt him with the idea of fag bashing, and even further by saying "You love me and you're gay".

And I think what gets me, more than anything, is Ian's minimizing of what happened to Mickey. Again, maybe he's just being a dumb kid, with an as yet underdeveloped brain doing the usual selfish dumb kid shit. But he just doesn't seem to at all grasp the enormity of it all.

Terry hit him in the face, yes. Terry pulled a gun on him, yes. But he sat there and watched Mickey get raped with blood all over his face and a horrible dead-eyed pain-filled expression.

And I wonder how much his own fucked up relationships affected how he saw all of this. Clearly his own insecurities and judgements meant that he interpreted Mickey attempting to somehow appear/feel "in control" of the situation as him actually liking it or wanting it.

But it's Ian's misinterpretation/misjudgement that fucks everything up, really. If he had seen any of it for what it was, if he had understood what happened in a more clear way, if had expressed some sort of sympathy or understanding or even just awareness of Mickey's suffering, maybe something would have been different. But because he saw it all the way he did, everything except his own feelings about Mickey get minimized.

Terry didn't just "beat the shit out of them", he brutalized and traumatized both of them, especially Mickey. And his obliviousness to Mickey's obvious trauma and hurt in that scene in the warehouse is what fucks them both over. I think the way that Mickey obviously doesn't want to be beating up Ian is really important to the scene, and Mickey in general. He's back where he started, regressing because he has to, but there's this growth there that makes the act of beating up on Ian hurt too.

It's also such a succinct and awful expression of Mickey's complete helplessness in this situation. He's the most trapped out of any of them. Ian has his family to support him; he can tell them what happened or not, but whether or not they know the details they're still going to be there for him. Ian can walk away if he wants to. Ian has the luxury of yelling, of getting mad, of talking back, of being out, of interpreting the serious trauma of rape as just "getting the shit beat out of him". Mickey doesn't have that. Mickey doesn't have anything at this moment. And so Ian goading him, taunting him, accusing him, building up all this pressure that Mickey has no way of expressing or releasing because he has no one else, and he can't talk back, and he can't be out, and he can't brush off what happened to him, it all come to a head with Mickey kicking the shit out of Ian, because there's nothing else he can do.

He's totally trapped because he can't admit his feelings for Ian or admit that he's gay or any of those truths, because he's terrified of his father and he's terrified of what will happen to him (and also to Ian, probably). He can't really explain to Ian what's happening, either. I think he doesn't totally have the words or the ability to talk about it (it's too close, it's too intense, and the trauma is actively happening which makes it really hard to talk about) and I think also Ian wouldn't understand, wouldn't believe it or wouldn't just listen. He'd get involved, and Mickey doesn't want that.

Mickey's unbelievably vulnerable in this moment and he really really doesn't want to be that towards Ian, not when Ian is/was the only good thing and now has this power to hurt him. If Ian got involved, in whatever way, it would confirm Mickey's vulnerability. If Mickey explained what was happening and Ian was still angry, that would be a massive blow. If Ian understood and tried to help, that would be dangerous for both of them, and would also in a way make Mickey feel less in control. Instead, Mickey says nothing because it's impossible to explain, and Ian fucks up, and Mickey's reaction unfortunately makes sense.

And how much of Ian's complete misunderstanding is due to his own fucked up relationship to sex and relationships? How much of it is because he either can't admit or can't even realize that his own experiences are traumatic? How much is him blinded by his own feelings for Mickey and the anger and heartbreak and frustration that comes with being out while Mickey very much isn't? How much is it just Ian being a dumb teenager who doesn't fully understand what's happened? Or refuses to understand, because it's too traumatic?

[oceanwithouthermoon]

ok putting my saiki k pony ideas here, mostly so i can maybe draw them someday, but also i put so much thought into these ideas and i want everyone to see them

tried to do EVERY character

kusuo- alicorn, no cutie mark

hides his wings under clothes and pretends he doesnt have them, would rather hide his horn but cant and just pretends he doesnt have much magic instead

why does he not have a cutie mark, you may ask?? because he hasnt accepted his quirks+powers as a part of himself.. his special talent is probably helping people but he thinks he only does that because the magic he has makes him basically obligated (its not true ur just a good person!!)

nobody really calls him out on constantly wearing clothes with so much coverage because they think hes just insecure about being a blank flank so late in life (kinda true, but it defeats the point if everyone KNOWS..)

will he ever get his cutie mark?? um.. i dont know.. maybe ?? definitely not in his high school years

chiyo- unicorn, baking cutie mark but idk what specifically, maybe a heart shaped chocolate like the one she made for kaido

specialty magic for tracking, she was a late bloomer with her cutie mark because she discovered her tracking talent really young and thought that had to do with her special talent for a longgg time

shun- pegasus, black feathers cutie mark

underdeveloped wings (like scootaloo obvi)

convinced hes just a late bloomer but hes almost an adult and still cant fly (never will but he doesnt know that)

gets these cool wing extensions that allow him to glide but still not fly

tells people his cutie mark is his "jet black wings" but its actually writing quills

riki- earth pony, heart shaped ramen bowl cutie mark ?? idfk what his special talent is i just think he has a lotta love in him..

HUGE stallion.. HUGE..

aren- a kirin..

has a huge scar where a cutie mark would be on a pony in the shape of an exclamation point

used to let his anger free when he was a delinquent and when he transferred, he was pretty self deprecating about his control of himself but he actually has a crazy amount of self control..

chisato- pegasus, hammer cutie mark maybe ?

almost made her an earth pony cuz of the brute strength thing but i like this better

got her cutie mark REALLY late because she was absolutely convinced her special talent had to do with food, and when she got it while doing a job she was like "WORKING IS MY SPECIAL TALENT??" but it wasnt about the job, shes just really strong, hardworking, and adaptable

kokomi- zebra, golden heart cutie mark

couldnt decide if she was a crystal pony or a zebra, decided on zebra

her mark LITERALLY seems to glow golden light, it doesnt actually but.. it really seems that way

ik her being a zebra may not sound like it makes sense because zecora got a bunch of NEGATIVE attention, but HEAR me out okok.. this pony au would be in a modern setting with more diversity and people would focus less on her being a zebra and more on her being beautiful and having such a unique pattern..

zecora is the only zebra we see in mlp so theres no reason to think other zebras couldnt have blue hair, esp in the era of saikis mind control (idk how that would tie into this universe cuz ponies already have crazy colors but shhh) so her hair is prob blue with dark and light stripey highlights

mikoto- griffon

ik she might make more sense as a unicorn but her fortune telling strikes me as more of an.. outside magic ?? like.. she was born with the ability, but its not a physical magical power, its like pinkies pinkie sense!!

so yea i like her as a griffon, its unique and i like the idea of her feathers having a unique pattern around her eyes thats akin to gyaru makeup (see: gilda but make it gyaru esque)

and yes she can still be colorful, we see colorful griffons in the late seasons of mlp

metori- a crystal pony, diamond ring cutie mark

tells people thats his cutie mark because its expensive and hes rich as hell but his special talent is actually MAKING jewelry..

i like the idea of him lying about his special talent so i had to think of something that he could say its cuz hes rich.. i kinda wanted his talent to be baking for some reason but i couldnt think of how that would work

reita- earth pony, cutie mark is like a cartoon-like ghost surrounded by a scary purple and black aura

was gonna make his mark something more meaningful but i think its funny if people see it and are immediately scared of him but literally all it means is like he SPEAKS to ghosts, like in the most normal way possible

and same thing as miko, he doesnt need to be a unicorn cuz his powers are different from unicorn magic..

touma- unicorn, magnifying glass over a thought bubble cutie mark

the mark is hard to explain but tell me u get me when i say its because hes got stupidly good detective skills and can tell what people are thinking

jokes around and manages to convince people he has crazy magic and his cutie mark actually means he can read minds but he actually isnt very good at unicorn magic at all

kineshi- is a changeling..

why ?? because he just is!! doesnt it make sense for him to be a creature that feeds off of making other people feel happiness and love ? it totally makes sense

honorable mentions 😛

saikis parents are both earth ponies, and i have no idea what their cutie marks would be but heres some silly ideas: kurumi has a cradle cutie mark (meant to be a mama😋) and kuniharu has a boot and he tells people that it's symbolism for like hard work but people know hes lying and think it means hes a boot licker METAPHORICALLY, which is almost right but.. it means literally

kusuke is an earth pony and his telepathy canceler is probably shaped like a unicorn horn in this universe hehe, and his cutie mark is maybe like a microscope or something ? hes just a mad scientist idk

btw chono in this au would def be like trixie lulamoon if u know what im saying.. he would be a unicorn but his special talent is STAGE magic and his horn doesnt do anything☠️

satou prob has that little hourglass cutie mark thats really common in background characters for animation purposes, idk what his special talent is but that would be really funny