#yemos

[looking-at-the-deiwos]

Yemós

Also found as Yemo. Their name means "Twin" or "Double"

Yemós is the ruler of the afterlife or Underworld (Dhubnóm). They are the deity of the dead and may be prayed to by those about to die, or on behalf of those who have just died. Yemós is also characterized as bigender.

Yemós is not the deity of death, however. They are the one who rules over the dead, but they do not make them die, or decide when they will.

Yemós is the twin of Mónus or Mánnus and both are the protagonists of the Proto Indo-European creation myth:

Proto Indo-European creation myth

From the primeval chaos (G̑hā́nos) eventually emerged the universal principle of order, the Ártus. From these two emerged a cosmic egg, the Olyōwyóm. After it hatched three beings came into existance: Ammādhēinús, the primeval cow; and the twins Yemós and Mónus. Ammadheinús then nourished the two twins.

Eventually, Mónus sacrificed Ammadheinús and his own twin Yemós. Mónus then dismembers the body of Yemós and uses the parts to create the world: Their skull becomes the sky; their body the earth; their hair the trees and grass; their blood the rivers and seas; their brain the clouds; their bones the mountains and stones, etc. From Ammadheinús' body came all animal life.

From their sacrifice, Yemós became the first to die and also the first immortal, becoming the first deity after their sacrificial death, ruler of the underworld and of the dead, of which they are the first. Mónus became the first priest, the first king and the first mortal. From Mónus all humans descend.

After their sacrifice, Yemós begot the twelve primordial deities, the G̑hṃg̑ṇ̄tṓs, from which in turn descend the Deiwṓs and from which descend the Amséwes and all the lesser deities. So Yemós is the ancestor of all deities.

Offerings

taken from here

Skull (possibly with crown or gold wire(s))

black lantern

burial shroud

tomb image with spirals (maybe made into a candle holder)

inverted cauldron

red and black woven rope hanging from ceiling

crow or raven feathers wrapped in gold wire

depictions or imagery of skulls or tombs

Dirt with flame-colored stone

a large golden bead, or a number of small golden beads

Devotional acts

Learn about and honor your ancestors/those who have passed

Keep family heirlooms

Visit the graves of family members and leave flowers

Visit cemeteries and if allowed leave flowers

Learn about death and how to address it in a healthy way

Work on learning how to let go of the past

Visit ruins or ghost towns (safely!)

Associations

Skulls

Graveyards

Darkness

Black and red

Crows and ravens (because of their black feathers)

The feast of Samhain

October

Descendants in later pantheons

Yama (Vedic)

Yima (Iranian)

Ymir (Nordic)

Remus (Roman)

Hades, in their role as ruler of the underworld (Greek)

Dis, in their role as ruler of the underworld (Roman)

Finally, here's their wikipedia article (shared with their brother)

[wormholephobia]

Yemos.

[summerhighlandfalls]

Some parts Naruto taking inspiration from Hindu mythology means that inadvertently some parts of Naruto can be linked back to Proto-Indo-European mythology which is extremely exciting for one person (me)

[castilestateofmind]

"When I say that God is an archetype, I mean by that the 'type' in the psyche. The word 'type' is, as we know, derived from the Greek 'typos', 'blow' or 'imprint'; thus an 'archetype' presupposes an imprinter".

-Carl Jung.

[yemocash]

[tulipscomeinallsortsofcolors]

i feel like "the perfect soulmate of an abuser is someone easy to abuse" is sm more interesting if you frame it as like. "the soulmate of someone vulnerable/insecure is an abuser".. lmk if this is just me projecting but the idea that like. self realisation and recognising you can choose your person i feel is potentially such an important lesson for anyone in pieces verse who just accepts that their abusive partner is the one for them just because theyre soulmates, like you are the right person for them because you need to learn to value yourself before you can be happy with anyone

very good way of framing it! okay so this is about to get kind of paleophilosophical and a little bit religious so bear with me

in a lot of religions in antiquity (and my specialty is indo-european so thats where im coming from) there is a pervasive theme of things that are both opposite and twin to each other. Apollo and Artemis, Manu and Manavi, Romulus and Remus, the World Tree and the Well Beneath, Manos and Yemos, even Hera and Zeus

this is the basic idea im trying to get across with soulmates and pieces - pairs of people that are, through either differences or similarities or both, uniquely suited to pair. and 'paired' not necessarily mean healthy or good

in a perfect world, Jo having more trust for Leona than anyone and Leona being ride or die for her would have given them an unbreakable bond and they could have been true girlboss yuri unity. instead, Leona's unwavering loyalty meant never pushing back even when Jo needed her to, and Jo trusted Leona the most but still not enough to listen if if Leona had said something. in this, they are matched for better or worse

in a perfect world, perhaps Trista is a mid 20-something who takes control of her reproductive and financial rights by taking Winston as a noble sugar daddy, and he is content to provide for her without expectation, or some other similar scenario. instead winston is a monster, who is suited to having someone to control. In both scenarios, Trista is someone who needs security and arguably rescue, the difference in the second is that she needs is from Winston.

And she does, technically, get it by matching to Winston! i made a 'traffic cone orange = warning' joke but im honestly thinking of it more like a target or even a beacon. something that says 'i am in need of help, someone help me.' because there's nothing wrong with needing help, or rescue, or to be saved.

all of which is to say that what trista needed, really, was to be set free. in perfect world, Winston would have done it, but in this one his 'perfect' role is to to trigger it, so Trista can grow strong enough to decide she doesnt need a pair at all.

[bywandandsword]

Current brainworm, none of the Celtic cultures' creation myths have survived, even though they almost certainly had one. The closest we have is the Lebor Gabala Erenn from Irish mythology, but it isn't a creation story, it records the various settlements of Ireland, ending in the Gaels. However, it is thought that there are reflections of an earlier creation myth in the LGE and in the Tain, and there are similar themes that validate that the Gaels at least viewed the creation of the landscape in this way from various other stories. Additionally, we can compare other Indo-European creation myths to figure out what elements the Gaelic creation myth almost certainly would have had. These include:

Before creation, there is a void of some kind

In that void, fire interacts with water/ice to create the first life

A primordial bovine, most likely a cow (bulls were more common in IE cultures that emphasized pastoralism over crops. The Romans had a she-wolf, because they had to be edge lords)

One primordial being or possibly a set of twins who are sustained by the milk of the cow

One of the twins/the primordial being is dismembered to create the physical world

So already we have the makings of a general creation story, and if you're familiar with Norse mythologies, you might recognize it. In fact, it's thought that the Norse creation myth has retained the most elements of the original IE myth

However, scholars point out that the primordial being that is killed is called *Yemo, meaning "twin", which means there was likely originally two first beings. In the one sacrificing the other, the act renders the brother doing the sacrificing as the First Priest, who creates the concept of death, but in doing so turns that death into the living world. The sacrificed brother is then typically rendered as the First King and Ruler of the Land of the Dead. By setting up this order for the world, the First Priest establishes that life cannot exist without death (whether it be harvesting crops or butchering livestock), and typically, these myths continue and establish the role of the priests in society, who's job it is to ensure the continuity of the original sacrifice and maintain the living world

Now, here's where we get into my speculation;

I think it's likely that the Irish creation myth involved a set of twins. Off the top of my head, I think that possible reflections of this can be found in the brothers Amergin and Donn and in the Donn Cuailnge and Finnbhennach from the Táin. With Amergin and Donn, Donn insults the goddess of the land and is drowned. In doing so, Donn becomes a god of the dead and all the souls of the dead have to gather at or pass through Tech Duinn. Amergin however, secures the support of these goddesses and is able to go on and give order to the Gaelic rule of Ireland by deciding who will rule what and serves as the Chief Ollam (bard) of Ireland. In the Táin, after the main Plot has gone down, the Donn Cuailnge and Finnbhennach fight and the the Donn Cuailnge ends up killing Finnbhennach. As the Donn Cuailnge passes through the landscape, pieces of Finnbhennach drop off his horns and form/name part of the landscape. I think it's also interesting how in both these stories, one of the duo is explicitly associated with the color white (Amergin is called "white knees") and the other one is dark, but the opposite one dies first in the stories

Also, if we look at myths like the creation of the Shannon and the Boyne rivers, where in the goddesses Sionnan and Boann, respectively, die in the rivers' creations, we further see that the death of one figure to create an element of the landscape is a relatively common one, so a creation story similar to the one I hypothesize the Irish had wouldn't have been outside of pagan Irish belief

Additionally, if we look at the duíle, kind of like the Irish elements/natural features, we see that the nine elements/features are each explicitly associated with body parts. Stone is associated with bones, the sea with blood, the face with the sun, ect. I think this could be a call back to that earlier creation myth

Off the top of my head, that's what I've been mulling over. Idk, I might be completely off the mark, but if anyone wants give their thoughts, I'd love to hear them. I'm certainly not an expert in Irish mythology and there may be some key factor that completely sinks this idea

[tomato-bird-art]

The primordial cow, the first man Manu and twin Yemo, who was male and female, out of whose sacrificed body and blood the earth was created and the first humans came forth

Unicorn Wars (2022) x Proto Indo European Creation Myth

[transgenderer]

On the Norse, Indic, and Iranian stories of the origin of the world from the dismembered bodies of a god, from "The Indo-European Myth of Creation", Lincoln, 1975

The general resemblance among these texts is certainly quite clear. In all of them a primordial being is killed and dismembered, and from his body the cosmos is fashioned.28 Yet, there are differences in each account (beyond the petty difference that the body-world homologies do not always match up), and it is evident that certain transformations have taken place within each culture and within each text. The dismemberment is performed by gods intwo of the accounts and by a demon in the third. The victim is accompanied by an ox in one text, a cow in another, and has no companion in the third. The act is treated as a sacrifice once, but as murder twice. Most perplexingly, the names of the victims bear no resemblance to one another. The primordial victim is Ymir in Scandinavia, Gayomart in Iran, and Purusa in India. The question must arise: Are these figures who are structurally so similar really related in any historical way ?

The answer is certainly yes, and it is here that the Old Norse version best preserves the P-I-E heritage. Old Norse Ymir, as Guintert first demonstrated, is derived from Proto-Germanic *yumlyaz, which in turn is derived from P-I-E *ya2m(i)y6s (*Ymr[mi]y6s, as it might be written in a more modern orthography), a term intimately related to P-I-E *yemo- "twin."29 This word corresponds to Lettishjumis, "double fruit"; Middle Irish emuin, "twin"; Latin geminus, "twin"; Avestan yama, "twin"; and, most significantly, to the proper names Avestan Yima = Sanskrit Yama, which literally signify "twin" as well.30 Based on this phonological and semantic correspondence, we hypothesize that there was originally a mythic correspondence and that all are derived from a figure in the P-I-E myth.

Iranian evidence supports this hypothesis, for behind the figure of Gay6mart we may discern the older figure of Yima.3' The way in which this transformation took place is somewhat complex. First, it must be recognized that in pre-Zoroastrian Iran, Yima was not merely king of the golden age, but, as Christensen so skillfully demonstrated, was regarded as first king, first mortal, and first to die.32 This tradition, however, was rejected by Zarathustra, who soundly condemns Yima the only time that he mentions him (Yasna 32.8). There is one verse, however, in which Zarathustra does make an oblique reference to the myth of creation by sacrifice: YASNA 30.4 And when these two spirits first met [the good and evil spirits], they instituted Life (gaem) and non-life, and how life should be at the end.33 Moreover, these two spirits are said to have "appeared in the beginning as two twins (yjmd) in a dream."34

In these verses several eminent Iranists have recognized that Zarathustra attempted to deal with an earlier myth of creation which he found objectionable but which he could not completely ignore.35 Thus, he philosophized the myth, changing its characters into abstract entities, but retaining the essential mythologem that the first living man died at the creation of the world. Ironically, however, a re-mythologization of Zarathustra's version took place in later centuries. In the verse cited above, the Avestan term translated "life" is gaya-, which in the Younger Avesta is often combined with the term maratan-, "mortal"36 to form the name given the first mortal man, who was created and died at the beginning of the world-Gaya maratan.37 This name comes into the Pahlavi (Middle Persian) of our Bundahisn text as Gayomart. Thus, the development is Middle Persian Gayomart < Younger Avestan Gaya maratan < Gathic Avestan gaya < Pre-Zoroaster Yima

In India, too, it seems that the figure of Yama lies behind the Purusa of the Vedic hymn. Most scholars have agreed that Yama is another First Man/First King figure and have also noted that he is the first to die, thus establishing the realm of the dead.45 Several scholars, however, have been willing to go somewhat further and equate his freely chosen death and his abandonment or transcendence (< Skt. pra-Vric-) of his body as in RV 10.13.4 with the sacrifice in Purusa in RV 10.90.46 As Dandekar, who most effectively argued the case, put it, the Purusasuikta is merely a more detailed setting of the Yama myth of RV 10.13.4.47 In light of the comparison to Ymir and Yima, I am inclined to agree. The name Purusa literally means "Man" and seems to be a title born of philosophical and theological speculation. Such speculation changed this figure's name again in the Brahmanas, as Purusa, "Man," became Prajapati, "Lord of Creatures,' but the under-lying story is still the same.48 The morphological and structural features convince us that this is the same figure encountered in Iran and Scandinavia-*Yenlo, "Twin"-first king49 and first sacrificial victim, from whose body the world was made.

honestly the purusa connection seems kind of dubious (although i mean, yama being a first-man figure and purusa just meaning "man" does seem like a strong association) but i love how elaborate and yet imo totally plausible the yima->gayomart transformation is

also if youre curious, lincoln argues that dismembering-god-to-make-the-world stories arent independent even though we see an example that should be independent in china, he argues that's influence from india. he also alludes to a similar polynesian and south american myth which must be independent but he doesnt give any details and i cant find any so no idea whats going on there

[piratesofhyrule]

The Story That Will Never Be Told 4(I think?): The Yeti

Considering how many other options were up, I'm a little surprised this one got such a high ranking! Pleasantly so though, so let us get right into it

Now the Yeti have only appeared in Twilight Princess (to the best of my knowledge that is), but they left quite the impression on us all. I figured that Hebra would be a good place for them to make a comeback as what're essentially "ice Gorons" if you will. Physically huge and imposing, but some of the nicest people you'll ever meet.

They were the original inhabitants of Hebra millennia ago, their highly specialized adaptations to cold weather the main reason why they've not gone much farther then Hebra's icy peaks (having thick waterproof fur and blubber is great for the cold alpines, not so much anywhere that's above 10 degrees). True there's small settlements of them in other cold locations such as the Highlands of Gerudo and Lanayru, but for the most part they're found almost entirely in Hebra.

The Rito and Yeti get along fairly well, the Rito's expanse along southern Hebra and Tabantha well outside of the interest of the Yeti while their arctic homes were too environmentally extreme for the Rito. However, both had plenty of specialties that they eagerly trade for. Yeti cuisine is incredibly popular among the Rito while they can acquire ingredients from afar for the Yeti to enjoy. But more importantly, both the Rito and Yeti are considered "the grandchildren of the Frost Witch". Veelith is a patron spirit to both, her rare visits eagerly anticipated by Rito and Yeti alike.

Now most Yeti are happy with staying in Hebra, but one particular cook among them longs for adventure. Yemo's a young man amongst the tribe, already an accomplished cook and its his culinary expertise that's the main drive behind his desires to see more of the world. He wants to expands his cooking repetoire, sample dishes from the other far-off lands that the Rito traders talk of. It has been a longtime dream of his, one that was given an opportunity under the direst of circumstances.

Selmie's one of the very few Hylians that lives up in Hebra, ergo she has become regarded as a friend to the Yeti as well. A hurricane nearly strikes Hebra, but is suddenly dispelled, much to her relief. During a routine foraging trip through the frozen peaks, she finds a young Hylian man, one that's frost-bitten and badly wounded. Too far from her cabin, she takes him to the nearest shelter; the Yeti.

Rescuing travellers (or laying them to rest) is pretty common for the Yeti and with Veelith visiting them, it was quick for them to get the stranger into recovery. Assured he was in good hands, Selmie then returned to her cabin and is almost immediately visited by the famed Rito pirate, Revali. Apparently a shipmate of his went overboard a few days ago and they've been searching for him, Selmie in turn pointing them towards the Yeti.

Sure enough, the Rito crew find their wayward deckhand. Teba's first to see him and in a state of delirium, Link briefly wakes up and reaches for Teba, murmuring "Dad, it hurts"

Days later, when he's recovered and lucid enough to travel, Link wants to find the Yeti that had been providing his meals. The cook in question is Yemo, the two just chatting and comparing cooking methods. They hit it off so well that Yemo asks if he can join the crew and Link's up for it, promising to endorse the Yeti's recruitment aboard The Wolf of the Seas.

[incesthemes]

final thoughts: supernatural season 11

all right let's do this wretched thing

i don't even know where to begin. i'm trying to weigh it against season 6 as my least favorite season, but it's difficult. season 6 was bad because it was scattered, poorly written, poorly paced, and terribly executed. but season 11... i just really hated it conceptually. it was really hard to get over the hump and ride this whole darkness thing out—there's always a limit to suspension of disbelief, and i think when you're dabbling with real-world mythologies that limit is lower than usual.

now i think there were ways they could have executed this intelligently. like my comment a few days ago about how adding this The Darkness(tm) to the story recreates judeo-christian mythology into a form closer to proto-indo-european mythology, i think if the writers had known about the PIE creation myth and actually used that to inform their writing, they could have done something really cool, and at the same time maybe return to its "all mythologies are equal" roots instead of... whatever the fuck kinda christian supremacy propaganda they were selling this season.

not to go on a tangent, but say they cast god as manus and amara as yemo, they could have actually made a statement about the interconnectedness of (IE) religions and made the story less christianity-centric through that acknowledgment of non-abrahamic religions. i mean that's the root of all these religions in the first place. i mean the leviathan is tiamat, genesis is fix-it fic of the enuma elish, etc etc you already have the PIE influences in the old testament. the roots are there they just had to be aware of them and use them creatively.

so that's deeply disappointing. they were so close and instead of making something really cool, all they did was push some agenda that the judeo-christian god is the ultimate god and yknow i really can't respect that, especially after all the work kripke era did to dismantle that bias. it feels disrespectful to the original show and i'm not very happy with it at all.

i could go on and on about this in particular because i have so many thoughts about how it could have been handled better and more respectfully, but i'll stop there because that's the gist of my argument and ideas. outside of this i guess the seasonal plot was decent? it's hard to really gauge my opinion on it because i really just did not like this season conceptually, and my thoughts are skewed against it as a result. up to now i've at least been interested in the ideas they were putting forth, and my issues have been with the technical aspects of writing. this is... a doozy.

i'll critique the amara/dean thing. because actually this is my kink. or one of them. or an aspect of it. whatever. so i should like it. the whole "i'm being forced to love someone i don't or wouldn't otherwise" is LITERALLY my kink. i go nuts over this. but um. yeah it really did nothing for me. the blank stares and nonexistent affections between them did absolutely nothing to sell me on this bond between them. actually i liked amara's side of things a lot better, i thought she really put her at least 75% of her pussy into seducing dean, and i liked the innocence with which she approached him, like it was a given that he loved her as much as she loved him. that was good. i liked that.

dean on the other hand? really did not sell this. idk if it was jensen's acting or the writing itself or what, but i felt absolutely nothing from his end. not even a hint of his internal struggle, no fight or even desire, just total absence of anything. like he turned into a wooden board whenever she was around. really disappointing actually!! because it was such a gimme to get me to like this. i'm literally hardwired to go nuts over this exact type of plot at its worst or cheesiest or most poorly executed, and they still fumbled it hard. no chemistry, no struggle, no tension, nothing. disappointing!!! i feel like i got left high and dry here.

also after the incestuous high seasons 7-10 left me with, i gotta say s11 really flopped on the brotherfucking. there was stuff here and there, but they had so many opportunities that they completely passed up on. if you're going to have sam exclaim in his fit of magic-induced despair "you were going to choose amara over me" then idk man could you give me SOMETHING to lead up to it? obviously you can get it from context clues. the qareen episode has the ending scene too. but outside of that? really not a lot of substance there. where's sam's anguish? his despair? he's about to lose his brother, the man he married in a church and then cured of demon-ness and destroyed the entire world for, to some fucking lady, and he acts so impassive over it the whole time except like. twice? okay. i don't think it would have been so disappointing if the past four seasons hadn't been about sam and dean getting married and divorced and remarried and redivorced over and over again. it went from 100 to like. 30. sooooo quick and i felt that. i felt that.

now you could have fixed THAT by paralleling amara with sam instead of chuck (????seriously????) and having dean's central emotional conflict be about choosing amara or sam (sam being a metaphor for the world, life, creation, etc). keep the tension high by making it be a front-and-center decision dean has to make. he wants to choose sam, but it's hard because his soul wants amara and he doesn't have a say in the matter. she's bewitched him and sam is fighting to take him back and dean is clinging to sam while also reaching out to amara and it's messy and painful and sam has to watch his brother be torn out of his grasp. it would be a perfect way to continue the conflicts set up by the previous seasons, it would have made the plot stronger, and it would have fixed probably all of my gripes about the dean/amara stuff i just complained about because there would have been some externalization of this struggle instead of forcing the audience to watch dean stand woodenly in place for several minutes at a time while amara monologues at him.

like come on.

okay. i'm trying to tally up the episodes i actually liked in this season so let's see. baby was good, very creative and i respect that and what it was trying to do a lot. idk if i'd say i liked thin lizzie, but i appreciated the fact that the show returned to the roots of what soullessness means as established in season 6 through len. it felt kind of insane that every soulless person turned into a volatile killing machine when we had 11 full episodes of soulless sam showing us exactly what removing a soul is supposed to do to someone. it also might be one of the first times, if not the first time? that this show has acknowledged its insane lore retcons and tried to reconcile it with current lore. so i'll give it a gold star for effort. plush was good, as always i'm a big donna fan; into the mystic was inoffensive. i LOVED don't you forget about me because i will always be jody's #1 stan forever. love hurts had the extremely psychosexual samdean moment at the end BUT it also embodies everything i hated about the amara/dean romance so that's a hard pass for me sorry. the chitters was good—had a lot of good psychosexual samdean as the emotional core of the episode and there was that insane conversation between jesse and sam in the car that drove me bonkers. definitely my fave of the whole season, probably.

so 6 episodes? yeah okay. that sounds about right for the amount of agony i was in while watching this season. checks out. okay. (clutches my head miserably)

the finale dragged on for too long. i can't even blame it because it pretty much needed all four of those episodes and i don't even think they were particularly badly written, but four episodes is a lot of episodes to tie up the season. i also think i'm biased against this because i just really did not fucking like this season, oh my god. every second longer i spent on the plot was kind of agonizing actually.

and all the brothers stuff at the end just did not make up for what the season put me through. it felt... idk not flimsy, but in comparison to what the season gave us, neither of them seemed like very active participants in any of this and so the emotional moments just didn't hit for me. i can see the development on sam's end from "i would destroy the world for you" to "ok maybe i shouldn't have done that; i'll let you die now" but i don't really agree with it given that there are still 4 seasons left in this show. if they start getting healthy about their relationship now, there isn't going to be any intrigue left, no tension left to propel them forward into unending codependency and enmeshment. "we have to change" except they can't because the narrative requires them to be psychotically, irrationally, erotically codependent because this is a show about their relationship. you have 4 seasons leading up to sam's total and complete dependency on dean only for him to become normal about him within a single season? not only does it not work like that, but it shouldn't work like that. the show has done nothing but reward them for choosing their codependency (emotionally, that is; whatever happens to the world is not their problem tbh) over everything else. to pull an about-face that hard and not even have sam break down sobbing when he thinks dean is dead is just.

well it's just.

i'm just saying. if your entire reason for living, the only thing that matters to you in the entire universe, just fucking obliterated himself, i don't think you'd be fully functional and just a tad bit sad over it. sam got half his soul ripped out of him (they are soulmates after all) and he's fine? he can walk on his own, hold a conversation, barely even cry? after all that? after dean became the foundation of his reality, after he almost killed himself because he thought dean didn't love him The Most, after he tried to make a deal with the devil to bring dean back to life, after he caused the apocalypse 2.0 because dean was a bit cranky? so he just says "this is a problem and we have to change" and it's all fixed now? ok.

i'm not saying it's 100% bad (though i certainly don't like it, and this is definitely not the reason i'm watching this show lol), but it just doesn't feel coherent with the story so far, and it doesn't have enough support for it either, especially with 4 more seasons ahead. again: if they get healthy and normal about each other now, then what in the hell are these last 4 seasons even going to be about? it really kills my motivation to keep going, i'm not gonna lie.

i didn't mean to go off on that tangent. anyway i think i'm going to be petty about this and say it's my least favorite season so far. because at least season 6 had good ideas and its issues were almost entirely with its piss-poor execution. this? just felt insulting if i can be quite honest. i worked myself up writing this but i feel more confident in my evaluation of it. from the centering of judeo-christian mythology over all others, to the lack of focus on sam and dean's relationship and their spontaneous borderline-normalcy about each other, to the total flop of what should have been the easiest goddamn plot to sell to my kinky ass, i just thoroughly did not like this season. good fucking riddance.

i'm going to read some wincest fic. wincest writers always give me what i want 💖 i'll pick a show to watch during my detox later, i haven't really thought about it since i was so focused on finishing this season before my birthday (and thank god for that too, if i'd had to watch this then i would have been miserable). anyway that's all i'll stop complaining now :)

[boyakishantriage]

The alien looked at the gathered army, their delegate barking orders despite not wearing a uniform, soldiers lying dead on the ground.

"So what? Oh, look at me. HOW DARE YOU CALL YOURSELF A SOLDIER OF THE HARLEM HELLS. I'M A CIVILIAN AND I HAVE MORE BALLS. PRIVATE SHUT THE FUCK UP AND STAND IN FORMATION. READY GUNS, HOLD FOR ASSAULT."

"What. Is-"

"Long story. Yemo Waqui, I'll talk to you later. Now either get behind fortifications or get inside."

"Excuse-"

"We're under attack, now either get shelled. Or get behind the forts."

Pointing at the concrete structures, the woman glares at the purple skinned alien. Who obliged, stepping away as something boomed off the horizon.

"RAISE SHIELDS!"

Electrical shielding erupted, standard weaponry as she drew her blade.

"ATTEN HUT. READY WEAPONS!"

"ATTEN HUT!"

Soldiers held their shields, a red shell erupting. Flames curling the battleground, the concrete shielding myself as the heat scorched the grounds.

"WHO'S DEAD?"

"AYE AYE CAPTAIN!"

"WHAT DO WE DO?"

"CHARGE!"

"SO?"

"CHARGE!!"

The shouts came, shields dropped as gunsmen dropped their heavy weapons onto stands. Orders and checks barked across, guns loaded onto the blackened stands as they fired into the ocean.

Up above myself, the turrets pushed up, mechanical weaponry turning heads and turrets dropping to sniper rifles as they let loose volleys. And just as quickly, ear mufflers were forced onto war canals, as the soldier next to me dropped to the floor, hands on her ears. As everything rung out, a first volley striking across the northern peninsula of Australia.

RATATA

RATATA

The guns let loose, occasionally a synchronised CRACK erupted, guns firing soon after the snipers as they fired into ships. Fifty calibres piercing titanium shieldings, and this was just a militia group. Off the horizon, tanks and trucks threw dust as they rode rapidly across the grounds as the woman barked into the radio. Two kilometres off, the alien could hear her.

"EIGHT transports. Over. A2Gs are currently scoping out the ships, nothing so far. Best we got is a sub below ground launching vessels. We can hold for ten, but beyond that, well sir in my humble opinion You'd best launch nearby squids. Over."

She turned to him, brown hair and cat fur flickering across her body as he spoke up.

"So what-"

"extremist group, couple remnants of the Imperialistic rule, hiding out below water. Hardly penetrated below there, somehow they built bases under their and so far-"

"Humans-"

"Yeah. Surprisingly, humans aren't fully united. Some people, for some reason decide to fight us. And y'know what that does?"

"..."

"Force people like us to hide it from you lot. The public knows about it, open secret. But you lot, you weren't meant to see this."

"... So why-"

"THREE MONTHS. YOU ARRIVE THREE MONTHS EARLIER THAN PLANNED."

"... But I thought-"

"Well, you thought wrong. This might surprise you, but humanity had been fighting ever since-"

"SARGENT"

"WHAT"

"Mecha."

Her face drained. Passion dropping as she barked orders.

"ALL UNITS RETREAT INSIDE, FULL RETREAT. THIS IS AN ORDER."

She grabbed a revolver, a glass container rising from the floor, mechanical doors opening atop her.

BANG

"... What-"

The soldier next to him shoved a candle into his mouth, the wax spitting out as the ship erupted with flames. A laughter echoing from the door as it closed shut. The shutters turned off, glass retracting as people rushed to reinforce the facility.

"Excuse me-"

The soldier looked at the alien.

"er. Yeah?"

"What's. It just."

"feels like everything is just happening?"

"... Yes."

"As Sarge mentioned, we're being attacked."

"But why did she shoot herself?"

"... That's classified."

"... Why?"

"You are in a military base sir, we cannot disclose all of our information."

"... So who are you fighting."

She glanced at the lizard, purple skinned and broad shouldered, eyes made for the ocean floor. She took a deep breath. And began to explain history.

[tonsuredworld]

@ssrajamouli teenage papalaki gundu kottu ra ani oscar ki pampisthe, valu iche bichapu awardly yerukoni vasthava, dandam ra babu neeku. #headshave #lingabhairavi #ishatonsure #headshaving #rihannanerd #lemon Nekanna ha @fentybeauty better ra rey, beauty products ammesi jebbulaki kshavaram chesthundi ma fathers ni, siggu lekunda papam prabhas chetha shafi gadiki gundu kottichi @realyssharmila ni rechakodithe, adhi yemo prabhas gani kidnap cheyinchi pelli chesuko ani bediristhundi, okka gundu tho poyedhi e ladies ahamkaram tho tandri pranalu @ysjagan gali lonkalipesthunaru kadra, dandram ra swami meeku me manipulation ki, @yes_bank long @axis_bank long, short on @ssrajamouli short on @realyssharmila long on @actorprabhas long on teenage female head shaving ceremonies short on menstrual and menstrual business products let the bleeding be bled dont associate bleeding with shame, iam fod i dont have gender, https://www.instagram.com/p/CpXhPQSPXz7/?igshid=NGJjMDIxMWI=

[brantheblessed]

Manu and Yemo

[yemocash]

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[444namesplus]

Ab Ad Adum Ag Agh Ahulehuvut Ahwadyap Ahweswojush Aj Ajok Akahugir Akudyat Al Alish Am Amupupuvwet Amurovush Anoshwoghech Apodoh Aposhoghaf Apufihogik Apwaden Apwotagon Ar Arerumur Ashuram Ashwomoh Ashyolesevwam Asokusidol Aswavwaf Atagyaf Atepinos Atutidwash Av Az Azh Azop Azup Ebar Ebip Echacherik Ed Edyak Efyetichyorum Efyoswevwes Eg Egh Ehwohishujon Ej Ejwep Ekagyoh Ekameghwol Ekijyesh Ekurivuf El Elorwedin Elupighes Elwanoch Em Emazal Enizhos Enwesaserar Enyadut Enyegur Enyenor Enyoduk Epararech Epazhap Epunon Erabyef Ererudwal Erunel Erutyarul Erworumyak Eshipimech Eshuzhwak Esishidif Esojil Esolon Esuzhoh Eteswalozok Etunashizyal Etyemis Etyemwap Ev Ez Ezh Ezhush Ib Ichemikoluh Ichesudeh Ichizhwan Icholun Ichyojol Id Ifunerek Ifupigof Ifwofyogwot Ig Igash Igh Ighof Ihashomyok Ihevik Ihezak Ihityemun Ihufimos Ihuhozwep Ihuludyeh Ihyomamwem Ij Ikechichyevif Ikwanipubuch Ikyamap Ikyashyezwaf Il Ilozhim Ilughyep Ilunwozuch Ilwamobil Ilyehikunel Ilyelul Ilyofidwaf Im Imajok Imak Imiboch Imubol Imwerozwes Imyapegih In Ininwat Inupibyen Inwachujyol Inwechimos Inyanyazhyat Ipadin Ipubwek Ipyejwat Ir Iredyal Irifwaghil Irikughyos Irugaf Irut Irweshupobin Iryazhich Isemih Ishanyahagef Ishighwah Ishivin Ishober Ishwodut Isirigum Isoguf Itebwol Itigwar Itweswadef Itwoninis Ityatuzhwek Iv Ivum Iz Izer Izh Izhoch Ob Obon Obosh Ochasyolwon Ochyomenozuf Od Odin Ofwazul Ogh Ohinus Ohyochujyak Oj Okyenwejish Ol Olekudyesh Olorush Om Omahanaghol Omerirwadyak On Onaduk Onichuzul Onirotidum Onyechyajwon Opighul Opilik Or Oradok Orighis Oryasichyadip Osamelat Oshabat Osheshwomyek Oshikabak Oshuvef Oshyonil Oswagwos Oswapanun Otwehetazal Ov Oz Ozh Ozhim Ub Uchinyechyogik Uchisapwezhuch Uchizhuf Uchwenak Uchworur Ud Uduk Udyech Ufakupyovush Ufepemwach Ufighaf Ufwashajyem Ufwevih Ug Ugh Uguch Uhativil Uholik Uhughah Uhurwesh Uhwozoch Uj Ukevom Ukighyel Ukovim Ukwadih Ukworam Ul Uluhodin Ulujyas Uluryonal Ulwerwezhat Ulyoryop Um Umadyer Umaredwel Umunwop Umus Umwamyobip Un Unach Unakwolyeh Unudun Unweh Unwekonuf Upikwebuch Upilagol Upugwot Upyadum Ur Uraghesh Urichejach Urikirir Urwomozus Usedip Ushijen Ushizhir Ushotwovur Ushyevok Usifijil Usogak Usojus Usugheh Usukwevwar Usyonokobwech Utechikuguch Utunyap Utwarwop Uv Uz Uzh Wachwativik Wad Wafusyazhes Wafyedul Wag Wahiteduch Waj Wajun Wakachyaghwef Wal Walenevoch Walunip Waluriryeros Walweshaghor Wam Wamikubum Wan Wanwaboch Wapuzis Wapyonwezech War Wasenoh Watozhwot Watwanwak Waz Web Wechyafuzhum Wed Weg Wej Wel Welechirach Welil Welwachwefizuf Welyan Welyasulel Wem Wemwopaghah Wemyochashuvuk Weninwepizhuf Wenwoboch Wer Wesadwesh Weshwomis Wesosonulyet Wev Wez Wob Wod Wofaryegol Wofefwokabush Wofyeshizhih Wog Wogh Wohibyesh Woj Wol Woliryodush Wolorudwer Won Wonwanorah Wopuret Wor Worivoh Worurwam Woshughit Woshuswagish Wotekanim Wotyogis Wotyonahyoruf Wov Wozh Yab Yabwah Yachighosh Yachumih Yad Yafakajyon Yafwoghit Yag Yagh Yaghuch Yahaghof Yajwaf Yal Yalwobin Yam Yamyoleh Yanyomyozum Yapyebich Yar Yaryopolwaf Yav Yaz Yazh Yeb Yed Yeduh Yedwas Yefadwet Yeg Yegh Yeghus Yegyom Yelilibich Yem Yemadak Yemos Yemyevit Yen Yer Yeshyelotwoghuch Yesirech Yetyokimulah Yev Yez Yezh Yochwadwor Yod Yog Yogh Yohukenech Yol Yolwenul Yolwoghwer Yolyafuzham Yom Yon Yonubuk Yonwoner Yopupyevash Yopyasyesagyor Yor Yorwofejom Yosughwoch Yosyatoghop Yoz Yozh