#yamaho

[xxhellonursexx]

Never, Not Ever

YAMAHO

[sombrathefossa]

Me and Ocs dynamics in a nutshell

*picture of Ashling and Finn at the pool on Instagram*

Ashling- out here living my best life

Yuuhime- Yamato is drowning

Ashling- this isn’t about him

*Ashling in a court room*

Ashling- your honor he may be rich but still he’s got no, soul I’m pretty sure



Adult Finn In a nutshell

*Finn to Ashling, Kaalika and Yuuhime*

Finn: mom, aunties how are you?

*turns around*

Finn: oh, you’re still alive Yamahoe



Ashling- so Tang Xuan you seem like the perfect fit for Yuuhime

Yuuhime- please we’re not a thing

Ashling- but I am not allowing the both of you near a bar

Yuuhime- why

*holds Finn*

Ashling- they may be cute and adorable, but they are a lot to handle sometimes

Triki- so my Bestie told you about how you think he’s an emo

Ashling- whatever I’m doing assistant stuff he’s always listening to my chemical romance and that kind of stuff is that not a logical conclusion

[ayumundo]

SCHEDULE 2024.09.

★ 9/10(火) 学芸大学　珈琲美学

(有料同時配信あり)

◾️Member

矢幅歩(vo)

MAREE ARAKY(vo)

太宰百合(pf)

馬場孝喜(gt)

◾️MC¥4,500(¥4,950税込み）＋ご飲食

◾️Open/Showtimes

Open18:30

1st 19:30 2nd 21:00

✳️配信チケットご購入の詳細は分かり次第お店のホームページ、SNS等でお知らせいたします。

🔷公演紹介

様々な名曲達を太宰百合が独自の世���観でアレンジ、ギター馬場孝喜が更なる彩りを加え、ボーカル矢幅歩とMAREE ARAKYが自由に織りなす珠玉のハーモニー。

03-3710-1695

reserve@coffeebigaku.com 　

https://www.coffeebigaku.com

〒152-0004

東京都目黒区鷹番2-19-20-B1

東急東横線　学芸大学駅下車　

東口商店街　徒歩１分

１F CoCo壱番カレー屋さんの地階

-

★9/12(木) 学芸大学 珈琲美学

SOLO-DUO ギラ・ジルカ&矢幅歩

Feat.竹中俊二(gt)

-

★9/14(土) 福岡 中洲ジャズ

SOLO-DUO ギラ・ジルカ&矢幅歩

Feat.竹中俊二, 楠井五月(b)

会場/ 清流公園

17:00~17:40

-

★9/21(土) 福井

～SOLO-DUO VOCAL WORKSHOP〜

Wakasa Cantare～ﾜｶｻｶﾝﾀｰﾚ～ 2024　　　

open 18:00 ／ start 18:30

【場 所】はまかぜプラザ　 小浜市小浜酒井5-2　0770-52-2000

【ﾚ ｯ ｽ ﾝ時間】1組 30分【募 集 組 数】ソロ・グループ（5～10名）合わせて5組

【料　　 金】・ソロ 8,000円 ・グループ(5~10名） 20,000円・見学 3,000円

【お 申 込 み】メガネの正視堂　0770-53-0878　または、予約フォームから【問 合 わ せ】 info@team-scw.com 　※正視堂さんへの問合せは9:00～19:00

-

★9/22(日) 福井 小浜市まちの駅・旭座

～Wakasa Cantare～

SOLO-DUO ギラ・ジルカ&矢幅歩(vo)

Feat.竹中俊二(gt)

【イベント名】　Wakasa Cantare～ﾜｶｻｶﾝﾀｰﾚ～

【開 催 日 時】　2024年 9月22日（日曜日）

　　　　　　　 open 16:30 ／ start 17:30

【開 催 会 場】　小浜市まちの駅　旭座

　　　　　　　 福井県小浜市白ひげ111-1　　

　　　　　　　　0770-52-2000　

【料　　 金】　前売り 3,500円 ／ 当日 4,000円

【販　　 売】　メガネの正視堂　0770-53-0878

　　　　　　　 または、コメント欄の予約フォームから

【問 合 せ 先】 info@team-scw.com

メガネの正視堂 0770-53-0878

※正視堂さんへの問合せは9:00～19:00

-

★9/23(月・祝日) 京都 RAG

京都府京都市中京区��屋町通三条���ル上大阪町５２１ 京都エンパイヤビル 5F

SOLO-DUO New Album “BURRITO” 発売記念 Tour

"SOLO-DUO" ギラ・ジルカ＆矢幅歩 Feat. 竹中俊二

出演：ギラ・ジルカ(Vo) 矢幅歩(Vo) 竹中俊二(G)

開場17:00／開演18:00

前売4,500円／当日5,000円：学生前売3,000円／学生当日3,500円

インターネット視聴料：3,000円

＊ご来場チケットは RAG WEB SITE にて 6/15(土) 発売開始

＊当日ライブにお越しの方でご希望の方にはもれなく配信URLをお渡し致します。

＊アーカイブを一週間 9/30(月)23:59 まで残しますので、期間中何度でもご視聴頂けます。

＊配信ライブは RAG WEB SITE より「#RAGNETLIVE」の視聴券をご購入ください。

＊視聴券の販売はライブ終了時間(20時半頃)で終了いたします。

RAG

https://www.ragnet.co.jp/livespot/

-

★9/25(水) 五所川原 YAMAHO

SOLO-DUO New Album “BURRITO” 発売記念 Tour

五所川原 YAMAHO

Start 19:30

前売り¥4,000／当日¥4,500(1ドリンク別途¥500)

-

★9/26(木) 青森・弘前 ケララ

SOLO-DUO New Album “BURRITO” 発売記念 Tour

17:30 open 18:00 start

Charge ¥4500

ご予約/

カフェテラス ケララ

弘前市御幸町9-17

0172-33-7671

-

★9/28(土) 青森・大鰐 あざみ野デイセンター

SOLO-DUO New Album “BURRITO” 発売記念 Tour

〜Owani Jazz Night SOLO-DUO〜

2024／9／28（土）　開場16:00　開演16:30　終演18:30予定

会場　あずみ野デイセンター　青森県南津軽郡大鰐町鯖石浅瀬渕35-5　TEL0172-47-6556

料金　前売4000円　当日4500円　小～高校生500円

チケット予約&お問い合わせ　TEL080-5224-5574

-

★9/29(日) 秋田 M3

能代市住吉町1-10 EASTPLAZA199 2F

SOLO-DUO New Album “BURRITO” 発売記念 Tour

Open 18:00

Start 19:00

【チケット】

前売 5,500円(1Dset)

当日6,000円(1Dset)

【お問合せ】

090-3218-2650(森田)

又は、月の雫プロジェクト090-6625-2772

[kosi-annec]

something i wrote last year as part of a school project, featuring my bnha oc, Shinori

---

“It’s about time we talk about your future hero career.”

Shinori should’ve expected this. With him graduating junior high in just a few months, he’s not surprised that his mother would barge into his room unannounced to confront him on the topic.

With both of his parents being pro-heroes, it’s expected of him to follow in their footsteps. Both of them studied at UA, Japan's best school for heroics, so it’s obvious what high school he’d be applying for. Right?

Don’t get him wrong, he loves the idea of being a pro-hero. It’s every kid’s dream; protecting people from danger and putting villains in their place. He even designed hero costumes for himself and his two best friends when they were all kids.

At the same time, he loves fashion. Stitching up clothes from scratch with his own hands, the thought and craftsmanship that has to go into making a good outfit; something about it calls to him. It’s a form of art that he’d love to explore further.

This brings him to his current predicament, what career path does he choose? The one he’s expected to take or the one he’d thrive in?

So, he does what any teenager going through a minor crisis about their future would do. He avoids the question.

This doesn’t work.

The only warning he gets is a sigh when his book — he was pretending to study so he could avoid eye contact — is abruptly taken from him.

“This is serious, son.” Oh, she was putting on that tone. “No more of… this.”

“You just gestured to all of me.”

“What I meant,” she gave him a look, “it’s about time you take this seriously. You’re going to graduate soon, so you must be prepared for the entrance exams — they’re very difficult.”

He deadpanned at that last bit. Not the best way to boost a person’s confidence.

“I am serious about this.” Now he let out a sigh — most children wouldn't dare talk back like this, in fear of getting scolded for “being disrespectful”. But Shinori never had that fear.

“I’m just… conflicted. Between heroing stuff and my, uh, hobby.” He hoped his mom understood what he tried to convey. And it seems like she did if the softening of her eyes was any indication.

“There are plenty of pro-heroes out there that do work outside of their hero duties, Nori.” She glanced at the wall that was dedicated to posters of his favorite heroes. “I mean, look at Best Jeanist. He's a pro-hero, yet he’s leading the fashion world with tremendous popularity.”

Japan’s number four pro-hero. One of his all-time favorites, second to his parents. He was an inspiration to him, in both the fashion aspect and the usage of his quirk — they both have very similar abilities.

When Shinori thought about it, his mom had a really good point. So, he made up his mind.

“Well… Mi-mi and Yama are applying for UA once they graduate,” he mumbled, subconsciously playing with the thread he created between his fingers. “Would be cool if the three of us trained together as heroes.”

The sparkling proud joy that formed on his mother’s face made any lingering doubts in him retreat into the back of his mind. His father has said on multiple occasions that he and his mom have the same bright smile.

“Perfect!” She clapped her hands together, having put away the book somewhere. “I already have your training schedule planned out – your studies are also included in it. So, if we…” He tuned out the rest of his mother’s rambling. She can get like that when she’s excited.

Shinori’s happy that his mom’s happy. He thinks that the hero's life will work out for him. He’s going to train under two pro-heroes, after all. And if he, Shikami, and Yamaho all get accepted into UA, he’ll get to work with his two best friends. How cool is that!

But when he’s finally alone, that small bit of doubt creeps in. Was this really the right path for him? It makes him wonder about the what-ifs and the different future that he’ll never know.

---

Writing Prompt: use a memorable conversation from a movie as inspiration

[aktelugumedia]

Geethanjali Singers Sadanandam & Rajashree - Yamaho Nee - NTR - F-TAM - ...

[depressedhatakekakashi]

🌻Yams as the new parent for Mitsuki would be so cute! It's all I want in life, it really reminds me of an AU I was reading about where Tsunade came back to the village around when Kakashi was in ANBU, found out about Yamaho in ROOT, and went ape shit and adopted him, and restarted the Senju clan! Just, parallels, you know?

Jfjcjxbs i think i’ve seen that au (at least i’ve seen a little comic for it) and i loved it. Tsunade deserves to asopt a new child and continue the Senju clan. Him and Shizune would obv be close since Shizune has been with Tsunade since she was pretty young too (and Shizune is dan’s niece so she’s family)

Mitsuki is such a cutie and legit the only thing i hate is Orochimaru, the ONE person who should not be allowed near children, was given a child

We could have had more kids in Kakashi’d generation, but nooo. Had to have an orochimaru kid instead 🙄🙄🙄

[musicverse11]

KS Chithra on the Digital Stage: A Modern Legacy

KS Chithra, often hailed as the “Nightingale of South India,” is a name that resonates far beyond the borders of her home country. Her voice, with its distinct texture and soul-stirring quality, has a unique ability to transcend language and culture, touching hearts around the world. For over four decades, Chithra has enchanted audiences with her versatility, from classical Indian music to popular film tracks, solidifying her status as a musical icon. This article delves into Chithra’s extraordinary journey from her humble beginnings in the world of Carnatic music to her global influence as one of the most beloved playback singers in Indian cinema.

Early Life and the Foundation of Classical Training

Born in 1963 in Thiruvananthapuram, Kerala, KS Chithra’s musical inclination was apparent from a young age. Her father, Krishnan Nair, who was also musically inclined, recognized her talent early on and encouraged her to pursue music. She trained under the guidance of K. Omanakutty, a renowned Carnatic music vocalist, where her foundational skills in classical music were established. Her deep understanding of classical techniques and discipline would later give her an edge as a playback singer, enabling her to adapt effortlessly across various musical styles and languages.

Chithra’s classical background, especially in Carnatic music, proved to be her bedrock as she entered the world of playback singing. Her training allowed her to express complex emotions and nuances that captivated both critics and audiences. This classical grounding also enabled her to approach different music genres with ease, whether singing for Tamil, Telugu, Malayalam, or Hindi films, which would eventually become a significant part of her musical identity.

Breaking Into Playback Singing and Initial Successes

Chithra’s entry into playback singing happened in the late 1970s when she lent her voice for Malayalam cinema. However, it was her collaboration with legendary music director Ilaiyaraaja in the 1980s that became a turning point in her career. Ilaiyaraaja, known for his unique approach to blending classical Indian music with modern sounds, immediately recognized her potential. The duo produced some of the most memorable songs in South Indian cinema, establishing Chithra as a prominent voice.

Songs like “Paadariyen Padippariyen” from the Tamil movie Sindhu Bhairavi highlighted her impressive vocal range and emotional depth, making her a household name. Her unique ability to modulate her voice, deliver intricate notes with precision, and evoke emotion even in complex compositions set her apart. With each song, she not only won over fans but also garnered praise from critics who saw her as a breath of fresh air in Indian cinema. Chithra quickly rose to prominence, winning her first National Film Award for Best Female Playback Singer, a significant milestone in a career that would see many more accolades.

The Journey Beyond Language and Region

What truly sets KS Chithra apart is her versatility and adaptability. While she initially gained fame in Malayalam and Tamil cinema, her reach extended to other regional film industries, including Telugu, Kannada, and even Bollywood. Chithra’s ability to sing flawlessly in various Indian languages helped her connect with a broader audience across the nation. Her voice has become a unifying factor in a country that celebrates diversity in language and culture.

Chithra’s voice effortlessly adapts to different musical contexts. In Telugu cinema, she became a favored voice for romantic and emotional songs, capturing the nuances of Telugu literature and sentiment. Her song “Yamaho Nee Yama” from the film Sitara and “Nuvvostanante Nenoddantana” from Varsham became instant classics, cementing her status as a beloved playback singer in the Telugu industry. In Bollywood, too, her song “Kehna Hi Kya” from Bombay remains an iconic track, showcasing her range and artistry. Each time Chithra steps into a new language or genre, she brings with her the same commitment and grace, earning admiration from fans of diverse linguistic backgrounds.

The Role of Emotion in Chithra’s Singing

One of the most remarkable aspects of Chithra’s singing is her ability to convey deep emotion. Her voice carries a natural warmth and sincerity that draws listeners in, making them feel the emotions conveyed in her songs. This emotional depth is perhaps one of the reasons why she has resonated so deeply with audiences over the years. Whether it’s a devotional track, a love song, or a soulful melody, Chithra’s voice reaches into the hearts of her listeners, creating an almost spiritual connection.

Songs like “Aathangara Marame” from the movie Kizhakku Cheemayile or “Oru Poovinnkinavu” from Thenmavin Kombath are great examples of her ability to evoke strong emotions. She uses her voice as an instrument to express joy, sorrow, longing, and love, often within a single song. This emotional versatility is a rare quality that has allowed her to build a deep bond with her audience, one that goes beyond mere admiration and enters the realm of personal connection.

Global Recognition and Enduring Legacy

KS Chithra’s fame is not limited to Indian shores. Her music has reached audiences worldwide, particularly among the Indian diaspora, where her songs bring a sense of nostalgia and cultural connection. She has performed in prestigious venues around the globe, including the Royal Albert Hall in London, and has been invited to music festivals internationally, where she represents Indian music on a global stage. This international recognition highlights her status as a cultural ambassador, bridging India’s rich musical heritage with the world.

With over 25,000 songs recorded in multiple languages and more than six National Film Awards, Chithra’s achievements speak volumes about her dedication and talent. Her contributions to Indian cinema and music have earned her the title of “Isai Kuyil” (the Nightingale of Music), a testament to her enduring legacy.

Conclusion

KS Chithra’s journey is one that transcends boundaries, both geographically and musically. From her classical roots in Carnatic music to becoming a beloved playback singer in the Indian film industry, she has carved out a legacy that will continue to inspire future generations. Her ability to bridge different genres and languages, while maintaining emotional authenticity, has made her a true icon of Indian music. KS Chithra’s voice is not just music; it is an experience that continues to resonate with millions around the world, reaffirming her place as a timeless symbol of India’s rich musical heritage.

To celebrate KS Chithra’s legacy, we invite you to share your favorite songs and memories associated with her music. Have you experienced her music in a particular moment that stayed with you? Comment below with your story, and let’s create a space to honor this living legend and the memories her songs continue to evoke across generations.

[ementhusiasm]

Die Renaissance der elektronischen Musikszene in Island

Isländische Musik hat mehr zu bieten als Björk und Sigur Ros - jenseits der beiden bekanntesten Musikexporte des Landes gibt es ein Netzwerk elektronischer Künstler, die so vielfältig wie eng miteinander verbunden sind. April Clare Welsh om FACT Magazine besuchte 2018 das Sónar Reykjavík, um einen Blick auf die lokale Szene zu werfen, die in den letzten Jahren eine Renaissance erlebt hat.

Foto: Aníta Björk

"Wir sind wegen schlechten Wetters oft in der Stadt eingesperrt, deshalb m��ssen wir unsere eigenen Fantasiewelten erschaffen", sagt der isländische Produzent NonniMal. Seit Mitte der 90er Jahre gewinnt das dünn besiedelte Land eine bestimmte Sorte deepen dub-minded Techno, die die beißenden Winde, den trüben grauen Nieselregen und die tiefen Temperaturen des subarktischen Klimas einschließt. "Es ist wie ein großer Raumklang", fügt er hinzu. NonniMals eigene Musik enthält oft Elemente dieses Sounds, insbesondere seine Freyja EP, die 2017 Jahr auf dem legendären isländischen Technoprint Thule Records veröffentlicht wurde. Ursprünglich angeführt von Thule-Mitinhaber und „Pate des isländischen Techno“ Thor, hat die elektronische Musiklandschaft des Landes eine Reihe weltberühmter Künstler konzipiert und gefördert, darunter die späte Ambient-Legende Biogen, bei der Thule mitwirkte. Seit den frühen 00ern hatten sowohl Thule als auch Exos geschlafen, aber ihre damaligen Comebacks haben ein neues Licht auf die sprudelnde isländische Technoszene geworfen.

Vom legendären Sonar Festival in Reykjavik bis hin zu winzigen Zusammenkünften in Höhlen folgen Matador Network führenden isländischen Musikern und Künstlern, um zu erfahren, wie Island mit nur 300.000 Einwohnern die Musik weltweit so stark beeinflusst. Die Filmemacherin und Moderatorin Kelly Noecker hielt diese kunstvolle, basslastige und seltsam schöne Reise filmisch fest.

"Was ich an der elektronischen Musikszene in Island heute liebe, ist das Gefühl, dass jeder Einzelne seine eigene Stimme sucht."

Das sagt Andartak aka Synth Enthusiast Arnór Kári Egilsson. „Auch wenn wir vielleicht nicht genau in dasselbe Genre passen, verbindet uns die Aufrichtigkeit der Kreation.“ Andartak sagt weiter, dass er unter anderem „von der Größe von Bjarki inspiriert“ sei. „In meiner Arbeit steckt eine gewisse Anarchie und Disziplin, und ich wollte etwas ganz anderes als mit Trip machen“, sagt Bjarki über sein eigenes Label bbbbbb Records, das er sein Label „ein sich ständig weiterentwickelndes Projekt“ nennt. Unter anderem hat er bisher Releases von Volruptus, dem IDM-Junglist-Rapper Lord Pusswhip und Bjarkis eigenem Cucumb45-Alias ​​veröffentlicht. "Ich versuche, das Beste zu tun, was ich mir vorstellen kann - das ist mein Ehrgeiz." 2017 war Bjarki gezwungen, seine Tour abzusagen und die Beziehungen zu seinem Labelpartner Johnny Chrome Silver zu kündigen, nachdem ein transphobischer Kommentar von Silver auf dem Instagram-Account des Transkünstlers Octo Octa veröffentlicht worden war. Er sagt, dass es "anfangs beängstigend war, alleine ohne Partner zu gehen", aber seitdem hat er drei weitere Leute angeheuert, um neben ihm und anderen Dingen zu arbeiten, und das Label macht sich wirklich gut. Im Mai 2018 erschien dann das Debütalbum von EOD auf seinem Label bbbbbb Records, dem ersten Album des Labels, während im folgenden Sommer zwei überwiegend isländische Künstler-Compilation-Alben, Future Sound Of Selfoss und Psychotic Selfoss Window, erschienen sind.

Foto: Ívar Eyþórs

Laut dem Icelandic Tourist Board betrug die Gesamtzahl der ausländischen Übernachtungsgäste in Island im Jahr 2016 rund 1,8 Millionen - ein Anstieg von 40,1% gegenüber 2015. NonniMal merkte an, dass sich der Tourismusboom auf die Einwohner des Landes auswirkt. "Es gibt ein Wohnungsproblem in Island", erklärt er und schlägt vor, dass immer mehr Menschen ihre Häuser auf Airbnb stellen, wodurch die Mieten steigen. Er sagt, dass viele Künstler gezwungen waren, zu ihren Eltern zurückzukehren, auch zu sich selbst. Hinzu kämen die begrenzte Anzahl an Veranstaltungsorten und Clubs, und es ist ein Wunder, wie die lokale Szene überhaupt überlebt. Doch der isländische Techno erlebt weiterhin im In- und Ausland eine Renaissance, und Thule Records erhält endlich die Anerkennung, die es verdient. Der isländische DJ Yamaho, spielte schon im Berghain und bbbbbb Records ist nur eines von mehreren in Island geborenen Labels und Crews, die in den letzten Jahren entstanden sind. Exos X / O-Print brachte unter anderem die Fifth Force EP des Thule Musik-Kollektivmitglieds Yagya heraus, während die Key-Labels Sweaty Records und FALK zusammen mit Plútó weiterhin die Szene repräsentieren.

„Clubmusik und Hip-Hop fangen in Island im Moment wirklich an, sich zu vereinen. Und es ist nicht nur ein Boombap wie früher, das ist großartig."

„Die Musikszene war noch nie so lebendig wie heute, besonders in der elektronischen Musik“, sagt Bjarki. "Ich habe jahrelang davon geträumt." Und für ihn ist es nur der Anfang. "Ich denke, es wird eine Zeit geben, in der jeder in der Musik mit jemandem aus Island zusammenarbeiten möchte", erklärt er die einzigartige musikalische Identität des Landes mit einer eigenen Erklärung. „Die beträchtlichen Mengen an Kohlendioxid und Schwefeldioxid in der Luft führen zu Kopfschmerzen, Schwindelgefühlen und einer Erhöhung unserer Herzfrequenz, wodurch wir sehr launische Musik machen. ‘Festgefahren auf einer Insel` könnte die Antwort sein. - Super gelangweilt zu sein und auf einer Insel festzustecken… “

Der Artikel  “The Icelandic electronic music renaissance: Sónar Reykjavík reviewed” der Aurorin April Clare Welsh erschien im März 2018 im FACT Magazine. Ins Deutsche übersetzt von und für EME im Januar 2020.

[frvescent]

(YAMAHO)

[yama-hoe]

the leaf on the head was inspired by @mokutone gdsjfkds

[spoopybananel]

Discord Bot Shenanigans

[ayumundo]

SCHEDULE 2023.03

★3/5(日) 青森・五所川原 YAMAHO

【SOLO-DUO】

ギラ・ジルカ&矢幅歩(vo) "SOLO-DUO"

featuring 竹中俊二(G)

青森県五所川原市旭町36-5 イエローT.Eビル3F

ダイニング・バー「YAMAHO」

☎︎0173-34-3337

開場18時 ／ 開演19時

前売り¥4,000／当日¥4,500(1ドリンク別途¥500)

https://m.facebook.com/yamaho.trouser.incidents/

-

★3/9(木) 福岡 With The Style Fukuoka

【SOLO-DUO】

ギラ・ジルカ&矢幅歩(vo) "SOLO-DUO"

featuring 竹中俊二(G)

Open 18:00 / Start 19:00(〜21:00)

Charge 5,500(w 2drinks)

お問い合わせ・ご予約/ 092-433-3900

https://www.withthestyle.com/

-

★3/10(金) 宮崎 ガーデンテラス宮崎ホテル＆リゾート

【おうた夜会】

Guest musician/

【SOLO-DUO Feat.Shunji Takenaka】

ギラ・ジルカ(Vocal)

矢幅歩(Vocal）

竹中俊二(Guitar）

宮沢美津江(Guest dancer）

冨永千香(MC)

●開場 18時半 / お食事19時 / 演奏 19時45分

●Ticket 12,000yen (Special Course dinner+コラボデザート＋飲み放題＋抽選会あり）写真撮影プレゼント

ドレスコード/ピンク（服、バッグ、小物、アクセサリー、靴、ハンカチ、靴下なんでも可）

●ご予約

https://t-cort.com/outa_yakai/reservation.html

●お問合せ

電話/ 070-7661-4304

ガーデンテラス

場所宮崎県宮崎市下原町247-18

http://www.gt-miyazaki.co.jp/sp-top/

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★3/11(土) 熊本 CIB

【SOLO-DUO】

ギラ・ジルカ&矢幅歩(vo) "SOLO-DUO"

featuring 竹中俊二(G)

https://cib-co.jp/

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★3/12(日) 八代 Z

【SOLO-DUO】

ギラ・ジルカ&矢幅歩(vo) "SOLO-DUO"

featuring 竹中俊二(G)

https://www.facebook.com/profile.php?id=100063670327830

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★3/14(火) 鹿児島 Live Heaven

【SOLO-DUO】

ギラ・ジルカ&矢幅歩(vo) "SOLO-DUO"

featuring 竹中俊二(G)

https://www.kagoshima-sr.jp/live-hall/liveheaven/

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★3/17(金) 神戸 Gallery Zing

【SOLO-DUO】

ギラ・ジルカ&矢幅歩(vo) "SOLO-DUO"

featuring 竹中俊二(G)

open 19:00 Start 19:30

https://www.zing-music.com/events/20230317

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★3/18(土) 京都 Bonds Rosary

【SOLO-DUO】

ギラ・ジルカ&矢幅歩(vo) "SOLO-DUO"

featuring 竹中俊二(G)

open 18:30 Start 19:30

https://bondsrosary.com/schedule/2023/03/18/2075/

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★3/19(日）滋賀 BOCHIBOCHI

【SOLO-DUO】

ギラ・ジルカ&矢幅歩(vo) "SOLO-DUO"

featuring 竹中俊二(G)

open 17:00 Start 18:00

https://bochibochiotsu.com/events/event/%e3%82%ae%e3%83%a9%e3%83%bb%e3%82%b8%e3%83%ab%e3%82%ab%ef%bc%86%e7%9f%a2%e5%b9%85%e6%ad%a9-solo-duo/

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★3/21(火）金沢 もっきりや

【SOLO-DUO】

ギラ・ジルカ&矢幅歩(vo) "SOLO-DUO"

featuring 竹中俊二(G)

open 17:00 Start 18:00

https://mokkiriya.com/

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★3/24(金) 成瀬 Crop

【ASφKO】

矢幅歩(vo)

柿崎洋一郎(keys)

河越重義(gt)

酒井太(b)

中島オバヲ(perc)

http://www.carrozza-music.jp/

[nico-drives-badly]

Sometimes I think about how my closest DMC friends were made via a Tumblr group chat I mostly made as a joke, like quite literally I saw the feature and said “lol you know I should totally make a DMC group chat just for funsies” and someone helped me come up with the name Yamahoes and the rest was history. Definitely the most on-brand way I’ve ever made friends lmao

[rahullkohli]

who wants to join my all queer pop-punk band? we're gonna wear leather jackets, ride motorcycles and be called The Yamahoes.

[colinfarrelldaily]

Colin Farrell attends the 'Dumbo' Premiere at the Yamaho Hall on March 14, 2019 in Tokyo, Japan

[yama-hoe]

You know, that’s a really good question.

Why on EARTH are all of them still with Orochimaru when he manipulated, tortured, experimented on, and abused all of them??? Will Boruto ever go into that, I wonder? There is no given reason for the Leaf Village to have to put up with his shit anymore.

I can’t tell you how bitter i am that Tenzo’s new years picture is him watching over Orochimaru....

Let this boy live and be free wholey shit. him, Karin, Jugo, Suigetsu and Mitzuki should all be free of orochimaru. Why are any of the working under/following/living with them????