#yam mitchell

[cavity-collector]

yayyy more OC art for literally no one besides myself wowwieeee

[rotting-raccoon]

this blog is just a reblog dump so i can easily access reference images of stuff for drawing my OCs!

[startrekfangirl2233-writes]

Spring, 2020 - North Island Naval Base

Chapter 5 Part 1 of You Are My Soulmate

Bradley 'Rooster' Bradshaw x Reader

Description: Two months. You've been back to work for just about two months now and it feels even more like you're under a microscope than before. It feels like all eyes are on you, all the time and you hate it. You hate more that you haven't seen Bradley even once since that day. Add to that the fact that you haven't been able to go home and the added pressures of possibly being court martialed and you just want this all to be done.

Disclaimers: Misogynistic speech. Mentioned Homosexual Relationships. Angst. Flagrant disregard for protocols or Authority. Angst. Anguish.

This content presented in this story is for audiences age 18 and over only. MINORS DNI. I will not be accepting tag-list requests from Blank or Ageless Blogs for this story.

Warnings: Female!Reader

Word Count: 3056

A/N: Here’s Chapter 5 of YAMS! We're going to continue to see the far-reaching ripples of Hawk's actions. We're also going to get some cute Macheresin and IceMav because I couldn't help myself. As always, your reblogs and comments make me so happy! Feel free to drop me an ask if you want to chat about this chapter or any of my other works!

AO3: Cross-posted Here!

Wattpad: Cross-posted Here!

My Masterlist

Previous Part | Series Masterlist | Next Part

Tinkerbell

It's been three months since Bradley Bradshaw's accident. You only had your medical leave to prepare yourself for what would unfold once you were back on base. It wasn't enough. You knew the rumors would be floating around, that there would be sharks in the chum infested water, waiting for you to show any sign of weakness, a single cut even, to attack. Hawk's interviews, exposes, and tell-alls exacerbated that. You hadn’t even parked before everyone was looking at you with curious eyes. Everyone seemed to want to know why you’d actually been out for so long and if Hawk was right or just full of shit. But your lips are sealed. Under orders from Admirals Bates, Simpson and Mitchell you couldn’t say a word.

The scrutiny is nothing like you’ve ever faced before and you hate every minute of it. The worst part seems to be how you no longer have any credibility as an AMDO. Your first day back on base, you’d been introduced to Commander Grayson. He’s in charge of your team while you’re under investigation. Everything you do is immediately automatically examined by him, and logically you know why. He’s brilliant - your team is under extremely competent leadership under him. Were it under other circumstances you would love to learn from and work with him. But right now, you hate it. The drone project? That’s out of your hands and right into his. The inspections and adjustments occurring on North Island? Those are out of your hands as well. All you’re trusted to do, it seems, is work on paperwork and avoid the chatter that seems to spring up every time you walk into a room.

But the worst part of it all is how you’ve been blocked from seeing Bradley at every turn. You know he’s awake. Admiral Mitchell had been kind enough to tell you as much, that first day you were back on base, something the bond between you had hinted to as well. But Commander Grayson dogs your every move while you’re on base, even going so far as to have lunch with you, while  Jake and Javy dog your every move off base. You haven’t slept in your own bed once in those three months either. With the paparazzi still camping out on your front lawn, you’re still sleeping in Jake and Javy’s spare room. 

You haven’t had the chance to see how Bradley’s doing at all, and it hurts. The ache in your chest that you’d felt when Bradley’s jet exploded still throbs dully under your skin. That particular pain hasn’t faded even a little. The only time it had was the one night you’d managed to slip out of Jake and Javy’s house under the cover of night and sneak away to the hospital. You’d sweet talked a nurse into letting you up into Bradley’s room by mentioning he was your soulmate and held one of his big hands between your own. That night was the first in which you felt your heart beating in its rhythm again. It had been so easy, to press kisses against his knuckles and pray that he’d be okay, that he’d wake up again. You’d spoken to him until your voice was gone and snuck out at dawn with an exhausted body but a mostly settled mind. That one night felt far too short. Even knowing that Bradley is okay isn't enough. A part of you isn't sure that your mind will be at ease until you speak to him.

Your worry for Bradley is one of the only things fueling you as you trudge through base one bright morning. It's not quite so hot just yet, and you'd normally be ecstatic, making plans to drive out of the city for some fun. But just because the weather is better doesn't mean that your mood is. And then you walk into the AMDO hangar to see Commander Grayson, Admirals Mitchell and Simpson as well as two people in full khakis with JAG insignias pinned to their shoulders and on their chests. They’re introduced to you as Commanders Marks and Greybank.

"Lieutenant Commander, if you'd come with us? We have a few questions about the incidents that happened right here on North Island." It's the female JAG Commander, Marks, who speaks to you first. Her expressionless face rivals Commander Grayson's as he stands at a textbook perfect parade rest with one eyebrow cocked behind her.

You half expect to be locked up in a tiny windowless room with hot lights shining into your face and mercilessly interrogated. But maybe you've been watching too many movies and tv shows recently. What you get instead is a conference room, one of the nice ones where visiting Admirals have their meetings. Through the broad windows, you can see planes taking off from the tarmac. But you feel rather like you have a spotlight shining down on you regardless.

"Tinkerbell?" Lieutenant Marks' voice takes you by surprise. "Can I call you, Tinkerbell?" At her surprisingly gentle question, you nod.

"Alright, then. Tinkerbell," She sips carefully on her coffee before straightening out the notebook and pen in front of her. "What happened this year in Hangar Three during your first AMDO inspection on base?"

You’re more than a little taken aback by the question, expecting all of the questions they have for you to be ones about Bradley’s accident and your collapse during it. It must show on your face as well, since you’re asked to sit and once you do so, are asked the question again. Your voice is nearly too quiet as you start relaying the events of that day, including as many details as you remember, noting how they have your paperwork from that day in front of them. They’re cross referencing everything you say with the accounts in the reports, and it surprises you to see they have more than just your reports in front of them. They have statements from the Dagger Squad, the Admirals and even members of the Top Gun class in front of them. If your theory is right, they seem to want little to do with you at all and instead want all of the information they can get on Hawk. You finally ask why after the recess they allow you for lunch.

“Commanders, if I could ask a question?” Your voice is hesitant. They’ve already taken far too many notes about Bradley’s accident and your own subsequent hospitalization. You’ve had to disclose your suspicions that you’re his soulmate as well. Things already don’t look good for you, but you just have to know.

“Why are you focusing so much on Lieutenant Junior Grade Taylor’s movements and actions over the past few months?” The question spills out of you in a deluge of sound. Your ears feel like they’re ringing as the Commanders look at each other before looking at you.

“Lieutenant Commander,” Commander Greybank’s voice sounds incredibly gentle, “Tinkerbell. Did nobody tell you why we were here?”

“No.” You’re quiet, your eyes focused on the way your hands clutch at each other, the knuckles white from the force of your grip.

“We’re your defense team.” Your head jolts up fast, shock parting your lips in disbelief. "Admiral Simpson called us as a special favor."

Marks picks up where her co-counsel leaves off. "Admiral Simpson believes you're innocent. We have evidence of that as well. We have video footage of your hangar, showing exactly who was around Lieutenant Bradshaw's jet while it was supposed to be under repair. We have, of course, footage of the maintenance crew and footage of you, Lieutenants Seresin and Bradshaw early that morning. But we also have footage of Lieutenant Junior Grade Taylor lurking about the jet. We have footage of him removing a part from the engines and walking away."

“I knew he didn’t like me, but why would he do that?” You’re reeling, your hands shaking as they drag the laptop forward so you can view the footage. Your chest aches as you try desperately to breathe despite the panic taking over your body.

“He nearly killed my soulmate.” You’re not sure if the Commanders hear you as tears drip down your cheeks. “He made me believe that I’d killed my soulmate.”

“How sure are you that Lieutenant Bradshaw is your soulmate?” It’s a question you should have expected, though it does give you pause.

You swallow harshly, trying to order your flurried thoughts. “I’ve had all my soulmarks fulfilled by him. We have five.” At the shocked look on Commander Marks’ face, you have to grin, the action grim and small. “I’m sure that all five point to him. But I’m even more sure that he doesn’t know, or if he suspects, has convinced himself of something different.”

“We can use this information, if you’d like, to build your defense. We’d keep it as a last resort in case Taylor or his counsel try to bring it up. Does anybody else know your suspicions?” Commander Greybank looks rather overprotective as he spits out Hawk’s last name like it’s poison.

“Yes, my best friend and his soulmate.” It doesn’t surprise you at all that they want Jake and Javy’s contact info. “And there’s a Doctor on base too? Their name should be in my medical file from when I collapsed. Admirals Simpson and Bates are aware as well.”

“And what about Admiral Mitchell?” 

“I’m afraid I’m not sure if he’s aware or not. He wasn’t by my bedside when I collapsed, and I was put on medical leave immediately afterward.” You sip on your water, wetting your parched throat before continuing. “It is possible that either Admiral Simpson or Admiral Bates told Admiral Mitchell about my suspicions.”

“We’ll have to get in touch with Admiral Mitchell and his husband then.” You blink at the words. Since when is Admiral Mitchell married?

“Tink, there is going to be a lot of media attention surrounding this trial. Especially when the reporters come to know that you and Lieutenant Bradshaw are soulmates.” You’re well aware of that fact, sadly. “Is there someplace safe you can go when you’re not on base?”

“With Lieutenants Seresin and Machado. Reporters have been camped out on my front lawn since Taylor’s first interview.” The anger in the Commanders’ faces has you shrinking a little. “And nobody from the Navy has even offered to protect you?” 

At your nod, they share a glance and then dismiss you for the day. Your mind is still reeling as you meet Jake and Javy at their pick-up truck a couple of hours later. They’re content to talk to each other and leave you to your brooding as you glance out of the window. In the reflections on the window, you can see Jake and Javy, the ease in how they act with each other. Their love reminds you of your parents, sitting in the backseat of your family’s station wagon as a small girl and witnessing how they were always together, no matter how difficult life was. It's been far too long since you've called home, you realize, aching suddenly for your mom's home cooking and to hear your dad's terrible jokes.

But you can't call home. Not yet. They don't need to know about the disaster that has been your soulmate search. Not now. And so long as this thing stays out of the national news, you have time to tell them. Time to find the words. But more than your parents you need to talk to Bradley Bradshaw. You need to apologize. You need to hug him close. You need to tell him how sorry you are for not telling him your suspicions before you nearly lost him.

Jake and Javy help you forget your worries, just a little bit once you're home. They make you smile and laugh as Jake whips up dinner and all three of you dig into the sumptuous meal with a glass of red nearby. But your mind keeps straying back to the question of you and Bradley Bradshaw, over and over again. You’re being a bad friend, you’re sure, and an even worse guest, but you can’t seem to get out of your own head.

You come back to yourself lying on the sofa with Jake wrapped around you. 

“Hey Tinky-Tink. You back with us, pretty girl?” You nod robotically, your mind spinning but your voice locked up behind chains that you can’t seem to break even if you tried. 

“What’s going on, pretty girl? You’re scaring us, sweetheart. We’re your family, aren’t we? Then how come you can’t tell us, tell me, what’s going on in your head?” You curl in closer, reveling in the heat of Jake’s embrace, in the knowledge that your brother, though not in blood, will always protect you.

When your mouth opens, long after Javy joins the two of you and settles on the floor by the sofa, it’s to ask a question you’ve never asked of your friends before.

“How did you know, Jake?” It’s a whisper, barely audible over the rustle of your clothing. “How did you know that Javy was your soulmate?”

“What do you mean, sweetheart?” Jake sounds bemused, even as he pulls you closer. “You know we met when we were 14 and 15.”

Javy’s baritone picks up the story where Jake leaves off.  “Yeah, pretty girl. I was the new guy in class, the only one who looked different from all the others. And your boy here was the only one who introduced himself and asked for my name. Those are our marks, you know? His name, in that travesty of a chicken scratch that he calls handwriting on my thigh and my cursive over his heart.” 

“You’re right, sweetheart. We found each other early. But we didn’t know what we’d found. Not so easily. Not at all.” The weight of past memories is in Javy’s every word.

“It was Texas in the early two-thousands. Homosexuality was accepted even less than it is today. What choice did we have but to be each other’s best friend? To be like the brother we’ve never had? We couldn’t get too close to each other. We could barely sit in class next to each other without getting harrassed.”

There’s an impotent rage building in Jake’s voice, rumbling in his chest as he continues speaking. “We’ve heard it all you know, sweetheart. All the invectives, the rage just because the universe decided we belonged together.”

“But,” You can almost feel Javy’s gently chiding tone as he covers Jake’s hand on your back with his own. “I wouldn’t change anything in the world. The minute we were at the Naval Academy, I felt like I could finally breathe. Jake was thriving, I was thriving. But we were still too hesitant to take the leap. My mama wouldn’t have cared so long as I was happy. But Jake’s parents.”

“My dad would’ve killed me himself if he knew.” You clutch at Jake tighter, your ears hearing the words but your mind unable to compute a world where you never met Jake. “So we kept hiding it. Ignoring the tug in our chests, pulling us to each other. We kept ignoring how we orbited around each other. I kept ignoring how a single word from Javy would make me light up from within, and how it hurt when I took a girl home.”

“I never would’ve stopped if it wasn’t for that disastrous date we went on, Tinky.” You have to chuckle as you remember, Javy’s words making you smile despite your swirling emotions.

It had been one of your first assignments after fully certifying as an AMDO. You were just an ensign and it was your first time in Mississippi. You’d been introduced to the aviator squadrons on base and Javy had taken your breath away, quite literally. He was hot, you remember thinking, and more telling, he never seemed to go home with any of the girls always swarming around khakis at the bars on base. 

So you’d take a chance and asked him out for dinner. You’re not sure who had been more surprised, you or Javy, when he said yes to your stumbling, stuttered dinner invitation. But you remember how it had made your whole week. That had been at the beginning of your search for your soulmate, and well, Javy flew planes for a living, had brown hair (which was a stretch, since his hair is closer to obsidian than brown, you know), and dark-chocolate colored eyes. With nearly three of your soulmarks covered, what did you have to lose?

As it turns out, not a lot. There wasn’t any chemistry between you and Javy at all. He was easy on the eyes, and equally easy to have fun with, but there just wasn’t any spark between the two of you. And then there was the fact that he never shut up about Jake. You’d made it through the whole night before stopping him as he swooped down to kiss you goodnight and told him, “I don’t think this is going to work between us, Javy. There isn’t any electricity between the two of us. I like you, I do. I just think that the Jake you’ve been talking about? I think he might be who you really love.”

That had been the end of that. You’d opened the door a week later to Jake and Javy holding hands on your doorstep and subsequently been absorbed into their little family.

“Sweetheart, if you find that electricity, that spark with someone, then that’s the universe telling you who your soulmate is.” Javy sounds so in love, and you don’t even have to face him to know by his tone alone that he’s looking at Jake.

That’s when you break down, telling Jake and Javy your suspicions, fears and worries. When your mind finally quiets and your shoulders feel a bit lighter, you’re being held tight - this time, by Javy.

“It’s going to be alright, sweetheart. You’ll get the chance to talk to Bradshaw and get this all straightened out. He loves you, sweetheart. He was meant to love you. It’ll be alright.”

You wish with all your heart that Javy is right. You’re not sure you can handle it if he isn’t.

Taglist:

🛩️ @roosters-girl 🛩️ @infamous-reindeer 🛩️ @caitsymichelle13 🛩️ @mattyskies 🛩️ @cosmic-psychickitty 🛩️ @mygyn 🛩️ @julesclues 🛩️ @greenbaby12 🛩️ @bubblegumbeautyqueen 🛩️ @briseisgone 🛩️ @soulmates8 🛩️ @meganlpie 🛩️ @captain-fandomwriter58 🛩️ @caidi-paris 🛩️ @mazzbarnes 🛩️ @super-btstrash-posts 🛩️ @eli2447 🛩️ @chaoticassidy 🛩️ @kmc1989 🛩️ @abaker74 🛩️ @marvelouslyme96 🛩️ @faithiegirl01 🛩️ @shanimallina87 🛩️

I DO NOT CONSENT TO HAVE MY WORK POSTED, TRANSLATED, OR PUBLISHED ON ANY SITES OTHER THAN HERE, ON WATTPAD, OR ON AO3 BY ME. IF YOU SEE MY WORKS ANYWHERE OTHER THAN HERE, ON WATTPAD, OR AO3, THEN THEY HAVE BEEN POSTED WITHOUT MY PERMISSION AND I WILL BE WORKING TO TAKE THEM DOWN.

[lucy-shining-star]

... 'You also don't have place to live now?' Luna thinks Jim and Yam are searching place to stay

...Again Maggie has dark hair too

Emilia twice heard about other girl given her ex to Emilia as a 'gift' ...Also Ambar heard Luna saying that did she remember that and phrased it like that on purpose?

Jazmin if he is so handsome maybe go on date with him yourself

...Weird choice of Matteo's memories I'm thinking they wanted to show Luna's dress from bal again

Simon's 'Ecape the city' on shirt vaguely reminded me of some song and spent a minute wondering what I think it's Mitchel Musso's 'Get Away' with part 'maybe we should leave this town together'

...I don't think I believe you Simon that all your friends know all about your life. I think they don't know somev things from this season

You see that future in that house Maggie? I thought you wanted to escape

...That really wasn't that hard to understand? Well except I didn't hear one two words at all cause they were laughing too loud

Pedro dissapointed it didn't work out with Simon and Emma

Luna moving her jacket so her shirt with 'Life is a game' showing while she is talking about always having best ideas seems like she is saying 'Life is a game and I'm winning'

Does Benicio have something in hair

Emma is so sweet

Wait why did Juliana wanted to talk about to Luna and Ramiro

[tfc2211]

Simtec Simmons – Tea Box Johnny Barfield & The Men Of S.O.U.L. – Soul Butter Ronnie Woods – Sugar Pt 2 Stan Hunter & Sonny Fortune – Corn Flakes The Fabulous Counts – Scrambled Eggs The Watts 103rd St Rhythm Band – Spreadin' Honey Freddie Roach – Brown Sugar Albert Collins – Sno Cone Pt. 1 Chuck Edwards – Chuck Roast Willie Mitchell – Mashed Potatoes Booker T & The MGs – Red Beans & Rice The Righteous Brothers Band – Green Onions George Semper – Hog Maws & Collard Greens Lee Dorsey – Candy Yam Roosevelt Fountain & his Pens of Rhythm – Red Pepper Pt. 1 The Bad Boys – Black Olives Willie Bobo – Spanish Grease The American Group – Enchilada Soul

[countessofravenclaw]

I got inspired by a reblog debate...

So S3 of Soy Luna introduced lot more new characters, who were either regulars or regulars for a brief time, than the other seasons. They are Gary, Benicio, Emilia, Eric, Mitchel and Emma

So what are the major storylines of S3 that really move the story forward?

Roller Crew taking control of Roller again

Luna and Matteo finally working things out

Luna accepting who she is

Ambar's redemption (Simbar is included in this one)

Sharon's plan

Ramiro joining the Red Sharks

Delfi and Jazmin's fight over content, Jim and Yam's audition exploits and Ana dating Gary are not major storylines moving the plot forward. Nor is anything Nina does.

So what storylines do each new characters serve and move forward?

Gary: 1. and kind of 4. and 6.

Benicio: 1. 4. and kind of 6.

Emilia: 1. 2. 4. and kind of 6.

Mitchel: 2.

Emma: 4.

Guess who does not factor into any of these storylines? Eric.

He barely interacts with anyone who is not Nina and Luna by association or Nico. He had that one random moment with Ramiro, which made no sense to be given to him and that took away from the significance of the moment. It should have been Matteo and Jim.

Eric doesn't do anything with Roller Crew's quest against the Red Sharks, he just goes with the flow no matter what happens to Roller.

He has nothing to do with Lutteo

I doubt he even knows who is Sol Benson or that it is Luna

He has absolutely nothing to do with Ambar. She only bullies him couple times

Again, I doubt he knows who is Sharon Benson

Like I said above, he kind of factors into this, but he had not business fatoring into this... so not good enough.

The only thing Eric really factored in was what Nina did which was not much. The only thing that changed about S3 if he does not exist in who Nina ended up with. Nina helping Eric to sing does also not serve her at all

[rebuilding-paradise]

[Chili, Brave, Wizard, And Custard the 3rd were in a jar. Strawberry was getting dragged to said jar by some mind controlled cookies-]

Strawberry: hh-hh- My.. Best. FRIENDS..!?!

Random cookie: She seems agitated-

[Strawberry quickly jumped and slammed the cookies onto the ground-]

Strawberry: HHH- HHH-

Random cookie 3: Stand down, Child!-

Strawberry: RAGH!!

[The cookie got knocked out-]

Strawberry cookie, fucking PISSED-: I AM STRAWBERRY COOKIE. BEST FRIEND OF THOSE FOUR!! YOU WILL LOOK UPON ME IN F E A R!!!

[Meanwhile in the bg]

Yam: MILK, WE ARE ADOPTING STRAWBERRY COOKIE-

(Original inspiration is from The Mitchells vs the machines)

@kaylikestodrawlittlenightmares @r0gu3f0rt-c00ki3-simp @aff0gat0-c00ki3 @t1m33k33p3rr

[anhed-nia]

NOTTING HILL

I bet there's five or six of you still out there who are wondering why I haven't written almost all year, and whether I'm still gonna do Blogtober this year. Well, I YAM! In fact, you'll get a double dose of autumn bullshit from me, since I'll be traveling to Fantastic Fest this September to find out what the fuss is all about. (Actually I already know and I'm STOKED!) Meanwhile, to prove I am still alive and able to string a run-on sentence together, please "enjoy" my review of a TRUE horror film: Roger Mitchell's 1999 romantic-comic mega hit, NOTTING HILL.

Even if you know me pretty well, you might not know that I have a ritual of becoming very stoned and watching popular romantic comedies to try to figure out what regular jagoffs want, like how the other half lives. Sometimes it makes me feel like I'm observing evidence of an alien civilization, and sometimes I feel like I'm just watching the end of the world. I always try to stay open to the possibility that they might be better than I think they are, though, sort of the way I am strangely invested in whether there are truly good Christians out there and not just nominal celebrants who have a convenient justification for their bigotry...

Um where was I, anyway, with all that said: I am here to declare that NOTTING HILL is the stupidest fucking movie ever made by a human being. It is infinitely dumber than INVASION OF THE BLOOD FARMERS or BLOOD FREAK or COLOR ME BLOOD RED, or whatever other garbage I excuse as secret art (but it is!), and that's just in terms of internal logic--I'm not even getting into matters of taste. What happens in this movie is, Hugh Grant spills orange juice all over perfect stranger and famous actress Julia Roberts, she agrees to go inside his house to change her clothes, and then they just start frenching. There's so little reason for it that Julia Roberts has to say out loud that it doesn't make any sense, just to try to make it "make sense" for the audience. Straight away she invites herself to dinner with his family, which is mostly represented by a montage of people laughing for no reason so you can tell how charming they all are. (N.B. This exact scene happens in SANTA CLAUS CONQUERS THE MARTIANS) Then they just seem to be on this endless date, punctuated by nauseating adult contemporary ballads about epic romance, that finally ends when it is revealed that Julia Roberts already has a boyfriend. I had been waiting and waiting to figure out what the actual plot of this was, and it finally arrives A FULL HOUR INTO THE MOVIE.

Hugh Grant is let down, but for some reason not at all put off that his perfect female is a cheat and a liar. I guess this is because her boyfriend is a lout, as illustrated by Alec Baldwin in exactly one startlingly brief appearance, suggesting that the fact that he's rude and dumb means he deserves just whatever. Anyway, in not too long, Hugh Grant and Julia Roberts get back together because what else could happen--btw she will finally mention that she didn't know if she was still *In a Relationship* with Alec Baldwin at almost the end of the movie when it doesn't matter anymore. That plot point just goes away as soon as it arrives, and then the new plot is that potentially career-ruining old racy photos of Julia Roberts have emerged, the head-parts of which suggest to me that they are just stills from MYSTIC PIZZA. Then that plot point goes away. Then the new plot is that the paparazzi get pictures of Julia Roberts and Hugh Grant slouching around his apartment in lounge wear, and even though Hugh Grant's mystifyingly dirty, crazy, rape-y roommate is in the mix, the whole world decides that this means Julia Roberts is cheating on Alec Baldwin and she is ruined once again. But, some time elapses, and then Hugh Grant and Julia Roberts just get married and have a baby. THE END!

The excuses for humor in this movie are bizarrely infantile, and eerily similar to especially bad, needy Avengers fan posts on tumblr, with saucy little quips and jabs and flirts that turn into inconvenient boners for our chronically aroused and embarrassed hero. One example involves a long exchange about whether Julia Roberts would eat out Mel Gibson's asshole--sorry, his "bottom". Another involves Hugh Grant saying "whoopsie-daisies", which Julia Roberts charges is an antiquated term that makes him sound like an old man, totally ignoring the fact that a) it's a timeless term used only with babies, and b) IT'S FUCKING "WHOOPSIE DAISY", I GODDAMN GOOGLED IT.

The weirdest thing about this movie is that the director also made something called THE MOTHER, a sometimes unbearably intense drama about an elderly woman who gets horrifically exploited by her mentally ill adult daughter and the daughter's manipulative boyfriend. I guess NOTTING HILL is worth it if it means you can afford to make something actually good after.

Anyway, sorry about this long post about NOTTING HILL, which is probably not the kind of thing you're here for. But don't you dare suggest that I just "spoiled it" for you, I am PROTECTING YOU FROM IT.

PS The second weirdest thing about NOTTING HILL is the presence of Gina McKee, who looks so much like Hugh Grant that she might as well be a drag king of him--and even though a major character in this movie is supposed to be Hugh Grant's sister, they cast Gina McKee as his best friend. Go figure!!

[ifionlyhadmorepaper]

November eleventh. The date was branded into the flesh of her cerebellum, it scorned her like an unfaithful husband in a soap opera, and Beca hated it. She would've loved it, but since it's already passed it was just another day that burns with each sunset. November eleventh was supposed to be her due date, two girls, and it was currently Thanksgiving day.

They certainly were planning for quite the entrance, and she literally could not wait another second. Her boobs ached and her lower back was constantly sore, on the occasion there was a pain in her tailbone, Beca had had enough. Pregnancy is a beautiful thing until you go over your due date. “Are the yams done?”

“Yeah, need me to get them out of the oven?” she asked as she pressed the pie crust into the pan.

“It's okay, I got it.” Beca kept working on filling the pies to get them in the oven. She felt extremely fatigued, but she knew that her wife wanted to have Thanksgiving at their house. There was definitely room, it was just so much work, they had asked Aubrey to help with dinner, but really her job was to distract their four year old daughter, Kara.

“Mama, mama, mama!” She came barrelling through their kitchen, and bumped into Beca, making her lean more on her right foot, which didn't help her with the discomfort she was feeling either. 

“Yeah, angel face?” She let her hand rest on her little brunette melon.

“Al’en!” She pointed her finger at Aubrey, who stood in the doorway with her fingers framing her face and her tongue sticking out, blowing raspberries. The scene was cute until it wasn't.

“Spill some water? Your pants are wet.” Chloe asked casually, too focused on pinning pineapple rings onto the ham.

“Chloe.” Beca held the bottom of her stomach, she looked down at the liquid streaking down her pants.

“Yeah, babe?” she turned around to see Beca's wide eyes, she assessed the expression on her face and she looked down at her pants.

“Don't panic.” Her lips pulled apart and her jaw fell completely open looking at the wet marks on her pants.

“I-Is it time?”

“Yeah, yeah, get the car.” Beca started waddling toward the living room, she looked over her shoulder and saw Chloe just standing there in shock. She turned around and she stood in front of her wife. “Chloe, my love, we need to get going and pull it together, can you do that for me?” She nodded and wordlessly walked to the door.

Beca sighed but her sigh turned into a grimace as she felt the first contraction start. “Aubrey?” She clenched her teeth and grasped at the edge of the counter. She was slightly bent over, her chest grazed the cold surface, and then Aubrey breezed in with Kara on her back and an easy smile across her lips. It quickly disappeared at the sight of her friend in pain.

“Beca, what's wrong? Is it the babies?” She nodded and panted as the contraction ended.

“Don't panic, I'm fine…” she said a second time. “It's… time.”

“It's time?” Beca nodded at the repetition of the same words. “Okay, um, you go and I'll watch Kara, I can take your things later okay?” Chloe came back inside with Beca's coat and already tousled hair.

“Oh, honey.” Chloe cooed as she squeezed Beca's hips to relieve some pressure.

“I'm… fine, let's go.” she stood up and started walking toward the door. “We’ll… call. Angel face, I love you so much okay?”

“Bye, mama.” she and Aubrey waved from the door.

    “Why… are… we not… moving?” her teeth were bared and the car barely moved as they sat in bumper to bumper traffic.

“Okay,” Chloe started. She gnawed on her lip and drummed her fingers on the steering wheel, trying to find words that wouldn't upset her. “Don't panic, but… we're caught in five o'clock rush hour.”

“What… what do you mean… we're caught in rush… hour? I need to have these babies now, Chloe!” She had her seat slightly reclined, enough to spread her legs and bend over somewhat to relieve some pressure. She rubbed her stomach and sat up, she threw her head back against the headrest and glared at Chloe. “We need to get to the hospital.”

“I know, my love, I'm trying, but we're stuck.” she tried to reason with her, but she started groaning, her contractions were at least five minutes apart, but they seemed to be getting more intense by the second, Chloe wasn't sure if they'd make it to a hospital or not.

The closest thing to a hospital on the block was a pharmacy. There was also a Taco Bell, their choices were slim, but if she knew her wife, she knew it'd be better to choose the latter due to her unhealthy love for Double Chalupas, but she wouldn't dare suggest such things at a time like this. She'd like to be alive for the birth of their two daughters.

“Find… a way… to… to… fix… it!” her knuckles were white with the grip she had on the door handle and her baby hairs stuck to her forehead despite the mild drop in temperature.

“I'm doing everything I can, but there's nothing I can do about the traffic, honey.” Chloe fought off the haughty voice at the back of her throat and kept her tone steady and neutral to not rile up the woman baring her children while she was in labor.

“You better… figure… it out before-” an animalistic growl rumbled up from inside her chest, making Chloe quake with fear, she paled and looked around cars to see anywhere to get off, she saw an opportunity to change lanes, so she cut off whoever had been coming, earning the performance of dozens of car horns behind them, and she got into faster-moving traffic. “Oh my God! Oh my God I'm gonna kill you! Oh, why did I let you talk me into this? Oh my God, I hate you!”

“I love you. So much.”

    “Mama, they're real small.” Kara said as she leaned over to see them. Beca stood there in the fuzzy socks she'd picked out for her birthday, in a nightgown her mother gave her, and with a soft daze left after hard labor.

“Yeah, they are…” she yawned and stroked Kara's hair. “I remember when I had you, you were so small.”

“Like a potato?” She giggled and sighed as she looked down at the swaddled burritos.

“Yeah, angel face, just like a potato.”

“Don't panic,” Chloe whispered into her wife's ear, putting her hand to the small of her back. “But all our family is outside that door waiting to see you.” Beca looked up from their bassinets and looked at Chloe with tired navy blue eyes.

“But… the kids, I don't… I feel like shit, I can't with my dad right now-”

“Who said anything about your dad?” She wriggled her eyebrows at her and Beca bit back a smile and she toyed with the hem of Chloe's sweatshirt.

“The Bellas?” She nodded and Beca stepped closer. “Dude, are you for real?”

“Um, dude, of course I am!” she whisper yelled. Beca nodded eagerly and Chloe put her two thumbs up and went to answer the door. “Hey, girls, you can come in now.” she rejoined Beca in front of the bassinets and stood there with a prideful smile on her face and Beca's hand in hers.

“Bellas, I want you to meet Stephanie and Alice Mitchell.” They turned around to pick up their newborns, stopping to admire the brown hair on their heads and the fact that no doubt they would have the Mitchell women's eyes. Chloe picked up Alice and rocked her so slightly and turned her to the large group of girls before them, she stroked her finger down her little cheek and looked back up at the Bellas. “This is your Aunt Aubrey, and Aunt Amy,”

“And your Aunt Cynthia, and Aunt Emily,” Beca stood beside Chloe with Stephanie fast asleep in her arms.

“And your Aunt Jessica, and Aunt Ashley,” when addressed, Jessica and Ashley held out their individual phones to them to show Stacie on Jessica's phone and Flo on Ashley's phone.

“And Aunt Stacie and Aunt Flo,” Amy giggled after she said 'Aunt Flo', causing all the Bellas to look at her, at first with unamusement then with fondness. “Okay, that was funny.” Beca relented.

“Good,” Amy said dropping her bag and digging out a plastic bag. “Because I come bearing gifts.” She pulled out a tupperware container filled with different Thanksgiving foods.

“Trade?” Beca arched her eyebrow at her friend and they swapped out, a baby for mashed potatoes and gravy. Beca had always actively avoided Thanksgiving due to nagging aunts and gloating successful cousins, but when she stumbled into auditions for the Bellas, no one could have ever convinced she'd actually enjoy it and call them her family.

And since no one could ever convinced her of that, she definitely thought that eating Thanksgiving leftovers in a hospital room with her best friend and wife, with their two twin daughters and their four year old, and six women and two on FaceTime sharing belated 'Happy Thanksgiving’ wishes should be enough convincing. This Thanksgiving, she was thankful for all the love she had in her life.

[speedsiteshoe]

Uncharted 2 cast

Mary Jane Pajaron, Ronald Gebilaguin, Ferdinand Ladera, Derek Murillo, Allain D.People of color are more visible in games today than ever before.

Marvin Allen Aure, Jefferson Estrabinio, Kerwin Atienza, Anthony David Calderon, Leonardo M. Wilson Pedro Jr., Dino Antonio Morales, Valroman Francisco, Franco Perez Sound Effects & Foley Editor Lead Dialogue Editor Re-Recording Mixer Supervising Sound Editor Technicolor Animation and Interactive ServicesĬinzia Angelini, Lindsey Butterworth, Emanuela Cozzi, Kent Culotta, Daniel Godinez, Bart Goldman, Jose Hernandez, Sung-hyun Kim, Mark Levine, Melissa Thompson, Mark Villagracia, Alex Zemke Guerilla Games, Media Molecule, Sony Santa Monica, Insomniac Games, Ready At Dawn Studios, Sucker Punch Productions, Bungie, Infinity Ward, Havok, Mitchell Silberberg & Knupp LLP, John Crompton (Crompton & Associates)Īlex Gaynor, Annie Wildmoser, Elisha Christian, Jesse Crusing, Kyle KlützĪaron Lambert, Alejandro Castro, Ian Lang, James Lipscomb, Josh LaBrot, Julian Palacios, Mahyar Sadri, Randy Wilson, Ryan Torrey Michael Caloz, Wesley Tobler, Sergiy Migdalskiy, Ricardo Ariza, Cory Hamilton, Victoria Fortson, Joshua Frontino, Boris Batkin, Mark Cerny, Andre Petrossian, Greta Anderson Melissa Barker, Esteban Cueto, Richard Dorton, Michael Mukatis, Justin Rasch, Chris Robbins, America Young Theo Balestra, Lola Balestra, Aidan Balestra, Nathan Levitt, Lauren Levitt Prasadananda Das, Toufiq Tulsiram, Tenzing Tsering Berger, Steven Jay Blum, Dimitriy Dyachenko, Robin Atkin Downes, Michael Gough, James Horan, Yuri Lowenthal, Fred TatascioreĪlex Demir, Serder Burhan Kalsin, Oscar Oden, Murat Uludagĭechen Choezom, Pema Dhondup, Yangchen Dolkar, Namgyal Kyulo, Tenzing Tsering Kimble, Tristram Coffin, Joshua Dodge, Brenden Quibin Rob Alonso, Ronald Avila, Anthony Bailey, Eddie Blandon, Byron Brackens, Andrew Cockburn, Adam Grodin, Matthew Hartwell, David Kabelitz, Michael Longley, Travis Madole, Lizz McCue, Alex Medina, Byron Mehlsack, Jeffrey Keith Negus, Rodney Reece, Matthew Rothstein, Trevor Stevens, Nick Murphy, Travis R. Marianne Hayden, Jason Martinsen, Jeremy Collins James Paick, Polina Hristova, Erwin Madrid, Kory Heinzenĭavid Lam, Moragot Bodharamik, Randall Davis (Lee) MikkelsenĬompany Mascot, Morale Builder and Food Patrol Borujeni, Shan-Min Chao, Andrew Cove, Cédric Lallain, Bryan McNett, Adam Johnson, Morten S. Manny Ko, Cort Stratton, Jason Scanlin, Mohammad S. Shaddy Safadi, Hong Ly, Andrew Kim, Brian Yam Omar Gatica, Thomas Wright, Eva Krzeminskiĭarcy Korch, Hanno Hagedorn, Bryan Wynia, Corey Johnson Lee, Simon Craghead, Reiko Satoīenson Russell, Junki Saita, Jonathan Stein, Justin Richmond, Kurt Margenau, Jacob Minkoff, Robert Cogburn, Anthony NewmanĬharlotte Francis, Malcolm Hee, Behrooz Roozbeh, Christian Nakata, Nichol Norman, Adam Marquis, Genesis Prado, Brian Beppu, Khanh D. Chen, David Baldwin, Stephen Ife, Michael Murrill, David Ballard, Edward J. Reuben Shah, Santiago Gutiérrez Cortés, Christophe Desse, John Germann, Henry Cheng, Dustin King, Jonny Q. Shamil Rasizade, Chris Ilvento, Brian Robison Pål-Kristian Engstad, Travis McIntosh, Dan LiebgoldĬhristopher Christensen, Jonathan Lanier, Carlos Gonzalez-Ochoa, Marshall Robin, Fengquan Wang, Charles Tangora, Christian Gyrling, John Bellomy, Jason Gregory, Lucas Pope, Ian Jones, Jeff Shaffer, Jérôme Durand, Sandeep Shekar, Vincent Marxen, John Hable 969 people (918 developers, 51 thanks) Naughty Dog

[oselatra]

Fall Arts 2018 calendar

Art, music, film and more.

GREATER LITTLE ROCK

MUSIC

SEPT. 20: Laurence Juber. Argenta Acoustic Music Series. The Joint Theater & Coffeehouse, 7:30 p.m., $25.

SEPT. 20: Malcolm Holcombe. White Water Tavern, 8:30 p.m., $10.

SEPT. 20: Charlotte Taylor. Cajun's Wharf, 9 p.m., $5.

SEPT. 21: Mulehead. Four Quarter Bar, 10 p.m., $7.

SEPT. 21: Go For Gold, Slick Grip, Vera Forever. Vino's, 8 p.m., $8.

SEPT. 21: Kimberly Marshall. A concert from the Central Arkansas Chapter of the American Guild of Organists. St. Luke's Episcopal Church, 8 p.m., free.

SEPT. 21: Flatland Cavalry. Stickyz Rock 'n' Roll Chicken Shack, 9 p.m., $10-$13.

SEPT. 21: Dylan Earl & The Reasons Why, Dazz & Brie. White Water Tavern, 9 p.m.

SEPT. 21: Mister Lucky. Cajun's Wharf, 9 p.m., $5.

SEPT. 21: "The Fabulous Freddie Mercury Tribute." Featuring Randall Shreve. Rev Room, 10 p.m., $15-$20.

SEPT. 22: Claude Bourbon. A Little Rock Folk Club concert. Hibernia Irish Tavern, 7:30 p.m., $8-$15.

SEPT. 22: The Toadies. Rev Room, 8 p.m., $20-$25.

SEPT. 22: Royal Thunder, Headcold, Or. White Water Tavern, 9 p.m.

SEPT. 22: LLC, I-40 Ramblers. Cajun's Wharf, 9 p.m., $5.

SEPT. 22: Henry and the Invisibles. Four Quarter Bar, 10 p.m., $8.

SEPT. 26: Jazz in the Park: Rodney Block Collective. History Pavilion, Riverfront Park, 6 p.m., free.

SEPT. 26: Sunflower Bean. Stickyz, 8 p.m., $12-$15.

SEPT. 27: Potluck & Poison Ivy. Featuring Kevin Gordon. 7 p.m., The Joint, $35.

SEPT. 27: Amythyst Kiah. Oxford American Concert Series. South on Main, 8 p.m., $25-$32.

SEPT. 27: Randy Rogers Band. Rev Room, 8:30 p.m., $20-$25.

SEPT. 27: RVS. Cajun's Wharf, 9 p.m., $5.

SEPT. 28: "Gershwin: Remembrance and Discovery." A concert from Richard Glazier. 7:30 p.m., CALS Ron Robinson. Free.

SEPT. 28: The Sword. Rev Room, 8:30 p.m., $18-$20.

SEPT. 28: Bluesboy Jag & Mudboy. Markham Street Grill and Pub, 8:30 p.m.

SEPT. 28: Lydia Lunch Retrovirus, Mouton, Listen Sister. Four Quarter Bar, 9 p.m., $10.

SEPT. 28: William Blackart, Colour Design, Fiscal Spliff. White Water Tavern, 9 p.m.

SEPT. 28: Mark Edgar Stuart. South on Main, 7 p.m.

SEPT. 28: Unraveled. Cajun's Wharf, 9 p.m., $5.

SEPT. 29: As Cities Burn. Vino's, 7 p.m., $15.

SEPT. 29: Dave Hoover, Sean Michael. An Elvis Tribute. Argenta Community Theater, 7 p.m.

SEPT. 29: Earl & Them. Cajun's Wharf, 9 p.m., $5.

SEPT. 29-30: "Sorcerer's Apprentice." Arkansas Symphony Orchestra. Robinson Center Performance Hall, 7:30 p.m. Sat., 3 p.m. Sun., $16-$68.

SEPT. 30: Colt Ford. Clear Channel Metroplex, 6 p.m., $22-$30.

SEPT. 30: The Salty Dogs. White Water Tavern, 6 p.m.

OCT. 2: Mozart & Schumann. Arkansas Symphony Orchestra's River Rhapsodies Chamber Series. Clinton Presidential Center, 7 p.m., $23.

OCT. 3: Squirrel Nut Zippers. Rev Room, 8 p.m., $30-$35.

OCT. 4: September Mourning. Rev Room, 8 p.m., $10-$13.

OCT. 5: Gil Franklin. Markham Street Grill and Pub, 8:30 p.m.

OCT. 5: Destroyed of Light, Colour Design. White Water Tavern, 9 p.m.

OCT. 5: Sabine Valley, Wild Yam. Vino's, 8 p.m., $7.

OCT. 5: The Big News. Four Quarter Bar, 10 p.m., $7.

OCT. 6: Kate Campbell. A Little Rock Folk Club concert. Hibernia Irish Tavern. 8:30 p.m., $15.

OCT. 6: Steezy Street, Bedroom Collective. Vino's, 8 p.m., $7.

OCT. 6: Amasa Hines. Rev Room, 9 p.m., $12-$15.

OCT. 6: J.D. Wilkes. White Water Tavern, 9 p.m., $10.

OCT. 6: The Smoking Flowers. Four Quarter Bar, 10 p.m., $7.

OCT. 7: R&B Cook-Off: Rhythm & Blues, Ribs & Butts. With music from Lagniappe. 1 p.m., Argenta Plaza, $15.

OCT. 7: "The Singing Heart." An Arkansas Chamber Singers concert. Calvary Baptist Church, 3 p.m., $10-$18.

OCT. 9: Fall Out Boy. Verizon Arena, 7 p.m., $31-$71.

OCT. 9: Trixie Mattel. Robinson Center Performance Hall, 8 p.m., $41-$166.

OCT. 10: Lauren Daigle. Verizon Arena, 7:30 p.m., $28-$78.

OCT. 11: Thomas Rhett, Brett Young, Midland. Verizon Arena, 7:30 p.m., $33-$78.

OCT. 11: Lee Bains III & The Glory Fires. White Water Tavern, 8:30 p.m.

OCT. 12: Harrisong. Markham Street Grill and Pub, 8:30 p.m.

OCT. 12: Deadbird, Terminal Nation, Tranquilo. White Water Tavern, 8:30 p.m.

OCT. 12: The Great Whiskey Rendezvous. Four Quarter Bar, 10 p.m., $7.

OCT. 12: Cody Johnson. First Security Amphitheater, 6:30 p.m., $25-$80.

OCT. 13: Trey Johnson & Jason Willmon. White Water Tavern, 9 p.m.

OCT. 13: The Busty Petites. Four Quarter Bar, 10 p.m., $7.

OCT. 18: "Sounds in the Stacks: Tonya Leeks." CALS Sue Cowan Williams Library, 6:30 p.m., free.

OCT. 18: Brooke Miller. Argenta Acoustic Music Series. The Joint Theater & Coffeehouse, 7:30 p.m., $25.

OCT. 18: The Russ Liquid Test. Rev Room, 9 p.m., $16-$20.

OCT. 18: Robert Finley. Oxford American Concert Series. South on Main, 8 p.m., $28-$36.

OCT. 19: Jerry Redd & The Snowmen. White Water Tavern, 9 p.m.

OCT. 19: Big Red Flag, Jamie Lou & the Hullabaloo. Four Quarter Bar, 10 p.m., $7.

OCT. 20-21: "The Music of Star Wars." Arkansas Symphony Orchestra. Robinson Center Performance Hall, 7:30 p.m. Sat., 3 p.m. Sun., $16-$68.

OCT. 21: John Fullbright. Oxford American Concert Series, South on Main, 7 p.m., $25-$34.

OCT. 22: "Take Me To the River." Dirty Dozen Brass Band, George Porter Jr. and others. UA Pulaski Technical College, Center for the Humanities and Arts, 7:30 p.m., $30-$110.

OCT. 26: Combsy. Four Quarter Bar, 10 p.m., $7.

OCT. 27: Negro Terror, Queen Anne's Revenge, Bloodlikewine, Headdrop, Mortalus and more. Four Quarter Bar, 8 p.m., $10.

OCT. 28: MercyMe. Verizon Arena, 6 p.m., $23-$68.

OCT. 28: The Steel Wheels. Oxford American Concert Series. South on Main, 7 p.m., $20-$26.

OCT. 31: "The Rocky Horror Pickin' Show." The Crumbs. Four Quarter Bar, 9 p.m., $7.

NOV. 1: Keith Urban. Verizon Arena, 7:30 p.m., $40-$97.

NOV. 1: Fabian Almazan Trio. Oxford American Concert Series. South on Main, 8 p.m., $30-$34.

NOV. 2: Rodney Carrington. Robinson Center Performance Hall, 7 p.m., $44-$179.

NOV. 2: The Josh Parks Band. Markham Street Grill and Pub, 8:30 p.m.

NOV. 2: Mountain Sprout. Four Quarter Bar, 10 p.m., $8.

NOV. 3: Ray LaMontagne. Robinson Center Performance Hall, 8 p.m., $35-$85.

NOV. 3: NF. Verizon Arena, 8 p.m., $25-$45.

NOV. 3: Freeverse. Four Quarter Bar, 10 p.m., $7.

NOV. 9: Frankie Valli and The Four Seasons. Verizon Arena, 8 p.m., $60-$125.

NOV. 9: Charlie Hunter Trio. CALS Ron Robinson Theater, 7 p.m., $10.

NOV. 10-11: "Elgar's Enigma." Arkansas Symphony Orchestra. Robinson Center Performance Hall, 7:30 p.m. Sat., 3 p.m. Sun., $16-$68.

NOV. 13: "Sounds in the Stacks: Stuart Baer." CALS Amy Sanders Library, Sherwood, 6:30 p.m., free.

NOV. 13: "Laskarov Plays Brahms." Arkansas Symphony Orchestra's River Rhapsodies Chamber Series. Clinton Presidential Center, 7 p.m., $23.

NOV. 13: Drive-By Truckers. Rev Room, 8 p.m., $25-$30.

NOV. 15: Ian Ethan Case. Argenta Acoustic Music Series. The Joint Theater & Coffeehouse, 7:30 p.m., $25.

NOV. 16: Arkansauce. Rev Room, 8:30 p.m., $8-$10.

NOV. 16: Dazz & Brie, Zigtebra. Four Quarter Bar, 10 p.m., $8.

NOV. 18: Mae. Rev Room, 7:30 p.m., $17-$20.

NOV. 20: "Le Grand Orgue." Organist Rees Roberts. St. Luke's Episcopal Church, 7 p.m.

NOV. 30: Ashley McBryde. Rev Room, 8:30 p.m., $20.

DEC. 1: Five Finger Death Punch, Breaking Benjamin. Verizon Arena, 6 p.m., $25-$80.

DEC. 1: The Here and Now Band. A Little Rock Folk Club concert. Hibernia Irish Tavern, 8:30 p.m., $15.

DEC. 1: Puddles Pity Party. UA Pulaski Technical College, Center for the Humanities and Arts, 7:30 p.m., $25-$40.

DEC. 6: Mandolin Orange. Oxford American Concert Series. South on Main, 8 p.m., $30-$38.

DEC. 7-8: "A Song for the Season." An Arkansas Chamber Singers concert. Old State House Museum, 7 p.m., free.

DEC. 14: Akeem Kemp Band. Markham Street Grill and Pub, 8:30 p.m.

DEC. 14-16: "Home for the Holidays." Arkansas Symphony Orchestra. Robinson Center Performance Hall, 7:30 p.m. Fri.-Sat., 3 p.m. Sun., $16-$68.

VISUAL ART

THROUGH SEPT. 28: "Memory / Commitment / Aspiration," works from the Pierrette Van Cleve Collection; "Water Memory," installation. UA Little Rock.

THROUGH SEPT. 30: "Mauricio Silerio: Los Demonios de mi Terra." Underwater photography. UA Little Rock.

THROUGH OCT. 7: "Justin Bryant: That Survival Apparatus." Watercolors and prints. Historic Arkansas Museum.

THROUGH OCT. 7: "Robert Baines: Living Treasure and Fabulous Follies." Jewelry. Arkansas Arts Center.

THROUGH OCT. 11: "Peter Pincus: Color and Form," ceramics; "Art Process: Drawings and More." University of Central Arkansas.

THROUGH OCT. 19: "American Perspectives on Modernism." UA Pulaski Tech.

THROUGH OCT. 27: "A Legacy of Brewers: The Paintings of Nicholas, Adrian and Edwin Brewer." Butler Center's Galleries at Library Square.

THROUGH OCT. 28: "Up in Smoke." The accoutrements of smoking. Esse Purse Museum.

THROUGH OCT. 28: "Reveal/Conceal: Exploring Identity in Contemporary Art." Arkansas Arts Center.

THROUGH NOV. 4: "Delta Through the Decades Deux: Selections from the Collection." Arkansas Arts Center.

THROUGH NOV. 4: "Space Between Teeth: Linda Lopez + Marc Mitchell." Historic Arkansas Museum.

THROUGH FALL 2019: "A Piece of My Soul: Quilts by Black Arkansans." Old State House Museum. 324-9597.

SEPT. 20 (OPENS): "RESPECT: Celebrating 50 years of AfriCOBRA." Mosaic Templars Cultural Center. 683-3593.

SEPT. 22: Thea Paves the Way, chalk art event. Clinton Presidential Center.

SEPT. 25: "City Leaders as Urban Designers: Planning for Rapid Change." Architecture and Design Network. Arkansas Arts Center.

SEPT. 28-DEC. 30: "Independent Vision: Modern and Contemporary Art from the Martin Muller Collection." Arkansas Arts Center.

OCT. 10-NOV. 10: "Artist as Catalyst." Silkscreens. UA Little Rock.

OCT. 15-NOV. 16: "Faculty Biennial." UA Little Rock.

OCT. 22-DEC. 2: "Electrify: VSA Emerging Young Artists." UA Little Rock.

COMEDY

THROUGH NOV. 17: "The Lighter Side of the Apocalypse." A comedy from The Main Thing. The Joint, 8 p.m. Fri.-Sat., $24.

SEPT. 19-22: Michael Mack. The Loony Bin, 7:30 p.m. Wed.-Sat., 10 p.m. Fri.-Sat., $8-$12.

SEPT. 22: The Comedy Get Down. Featuring Cedric the Entertainer, Eddie Griffin, D.L. Hughley and George Lopez. Verizon Arena, 8 p.m., $49-$75.

SEPT. 25: Punch Line. Weekly open-mic stand-up comedy. The Joint, 8 p.m., $5.

SEPT. 26-29: Greg Morton. The Loony Bin, 7:30 p.m. Wed.-Sat., 10 p.m. Fri.-Sat., $10-$15.

SEPT. 26: The Joint Venture. Weekly improv comedy. The Joint, 8 p.m., $8.

SEPT. 27: Steve Hofstetter. The Loony Bin, 9:45 a.m., $20.

SEPT. 30: Brad Williams. The Loony Bin, 7:30 p.m., $22.

OCT. 3-6: Ricky Reyes. The Loony Bin, 7:30 p.m. Wed.-Sat., 10 p.m. Fri.-Sat., $8-$12.

OCT. 10-13: Quinn Patterson. The Loony Bin, 7:30 p.m. Wed.-Sat., 10 p.m. Fri.-Sat., $8-$12.

OCT. 16: Brain Trust with Michael Brown. Hibernia Irish Tavern. 8 p.m.

OCT. 17-20: Alex Elkin. The Loony Bin, 7:30 p.m. Wed.-Sat., 10 p.m. Fri.-Sat., $8-$12.

OCT. 20: The Veterans of Comedy. Arkansas Repertory Theatre, 8 p.m.

OCT. 24-27: J.R. Brow. The Loony Bin, 7:30 p.m. Wed.-Sat., 10 p.m. Fri.-Sat., $8-$12.

NOV. 7-10: Dave Landau. The Loony Bin, 7:30 p.m. Wed.-Sat., 10 p.m. Fri.-Sat., $8-$12.

NOV. 14-17: Mr. Showtime. The Loony Bin, 7:30 p.m. Wed.-Sat., 10 p.m. Fri.-Sat., $8-$12.

NOV. 23-JAN. 12: "A Fertle Holiday." A holiday comedy from The Main Thing. The Joint, 8 p.m. Fri.-Sat., $24.

NOV. 28-DEC. 1: Reno Collier. The Loony Bin, 7:30 p.m. Wed.-Sat., 10 p.m. Fri.-Sat., $8-$12.

NOV. 30: Steve Martin & Martin Short, I'm With Her. Verizon Arena, 8 p.m., $60-$250.

NOV. 30: Kountry Wayne. Robinson Center Performance Hall, 8 p.m., $28-$48.

DEC. 7: Martin Lawrence. Verizon Arena, 7:30 p.m., $40-$120.

DEC. 18: Brain Trust with Michael Brown. Hibernia Irish Tavern. 8 p.m.

DANCE

OCT. 19-21: "Dracula." A Ballet Arkansas production. UA Pulaski Technical College, Center for Humanities and Arts, 7 p.m. Fri.-Sat., 2 p.m. Sat.-Sun., $15-$35.

DEC. 7-9: "Nutcracker Spectacular." A Ballet Arkansas production. Robinson Center Performance Hall, 7 p.m. Fri.-Sat., 2 p.m. Sat.-Sun., $23-$102.

DEC. 9: "Land of the Sweets Nutcracker Tea." A Ballet Arkansas performance and meet-and-greet. Robinson Center Performance Hall, 11:30 a.m., $30.

DEC. 27: Moscow Ballet's "Great Russian Nutcracker." Robinson Center Performance Hall, 3 p.m. and 7 p.m., $31-$178.

FILM

OCT. 7: "The Opera House." A documentary screening from Arkansas Cinema Society and Arkansas District Metropolitan Opera Auditions. CALS Ron Robinson Theater, 2:30 p.m., $25.

OCT. 9: "The Exorcist." (1979). With stuntwoman Ann Miles. CALS Ron Robinson Theater, 6:30 p.m., $5.

OCT. 11, 16: "MFKZ." English dubs. Cinemark Colonel Glenn 18, 7 p.m.

OCT. 12: "George Takei's 'Allegiance': The Broadway Musical on the Big Screen." CALS Ron Robinson Theater, 7 p.m., free.

NOV. 16: "The Last Waltz." CALS Ron Robinson Theater, 7 p.m., $5.

THEATER

THROUGH SEPT. 22: "Social Security." Murry's Dinner Playhouse Theater.

THROUGH SEPT. 30: "The Producers." Community Theatre of Little Rock. Elks Lodge, North Little Rock.

SEPT. 25-OCT. 20: "The Foreigner." Murry's Dinner Playhouse Theater.

OCT. 6: "Unemployment." A reading of Werner Trieschmann's play from the Rolling River Playwrights Collective. Arkansas Repertory Theatre, 7 p.m., $10.

OCT. 11-28: "Evil Dead: The Musical." The Studio Theatre.

OCT. 12-13: "Jersey Boys." The touring Broadway production. Robinson Center Performance Hall, $28-$78.

OCT. 12-28: "If/Then." The Weekend Theater.

OCT. 23-NOV. 17: "The Hallelujah Girls." Murry's Dinner Playhouse Theater.

OCT. 28: "Murder in the Cathedral." St. Luke's Episcopal Church, 7 p.m.

NOV. 1-4: "Blackbird." The Studio Theatre.

NOV. 3: "Life Science." A reading of Judy B. Goss' play from the Rolling River Playwrights Collective. Arkansas Repertory Theatre, 7 p.m., $10.

NOV. 20-25: "Love Never Dies." The touring Broadway production. Robinson Center Performance Hall.

NOV. 23-DEC. 31: "Elf." Murry's Dinner Playhouse Theater.

NOV. 29-DEC. 14: "A Christmas Story." The Studio Theatre.

NOV. 30-DEC. 15: "Steel Magnolias." The Weekend Theater.

NOV. 30-DEC. 16: "Jack Frost in Santa Land." Arkansas Arts Center Children's Theatre.

DEC. 1: "Blood Moon." A reading of John Haman's play from the Rolling River Playwrights Collective. Arkansas Repertory Theatre, 7 p.m., $10.

DEC. 7-15: "A Christmas Carol." Argenta Community Theater.

DEC. 22-23: "Finding Neverland." The touring Broadway production. Robinson Center Performance Hall.

SPECIAL EVENTS

SEPT. 23: Argenta Reading Series: Jonathan Brown. Argenta United Methodist Church, 5:30 p.m.

OCT. 4: "The Moth." An evening of storytelling. Robinson Center Performance Hall, 7:30 p.m., $38.

OCT. 7: "Henry Rollins: Travel Slideshow Tour." A punk rocker's travelogue. Rev Room, 8 p.m., $31-$155.

OCT. 23-27: "Made By Few 6." Downtown Little Rock, $200-$475.

OCT. 26: "Argenta Reading Series: Edward McPherson." Argenta United Methodist Church, 5:30 p.m.

OCT. 27: "Arkansas Cornbread Festival." Main Street, 11 a.m., free-$10.

OCT. 27: "Arkansas Black Hall of Fame 26th Anniversary Celebration." Robinson Center Performance Hall, 7:30 p.m., $50-$100.

BENTONVILLE

MUSIC

SEPT. 20: Opal Agafia & The Sweet Nothings. Bike Rack Brewing Co.

SEPT. 21: The Baskin Blues Duo. Ramo d'Olivo, 7:30 p.m.

SEPT. 21: Jukebox Confession. The Meteor Guitar Gallery, 8 p.m., $10-$15.

SEPT. 22: Tony Alvarez. Ramo d'Olivo, 7:30 p.m.

SEPT. 22: Forest Concert Series: Kiran Ahluwalia. Crystal Bridges Museum of American Art, 7 p.m., $10.

SEPT. 23: Paco Renteria. Crystal Bridges Museum of American Art, 4 p.m., free.

SEPT. 27: Rozenbridge, Raj Suresh. Crystal Bridges Museum of American Art, 8 p.m., $15.

SEPT. 29: Forest Concert Series: Ahi. Crystal Bridges Museum of American Art, 7 p.m., $10.

OCT. 4: KOBV Brewery Beats. A recurring series from the DJs at 103.3 KOBV-FM. Bike Rack Brewery, 6 p.m.

OCT. 5: Eric Gales. Meteor Guitar Gallery, 8 p.m., $30-$50.

OCT. 6: Forest Concert Series: Orchestral Pow Wow Project. Crystal Bridges Museum of American Art, 7 p.m., $10.

OCT. 19: The Cate Brothers, The Downtown Live Wires. Meteor Guitar Gallery, 7 p.m., $25-$45.

NOV. 2: "Brahms Deconstructed." Symphony of Northwest Arkansas. Crystal Bridges Museum of American Art, 8 p.m., $55.

NOV. 9: Bike Rack Records Release Party. Bike Rack Brewing Co., 7 p.m., $25-$8

VISUAL ART

THROUGH OCT. 8: "The Garden." Crystal Bridges Museum of American Art. 479-418-5700.

THROUGH DEC. 31: "Amy Sherald." Crystal Bridges Museum of American Art. 479-418-5700.

THROUGH FEBRUARY 2019: "In Conversation: Will Wilson and Edward Curtis." Crystal Bridges Museum of American Art. 479-418-5700.

SEPT. 20: Conversation with artist Amy Sherald. 1-2 p.m. Crystal Bridges Museum of American Art. 479-418-5700.

OCT. 6-JAN. 7, 2019: "Art for a New Understanding: Native Voices, 1950s to Now." Crystal Bridges Museum of American Art. 479-418-5700.

OCT. 27-MARCH 2019: "Personal Space." Crystal Bridges Museum of American Art. 479-418-5700.

FILM

OCT. 3: Native Voices Film Series: Kyle Bell, Steven Paul Judd. Crystal Bridges Museum of American Art, 7 p.m., free.

OCT. 12: "Reclaiming Native Identity with Anna Tsouhlarakis." Video. Crystal Bridges Museum of American Art, 7 p.m., free.

OCT. 24: Native Voices Film Series: Missy Whiteman. Crystal Bridges Museum of American Art, 7 p.m., free.

CONWAY

MUSIC

SEPT. 20: Buddy Guy. Reynolds Performance Hall, University of Central Arkansas, 7:30 p.m.

SEPT. 21: Kris Lager Band. Kings Live Music, 8:30 p.m., $5.

SEPT. 28: El Dub. Kings Live Music, 8:30 p.m., $5.

SEPT. 29: Charlotte Taylor & Gypsy Rain. Kings Live Music, 8:30 p.m., $5.

OCT. 5: Opal Agafia & The Sweet Nothings. Kings Live Music, 8:30 p.m., $5.

OCT. 6: Dawson Hollow. Kings Live Music, 8:30 p.m., $5.

OCT. 12: Freeverse. Kings Live Music, 8:30 p.m., $5.

OCT. 13: The Rios. Kings Live Music, 8:30 p.m., $5.

OCT. 19: Clusterpluck. Kings Live Music, 8:30 p.m., $5.

OCT. 20: Waterseed. Kings Live Music, 8:30 p.m., $5.

OCT. 23: Rita Moreno. Reynolds Performance Hall, UCA, 7:30 p.m., $15.

OCT. 26: Arkansauce. Kings Live Music, 8:30 p.m., $5.

OCT. 27: Cosmocean. Kings Live Music, 8:30 p.m., $5.

NOV. 2: Cadillac Jackson. Kings Live Music, 8:30 p.m., $5.

NOV. 3: Akeem Kemp Band. Kings Live Music, 8:30 p.m., $5.

NOV. 9: Big Red Flag. Kings Live Music, 8:30 p.m., $5.

NOV. 10: Dazz & Brie. Kings Live Music, 8:30 p.m., $5.

NOV. 13: Ten Tenors. Reynolds Performance Hall, UCA, 7:30 p.m.

NOV. 16: Trey Johnson. Kings Live Music, 8:30 p.m., $5.

NOV. 17: Mountain Sprout. Kings Live Music, 8:30 p.m., $5.

NOV. 23: The Going Jessies. Kings Live Music, 8:30 p.m., $5.

NOV. 24: Lucky Rooster. Kings Live Music, 8:30 p.m., $5.

NOV. 30: Cody Martin Band. Kings Live Music, 8:30 p.m., $5.

DEC. 1: "Rat Pack Christmas." Reynolds Performance Hall, UCA, 7:30 p.m.

DEC. 1: Groovement. Kings Live Music, 8:30 p.m., $5.

DEC. 7: Josh Hoyer & Soul Colossal. Kings Live Music, 8:30 p.m., $5.

DEC. 8: "A Classic Christmas." A pops concert with Arkansas Festival Ballet. Reynolds Performance Hall, UCA, 7:30 p.m.

DEC. 12: "Celtic Angels Christmas." Reynolds Performance Hall, UCA, 7:30 p.m.

DEC. 14: Craig Gerdes Band. Kings Live Music, 8:30 p.m., $5.

DEC. 28: Sad Daddy. Kings Live Music, 8:30 p.m., $5.

DEC. 31: Jamie Lou & The Hullabaloo, The Squarshers. Kings Live Music, 8:30 p.m., $5.

DANCE

OCT. 14: "Dracula." A Ballet Arkansas production. Reynolds Performance Hall, UCA, 7:30 p.m., $32-$40.

OCT. 21: The New Chinese Acrobats. Reynolds Performance Hall, UCA, $27-$40.

THEATER

SEPT. 21-22: "Driving." A play by Werner Trieschmann. Cabe Theatre, Hendrix College.

OCT. 27-28: "Chicago." A touring Broadway production. Reynolds Performance Hall, UCA, 7:30 p.m. Sat., 2 p.m. Sun., $27-$40.

EL DORADO

MUSIC

SEPT. 20: Charley Crockett. Griffin Restaurant, 8 p.m.

SEPT. 27: Barrett Baber. Griffin Restaurant, 8 p.m.

SEPT. 29: Million Dollar Quartet. Griffin Music Hall, 8 p.m., $35-$55.

OCT. 4: Bri Bagwell. Griffin Restaurant, 8 p.m.

OCT. 5: Identity Crisis. Griffin Restaurant, 9 p.m.

OCT. 6: The Big Dam Horns. Griffin Restaurant, 9 p.m.

OCT. 11: Front Cover Band. Griffin Restaurant, 8 p.m.

OCT. 18-20: MusicFest. George Clinton & Parliament Funkadelic, Toby Keith, Sammy Hagar & The Circle and more. Murphy Arts District.

OCT. 20: Mary Heather & The Sinners. Griffin Restaurant, 10:30 p.m.

OCT. 20: Gucci Mane. Griffin Music Hall, 8 p.m.

OCT. 25: Eclectic Avenue. Griffin Restaurant, 8 p.m.

NOV. 1: Big Piph & Tomorrow Maybe. Griffin Restaurant, 8 p.m.

NOV. 8: The Drunken Hearts. Griffin Restaurant, 8 p.m.

THEATER

NOV. 16: Reza: Edge of Illusion. Griffin Music Hall, 8 p.m.

EUREKA SPRINGS

MUSIC

SEPT. 28: Bluegrass & BBQ. Opal Agafia & The Sweet Nothings, Aaron Kamm & The One Drops and more. The Farm, 8 p.m., $30-$55.

OCT. 11-14: Hillberry: The Harvest Moon Festival. Railroad Earth, The Wood Brothers, Trampled By Turtles, Lettuce and more. The Farm, $60-$500.

NOV. 2: Jimmy James. The Aud, 8 p.m.

DEC. 1: John Two Hawks. The Aud, 7 p.m.

DEC. 8: Ozarks Chorale Christmas Concert. The Aud, 6 p.m., $10.

FAYETTEVILLE

MUSIC

SEPT. 20: JJ Grey & Mofro. George's Majestic Lounge, 8 p.m., $30-$35.

SEPT. 21: Mountain Sprout. George's Majestic Lounge, 9:30 p.m., $8-$10.

SEPT. 21: Mirror Fields, Space4Lease. Smoke & Barrel Tavern, 10 p.m., free.

SEPT. 22: Dylan Earl, Dazz & Brie. Smoke & Barrel Tavern, 10 p.m., $5.

SEPT. 26: Pigeons Playing Ping Pong. George's Majestic Lounge, 8 p.m., $15-$20.

SEPT. 28: M. Bolez. Smoke & Barrel Tavern, 10 p.m., free.

SEPT. 29: Mixx Tenn. Smoke & Barrel Tavern, 10 p.m., free.

SEPT. 30: Philip H. Anselmo & The Illegals. George's Majestic Lounge, 8 p.m., $17-$20.

OCT. 2: The Sword. George's Majestic Lounge, 8:30 p.m., $18-$20.

OCT. 4: Read Southall. George's Majestic Lounge, 8 p.m., $10-$12.

OCT. 5: Combsy. Smoke & Barrel Tavern, 10 p.m., $5.

OCT. 6: Ought, Ankle Pop. Smoke & Barrel Tavern, 9 p.m., $12-$15.

OCT. 7: Colony House, Brother Moses. George's Majestic Lounge, 8 p.m., $16-$18.

OCT. 11: Herobust. George's Majestic Lounge, 9 p.m., 20-$23.

OCT. 12: Amy Helm. George's Majestic Lounge, 8 p.m., $20-$25.

OCT. 13: Syca. Smoke & Barrel Tavern, 10 p.m., free.

OCT. 16: Russian Circles, Terminus. George's Majestic Lounge, 8:30 p.m., $15-$17.

OCT. 17: Blue October. George's Majestic Lounge, 8 p.m., $28-$30.

OCT. 18: Ray Wylie Hubbard. George's Majestic Lounge, 8:30 p.m., $20-$25.

OCT. 19: Birdtalker. Smoke & Barrel Tavern, 10 p.m., $5.

OCT. 20: Rainbow Kitten Surprise. George's Majestic Lounge, 7 p.m., $23-$89.

OCT. 20: Worst Party Ever. Smoke & Barrel Tavern, 10 p.m., free.

OCT. 21: Guerilla Toss, The Phlegms, Whoopsi. Smoke & Barrel Tavern, 9 p.m., $10-$12.

OCT. 25: Black Lillies. George's Majestic Lounge, 8:30 p.m., $12-$15.

OCT. 31: Snails, Cookie Monsta, Svdden Death and more. Fayetteville Town Center, 7 p.m., $28-$30.

OCT. 31: Papadosio. George's Majestic Lounge, 8:30 p.m., $20-$25.

NOV. 2: Jason Boland & The Stragglers. George's Majestic Lounge, 9 p.m., $20-$25.

NOV. 2: Branjae. Smoke & Barrel Tavern, 10 p.m., $5.

NOV. 7: Penny & Sparrow. George's Majestic Lounge, 8 p.m., $17-$60.

NOV. 8: Molly Burch, Justin Peter Kinkel-Schuster. Smoke & Barrel Tavern. 9 p.m., $10-$12.

NOV. 9: James McMurtry. George's Majestic Lounge, 9 p.m., $20-$22.

NOV. 10: Rfrsh. Smoke & Barrel Tavern, 10 p.m., free.

NOV. 11: Hayes Carll and Jack Ingram. George's Majestic Lounge, 8:30 p.m., $25-$30.

NOV. 13: Sun June. George's Majestic Lounge, 9 p.m., $10-$12.

NOV. 18: The Oh Hellos, Samantha Crain. George's Majestic Lounge, 8 p.m., $18-$20.

NOV. 23: The Body, Author & Punisher, Bones of the Earth. George's Majestic Lounge, 9:30 p.m., $8-$10.

NOV. 30: The Randy Rogers Band. George's Majestic Lounge, 9 p.m., $20-$25.

DEC. 9: z Snider. George's Majestic Lounge, 8:30 p.m., $25-$30.

DEC. 14: Broncho, White Mansion. George's Majestic Lounge, 9:30 p.m.

DEC. 18: Swearin.' George's Majestic Lounge, 8:30 p.m.

DEC. 28: Big Smith. George's Majestic Lounge, 8 p.m., 9:30 p.m., $20-$25.

THEATER

THROUGH SEPT. 23: "Once." A TheaterSquared production. Walton Arts Center, Studio Theater. OCT. 5-7: "Jersey Boys." Walton Arts Center, Baum Walker Hall.

OCT. 23-28: "School of Rock." Walton Arts Center, Baum Walker Hall.

DEC. 4-9: "Get On Your Feet!" Walton Arts Center, Baum Walker Hall.

FORT SMITH

MUSIC

OCT. 20: "Pops: It's Time For Three!" Fort Smith Symphony. Arcbest Performing Arts Center, 7:30 p.m.

NOV. 12: Ten Tenors. Arcbest Performing Arts Center, 7:30 p.m.

NOV. 29: "Season's Greetings 2018." Arcbest Performing Arts Center, 7 p.m.

DEC. 1: "Pops: It's Time For Christmas!" Fort Smith Symphony. Arcbest Performing Arts Center, 7:30 p.m.

DEC. 9: Manheim Steamroller. Arcbest Performing Arts Center, 7:30 p.m.

VISUAL ART

THROUGH NOV. 18: "Todd Gray: Pop Geometry." Fort Smith Regional Art Museum.

THROUGH JAN. 27: "Modern Master David Hayes: The Ventana Series." Fort Smith Regional Art Museum.

DEC. 7-MARCH 31, 2019: "Timothy J. Clark: Masterworks on Paper." Fort Smith Regional Art Museum.

DANCE

DEC. 15-16: "The Nutcracker Ballet." A Western Arkansas Ballet production. Arcbest Performing Arts Center, 7:30 p.m. Sat., 2:30 p.m. Sun.

HELENA-

WEST HELENA

MUSIC

OCT. 3-6: King Biscuit Blues Festival. Bobby Rush, Blackberry Smoke, Dave Mason and Steve Cropper and more. Cherry Street.

OCT. 6: Arkansas Times Blues Bus to the King Biscuit Blues Festival. With music from Stephen Koch of Arkansongs. $99.

HOT SPRINGS

MUSIC

SEPT. 21: John Oates & The Good Road Band. Finish Line Theatre, Oaklawn Racing & Gaming, 7 p.m., $40-$55.

SEPT. 21: Crash Blossom, The Luxembourg Trio, Princeaus. Maxine's, 9 p.m., $5.

SEPT. 22: Junction 5. An outdoor gospel music concert, 7 p.m., donations.

SEPT. 22: Sam Pace & The Gilded Grit, Kill Vargas, Adam Faucett. Maxine's, 9 p.m., $7.

SEPT. 23: Stardust Big Band. Arlington Hotel Resort & Spa, Crystal Ballroom, 3 p.m.

SEPT. 27: Ppoacher Ppoacher, Warm Trickle, Whoopsi. Maxine's, 9 p.m., $5.

SEPT. 28: Hooten Hallers, Recognizer. Maxine's, 9 p.m., $7.

SEPT. 28-29: John Calvin Brewer Band. Silks Bar & Grill, Oaklawn Racing & Gaming, 10 p.m.

SEPT. 29: May the Peace of the Sea Be With You, Mouton, Fiscal Spliff. Maxine's, 9 p.m., $7.

OCT. 5-6: Hot Water Hills Music & Arts Festival. Larkin Poe, Broncho, JD Wilkes and more. Hill Wheatley Plaza, 4 p.m. Fri., noon Sat., 15-$25.

OCT. 21: Screaming Females. Low Key Arts, 9 p.m., $10-$15.

NOV. 19: Tom Christopher. An Elvis tribute. Anthony Chapel, Garvan Woodland Gardens, 5 p.m.

NOV. 25: Sharon Turrentine. A holiday concert. Anthony Chapel, Garvan Woodland Gardens., 4 p.m.

NOV. 28: "Voices Rising." A holiday choral concert. Anthony Chapel, Garvan Woodland Gardens, 5:30 p.m.

VISUAL ART

OCT. 4-5: "The Soul of Arkansas." Works by Longhua Xu. Hot Springs Convention Center. 321-2027.

COMEDY

THROUGH DEC. 26: "Ken Goodman: Comedy & The Classics." Hot Springs Bathhouse Dinner Theatre.

DANCE

SEPT. 20: Gold Show Drag Show. Maxine's, 9 p.m., $5.

SEPT. 30: Stardust Big Band. Arlington Resort Hotel & Spa, 3 p.m., $10.

FILM

SEPT. 20-23: Hot Springs International Horror Film Festival. Central Theatre.

OCT. 19-27: Hot Springs Documentary Film Festival. Arlington Resort Hotel & Spa.

THEATER

OCT. 5-14: "The Secret Garden." Pocket Community Theatre.

OCT. 26-27: "Love At First Bite." Murder & Macabre Mystery Theatre. Porterhouse Restaurant, 7 p.m., $40.

NOV. 30-DEC. 9: "Yes, Virginia, There Is a Santa Claus." Pocket Community Theatre.

SPECIAL EVENTS

THROUGH OCT. 25: "Driving Miss Daisy." (Thursdays only). Hot Springs Bathhouse Dinner Theatre.

SEPT. 21-23: Spa-Con. With Pam Grier, Sean Maher, Butch Patrick and more. Hot Springs Convention Center.

SEPT. 23: Olivia Gatwood. A spoken word performance from Low Key Arts. Kollective Coffee, 6 p.m., $5.

OCT. 5-7: Hot Springs Arts & Crafts Fair. Garland County Fairgrounds.

NOV. 17: Northwoods Mountain Bike Trail Grand Opening. Cedar Glades Trail Head, 461 Wildcat Road, noon, free.

JONESBORO, NEWPORT

MUSIC

SEPT. 28-29: Depot Days Festival. Rodney Crowell, Earl & Them and more. Rock 'n' Roll Highway 67 Museum, Newport.

OCT. 18-20: Johnny Cash Heritage Festival. Dyess, free-$100.

DEC. 6: M-PACT. Fowler Center, Arkansas State University, Jonesboro. 7:30 p.m.

VISUAL ART

THROUGH OCT. 10: "Pink." Multimedia group show. Arkansas State University, Jonesboro.

SPECIAL EVENTS

NOV. 5: "The Magic of David Gerrard." Fowler Center, Arkansas State University, Jonesboro, 7:30 p.m.

PINE BLUFF

VISUAL ART

THROUGH OCT. 27: "Small but Mighty." Works from the permanent collection. Arts and Science Center for Southeast Arkansas. 870-536-3375.

THROUGH NOV. 3: "UAPB & ASC: Five Decades of Collaboration." Arts and Science Center for Southeast Arkansas. 870-536-3375.

THROUGH NOV. 10: Pine Bluff Art League Juried Exhibition. Arts and Science Center for Southeast Arkansas. 870-536-3375.

ROGERS/SPRINGDALE

MUSIC

SEPT. 26: 5 Seconds of Summer. Walmart AMP, Rogers, 8 p.m., $30-$145.

SEPT. 27: Needtobreathe. Walmart AMP, Rogers, 7 p.m., $30-$65.

SEPT. 28: Roby Pantall Jazz Duo. Sassafras Springs Vineyard, Springdale, 6 p.m., free.

SEPT. 28: Lynyrd Skynyrd. Walmart AMP, Rogers, 7 p.m., $40-$220.

OCT. 3: Odesza. Walmart AMP, Rogers, 7 p.m., $26-$125.

OCT. 4: CongaKeyz Jazz Duo. Sassafras Springs Vineyard, Springdale, 6 p.m., free.

OCT. 13: Second Line Strings. Sassafras Springs Vineyard, Springdale, 6 p.m., free.

OCT. 13: "Harry Potter and the Chamber of Secrets." With accompaniment from Symphony of Northwest Arkansas. Walmart AMP, Rogers, 7 p.m., $22-$75.

VISUAL ART

THROUGH SEPT. 22: "Sarah Hearn: An Unnatural History." Arts Center of the Ozarks, Springdale.

THROUGH SEPT. 28: "Sensory Iconoclast." Arts Center of the Ozarks, Springdale, Springdale.

OCT. 2-NOV. 3: "5X5 Annual Exhibition." Arts Center of the Ozarks, Springdale.

NOV. 10-JAN. 7: "Frida in the Garden." Arts Center of the Ozarks, Springdale.

Fall Arts 2018 calendar

[cavity-collector]

DAY 7 OF CRINGETOBER: "PINTEREST ART BASE"

original artists patreon // original artists twitter

template below cut!

[dzmoot]

Why didn't the Count give this to me in the first place!

Within the confounds of the blue package was Zappy's blue Zarranger ring, the very ring he and his companions used to defeat Munders' original form. How the Count ended up with it is certainly unknown, but it could have very well been beyond the helpful abilities of the benevolent jolly vampire. Could the great Zantu have interfered at the last moment to help his rabbit son win the day? Zappy, still battered like a deep fried fish quickly ran the ring down his finger, pointed it to the sky and shouted RHINOTOPS!

Then, the power of Elmont's whip was reinvigorated, restoring the Stronghold to it's former glory and combining with the power of the Rhinotops! For a split moment, Zappy came face to face with Zantu and without even uttering a single word, Zantu dabbed his forehead, injecting him with all the knowledge, all the energy he would need in the final showdown. Zappy finally understood the relationship between Zantu and Crony and his destiny as the Sacred Rabbit Son and he was coated in a new, more powerful shield than before. With his mighty Stinger Lance in the other hand, he looked like a Tuun savior sent down from the heavens, twirling each weapon with enough vigor to break reality itself. Crony stood starstruck and in disbelief, his inner rage exploding like nitroglycerin.

HOW!?!?

Zappy, in the deep voice spoken through his mouthguard, delivered one final quip before dashing into the air.

It's just the way things were meant to be, you despicable germ headed quill faced dingbat! Good always triumphs over evil, that's the way it's been since the beginning, probably the way it will go forever and ever and ever. You should have listened to your brother and changed your ways, dude! It's too late now!

And when Zappy jumped forward, Crony attempted to leave one more mark on the kangarabbit, but his claws could no longer penetrate Zappy's armor. With his whirlwind of weapons and his newfound stamina, Zappy dashed Crony several hundred times in a matter of seconds. But the virus head wasn't ready to go out.

Crony started to grow to incredible heights, his head nearly as big as the room itself and his mouth opened so wide, it was almost like a blackhole with blades, but he was no match for Zappy. Zappy placed the spinning Stinger Lance in Crony's mouth, taking out all his teeth as he continuously thrashed him over the head with his whip. As Zappy glowed a great sparkly blue, he combined both the Stronghold and the Stinger Lance together and delivered one final blow to Crony, hitting him so hard, his spirit immediately flew from his body and was sent careening down towards the underworld. Zappy seemingly vanished in the blue mist, leaving the combined weapon behind. As for Uno and Kermort, the two Tuuns whom Crony possessed and fuzed together to make his new body, they were still fuzed together once Crony was gone, but free they were of his evil influence. In fact, they indeed liked their new conjoined form and from that day onward, the scallawag Tuuns went by a different name, Unomort!

Crony Munders' plague dissipated almost immediately after his demise. Every Tuun who was transformed into a Crony seemingly turned to stone and shortly after that, the stone cracked away to reveal the Tuuns, perfectly restored back to their normal forms. Yam Yam, his family and Dr. Funny had a cheerful reunion as did Shellhard, Keet, Lagumer and Opilio who celebrated with a fireworks display over Inkwell Village. Mitchell Manhees and Joachim celebrated by brewing a huge pot of Octopus Porcupine Surprise and Zilch nearly licked his master Lizardton to death!

The Stikfigors, Sue, Bob and Bob2 were having yet another pizza party in Genericville. When Bob2 went to cut the pizza, a strange energy erupted from his hands. Bob and Sue became terrified and bursted out in a frenzy of terrifiedness! Was Bob2 cursed with a terrible ailment or was it the Genericville devil coming to get them? Perhaps it was a bit of Hampire’s magic coming through the woodwork and his Stikfigor counterpart Bob2 having no idea how to control it! What kind of a lazy, stupid name is Bob2 anyway!!! Just then, the white environment around them started to crack and rip like paper. Sue, Bob and Bob2 tried to flee but the rips caught up to them, mangling their perfect stick bodies and Genericville ceased to be as...

The bubble exploded, freeing Hampire, Kruonch and Siobhan from it's brainwashing power. Count Claus, who had seen the explosion from afar dashed over to the group. Harriet flew by and dropped rocks on their heads just as she did with Zappy and Yam Yam and their memories came pouring back. Their bodies, however were horribly disfigured with each of them still retaining some of their Stikfigor features.

Squibby handed Count Claus a small sack and after reaching into it, he pulled out a handful of shimmering pink sand. He sprinkled it all over them until their bodies reverted back to their normal forms. Kruonch adjusted his nose and asked the first question.

What happened to us? Where's Zappy?

Count Claus frowned as he looked over at Munders' castle, his evil ickiness melting away like winter ice in the hot sun.

What did become of Zappy? He was no where to be found throughout the abandoned castle. The Tuuns and the Count couldn't find any trace of a body or any remains for that matter. Hampire retrieve Zappy's combined weapon and took it back to Shellhard for further examination where the two made a great discovery.

The weapon is slightly coated with an otherworldy substance. Zappy very well might have been sucked through a wormhole of sorts to another world, leaving this residue in it's wake.

Siobhan smiled.

Zapman's alive!

Kruonch smiled as well.

Yeh, now if only we could find him!

Outside the Resisters' home, buried in a light blanket of lunar snow was a gift from Count Claus, a sleigh which looked very much like his own. On the front was a note.

Wonderful Tuuns, I must depart. I have many more deliveries to make in my magical cart. But I've left you a gift, a sleigh of your own. Good luck finding Zappy, I'm sure you'll bring him home!

THE END.....

See you in 2022!

[docrotten]

From a Whisper to a Scream (1987) – Episode 179 – Decades of Horror 1980s

"My mama likes the yams." Does that sound like good small talk for a first date? Well, it did to Stanley. Join your faithful Grue-Crew - Crystal Cleveland, Chad Hunt, Bill Mulligan, and Jeff Mohr - as they dig a little deeper into Stanley’s story as well as the other stories found in this lesser-known portmanteau featuring Vincent Price in the framing story, From a Whisper to a Scream (1987).

Decades of Horror 1980s Episode 179 – From a Whisper to a Scream (1987)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

In the small Tennessee town of Oldfield, a historian, who is also the uncle of an executed murderess, relates four horror stories to a reporter: “Stanley” - an elderly man pursues a romance with a younger woman, even to the grave and beyond; “On the Run” - a wounded man on the run from creditors is rescued by a backwoods hermit with the secret to eternal life; "Lovecraft's Traveling Amusements" - a glass-eating carny pays the ultimate price for looking for love on the outside; "Four Soldiers" - Civil War soldiers are held captive by a household of orphans with strange intentions for them.

IMDb

  Director: Jeff Burr

Writers: C. Courtney Joyner, Darin Scott, Jeff Burr; Mike Malone (additional story material)

Cast

Framing story - The uncle of an executed murderess relates four stories of his hometown, Oldfield, to a reporter.

Vincent Price as Julian White

Susan Tyrrell as Beth Chandler

Martine Beswick as Katherine White

Lawrence Tierney as Warden

Thomas Nowell as Andrew

"Stanley"

Clu Gulager as Stanley Burnside

Megan McFarland as Grace Scott

Miriam Byrd-Nethery as Eileen Burnside

Terence Knox as Burt

"On the Run"

Terry Kiser as Jesse Hardwick

Harry Caesar as Felder Evans

Katherine Kaden as Mary Hardwick

Gene Witham as Jack McCoy

Tommy Burcher as Lester McCoy

"Lovecraft's Traveling Amusements" 

Rosalind Cash as Snakewoman

Ron Brooks as Steven Arden

Didi Lanier as Amarrillis Caulfield

Angelo Rossitto as Tinker

Barney Burman as No Face

"Four Soldiers"

Cameron Mitchell as Sgt. Gallen

C. Jay Cox as Pike

Leon Edwards as McBride

Ashli Bare as Amanda

From a Whisper to a Scream is a dark and twisty anthology featuring Vincent Price in the framing story, supported by recognizable faces leading each of the four segments. Bill first knew of this film as The Offspring, and remarks that it’s an unusually mean-spirited anthology with a helluva cast. He’s also impressed that director Jeff Burr is able to land Vincent Price as the film’s centerpiece, even though it is Burr’s first directorial effort. Crystal enjoyed From a Whisper to a Scream, adding that it pushes boundaries and agreeing with Bill that it’s pretty hardcore in terms of punishment. “What other movie gives you incest, necrophilia, a zombie baby, and child murder?” asks Chad. Along with the nice twists that end each segment, he loves Vincent Price’s Tennessee accent and calls From a Whisper to a Scream a fun, fun movie. Jeff picked the movie after watching Severin’s new Tales of the Uncanny documentary about anthology horror films. For him, From a Whisper to a Scream had the feel of Night Gallery episodes but with far more graphic violence and endings that go one, or even two, steps further than what are found in the 1970s TV series.

The Decades of Horror 1980s Grue-Crew all enjoyed the grizzly nature and twist endings of From a Whisper to a Scream. At the time of this writing, the film can be streamed on Amazon Prime, but unfortunately, the Scream Factory Blu-ray is currently out-of-print.

Every two weeks, Gruesome Magazine’s Decades of Horror 1980s podcast will cover another horror film from the 1980s. The next episode’s film, chosen by Bill, will be Screamers (1981), a US version of Sergio Martino’s Island of the Fishmen (1979).  You won’t want to miss that one!

Check out this episode!

[mochasuga]

Great Minds Thi- Nah. Infectious Souls Vibe Severely. I am eternally grateful to have been in the presence of such a groundbreaking spirit. You are not just performer poet writer. You are Reverend and Hot Water Sermon, Sugary Brown Peace Dripping Off Candied Yams, Every Open Door That Has Ever Been, Palm Tree Traced In The Glimpse of Sunset, Fountain of Golden Fondue, Twenty Six Pound Boombox And The Titanium Shoulder That Upholds Its Disruptive Groove. You have prophesied into my stanzas. May your smile shine on all that is to come from the enjambment of my palms.💛 (at University of South Alabama Mitchell Center) https://www.instagram.com/p/B2ncCW1Ahh9/?igshid=8835f322c64

[fashionavenuenews]

Fashion Hong Kong Shakes Up New York Fashion Week with Three Dynamic Designers

Fashion Hong Kong took it to the next level, these talented designers showed an array of creativity.  These are designers to WATCH, they are changing the game!!!!  Take a look.

#FABULOUS

The Shows at Industria were captivated as Fashion Hong Kong presented three leading brands on the runway Friday afternoon. The show was in collaboration with Hong Kong Trade Development Council Fashion Hong Kong.

NEW YORK, NY – FEBRUARY 08: A model walks the runway wearing Heaven Please+ for the Fashion Hong Kong FW19 Collections fashion show during New York Fashion Week: The Shows at Industria Studios on February 8, 2019 in New York City. (Photo by Albert Urso/Getty Images for Fashion Hong Kong)

The venue was filled to capacity as hundreds of editors, influencers, buyers, and celebrities sitting front row to see the latest looks from 112 mountainyam, Anveglosa, and Heaven Please+.

NEW YORK, NY – FEBRUARY 08: A model walks the runway wearing 112 MountainYam for the Fashion Hong Kong FW19 Collections fashion show during New York Fashion Week: The Shows at Industria Studios on February 8, 2019 in New York City. (Photo by Albert Urso/Getty Images for Fashion Hong Kong)

NEW YORK, NY – FEBRUARY 08: Designer Mr. Mountain Yam walks the runway wearing 112 MountainYam for the Fashion Hong Kong FW19 Collections fashion show during New York Fashion Week: The Shows at Industria Studios on February 8, 2019 in New York City. (Photo by Albert Urso/Getty Images for Fashion Hong Kong)

112 mountainyam took guests on a voyage into the wilderness. Taking elements from natural environments and intertwining them with a unique take on camo. Twisting primary colors over the traditional basic gray tailored suits, the collection projects a militant sportswear meets high-end aesthetic. Beauty accents, like organically placed bright eye shadows, slept on hair, and disheveled cornrows all brought the collection to life.

NEW YORK, NY – FEBRUARY 08: A model walks the runway wearing Anveglosa for the Fashion Hong Kong FW19 Collections fashion show during New York Fashion Week: The Shows at Industria Studios on February 8, 2019 in New York City. (Photo by Albert Urso/Getty Images for Fashion Hong Kong)

NEW YORK, NY – FEBRUARY 08: Models walk the runway wearing Anveglosa for the Fashion Hong Kong FW19 Collections fashion show during New York Fashion Week: The Shows at Industria Studios on February 8, 2019 in New York City. (Photo by Albert Urso/Getty Images for Fashion Hong Kong)

NEW YORK, NY – FEBRUARY 08: A model walks the runway wearing Anveglosa for the Fashion Hong Kong FW19 Collections fashion show during New York Fashion Week: The Shows at Industria Studios on February 8, 2019 in New York City. (Photo by Albert Urso/Getty Images for Fashion Hong Kong)

NEW YORK, NY – FEBRUARY 08: A model walks the runway wearing Anveglosa for the Fashion Hong Kong FW19 Collections fashion show during New York Fashion Week: The Shows at Industria Studios on February 8, 2019 in New York City. (Photo by Albert Urso/Getty Images for Fashion Hong Kong)

NEW YORK, NY – FEBRUARY 08: A model walks the runway wearing Anveglosa for the Fashion Hong Kong FW19 Collections fashion show during New York Fashion Week: The Shows at Industria Studios on February 8, 2019 in New York City. (Photo by Albert Urso/Getty Images for Fashion Hong Kong)

Attention to detail did not go unnoticed in the collection of Anveglosa, self-taught tailor Annette Chan, is known primarily for strong leather silhouettes, careful craftsmanship, and pleated to perfection designs. The collection was inspired by the “good old days”; a symbol of our respect towards the tradition and heritage of the fashion industry. The collection demonstrated a fine tuned aesthetic using delicate applications of different material combinations; the finest lambskin leathers, silks, fabrics and embroidery. Presenting feminine silhouettes with compelling layers, and punctuated with leather yacht master hats, were structured coats layered over flowing dresses. The collection began with several all black ensembles, flourishing into hunter green, and finally melting into striking white looks to close the collection.

The Fashion Hong Kong show then illuminated with a full color collection by Heaven Please+. Inaugurated with a lavender pleated coat draped over a full-length neon yellow skirt; the crowd was awed by look after look of color, textiles and print-driven garments. A bomber style jacket-dress in military green with multi-colored patchwork closed the show. Accessories included long, seat-belt style belts cinching the oversized looks; completed with sculptural hair styles.

NEW YORK, NY – FEBRUARY 08: A model walks the runway wearing Heaven Please+ for the Fashion Hong Kong FW19 Collections fashion show during New York Fashion Week: The Shows at Industria Studios on February 8, 2019 in New York City. (Photo by Albert Urso/Getty Images for Fashion Hong Kong)

NEW YORK, NY – FEBRUARY 08: Models walk the runway wearing Heaven Please+ for the Fashion Hong Kong FW19 Collections fashion show during New York Fashion Week: The Shows at Industria Studios on February 8, 2019 in New York City. (Photo by Albert Urso/Getty Images for Fashion Hong Kong)

NEW YORK, NY – FEBRUARY 08: A model walks the runway wearing Heaven Please+ for the Fashion Hong Kong FW19 Collections fashion show during New York Fashion Week: The Shows at Industria Studios on February 8, 2019 in New York City. (Photo by Albert Urso/Getty Images for Fashion Hong Kong)

NEW YORK, NY – FEBRUARY 08: A model walks the runway wearing Heaven Please+ for the Fashion Hong Kong FW19 Collections fashion show during New York Fashion Week: The Shows at Industria Studios on February 8, 2019 in New York City. (Photo by Albert Urso/Getty Images for Fashion Hong Kong)

NEW YORK, NY – FEBRUARY 08: A model walks the runway wearing Heaven Please+ for the Fashion Hong Kong FW19 Collections fashion show during New York Fashion Week: The Shows at Industria Studios on February 8, 2019 in New York City. (Photo by Albert Urso/Getty Images for Fashion Hong Kong)

  Notable guests included Melody Mitchell of VH1 Black Ink Crew, Nicole Kang of Netflix You / CW Batwoman, Miss America Nia Franklin, Francesca Curran of Orange is The New Black, Actress & Model Megan Pormer and Social Influencer, Woah Vicky.

About the HKTDC Established in 1966, the Hong Kong Trade Development Council (HKTDC) is a statutory body dedicated to creating opportunities for Hong Kong’s businesses. With more than 40 offices globally, including 13 on the Chinese mainland, the HKTDC promotes Hong Kong as a platform for doing business with China, Asia and the world. With 50 years of experience, the HKTDC organizes international exhibitions, conferences and business missions to provide companies, particularly SMEs, with business opportunities on the mainland and in international markets, while providing business insights and information via trade publications, research reports and digital channels including the media room. For more information, please visit: http://www.hktdc.com/aboutus. Follow HKTDC on Facebook (https://www.facebook.com/ hktdc.hk), Twitter (https://twitter.com/hktdc), LinkedIn (https://www.linkedin.com/ company/hong-kong-trade- development-council/), and YouTube (https://www.youtube.com/user/ HKTDC).

  About Heaven Please+ The team of two designers, both graduated with a degree in Fashion Design from the Hong Kong Polytechnic University. Yi started her career at Marie Claire as a Fashion Editor while Lary worked as a menswear designer at British labels, Kent&Curwen and Aquascutum. They founded the brand Heaven Please+ in 2011 and launched their first collection for AW 2012. The designer duo is devoted to applying their experiences outside of the fashion industry, including arts, music, and literature, into their design concepts and sketches attempting to empower fashion with insightful and perceptual values. By applying different design variations, cuts, and craftsmanship on each of their pieces, they wish to bring individuality to simple clothing, so that the looks can speak genuinely for themselves. Facebook: @HeavenPlease Instagram: @heavenplease Website: http://heavenplease.com/hp1/

  About Anveglosa Annette Chan is a visionary tailor and owner of Anveglosa who strongly believes that leather clothing is not simply about it’s functionality, but can also be fashionable and contemporary to represent an individual’s character. Establishing her leather company in 1987, Chan first started her career as a retailer and manufacturer. Through almost 30 years of experience in the industry, she has a profound knowledge of the characteristics of leathers. Chan wanted to create a label that could utilize her extensive experience and reflect her definition of fine clothing: highest quality materials, figure flattering cuts, and exquisite craftsmanship in unfailing styles. Her notions led to the creation of Anveglosa in 2007. With her continued pursuit of her belief, Anveglosa has attracted loyal customers from all over the world. The brand is an expression of her taste, style and beliefs. Facebook: @anveglosa Instagram: @anveglosa Website: www.anveglosa.com

  About 112 mountainyam Designer, Mountain Yam, earned a Master’s Degree graduate of Fashion Design from Institute of Textile & Clothing, The Hong Kong Polytechnic University. Yam started his own company MY FASHION INTERNATIONAL LIMITED in 2015. The designer has two labels, a couture made-to-order label MYam Atelier and a ready-to-wear fashion label, 112 mountainyam.  In 2014, Yam was awarded 40 under 40 Recognizing High-Flying Design Talents of Today & Tomorrow presented by Perspective Magazine and also received a Dynamic Style Icon Award by Jessica Code Magazine in 2015. In 2016, Mountain received a Hong Kong Designer Award from Jessica Magazine. In 2018, designer is selected representing Hong Kong to participate the ‘Belt and Road International Young Fashion Designers Showcase Tour’. Facebook: @112mountainyam Instagram: @112mountainyam Website: www.112mountainyam.com

          FASHION HONG KONG TAKES IT TO THE STRATOSPHERE OF CREATIVITY #FABULOUS Fashion Hong Kong Shakes Up New York Fashion Week with Three Dynamic Designers Fashion Hong Kong took it to the next level, these talented designers showed an array of creativity.