#y- yeh

[crystallizsch]

twst white queen (specifically live action tim burton version) nrc nurse oc who is calm and elegant on the outside but has her own unique brand of crazy

[egginfroggin]

Hmmmm.

Yet another meme redraw for you all this fine day

It hasn't been officiated by Nintendo yet, but frankly, I do subscribe to the theory that DMK corrupted Sectonia via the mirror; I also think that Taranza has every right to knock him out cold for it

Tell me, which bin do you think DMK belongs in, recycling or trash?

Also I did the perspective after one in the morning on this, don't mind how skrungled DMK is

Also if anyone knows the meme this is based off of and can give me its name or a link to it, please do so if you wouldn't mind, I couldn't find it and had to do this all from memory

Have a good day, everyone ^^

(Program: Krita; time: about 3 hours [same time half the effort as the last one. huh])

[darlingsaybonvoyage]

(G)I-DLE accidentally confess thinking you're a member

A/N: idk what this is, it's lame

[lotusarchon]

alright well. gonna drop requests to focus on Kinktober since I'm already stressed asf as it is

[milfronin-archive]

baiken im sooo drunk... BAIKENNNNN

[dustedmagazine]

Various Artists — Creiriau Y Delyn Rawn / Relics of the Horsehair Harp (Amgen)

Imagining new music is nothing new. Individually or collectively, spontaneously or through painstaking craft, research, and development, legions of music-makers have tried to come up with something sufficiently novel out of sounds and (sometimes) words that it hooks listeners’ attention. You can be sure that someone’s at it right now. But you probably won’t lose the farm if you bet it on the notion that the sequential imagining that went into the conception and execution of Creiriau Y Delyn Rawn is an unprecedented process that has yielded a remarkable outcome.

The Welsh language title translates into English as Relics Of The Horsehair Harp. It was produced by harpist Rhodri Davies as a companion to Telyn Rawn, a solo album that he released on his Amgen label. Telyn Rawn is named after the instrument that it introduced, a horsehair harp that Davies commissioned to be made by a couple harp makers and a leatherworker. Harps have a particular cultural resonance in Wales, since despite the instrument’s popularity, the art of making them nearly died out before making a comeback as part of a larger resurgence of Welsh culture. The original telyn rawn was made from wood and equine byproducts. After the sturdier Italian triple harp made it to the British Isles in the 1600s, it replaced the telyn rawn so thoroughly that for a couple centuries the triple harp was actually known as the Welsh harp (it was replaced by the pedal harp in the 20th century) while its predecessor was practically forgotten. When Davies, whose wide-ranging music encompasses free improvisation, modern composition, Konono-inspired junkyard noise, and rock and roll, got curious about those early harps, no one knew how to make one. The instrument on Telyn Rawn was designed using descriptions in early Welsh poetry and a couple pages addressing harp-tuning practices in a 17th century manuscript by Robert ap Huw.

When Davies finally set about playing the thing, he did not revive antique repertoire; he improvised short pieces equally informed both by his research and his own practice of playing freely, alone and with musicians like John Butcher, Andrew Leslie Hooker and the trio IST. Intricately plucked or vigorously bowed, some of the album’s eighteen tracks hinted at folkloric models, while others undid dense knots of sound that burst with harmonics and radiated overtones. Telyn Rawn came out during that first COVID summer, which was bad for many things, but was not so bad for spending some of that time that one wasn’t gigging cooking up new ideas. After its release, Davies reached out to friends and associates with this request: “I asked each contributor to imagine that the musical material improvised in 2020 was an ancient musical form that had fully existed in the medieval period, and that each of their responses were to have happened centuries after the imagined formation of the Telyn Rawn pieces.”

Such a brief can be taken in many directions, depending on the respondent’s experiences, equipment, and willingness to dig a new network out of someone else’s wormhole. Sixteen participants gave a response to one or two specific tracks from Telyn Rawn. Laura Cannell’s  opening piece, “The Tattered Skies Above,”  wastes little effort on interpreting Davies’ “Penriwh.” Instead, she constructs a fanfare from overdubbed recorders whose jolting sonorities and processional air establishes a through line linking a span of fantasized centuries. Next up, Orphy Robinson makes like a free-bopping jazz man. On “Nude, Lewd, Rude, Mood Food” he transfers bits of Davies’ intricate “Gorchan Sali” to a salaciously bulbous-sounding marimba, accelerates the tempo and lets it rip. Jem Finer plays “Y Geseg Fedi” pretty faithfully, simply transposing bowed harp to hurdy-gurdy; guitarist C. Joynes is similarly respectful to “”Dygan tro’r Ebill.” Credited as playing computer and mouse, “C. Spencer Yeh” visits a cut-and-splice surgical strike upon Davies’ recording of “Afon “Dewi Fawr;” Pat Thomas might do something similar on the turbulent electronic eruption, “Maddad.”

Not only does Davies have a strong musical personality that transcends the particular harp he plays and the century his head’s in; he has picked his emissaries wisely. Despite the disparity of instrumentation and approach exhibited by the sixteen contributing musicians, Creiriau Y Delyn Rawn feels pretty cohesive as it carves out an imaginary timeline of musical evolution.

Bill Meyer

[windmills123]

Im so angry at blood sausages they fuckgin changed the recipe or something like theres these god damned skin chunks taste like uterus tissue clots or something embedded next to the little blood grains and i cant eat them makes me gag man im pissoed off where is the holiday joy where is the clunk free blood (sorry for swearing)

[peste-bubonica]

So I've been having a headcanon the past few days.

The family that tried to get rid of Eclipse. Beyond the fact they tried to get rid of him, something that would've gotten his wrath already, what if another reason was because they were going to suggest [you] and their kid marry?

It's still new days; Eclipse doesn't understand the new influx of feelings you give and this too makes him weird. But it's not that pleasant odd. It's akin to when he destroyed the house. And it gets worse. He feels Fury at the images that flash to mind as he processes the idea.

The idea of you having their name? Having a ring on your finger? Being with another?! It makes his non-existant stomach curl in disgust. It makes him furious. It makes the disappearance of that family personal.

Thus instead of them just being killed and left as a show to others as a warning (what they gonna do? Arrest him?), they simply vanish. Letting his anger control his actions, he didn't leave anything left for people to find after all...

In all honesty, I find it funny that I just put that part of the family disappearing on a whim to make it more edgy, but now you come and drop this absolute bomb of a headcanon. It’s canon now, and there will be a reference to it later on.

[starboymp3]

nah like. tony stark was the best. like. bro. he was the realest of them all. bro. he was teally the betsest if them all dude. yeah. my go d

[hyah-lian]

I have been in program prep hell, and anxiety alley, and today is program day and I'm like Hm Yes. Perfect time to start rewatching that 8+ hour series on the history of antibiotics

[ask-glitched-misfortune]

EVERYONE IN BENNYS VILLAGE LOOKS TRAUMATIZED ARE THEY OK

[...✅...]

Meme

[littleragondin]

Our skyy 2 yesterday: aw and look at this! ♡ we give you some soundwin SeanNe crumbs because we know you liked them in MSP ;)

Me, delusional: after their stupid jealousy ploy with Daonuea (and despite the complete failure of it), Sean somehow decides to rope Ne into playing pretend with him in Chiang Mai, in the hopes that jealousy might finally prompt Maitee to be clear about wtf is going on between them. (Efficiency of the plan still to be assessed.)

(Tho i also like @petrichoraline transmigration theory 😌)

[egginfroggin]

Mabel "magic hair that glows when she sings" Pines

Known in my head as "that AU where Bill and Ford form the world's most toxic co-parenting duo with shockingly non-catastrophic results" and "my excuse to draw Bord being needlessly melodramatic"

Torn between Mabel getting to to keep Waddles or an axolotl as a pet to parallel Pascal in the original film, rather tempted to give her both

Frying pan violence to come at a later date

I. really need to practice drawing small children. huh

Transcriptions:

age 14-16 during much of the Plot (bbygirl done been kidnapped oh no)

4. Bill: "Honestly, I don't see the problem here, you're getting a great deal here, Sixer, you've got your niece safe and sound and you're even getting eternal youth outta this whole shindig -- well, 'tilshe dies at least -- and aren't humans all about that or somethin' AND you get to know ME on top of all that, you even get to use your body more often than not (usually), yet here you are all MAD at me Sixer, honestly, what's wrong with a little kidnapping anyway you're so uptight she's oblivious and happy as a clam look at her, you're just petty -"

(Program: krita; time: about 1hr 30 minutes)

[harunrune]

[duckyfann9871]

I didn’t realize how stressed/ emotional I was rn until I was standing in the kitchen eating a piece of ciabatta bread and that made me think about how my dad and I both love ciabatta bread and that remind me how I haven’t seen him in a really long time because I never get a long enough break to travel all the way to see my parents and now I miss him and I’m on the verge of tears from BREAD

[just-jammin]

i can't get Rivers Is A Vampire out of my head