#xianglu

[monkiekidtwt]

[permo2003]

I heard a theory that macaque disguised himself as wukong and this wukong was the one who met xianglu, I don't really believe in this theory but... imagining this happening is funny to me.

[mylo-space]

thinkin about Xianglu calling himself the tenth king and claiming that he's Wukong's old friend (and enemy), because the tenth king is the one in charge of reincarnating souls and if he actually knew Wukong, then chances are he saw how much good the pilgrims did for the spicy murder monkey and wanted to make sure the newest lil powerhouse he was about to unleash onto the world was at least surrounded by good people ("it all would have happened anyway, you just wouldn't have had... i wanted more for you than just the path, the sacrifice, destiny.") and he specifically chose to wake MK when three reincarnations and an ancestor were all in one place like he really did try to give MK the best possible life he could knowing what the alternative for the Harbinger was

[niadrawsstuff]

Half the LMK fandom rn:

honestly i liked him. He was a pretty interesting character and his VA slayed. but i will never EVER FORGIVE THEM FOR INTERRUPTING THAT ONE SHADOWPEACH MOMENT

[ladybonedemon]

Decided to do a quick Xianglu doodle just for fun lmao

[artifacts-archive]

Incense Burner (Xunlu or Xianglu)

China, Eastern Han dynasty (A.D. 25–220), 1st/2nd century A.D.

[terrible-leviathan]

Okay extended LMK Season 5 Twig thoughts:

Couldnt find anything big about Xianglu/Nine online, just that he kinda brings about destruction (shitty soil for crops, floods, etc) and in some iterations of his story was killed by nuwa

ALSO. THIS WHOLE TIME I THOUGHT IT WAS "HARBRINGER" CUS LIKE "BRING" AND ITS ACTUALLY "HARBINGER" AND IM VERY UPSET ABOUT THAT

Im glad that mei still has the samadhi fire and actually Always had it as her lightning thing. It makes the samadhi fire feel like less of a "why is x character driving the bus all of a sudden" addition to meis abilities.

And of course THE ELEPHANT IN THE ROOM: CHAOS MAGIC. Maybe i just dont know enough about jttw and chinese mythology, but the chaos magic stuff is straying away from jttw-based lore territory. I dont mean that as a bad thing! Just means i cant predict plausible stuff based on source material as much.

Verryyyyyy interested to see where macaques shadow magic came from and what it has to do with how he was able to mess with xianglu. If they swapped magic, which would explain the "you cut me off from the chaos" line, it doesnt make sense that xianglu was able to use thatagic still afterward. Maybe it has something to do with macaques first appearance, where he stole wukongs power? I think thats a good contender of a theory, but i dont have the analysis skills to expand upon it.

Also also why has the chaos magic somehow gotten imbued into the staff? My best guess is that its because MK got to the edge of Chaos, but maybe it was something that was always there that got activated.

Regardless, i dont think this is the last we'll be seeing of Xianglu. Matthew Mercer killed it with his delivery (as did literally everyone else but mercers a new addition so he gets spotlight) and Xianglu hardly felt like he was saying goodbye.

Thats my theories, i shall add appreciation in another ask. (Sorry for spamming ur inbox i dont have the skill to make my own analysis posts)

WAIT ITS NOT HARBRINGER???? WTFFF I THOUGHT IT WAS THAT THE ENTIRE TIME THIS IS UPSETTING

I actually saw one theory that the whole chaos magic is gonna end up corrupting Macaque in the next season but yeah! I also saw someone else's post about chaos and how it's a different interpretation to what LMK has compared to what the mythology actually says about it so that's interesting.

Honestly I can't wait to see more of the snake man! I really hope it's not his last appearance in the series cuz his voice and character is really interesting!!

[cloud-somersault]

For me personally, I read it as Xianglu feeling sympathy for MK. He wanted MK to have a life. He didn't want MK to just be a sacrifice. He wanted him to experience the joys of living and make the choice to either save the people he loved or die with them. The world was always going to end, and the cycle was always going to begin again. Atleast enjoy it while you can.

Also the cycle Nuwa was talking about and the cycle of reincarnation are two separate things. What Nuwa was talking about a hard reset of the world. The current world would end, and a new one would take its place. Chaos, I'm pretty sure, can only be reached when the world ends. So I don't think he really cared what MK chose. If he sacrifice himself, Xiangliu still has the chance to return to chaos. If he doesn't, the world is plunged into chaos. Either one is a win for him. What he wanted was for MK to make the choice for himself, which is why he stopped the Monkie Kid crew from interfering.

It also relates back to his own backstory. He implies that he was in the same position as MK. He sacrificed himself to try and fix the pillars. He thought that that was the only way to save the world. Which is why he was upset that MK found another way. It means he could've found another way. It means he didn't have to give up his friends. His friends, like Wukong, would remember him. He wouldn't be treated like a monster. He could've done something different. Like he said MK found another way. Which relate back to the larger themes of the show, destiny not defining who you are, you can always chose your own path, that pain doesn't outweigh the love and joy of life, and that you don't have to do things alone. I know you thought the themes of this season were a bit repetitive, but I think it's nice that its a constant thing that is brought up. A little reminder to not give up and rely on others even when the going gets tough.

I definitely think Nine felt sympathy for MK and wanted MK to experience the world he was going to sacrifice himself for. He wanted MK to have more context, which is admirable, but not something he had to necessarily do for his wants to be realized. It's just bonus content.

That doesn't change the fact that MK didn't have to be born for the world to end. MK would save the world, and the world was going to end regardless. I guess what I'm complaining about is I would've liked a more concrete tie between MK and the guy who awakened him. I'd like there to be more of a "cause and effect" there. Like MK has to wake up for Nine's dream to come true. But Nine could've just freed Azure, had him fight the Jade Emperor, have him break the Pillar, and then Nine could get out.

If you mean the Cycle of Reincarnation as what the Ten Kings did with souls, then I understand that's a separate thing. My problem with that specifically is that we don't know if that's continuing or not now that the kings are gone. People now have magical powers at the end of the season. Can they still de? Where do they go.

If you mean the Cycle of Reset or whatever that Nuwa is doing, yeah. That was going to happen regardless of what MK chose. It only happened now because Nine orchestrated things. But what I'm getting at is - neither of those outcomes are contingent on MK being there. Nine could cause the world to end by orchestrating things without MK being there, and the world would still end. He could also just wait for the Cycle of Reset to happen on it's own, and the world would, again, be free for Chaos to come in. I know Nine didn't do that because he was impatient and he wanted it to happen right now. But I.

I never said I had a problem with the themes of the show, my problem mainly is the connections between things and the cause and effect of the plot. The themes are fine. The repetitiveness is that MK has to keep learning the same lesson, which Wukong also points out in s5e3.

And we're kinda…Like all this setup and stuff happened in s4. One season ago. That's when MK's backstory became plot important, it's when those whole themes…came into play largely. So it seems a little fast because, up until s3, we were all on the "MK is just a powerful monkie kid and he's got these powers and he's gonna be saving the world every season or doing something like that" there was the general "hey, where did MK come from or where did he get these powers?" stuff that the fandom thought of, but the characters in the show didn't ask those questions. They were like "yeah, alright."

But anyway, back to Nine - I get that Nine was presenting a choice to MK to see what he'd do. He felt sympathy for MK. He sees a connection between them. And the backstory and stuff happens so fast, we don't really see if MK also sees that connection between them. We didn't have time to build up on that dynamic between Nine's character and MK's. But that's a pacing/budget problem.

And I understand what you're saying. I get that Nine wanted to see what MK's choice was for himself and that he's got an emotional investment here, but. That is the only thing tying him…to sticking around and holding the Monkie Kids hostage. And MK making the choice himself…

Okay, honestly, I think Nine's entire thing. was to be present to give the Pigsy and co. context to what MK was going to do, because this kid was not going to tell his friends that he was going to sacrifice himself. Nine holding them in the mountain and exposition dumping allows everyone to be on the same page of "Oh, MK's going to die" vs. MK just charging ahead and disappearing and them realizing after the fact.

Because MK still went up to Nuwa and was all too willing to sacrifice himself to save everyone. And it was only when Nuwa said that the cycle would reset that MK was like "oh no actually. Nah." If Nine hadn't stopped the Monkie kids and didn't show up at all and MK just put the stones in the statue, went into the Pillar and charged ahead, that conversation between MK and Nuwa still would've happened. And MK would likely come to the same conclusion because he doesn't want to lose anyone.

My problem is -- Nine isn't tied enough to the cause and effect of this plot. You could remove him in some instances, and it wouldn't matter.

MK's connection to the world ending is not firm enough. He didn't need to be around for the world to end and, apparently, the world could've ended if someone just broke the pillar/stole the Jade Emperor's power. Neither of those things require the Harbinger of Chaos being alive and present and there.

Nine's connection to MK is mostly emotional, which can be enough, but we needed more time. And I feel like they could've tied up these loose ends and made the plot and motivations of Nine a bit tighter with a few adjustments.

I'm not arguing the themes; I'm arguing the execution.

[chiripaka]

Thinking,,,, Xingyin x Liwei fanfic idea

Book: Daughter Of The Moon Goddess

What if after Xingyin leaves for the military and defeats Xianglu. Falling asleep with her injuries and Liwei comes in and she awakens to him having healed her and Wenzhi never barges in.

So picking up the story from:

I steeled myself to ask "Has the wedding date been set?"

There it was said aloud, the bandage ripped clean from the wound. Was it better to battle the monster in the open than leave it lurking in the shadows, unsure when it might strike?

The light leeched from his eyes, "The betrothal gifts have been exchanged, though the ceremony won't be for years. Princess Fengmei and I are still young and I've asked for the time to devote myself to my studies. Perhaps then, things might be different."

Now cut. None of her ah man they already exchanged gifts and we have no chance to be together. Instead I want her to focus on Liwei's "Perhaps then, things might be different."

I want her to sulk on it to think about it and maybe reply to it. Once Liwei realizes her shield is cracking he swoops in to hold her hand. A small gesture but he must leave and nothing is decided. Afterwards she eats with Shuxiao and goes to sleep. But those words are ringing and the touch of his warm hands are still on hers. Maybe it's not all lost she thinks...

Then I'll just use the structure of the current story but write Wenzhi out (sorry Wenzhi you're good but you're not Liwei). He's still her captain and they're friends nothing more. When Liwei comes again after the sky drop tassel turns red I want him to be really worried for her like protective. I want her to be edgy still to reply realistically both wagering his status and her ultimate goal to free her mother. Their love simply cannot be.

I'm up to here on this plot in my head since I haven't finished the book. But I want there to be more to Xingyin and Liwei's relationship. In the end my goal is that Liwei rises to power that the dragons are found and free to roam. That the Empress and Emperor retire and that Xingyin retires from being an archer becoming a reigning Celestial with Liwei and aiding him. Maybe even being appointed as general due to her battle experience and talent. Of course being able to visit her mother the Moon Goddess and freeing her from her prison to visit earth and other kingdoms. Since she, Xingyin, will be the strongest immortal in the realm alongside Liwei.

[transgenderer]

The hill censer or boshanlu (博山爐 "universal mountain censer" or boshan xianglu 博山香爐) is a type of Chinese censer used for burning incense. Hill censers first start appearing in tombs dating to the Western Han (202 BCE – 23 CE).[1] Fashioned with a conical lid, the censers were designed to look like miniature mountains. The more elaborately crafted versions incorporate imagery of trees, wild animals, and humans among the rocky crags of the landscape. The scented smoked is vented through apertures in the lid, creating a scene reminiscent of clouds swirling around a mountain.[2]

[dragon-discourse]

Chaosk-OFF Round Two:

[cha2sourcing]

Chinese Incense Burners vs. Japanese Incense Burners: A Comparative Exploration

Incense burning has been an integral part of spiritual and cultural practices in many cultures for centuries. Among the various types of incense burners, Chinese and Japanese incense burners are notable for their unique designs, materials, and cultural significance. This article explores the distinct characteristics of Chinese and Japanese incense burners, examining their historical backgrounds, design features, and roles in their respective traditions.

Chinese Incense Burners: Symbolism and Craftsmanship

Chinese incense burner, known as xianglu or xiangping, have a rich history that reflects China's deep-rooted traditions and cultural practices. These burners are celebrated for their intricate designs and the craftsmanship involved in their creation.

Design and Materials

Chinese incense burners are often crafted from a variety of materials, including bronze, porcelain, and clay. Bronze burners are highly prized for their durability and the artistry involved in their construction. These burners frequently feature elaborate designs, including depictions of mythical creatures like dragons and phoenixes, which symbolize power and grace. The intricate carvings on bronze incense burners are not only decorative but also serve to enhance the visual and sensory experience of burning incense.

Porcelain incense burners, which gained prominence during the Ming and Qing dynasties, are known for their delicate beauty and fine craftsmanship. These burners often come in blue-and-white or multi-coloured glazes, showcasing the skilled artistry of Chinese ceramics. Clay incense burners, while simpler in design, are appreciated for their functionality and ability to produce a consistent burn.

Cultural Significance

In Chinese culture, incense burning is deeply connected to spiritual and ritual practices. Incense is used in temples and homes to create a tranquil atmosphere, make offerings, and facilitate meditation. The design of Chinese incense burners often incorporates principles of feng shui and symbolism, aimed at harmonizing the space and enhancing the incense's aromatic properties. The shape and material of the burner can influence the quality of the incense's fragrance and its role in promoting relaxation and spiritual connection.

Japanese Incense Burners: Simplicity and Serenity

Japanese incense burner, or kōro, are integral to the Japanese art of incense appreciation known as kōdō. These burners are known for their minimalist design and their focus on creating a refined and serene incense experience.

Design and Materials

Japanese incense burners are typically made from materials such as bronze, ceramic, and wood. Bronze burners are often characterized by their simple yet elegant designs, reflecting the Japanese emphasis on understated beauty. Ceramic incense burners, which may come in various forms, including simple dishes or more elaborate shapes, are often glazed with subtle patterns that enhance their aesthetic appeal without overpowering the incense.

Wooden incense burners, known as kōboku, are crafted from fine woods such as sandalwood and are valued for their natural, unadorned beauty. These burners are designed to complement the Japanese approach to incense appreciation, which values subtlety and mindfulness. The focus is on creating a calming environment where the incense can be enjoyed in its purest form.

Cultural Significance

In Japan, the practice of kōdō revolves around the art of appreciating incense and is deeply rooted in Zen philosophy and the concept of mindfulness. Japanese incense burners are designed to support this practice by providing a simple, unobtrusive setting for the incense. The design of these burners reflects the Japanese aesthetic of simplicity and harmony, and the careful selection of incense materials and burners is crucial to creating a tranquil and contemplative atmosphere.

Comparing Chinese and Japanese Incense Burners

Design Aesthetics

Chinese incense burners are often elaborate and richly decorated, with designs that reflect cultural symbolism and artistic heritage. The intricate carvings and varied materials used in Chinese burners serve both decorative and functional purposes. In contrast, Japanese incense burners are characterized by their minimalist and refined designs. The focus is on simplicity and functionality, aiming to enhance the subtlety of the incense rather than dominate the sensory experience.

Functionality

Both Chinese and Japanese incense burners are designed to improve the incense-burning experience, but their approaches differ. Chinese burners often feature designs that are both decorative and functional, with elements that influence how the incense burns and how its aroma is distributed. Japanese burners, on the other hand, emphasize functionality and minimalism, with designs that support the art of kōdō and enhance the appreciation of subtle fragrances.

Cultural Context

The cultural significance of Chinese and Japanese incense burners reflects their respective traditions and philosophies. In China, incense burning is linked to religious and spiritual practices, with burners designed to harmonize the environment and enhance the incense's properties. In Japan, the practice of kōdō focuses on mindfulness and the art of appreciating incense, with burners designed to create a serene and refined setting.

Conclusion

Chinese and Japanese incense burners offer distinct perspectives on the art of incense burning, each with its own unique qualities and cultural significance. Chinese incense burners are known for their elaborate designs and symbolic meanings, reflecting a rich cultural heritage. Japanese incense burners, with their minimalist elegance and focus on kōdō, highlight the subtle beauty of incense and the importance of mindfulness. Whether you are drawn to the intricate craftsmanship of Chinese burners or the serene simplicity of Japanese designs, both types of incense burners provide a meaningful and enriching experience for those who appreciate the art of incense.

[faggotvivisection]

xianglu got hit with the hc'd as one of mk's dads curse

thats fucked up

[spookysaladchaos]

Global Top 5 Companies Accounted for 80% of total Low Melting Fiber market (QYResearch, 2021)

Low Melting Fiber refers to a bi-component fiber used as a thermal bonding fiber and its structure is typically a sheath/core type. It is composed of a sheath polymer and a core polymer. The melting point of the sheath polymer is lower than that of the core polymer.

According to the new market research report “Global Low Melting Fiber Market Report 2023-2029”, published by QYResearch, the global Low Melting Fiber market size is projected to reach USD 3.99 billion by 2029, at a CAGR of 9.0% during the forecast period.

Figure.   Global Low Melting Fiber Market Size (US$ Million), 2018-2029

Figure.   Global Low Melting Fiber Top 16 Players Ranking and Market Share（Based on data of 2021, Continually updated）

The global key manufacturers of Low Melting Fiber include Huvis, Toray Advanced Materials Korea, Far Eastern New Century, Nan Ya Plastics, ECER, Yangzhou Tianfulong, Ningbo Dafa, XiangLu Chemical Fibers, Xiamen Xiangyuxinghong Technologies, Taekwang, etc. In 2021, the global top five players had a share approximately 80.0% in terms of revenue.

About QYResearch

QYResearch founded in California, USA in 2007.It is a leading global market research and consulting company. With over 16 years’ experience and professional research team in various cities over the world QY Research focuses on management consulting, database and seminar services, IPO consulting, industry chain research and customized research to help our clients in providing non-linear revenue model and make them successful. We are globally recognized for our expansive portfolio of services, good corporate citizenship, and our strong commitment to sustainability. Up to now, we have cooperated with more than 60,000 clients across five continents. Let’s work closely with you and build a bold and better future.

QYResearch is a world-renowned large-scale consulting company. The industry covers various high-tech industry chain market segments, spanning the semiconductor industry chain (semiconductor equipment and parts, semiconductor materials, ICs, Foundry, packaging and testing, discrete devices, sensors, optoelectronic devices), photovoltaic industry chain (equipment, cells, modules, auxiliary material brackets, inverters, power station terminals), new energy automobile industry chain (batteries and materials, auto parts, batteries, motors, electronic control, automotive semiconductors, etc.), communication industry chain (communication system equipment, terminal equipment, electronic components, RF front-end, optical modules, 4G/5G/6G, broadband, IoT, digital economy, AI), advanced materials industry Chain (metal materials, polymer materials, ceramic materials, nano materials, etc.), machinery manufacturing industry chain (CNC machine tools, construction machinery, electrical machinery, 3C automation, industrial robots, lasers, industrial control, drones), food, beverages and pharmaceuticals, medical equipment, agriculture, etc.

For more information, please contact the following e-mail address:

Email: global@qyresearch.com

Website: https://www.qyresearch.com

[daydreamorama]

9 Fandom Peeps to Get to Know Better

I was tagged by @lucientelrunya better late than never? :)

3 ships you like: Liu Sang/Iron Triangle (or any combo of that that involves Liu Sang). Jiang Cheng/Lan Huan (also partial to anything Jiang Cheng), Fangfeng Bei|XiangLu / Anyone (please I'm desperate) (why do I have a thing for rare pairs !? sobs in rare pair)

Last song you heard: this really really creepy song about a girl who's missing a leg sung like a childs nursery rhyme. thank you spirealm. (not really thank you, I hate it)

Favourite childhood book: Golden compass. My mom read it to me when I was a kid and I was obsessed with having daemons.

Currently reading: A strange and Stubborn Endurance. 60% in and I'm absolutely loving it.

Currently watching: Spirealm and white cat legend when I need a break from the dark

Currently consuming: just finished a BBQ pizza.

Currently craving: sleep.

Tagging @mimosaeyes and anyone else interested!

[magicbutsevenofit]

Chapter 33: Hausen House Part 5

The Seven Ghosts member that has chosen Teito is called Fest and it belongs to Castor. It's here that Teito realizes that when Xianglu died, he came back as this thing and as Castor. More accurately, he was chosen as a vessel. Teito says that Seilan and his father are waiting for his return here. Castor responds that once a person has died, it forbidden by Heaven for that person to come into contact with people who knew that person's death. He cannot be seen by his family. He thanks Teito for sending his mother to heaven and Teito if he accomplishes his duties, he will be granted one wish by the Chief of Heaven. Teito, naturally, wants to use his wish to resurrect Mikage.

Teito asks for the Cursed Ticket thingy and Fest!Castor says when he collects seven tickets from the Seven Ghosts, he will be granted access to the land of Seele. As Fest!Castor disappears, Teito wonders if his Father also had something he needed to wish for. Anyway, Xiangli watches him receive a ticket and says he's not a normal person, asking whose blood runs through his veins. Teito says his father's name is Raggs, Weldeschtein Krom Raggs. This shocks everyone in the room, who didn't know the King of Raggs had a son. Xiangli laughs and tells Seilan to take care of Teito as if he was nobility. Teito thanks Xiangli and the latter mentally warns that Teito is really in for it for the rest of his journey.

Downstairs, Teito and Seilan are confronted by the Imperial Guard who say while they can't touch the family inside, Teito is under arrest. Seilan is pissed, saying this goes against the Hausen House's will but Teito tells him to stand aside. Then Frau and Capella waltz in and Frau makes short work of them, threatening the head guard into saying that he couldn't find Teito. He drags Teito off as Seilan watches with a satisfied smirk, noting that Teito does have family after all. He throws Teito a coat, him and the other butlers telling him to come home soon.

Teito tells Frau his plan for bringing Mikage back and asks if he's dead. Frau smiles and confirms he is; he introduced himself as a ghost, didn't he?

The chapter ends with Castor returning to Razette, where we learn she killed herself after Xianglu's death before Castor brought her back by binding their souls together.