#writing this was a waste of time but so are most other things

[frenchkanna1808]

Why chapter 3 was a enormous let down and the possible negative impact it might have on the rest of the game

I remember after finishing chapter three one how exicted I was, how deeply impressed I was with the banquet and the qtaro development. And I mean I wasn't the only one, again and again I had seen so much praise about chapter three and how awesome it was. How great midori was as a villain (my like idk how many words analysis about him is very much explicit of that), How amazing qtaro development was, and mainly how great the banquet was, and I had seen the claim around that 3-1 was as great or even better than 2-2. And so I had decided after the hype fell down a little to play yttd again with friends, and that when I realized, god , wait, chapter three is like, extremely mid. I played the entire chapter 1a and it only got to the heights of 1b. I at first couldn’t tell what was wrong with the game, why did it feel so disappointing? And after a while I have finally looked back at the chapter, and yes this chapter is not only extremely lackluster but also a very bad prediction for the future of yttd if 3-2 is written the same. So here in this long french analysis I will discuss the main problem of chapter three the absolute shit characterization of almost all the characters. But also the destruction of emotion route and the crazy pacing

Hi like always, I’m frenchgremlim, I’m the french kanna fan I write stupid essays on yttd from time to time, this one will be compared to some of my others quite negative. But I will try as hard as possible to be an objective critic. This isnt meant to attack any fan of any character no any fan of yttd 3-2, I just want to discuss a possible problem in yttd writing that personally scares me for the future, this topic was one I brought up a lot in many post, if you have seen any of them then well you will already know some of my grievances with chapter 3. So with all my love thank you for reading this, lets start!

THE GOOD STUFF

Chapter Three 1 definitely has many great points. First off, the plot progression is pretty great, we get ton of infos on asunaro, on ways to escape and clues about the hades incident. Midori was a blast and bullying him became my favorite pastime. The dummies were an amazing concept (remember the word concept it will be important for the rest). Despite me disliking ranmaru deepy his development was interresting. THE QTARO DEVELOPMENT WAS CRAZY GOOD, for the first time I got to be justified for being a qtaro fan since chapter 2. Keiji had ton of development in this chapter??? that is very rare considering how much of a stable character he is troughout the game, his relationship with sara is really highlighted and I think thats great. Gin stays the most consistent character in yttd and despite normally being something I dislike in a game I think it makes sense considering gin is pretty much sara anchor in reality in both routes. The obstructors were an amazing idea and I think, adding new mechanics like that truly freshen up the game. Also shin ai is litteraly one of the best idea ever and maple too. And of course the banquet was a thrilling nerve wrecking experience with so many twist and turns that truly got your blood pumping……. Thats my praise for chapter three, the thing that doesn’t make it outright bad but correct. See how I mentioned a few characters by name, but not all, you can pretty much count any of the other either barely present or useless to the narrative. Which will lead me to my first point, the absolute character waste that genuinely every single yttd character going from the least worst to the worst (if you know me you know who will be last).

AN ENSEMBLE CAST IS AN ENSEMBLE NOT SARA AND HER MINIONS NANKIDAI

MAI AND KURUMADA

okay so I will start with them because funny enough new characters have better characterization, than actual character we knew since chapter 1. If I had a word to describe both ami and kurumada it would be good but lacking. Let’s start with mai, I think mai concept of her starting has a sort of traitor and then becoming a true ally is very good, same for kurumada startinga s a heartless asshole only caring about himself to him literally on the ground crying that keiji doesn’t cause the doom of the other dummies. Overall Mai and Kurumada have the strongest character out of all the dumies and are truly multi layered characters. Mai is depicted as a fake idol like girl who hides herself behing the pop like smilling persona (inverse of shin) to hide the fact that she is terrified but can also be a cunning manipulative person too. She truly wants the best for others but is terrified that she might die and would do anything to survive. Kurumada is a brute, he acts like a bully toward the others, act heartless and values himself over others, he has a sort of superiority complex and rejects affection. But trough the power of the bucket, kurumada starts to warm up, and he starts truly caring about the others. He starts devaluing his life after getting destroyed by maple. But in the end he was the only one of the surviving dummies wishing not to be brought back but avenged. Both have interesting dynamic with their pairs and overall importance on the narrative, something that can’t be said about all dummies. Why lacking then. I think kurumada and mai still suffer from what I will call the dummies problem, they feel like there is so much like missed potential its crazy. Seriously we had like one scene where kurumada learns to warm up to kanna, thats it, it feels like we had the basics but it was very rushed. Which is a shame considering THIS IS THE THING THAT MAKES KURUMADA CHANGE AS A PERSON. Mai has less of this problem I think, but still she has no relationship with like anyone in the group except qtaro ( I still think in logic route we should have had the obvious parralele between her actions and like keiji/shin actions it feels like wasted potential) But again this is a flaw that is ommitable since reminder the characters are well written despite being rushed. What isnt forgivable is that kurumada has no relationship at all with shin in logic route, its clear that nankidai envisioned emotion route kurumada before logic route kurumada. Overall I think the pairing system was terribly done for some characters, which is apart of the overrall dummies syndrome.

But lets take a look at the other dummies where my praise will quickly end.

ANZU AND HAYASAKA:

I am deeply sorry for anyone who is a fan of those characters, but I need to be objective, anzu and hayasaka are the most nonexistent characters in yttd. I complain about the lack of kanna content, but the absolute uselessness of those two is crazy disappointing. Remember how I described mai and kurumada, full rich descriptions, what is anzu character. She is a dumb clown girl, thats it there is nothing more. And the problem isnt that she is a simple character on paper, because for example mishima is quite a simple character, its how nankidai decided to utilize them. Lets start with anzu because I think she shows off well the problem, what does anzu do during the narrative, when is she useful, not even like talking about like puzzles or stuff like that kanna also doesn’t help that much, I mean overrall, what is the goal of this character. A character can be a bit flater personaility wise but he has to HAVE A REASON TO EXIST EXCEPT FILLING IN THE BLANKS.

Why was she paired with the yabusames, because reminder all the dummies were paired with a human for a reason, sara with ranmaru because of joe, keiji and hinako because they are edgy emo dyed hair dodgy person, kurumada with greenbling because he has one of the highest percentages while they have some of the lowest, hayasaka because he is similar to mishima with gin. Anzu was paired up with the yabusame, because she had to be paired up with someone, she has NO relationship with them, isnt a contrast isnt anything. My problem with anzu is that she is a a boring character because they did NOTHING WITH HER, she feels like an C rated anime girl in the fucking cast of death note. And no I’m not saying a nice person is boring not at all kanna is my favourite character of fiction, what I’m saying Is that creating just a nice girl is a problem. If we go to hayasaka its the same, which is even worse because hayasaka IS TIED TO THE NARRATIVE. I would say haysaka is more plot interresting but his personality is so boring that it doesn’t help at all. He is just clone non chad mishima. They can die and it will genuinely almost affect nothing at all(which is also a problem the death problem). You get surprised when they actually talk because you had forgotten they existed. Thats how I will define the dummies problem, it feels like the characters were added but had very limited impact in the end, because while it makes sense for asunaro it doesn’t make sense for the cast, why add characters if they have no meaning, thats just bad writing.And why does that piss me off, because you could have done so much more. Remember the mishima comparaison? Mishima is the most good guy ever made but how does he shine, by his interractions, he is a light of joy and good and shines from how kind he is towards others. He’s a bit silly but his unwaring kindness and undertsanding is what makes him a compelling character. Especially I contrast with brooding characters in the cast. ANZU COULD HAVE BEEN THAT. I think especially in logic route, anzu isnt the brightest light bulb, but she can shine in her unwaring compassion, her passion is making others laugh as a clown. While she isnt the best and can sound awkard she tries her best for others, because thats whats right to do, despite how much she is scared. After keiji gets coffined, anzu goes to see keiji in the coffin and tries to cheer him up with the worst joke ever and it makes him truly laughs from how bad it is. Reko see nao painting and gets depressed about it,feeling like she was able to save nobody whether her brother or lover, anzu decides to show her some epic clown skills and absolutely fails, reko laughs finding the kiddo endearing. After alice discovers that midori had hanged out with reko, he wants to destroy him and get filled with rage but anzu tells him to do the breathing exercises she used to do before any performance. Anzu could be used as this idea of childlike kindness a little light in the dark of the group especially in logic route. She can still be a fail girl clown make her bicker with kurumada more, make her be so impressed by how calm mai is, make her despize ranmaru in logic route, make her a dumb kid with tehir cool aunt/uncle with the yabusames. MAKE HER EXIST. SAME FOR HAYASAKA, hayasaka is supposed to be a straight man type character make him even more of a loser, make him silently judge the crazy ass people he is with, do his development litteraly not Five minutes before his death. A character being simple isnt a problem, what is a problem is not using them to their fullest, and for me in the state that they are in currently anzu and hayasaka are bad characters in term of the narrative.

SHIN

Okay so shin isnt a character in chapter three, he’s just there, I’m putting that low because he is a main character. The problem with shin being a bot, is that we just left one of the craziest chapters for him to do nothing, I understand him being stunned by midori and stuff. But I still think this is quite a letdown, especially for the obvious parralels between him and maple almost never being utilized. You can tell nankidai didn’t have the time or want to do much with the guy, which is bonkers considering THIS IS THE CHAPTER WE MEET HIS ABUSER. Then why isnt shin lower? Because shin is the type of character to have development throughout the story, who has a continuous storyline etc, which means that even though he didn’t get anything special this chapter next chapter he will get it. Its not a case of actual waste of character ,its more so, putting the character in the drawer for now. I am not scared for shin writing because he will always get something and always had something. Which makes is non importance in chapter 3-1 not that bad

KANNA

OKAY SO I WILL TRY TO NOT BE BIASED. Kanna characterization disappointing me In 3-1. As the biggest kanna fan, I think nankidai doesn’t care that much about her character as an actual protagonist. This one will be a bit longer but to explain why it was bad I need to do some sidenotes.

Sara is the protagonist of yttd, and keiji and gin are deutarogonist (idk how its written forgive me I’m french, please tell me if its badly written). Sara throughout the story goes trough many changes and developments, while characters like gin and keiji stay pretty much the same the whole story before 3-1. Sara main development is her living with the grief of losing joe and her importance in the group. While keiji is this morally grey, in the end bad person because of his actions guy, that still deeply cares and wants the best for sara, but what he does for her like putting so much responsibility isnt good for her in the end, it creates this codependent dynamic where keiji wishes to protect sara but in the teaches her how to be like him despite him wishing the inverse. Is keiji a good influence? A bad one ? I would say a bad one, but does he care for her? He sures do, and would do anything to protect her. Why am I going a tangent you might say, because shin and kanna are the mirror to keiji and sara. They are in the end the same. Kanna is a direct parralel to sara story wise, which is why I think if the story was twisted the point of view would be either shin or kanna. Kanna is the emotional core of the game, the soul I would say even, her development has a character is the deepest and most complex. Going trough hell, wishing to die to then deciding to live not herself yet but for the people that loved her, Kanna went trough some of the worst events out of the cast, litteraly everyone she even remotely liked or was friends with dies. And yet she decided to stand, for them, for their wishes, that makes kanna the most emotionally strong character in all of yttd. Because compared to sara she had almost no help and was left to her suicidal tendencies. Kanna represents hope and bravery in its purest sense. Thats why kanna is the soul of yttd, she litteraly made shin realised that he could care about others again. But despite all of that kanna was always in the shadow of someone, lacking self worth and self confidence feeling the need to be protected by others, hiding behind shin schemes despite how dodgy they were. Shin was her shield, and now he is gone, and kanna has never been more alone than now. Two people died for her, she hates herself and wishes to go seem them deeply, but she has to stand up for them. And what do we get for chapter three!!!! One scene. Thats fucking it. Okay maybe a little bit more but like god its bad. Kanna is implied in one scene that she doesn’t understand why shin would sacrifice himself for her, which implies that she doesn’t understand that people could love her, which could imply that in general she doesn’t get why either kugie or shin did this for her. COOL ONE IMPLICATION. And like if you read the scene where she says that she will like be epic for them, its implied that kanna doesn’t feel better and is still very much suicidal she still hates herself, kanna doesn’t think she can live, but she has to survive for them. Kanna is implied to be in survival mode more than having hope to be outside. OKAY COOL.

Now I have a question, why does for kanna we have to acively search for her to have any actual development and like relevance, while for other character its more laid out. Why does sara get a scene where we see her change mentality after seeing the joe ai, while kanna GETS OFF SCREEN DEVELOPMENT. IF THERE IS ANYTHING I HATE ITS OFF SCREEN DEVELOPMENT. WE SHOULDN'T HAVE TO GUESS A REASON A CHARACTER CHANGED. Plus kanna is a victim of this almost all the time, which is why people call her flat or not as interesting as shin (I heavily disagree I could write so many pages about her). Kanna is a character which is made in subtlety, which isnt a problem, what is a problem is that she is perhaps the only one. Kanna like I said is a very important character for both routes and yet she is barely treaten has a main protagonist, she is a sidekick, and thats a problem. Because of that her individuality and complexities are not explored. For example I think kanna has many many actual flaws that are barely treated in the narrative, she is far from a perfect kind person, but never tackled on. Kanna is a character that not only never gets a W but also get no breathing room. THIS IS THE FIRST CHAPTER KANNA IS MORE PROACTIVE AND YET WE DONT SEE HOW HER. Yes there is some things that show that, but again its not protagonist level of development, it feels like non important side character development for a character that shouldn’t be that. Kanna SHOULD be a protagonist of yttd, and should get finally her chance to shine instead of always being in someone shadow. I not making pessimistic claims right now since the last chapter isnt out, but I’m very much not hopeful about how nankidai will handle her #challengewriteafemalecharacterwiththesamerespecthasamaleone.

ALICE AND REKO

I Have already written many post about this, but post chapter 2-1, Nankidai had no idea what to do with yabusames, they havent had any actual interresting impact except from lore in any chapter. They become background character especially after nao death. Despite being actual game changing choice, alice and reko are useless to the narrative. WHY? Because nankidai had decided to get them killed by sheep boy, and since nankidai clearly wrote emotion route before logic route, in emotion route he had no idea what to do with them so the became npc’s. Alice relaionship with cast has not evolved from chapter 1, and reko became just one of sara goons. I think this ties into another problem, the emotion route problem, what should make emotion route compelling the character which is supposed to represent it, kanna and the emotion route based choices, but since kanna and the other yabusame gets zero content, emotion route seems like the least interesting route. Because nankidai was more lazy doing it which is a clear problem. That affects the yabusame heavily, sicne he had no plans with them past death. Thats why they are static. Its also linked to another problem which I will mention later. But yes nankidai simply doesn’t know what to do with them, which is especially worst for alice a character that is LINKED TO THE ENTIRE CHAPTER. I think its not only a waste of alice and reko, but also a sign of favoritism. I think nankidai simply cares less about complex ideas for emotion route, I will perhaps write in another post all he could have written interesting for emotion route. Now lets get into THE REAL STINKER OF THE CHAPTER.

NAO EGOKORO: HOW TO MESS UP THE MESSAGE OF CHARACTER

What. The. Actual.shit. I have no words except from that. This out of every charcater bothers me probably the most and actively pisses me off. Imagine writing a character, a female character who was shown as capable and strong despite being an emotional person, imagine creating a character which showed the defiance of asunaro, the fact that yes despite their overwhelming sense of control and power, that there was in fact a way to beat them at their games, imagine writing a character that fought against adversity and had the only canonical route where despite all their wishes that character won, imagine creating a character with a doomed fate which is in direct parallel to another character and shows why he somewhat has the right to be scarred, imagine writing a tragic story about a girl who was only brought here to suffer and be a tool for the progression of A MAN in the canonical narrative, imagine writing a character who entire existence was a tool for asunaro and died because of them, imagine writing that the floormasters consider her useless and non important because she isnt some holy participants, imagine writing that. Okay so imagine that after this poignant ending you decide to do another chapter where you mention her 1 time in a non essential dialogue. THIS IS INSULTING. Because what this honestly says is that, yes nao life truly was unimportant, we get references to greenbling death in the chapter, NAO DIED LIKE THREE HOURS AGO. THIS MESSES UP THE ENTIRE MESSAGE.

This feels like nao was some kind of rug, that when not needed could be trhown out, was her death just shock value, was that the goal of her character. I wanna remind that yes nao was only brought to boost mishima percentages, which mean she was only a tool for another man progression. THERE IS SO MUCH META POSSIBLE COMMENTARY ON THIS. Asunaro who uses children and women as toys for their own goals, that they will throw out when not needed. But instead the fact that nao was completely forgotten just deepens this idea that yes in fact they were right, she was unimportant, and thst deeply isulting I think. Why does every chapter mishima comes back while we get no mention of nao. Why is there a clear focus in this game about more stereo typically strong stoic figures, isn't this entire game about the conflict between emotion and logic. Why does characters like kanna and nao representations of the conflict get zero content. Characters like kanna and nao MATTER, they are perhaps some of the only representation of empowerment that people like me can relate. Because I will be truthful, logic route is in fact not the good choice, not in narrative standpoint (logic route is awesome for the narrative for sure), in a moral standpoint, its an extremely good idea of course. But the message of the game is that in the end its wrong, it’s a wrong choice to act or pretend to be an emotionless logic based robot, keiji is in the wrong, shin is in the wrong, midori is in the wrong. Whats the point of a moral dilemma if you don’t talk about it from one side. THEN WHY DOES THE CHARACTERS THAT REPRESENT THE INVERSE GET ZERO CONTENT. I think nao disappearance is not only one of the most disappointing things in all of yttd but genuinely gets me scared for the future of yttd themes.

Now that we finished every character, you may wonder, why, why is this chapter characterization so bad? What even happened? Ill tell you what happened, there is two reason everything went to shit and let me list it here:

THE SARA PROBLEM OR WHY THIS CHAPTER PLOT FOCUS IS ASS .

YTTD chapter three was way more plot focused than any of the chapters I would say, and honestly thats great for the narrative, if only it was done well. Remember my speeches about the characters about how like 60% of the cast is useless to the narrative, characters we know since a while, why do characters have no development, why does the dummies gets jack shit to do etc. Thats because of one thing, this chapter prioritized PLOT over CHARACTERS. And how can I claim this, because most scenes are sara and her doing everything. This chapter wasn't really about her, at all even, yet we have focused more on her reactions to the events that literally any characters. Chapter three at least half of it shouldn't have been sara focused. You might say what are you on about french? I’m gonna explain. I wanna state some example to show my point clearer, the reveal of why non candidates were brought here, why, in the flipping heck is sara the charcter in particular they choose to only know that, to have the big emotional scene, why especially in logic route, why?????? Yes she knew nao, sure thing, yeah she knew kai, but she wasn't the only person that knew them, sara didn’t even like mention nao almost the whole chapter, you want me to buy some emotional ass scene, for a charcter you barely even cared about showing in the narrative. I could think of a million characters who knwing this would flip out and have ACTUAL CHARACTER MOMENTS (kanna, reko, shin when he would learn that they brought kugie only to die which in the end CAUSED KANNA TO BECOME SUICIDAL AND DECIDE TO KILL HERSELF, GIN).

Another example the final scene where sara presses the button to get rid of midori that scene feels so empty, it doesn’t feel like a revenge or anything, midori has no emotional connection or link to sara, it doesn’t feel deserved, why out of everyone of the cast, why is midori getting killed by the person who he hurted the least. It feels like yeah sara the protag so she has to do it, it doesn’t feel cathartic because the characters that deserved the most to get this final bow didn’t get to get it. IM PRETTY SURE ANYONE IN THE ROOM COULD HAVE PRESSED THE BUTTON AND IT WOULD HAVE BEEN MORE EMOTIONALLY DRIVEN. I wanna discuss emotion route sara in particular, sara isnt as interresting as before in emotion route, since now she is healing and is closing her arc, which means that compared to logic route you don’t really have this want to see her arc which make scenes that should have been about other characters feel even more flat. I am not saying we should stop having sara as a protag no no of course, my problem is that we have seen that sara can work as the protag while focusing on other characters drama.

Example chapter 2-1, in 2-1 the focus is on reko and alice, and yet sara still has conflicts for herself, but they don’t seem to overpower the narrative. This intense sara focus destroyed the other characters screen time, and caused a lot of scenes that should hav been more impact to be less impact. Sara story in emotion route should have been the keiji stuff an ranmaru stuff mainly(and the whole logic route sara becoming crazy stuff too), the whole conflict with midori just felt like it was created only for the narrative. NOW I CAN FINNALY COME TO MY POINT. The sara focus was because yttd decided to focus more on the plot progression that character driven story, thats why sara does everything, thats why the characters have overall less to do. And imma be honest I did not come for yttd for the plot, people love yttd because of THE CHARACTERS, why do people play logic route, because they want to see shin evolve and sara too, why do people save kanna to fullfill shin wishes and save a kid they care for, what most people play yttd for is not the plot. YTTD IS A CHARACTERS DRIVEN STORY, characters not character. I genuinely don’t give a flying fuck about the plot if the characters are non existant, a bad plot can be carried by good characters, but a good plot will never carry bad characters. I know we are getting closer to the end, but yttd always had that balance between action and character moments. But I don’t think its only the direction of the story that is faulty. ITS the:

PACING

YTTD CHAPTER THREE PACING, wow we met this new guy midori, WTF REKO DEAD, anyway who cares lets move on. Thats it thats the pacing. THE CHAPTER IS WA TOO FAST. We go trough plot points so quiclky, we randmoly see reko/alice die then nothing, they don’t exist anymore, characters the cast know since the beginning, again for the dummies its logical, in a way, they don’t really know them, plus they are robots. RANDOM AHH REVEAL KANNA AND SHIN ARE ACTUAL SIBLINGS THEN NOTHING, NO MENTION, NO ACTUAL IMPORTANCE TO THE ROUTE, this only felt like this was added in for plot for logic route so that we know in advance that shin and kanna are siblings. The dummies just die at the end of the chapter in five minutes, qtaro dies in five minutes then the chapter ends. How do you want us to feel emotional weight for a character dying if you give us no time, joe death is one of the most viceral death because its slow and painful to watch, while if he died in chpater three he would have just exploed for shock value. Shock value thats how reko and alice death felt like, just that. Sara figuring out the whole participant thing, shock value thats it. The pacing is just horrible in this chapter so much so that I had actually forgotten kanna and shin were revealed to be siblings at the end of my first playtrough

CONCLUSION

I don’t think chapter three was bad per say, half of it was amazing truly, but the other half was incredibly disappointing, the whack characterization, the horrible plot focus and the pacing are terrible. Emotion route suffered the most because of this and I think on an objective standpoint is the worst written route (i’m the biggest emotion route glazer but like I can’t lie on how bad nankidai fumbled). I still love yttd and am full of hope that chapter three two will be the most amazing thing ever made, but I am scared of dissapointement now, I hope nankidai comes back to his roots wirting like chapter 2. If you like loved chapter 3-1 then honestly I wish I was you, I don’t like being dissapointed, I don’t like being let down, I am not critiquing from a place of hatred but from a very passionate fan, I know my opinion is pehaps not one of the most shared but as a fan of yttd for so many years I think we need to open our eyes to flaws. Perhap chapter 3-2 will fix everything I say and I hope so, I hope this post becomes outdated, but if it doesn’t then it would in my eyes truly ruin yttd. It won’t change chapter 2-2 changed my life and that kanna kizuchi saved me from a lot of dark times.I love yttd and i belive in nankidai and that why as a fan we shoudl critic his work

[mumuscae]

SPOILERS!!! SPOILERS!!!

Rant on Storytaco's bad writing of dark skinned characters. Specifically Sirius.

I wanna start this out with saying, I do not hate Sirius as a character. He's one of my favorites and I feel like he had wasted potential being in the hands of Storytaco. I don't think there's anything wrong with enjoying Sirius as a character either! I believe however that we can enjoy media, and look at it from a critical lense. There are good things about his character and I enjoy a lot of how he was written lore wise!!! Otherwise I wouldn't be so violently obsessed with him since the age of 15 lol. But again. There are a combination of things that I can't really see as a coincidence.

If you have anything to add, or disagree with any of my points, please do not be afraid to say so! I wanna have an actual discussion about this. please I do not bite. I stand pretty firm on my points at this very moment, but I'm entirely willing to listen and change.

Uh. Apologies if my points come across poorly or if my writing is incoherent. There's a reason why I did bad in school lol.

My criticisms are below here. Have fun

Anyways.

Fuck Storytaco?

Uh. This is 100% inspired by recent discussion on the fandoms treatment of Sirius. But I'd like to discuss why this treatment is actively perpetuated by the developers of Arcana Twilight. Which is much more disturbing to think about when you consider their games are often marketed towards minors.(There are other issues with storytaco marketing towards minors too. Uh, idk if those are relevant for this post though. Maybe later cuz it's high key disturbing!!! 😃)

Sirius was written very inconsiderately. Like I know he's a villainous/morally gray character. However I feel like there needs to be a lot more tact when your only dark skinned character is written to be not a good person. Especially in comparison to the light skinned characters. I feel like they just applied every negative trait on earth to him, then turned around and went "jk guys! He's not actually bad. Hes like this cuz he's an orphan." 😭 Like some of these traits would be fine in their own if balanced out with other things, but there's so many combined together that I can't help but feel suspicious of their intentions and bias.

He's the most provocative out of all the love interests. He's consistently initiating suggestive situations, is labeled the "sexyman", and is constantly making innuendos. The game has a lot of fan service in general (even though it's rated E), but Sirius is disproportionately portrayed this way and is just constantly going "hehe sex 😁" Which making him the provocative one is both an issue with him being queer coded and dark skinned..double whammy 😟

He's the dangerous, unpredictable and violent one. He SHOT!!! SHOT the mc within the first few floors. And like. There wasn't even a good reason behind why they decided to write that in other than to make us think he's violent/dangerous/untrustworthy. There are times when it's portrayed that he can't even be trusted alone in a room with the mc, even prior to the villain arc. 😐

He's a pretty much a domestic terrorist.... 😐

He was a wanted criminal for half of the story. Idk if I need to explain what's wrong with that either 😐

He's potentially the only one killed off at the ending depending on your interpretation.

In the clan equivalent of Americans (cough. Guns + eagles + the lazy unlikable rebellious group that just gets into trouble) which is just. Silly. 😭😒

Again he's the "untrustworthy one that nobody wants to be around." This is a point constantly driven in by the characters he's surrounded with. they drill that into the viewers head so so so much.

He's the "party animal" of the group??? Which isn't really portrayed beyond him drinking a lot but was definitely advertised as such.

He's 100% queer coded you cannot convince me otherwise. Which. Now we're falling into queer coded poc villain territory. Double whammy again! Disney is that you?

Going off the queer coded point, he's falling into "predatory gay man" territory. Hes shipped with basically every man in the game by storytaco for promotional and bait reasons. But it's always displayed as Sirius making the other party uncomfortable and getting in their personal space. Making unwanted advances. Like... Y'all don't got a do that

Ok this is possibly nitpicky but deadass why'd they make him a basketball player in the highschool au thingy. He's a theater kid. Nothing about him reads as liking sports. Please do not wear dangly earrings while playing sports??? It bothers me so much 💀

Okay so the sassy, violent, deranged, perverted terrorist... is the only romance-able dark skinned man in the game. ??? NONONO just think about that for a good moment

HE HAS OTHER THINGS IN HIS CHARACTER. THERE ARE GOOD PARTS ABOUT HIS CHARACTER!!! I LOVE SIRIUS SO MUCH. HES VERY COMPLEX AND INTERESTING.. but this is such a horrible combination of very specific negative tropes that it's hard to ignore. Especially when thinking about how this game is advertised to minors who, more often than not, are easily subjected to subconscious bias in media and are easily influenced due to our lack of ability to critically analyze media we're haphazardly consuming. (Sorry fellow minors. As a senior minor aka 17 yo it's the hard truth y'all gotta accept. we've all been there and we've been influenced by media whether we're aware of it or not. I'm not mad at y'all or belittling. Keep having ur funsies with ur silly star men I'm not stopping you lol? This is legitimate concern and criticism towards a company that is promoting weird stereotypes to us)

And I don't think Sirius is just a one off weirdly written dark skinned character from Storytaco. Thuban (WHO IS GREEEEEY. Big issue on its own 😰😭) is depicted as lazy and rude.???? Like he has a single redeeming moment but again. Just reads as "domineering rowdy black man." Especially when you look at the whole great hero trio .. he's supposed to fall within the fantasy "Fighter" archetype with his big ass mace. Compared to Polaris who is like a Cleric and the Wizard/Ranger Schedar.

Also shout out to storytacos other grey men.....???????? I was only able to find four dark skinned men (not just tanned a bit) including Sirius when I went thru Storytacos game catalogue. Two of them are grey. 😐

Anyways Sirius was a huge motivating factor in why I wanted to make Extraterrestrial... Fucked up potential of a character. There are 100% biases showing through how he was written. These were all conscious decisions made on the writers part and I don't think it can be kept behind "he's a morally gray character who's going thru it" because there were so many good ways to show that and his grief without going to every. single. extreme.

--

[isfjmel-phleg]

Thank you so much for sharing your thoughts!

The musical accompaniment is lovely--a glimpse into what Josiah is planning to hear in performance.

Elystan's difficulty with German comes from his genuinely struggling to master it, but also from a personal grudge against it, since it's not only something his mother is inflicting on him when he could have had his beloved Latin and Greek instead but also the language of his current nemesis and anything pertaining to Josiah is going to be distasteful to him. As you point out, they're not speaking each other's language even though they have a common tongue in English.

Liennese attitudes toward Noriber have influenced other nations, especially since there's a lot of censorship of anything related to Noriberrian patriotism. So all that the rest of the world is hearing is the Liennese propaganda.

Elystan is cognitively aware that Josiah's mother is dead but completely obvious to the fact that he and Josiah are struggling with the same problem: not being allowed to grieve the death of a beloved parent. I'm not sure how he would react if he did know. (And Josiah of course knows about Talfrin, but it's not crossing his mind either that Elystan could be grieving a convicted traitor. A lot of this is the boys' inability to see past their own noses and their assumptions about each other as incapable of anything humanizing.)

...I didn't get the significance of the empty chair in the King's box until you pointed it out, and I'm the one who wrote the line. You're right; Elystan's subconsciously saying something about his deceased father, and it's interesting that he would unintentionally conflate him and Josiah. Completely different people, but both of them Elystan's most vocal critics.

I've thought about writing another Christmas Chapter from Bethira's POV, beginning when the boys arrive at Rhosemore and addressing, among other things, her relationship with Elystan and the start of the surprising bond between her and Josiah. She is absolutely having a hard time in her relationship with Elystan, especially because a lot of the way that Elystan treats her echoes how Talfrin treated her.

Even Elystan isn't quite cruel enough to taunt Josiah with the fact that his mother is dead, but yes, that pause hurt almost as much as if he had.

Schoolboy culture, at least as depicted in what I've read, was so weird about family. They're treated with distance, as if home life happens on another planet in another lifetime, or completely ignored, unless you have a brother at the same school, which is a nuisance. The terminology is distanced--"people" and "pater" and "mater." And that's what's going on here too, but the narrative is intended to be critical of it. This encouraged distance toward family isn't doing these boys any good, and it bleeds over into how they relate to each other. Elystan is in an almost older-brotherly position to Hollock, but school convention prevents them from exhibiting the warmth they're actually feeling when Hollock gives Elystan the gift, which deprives them both of a level of connection that would do them good.

To be fair, Josiah is about twice Elystan's size and Elystan probably couldn't have knocked him over even if he hadn't spent most of the year wasting away in bed, but still--although Elystan is physically doing better than when we saw him in "A Visit from the Murderess," he nonetheless has to be constantly conscious of his physical limitations in a way that most of his schoolmates do not. (If, say, Tamett had had a similar desire to shove Josiah, his main concern would be the consequences of the action, rather than whether he was physically capable of it.)

I love these boys a lot too. Thank you for understanding them so well! It is absolutely delightful.

A Christmas Chapter: Elystan’s POV

Last year I wrote two versions of this story, from Tamett’s and Josiah’s POVs. I had intended to leave it there, but a friend wanted Elystan’s POV, so after a long struggle of trying to find a story I’d never really planned between the lines of the existing pieces, here is the third and final version.

This one runs very long, nearly 17000 words. It’s not perfect, probably has wording issues right and left, and it feels a bit more like a series of random events than a cohesive whole, but I’m sick of fussing with it for now, and you’re very welcome to tell me (politely) what could be improved.

In case you’re unfamiliar with these characters, Elystan is the thirteen-year-old son of a disgraced former king of Corege (one of several nations in this  Edwardianesque world). After circumstances that have resulted in his having a massive grudge against his mother and his half-brother Delclis (the current King), he has been sent to Hollingham, an elite boarding school, where he rooms with Josiah, Crown Prince of Lienne, and has befriended Josiah’s paid companion Tamett. They’re about to reach the end of their first term, and Elystan is faced with the daunting prospect of having to spend the Christmas holidays with his dearly beloathed family.

Keep reading

[californiannostalgia]

sometimes I think

hey maybe it's that time again

it's that time to write an abuse survivor mental illness fic with lester papadopoulus and maybe that will help me figure out what the fuck is going on in my brain

maybe my obsession with normalcy and potential dangers and spiraling late at night and being suspicious of people and the hollow disgust at the desperately cheerful person I become around my (changed behavior) parents isn't normal people stuff

maybe I'm gonna be afraid forever incomprehensible forever non-normal forever and maybe apollo wants to say a few words on the subject

[swiftfootedachilles]

im just gonna be honest gang obviously its gonna be easy for you to say youre in love with a character and theyre an angel when anytime they do something you don't like you brush it off as out of character

[icewindandboringhorror]

Recent-ish things ~

[realest-nilou-kinnie]

every single time i'm reading anything about him, fan fiction or not, and someone describes him as lazy, i can't help but blurt out loud to myself, "he's not lazy" and sort of roll my eyes. It's in his character bio in the game for crying out loud: he doesn't see the point in trying anymore because every time he has ever tried in his life, he has been shot down and shown that nothing he does will ever matter.

self-indulgent elaboration under the cut

also, i would argue that it's about as clear as can be that he is "rude" on purpose to push people away...because he knows he was born in a silver spoon in his mouth and thinks he doesn't deserve people being nice to him. of COURSE he is snarky and snappy when he gets the chance, he WANTS people to stay away from him. He does NOT, however, want them to talk behind his back, i dont think. We know it hurts him. He doesn't want them to whisper that he's dangerous and he could probably kill everyone within a 50 foot radius with his UM at a moment's notice. Which is true. I think he's afraid of that possibility (and I believe in the novel it's described as being a volatile spell that other second princes have been effectively cursed with, and that he could accidentally kill people around him. That's why he grew up overhearing the palace servants whispering about the spell as if it was already a known UM.)

I know we don't know how he got his scar yet, other than it being something he clearly doesn't want to remember, but I can't help but wonder how he first "got" his UM. It isn't one he developed like Azul did, for example. He was born with that being the UM he would one day manifest. I definitely have ideas about how he got his scar and how it could relate to the advent of a Unique Magic like his, but I DO NOT think he killed or seriously hurt someone. I think the King's Roar spell has been popping up in previous generations of the Sunset Savanah royal family in second-born sons, and the people know it can lay waste to everything around the user. Even the things the user didn't touch or mean to affect start to turn to sand, like the air. Idk i just think his magic hasn't killed someone but I think he and everyone around him knows it could. From past experience, if you will. So maybe he showed signs of it being his UM and people FREAKED out as if he killed someone. That can be really damaging for a kid.

With this in mind, how could it be any clearer that he is trying to push people away? Now, allow me to be a blatant Leona Kisser on main (joke intended, that's my sideblog @leona-kingscholar-kisser LOL), but....HE'S NOT EVEN DOING THAT GOOD OF A JOB OF PUSHING PEOPLE AWAY. BECAUSE HE ISN'T A NATURAL AT IT!!!!! 😭😭😭😭 I'm not saying he craves connection, yet, because i haven't seen his part in book 7, but he definitely is not just meanspirited. He doesn't enjoy pushing people away, he feels that he has no choice in order to not hurt others. Isn't that the most selfless thing of all?

Knowing how he was treated as a child during his formative years, I'd say every glimpse of kindness and generosity and selflessness and passion for life he shows is indicative of someone who is all of those things even more so than it would be for someone who had no adverse childhood experiences. To me, the fact that he is all these things even in the face of the agony he must feel looking in the mirror every day means he is an even better person than someone who only does the right thing to earn praise and be celebrated. Character is doing the right thing even when no one is watching and all that.

I literally could write 50 paragraphs about him with MLA citations, but here is what i mainly wished to impress upon the part of twstblr whom i think are a wee bit confused about his characterization:

examples of Leona not being a massive sack of shit:

he pretends not to notice when Ruggie steals jewelry from him just about daily, but he doesn't outright give it to him because that would be too philanthropic for his image. He lets Ruggie think he's getting away with it. He doesn't want a "thank you" because he thinks he doesn't deserve it

he lets Ruggie bring his own laundry to be washed together with Leona's, while giving him his credit card to buy the nicest detergent and anything else he might want to buy at the Mystery Shop

the reason he doesn't wear his uniform jacket isn't because he just wants to break the dress code or make a statement, it's probably because he gave it to Ruggie. Hence why Ruggie's jacket is massive on him.

he skips his classes because he already knows everything they're teaching. he always shows up for tests, meaning he does keep track of when they are.

- personal note: he had all the NRC-level material drilled into him from a younger age than most as a prince. That level of focus on academics takes away time in your youth that you feel like your peers are spending having fun and having social lives. If i were him, going to classes where everyone around him got to learn something for the first time that he had been forced to memorize years ago would be really hard. It might be a reminder of how he had to grow up too soon. I personally relate a lot to being faced with the reality that every other student in your class didn't have the same amount of academic pressure put on them that you did and wanting to just curl up and cry at your desk. Being in classes where you already know everything or where other kids clearly have a lot less pressure on them can make you feel even more alone and hopeless and unloved than you already felt. it makes you grieve all the weeks and years of feeling like a workhorse instead of a child that you'll never get back. So i guess in that way I'm biased towards him and I completely support him skipping class :'3

he only got held back because of missed attendance. here are two important notes about that, in my opinion:

- firstly, he obviously doesn't want to go home. he also feels unenthusiastic about the 4th year internships even though he's going to take one in his home country and hopes to make some positive changes using his ideas. Still, he knows it will not come with the recognition and appreciation from his family he wants. Even if his ideas for oil mining fracking 🤮 bring great economic growth and can feed the children starving like Ruggie was, I doubt his older brother would see Leona for what he is or praise him as things stand now. hopefully that will come later in the story

- secondly, he wants to be held back and stay at NRC another year so his dorm can win the Spelldrive tournament against Diasomnia. He literally says that's the reason he is so desperate to for HIS TEAM (not him) to win that he puts himself in the position to be the bad guy and make the hard decisions he thinks he has to in Book 2! With the actual Spelldrive team, it's slightly different because Malleus isn't involved. It's interesting. In his Spelldrive Uniform home screen dialogues, he says winning is more important than doing your best... because he thinks his team wouldn't be happy with coming in second even knowing they did their best. I think he is blinded by self-hatred. I don't think what he seems to think is actually true. I think Epel and Jack and Ace and all the Savanaclaw members who bawled their eyes out when they thought he was turned into a Tsum are just happy to receive guidance from him. That makes him different from Azul or Kalim or Idia as housewardens, for example. They literally cry lollll. He knows all his Spelldrive players and they literally never shut the fuck up about how good of a coach he is and how attentive he is to their strengths and weaknesses. He doesn't even try to change them! He doesn't insult or belittle Epel when he wants to train to aim better, he literally just compliments how he is a great player in other ways and tells him not to change a thing. For no reason, bitch. He's such a fucking softie.

he buys us a drink in one of his chats, saying he "knows how to reward good service 😒". oh come on bro you're not fooling anyone, you probably weren't even thirsty anyway

he only went to Playful Land to keep an eye on the underclassmen because he's always like that. smfh

finally, if you pay close attention, he's really only rude to people who disrespect him first. OR to people who try to drag him into annoying shenanigans he doesn't want to be involved with. if someone did all that to me during a depressive episode i'd bite their head off, too -- which is every day because i have major clinical treatment-resistant depression and i feel like i know how he feels. i get where he's coming from :( and then they all STILL call him lazy. that is so fucking mean and hurtful. he is doing what he can. he's just sick. he is enough.

okay that's all i can think of right now i just really wanted to elaborate because AHHHHHHH. AAUUGHHHHH. EEEEEUEUUUUUUUUUUAUAG HE IS NOT LAZY AND HES NOT A DICK HE JUST HATES HIMSELF AND NONE OF IT IS HIS FAULT

and while i'm on the subject, Leona is actually NOT lazy or arrogant or selfish at all but some of yall are not ready for that conversation lol

[lambentplume]

dude.

[gaylienz]

girl help i'm struggling with the inherent impermanence of everything to the point where i'm barraged by existential thoughts that come off as awfully deep-ressing

[13eyond13]

how did I forgor Mad Max: Fury Road (2015) when I had to list my favourite movies here recently

[transfemhawkeye]

I mean, no. People don't know that Sappho ran a school. one of the most notable aspects of Sappho is that we know virtually nothing about her. She lived in Lesbos in the 7th and early 6th centuries BCE, she wrote lyric poetry-- meaning it was performed in song-- and those two facts nearly exhaust what we know for certain about Sappho.

The idea of Sappho as a teacher is an invention of the 20th century which is all but unsubstantiated, and, considering the pedagogical traditions of the time, pretty anachronistic. ( "Sappho Schoolmistress" by Holt N. Parker is a very good and widely cited article on this). 20th century Sapphic scholarship was very concerned with the question of her sexuality, and the schoolteacher interpretation was designed essentially as a way to portray her as pure and chaste. It's certainly not "the best understanding of the historical context." There's very likely not a single performance context which Sappho fits neatly into; some of her songs were probably performed at wedding ceremonies, and others may have been performed in private, for friends. Given the paucity of information, though, to make a definitive statement any way is intrinsically dishonest.

What we are nearly certain of about Sappho is that she "loved women as deeply as she did music" (a quote from Anne Carson that I'm quite fond of). Although I have my gripes with the way people engage with Sappho today (add that the the list of things I need to write a post about), it would be extremely difficult to, in good faith, argue against the homeroticism of Sappho's work. The single complete poem we have of hers is the Ode to Aphrodite (fragment 1), which clearly expresses romantic desire for a woman, and fragment 31 expresses a similar desire. The question is less whether Sappho had romantic relations with other women, and more so whether we can accurately refer to Sappho as gay, given the social contingency of sexuality. That is a very complicated and nuanced conversation, and I'm far too tired to bring up Foucault right now. Personally, I'm on the constructionist side of this argument, and I'm very hesitant to apply such contemporary terminology to the ancient world. Regardless, the general scholarly consensus is that Sappho loved women, she loved women at a time where it was abnormal for a woman to love women, and in my view, if not lesbian, i think we can fairly call her queer.

Do people know that Sappho ran a school.

Like yeah, people in the centuries afterwards interpreted her poetry very homoerotically to the point of naming lesbianism and the word sapphic after her work, but like. The best understanding of the actual historical context was that she just wrote a poem dedicated to each of her students to celebrate them completing their studies with her.

The queerness is in the interpretation not in the actual historical context. I feel like people don’t know this. Sorry to burst the gay bubble.

[ctl-yuejie]

i know this blog has turned into complaining hours but...i would understand it if a private person does not exactly know how procedural law works

but these lawyers are making my life so difficult because they just cannot keep the simplest rules. like dude, come on. the order of your complaints is actually important. now i am stuck with an unsolvable situation.

[kebiday]

of course ppl have no obligation to care about characters they don't like... & fandom is about doing what you want and having fun... & it's inevitable for fanon to simplify the cast into little cardboard cutouts...

but i Do wish that ppl who pour a lot of love & effort into analyzing + developing the relationships of + having empathy for the circumstances of the main characters would extend more than a fraction of that to other characters. like my favorite girl kevin day 🐈‍⬛

[deathisamotherofbeauty]

biggest most useless being on planet earth

[leori-the-unlearned]

i make too many references and jokes and in-knowledges for myself and never put it out for the chance someone else could love them. i write and tell so many stories for myself, and i hardly ever write them to share with others. i leave so many things to my mind that i’ve never made real,

and it’s scary. because if an idea is bad, you either forget it or ignore it while it dwells in your head against your preferences.

but if a project is bad, then you’ll have spent time (that was already going to pass anyways) on nothing useful (that already was less real than you’ve made it now, and was already less useful than you’ve begun to make it, and you had less experience than you have now after trying) and that means you suck

[babieken]

I was expecting so much more from Again My Life considering lee jungi was its main character but it was such a let down...