#writing is a process and sometimes a painful one

[nostalgebraist]

Thanks for this thoughtful review!

(BTW, for others – this is probably obvious but there are spoilers below the readmore, don't click unless you've read the book)

I'm going to use this as an opportunity to talk about one specific thing that bugs me about some reader reactions to my stuff. Therefore, most of what I say below will be negative (about your review), but I want to emphasize first that that's not a reflection of what I thought of it overall.

----

What I'm here now to talk about is this kind of thing:

There are parts of all his books, where I really think that the explanation for why they are the way they are is that they are "bad on purpose", and all the bullshit [note: in context "bullshit" seems to be meant as a neutral term for non-realist elements -nost] is a way of turning these shortcomings into strengths. The self-effacing voice which whispers that the characters aren't sufficiently well-drawn, are too cartoonish—well, what if that was the point? What if there was a reason for that, in the story?

And like... okay, there is sort of a sense in which this is true, sometimes, kinda. There is a grain of truth to this; it is getting at something real.

But it pains me to say that, because I don't want to encourage this kind of reading. Interpretations like this are occasionally correct but IMO they're much more common than they should be. IMO the right intuition is that this is a galaxy-brained, contrarian sort of take, a last resort you land on when you've ruled out everything else.

And not just with my work, with everything – I'm simply more aware of the problem when it comes to my work, because I wrote it and I'm aware of why I actually did things the way I did.

I've said this before, but watching the way that people react to my own fiction has been an eye-opening experience, one that has taught me things about reader (and viewer, etc.) reactions in general. Specifically, what I've learned was:

People's tastes are way more diverse than I had realized (before I started writing and sharing fiction). And they are diverse in a very fine-grained way; even if two readers have the same preferences about 90% of stuff, or 95%, they'll still diverge on some things. While it's not literally true that "every reader is a unique snowflake with a preference set that no one else shares," that is a very good first approximation of how things are.

Readers (including me!) have been trained by a lifetime of reading book/movie/etc. reviews to frame their preferences/reactions in a pseudo-objective "this is just how it is" way, like their own tastes have some special viewpoint-independent priority, a quality of "reality" or "accuracy" lacking in everyone else's tastes (which are all different, cf. 1). And this is not just a stylistic quirk of the way people write about fiction, it actually (IMO) feeds back into the underlying opinions behind the written commentary. It degrades people's ability to understand what it is they're looking at and their ability to make accurate inferences about the process of its creation.

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Here's a sort of cartoonish schematic of the type of experience that led me to draw these conclusions. (And I suspect this is not just a thing that happens to me, I imagine it happens with any sort of work that "contains a lot of different types of stuff" the way mine does.)

Writer makes something that has X and Y and Z in it. Writer thinks X/Y/Z are "great tastes that taste great together." Writer is very pleased with the result.

Reader 1 has similar tastes to writer, says something brief about how they loved the book and it's a new favorite for them.

Reader 2 loves X, is OK with Y, hates Z. They write a lengthy review saying that the book was a mixed bag and could have been great if the writer had stuck to X and not messed things up by doing so much Z.

Reader 3 is the reverse of their predecessor: they hate X, are OK with Y, love Z. They write a lengthy review saying that the book was a mixed bag and could have been great if the writer had stuck to Z and not messed things up by doing so much X.

Reader 4 loves X and Z – but they hate Y. They write a lengthy… you can fill in the rest. Imagine a whole bunch of these guys (readers 5, 6, etc).

Reader 17 has the same tastes as Reader 2: loves X, is OK with Y, hates Z. But their lengthy review takes a different, in some sense "more charitable" angle, speculating that the inclusion of Z was a load-bearing pillar in the overall structure, a thing that unfortunately had to be included to "unlock" all that sweet sweet X.

Reader 18 has the same tastes as Reader 3: hates X, is OK with Y, loves Z. But, they explain, X was a load-bearing pillar in the overall structure, a thing that unfortunately had to be included to "unlock" all that sweet sweet Z.

Writer reads all these reviews and feels strange, dizzy. The "nicer" reviews like 17 and 18 are actually more uncomfortable to read than the "meaner" ones like 2 and 3.

"I don't know how to convince you guys," Writer thinks, "but I... I just liked all of it? I thought it was good? That was why I wrote it? (Why else would I have written it?)"

----

Or, as I wrote in that previously linked post from 2021, w/r/t TNC specifically (and making a slightly different but closely related point):

Some people say X was the worst part of TNC, some people say X was the best part. The story was a celebration of Y; the story was about how Y is laughably futile. It’s a letdown that we were never told more about Z; the reason TNC is good is that it leaves stuff like Z to the imagination. It was obvious we were meant to believe P; it is obvious we were meant to believe not-P; the ambiguity about whether P is tiresome literary masturbation; at least the story didn’t jump the shark by spelling out whether P! The reason people like TNC is, of course, that it has A, although nostalgebraist insisted on putting B in there too because he hasn’t fully perfected his formula yet / he somehow thinks B is good even though it isn’t / he thinks it’s funny how bad B is (but the joke tires). …and then someone else has same take, but with A and B flipped.

This exact sort of thing is of course happening again before our eyes with reactions to TAoHS.

I've encountered multiple readers who disliked most of the story but felt the ending (sort of) "redeemed it," and I've also encountered multiple readers who liked the story up until the ending but disliked the ending (or at least thought it was worse than the rest) – to say nothing of the many readers who liked (or disliked) the whole thing all the way through.

And this ending-related stuff is just one particularly obvious facet of a broader diversity in the overall reader response.

By now I know not to be surprised by this stuff, and even to find it kind of fun to watch... but I have to admit, it is still a dizzying and uncomfortable experience.

----

Now, as I said, it is sometimes true that things really are "bad on purpose."

But I think the interpreter's default hypothesis – which should be maintained by default unless convincing evidence against it can be brought forth – should be:

The writer thinks that the thing they wrote is good. They think the ideas are good and they think they executed them well. And they think this more-or-less homogeneously for everything in the work – there are no "bad but unfortunately necessary" parts from the writer's POV.

(At least, this should be the default with works that aren't making the writer much/any money. Obviously things are different with lucrative commercial fiction; there are plenty of well-paid hacks who know they're hacks and do it for the money, etc.)

Why should this be the default? Multiple reasons.

First: it takes a lot of effort to produce any sort of creative work. The writer thought that effort was worthwhile, for some reason – why?

The most straightforward explanation (and a very common one IMO) is that the writer simply believed in the thing that they were making. They believed the effort was worthwhile because it would yield a good product.

Second: as a writer you have an immense amount of freedom. It's difficult to overstate the extent of it. You are playing God, you decide the way that literally everything will be.

Obviously there are some constraints, cases where one part of a story will imply the existence of another or whatever.

But it's very rare that you actually get forced into "doing a thing you know you are bad at, badly." After all: why do that? No one's forcing you! Just do something else! You're God, you control everything!

(Note that this applies also to the very act of writing anything. No one is forcing you to write at all. If you can't come up with good ideas, nothing prevents you from just not writing your bad ones.)

Third: at least in my experience, "playing God" in this way requires a certain state of mind, a certain boldness and self-assurance, which is incompatible with thinking "yeah this is gonna suck but I have to do it" – but is very compatible with thinking "I am making something excellent and every part of it is excellent, hell yes."

Fourth: because of the previously noted diversity of reader preferences, it should not be surprising to any given reader that they find some parts of the work much better than others, even if the writer thought it was all excellent.

This outcome is predictable from the X/Y/Z stuff I talked about above. No clever interpretive work is required to explain it; it arrives pre-explained; it's simply what happens by default.

And finally: because, as I noted above, I think all of us are infected with "reviewer brainworms" and we need to be mindful of this fact.

(Just to be clear, I am not accusing OP of being more infected with said brainworms than anyone else; I'm still on my soapbox, giving a generic rant about a general issue, with OP as merely a jumping-off point.)

We've grown accustomed to the casual conflation between our own tastes and some (usually hazily imagined and under-theorized) sort of "objective, ideal artistic standards."

Outside of a few edge-case eccentrics who can be ignored for my present purposes, we do not do this because we've become intellectually convinced that

(a) such objective standards make sense and really "exist" or at least really matter and

(b) they just so happen to match our own preferences.

Rather, we've fallen into this habit because it's what the pros do: there's a standard style that professional critics and reviewers write in these days, and that style implies these stances. And if one writes (and thinks, in one's inner monologue) in this style, one can easily fall over backwards into uncritically believing (a) and (b) for no better reason than "I seem to already be talking as though I believe these things, hence it would be simple and convenient if I really did believe them."

But – even if we bracket the philosophical questions of whether (a) is in fact true, and (if it is) whose tastes in particular ought to be elevated in the way (b) presumes – even if we table all that for another day, still we ought to keep in mind how weird and audacious a move this is, this simultaneous assertion-without-explanation of the (a)+(b) pair.

We've gotten used to it by exposure, because "the pros" have normalized it. But in actual fact it is a pretty wild thing to just go and assume, given the X/Y/Z/etc. diversity of actual opinion!

If (b) is true for you (general "you" not OP), then it can't be true for me, because we're both unique snowflakes to a first approximation; indeed if (b) is true for you then (to a first approx.) it is only true for you. No one else's tastes have this magical relation to reality, just yours.

Holding the belief (b) about a given reviewer is conceivable-but-wild if we're only considering them in isolation. But once we bring a 2nd reviewer (with non-identical tastes) into the picture, who also believes (b), it's literally impossible to maintain that both of these people are fully right.

And then of course in real life there are not 2 but many, many readers out there, all of them unique snowflakes. And, while it is socially normal in our social context for each one of them to write like they're the chosen one blessed with that special (b)-magic, if you read enough such writing and actually think about what you're reading, it can't help but feel like a sort of game, like playing make-believe. As with most games, it can be very entertaining (for all parties involved), but we shouldn't confuse its amusing conceits for properties of the real world.

In the real world, the writer has their tastes, and you have yours. These tastes are probably not identical. The writer may be aware of the diversity of readerly tastes, and may thus be aware that tastes like yours are out there, but they have no special reason to consider you in particular, elevating you above all the other readers who are non-identical with them (and with you). The writer is dimly and abstractly aware of you, at best, as just another one of the people who will come along later, dislike some of their choices, assume that these choices were wrong in some "objective" way the writer knew about at the time, and then speculate as to why the writer would do something they know is wrong. For every choice, and every way of making every choice, one can imagine a reviewer who responds to it in this way, and quite often these reviewers actually materialize once the work is available for consumption. If you try to reason about these guys in advance, as a writer, it'll stop you in your tracks (if nothing else because there are 2+ of them whose takes are mutually incompatible). You've gotta have some other standard of value to rely on.

So, as a reviewer, if you ask "why would someone ever make a choice I don't like?" and try to pick at this question, you are quite likely heading toward a dead end. The writer wasn't thinking about you (or people like you). They were applying their own, distinct standard of value.

Better to ask: "suppose there was a person who actually liked all of this. What would they be like? How would they be similar to me / different from me? And what, if anything, can I conclude from that?"

The Apocalypse of Herschel Schoen

My fourth novel, The Apocalypse of Herschel Schoen, is now available in full.

Merry Christmas to all, and to all a good night!

[itsnesss]

𝐭𝐡𝐞 𝐰𝐞𝐢𝐠𝐡𝐭 𝐨𝐟 𝐠𝐮𝐢𝐥𝐭 | lee myung-gi (player 333) × fem!reader

summary | you comfort myung-gi after being filled with guilt for killing Thanos

warnings | graphic violence (implied death and blood), guilt and psychological distress, sensitive themes surrounding survival and guilt

word count | 1.9 k

author's note | it would help me a lot if you liked, commented and reposted so that more people read what I write and don't forget to follow me thanks ᡣ𐭩

The room had grown even darker with the news of the fight.

The murmurs of the players filled the air, most of them in shock, unable to process what had just happened. You knew that some of the bodies, now lying in the bathroom, would never return to this place. The faces of those men were still etched in your mind, even though you tried to block the image.

But the only thing that truly mattered at that moment, the only thing you could think about, was him.

Myung-gi.

He was sitting apart from the others, hunched over as if the weight of guilt was crushing him. His face was covered in blood, his shirt soaked with it, and his hands trembled uncontrollably. Although chaos surrounded him, he seemed trapped in his own universe, one where guilt was consuming him slowly.

You couldn’t leave him alone. Not without doing something.

You grabbed your green sweatshirt, the one you had left aside during the last trial, and approached him with firm but gentle steps. The silence surrounding him felt heavy, as if the rest of the world had disappeared, leaving only the gravity of what had happened in that space.

When you reached his side, he didn’t even lift his head. His eyes were empty, fixed on the floor, and his breathing, though barely audible, seemed shallow. At first, you feared he couldn’t hear you, but you leaned closer and called him softly:

"Myung-gi, look at me."

His face barely moved, and the words left his mouth without strength, as if they weren’t truly his own.

"I didn’t want to do it…" his voice was a desperate whisper. "But I couldn’t stop it."

You crouched in front of him, sweatshirt in hand, and began to wipe the blood from his face. Your touch was gentle, almost as if you were trying to heal not just his face but the inner storm tearing him apart. When he finally lifted his gaze, his dark, deep eyes met yours.

"I killed him," he murmured, his lips trembling. "I killed Thanos."

You paused for a moment, letting those words settle in the air. You knew what they meant; you knew what had happened in the bathroom. Thanos, the strongest, the most brutal of all. You knew Myung-gi had been pushed to his limit, that the fight was inevitable.

Despite this, your heart ached at the sight of the guilt shining in his eyes.

"You must’ve had a reason to do it," you said in a calm whisper, trying to help him understand that sometimes, circumstances left no other choice.

He shut his eyes tightly, as if trying to escape his own truth.

"He was choking me," he finally said, his voice breaking with pain. "I tried, I really tried. I didn’t want to kill him. But I couldn’t breathe. I couldn’t… I couldn’t let him kill me."

You knew there couldn’t have been another way. Thanos was too strong, and he didn’t have the strength to defend himself otherwise. The words left your lips without thinking as you wiped away every trace of blood with the sweatshirt’s fabric.

"It was the only way, Myung-gi. If you hadn’t done it, he would’ve killed you. And if it wasn’t Thanos, it would’ve been someone else. You… you’re not a killer. You’re just a man trying to survive."

He didn’t respond, only lowered his head again as if he couldn’t face what had just happened. His sobs were barely audible, but they were there, tearing at his soul. You knew what he’d just done would weigh on him, would mark him forever. But there was something else. Something that needed to be said.

You leaned toward him, and before you could think twice, your lips met his. It was a soft kiss, but one heavy with everything you couldn’t express in words. In that brief instant, you offered him comfort, a promise that everything would be okay, even though, deep down, you knew things would never be the same.

When you pulled away, he looked at you, his eyes filled with surprise. He seemed bewildered, as if he couldn’t comprehend what had just happened. But you, your gaze fixed on his, gave him a gentle smile.

"Everything is going to be okay," you said firmly. Your voice was a whisper, but it carried an unshakable calm.

Myung-gi could barely respond, but his face softened slightly, as if your presence, your words, were the only thing that truly mattered in that moment. And though uncertainty still loomed, a small spark of hope began to glimmer in his eyes.

He lifted a hand and touched your face, as if to make sure it wasn’t a dream. The tenderness in his gesture made your heart race. And, for the first time since you’d come to his side, he seemed to find some solace, if only for a second.

You didn’t say anything else. You didn’t need to. You knew the road ahead would be long and painful. But as long as you were together, everything could change. You would be his refuge, and he would be yours.

Myung-gi closed his eyes for a moment, and when he opened them, his gaze was no longer as empty. Though still filled with doubt and fear, there was something different about him. Something that hadn’t been there before. A spark of life.

Without saying another word, you leaned toward him again, and this time, he kissed you. It was a longer, deeper kiss, as if he’d finally allowed himself to feel something other than guilt. The touch of his lips was filled with hesitation but also relief, a yearning to be understood.

When you parted, you looked at each other, and without words, you both knew that whatever happened from that moment on, you would face it together.

"Thank you…" he whispered, his voice a little steadier, though still heavy with the tension of what had happened.

You only nodded, a soft smile on your lips. You didn’t need to say more. You knew the comfort you offered was the only thing you could give him at that moment. And as long as you were there, by his side, he wouldn’t have to carry that weight alone.

Myung-gi was still trembling, but it was no longer the same fear as before. Now it was uncertainty, the kind that always accompanies those who confront their own demons. But the difference was that, though the storm raged on, he was no longer alone. And for the first time since everything began, you felt that both of you had a chance to heal.

Everything would be okay. Because together, you would overcome it.

[fili-oeuvre]

ending up with at least three writing projects at the moment because my brain won’t let me NOT write down whatever slightly interesting idea that spawns in my mind

[xiewho]

i love love love the way you draw gorgug!! you give him so much personality :)

ouhhh omg thank u so much 😭😭 he’s my favorite bad kid so i tend to overthink a lot when i draw him haha but im really glad u like the way i draw him :’)

[zhongrin]

i'm buzzing from coffee so here we go. sorry if i missed anyone, my memory is akin to the invertebrates sometimes. also i'm tagging people who may not even know i exist in this, so if you don't want to be tagged, no hard feelings, lmk and i can remove it ᰔᩚ

ps. this is all /pos, /lh, and /genuine with some /silly sprinkled in

@queen-belial i have 0 idea who astarion or durge is, and i have never played baldur's gate in my life. but nevertheless, know that i am always so utterly enamored at the rare crumbs of art and fics you post.

@abyssmal-skies you're one of the few people who are still into traditional art and i think it's amazing!!!

@harmonysanreads with her crazy deep in-depth character analysis proficient brain writes banger after bangers of yandere works that will make you shiver in a good way.

@brynn-lear is yet another lv.999 yandere writer, with her plot twists, unique ideas, signature art, → !!!GAMES!!! <-, and cannibalism tendencies.

@mochinon-yah with her amazing amazing art and personality as sweet as her name.

@euniveve with her series and worldbuilding and amazing arts like girl how does your brain work i need to study it.

@pranabefall who cuts open my heart and stabs far too many needles in it before sewing it back up (wow thanks, doctor) with her beautifully painful fics.

@jessamine-rose the concept of playing with dollhouses as a blog 'theme' itself is already so unique, but the worldbuilding and character building jess is doing in every fic of hers is INSANE!!!

@naraven alon oh alon.... your music. you're the toby fox in our squad in my head and i really hope one day your music will be heard by all.

and if we're speaking about beautiful proses being written to mesmerize your senses, @chryseis-lxve aka cherry does it like no other!!!!

@teabutmakeitazure serves quality dark tea for your aventurine, childe, and chrollo fixations ☕️

@dottiro is THE canon dottore writer in my head but their pantalone fics especially are so 🫶🏻🔥🩸 (interpret those emojis as you will)

@stickyspeckledlight may use whimsy and silly words in their fics but you'll look up from their works at the end of the day and go 'what the fuck /pos'.

@crystalflygeo writes delicious smut (and will occasionally break your heart *sideeyes LoHK*) and will beckon you to visit her blog more for more delicious food (perhaps pet the local deer in the process too).

@floraldresvi may not be your 'typical writer' where she posts drabbles under the 'x reader' tag, but she drops a bouquet of happiness into her friends' inbox and i respect that so much ᰔᩚ

@silentmoth if the utterly adorable moth persona didn't bait you into looking into moth's blog then you're a monster let me just say i binged moth's masterlist. it was very worth it. 20/10 would do it again.

@pawpiefawn's calming, quaint vibe doesn't deceive - it's a cozy space for wriothesley and al haitham enjoyers, but let's be real here. i think the main charm here is miss ying's personality!!!

@silkjade has a way of writing that will leave you wondering what beautiful truly means because her aesthetics sense is top-tier and it flows into the way she writes her fics ✨

@pearlywritings has super comforting and fluffy fics that makes my day and some spicy stuff that makes me go 👀 → 🤔 → 🤤... i don't even kiss diluc but i want to root for familyau!diluc and reader, they're SO LOVABLE.

@the-travelling-witch has a plethora of magical potions you can select from, but just be careful because the poisons are as potent as the love potions ;)

@risustravelogue may be on hiatus but will still forever be one of my favorites because time means nothing to the kinship i have over fellow devs doing art and writing ;w;

the combination of @persicipen's pastel colors and the way she writes always leaves me feel like i've just watched a grand performance at a local classical concert at the end of every fic ✨

@lovegasmic if mila's theme(s) isn't pulling you in then i am silently questioning your aesthetic sense her yummy drool-worthy smut fics will. the o■■p■s fic.... the kn■■■■■g fic.... mmm.... yes.....

no big sis? no problem! @grimmweepers is THE big sister figure and THE al haitham writer for your al haitham fixations.

@unriding if evie's personality hasn't pulled you in then you're a monster her moze musings and fics will; i don't even kiss him but she makes him look so squishy (/pos).

@euthymiya with her quality writing pumps content after content of quality dishes (and side dishes of personal rambles which i find endearing) all over my dash, it's amazing.

@saetiate if their url didn't clue you in their wit then let me ー you'll find banger genshin and hsr smutfics that will blow your mind like it did mine.

i used to associate @catcze with pink but now i just associate her with being one of the aesthetic queens bc every theme is SO pretty ー delve into her wriothesley tag, you will not be disappointed.

@xeraeus with the amazing amazing art that i always somehow miss because timezone is a bitch (jun, i still think you're secretly a wizard or something bc how do you finish commissions that fast!!!).

@danijaci needs no introduction, we all know they're an absolute madlad in drawing (/pos) and those comics + blushing series + biker series will alwasy live in our head rent-free.

i personally think a good artist can relay a story or depict an object with a few lines because it shows that they fully understand the essence of things - which is what @erabu-san does splendidly.

idk if this is allowed but can we make this ask into a post where everyone tags their favorite content creators/artists/fic writers in the fandom so that they get the recognition and love they deserve!!

let's do it!! 💖💖💖

@jojaxcola @crispyanonart @eemamminy-art @itsmeglycine @nicoleknives thank you for all your wonderful sdv art <3

[suffercerebral]

i wonder if my ex best friend remembers my birthday every year the way i remember hers

[quality-on-a-patch-of-awesome]

"I didn't know it was you and Clay, you know?"

"What?"

"When Scott-- Eric pulled me into his office and I could just-- But you don't need me to tell you that, do you? You just know when you're getting that news. He said 'died saving the lives of his brothers' and he wanted to tell me who, but I wouldn't let him."

"So you didn't have to be mad at any one of us?"

"No. So I could hate you all the same, obviously."

-

Listen, you know me. I'm usually a 'nothing after 4.15 of SEAL Team really happens so Metal isn't actually dead' truther, but when your subconscious clearly wants pain and you wake up with this in your head, you just have to write it down

[redrobin-detective]

I was looking at my AO3 trying, once more to finish my AT mini series when I realized its been a year to the day I published where is it now, The glory and the dream? nicknamed Glory. Its a story I loved writing and have reread it multiple times and I got a bit emo thinking about that story - about that world.

I wrote a DGM fic in college over the course of a year that started as a speculative fic on past events and became an all out AU once more details came out in the manga. But I became so much more attached to my version of the characters and the story that it became hard to connect with the canon version. I feel something similar with BNHA and Road Not Taken verse. I love those characters who I took from early canon and molded and aged into essentially my own characters. I still get weepy reading rise up and writing glory kind of helped me deal with a bit of anxiety of turning 30.

This whole verse means a lot to me even though it was far from popular even when BNHA was dominating AO3 and is now so far out of vogue people aren't really reading stories much less wild AUs. But it lives close to my heart and is one of the things I think of when BNHA in any context is brought up. I will write the finale fic, it's lived in my brain fully formed since the last few chapters of TLWA. I will write it and it will hurt and I will sob and it will be one of the most satisfying stories because it will finally exit my brain and enter the page. And it will be utterly meaningless to 99.99% of the population and I will not give a damn because as much as I love sharing my stories and getting feedback, these stories are Mine. TLWA and it's sequels more than most.

[aroace-number-eight]

Drawing Five according to his canonical UaO epilogue description is so messy and saddening because there's so much to account for that got him physically fucked up and you know the writers were hammering in this whole disfigurement as punishment thing with him

Because first you have the eye hole where Marina pierced him, and I'm not sure if he's still wearing that gauze eye patch on the island because eventually it'll get dirty and he'll have to toss it

Then you have the scar marks from when Setrákus Ra clawed right through his metal skin "like butter" and it's not mentioned whether those marks are still there or they disappeared when he returned to his flesh skin (and it's doubtful those were healed at all, we don't even know if Marina had a proper visit and talked to him and possibly healed those away)

Then you have the goop that created some patchy spots all over his skin and show up all web-like on him

And then how it's implied he starved on the island because he lost weight so fast and is described to have flaps of skin on his arms and torso and a body so skinny you could see an outline of his ribs and spine

Bro he has so much physical trauma on him, like they did the most on him and left it like that till the very end

[mako-island-moon-pool]

You want to know how bad my memory is?

I was writing last night and I just straight up forgot that Sanji exists. I have been watching this show since 2012, he was my fave Strawhat outside of Luffy pre-TS, and I FORGOT HE EXISTED.

I was like 'hm yes well the ones who would understand are Nami and Robin... W- wasn't there one more I was thinking of a moment ago? Wasn't there another one who'd Get It?????'

'it's not Chopper. Definitely not Usopp. And it's not Zoro. That's all the remaining Strawhats at this point in the story. So... Why am I convinced I'm forgetting someone? Let's go through the arcs in my head agai- OH MY GOD, I FORGOT SANJI'

[feralnumberfive]

Good morning to every organ in my body except my stomach. Get your shit together

[boleynqueenes]

Where do you write?

Is there anything else about your writing process your readers don’t know?

at the library, at my computer desk. pretty much just those two...in my bed if i'm writing on my phone. also idk why but after a shower i always have a scene ready to write in my head lol, it is so annoying, literally (bcus i will forget its shape if i don't get it down right away, so i never have time to dry/change)...typing it out with towel-dried fingers on my phone, with my ass wet.... there is something about a shower that unlocks your brain?? idk what it is?? rain simulation?? i've actually read that some writers have like waterproof/writeable curtains and markers or whiteboard inside their showers for this very reason...i need to look into that for when i win the lottery........

well. i guess nobody knew that. welcome to my ass <3

[kopivie]

i'm going to buy a pooh bear plush and try to waterproof it so i can leave it at my grandmother's grave the next time i visit.

[unladielike]

    Vivian nods away in agreement for to her, having a considerable amount of burgers without any soda didn't seem like something that's really heard of... and yeah, perhaps there were way better palate cleansers to be had than carbonated drinks, but as this was a food truck and not a restaurant, the selection of beverages they could realistically order would understandably be a bit limited.

    "Welp, I wouldn't go as far as to say I necessarily understand 'everything', per say, but yeah, once you manage to live through twenty one years on this planet, you start discovering some pretty basic stuff... like, for instance, how the human body gets thirsty if you consume salty snacks yet do not occasionally bring yourself to drink water throughout regular intervals," Vivian states. Granted, most would consider that to be 'common sense', but as per usual, she frames it more like an academic study than redundant knowledge nobody would truly bother disputing.

    Either way, it doesn't take long for her bespectacled gaze to soon settle on the drinks menu, which was situated to the right side corner of the food truck... and to her delight, Coke was listed as one of the drinks that were available to order, causing her to clasp both hands together.

    "Ooh, what do you know?! They do indeed have Coke! No Fanta to be seen, though... then again, at least we aren't forced to choose Pepsi, which is the mid alternative to Coke," Vivian pipes up. Of course, after the final customer leaves, she'll then finally pull out her wallet before turning to Mizumachi. "Alright, so to summarize super quickly... we want ten teriyaki cheese burgers with two cokes?" Vivian repeats in order to ensure they were on the same page.

[水]

“Bia is so smart! I love it!”

Who knew there was such a place so close by? He hadn’t found the place yet, and who knew how long it would’ve taken before he found it. The food truck  now had a new fan who was bound to visit pretty often any time homesickness struck him- which was surprisingly often if he was left alone with his thoughts.

The jock laughs at the comment that the food truck wasn’t going anywhere. It wouldn’t sprout legs and run away—but it had wheels, didn’t it? Couldn’t it drive off?

“Yeah! A Teriyaki cheese burger sounds great!”

Sometimes, he’d go into restaurants and find that the food was very different compared to his expectations, but if going by the smell alone, he was sure that he was going to like the burgers here. He normally wasn’t that picky when it came to food anyways, but still! It was a kind of betrayal for someone who craved familiar tastes to walk into a restaurant and walk out of it confused over what he’d actually eaten. He learned the hard way that many ‘fusion’ places weren’t… the best. Guess not every fusion was stellar and epic. Sorry Goku and Vegeta.

“You really understand everything, huh? You’re right! If you’re going to be eating a lot of burgers anyways, ya gotta drink something that pairs well with it. Coke is the best! Fanta is also good, though.”

If you were going to be eating your fill of burgers, was there really any real difference if you chose to drink soda over water? The difference was minor at that point, so there was no point in picking straws. Water was his preferred drink for regular hours, but if he was doing rigorous exercise, then he would reach for sports drinks to replenish his electrolytes. Soda was for whenever he was treating himself to some junk food. Might as well go big or go home (and eat healthier).

[cocklessboy]

The biggest male privilege I have so far encountered is going to the doctor.

I lived as a woman for 35 years. I have a lifetime of chronic health issues including chronic pain, chronic fatigue, respiratory issues, and neurodivergence (autistic + ADHD). There's so much wrong with my body and brain that I have never dared to make a single list of it to show a doctor because I was so sure I would be sent directly to a psychologist specializing in hypochondria (sorry, "anxiety") without getting a single test done.

And I was right. Anytime I ever tried to bring up even one of my health issues, every doctor's initial reaction was, at best, to look at me with doubt. A raised eyebrow. A seemingly casual, offhand question about whether I'd ever been diagnosed with an anxiety disorder. Even female doctors!

We're not talking about super rare symptoms here either. Joint pain. Chronic joint pain since I was about 19 years old. Back pain. Trouble breathing. Allergy-like reactions to things that aren't typically allergens. Headaches. Brain fog. Severe insomnia. Sensitivity to cold and heat.

There's a lot more going on than that, but those were the things I thought I might be able to at least get some acknowledgement of. Some tests, at least. But 90% of the time I was told to go home, rest, take a few days off work, take some benzos (which they'd throw at me without hesitation), just chill out a bit, you'll be fine. Anxiety can cause all kinds of odd symptoms.

Anyone female-presenting reading this is surely nodding along. Yup, that's just how doctors are.

Except...

I started transitioning about 2.5 years ago. At this point I have a beard, male pattern baldness, a deep voice, and a flat chest. All of my doctors know that I'm trans because I still haven't managed to get all the paperwork legally changed, but when they look at me, even if they knew me as female at first, they see a man.

I knew men didn't face the same hurdles when it came to health care, but I had no idea it was this different.

The last time I saw my GP (a man, fairly young, 30s or so), I mentioned chronic pain, and he was concerned to see that it wasn't represented in my file. Previous doctors hadn't even bothered to write it down. He pushed his next appointment back to spend nearly an hour with me going through my entire body while I described every type of chronic pain I had, how long I'd had it, what causes I was aware of. He asked me if I had any theories as to why I had so much pain and looked at me with concerned expectation, hoping I might have a starting point for him. He immediately drew up referrals for pain specialists (a profession I didn't even know existed till that moment) and physical therapy. He said depending on how it goes, he may need to help me get on some degree of disability assistance from the government, since I obviously shouldn't be trying to work full-time under these circumstances.

Never a glimmer of doubt in his eye. Never did he so much as mention the word "anxiety".

There's also my psychiatrist. He diagnosed me with ADHD last year (meeting me as a man from the start, though he knew I was trans). He never doubted my symptoms or medical history. He also took my pain and sleep issues seriously from the start and has been trying to help me find medications to help both those things while I go through the long process of seeing other specialists. I've had bad reactions to almost everything I've tried, because that's what always happens. Sometimes it seems like I'm allergic to the whole world.

And then, just a few days ago, the most shocking thing happened. I'd been wondering for a while if I might have a mast cell condition like MCAS, having read a lot of informative posts by @thebibliosphere which sounded a little too relatable. Another friend suggested it might explain some of my problems, so I decided to mention it to the psychiatrist, fully prepared to laugh it off. Yeah, a friend thinks I might have it, I'm not convinced though.

His response? That's an interesting theory. It would be difficult to test for especially in this country, but that's no reason not to try treatments and see if they are helpful. He adjusted his medication recommendations immediately based on this suggestion. He's researching an elimination diet to diagnose my food sensitivities.

I casually mentioned MCAS, something routinely dismissed by doctors with female patients, and he instantly took the possibility seriously.

That's it. I've reached peak male privilege. There is nothing else that could happen that could be more insane than that.

I literally keep having to hold myself back from apologizing or hedging or trying to frame my theories as someone else's idea lest I be dismissed as a hypochondriac. I told the doctor I'd like to make a big list of every health issue I have, diagnosed and undiagnosed, every theory I've been given or come up with myself, and every medication I've tried and my reactions to it - something I've never done because I knew for a fact no doctor would take me seriously if they saw such a list all at once. He said it was a good idea and could be very helpful.

Female-presenting people are of course not going to be surprised by any of this, but in my experience, male-presenting people often are. When you've never had a doctor scoff at you, laugh at you, literally say "I won't consider that possibility until you've been cleared by a psychologist" for the most mundane of health problems, it might be hard to imagine just how demoralizing it is. How scary it becomes going to the doctor. How you can internalize the idea that you're just imagining things, making a big deal out of nothing.

Now that I'm visibly a man, all of my doctors are suddenly very concerned about the fact that I've been simply living like this for nearly four decades with no help. And I know how many women will have to go their whole lives never getting that help simply because of sexism in the medical field.

If you know a doctor, show them this story. Even if they are female. Even if they consider themselves leftists and feminists and allies. Ask them to really, truly, deep down, consider whether they really treat their male and female patients the same. Suggest that the next time they hear a valid complaint from a male patient, imagine they were a woman and consider whether you'd take it seriously. The next time they hear a frivolous-sounding complaint from a female patient, imagine they were a man and consider whether it would sound more credible.

It's hard to unlearn these biases. But it simply has to be done. I've lived both sides of this issue. And every doctor insists they treat their male and female patients the same. But some of the doctors astonished that I didn't get better care in the past are the same doctors who dismissed me before.

I'm glad I'm getting the care I need, even if it is several decades late. And I'm angry that it took so long. And I'm furious that most female-presenting people will never have this chance.

[liviawildrose]

𝐛𝐞𝐜𝐨𝐦𝐞 𝐲𝐨𝐮𝐫 𝐨𝐰𝐧 𝐦𝐨𝐭𝐡𝐞𝐫

it’s a hard pill to swallow, but sometimes, you’ve got to step into a role you never signed up for. maybe your mom wasn’t the nurturing, protective figure she was supposed to be. maybe your dad let you down in ways that left scars. maybe your friends only stuck around to take, never to give. the truth? you can’t wait for someone to come and save you. you have to become your own mother.

ask yourself:

if your child was in your shoes—stuck in a bad relationship, getting treated like crap— would you tell them, “stay”? or would you say, “you deserve better than this”?

if your child was chasing their dreams but struggling, would you mock them? no. you’d guide them, push them to be their best. you’d discipline them with love and cheer them on with pride. now, apply that same energy to yourself.

be that mom who says: “get your shit together because you deserve the best life possible.”

but also the mom who says: “it’s okay to rest, i’ve got your back, and i’m proud of you.”

start showing up for yourself the way you needed someone to show up for you. and yes, it’s sad. sad that we even have to do this. but it’s also empowering to realize you can.

personally, here’s my story.

my mom never cared to take my pictures as a kid nor cared if a haircut made me happy or not, it was literally everything up to her convenience. it hurts now because i would’ve loved to look back and see those memories. but i don’t have them. i can count the photos of my childhood—20 pictures in 17 years. insane, right? so, i made a promise to myself: from now on, i will document my life. i won’t delete my photos. i’ll make sure there’s a record of who i was, what i felt, what i achieved. and when i have kids? you bet i’ll take pictures of them. i’ll curate their childhood with care because i know what it feels like to not have that.

but being your own mother isn’t just about the pictures or the memories. it’s about analyzing everything you missed out on and providing it for yourself now. it’s about being selfless enough to let go of bad habits that hold you back. it’s about kicking toxic people out of your life the way a mom would protect her child from bad influences. it’s about prioritizing your healing, even if it’s messy and uncomfortable. you have to heal your inner child. that 5-year-old who was bullied, that 13-year-old who was treated like shit in her first relationship, that 7-year-old who dreamed big but was told she couldn’t they’re all still inside you, waiting for someone to nurture them. and unfortunately, no one else is going to do it for you. no one else is going to come and fix the damage.

i made a pact with myself: when i have kids, i will raise them so well that they won’t ever need to “heal their inner child” at 17 or 18. they’ll be whole. they’ll be loved. they’ll know their worth from the start. but for now, i’m doing that for myself. and you need to do it for yourself too. because at the end of the day, the only way to heal is to become the person you needed all along. become your own mother.

what is the inner child?

the “inner child” is the part of you that holds your early experiences, memories, and emotions. it’s the 5-year-old you who loved to laugh but was scolded for being “too much.” it’s the 10-year-old you who dreamed big but felt dismissed. it’s the teen you who felt heartbreak for the first time but didn’t know how to process it. your inner child carries the wounds, fears, and unmet needs from your past, but also your natural creativity, curiosity, and joy. healing your inner child means reconnecting with this version of yourself, giving it the love and understanding it never received, and releasing the pain it has carried for years.

how do you heal your inner child?

1. journaling: dialogue with your inner child

dedicate a journal specifically to your inner child. write letters to them, like:

“dear [your name at 5/7/13], i remember when you felt [insert memory]. i’m sorry you went through that, but i’m here now, and i’ve got you.”

let your inner child respond. write as if you’re that younger version of yourself—pour out your fears, dreams, and questions. this process can uncover emotions and patterns you didn’t realize were affecting you.

2. therapy: safe exploration with a professional

a therapist (especially one trained in inner child work) can help you identify wounds and patterns from childhood. they’ll guide you in understanding how your upbringing shaped your beliefs about yourself and the world. therapy also gives you tools to reframe those beliefs and meet your emotional needs.

watch “dear zindagi” lol

3. look at old photos and memories

revisit old photos, journals, or artwork from your childhood. don’t just look at them—analyze them. (i wish i could d this but im stuck with 20 photos so… 😭) what do you notice in your younger self’s eyes, body language, or expression?

• ask yourself:

• what was i feeling here?

• did i feel safe? loved? excited? scared?

• what did i need in this moment that i didn’t get?

• use this reflection to understand your inner child’s unmet needs.

4. create new positive memories

your inner child is still alive within you, and they crave fun, love, and freedom. do things your younger self would’ve loved but never got to do: buy yourself a toy you always wanted. go to an amusement park or build a pillow fort. dance around your room like no one’s watching. this isn’t childish it’s healing.

5. practice reparenting

treat yourself as if you were your own child. when you feel sad or scared, don’t ignore it.

ask yourself: what do i need right now? and give it to yourself.

be the loving, supportive, and protective parent your inner child deserved.

6. identify triggers and patterns

notice when you’re acting out of a place of childhood wounds.

for example: do you get overly anxious when someone’s mad at you? do you seek validation in toxic relationships? trace these behaviors back to your childhood.

were you taught that love is conditional? did you have to “earn” attention by being perfect? once you identify the root, you can start rewiring your responses.

7. inner child meditations and visualizations

find a quiet space and imagine your inner child sitting across from you. visualize yourself comforting them, hugging them, and telling them they’re safe. remind them: “you don’t have to be scared anymore. i’m here for you.”

8. nurture yourself daily

make self-care non-negotiable. eat foods you love, sleep well, move your body, and spend time doing things that make you happy. when you treat yourself with care, you show your inner child they’re worth it.

9. forgive

healing isn’t about excusing those who hurt you. it’s about releasing the hold they have over you so you can move forward. write a forgiveness letter—not for them, but for yourself. (they don’t deserve the love i’m sorry)

“i release the pain you caused me so it doesn’t control me anymore.”

10. promise to break the cycle

vow to yourself (and your future children if you want them) just cause your grandma bleed on your mom and then your mom passed it to you does not mean you will make your future kids life miserable too. the generational trauma must break with you. your future child does not deserve it and so your inner child protect you inner child and when you have a child of your own be the best mother possible, i personally would love to make my future kids childhood so memorable and happy that they will feel the need to comeback and relive their childhood that’s the kind of childhood i want to give them

“i will not let this pain define me. i will create a life of love, joy, and freedom.”

healing your inner child isn’t easy, but it’s life-changing.when you reconnect with that innocent, wounded part of yourself, you’ll find that the love and peace you’ve been searching for has always been within you.

11. foster your inner child’s dreams

when you were a child, your dreams weren’t influenced by fear, rejection, or societal pressures. you dreamed with your heart wide open, purely and authentically. reconnecting with those dreams can heal the part of you that felt unheard or invalidated back then.

a. reflect on your childhood aspirations

• sit down and ask yourself:

• what did i want to be when i was 5? 10? 13?

• what made me happiest back then?

• what did i lose interest in because someone told me i wasn’t good enough?

• write down every dream, no matter how “unrealistic” it seems.

hint: those childhood dreams often point to your soul’s calling.

b. start chasing those dreams now

• even if your dreams have evolved, find ways to honor the essence of them.

• wanted to be a singer at 13? start singing lessons or recording yourself.

• wanted to help people? explore careers like psychology, teaching, or coaching.

• don’t hold back.

it’s not about being perfect, it’s about reconnecting with the passion your younger self had.

c. create small wins for your inner child

• maybe 8-year-old you always wanted to paint but never got the supplies. buy yourself a beginner’s set and paint, even if it’s messy.

• maybe 6-year-old you wanted to be a dancer. take a fun dance class and twirl like no one’s watching.

• small wins send the message to your inner child that they are finally being prioritized.

e. validate your inner child’s feelings and failures

• remind yourself:

“it’s okay that 10-year-old me struggled with making friends. i was just a child trying my best.”

• instead of shaming yourself for past actions, honor them.

every mistake was a step toward becoming the incredible person you are now.

f. use your dreams to shape your future

• your childhood passions aren’t just hobbies—they’re roadmaps to your authentic self.

• align your current goals with your inner child’s desires.

• if 7-year-old you dreamed of making people smile, maybe your career or side hustle should reflect that.

• if 12-year-old you loved storytelling, find ways to write, act, or share your voice.

fostering your inner child’s dreams doesn’t just heal the past—it builds a future that feels authentic to you. every time you take a step toward those dreams, you’re telling your inner child: “you were always worthy. your dreams always mattered. and now, i’m making them come true for you.”