#write what you know!! lol

[seecarrun]

‘Dude, are you in SD? I have a gig at the laugh factory tonight’

Eddie looks around, like he may see Richie sitting at one of the tables stuffed into the San Diego Hyatt Grand Hall room, chowing down in a plate of cheap, stale conference bagels along with all the other corporate stiffs in attendance, but obviously he doesn’t, so he types back a quick reply.

‘Yeah. Here for a conference.’ He pauses, then adds, ‘How tf did you know I’m here??’

After making sure no one is looking at him, he also tacks along a selfie of him looking bored out of his mind and eating a shitty mini muffin, surrounded by equally bored looking fellow middle aged white dudes in suits.

Richie immediately laughs at the picture and replies, ‘Me n Bev added Find my Friends on all your phones last Christmas lol. Wtf do you even do at a risk analysts conference?? 🤣🤣🤣’

Eddie bites back a smirk and takes another selfie, this time holding up his badge so the Speaker flair ribbon is in the frame. ‘Present a shitty fucking Google Slides presentation on how cyber insurance shapes incident response, motherfucker. 😎’

‘Omg’ Richie responds immediately. ‘When do you present? I need to be there. I’ll bring an air horn and pom poms”

‘Don’t you DARE, you dickhead!’ he texts back. But then also adds, ‘…1:30. Second level, corridor II, room H.’

It ends up being the most ridiculous but hilarious and fun presentation of Eddie’s life.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[cracklewink]

Harmony Syndrome Part 5/5

The last chapter of my mlp infection AU! Thank you to everyone who followed along. Some final thoughts on my twitter @cracklewink if anyone's interested : )

[astralleywright]

spent like an hour trying to find a post abt the disparity of origin companion's content in bg3 and couldn't so, hey, this fucking sucks

[soosoosoup]

Chord Striker Au by @thatbennybee

[magic-owl]

I don’t believe in gatekeeping at all but if you flat out admit to me that you’ve consumed little to ZERO of the canon media and have gotten all of your information based off of reading fluffy fic with woobified characters, I will not be taking ANY of your fandom opinions or meta seriously

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[anna-scribbles]

chapter cards for thirteen: november - april

read on ao3

[sensitiveheartless]

Written followup to the horrors comic! It got away from me lol. Most of it's under the cut, cause this part is also a bit long.

~*~

Minutes passed by on the quiet moonlit dock.

Despite the renewed serenity of the night, Chuuya’s heart continued to race sickeningly fast. It hammered away in his chest, as if unable to fully grasp that the danger had passed.

His clothes were heavy and waterlogged, so cold against his skin that he could barely keep from shivering. Icy trickles ran down the back of his neck and dripped from his hair.

Closing his eyes didn’t help. There were far too many twisted corpses engraved in the darkness whenever he blinked. So he kept his eyes open, staring at the planks beneath them as he tried to steady his breathing.

Don’t think about it, Chuuya told himself. Don’t think about them.

Instead, he forced himself to remain in the present moment. Beneath the planks, he could hear the swell of the ocean waters, each wave lapping at the posts in a quiet rhythm. Salt filled his lungs with every breath, the heavy tang of the sea-soaked wood wafting around him.

And against his chest was Dazai’s head, a steady and grounding pressure. His ear rested over Chuuya’s heart, his arms still tight around him.

In that position, Dazai must have been able to hear how hard Chuuya’s heart was pounding—but surprisingly, he didn’t remark upon it. He remained utterly silent.

In return, Chuuya didn’t say a word about the almost crushing strength of Dazai’s arms where they wrapped around his middle. Dazai’s fingers were digging into his ribs, twin rows of sharp pressure, and Chuuya could feel them shaking.

Dazai’s hair was coarse where Chuuya’s cheek rested against it. Back in the day, before Dazai’s defection, he never bothered with conditioner. It seemed some things never changed, even in the light.

For one wild moment, Chuuya wished that he wasn’t wearing a pair of gloves—then he could bury his bare fingers in Dazai’s hair and see if it was as tangled as it looked. And, perhaps, warm himself up. Dazai was like a radiator against him, heat seeping through Chuuya’s drenched layers of clothes at every point of contact, but his gloves remained cold, the sodden leather chilling him to the bone. His joints ached as he uncurled his fingers from around Dazai’s shoulders.

Perhaps it would be worth it to just…indulge for a moment, if only to have something else to needle Dazai about. Really, the man needed to learn how to groom himself properly one of these days.

As Chuuya’s hand hovered indecisively over Dazai’s head, however, he realized that his heart rate had already evened out. While he was reminiscing about Dazai’s damn mess of hair, of all things.

Ridiculous. But that meant that there was absolutely no excuse for the two of them to remain wrapped around each other any longer. Dazai’s shivering seemed to have calmed as well.

“We should—” Chuuya’s voice cracked when he tried to speak, so he paused and cleared his throat before going on. “We should make sure it’s really gone. I don’t want that thing getting the jump on me again.��

Dazai tensed, and his grip tightened so much that for a moment Chuuya could scarcely breathe.

“Oi. C’mon, you need to let me up,” Chuuya wheezed, swatting at Dazai’s shoulder. He strained his neck to look down at the head buried against his chest, a pang of something that was surely exasperation tightening his throat. “I need to be able to reach it, Dazai.”

Dazai remained still for another long moment, then abruptly loosened his grip. Instead of letting Chuuya up, however, he pushed him down to sit on the damp planks, and rose to his feet himself.

“I’ll go,” Dazai said quietly, and strode past Chuuya towards the small, oval mirror where it lay shattered on the dock.

Right. It did make sense to have Dazai touch it first, in case it was an ability that could be nullified.

…But what if it’s not? What if it’s something like Lovecraft? Dazai will be defenseless, Chuuya thought, and instinctively started to his feet as well.

“Stay back,” Dazai said sharply, without even turning to look. He was standing over the mirror, staring down at it. “Don’t move forward until I say so.”

Chuuya scowled, but remained in place. He watched as Dazai bent down and extended a careful hand towards the shards of glass.

One tap, with the tip of a finger. Then another, less cautious tap against the side of the wooden frame. Then another, and another, Dazai’s touches moving systematically across every inch of shattered glass and broken wood.

Nothing happened.

Dazai breathed out, and stepped back. “There. You are now welcome to crush it into dust,” he said lightly, waving Chuuya forward.

His head was still downturned, his eyes cast in the shadow of his bangs as Chuuya walked past him to do the deed.

It was with deep pleasure that Chuuya pressed each little bit of the mirror into nothingness, grinding it down with the overwhelming weight of gravity.

After it was done, Chuuya scattered the dust into the ocean waters below. “What the fuck was that thing, anyway?” he asked, turning back to face the other.

When he turned, however, he found Dazai had moved to sit on the edge of the dock, his legs dangling off the edge.

His back was facing Chuuya. It seemed deliberate.

At first, Dazai didn’t respond to Chuuya’s question. The silence stretched long enough that Chuuya began to shiver again, the cold wind cutting through his damp clothes.

“…A Face Like Glass,” Dazai said at last. “That’s what the ability was called.”

“So it was a gifted,” Chuuya muttered. He walked to Dazai’s side, and dropped down beside him with a heavy sigh. “That mean the user is still out there somewhere?”

“No,” Dazai said softly. “She died some time ago, I’m afraid.”

Chuuya looked at him sharply. “What?”

There wasn’t much light by which to see, but Chuuya knew Dazai’s face like the back of his own hand. Better, probably. And he could tell that the detective’s features had gone unnaturally still.

It was how Dazai looked whenever he was unsure of how much he should give away. Typically his poker faces were more natural, but when he was strongly conflicted, he would simply go blank.

“Explain,” Chuuya said, crossing his arms. “That thing almost killed me, I think I ought to know what it was.”

That got a reaction. Dazai’s lips twitched downward and he looked away, hiding his face from Chuuya once again.

After another lingering pause, however, he finally began to talk.

“A Face Like Glass was the ability of a woman named Hardinge,” Dazai said, as blandly as if he were reciting a history lesson. “She could reflect the darkest thoughts of anyone who looked into that mirror of hers, and give those thoughts physical form. Quite literally a nightmare to deal with, as one can imagine. She was the terror of England. However, after she rose to prominence, the mirror began to behave a bit oddly.

“The more renowned Hardinge became, the more people began to fear her ability. She kept the exact details of the mirror shrouded in mystery, so her enemies were always speculating what horrors it might do to them next.

“Naturally, over time, their darkest thoughts became consumed with fear of the mirror itself. And when Hardinge reflected those thoughts, manifesting them into reality…well. You can imagine what happened.”

Chuuya’s hands formed fists in his lap, so tight the leather of his gloves creaked. His fingers were somehow even colder than before. “A runaway effect,” he said. Despite his best efforts, his voice came out rough. “A singularity.”

“Quite,” Dazai said. “The heights of human imagination should never be underestimated. The more powerful anyone imagined the mirror was, the more powerful it became. When their fears manifested, their imaginations ran ever more wild with terrifying possibilities. Which it would also reflect. And so on, and so on. The only one who could control it was Hardinge herself, stopping the runaway cycle by covering the mirror. She acted as a control for the ability for many years, preventing it from going too far.

“But one day, one of her enemies had the dubiously clever idea to turn the mirror back on Hardinge herself. Which, ordinarily, would have been a mere scare tactic. I’m sure their only intent was to make her hesitate to use the mirror by making her own fears manifest.

“However, that is not what happened. Keep in mind, Hardinge had been watching this ability of hers grow with each battle she fought, gaining strength after strength, only barely containing it with her efforts. Sometimes it must have seemed so powerful that it nearly eclipsed her own self.

“Anyone would be frightened of that. It can’t be surprising that her darkest thoughts contained the fear that her mirror would one day consume her.”

Silence stretched, frigid and fragile as ice.

“…So her own ability ate her,” Chuuya said flatly.

“Yes,” Dazai said. “And without anyone left to contain it, the mirror was unleashed.”

Chuuya rubbed wearily at his temples. “Okay. Then how did it get here? To Yokohama?”

“From what I hear, Hardinge was not popular with the Order of the Clock Tower,” Dazai said. “She had gone into hiding here when her ability overtook her. The Special Operations Division then sent out operatives to contain it.”

Chuuya raised his head. “Oh. They’re involved? Wait, does that mean…was that ex-drinking buddy of yours the one who told you all this?”

Dazai nodded, and Chuuya could faintly make out a crooked smile on his lips in the darkness. “Ango called to warn me of its escape. They had done everything they could to keep it locked away so it could be studied, but all it took was one researcher fearing that the creature had the ability to get out of its cell, and it immediately had that power,” he said, leaning back on his bandaged palms. He gave Chuuya a sidelong look, heavy with significance. “Then, of course, while Ango was briefing me on A Face Like Glass, I also got word that a certain tiny mafioso had gone out to fight an unknown monster that was terrorizing the shipyards.”

Chuuya met his stare with a raised eyebrow. “Yeah, so?” he said. “It was scaring my subordinates. Someone had to do something.”

Dazai’s gaze darkened further. “Chuuya, you went alone,” he said. “You tried to face it all by yourself, without even knowing what it was. You could have —” He broke off, and looked away once more. His nails were digging into the wood of the dock, his shoulders stiff. 

Hiding again, Chuuya thought.

For a moment, Chuuya considered pointing out that there wasn’t anyone for him to call for help. Very few of the other mafia members could stand up to an otherworldly threat—and even those who could, like Akutagawa, were not anyone who Chuuya would want exposed to a fear-monster. Everyone in the mafia had far too much darkness to reflect.

Besides, Dazai had no room to scold Chuuya when he was the one who had left him without a partner in the first place.

But even as Chuuya contemplated speaking those cutting words aloud, he found himself unable to.

Because even though Chuuya hadn’t called, Dazai had come anyway.

And, if the reflections of that ability could be believed, one of Dazai’s darkest thoughts was losing Chuuya to Corruption. Right alongside Dazai’s fear of his own past self, and his fear of disappointing his old friend. That…changed some things.

Chuuya sighed, releasing a long-held weight. Then he prodded Dazai’s shoulder with a cold, gloved fingertip. “Hey,” he said. “Look at me.”

Dazai’s shoulders hitched higher, but he didn’t turn.

“What’s your deal?” Chuuya demanded, poking him again. “You don’t have to hide from me, idiot. What, you think I’m gonna make fun of you for having emotions?”

That, apparently, surprised Dazai enough to glance back at Chuuya, his brow furrowed.

“Because I won’t,” Chuuya said. “Not about this. I mean…look, before you showed up, that mirror motherfucker had already reflected a lot of people at me. The Flags, the Sheep, Murase, even N. That’s how it got close enough to me to grab me and drag me under in the first place. So if you’re embarrassed of breaking down or some shit, you shouldn’t be. I did too.”

“It’s not that,” Dazai muttered, his eyes darting away across the dark ocean waters once again.

“Then what?” Chuuya prompted impatiently, leaning closer.

“I froze,” Dazai said, his lips twisting in disgust. “Under the slightest amount of pressure, I broke. You could have died, just because I couldn’t bring myself to fire at a poor imitation of my friend.”

Chuuya blinked. “What’s wrong with that? I broke too. And you were there to pull me out of the water. I saved you, and you saved me. That’s what partners are for, right?”

That finally got Dazai to face him, whipping around so quickly it must have hurt his neck. His eyes were wide, his lips parted in surprise.

Chuuya knew why. It had been years since he had called Dazai his partner.

All too aware that his cheeks were beginning to heat, Chuuya reached out to pull the infuriating man into his arms, tucking Dazai’s head against his shoulder. “Not a word,” he growled, squeezing Dazai tightly in warning. “Make fun of me for this and I’m kicking you into the ocean.”

Dazai let out a choked noise, and suddenly he was clinging to Chuuya just as tight, his fingers practically clawing into his back.

He was shaking again. Or maybe they both were.

“It—it had been so long since I heard his voice,” Dazai cried against Chuuya’s neck, muffled and damp on his skin. “I don’t want that to be how I remember him, I don’t, I hate it…”

Chuuya closed his eyes and saw Albatross laying on the ground in pieces, staring up at him in betrayal. He let out a slow, careful breath, and held Dazai closer.

“Yeah,” he murmured. “I know. I get it.”

Dazai was still so warm. And Chuuya’s hands were still so terribly cold.

Making a reckless decision, Chuuya pulled off his soaked gloves and tossed them aside, then sunk his fingers into Dazai’s mess of curls without hesitation. He felt more than heard the sharp inhale against his neck, and the quiet questioning hum that followed. Chuuya ignored it and continued to card his fingers through Dazai’s hair.

“…Chuuya?” Dazai breathed.

Chuuya tugged absently at a knot. “Tangled,” he grunted. “It was bothering me.”

“Mm,” Dazai hummed, and his hands slid up the back of Chuuya’s jacket. “Chuuya’s cold.”

“No shit,” Chuuya said grumpily. “I fell in the fucking ocean, and it’s freezing out here.”

There was a soft laugh, then a strange sensation ghosted across the side of Chuuya’s neck just above his choker, almost like a pair of lips had pressed there. Chuuya’s hands tightened in Dazai’s hair, stiffening in surprise. He could only wonder if he had imagined it, unable to comprehend any other possibility.

He certainly didn’t imagine what Dazai said next, however.

“Come home with me,” Dazai whispered, his lips brushing against Chuuya’s skin once again.

Chuuya made a very strange noise, somewhere between a shriek and a gasp, and used his grip on Dazai’s hair to haul him away just enough for their eyes to meet. “The fuck?” he spluttered, face burning. “What do you mean, where did that — hah?”

Dazai’s eyes were rimmed in red, dulled with weariness. One of his hands wandered up to Chuuya’s cheek and rested there, circling the blush with his thumb. “I don’t want you out of my sight right now,” he said quietly. “That’s all.”

Ah. Right. The reflection of Corruption.

Well. Chuuya couldn’t really deny that he wasn’t looking forward to a night spent alone in his own apartment. He might not dream, but that didn’t matter if he couldn’t even get to sleep. Having someone beside him might help.

And beyond all that—this was the first time that Dazai had ever asked Chuuya to stay with him.

So, dazed and still a little flushed, Chuuya abandoned all common sense and replied, “Okay.”

Dazai captured one of Chuuya’s hands between his own, and brought it to his lips to brush a kiss across his knuckles. “Good,” he murmured, and pulled Chuuya to his feet. A slight smile flitted across his features. “I think I spotted Chuuya’s dreadful hat further towards the shore. Shall we find it first?”

Chuuya’s knuckles were still tingling. “Okay,” he repeated, strangled and utterly bewildered. His thoughts were chasing themselves in circles like a pack of confused terriers, but he allowed Dazai to tow him away towards the lights of the city.

And if Chuuya’s fingers ended up intertwined with Dazai’s as they traversed the shadows…well.

The streets were too dark for anyone to prove it.

“…Wait, is there even room at your place? You’re still living in that shitty dorm, aren’t you?”

A familiar grin and a pair of twinkling eyes turned back to him as they passed through a dimly lit alley. “Hmm? Chuuya has been tracking where I live? How sentimental of you, slug.”

At least he’s getting back to normal, Chuuya thought. “Oh, shut up,” he grumbled aloud. “Of course I’d keep an eye on your annoying ass.”

A scandalized, yet delighted gasp. “Chuuya likes looking at my ass?”

“…?! Shut up! That is not what I said—!”

[wandaverse]

playing with fire.

— buff firefighter!wanda x college student!reader

— summary: the 5 times you meet and the 1 time wanda lights a different kind of fire

— tags: pure fluff, major horniness, implied smut

— word count: 1,252 words

1. the first time you meet is late at night when there’s a fire in your dorm.

someone down the hall sets fire to their microwave trying to heat up a burrito. deeply asleep with fatigue from the week’s intense assessments, you don’t hear the screeching alarms.

without hesitation, a chilvarous wanda arrives at the scene and kicks down your door, carrying you out bridal style. wanda’s not complaining, not with the way you sleepily nuzzle into the safety of her neck.

through your sleepy haze you wonder who the buff woman carrying you out the building is, she smells like smoked cedar with faint hints of sea salt. you decide that you like this scent and the warmth that accompanies it.

2. you next meet at a sorority party gone wrong.

your friends get the stupid idea of trying fire breathing. the only thing you end up breathing though is clouds of smoke when your sorority house almost burns down. wanda arrives in the nick of time in her blaring red truck and douses the flames.

something else ignites within you though when you meet her properly for the first time, awake and certainly alert. you take in the sight of her breathless figure after rushing to fight the flames. so this is who saved you that night in your dorm… oh.

wanda is not particularly amused at you and your friends’ irresponsible antics. you shrink under the weight of her disapproving gaze, but also can’t help but cheekily grin. wanda can’t stay upset, she has to admit you look cute with ash all over your face.

3. your paths cross again when you notice a kitten stuck in a tree while studying on your campus’ lawn.

after many futile rescue attempts, you call emergency services and once again your knight in shining armour (or rather, reflective PPE) arrives. she gallantly climbs her ladder and saves the kitten. you don’t deny enjoying the view of her sunkissed skin when she takes off her jacket to swaddle the kitten.

afterwards, wanting to prolong the encounter, wanda asks if you want to ride with her in her fire truck to drop the kitten off at the nearest vet. you excitedly accept her offer and enjoy the trip around the city. wanda secretly steals fond glances at you, looking adorable with the kitten in your lap.

4. the next time you meet is not in the face of life threatening danger, but rather danger to your self-composure.

on a regular trip to the supermarket, you pass the row of calendars and your eyes land on a familiar face on the annual westview firefighters calendar sold for charity. you can’t ignore the curiosity that compels you to take a sneaky peak at its contents.

your cheeks instantly burn red when you turn to february’s page and find your favourite firefighter scantily clad and leaving little to the imagination. standing in a shallow pool of water with flames raging around her, wanda poses with an axe slung across her shoulders, wearing only a black training bra and her firefighter pants. her buff arms and unsurprisingly toned abs are on show as she stares directly at you the camera. you fight the urge to bite your lip at her flexed muscles, her sunkissed skin, the shine of her sweat mixing with ash. you’ve never felt so taken before, you forget your bearings for a second.

that is, until you hear a familiar voice call out your name.

your ears register her presence before your eyes and you quickly shut the calendar, throwing it back on the shelf as if its touch has burned you. you ready to make an excuse until you finally look up and find the firefighter just as scantily clad as, if not more than, her outfit in the calendar’s photoshoot.

wanda approaches you, seemingly in her post-workout fit and you have to stop yourself from drooling at the sight of her sweaty and taut arms and abs, only this time in real life. god, the photo doesn���t even do her justice. wanda calls out your name again with a husky laugh and your blush profusely, realising you’ve been caught ogling her not once but twice.

5. you meet once again when you move out to an apartment near campus and decide to cook dinner for yourself.

you quickly realise that you actually have no idea how to cook when your entire kitchen ends up in flames. wanda arrives just in time and puts out the grease fire. for a second, you can’t help but question fate. it’s as if there’s only one firefighter in all of westview with the way wanda always finds her way back to you. you’re not complaining though.

she turns to you and scolds you for your carelessness, but not before checking that you’re okay and not hurt by the wild fire. your heart secretly skips a beat at the continued display of care. ever the prince charming, isn’t she?

before she leaves for the next emergency, though, she asks you out for dinner instead. unsurprisingly, you say yes.

+1. the evening of your first date arrives.

you’re lounging on the couch in your apartment watching a sitcom when you hear a knock on your window. wanda has climbed up the fire escape and asks to be let in like a lost kitten. you lift open the window with a laugh and she tells you that she’s set up a picnic under the stars on the rooftop. she escorts you back out the window and up the fire escape. you giggle adoringly at her antics.

the evening goes well as you two happily find that the spark between you wasn’t imagined and isn’t going to fizzle out anytime soon. conversation flows naturally and you enjoy the food wanda has cooked for you. she jokes that at least one of you can cook, which earns her a playful slap. but when you reach over to do so, you accidentally knock over a candle and almost burn the entire picnic blanket. the fire is quickly avoided though thanks to wanda’s quick reflexes. she gives you a humuored tsk, but you secretly revel in her display of protection.

the evening comes to an end as the city around you calms down and the stars settle in for the night. wanda escorts you down the fire escape once again and the butterflies in your stomach continue to take flight. when you reach your window, you turn to wanda and thank her for the evening, for thinking of such a lovely idea and packing such a delightful picnic. when you place a goodbye kiss on her lips though and she takes you in her arms, you quickly realise that that’s not the only thing she’s packed.

wanda pulls back and blushes sheepishly at your realisation, but it’s enough to set you off. all night you’ve been teased with the sight of her shirt lifting and showing the slightest glimpse of her abs, the tight fit of her t-shirt’s sleeve around her arms, the simple yet alluringly attractive way she runs her fingers through her hair. she’s been teasing you all night and you decide that you’ve had enough. you quickly engulf her in kisses and pull her boldly through your window.

your night rages on and as the flaming sun begins to rise, wanda pleasantly learns that there’s one particular fire that she just can’t put out.

the end.

[super-nova5045]

sylvia plath, todd anderson and virginia woolf (aka ACTUAL tortured poets) watching taylor “im breaking up with my boyfriend for his intense depression and blaming it on him, im dating a racist who enjoys watching woc being brutalized and harasses young woc artists, i sent my fans out on a hate train to attack a young woc actress for a line she had to say as part of her job to show how mentally ill her character was, im dating a maga supporter, i refuse to say anything about a current genocide despite being the most influential person in the world right now, i am a billionaire, i fly 13 minute flights and have the highest carbon emission of any celebrity, i am a known white feminist who only speaks about issues when it affects me and has constantly let my fans get away with extreme racism and even encouraged it by associating myself with known racists” swift call herself a tortured poet (her writing sounds like a bunch of thesaurus words slapped over gabba hanna and rupi kaur-esque poetry that was created purely as a trinket for an edgy pinterest board)

[hotshotsxyz]

beer & apologies

(buddie) (722 words) (7x04 coda)

It’s late, later than any reasonable person would show up on a friend’s doorstep, but Buck’s got this bright, warm feeling in his chest and all he wants to do is apologize so he can share it. For a split second he thinks about knocking, but that feels a little too much like going backwards. Instead, he lets himself in and hangs his key on the hook.

“Eddie,” he calls quietly into the still house.

“Kitchen.” The reply is soft, easy, like Eddie was expecting him.

Buck steps into the room and holds up the beer he brought.

Eddie looks up at him and grins, soft and warm in the glow of the lamplight. “What’s that for?”

“This is ‘sorry for acting like a teenager and spraining your ankle’ beer,” Buck says, scrubbing a hand through his hair. “Seriously, I’m sorry.”

Eddie sighs and pushes an empty chair back from the table with his foot, gesturing for Buck to sit. “I’m sorry too,” he says.

“No, no, you don’t—" Buck starts.

“Yeah, I do,” Eddie interrupts with a wry grin. “You should definitely be sorry-er, though, so I’ll take the beer.”

Buck snorts and sits, setting the six pack on the table between them.

“We didn’t—well, I didn’t…”

“I know,” Buck says. “I was just—”

“I know,” Eddie says softly.

A few, quiet moments pass, and it’s comfortable, exactly what Buck was missing the last couple of days.

“Hey,” Eddie says suddenly, sitting up a little straighter, “at least now I know why you always said no to basketball.” He smiles, loose and just a tiny bit mischievous.

Buck splutters. “What? No! I wasn’t that bad,” he protests.

Eddie lifts his injured ankle and raises an eyebrow.

“Okay, well maybe, but—”

“Uh-uh,” Eddie says, “no buts. You haven many talents, Buck, but basketball isn’t one of them.”

Buck ducks his head and grins. “Maybe I’ll get Tommy to teach me, then I can beat you without playing dirty.” Saying Tommy’s name out loud gives birth to a few giddy butterflies in his stomach.

“You two make up?” Eddie asks.

“Yeah,” Buck says. “He uh—texted me.” The butterflies turn to little rocks.

“Good,” Eddie says, “that’s good.” He grabs a beer and twists the top off. “I really think you guys will get along, if you give him a chance.”

“We, um. Yeah. We probably will.” Buck grabs a beer of his own and stares at the label.

He doesn’t—he didn’t mean to lie. It just kind of… came out. Which, it’s Eddie. Buck knows he could tell him exactly what happened, right now, and it’d be fine. It’d be completely fine because it’s Eddie and he knows Eddie would be cool about it, probably even happy for him! But when he goes to open his mouth it just. Doesn’t.

“How’s—uh. How’s Marisol?” he asks instead, tripping over his words.

Eddie shrugs. “She’s fine, same as always. Apparently Christopher got her to play Fortnite, which, according to him, was a disaster.”

Buck laughs, shaking his head. “That kid,” he says softly.

“That kid,” Eddie agrees. He takes another swig of beer and sits back.

“Hey, wait,” Buck says suddenly. He lurches forward and snags the bottle out of Eddie’s hand. “You can’t have this, you’re on pain killers.”

“It’s my apology beer!” Eddie protests.

“Nope, two sips is plenty. I can’t hurt your ankle and your liver on the same day.”

“It’s after midnight, it’s tomorrow,” Eddie pouts. “Give it.” He makes a halfhearted attempt to grab it back, but Buck holds the beer aloft.

“Nuh-uh, absolutely not,” Buck says. “You can drink your apology beer this weekend.”

“My apology beer is going to be flat and stale,” Eddie replies, unimpressed.

Buck rolls his eyes. “I’ll buy you a new apology beer, alright?”

“Promises, promises.”

“I will!”

“Yeah, yeah,” Eddie laughs. “You better. Want to bring it over on Saturday? We can watch the game.”

Buck’s grin falters a little bit, even as that warm feeling bubbles up in his chest all over again. “I uh- can’t, sorry.”

“What, you got a hot date or something?” Eddie asks with a laugh.

Buck takes a long swallow from the beer he stole from Eddie. “Yeah, something,” he says with a hollow laugh.

He feels like a liar.

[bi-writes]

it took the end of the world to bring you to where you were supposed to be. (18+, 5.5k words) ghost (+ johnny) x fem!reader (apocalypse au -> dark content ahead)

you know it is luck that you are still alive. in times of anarchy, it isn't the soft and weak hearts that remain. only the unfeeling stay alive. the ones that are willing to do what others are not. the lot that know what isolation feels like. the ones familiar with survival and everything that comes with the wounds it leaves behind.

the loneliness. the paranoia. the heat of hunger and the impossible itch of thirst, on top of the fact that running for your life is second nature to you now.

if it wasn't the sick and dead lurking in the shadows, it was the live ones that would take you. and you have seen what they can do, and you have watched what the opportunities of the unbecoming have given them, and you vow that you will kill yourself with your own dull army knife than let yourself succumb to that kind of death.

you'd rather be eaten alive by the things that don't understand than the ones that do, because they don't know any better, and the others do, and they know what they are doing isn't human, but they don't care.

whether they eat for survival, for pleasure, for power, it is becoming more and more difficult to discern between the sick and the healthy, and in that in-between, you've decided to be on your own.

you know the loneliness will eat at you from the inside. but you are comforted by the fact that you are not being eaten from the outside.

you sleep in the trees tonight. you climb, high enough to be out of sight, and then you use the rope in your pack to anchor yourself to the trunk. as soon as your head falls back, you fall asleep. you have been walking for days now, you think, and with nothing in your belly except for a few scavenged snacks, sleep comes easy.

when you wake up in the morning, you feel the crisp edge of the sky against your face, and you know it will rain soon.

if there is a god above, they will wash you away with it. you hope, at least. you don't know if this is how you imagined noah's ark--the cleansing of the earth, a flood great enough to wipe it of what they deem ugly and unimaginable and irredeemable. and god must be a man, because only a man would unleash something like this that comes with consequences he never intended--the fact that it didn't fucking work. in his effort to eradicate the fucked up pieces of shit he supposedly created by his own hand, he unleashed them.

he set them free.

and like a man, instead of fixing his fucking mistakes, he turns a blind eye. he forgets. he allows it to manifest, and now that it is out of control, he will blame the sins of what he's done on someone else, someone like you. the innocent. the unknowing. the small and the weak, the ones who he said would inherit the earth, where is he now that there is nothing to inherit? how come he's allowed to go back on his promises, and i'm not? what have i done so wrong that this is the lifetime you gave me?

you don't know why you care. you don't know why you've survived and why you keep trying to. you don't know what drives you forward, but there must be something. there has to be something waiting for you, because you don't think your life can fall any lower than this.

but fuck, there are other plans for you.

there's no one to hear you scream. they cut the branch, unravel the rope, and one of them has gotten ahold of your legs, and they're dragging you. you cry, you scream, you thrash, but all your clawing hands do is leave sporadic trails in the dirt. they laugh, you think, but you cannot hear them over the blood that rushes in your ears.

your nails are raw when they flip you over onto your back. they bleed from how you scratched to be let go, and you don't know why you fight this, but you just have this voice inside you that screams that this can't be how this ends. this can't be the way you go--this isn't the what you deserve, this isn't fair--

you vow to leave your mark. when they come closer, you don't let them come easy. you claw at their faces, rip out chunks of their hair, and when another comes close, you use your teeth, biting off chunks of their flesh, tasting blood, because i won't make it easy for you, i won't go silently, i'll leave you worse than you leave me, i'll take you with me if i fucking have to.

and when it stops, you sob. suddenly everything is still, and there are no hands on you anymore, and all you can see through the blood in your eyes is the sky above you, and how it is early morning, and there's a flock of birds passing by overhead. they fly peacefully. they have no idea what they're observing--the struggle of being alive, the humanity of your will to live, the defiance of dying at their hands, they have no idea that they are witnessing the death and rebirth of something fragile, something so delicate.

you sit up on your hands shakily, and you swallow hard as you look around. to your horror, your savior is a man.

bodies surround you. there's blood staining the dead leaves along the forest ground, trickling from sickening wounds in heads. in one hand, the man in front of you holds a dirty stone, large and jagged, and the sharp edge of it is darkened with red and drips on the tips of his boots. he has wild blue eyes, and while his hair is grown out, it is carefully cut along the sides. his dark hair falls in effortless curls along his forehead and at the base of his neck, and when he meets your eyes, he smiles, wickedly.

he wields other methods of killing people, but he chose a fucking rock. and you think he must be crazy.

you shake, and you find your balance, crawling back on your hands to get away from him, but you're only able to crawl a few feet before your back hits an imposing wall.

you gasp, jerking to the side, and you bow your head to cry when there is another man behind you. this one towers, broad and big, and he wears a sickening skull mask that shadows any human part of him. he might not even be human--maybe he's as dead as everyone else.

you hiss when your hair is pulled. crouching at your level now, the one that wears a real face stares down at you, still smiling. he's chuckling now, licking his lips, and you lean forward and spit at him. it lands on his cheek, a mess of saliva and blood, but his eyes seem to only sparkle. his smile widens.

"what do we have 'ere, LT?" he snickers, and you gather the saliva in your mouth and spit it at his feet this time. there's more of a mess of cartilage and blood and spit, but instead of disgusting him, he just grins up at the ghost behind you. "with a will ta live. ever seen anythin' like it?"

"she's dead fuckin' weight." even his voice has you shaking, low and gravelly, and you hold back a whine when you're let go of. the scottish one is yanked backwards by the scruff of his hair by his superior, who bends to growl in his ear. "she'll only hold us back. dunno why y'even had to intervene, she'll not make another fuckin' day."

"fuck you," you snap, wiping at your face with a trembling hand. you wipe at the tears under your eyes, coughing, and you stare back up at him. with the sun in his face, you can see his eyes. they are dark, and they are unforgiving.

he is one of the ones who is free. he is one of the ones that god intended to kill, and yet here he stands, stronger than ever. and even though you know he's a murderer, an undeserving, broken inside and scarred on the outside, he'll outlive you because he thrives in the anarchy of what is left behind, and you are consumed by it all.

"let's go, johnny," he spits, and you close your eyes. you don't know why you were spared your life. you don't know why luck has been on your side, you don't know why men are what punish you and save you, but you cannot escape them. they send you to slaughter, and then they pick you out of the pen, and you wish you had more control.

you want to be more than this. you want to be more than whatever it is you're made of. you are not meant to be here, you're not meant to be alive, but you are, and fuck, you're so tired of it.

johnny belongs to him. it's obvious, in the way that he lets that man pull on him and order him around, even if they are adorned in military fatigues. you imagine there is no authority anymore, but he listens to that beast anyway, because he's getting up onto his feet, letting it guide him away from you.

if you want to live, you'll have to tame that beast.

"i-i can be useful," you say softly. your eyes are wet and big, and you look up at them as they stand over you. johnny turns his head, looking at his handler, who tilts his head to the side and glares at you. he does not believe you, at least that's what it feels like, but you look right into his eyes and take a deep breath. "you'll just kill me if i'm not. w-what do you have to lose?"

the hum he lets out isn't an agreement, but he doesn't say no either. so when he turns to walk away, you stand, brush your bloodied jeans off, and you follow them. johnny trails, putting you between them. you're pretty, but he doesn't trust you yet, but you're also aware of the eyes you feel on you from behind. when you catch him staring at your ass, he doesn't pretend to look anywhere. he simply giggles.

they are a unit. they can speak without words. johnny tells you his handler's name is ghost. his lieutenant, a man of many talents, and you refrain from rolling your eyes at his sergeant's praise. but instead, you look up at him, and you smile, and you nod, and you give him those doe eyes that you can tell make him a little dizzy.

at night, they alternate keeping watch. they carry lots of gear, and while one guards in his sleep, the other stands in the shadows and keeps their head on a swivel. they take efficient rounds of sleep, getting their rest in while keeping their senses on alert. the first night, you aren't able to sleep. you are too afraid of johnny and how he smiles, because he's a dog, and you don't know when ghost will let go of his leash.

and you are too afraid of ghost, because he looks at you like he wants to kill you, and when he does, you'd like to look him in the eyes for it. you want him to know that you might not be strong like them, might not be the kind of survivors that they are, but you aren't a coward.

you aren't a man, and you'll die the way a woman should--with her fucking dignity.

the days pass easier. ghost hunts, and johnny cleans. ghost scavenges, and johnny kills. and when there is food, johnny feeds it to you, and you put on your best face, opening your mouth, letting him spoon you a mouthful of something that warms your belly. johnny eats your lies right up, but one look at ghost, and you know he sees right through you. with each lick of your finger, he snarls, and with each foot you step closer to johnny, he growls.

he doesn't believe you. you need to make him believe you.

you see your opportunity. it crawls towards him on soft hands, flesh spongy and quiet from the weeks of decay and rot. you see its mouth, black teeth sharp and ready to sink into the meat of his calf, and you lunge, pushing the vase off the table and watching the heavy clay fall until it squishes the head into a heap of rotten matter and dead meat.

ghost turns, looks down, and when he looks back up, he sees you gasping for breath, heaving. there's a desperation in your eyes. it trickles between panic and worry, and you don't know how it is you wear it so well, but it manifests into wet tears that gather at the corner of your eyes.

he's not a beast. he's just a man. and when he passes by you, he reaches up and grips your face hard, nearly shaking you, but it isn't like any other time he's touched you. he glares down at you, right into your eyes, and you melt, stepping just that much closer, sinking your nails into fabric of his tactical vest and gripping it tight.

i can be useful. it rings in his ears as he looks down at you, the burden he has been carrying with him, and suddenly he drags you that much closer, until your open mouth touches the front of his mask.

even your determined conscience can't stop your legs from squeezing together when you feel the warmth of his breath.

i can be useful. i can be useful. i can be useful.

you can be the thing that wakes what is dead inside of him. you can be the virus that infects his veins, the dagger straight through his heart, the heat of the sun, the thing that builds back up what he's buried so far down. johnny keeps him human, but you'll keep his blood pumping. johnny satisfies the itch of authority that ghost needs to keep, but you challenge the fire he keeps under his tongue, and fuck, those eyes.

you pretend with johnny. you play the damsel in distress. you fawn, let him coo over your soft eyes, keen at his touch, but it is a game you play, and he sees it, he sees it, but this time, it doesn't make him angry, and he likes it, and fuck, have you always been this pretty?

you swallow your smile. his grips tightens, and you know you have him.

he's yours. and he's going to keep you. the world ends, god doesn't answer your prayers, the salt of the earth runs free, but it doesn't have to be the end for you. you will learn the hymn of what makes monsters move, and you will sing that song until you can't sing anymore.

you will learn their language, and you will convince them of what you are not, and keep what you really are a secret.

the good, the easy, the soft, you'll keep it inside, because that isn't who lives at the end of the world--it's ghosts that remain, and this one belongs to you.

this one belongs to me, this one is mine, this one you can't fucking have.

and maybe it's selfish. maybe it's wrong to think this way, to take from your saviors this way, because that is what they did, they did save you, but this is the only way you can make sure you make it out of here, that you live. a man takes, and a woman gives, but wouldn't it be nice if it wasn't always this way?

because the dead are still moving now, and there isn't humanity in the living; this is what you are owed.

you think it will be difficult to pretend. when it is night again, and you are staring up at the blue of johnny's eyes, you think it will be difficult, but it isn't. despite what you know he doesn't have, even though you know there isn't anything good in him, he still smiles, and he's so pretty, and you let him kiss you.

it's easy because he's warm. his voice low, his breaths heavy, and it feels like love, and it isn't hard to imagine yourself somewhere else. in another place, meeting him in another time, falling in love with him because it is the only thing you really have to worry about. if you lived another life, you wonder if you still end up here.

you wonder if he would eat your cunt this way in that other place. like he'll never have it again. if he's just as aggressive, spreading your thighs, trapping himself between them, slurping at your folds until you are nothing but a wet, leaking mess underneath him. you wonder if he would groan the way he does, gripping you tight enough to bruise, taking his fill because everything that begins has to end, but maybe if i keep making her see fucking stars, she'll let me stay here forever--

johnny's so much easier to control when he's pussy drunk. anything you whisper in his ear, he just nods, licking into your mouth, mumbling incoherently. he'll say yes to anything you say, and when the gruff call of his name pulls him away from you, he struggles to leave. it isn't obvious, the power you have over him, not to him at least. but it's real, and because he watches you even as he goes, you know he'll do anything for you.

he'll do anything for me. he'll live for me. he'll kill for me. but will he do it even if ghost tells him not to?

because that is the only question that matters. if you and ghost stand on either side of him, who will he go to when his name is called?

if i call both of their names, will they come to me?

if he calls my name, will i come to him? am i just the same? do i wear the collar, am i the puppy, is it me that fell and not the men i hate so much? how do i tell the difference between what the fuck is real and what isn't?

you don't know what time it is. it's dark outside, it must be the middle of the night, but you can make out ghost's silhouette in the doorway. you've been holed up here for some days, and he takes turns with johnny covering the perimeter. your legs are tired, and so are they, and the bed in this house gives way to a comfort and peace that you haven't felt in a long time.

you tilt your head to the side as you watch him there. you sit up, your hair falling around you, and you watch the shadow of him shift in the hallway there.

"scared of the dark, ghost?" you ask softly, and the way he stills tells you he didn't realize you could see him. he steps into the room, and the candle that flickers in the corner deepens the shadows that dance along his masked face.

"nothin' scares me," he murmurs, and you find his eyes in the dark. it unnerves you every time you stare at one another--his gaze is always so intense. he always looks in between all the layers you hide, and it's hard to remember what you are doing here when he looks at you this way.

"i don't believe that," you counter, and he narrows his eyes, shuffling closer, and you tilt your head back to look up at him. "you're terrified."

"not of wot y'think," he pushes back, but you shake your head.

"don't lie, simon," you whisper, and at the sound of his name, he reaches for your face--cups the underside of your jaw, grips the base of your throat, bends down to growl against the skin of your cheek. "are you jealous? is that what it is?"

"of wot?" he mutters, and you hold your breath when he grips your neck firmly. "of m'pet 'n his little lamb?"

"yes."

"nothin' to be fuckin' jealous of," he laughs, but it holds no humor. "what's his is mine."

"says who?" you breathe, and he pulls back to look at you again. there it is--the thing in your eyes that he cannot escape. he doesn't know what it is, but there is something there, and he craves it. he wants it more than anything else--more than food, than water, than survival, he wants to have it, to own it, to command whatever it is there because it's what he thinks he deserves.

he saved your fucking life, and this is the price for it--he gets to have the thing that lives in you that makes his fucking head spin, and you will give it to him, so help him god.

you kiss soft. he hasn't taken his mask off in a long while, but you move it up easily and without resistance, and now you're kissing him, and he moves without thinking. he hasn't even let johnny this close--he hasn't let him underneath his skin, not this way, and here you are, sighing against the scars he wears and kissing them anyways.

the ugly and the irredeemable, that is the skin he wears, and you love it anyways, and the ringing he always hears is gone because you don't seem to care. you caress his face, and you tug on the front of his vest, and then he is with you, and--he doesn't know if this is real.

when you pull away to look at him, his eyes flutter open. you don't say anything as you climb into his lap. the look you share, you don't know how to explain it, but you are almost afraid that it is understanding.

because it's the end of the fucking world, and he isn't capable of love, and you are only here to survive, and yet there is something here that you can't explain. god isn't real, he's just a man, but you think for a moment that that man might be simon riley because what the fuck is happening to me?

"simon--"

he kisses you this time. hungry, all-consuming. if there is anything you've learned about him in the weeks you've spent beside him, it's that he does everything with purpose or not at all. he has a will, a will of what you don't know, but of something, and he does everything with his entire chest. you've heard him talk to johnny when they think you're asleep, the pillow talk that you aren't supposed to be privy to, and suddenly you wonder if this is what johnny feels like--like the only person left in the entire world. because to matter to someone like lieutenant simon riley means you must've done something right, because he doesn't care about anything, and he doesn't love anyone, and--fuck.

he fucks like it, too. he fucks like he won't live another day, and maybe he won't. he fucks like it's the last time he'll ever see you, and it could be, and maybe that's why you're crying. you're sweaty, naked under him, and he can't stop kissing you. he breathes you in and swallows your breaths like it's what keeps him alive, and maybe it does.

"simon--" you cry, because it feels good, and he buries his face in the crook of your neck. your hand rises, slipping under the mask, and your nails scratch over his shaved head underneath. god, it feels sacrilegious to feel him this way, to know what's under it, but it doesn't matter.

"know wot y'r doin'," he hums, and you claw at his back when he slows down. your knees try to widen to accommodate the width of him, and he puts two big hands on your thighs and pushes, nestling himself deep and pressing himself right up against your pelvis. "know y'r playin' tricks on johnny, on me--" you cry, and he tsks, shaking his head, "'s pathetic, luv...thinkin' y'could fool us both."

"i-i--"

a particularly rough thrust shuts you up, and you arch your back, pebbled nipples hard against the warmth of his chest as he chuckles, laughing at you, so mean.

he leans down, and all you can do is whine as he mutters into your ear. "johnny's so fuckin' distracted by y'r cunny, swee'eart. and fuck, i get it, 's such a sweet pussy, luv--" you whimper, grinding up against him, needing him to move, but he puts both hands on your hips and squeezes, holding you still. "--such a nice cunt, make a bloke forget all his fuckin' troubles, but i know--"

you yelp when he reaches up and grabs your face. his palm cradles the lower half of your face, squeezing your jaw, and he squeezes your cheeks as he looks down at you and snarls.

"i know wot y'are. wot y'r here for."

"you--" you sob. "'m here for you--"

"can lie to johnny all y'like, luv, but don't you ever--" you whine as he shakes you gently, "--don't y'ever fuckin' lie to me. y'r usin' us. known since we found ya."

you let out an exhale, a deep one. you find his eyes, and he looks down at you, and you swallow hard. because it's true, in a lot of ways--you could never love them, right? this could never be a real thing. the only men that are left are god's mistakes. when man broke off his rib to make a woman, he didn't know a beast like this would come from him someday, did he?

did he know his sons would try to kill each other? in each and every generation? is he watching the dead roam the earth and wondering why those ones died and ones like this one are still living and breathing?

the thing that you don't understand yet is that nothing will kill ghost. his father couldn't kill him, the dark couldn't kill him, the earth he was buried in couldn't kill him, and every bullet that scarred him had missed the vulnerable places of him by just that much. the virus couldn't kill him, and he has an inkling that even if he was bitten, somehow, he would still live because that's his fucking fate.

his fate is to live, to endure, to grieve, no matter what happens around him. the world collapses, and he watches, and he picks up pieces as he goes hoping they will last, but he knows they won't.

he doesn't know how johnny will die, but he will. he doesn't know how you will die, but you will, and he'll be there to watch. for some reason, there's a little comfort, because at least this means they won't be alone. johnny wouldn't handle being alone well, and neither would you, because johnny is a mutt, and you are a leech, and neither survive without a keeper and a host, something else to keep them alive.

"'s olright," he licks over your bottom lip. "'m keepin' you, luv. but let's get one thing straight, aye?" you grunt when he turns you roughly under him, forcing your face into the mattress and caging you underneath him. you can't move much, all you really can do is sit up on your knees a little and push back against him, burying him deep inside you again as he presses his hips flush against your ass. he tangles his hand into your hair, pulling your head back, and he plants a chaste kiss against your throat. "y'r not above me, pet. you can order around m'mutt all y'like. bet he'll like that..." you hum when he cants your hips, the tip of his cock hitting a nice, warm place inside you, "but y'r gonna do as i say. and be a good girl."

you open your eyes, looking up at him over your shoulder. you plant your palms against the mattress and push back against him again, moving just enough to encourage a few slow, wet grinds.

"anything you want, simon," you whisper, pressing your face into his neck, and he grunts as his hand disappears underneath you to cup your mound, hissing as he feels the place where his cock is moving inside you. "can have whatever you want, please--" you whine in his ear. "i won't lie to you! i-i...i won't lie..."

with his other hand, he cups your breast, squeezing, his thumb circling your nipple before he tugs on it gently.

"gonna be a good girl?" he asks. "gonna let johnny fuck ya? let my mutt have his fill?"

you nod, panting.

"are--" you sniffle. "--are you gonna take care of me?"

ghost laughs, as if it's a stupid question. he maneuvers you onto your knees, and as you start to push back against him more eagerly, you start to hear the jangle of the dog tags he wears. you want to turn around and pull on them, want to see his face when he comes, but you tell yourself that's for another time--that right now, you need to get him cumming and agreeable.

he leans over you, picking up the pace, punching his hips into your ass. the sound of your skin against his is wet and quick, and as you press your chest into the mattress, he starts hitting you so deep, the air feels tight in your chest.

"need to see you--!" you gasp, and when you're on your back again, you grab for his face. your knees spread again, welcoming him deep, and you force his eyes to stay on yours as you feel the rough grind of his hips starting to build up that sweet, soft feeling in you.

fuck--he's so big. every part of him, it swallows you, and this isn't any different. you come when you feel him, so much of it that it's leaking down your thighs because he stuffs you so full, and there's tears in your eyes, but he isn't sorry.

looking at him this way is jarring. you have really only ever seen his eyes incredibly dull, nothing in them except a void that you aren't able to understand. but you are using him, and he is using you, and you smile, because now you can read him, read what's reflected there.

when ghost shoves his cum-soaked fingers into your mouth, you don't fight it. you keen, arching your back as you let your tongue swirl around his thick fingers, and he tilts his head to the side as he watches you. he's making sure you're doing as he wants. he's making sure that you will be pliant and good, that you will do as you are told and nothing else because that is what he asks of you.

he's making sure that even though he knows you are not the submissive puppy you pretend to be, that you will be it anyways because if you don't, you won't like how he bites.

you and ghost are the same. you are equals, even if he will never admit it. you trade different parts of yourself, but this isn't about preservation, it's about survival, and you are willing to give yourself for it. you are willing to say yes, ghost, of course, whatever you want, because you aren't supposed to be alive anyways, but you might just have a chance if you hide in his shadow.

you're still on the bed when he dresses himself. he straps his vest back on, zips his pants, and you watch him lick his fingers clean before putting his gloves back on. you reach down, your mouth falling open when a glob of his cum slips out and dampens the sheets, and ghost has a hint of a smirk on before he rolls the mask back down.

"don' worry, luv," he mutters, reaching over and gripping your jaw rough. you pucker your lips, and he snickers. "soap'll fix you right up."

"soap?"

"mmm. the fuckin' thing is useless unless there's a mess to clean up, yeah?"

will you take care of me? will he take care of me when it's time? will he keep the dead out of my eyes and my blood inside?

he never answers your question. and deep down, you're certain it's because he would kill you, and maybe johnny would, too, because johnny does whatever he says, even if it isn't good for him. and you aren't sure if it's because this is his lieutenant or because saying yes is the only thing that make's sense anymore.

i can be useful. i can be useful. i can be useful.

when you are not useful anymore, you'll need to be the first to strike then. because maybe you don't deserve to live, but neither do they. god is a man, and he makes mistakes, and ghost is one of them, and he's eaten johnny's soul, and if you go down, you will take them with you.

god is a man, and he was a fool to think he could've cleansed the earth by himself.

it was the flood that cleansed it the first time, and mother nature always does her fucking job.

[kirkwallguy]

extremely funny coming from writers whose characters return and play major roles in more than one game. yeah sorry guys we couldnt do anything interesting with the game because we had to protect our fans from the conflict we would write if we did <3

[hellsquills]

Disclaimer: I know about the duffle bag Filbrick threw at him, but you can ignore that if you want

My thoughts below the cut! (this turned into a whole ass fic lmao)

My personal headcanon is that Filbrick is as much of a coward as he is of an asshole. Therefore, he wouldn't have kicked Stan when he did in canon. Probably not for a while after that.

However, he does try to send him to military school. He keeps talking about how this kid needs to learn discipline and respect, and if he's not gonna bring money to the house, then he should at least bring some honor to his family.

Stan obviously does NOT want to go. Not only because it's a pointless war ("what've the vietnamese done to us anyways?") but because he remembers his mother's face when Shermie got drafted and he will NOT make her go through that hell again. Also, he doesn't wanna die!!!! Hello?????

He talks it out over the phone with Ford, who's obviously just as against it as he is. He tells Stan that, if he gets into a PhD program, he could skip military. Stan laughs in his face. It'd be easier to jump off the plane without a parachute.

And so, he comes up with a plan. When he goes to take his physical, he tries his best to botch it. If he is bad enough, if it looks like he can't do it, maybe he won't have to. Unfortunately, the recruiters are far too used to this by now, and they don't buy it. Stan goes home with a recruitment letter hidden in his jacket.

Everything goes downhill after that. He runs away from home, changes his name several times, does some crime here and there... The military is after him, and it doesn't take rejection kindly.

Stan stays out of contact with his family for a few years. He can't risk getting them involved in this mess. They don't deserve it. So he just leaves, without saying a word, in the middle of the night. No phone calls, no notes, nothing. Not even he knows where he's going. But if it just looks like he abandoned them, maybe they'll hate him. That will make them sound more believable with the police. They aren't covering for him, because they genuinely have no idea where he is. It's the best way to keep them safe.

In that time, Ford doesn't stop looking for him. He finds him every once in a while, but only his phone number, and he knows that could give away his brother's location and get the family in trouble. So, against his deepest instincts, he doesn't call.

One, three, five, seven years pass. Stan has been around almost all the country, and is genuinely considering leaving it. Maybe going to Mexico, or Colombia. Those sound nice. Maybe they'll be nicer to him.

He's passing his time and thinking about this in a small town restaurant in wherever he's in (somewhere he's not banned from, yet), when a family enters. He doesn't make eye contact, but he can't help but stare at them: a man and a woman, probably in their 50s, with 7 kids; one must be older than him, the second one around his age, the third one a little younger, the fourth one a teenager, and the last three between 10 and 15, no more. Except for the last three, they're all taller than him, even the mother, and they have various degrees of blond hair. Their clothes (overalls and plastic boots) suggest they must work in one of the farms he's seen around the state. They don't wear any accessories, except for the glasses that the father and four of the kids have. They're talking loudly and laughing. They look exhausted from a morning of hard work. They seem happy. They... look nothing like his family, and yet, he can't help but think about it.

He can't help the sob that comes to his throat. It's loud and messy from trying to suppress it, which obviously makes it worse. He covers his mouth immediately, and at that point he notices the tears that have run down his cheeks. "Great", he thinks, "that will make it easier to hide, for sure".

He doesn't move. He wants to escape, but that will draw even more attention to him, and he hasn't even paid for the food yet (normally he'd leave without paying, but the old waitress was kind enough to give him some extra food when she saw how little he ordered). He settles for not moving, lowering his head and covering his face, hoping that no one heard (unlikely) or cared (very likely).

"Ya'lright, son?"

The voice startles him. I wasn't very deep, but it was close enough to send his body into immediate danger mode. He looks up at the man towering over him, who's standing in front of him at a prudential distance.

"Y-Yeah, yeah, no worries."

He hates how broken his voice sounds. He's spent more than enough time sweet-talking his way out of trouble, he should be better at this by now. The man looks about as convinced by it as he is himself.

" 'lright then. Can I help ya?"

Damn villagers and their welcoming demeanor. If he wasn't a wanted man, he would appreciate it. But right now, it couldn't be worse timing.

"Come get ya food, kids!" The waitress' yell yanks him out of his thoughts.

"No", he blurts out, and he turns to the man. Least he can do is show him some respect and look him in the eyes. "I'm fine, thank you."

The man smiles lightly and nods. "Okay. Welcome to the town."

Stan watches as the man goes back to his table. He wishes he had been more polite, the guy was just worrying about him, but he can't afford it. They already know his face, he can't risk anyone else recognizing him-

"Sweet Mother of God almighty."

Stan turns to his right. One of the kids, the one about his age, is looking at him like he just grew a second head. He's frozen in place, his eyes wide as plates behind thick glasses. He doesn't say a word, and it's getting increasingly unnerving. Was the bruising on his face still visible? Maybe it's more apparent in broad daylight than in the shitty light that last motel had in the bathroom.

"I'm sorry, I- Can I ask your name?"

The fuck?

"No", answers Stan. Considering how nice his dad was, this guy is pretty rude.

"Son, leave him alone." The mother seems to have manners too, good to know.

The guy does pretty much the opposite. He comes closer to him, until he's right in his path, blocking his exit. That can't be good. Stan feels trapped.

"Are you Stanley Pines?"

Well, that's about it.

Stan tries his best to stay still. This guy doesn't look like a cop, not even an undercover one. But he knows his real name, so maybe someone in his family or friends works in the police; or worse, in the military.

"Listen man, I don't know who you're talking about, but that isn't my name. See?" He reaches for his wallet. He pulls out an ID, with a very clear Jackson Cage on it. He makes a mental note to change it soon, just in case his hunch is right and this guy has connections. "Now, if you excuse me, I'd like to pay for my food and leave. Move."

Stan is already on his feet, but the guy hasn't moved. Stan looks him up and down, trying to appear threatening despite his face probably still being a little red from before. He also gauges how feasible it'd be to escape if things turned bad; the dude is taller than him, sure, but he's also as thin as a toothpick, and by the anxious look on his face, he doesn't seem eager for a fight. The real problem would be evading the restaurant's staff and the other costumers, which include eight carbon copies of the guy in front of him. Probably better to try to de-escalate the situation.

"I- I can't let you leave. Please. I know who you are."

This man is making it really difficult to believe he's not a cop.

"No, you don't. I'm new in town. Move."

"Listen, I-"

"Move out of my way."

"I know your brother."

The words are like a bullet between his eyebrows.

"You look just like him-"

Against his better judgement, he quickly grabs he guy and pins him to the wood in between the booth benches, arm to his throat. If he knows Ford, he knows too much. God he just wanted to have lunch.

The commotion is immediate. He doesn't break eye contact with the guy who's grabbing his arm, whose strength is frankly surprising. He can hear, however, the screams from the dad and the siblings, as well as a couple of gasps from the other costumers. This is not going to go well, but fuck that. He's escaped worse.

"Stop!", the guy shouts as he keeps Stan's forearm from blocking his airway. "Don't hurt him! Don't get closer!"

It takes Stan a second to process what he said. The first part, sure, who wouldn't shout 'stop' when you're being attacked? But the second half doesn't make sense. Is he protecting him? The attacker?

Whatever it is, it works. The family stops in their tracks, still very ready to attack if needed. Out of the corner of his eye, he can see the three younger kids moving closer to their mother. For a split second, he feels a pang of remorse for the scene he just caused.

"Hang up the phone, Clarisse, it's okay. Please."

Stan looks in the direction the guy was talking to. Right behind him, the waitress reluctantly puts the phone down.

He looks back at the guy. He looks a little shaken up, probably from the impact his back (and his head?) made with the wooden plank, but he doesn't look scared. He almost looks... sympathetic? Stan is confused as hell.

"I know who you are", the guy whispers, low enough for Stan to hear alone. "You're Stanley Pines, and you have a brother named Stanford. I know him, okay? He's my friend. I met him a few years ago in a quantum physics congress and we've been talking ever since. He told me about his family in New Jersey, and about you. About how he hasn't seen you in years, and how he was trying to find you, to no avail."

Stan is gradually loosening his grip on the guy's neck, who takes a deep breath. He should know better, but- shit, hearing that Ford was looking for him was not what he expected. Even if he doesn't know yet if this guy is lying out of his ass, it's enough to make him doubt.

"I know you were called to Vietnam. He told me. I spent a week with him in his place when he found out, he was unconsollable. When you ran away, he called me. He knew what it meant for you and he thought he'd never see you again, whether you got caught or not. All because of that stupid war." Stan is now trembling a little, he knows it. This guy must know it too, with how close they are. If he stays here any longer he'll break down, but he can't move. Anything to hear his brother's name a little longer. "I know what it's like. Three of my cousins were drafted last year, and I know at least one of them won't be coming back home. Please... let me help you."

Stan meets his eyes. They're green and brown-ish, not unlike the immense fields he's seen in his last journey, the one that led him to this town. With the years, he's learned not to trust beautiful eyes, because they are better at hiding. These ones, however, seem serene and honest, just like his words, and he can't help but believing them. This guy, whoever the fuck he is, knows just about enough.

Stan lowers his right arm. The guy still has his hand on it, but this time is much less defensive and much more comforting. He doesn't complain.

"My name's Fiddleford McGucket, and I'm gonna help you find your brother."

______________________________

Essentially, after this Fidds calls Ford as if nothing happened (per Stan's request, since he's still paranoid about the police tracking his calls) and asks him to come to Tennessee. Ford argues that he's very busy and all, but Fidds convinces him in the end.

Obviously the twins have a dual breakdown and cry their heart out. In this AU they're much less emotionally constipated lol

Ford tells Stan that he's gonna build a house in a small town in Oregon as a part of his research, and asks him to move in with him once it's finished. Stan, of course, accepts.

In the meantime, Stan stays in the McGucket farm and helps them out as a way of laying low. He has a great relationship with his family, and they're very proud of him for what he did (i believe that the McGuckets are hippies at heart, and they're VERY anti-war, especially when it already took three of them)

I don't know how much of the canon storyline would this AU follow, but it's pretty much your average Mystery Trio AU with some different backstory

[jadecantcreate]

i wanted to write a quick 3-chapter fic for day 4 of loa shiptober (how they met i think) and i (a fool) was like. yeah. i could totally write 3 chapters in a few hours. i was wrong. SO wrong. haven’t even finished kremy’s (the first one).

so instead have a maybe-past-kremy design that im conflicted about compared to his current design, as a peace offering