#write the novel? what do you mean write the novel

[quarterlifekitty]

first, im a bit new to cod but idk…

thinking about ghost’s spouse visiting him on base or some shit, and everyone else wondering how tf he was emotionally flexible enough to bag a bad bitch 🫶

note: this is just my personal little fantasy world headcanon lol so take it with a grain of salt!

Simon maintains a vaguely human lifestyle by adhering to one very strict rule: rigid compartmentalization. You don’t come up at work, and work doesn’t come up around you. Never the twain shall meet, he thinks. And he’s not exactly a watershed of information when he’s with his mates. And it’s not like anyone is asking “When was the last time you got fucked, Ghost?” and seriously expecting a response.

He tells you about the crew, but not about what he does with them. Killing, espionage, torture– that kind of thing stays off the dinner table.

Let it be known that you do not surprise him at work. You respect his boundaries too much, which is why he’s so fucking serious about you, honestly. He calls, asking if you can run something to him. This is maybe the greatest symbol of trust he can bestow, as a man who has only a fraction of an existence in the eyes of the government: he asks you to bring a document of his. He gives you the instructions on how to find it, and trusts that you won’t look at anything you don’t have to.

You know Johnny lets out a low whistle when he sees you coming up with a manilla folder in your hands.

“Who’s that bloody bombshell, then?”

You spy Simon and jog up to him with a smile. He’s the one who embraces you, short but strong. Cue the nigh audible gasping.

“LT, you absolute dog.”

Simon rolls his eyes as the two of you are crowded in short order. You make polite introductions, but have a previous engagement– you really did only have time to stop by.

Hate to see you go, but love to watch you leave.

Everyone is wondering how this could’ve happened. For the record– I think in this scenario, Johnny and Gaz go through a constant string of heartbreaks, and John is kinda married to his job. So in a cruel twist of fate, Simon is actually the only one currently with a partner, much less a spouse.

“How’d you manage to bag a right beauty like that, LT? C’mon, spill it–”

Simon doesn’t mean to diminish your value or anything, but his answer is not going to be satisfying, because he doesn’t find it that difficult to get women. And also, you’re his true love, so you’re perfect for each other and growing close to you was as easy as breathing. But he doesn’t say that.

“S’not that hard. Remember the stuff she says, don’t keep no secrets… dick ‘er down the way she likes.” He doesn’t mean to be crude about it, but from his perspective, is one of the main reasons why you tolerate him. Soap howls at the response.

He’s telling the truth, though! He has a scarily good memory. Remembers every friend you’ve ever told him about, every movie you’ve ever mentioned, every meal he’s cooked for you and how you liked it. He remembers dates, times, and lists with no issue whatsoever.

And he’s never kept anything from you. He tells you how the fuck he’s feeling, and you return the favor, even if it isn’t pleasant. The only thing he doesn’t mention to you are the gorey details of his work.

And you have never had more of a communicative partner, ironically. There were times in the beginning when he didn’t know all of the ins and outs of coaxing pleasure from your body, so he asked you to show him how you like it. And that scary memory is at work yet again– every sensitive spot, every offhand mention of a kink you’ve not yet explored together, every arch of your spine and clench of your cunt. He’s got it down to a science. Could write novels about making love to you specifically.

What I’m trying to say, at the end of the day, is that Ghost bagged a bad bitch by being autistic.

[marmotsomsierost]

O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy?

Pratchett: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question.

O: It’s a rather ghettoized genre.

P: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre.

O: It’s certainly regarded as less than serious fiction.

P: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy.

Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that.

(Pauses) That was a bloody good answer, though I say it myself."

(Terry Pratchett in an interview with the Onion)

J. R. R. Tolkien, undisputedly a most fluent speaker of this language, was criticized in his day for indulging his juvenile whim of writing fantasy, which was then considered—as it still is in many quarters— an inferior form of literature and disdained as mere “escapism.” “Of course it is escapist,” he cried. “That is its glory! When a soldier is a prisoner of war it is his duty to escape—and take as many with him as he can.” He went on to explain, “The moneylenders, the knownothings, the authoritarians have us all in prison; if we value the freedom of the mind and soul, if we’re partisans of liberty, then it’s our plain duty to escape, and to take as many people with us as possible."

Stephen R. Lawhead

[maddie-grove]

What do you think are some legitimate things (trends, author problems, etc) to criticize about in romance novels?

So, romance novels can be offensive in all the ways that fiction in general can be offensive, but, if I had to pick one thing that's pervasive yet fairly specific to the genre, it's the rigidity of gender roles in m/f romance. The hero is more often than not physically bigger, older, richer, and (especially in historical romance) higher-class than the heroine, and, when he doesn't have the advantage in every category, the narrative frequently (a) makes him even more powerful in the areas where he does have the advantage (i.e., she may be more aristocratic but he's very, very rich and he's friends with aristocrats now and he's big and strong and blah blah blah) or (b) is super-self-conscious about the dude being less powerful in some ways (i.e., over-explaining why he's still worthy as a partner and/or isn't put off by the heroine being taller or older or richer). I think this is sometimes a trend that comes from the top (I remember Courtney Milan saying something about getting flak for not making a hero a duke back in the early 2010s, even though he was still a confident, good-looking gentleman with money) and sometimes one that comes from readers (there was a romance review blog that I lost patience with because the reviewer couldn't relate to tall heroines). Plus, when the heroine does have more power in some way, it's usually not by a lot; like, it would be totally unremarkable if the genders were reversed. I remember reading a romance novella anthology specifically about older women/younger men, and I think only one novella had an age gap of ten or more years. (In one novella he was literally a day younger.) Meanwhile, how many historical romance novels have a twenty-year-old heroine and a thirty-year-old hero and it's treated like nothing?

On the more meta side: I think it's generally bad when authors have to spend a lot of time doing self-promotion on social media. That means less time to actually write and sometimes more self-consciousness because the book is kind of being written for people the author knows online. That's not exclusive to romance, but it is a genre largely written and read by women, and I think that results in a lot of pressure to be Nice (which includes not giving a negative opinion about a book).

I'm not a fan of the move towards "rom-com" contemporary romance, but that's largely because that's not my thing inherently. However, I do feel like many authors simultaneously want the hijinks of a romantic comedy and a romance that would be Healthy in Real Life. Which isn't impossible, but it takes more finesse than they usually have.

[obeymeshallwedateaddict]

heyyy!! HEAR ME OUT 🆘🆘 yk how kids spell santa wrong sometimes and they write satan. since christmas is coming wouldnt it be funny if satan got letters from human children??

Hiii. I'm absolutely obsessed over your request and I guess we're starting off the Christmas season in November? Anyway. I hope you enjoy this one.

Summary: Satan receiving letters addressed to him instead of Santa and dealing with them.

There isn't an MC in this story. (Forgot to add them) So we'll pretend this was before the exchange program

Masterlist

Santa-Satan?

Satan was having a peaceful afternoon in the living room, a rare moment of tranquility in the House of Lamentation. He sipped his tea and flipped a page of his latest novel when suddenly, with a poof, a small mountain of envelopes materialized on the coffee table.

Satan stared at the pile. "What is this? Who dares disrupt my reading?" He picked up one of the letters and squinted at the messy handwriting on the front:

"Dear Satan..."

His brow twitched. "Oh, no. Not again."

Lucifer strolled into the room, holding a cup of coffee. He took one look at the stack of letters and smirked. "Ah, the annual Santa-Satan debacle. Always a highlight of the season."

Satan slammed the letter on the desk. "This isn't funny, Lucifer! Why are human children incapable of spelling? Or using spell-check!" He held up an envelope. "This one just says, 'Dear Satan, I want a pony. Love, Jessica.' Do I look like someone who hands out ponies?!"

Lucifer arched a brow. "Well, you do have a soft spot for cats. Ponies aren’t much of a stretch."

Mammon burst in, munching on a cookie. "Oi, what's all the yellin' about? Ohhh, are those Christmas letters?!" He grabbed a random letter and read it aloud:

"Dear Satan, I've been VERY good this year. Can you please bring me a PS5 and a puppy? Thank you!"

Mammon snorted. "Heh, maybe you should deliver a PS5, Satan. It’d make you less cranky."

Satan glared. "Oh sure, Mammon. Let me just conjure a PlayStation out of thin air and hand-deliver it to this... Timmy." He sighed dramatically. "As if my reputation isn't tarnished enough, now children think I'm a knock-off Santa."

Leviathan poked his head into the room. "Wait, is this about the time you accidentally sent a hellhound to a kid instead of a golden retriever? That was classic!"

Satan groaned. "How was I supposed to know the summoning circle would work on a child’s drawing?!"

---

The letters soon became a family affair. Asmodeus had gathered a few to read, giggling over the cute handwriting. "Aw, this one says, 'Dear Satan, I want my big brother to stop being mean to me.' Isn’t that just precious?"

Mammon: "I think pretty much all of us want that don't we?"

Lucifer, giving Mammon the death stare while sipping from his cup: "What did you say, Mammon?"

Mammon mumbling: "Nothin"

Beelzebub, halfway through a pie, mumbled, "If they ask for food, I can help."

Belphegor yawned. "Why don’t you just ignore them? They’ll figure it out eventually."

Satan stormed in, clutching another letter. "This one asked me to make it snow on Christmas! Do they think I’m some sort of weather deity?! AND WHY IS THERE GLITTER IN THESE ENVELOPES?" He shook his hand, scattering sparkles everywhere.

---

Eventually, the brothers decided to "help" Satan deal with the letters.

Mammon: "I’ll handle the gifts. These kids want money, right? I can chuck some Grimm at them."

Satan: "They’re human children. They don’t use Grimm!"

Leviathan: "What if we send them anime merch? Everyone loves anime!"

Asmodeus: "Or beauty kits! They’ll thank you later."

Satan pinched the bridge of his nose. "This is a disaster."

Lucifer finally intervened, adjusting his gloves with a sigh. "Enough. Clearly, Satan can’t handle this alone. I’ll take care of the mix-up, like always."

Satan glared. "Excuse me, I can handle it. I just don’t want to."

Lucifer smirked. "Of course you don’t."

---

By the end of the week, Satan managed to write curt but polite replies:

"Dear Jessica, I don’t do ponies. Try spelling ‘Santa’ correctly next time. Best, Satan."

Meanwhile, Lucifer, dressed in a suspiciously festive red coat, handled the logistics of redirecting the letters.

As the chaos died down, Satan finally returned to his book—only for another poof of letters to appear.

Satan: "...I’m moving to the Celestial Realm."

[c-e-d-dreamer]

I haven't posted a WIP Wednesday in way too long. Mostly because the writing block is kicking my ass thoroughly. BUT! I thought I'd give y'all a little treat of Hockey Cassian being a down bad simp and some hockey romance accuracy! 🥰

“You want me to go to a hockey game?”

“How can I be expected to play my best if you’re not there to cheer me on?” Cassian drawls, earning an eye roll and a scoff, exactly as he intended.

“Are you going to ask me to wear your away jersey and everything?” Nesta fires back, a smirk tugging up the corner of her lips.

The sight has Cassian’s heart kicking up with excitement, and he chuckles softly. “Been reading a lot of hockey romance novels recently, sweetheart?”

“You wish.”

Despite her words, the pink color that spills across her cheeks betrays her, gives her away. Gods, Cassian would give anything to draw out that pretty color elsewhere. Would give anything to trace that color with his fingers, his lips. Would give anything to see if the pale freckles brought out by that blush are echoed anywhere else across her skin.

“Well, I hate to burst your bubble, but you can’t wear my away jersey even if you want to.”

That gets her attention. “What’s that supposed to mean?”

“It means that I don’t have my away jersey. In fact, I don’t have any of my equipment. It’s the team that makes sure the jerseys get washed, that makes sure all the gear stays cleaned, that our preferred sticks are ordered and stocked up. There’s a whole equipment team that’s hired and paid just to do that.”

“So, what?” Nesta asks dryly, crossing her arms. “All you do is just show up?”

“Pretty much. Show up, look pretty, play great hockey.”

Nesta snorts softly, barely more than a low, breathy sound, but Cassian still delights in it all the same. It’s so close to a laugh. Gods, he'd do unholy things to get a laugh out of her, a real laugh. Would it be light and melodic? Would it be low and refreshing? Would it start loud and taper off into little more than breathy giggles? Would her nose scrunch? Would crinkles pop beside her eyes? Would those eyes flare with the joy, the surprise at a laugh tearing out of her? Would the easy serenity remain on her expression when the laugh finally subsided, a soft smile and pink cheeks the footprints in the sand following the warm, gentle wave?

“Cassian.”

“What?” Cassian blinks, realizing belatedly that Nesta was speaking and he most definitely was not listening.

[birdsbeesknees]

This is for people feeling like this living with conservatives! I am not a professional in psychology. This is just from personal experience.

- Find as many ways to not be around the “home” conservatives. That being the ones you live with or are connected too. Wether or not you wanna avoid the ones outside of that is up to you. For me it’s easier cause it’s like “sweet freedom on a stick I don’t give a damn I am ALIIIVE” when I’m on my own. Obviously avoid the alt right. If you have a car you can get a job to save money to move out, go to the library, go to a park, all kinds of stuff. If you don’t, I’m assuming you’re probably a minor, but for my folks that are adults I’ll leave you with some other stuff after this. For the minors, sign up to as many school activities as you can. Band is all year round and gay as hell. Most sports are seasonal though. Also stay at friends houses, and if you’re grades are good enough you can be an after school tutor. For my adults with no car, try getting a bicycle, or a friend with a car. Also you can read fantasy of fiction novels a lot. I know that sounds weird but they really do suck you into other worlds. Also see about living with someone else if you can.

- Get as many distractions in your life as possible. And make sure they’re healthy. Reading, writing, running, birdwatching, sewing, making music. Make it a challenge to get as many things in your life that distract you and make you happy. Bonus points if they make others happy.

- Journal your feelings out. Find some healthy way to express your feelings. And make sure you’re doing it a lot so it doesn’t back up. Also if you’re being really real in this expression make sure you hide it like SUPER well from the home conservatives. And I mean really really well. Like writing your diary in a language they don’t know well.

- Make sure you have people around that love you for who you actually are. Have their numbers written down on paper in case your device gets taken away. Make friends that see you for who you are and love you. Go to events that you think will have people like that there.

- Make sure you’re doing the baseline things where you live with your folks to keep them from getting angry. Chores, keeping up with schoolwork, whatever it is.

- Don’t ever bring up any political topics around them, at least don’t do this if you know they’re not gonna change.

- Never argue, just confront or politely disagree. No name calling, assuming how they feel, or telling them how they feel. Avoid arguments on the whole, just confront. As in healthily tell them there’s an issue. If they get rowdy stick to what I said about no name calling and all that other jazz. And stay CALM.

- If you hear them talking about you behind your back, only listen in if it’s for your safety. If not I stick to this motto “it is not worth it in this lifetime or any others” because it’s really not.

- Do whatever possible (no matter how far away a move out is) to save money to move out. Save up money in general tbh. When I say whatever possible though I don’t mean harm yourself or others.

- Don’t risk coming out unless you’ve moved out or if they’ve changed FOR SURE. I repeat, do not come out to them while living with them unless you know they’re completely safe. Which if you’re reading this all the way through probably not.

- Remember that their opinions aren’t the be all end all. That you’re not completely alone and there’s a whole world out there on your side. There really is.

Again I am not in a lot of trumps main communities he targets hate towards (although I am in some) and I’m also not a professional in psychology so if any of this was problematic please let me know.

I hope none of you disappear in the coming days. Seriously don't do anything that can't be undone.

[bambi-kinos]

Why do people perceive John's love for Paul as unrequited? I confess that I fail to grasp this perspective. Paul is absolutely infatuated with John in every sense of the word. The difference between him and John, as Paul himself has stated, is that John voices his feelings out loud, while Paul excels at self-preservation; he knows how to navigate the rules of society while also enjoying the thrill of breaking them.

For the same reasons why Hanya Yanagihara wrote her eye wateringly boring novel "A Little Life." In "A Little Life" Yanagihara writes a Stephanie Meyer-esque novel about boys being turned gay via SA perpetuated by adult men and how they eventually grow up and become super rich and also they all have vague disabilities that cause a lot of pain but never get full definition because defining them would be inconvenient to the narrative. (Disabilities are debilitating and Yanagihara wanted to write about Sad Boys Who Were Turned Gay By Child Rape But Also They Are Rich And Go On Globe Trotting Vacations Everywhere All The Time While Being Depressed.) The point of "A Little Life" is not to tell a Sad Gay Man Story about the fallout from CSA, it is to depict a sexually exploitive miseryfest that uses disability as a way to pad the word count and add a layer of fancy fondant to the masturbatory and self indulgent text that makes it look more interesting than it is.

I bring this up because I think the phenomenon are related. There has never been a good justification for why Paul is magically indifferent or blind to John being a gay simp especially when you have so many examples of Paul being a gay simp for John in return. BUT it does make for an even sadder and more exploitive miseryfest where a Sad Gay Man died Forever Alone because he was so in love with a Happy Heterosexual Man who could never Return His Love and that is what a lot of people want. That's the only reason the narrative has any steam IMO.

It's just trying to make a sad story and make it even worse: more sad, more tragic, more gay, etc. If John and Paul were mutually attracted and in love with each other than that means they may have had stretches where they were happy together and that's unacceptable to a certain kind of mind. Because the point is the emotional and sexual gratification of seeing a Sad Gay Man Suffering, not to respect the Sad Gay Man and his story and the events and decisions that lead to his predicament. If Paul reciprocates John's love then the John and Paul love story turns into a mundane tale about a first marriage that started out happy but didn't work out because the two spouses grew apart over time. The point of "A Little Life" is the same, there's nothing genuine or cathartic about the Sad Gay Men or the Sad Painful Disabilities, they only exist so the author can circlejerk with her readers about how enlightened and noble they are. Needing the misery becomes all consuming to the point that entire rest of the story, the three dimensional nature of it, gets destroyed and swept under the rug. It's too real and some people just don't want to engage with that.

There's a mundanity to McLennon. Yes there was all sorts of stuff happening but at the end of the day they were just another couple trying to muddle through life together. The soulmate-ness of it all didn't save them when push came to shove. There wasn't a clear path forward for them to make up and get back together even as friends. This is much harder to bear for some people because it shows how the simple act of living your life can carry you away from the person who loves you most. John and Paul found each other but they still drifted apart eventually and stopped wanting to be together. The romance novel didn't end with "happily ever after." The fact that it was so relatable and downright boring is something a lot of people don't want to know or hear about. How can they jerk off to it? It's not miserable or indulgent enough.

Reducing their dynamic to Sad Gay Man Who Is Forever Alone and his Evil Oblivious Heterosexual Partner Who is Blind To His Yearning flattens it, makes it two dimensional, and thus makes it a lot easier to cope with and masturbate to, emotionally and sexually. And look there may be some people who genuinely believe this and don't type that narrative out with one hand, but they're outliers and outliers get discarded.

[pluckyredhead]

…Sorry if this is a bit weird but do you have any queer romance book recommendations? I ended up finishing the last binding trilogy because you posted about it (you have excellent taste lol) and I’m a bit stuck at the moment with what to read next.

Not weird at all! I absolutely have recs! Also Freya Marske has a brand new book out called Swordcrossed if you want more of her writing. (For people who are not anon: The Last Binding is an Edwardian historical fantasy romance trilogy and it's excellent.)

Okay recs:

KJ Charles: My favorite queer romance author, hands down, and also the most prolific! She's written over 30 queer historical romance novels (and one queer historical mystery), mostly M/M, all historical and set in the UK during various time periods ranging from the 1810s to the 1920s. My two favorite things about her work: 1. It draws very heavily on the history, meaning that her characters never come across like modern people in historical cosplay. And 2. she's great at creating genuine conflict between or around characters. I have read too many romances where everything is uwu softness and nothing hurts but Charles's characters are always either fundamentally divided by politics, class, ethical perspectives, lies, and/or tragic backstories, OR they get along fine but a murderer is trying to kill them, OR, in the best of her books, both.

My favorites are probably The Will Darling Adventures (1920s trilogy all about the same couple fighting a criminal secret society), A Seditious Affair (1810s, a radical firebrand and a Tory government official accidentally fall in love while having extremely kinky sex), An Unnatural Vice (1870s, "spiritualist" con artist and the crusading journalist trying to expose him), and Any Old Diamonds (1890s, The Saddest Boy in the World hires a sexy jewel thief to rob his horrible father, kink ensues), but you can really start anywhere - Think of England is where I jumped on and it's nice because it's more of a standalone (there is a companion book but Think of England comes first). If you liked The Last Binding, you might want to start with her Magpie Lord series because they are also fantasy romance. (Freya Marske is a big KJ Charles fan and it shows, in a good way.)

Allie Therin: Sticking with the fantasy romance angle here for a moment, Therin has a 1920s trilogy called Magic in Manhattan that is all about the same couple, a prickly magic-user named Rory and the big hunky WWI vet who loves him, as they fight various evil magicians. (HUGE oversimplification but you get it.) There's a spinoff trilogy, the Roaring Twenties Magic series, which has two books out so far. I love NYC, the 1920s, fantasy, and queer romance, so obviously I love all of this.

But I'm particularly obsessed with her Sugar and Vice series (also a trilogy, first book is out already and the second one comes out next month) which is set in modern day Seattle and is about an empath named Reece and the super dangerous empath hunter called the Dead Man who may or may not be here to kill Reece, and also there's a serial killer on the loose. This one is a suuuuuuper slow burn (they don't even kiss in the first book!), so you have to be patient but I read the second book early and yeah I'm obsessed and desperate to talk to other people about these books.

Charlie Adhara: More paranormal romance! I wrote about these books at greater length recently, but the short version is: FBI agent gets transferred to the super secret werewolf division of the FBI and partnered with a hot werewolf, they fall in love, spend five books developing into The Ultimate Power Couple, I'm in love with their love. There's a spinoff series called Monster Hunt but only one book is out so far.

TJ Klune: I probably don't have to tell anyone about TJ Klune anymore and I'll admit he can be hit or miss for me but I did really love Wolfsong. As long as we're talking werewolves.

Dessa Lux: Okay these are more erotica than romance but Omega Required is a comfort read for me, which is funny because I'm not usually an omegaverse gal. But this is about a very sweet alpha doctor who offers a marriage of convenience to a very traumatized omega and it's literally just nonstop cuddling and soup. She also has a series that's just ever-growing werewolf gangbangs, if that's a thing you're into. Like. A cartoonish amount of werewolves at the gangbang. It's delightful.

Cat Sebastian: I will admit Sebastian is also a little bit hit or miss for me. I loved her very first trilogy, the Turner series, which is very much in the vein of KJ Charles (Regency romance, class divides, lots of conflict). She wrote some more 19th century stuff after that and then moved into mid-20th century romance (50s-70s) which is honestly very rare. She also basically...stopped writing any conflict at all. I would say a large portion of her books after the Turner series can be accurately described as "two best friends who are secretly in love with each other sit in the same house/apartment and enjoy each other's company until they get together." I know a BUNCH of people who absolutely love that and they are well-written! But I really have to be in the right mood for them.

Sarina Bowen and Elle Kennedy: Okay I am not a hockey person, but you must, you MUST read Him and its sequel, Us. Hockey-playing BFFs, one is gay and secretly in love with the the other, the other one is like "I don't think I'm into dudes but I'd better give you 300 blowjobs to make sure." (Spoiler: he's into dudes.) Honestly the stupidest men imaginable. I love them so much. Bowen has written a few other queer romances solo and I'm working my way through her back catalog now.

Rachel Reid: Yes it's more hockey romance but. BUT. Heated Rivalry. Two of the top players in the NHL, on rival teams, have famously hated each other for years...and have secretly been fucking since they were rookies. Reid is another one where I'm still working my way through her books but Heated Rivalry is something special.

I am SURE there are more I'm forgetting but this is long so I'll stop it here for now! Also folks should feel free to reblog with further recs, she said selfishly.

[thewritetofreespeech]

Can I request headcanons for Astarion, Gale, Wyll, and Halsin celebrating his gn s/o's birthday please?

Astarion

In truth, Astarion has never celebrated a birthday before; or at least one he can remember in the past 200 years.

He of course knows about birthdays and what people usually do. Celebrations at the local taverns on such occasions were easy to pick off just…not the guest of honor. Astarion felt that would be tacky.

His gift would be something small. Memorable. A ring or necklace his love would always wear to think of him. And seeing them wear it make Astarion feel like he in turn finally has something of his own. Ending with a night of passion which, for once, he truly deeply means. Sweet words and all.

Gale

Gale would be planning for your birthday for months. Either in secret, or an attempt at keeping a secret because he’s just so excited.

He creates a new version of his Starlight incantation. One that is more reminiscent of their current living arrangements, but with hints of the forest where he first professed his love for them. A blend of the old and the new, to remember their past & look forward to the future, he said.

Besides the illusions, Gale makes them a very real dinner of their favorite meal and a cake to rival even some of the finest bakers in the Gate or the Deep. He also gives them a journal, hoping that it will be a comfort to them to write down their thoughts but also one day help with the novel on their adventures he’s going to write.

Wyll

Despite not celebrating many birthdays in recent years, Wyll actually loves them. He is of the opinion that every year, surviving, growing, and moving on in the world, should be celebrated.

The day would be spent more for quality time. Taking a (hopefully) peaceful walk. Maybe a little hunting for dinner, if they can’t find a tavern on the way. Gazing up at the stars as night falls, with Wyll pointing out his favorite constellations that are only visible this time of year (and therefore must be a gift for them from the gods themselves).

His gift would be a small blade he had fashioned for them. Naming it ‘the Protector of the Blade’s Heart’ since they are Wyll’s heart and this will protect them. They also get the finest rendition of ‘happy birthday’ an aspiring bard turned adventure his lungs can handle.

+Ascended!Astarion

Once he finds out when their birthday is, never really having asked before as it was of no interest to him until now, Astarion makes great effort to have it be the most memorable birthday ever. Everyone should be celebrating when his consort graced the universe with their beauty, and they should have a party that would dwarf all others in their past; now that they are at his side.

He throws a grand ball every year. Themed, perfectly executed, nobles & dark affiliates from all over come to pay tribute to them across Faerun.

It wasn’t until year’s later that they realize that the date had slowly changed from their birthday to their ‘new birthday’. The day they became a vampire.

First where there was one party, then two, now there is only one again for the new date.

Astarion insists, at first, that it’s just a fluke of scheduling. Too many meetings with his dark horde or aristocracy to make it work. Suddenly they are traveling during their birthday and can’t do the party.

Eventually, Astarion admits that your original birthday is pointless. “Why do you need to remember that when you have been reborn with this new life, my treasure?” And thus Astarion had successfully changed your birthday to your deathday, as it were.

[comikadraws]

Did Kishimoto write ANY naruto light novel at all or at least contributed to one of them? Should we consider them canon or not?

The Canon Value of the Naruto Novels

(and filler episodes)

Oof. Naruto canon is a complex thing, actually, because each and every piece of material we've got is inconsistent in some way and is getting discredited left and right.

I have previously explained in a different post how the Naruto manga and the Databooks have repeatedly retconned themselves or each other despite both having been authored by Kishimoto. Evidently, there is not one 100% secure source for canon Naruto lore.

Novel Authors

While the Novels do credit Kishimoto right on the cover page alongside other authors (in this case, Takashi Yano and Jun Esaka), they do not specify the degree of Kishimoto's involvement with the work.

The Naruto Wiki states the following:

"Though each novel tends to be written by different authors, all novels have covers illustrated by the respective manga's illustrator [Masashi Kishimoto and Mikio Ikemoto respectively]"

So, to my knowledge, most if not all of the novels written for the Naruto series were not authored by Kishimoto himself. His name on the novel covers likely only refers to his authorship of the original Naruto series (which the novels are based on) and/or his contribution as an illustrator.

J-books, at the very least, never credits Kishimoto as the "author" but instead for being the "original creator".

Japanese: 原作:岸本斉史 著者:江坂純 English: Original work: Masashi Kishimoto Author: Jun Esaka

Wikipedia does, in one instance, credit Kishimoto as a "co-author", but I'd take this with a grain of salt.

Incorporation into the Naruto Franchise

When it comes to whether or not the novels (and, by extension, filler episodes) should be considered canon, you will encounter two camps:

Those who consider anything canon as long as it was officially published as part of the Naruto franchise

Those who consider anything canon as long as it was written or supervised by Kishimoto himself

As you can see, "canon" appears to be a personal interpretation.

Jun Esaka, the author of Sasuke Retsuden, stated in a Tweet that she considers the manga to be the only truth/canon of the Narutoverse.

She made this statement in 2019 in spite of Sasuke Retsuden having been given an illustration by Kishimoto at the time of its release. This is not a particularly radical take as even the Naruto movies (that are largely considered non-canonical by the fandom) have received official illustrations made by Kishimoto.

(Below are Kishimoto's illustrations for the Shippuden movie and the Bonds movie)

Later (in 2022), Sasuke Retsuden received a manga adaptation (albeit by a different mangaka than Kishimoto, which is Shingo Kimura), and was eventually turned into an anime filler. The latter is considered anime canon, and the problem with anime canon is that Ikemoto has no qualms about referencing "anime canon" episodes in the Boruto manga (which also resulted in the appearance of Tsumire).

Could all of this promotion of Sasuke Retsuden mean that Jun Esaka's work received canon status in spite of her previous statements? You can certainly argue, but then you will run into a similar issue with the movies because the Road to Ninja movie got a manga one-shot.

With all of these variables to consider, I have come to the following conclusion: Canon is a matter of convenience and semantics.

Canon Convenience and Semantics

I cannot emphasize enough how much both considering and not considering the novels canon is valid because "canon" is a matter of semantics that relies on convenience.

In its original, religious meaning, "canon" describes a list of authoritative books accepted as holy scripture. Emphasis on "accepted" because scriptures are considered "canon" not on the condition of who authored them but based on what others decided is authentic and what is not.

Fandom then adopted the term "canon" and now it describes whatever we want it to describe. Typically, fan-made works are considered "uncanonical" by default (exceptions apply, such as with the SCP universe; please don't google this if you cannot handle horror) and any "official" content (ie. released by official publishers) is considered "canon". But then some franchises will have fans that try to redefine the meaning of "canon", focusing on authorial intent only. This definition includes works that the author intended or accepted as true to their story, or supervised or collaborated on. And then there are those who believe that there is only one "original story" or will reserve the term "canon" to works exclusively authored by the original creator.

So yes, it truly is about convenience. This is the impression I've been getting from the fandom so far, at the very least. The canon value of different projects is often not questioned on its own but instead in conjunction with berating other fans for liking certain characters or ships, surrounding their statements with comments such as "xy fans believe glorified fanfiction 🤭", denying them any ground to stand on.

Not that hate is the only reason, however. I, for example, will refer only to the manga and databooks for my analyses both for the sake of cutting down on time and effort (no way in hell am I foresting through 90 hours of filler content), and also because I try to appeal to a broad audience that includes manga/databook purists.

Needless to say, the additional content (anime, novels, movies) conflicts with manga and Databook information more often than I'd like, too, making it even harder for me to puzzle together Naruto canon. Taking all of these additional materials into account would only be an additional burden. But since the definition of "canon" is not universal, I feel free to define "canon" in a way that assists me rather than weighs me down.

My point is: The fandom has not yet agreed on one definition of "canon" and it likely never will. You need to choose what you are comfortable with. And if you are met with fandom warriors who will insult you for that, keep in mind they are just trying to play historian over something as ridiculous as wizard ninjas.

[blueteller]

cough, so.... being called Blue, or Teller, or Blueteller, or Blue-nim, or Teller-nim.... the Wise one, Precious one, Honorable one, Dear Wise person——if you are to transmigrate in lcf and have any of these as your name/title, what would the characters will call you and why:3

(i vote Dear Wise Person as what Clopeh will call you, you're his mentor figure)

What an interesting question! I like it!! 😂

I am, and forever will be, the Glutton Priestess' greatest fan (as everybody who knows me on Discord knows)... So, in the spirit of that – pun intended – I would be either literally the Indestructible Shield Ancient Power.... Or, if I were a regular person who got transmigrated into TCF world, I would become a baker in the Henituse Territory. Remember that one baker lady in the very beginning, who offered to sell Cale bread that she already pre-packaged for him, and he called her a good merchant? Yup, that's me 🤣

Heck, now I wanna write a Self-Insert fic where the POV character transmigrates as that exact woman and acts exactly as she did in the story because Cale gives her a lot of money lol

I would be the first one to fuel the rumor mill regarding Cale changing, pushing the "Young Master Silver Shield" agenda that he hates because pre-war it was actually VERY important for the public to trust Cale as their Commander, even if Cale hated the idea. There's a reason why he let Alberu place him in that "hero" spot since the start.

Naturally, I would also become the super secret leader of the YHW, aka. the in-universe Cale Henituse Fanclub, and become the author of all the "biography" novels that got written about Cale right away – you know, the ones that even Toonka read despite not liking reading hahahaha...! If not my "Blue Teller" nick, I'd probably go by "Blue Shield" or something similar.

I would also, probably, maybe, definitely, secretly meet up with Clopeh from time to time, to provide him with intel for his Caleism agenda. Nothing TOO personal mind you, I wouldn't do Cale dirty like that, just casual facts that Clopeh would find out eventually anyway, because why not? Better than some dramatic exaggeration that would make Cale TOO heroic-looking lol. Because it's better for the public to know basic stuff about Cale right away, rather than stewing in curiosity and making up an even wilder origin story for him. Which, knowing Cale, is absolutely plausible.

...Would that be kinda evil of me anyway? Probably. But, I'd just call it... Preemptive Damage Control & Management... I mean, even Alberu gave up on that by the end of Part 1 😂

[azrielgreen]

I wanted to write this before I read today’s surprise (🥹) chapter of SS to say… 

I’ve spent the last couple years knee DEEP in interdisciplinary trauma theory, with a focus on literature (suffice it to say, ya girls read a looooot of trauma depictions) and I just wanted to let you know- your depictions of trauma hit such a sweet spot for me both academically and personally. 

I’ve read and lectured on multi-award winning novels that deal with trauma in such a careless way that I have lifelong vendetta’s against their crusty-ass authors and the lectures I gave were essentially a 45 minute roast. It’s a pretty open secret that people who’ve experienced trauma are drawn to study it/depict it/explore it through art so…also suffice it to say, I’ve got some personal dogs in this fight 🫡. 

You write undoubtedly graphic and challenging trauma but a big key difference is that, for me, there’s a palpable and rich seam of care that runs through all your work. There is a lack of authorial judgement meaning you can craft fully realised characters that, despite sometimes grotesque actions, never completely escape feelings of empathy or sympathy. 

Have I finished chapters and had to go outside and do a lap of my building to work off the feeling I might puke? For sure. Did I also feel that way the entire time I was falling in love with my partner because big feelings make me pukey? Also 100% accurate. Do I LOVE reading shit that makes me feel that way KNOWING there’s the Jane Austen safety-net of happy endings? Absofuckinglutelyyyyy 

I love that you write purely for an audience of one, I think that makes your work that bit more engrossing. It lacks that self-consciousness so much writing has where you can feeeeel the writer is always trying so hard to convince the reader it’s worth reading…you don’t need to convince YOURSELF so you save a lot of time and awkwardness and we all benefit besides. 

Basically, you’re a babe of the first water. I felt compelled to tell you all this because I think everyone could always do with hearing what a gift they are, especially when they share something so rare and special with strangers. 

Thank you xx 

Please everyone take a second thread this if you can because this is the encapsulation of why I share what I write. This means the fucking world to me. Today was so hard for me, I've been sick and couldn't write and had no sleep at all but this really truly made me feel warm inside. Thank you, darling. Thank you so much💜💜💜

[darkestmetamorphosis]

I MEANT TO REPLY TO THIS WEEKS AGO SORRYYY

You hit the nail on the head

Like the only time I've ever really had any preference for a specific pov was with YA novels (granted it's been years since I read any of them but from what I remember) I didn't care much for first person because sooo many of them were glaringly written with the purpose of the protagonist being a blank slate to be "relatable" (and that's not even getting into the discussion of what relatable even means or if it's necessary). Which to me just backfired when it felt so dull being stuck with them when there's more interesting characters around them. But it's popular for a reason so I'm sure those characters resonated with other people

I think fanfiction in particular has much less reason to write a character as a blank slate like that (unless the character in question is Y/N lol). Because the fact that people are writing fanfic about them in the first place is a testament to how they are already beloved for the personality they have, and the fans who relate to them already do, without any need for the character having their voice sanded down to a blank slate

Been thinking lately about the Fanfic Writing Style(TM) and how incredibly restrictive it is because any deviation from a fairly paint-by-numbers third person POV tends to be wildly alienating to the average fanfic reader, and will actively be avoided.

This is especially obvious when you look at how first person POV fics are treated; they are automatically associated with bad quality, and people will immediately turn away from a fanfic the moment they see it's written in first person. There are reasons for this; firstly, it is true that beginning writers will often use first person because it feels a little more accessible than the other options, and most beginning writers are of course not very good yet on a technical level, especially not if they are also children, which many fanfic writers are. So the association between first person and bad quality is not entirely baseless (though, y'know. definitely at least a little mean spirited, if unintentionally so). Secondly, and this is a personal sentiment but one I've seen some people echo: first person can read weird when combined with fanfic, because fanfic often does not benefit from a closer connection with the POV character. We are here to watch blorbo do thing, it can feel a little weird when it is instead I doing the thing, y'know? This is personal preference, of course; no accounting for that.

However, regardless of the reasons, kneejerk avoidance of first person POV fics is probably one of the driving factors behind the homogenization of the fanfic writing style. It's difficult to put into words to me, but especially if you read a lot of fanfic, at some point it's obvious that most of these stories are written in the exact same way, with the same sentence structure, cadence, and metaphors. The often-mocked italicized Oh, usually used in its own paragraph, usually used in a romantic context, is an example of this: a writing quirk turned universal enough specifically in fanfic to be singled out and ridiculed for its frequency.

This style isn't inherently bad, many authors pull it off very well, but it's certainly restricting. Essentially banning the usage of the first person POV alone is already severely limiting, but even just a slightly different usage of the third person POV is discouraged if everyone is writing the exact same way.

This leads to an overarching problem in fandom, namely that all characters tend to sound the same. The style of writing is the same whether writing about a jaded 40-year-old man or a peppy 12-year-old girl. A story set in 1940's France will have more or less the same writing as a story set in 2010's America. Writers do often try to add little details to their narration to distinguish different characters, and success with this varies, but is usually limited. Narration in fandom is rarely personalized to the character, and instead falls into the homogenized fandom style more than anything else.

I don't have a specific goal with this post. I'm not necessarily saying 'we need to STOP big fandom's writing style' or whatever, I don't think that's productive or feasible. I do think that we should all, as readers, be a little more open to stuff like first person POV fics or stranger prose experiments rather than skipping over or closing out of a fic as soon as we encounter them, and as authors (if you actually care about improving your writing) I'm encouraging you to take a look at the prose style used in your fanfic and see if you could diversify it because oftentimes readers do respond positively when they see it, so I guess if there's anything to take away from this post as a call to action, it's that. But mostly this is just me musing on something I've noticed in my own fanworks recently that irritates me.

[arizonatea-and-nikolatesla]

When I mention I’m writing a novel and someone asks how far along I am but I haven’t actually written anything- just made my fun lil characters and made random plot points that don’t connect yet

[blindrapture]

In 2011, I started writing a thing, on a whim. In 2013, I finished it. A lot of people seemed to love it? Then over the next decade, I put a lot of work into expanding and editing it, with plans for a complete physical book release that didn't happen. Well, here it is again. As an internet novel. A finished novel, this time.

I will start posting the story on May 21st, 2024. May 22nd will be a day of rest. And then, from May 23rd until October 21st, every day will see a new chapter-- a new log. ("F-Five months?? How long is this novel?" Oh yeah, good point. That won't actually get us to the end. There may be another eight, ten days of chapters afterwards. It is important, however, to emphasize the May 21 - October 21 model.)

I will make sure to put the bulk of the contents under "Read More" breaks, so each log won't clutter your browsing experience.

The logs will have art in them. Not as much as in the original draft, but there will still be some. As of May 1st, I expect art by Rappu, RealaChao, Wiratomkinder, and Vis.

I plan on supplementing the logs with the occasional post talking about the making and intention of the story. I dunno, it's gonna be a five-month distribution period, I'm gonna get antsy during that and am gonna want to ramble. That'll be separate content, though.

And when the story is fully and completely posted on tumblr, I will release the full novel on my Website, where I like to keep the rest of my creations. Both the tumblr novel and the Website novel will be free reading, forever. I reserve the right to try again at a paid physical edition afterwards.

So! That's it. Rapture is coming. OH GOD THE RAPTURE IS BURNING is coming.

Trigger Warnings: Sex, Gods, and Rock & Roll. (violence. some swear words. teenage angst, cringe. death. insects. surrealism. symbolism. unpredictability of what will be explained and what won't. sexual acts with dubious consent-- you will be able to skip that part. religious iconography. and so much prog rock.)

Get ready for it.

[oceans-beloved]

Meme dump yayyy🥳✨️

(off to make more now muhahaha >:3)