#wow 2 posts in a day !!
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lilybug-02 · 1 year ago
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Wow. That could not have turned out worse.
Part 23 || First || Previous || Next
--Full Series--
This comic will be on Holiday Hiatus this December and January! While on a cliffhanger? What a scam! >:/
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kaogens · 1 year ago
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redraw!!!
old version here ^_^
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shikisei · 10 months ago
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i like klavier
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itslilacokay · 2 months ago
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this is reference to something. hint: its a base
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reporternox · 9 months ago
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It came to me in a vision (hallucinating and delirious :3)
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thedaythatwas · 4 days ago
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on nagito komaeda and love
I just think it’s sort of funny that for a character whose (arguably) most well-recognized CG is this: 
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komaeda’s narrative so heavily centers love. and I don’t just say this because I’ve had komahina brainrot for years (though this is true!!). even if you don’t care about komahina, it’s tough to deny komaeda is a walking tragedy in large part because of the role that love plays in his life. his characterization is driven by the way his luck has denied him love, and how he seeks it out regardless. in that sense, I think that without understanding komahina as at least one-sided, you miss out on one of the juiciest, most miserable pieces of komaeda’s character development.
tldr; a love-centered reading of komaeda makes sense, recognizing komahina as “a thing” in DR2 (whether you ship it or not) is pretty important to understanding how komaeda operates, and I’ll try to prove it right here under this page break!!
Part 1: Komaeda’s Love Life (or, his life without love)
I think it’s safe to assume that if you clicked here, you know about komaeda’s absurdly miserable, tumultuous childhood, but I’ll do a quick recap just in case! meteor kills his parents on a plane, he inherits a ton of money. he’s kidnapped by a serial killer, he finds a winning lottery ticket in the garbage bag he’s thrown out in. he’s diagnosed with terminal cancer and dementia, he gets into hope’s peak.
in his free time events, komaeda *explicitly* frames his luck cycle as something that takes away the people he loves. it only “takes action” against him after his relatives have died (for the sake of this essay, let’s assume that komaeda loved his parents, or would have at least been hurt by their passing). by way of other close connections… well, his wording here implies that by the time of his diagnosis, he didn’t really have anybody in his life. 
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either komaeda didn’t allow himself to get close to anyone after the meteor incident, or he did, and they were taken away by his luck. at some point during his childhood, komaeda learned he should view himself as a death sentence.
so, how does this loss of love shape the komaeda we know? I’ll talk about this in terms of four of his defining (and connected!) traits in DR2 canon – the ones that really make his actions make sense: his self-loathing, his hope-seeking, his learned helplessness, and his certainty that his existence poses a threat to those around him. komaeda’s experience with loss makes him view himself as a source of death, which in turn fuels these tenets of his character. ultimately, his loss and the complexes that arise from it give him good incentive to push people away.
his self-loathing
komaeda hates himself. he views himself as worthless outside of his potential to serve as a “stepping stone” for the hope of the ultimates. he claims that this is driven by his beliefs around talent, which are in turn linked to the way his worldview rests on viewing hope as “absolute good.” the talentless (himself included) are only good for advancing the hope of the talented. still, his self-loathing is a bit more personal than that. take what he says and dig just below the surface, and it’s a clean cut trauma response all the way down. which leads us directly to…
his hope-seeking
komaeda is willing to do literally anything to serve hope. on the island, this (in short) means dying. this is where I prod at komaeda’s reasoning a bit more: komaeda’s willingness to act the way he does in canon also stems from his belief that his dying would be a net good for the world. his existence kills the people around him. his illness will kill him anyway. he has less than no value, and hope is invaluable. to go out for the sake of hope would give his wretched life purpose; it’s his dream come true.
and it’s no mystery why komaeda cares so much about hope: again, it’s a coping mechanism! komaeda’s belief that all bad luck is a necessary precursor for good luck and that hope will always triumph over despair is (as he himself says!) the only reason he’s managed to stay alive. I’ll say it again because I really can’t emphasize it enough – komaeda thinks that just by existing, he kills the people he loves. ouch!
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learned helplessness / his existence as a threat
komaeda has, essentially, learned to submit to his luck cycle. all bad luck is good luck in the end – isn’t that amazing?! almost paradoxically, he’s hyper-vigilant about the negative impact his luck has on those around him. this is a tricky one. I make sense of it this way: komaeda’s perception of how much his luck impacts the people close to him isn’t inflated, like, at all. the supernatural way the world bends around komaeda to screw him over really does pose a danger to himself and others, and he takes measures to minimize that danger. his stated acceptance of his luck cycle is… well, again, he’s coping. 
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if komaeda really thought that all bad luck is ultimately good luck, he wouldn’t try to protect his classmates from his bad luck. but, as we see in island mode, he does!
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but really, who could blame komaeda for lying to himself? I’ll restate the facts. komaeda thinks that luck is absolute power. he says that he’s powerless against it. his luck has taken his family, and it’s left him with nothing but money that he doesn’t want. he’s certain he’s a curse, and there’s no end to that in sight: so long as komaeda exists, he’ll keep on losing – murdering – everything he loves. 
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in the face of all of that despair, what can you do but abandon your self-esteem and pray for something good to come out of all of it? how else could somebody possibly survive carrying that burden, truly believing that load will never be lightened?
tldr; komaeda thinks his existence is a threat, and a big chunk of his personality is a frankensteined way of surviving the pain that comes with that. still, we should question how much of his worldview komaeda has really internalized without inner conflict. 
Part 2: Enter Hajime Hinata
we get some answers on that front when we see that despite the clear and obvious danger it poses, nagito komaeda still finds himself falling hard for hajime hinata. that’s really, really loud.
I’ll preface this part by saying that you don’t need to actively ship komahina to understand what I’m trying to get at here. this said, I’ll be recapping an argument you’ve almost definitely seen before: komahina is definitely “a thing” – at the very least as a one-sided thing. to this, I’ll add the (perhaps bold?) claim that without recognizing that much as true, you’re missing out on a big part of what makes komaeda so interesting.
komaeda’s FTEs make it abundantly clear that komaeda has feelings for hinata. apart from his famed failed love confession, the fact that komaeda is willing to allow hinata to get close enough to learn about his views on hope and luck is telling. 
(the smoking gun here hinges on trusting that komaeda was telling the truth during the time you spent with him; in so many words, that he only lied about lying. so, for the sake of argument, let’s assume this is true! there’s good proof for it, anyway.)
if you read his final FTE as komaeda flashing his soul to hinata and making a decision at the very last second to retreat, turning to old coping mechanisms to protect hinata from his luck, it’s sort of a komahina bombshell. that capitulation spells out for us that komaeda understands sharing his life experiences with hinata to be one of the most intimate things he could possibly do.
he recognizes the exact moment he lets hinata get too close – when his life story is finally told – and he does what he’s learned he needs to do to get them both out of that situation safely: he tries to make hinata hate him, and tells himself (and hinata!) that he did it for the sake of hope.
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(and yet, komaeda let hinata approach him every FTE, knowing damn well that they were both playing with fire… very interesting.)
now, let’s say you don’t consider the FTEs to be integral to canon. I mean, you can really easily miss out on all of komaeda’s content if you choose not to hang out with him in chapter 1! so, for the skeptic, in the unskippable main story, komaeda tells hinata this:
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komaeda cares about hinata despite everything. and I really, truly mean despite everything. at this point in the story, the fact that he still cares about hinata calls into question basically every single one of his core beliefs. he’s read his final dead room prize – not only does hinata not have a talent, we can presume that komaeda also knows hinata became ultimate despair along with the rest of them. 
hinata has continually sought out komaeda’s company, even though komaeda knows himself to be worthless at best, lethal at worst. komaeda was willing to let him get closer, even though he knows how dangerous that is for hinata. he can’t help but let hinata try to know him. 
isn’t he awful? to want what he knows he can’t have, even though that wanting has never done anything but cause pain? he’s really the lowest of the low, to love someone who destroyed the world, who makes him question the views that will allow him to do the only good thing he’s ever been able to do for it: to die for hope. 
and yet, it’s a nod to how incredibly capable of love komaeda is that he’s still willing to reach out for it, no matter how many times it’s burned him in the past, and how much it hurts him in the present to want it. he understands more than anyone that his feelings can only result in disaster. reading komaeda as someone who can’t help but go on loving anyway makes his story hurt so much worse. 
but, you miss a whole lot of that without an eye for komahina. seeing hinata as the eye of komaeda’s emotional hurricane (and keeping tabs on their connection accordingly) allows us to glimpse past the cracks in komaeda’s front. we see that komaeda’s worldview is less stable than he presents it as – hinata is where komaeda’s coping mechanisms, for better or worse, run up against a wall. that tends to be uncomfortable for a guy who’s just barely coping in the first place. then again, growth is supposed to be uncomfortable, isn’t it?
Part 3: The Future He Chooses
so, all of this considered, I think one of the most interesting ways you can flesh komaeda out post-canon is by asking how he’d find himself willing to accept love. whether that love is from hinata or the ultimates, whether it’s platonic or romantic, love is the thing that komaeda wants AND fears in equal measure more than anything. it’s the source of his self-loathing and his obsession with hope. it’s the reason he’s lived the way that he has for so long – lonely, and afraid of being anything but.
getting into a relationship wouldn’t solve komaeda’s problems for him, and that’s a good thing. it would force him to confront old ones, and probably create dozens of new issues for him, too. writing him through that makes for great character study!
hinata (or anyone else, for that matter) can’t love komaeda into loving himself, but he can give him a shoulder to cry on while he works through 22 years of fear and sorts through the wreckage of a worldview that’s long since stopped serving him. I don’t think his progress would be linear. but, I think that he could do it. komaeda learning to accept care is what his healing looks like. 
(well. and physically recovering from cancer and dementia. but that’s neither here nor there!)
a post-canon komaeda learning to love narrative is also in line with the themes of DR2. hinata leads the survivors out of the neo world program because he makes the decision to choose his own future, creating a new version of “hope” for himself and his classmates. likewise, komaeda can make the decision to save himself. that is, if he trusts himself enough to actually touch and hold the thing that he’s never been able to stop reaching out for, anyway.
after all, hinata is lucky too. (and if it turns out he isn’t… y'all like angst fics, right?)
(shoutout to @cynopter for looking this over and confirming that I'm not spouting nonsense <33 thank you for reading my thesis of the week <33)
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canon-gabriel-quotes · 9 months ago
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✨💐 Mother's Day 💐✨
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Machine. Gabriel omegaverse male pregnancy art.
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I'm two days late... *gasp* Did Minos finally..?
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Did Sisyphus finally..?
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Don't come to my server.
Don't pray to me.
Don't "V1 pregnant" react me.
We're done.
*vine boom*
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Guys, stop giving birth in vc.
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You know.
I'd really like to say all of the pregnancy jokes catch me off guard.
But to tell you the truth, I was expecting.
i hate it here
Omegaverse clip
Minos clip
Sisyphus clip
Divorce clip
Literally 1984
He was expecting :]
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kevindavidday · 8 days ago
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idk why i remember the detail so clearly but when jean moved in with the girls initially they told him which cleaning supplies/chemicals don't mix together and it's just stuck in my brain. he's going to mix them. i dread.
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mosaickiwi · 11 months ago
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14DWY As a Drama AU
Hey remember when I said I’d post this in February oopsies!! (don’t ask me about demon!ren i will cry)
Open at your own risk this thing is LONG. Tried to give everyone at least a little something! upon putting this in my drafts i realized olivia exists i'll add her at some point uhhh. Also you can tell how much I love Elanor... hehe
14 Days With You is an 18+ Yandere Visual Novel. MINORS DNI
The cult classic romantic thriller, 14 Days With You, is now a drama! Coming to all your favorite streaming platforms this summer. A whirlwind romance gone right and wrong that you DON’T want to miss.
Cast List
[REDACTED]
🖤 Quiet kid that used the after school theater program to delay returning home. Never wanted to perform, but loved doing costumes, make up, and correcting others (in his mind) on how to portray their roles. 
🖤 Spent a little extra time perfecting the costumes of a certain someone who didn't even know they existed. He always traded house chores with his sister so she'd sit in the audience to solely film Tree #2's performance.
🖤 Was an apprentice special effects makeup artist after graduation at first, particularly for horror films, but it didn't exactly pay the bills when they left home.
🖤 Easily rose to the top in their acting career due to his dedication for crafting characters to perfection. 
🖤 Dolly Parton/Lady Gaga-esque in their separation of work and life—completely unrecognizable in their regular civilian attire. Paparazzi have never gotten a picture of them in all their years trying.
🖤 Has zero issues getting into character, but does "method acting" on occasion to make sure people leave them alone on set. And also to fuck with directors and producers they don't like. Notoriously difficult to work with because of it + their overall attitude towards others, still gets hired somehow.
🖤 Got offered the role as the main love interest in 14DWY without an audition, thanks to a previous manipulative pink haired character he played in a film that ended up never being released. (2017 Ren because it's funny)
 Angel (you!)
💜 Participated in the same after school theater program as [REDACTED] and Leon for a few semesters before you got bored of it. Curiosity for acting resurfaced later in life.
💜 Newbie actor at the recently formed talent agency of your friend. Only starred as non-speaking roles or background characters in small productions until the drama. You moved back to Corland Bay after uni for the better industry prospects.
💜 You initially auditioned for a very small role in the drama as an employee in a seaside shop at first, but somehow you wound up as the lead? (un)lucky you.
💜 Feel free to fill in the blank for any whys and hows you think of to fit your OC/self/sona as you so please <3
Elanor
💖 Normally an actress and casting director, first time as an executive producer for the drama. Dreams of bringing her own romantic screenplays to life. Hasn't quite proven herself the way she wants in the industry to feel confident enough in them. 
💖 Catalyst for the drama being made. A "friend" mistakenly recommended the 14DWY book to her. She absolutely loathes all the psychological horror of it but sees the potential it has.
💖 Also the reason [REDACTED] was immediately cast, and you as well once she saw your chemistry with him while reading for a minor role. He hadn't shown a fraction of as much interest when reading lines with other potential candidates, so she decided to take the risk of an untested talent as the headliner.
💖 Refuses to use her family's name to get her stuff made. She wants her works to speak for themselves. Very picky about who she works with due to her family having hands in most of Corland's entertainment industry so she hardly gets a genuine interaction beyond ass-kissing.
💖 Always partial to working with Conan's small studio since he was the only director to give her any sort of criticism in spite of her family, as gentle and polite as it was. She still cried a little in the dressing room though.
💖 Genuine confusion when Conan wants her to act as both a producer and assist with direction. She only intended to bring it to his interest. But how could she say no to someone whose judgment and opinion she respects so much?
Conan
💖 Runs and owns a small scale studio in the Bay that seems to pick and choose its productions at random. It is in fact Alice sneaking into her dad's home office and putting scented stickers on the ones she likes. (She only reads the titles)
💖 Extremely proud of Elanor for getting so far on her own, and would take on one of her dozens of scripts no questions asked if she'd only work up the courage to show him one. So imagine his surprise when she comes to him with a romantic horror instead of one of the fairy tale romances he sees her scribbling notes on during breaks.
💖 While he’s the one with the final say, he does try to let Elanor have as much free reign as possible on the project in the hopes to boost her confidence.
Kiara
💖 A super-star actress and model that got her start in Corland’s local industry, but quickly hit it big. 
💖 When she isn’t drowning in work, she’ll swing through town to check in on her sister.
💖 Desperately wants to star in one of Elanor’s productions, but respects her sister’s desire for independence. Though she does like to tease about certain casting decisions on the drama when made aware of them.
the rest of the cast are unfortunately very silly i couldn't resist
Moth
💖 Started a talent agency out of spite for the terrible castings in their favorite media. Got further invested upon realizing they could read the scripts before the movies or show adaptations were even announced.
💖 The one who pushed you to audition for a minor role in the production once the rumor about who was cast as the main love interest reaches them. They've heard all the horror stories about [REDACTED] so wanted the inside scoop. Horrified and fascinated to find out you get the lead role. It’s like watching a train wreck.
Leon
💖 Joined the theater program initially because of you, but got really into it. Moved away to attend a performing arts school until his mother got sick.
💖 Took every wacky infomercial or street performance gig he could find to pay the hospital bills until Teo found out and swooped in.
💖 Eternally grateful for the burden of financial ruin being relieved, so he always accepts the jobs Teo gets for him. He definitely won’t complain since he’s not dressed in an animal costume and shouting nonsensical slogans for cleaning products.
Teo
💖 Met Leon through a shared production and quickly bonded. Attended a different performing arts school and met Jae as a child.
💖 Almost the exact opposite of his game character purely for the funnies. Shy, introverted, can’t flirt to save his life. Still a nepo baby but he can hold his own in acting. Doesn’t like his character much, but is extremely jealous of the confidence he oozes.
💖 Leon and Jae are his only friends in the industry so he uses his sway to get them parts if they haven't already gotten a call back. Gets REALLY nervous on set for certain roles so he needs their support.
Jae
💖 Attended the same school as Teo when they were kids, and is constantly pitching intentionally bad ideas and joking on set to reassure his friend.
💖 A little bit of a thrill seeker, so does all his own small stunts if he thinks he’s capable. Stands there and gawks watching the more extreme stunts, loudest to clap when they go well.
💖 Kept bringing Maple to the shoots cause how could he even think about leaving her at home? She would occasionally break her leash and wander into a scene for head scratches and kisses. The film crew always booed when a PA came to take her off set.
Violet
💖 Completely terrible at caring for plants. Inspired by her role, she starts vlogging about her plant mom journey before shooting even begins. All her advice is completely wrong and terrible. Her personal assistant keeps her in the dark by tending to the plants themselves to fix her mistakes.
💖 Finds out she has a talent for flower arrangement, though. Does thank you vases for the cast and crew on all her future productions that last a lifetime because her PA made sure all the flowers were fake.
Exposition
(silly on set shenanigans)
🎬 Scenes get retaken quite a bit, since you’re still extremely new to it all. Most of the cast and crew expect anger out of [REDACTED] after the 4th call for a re-shoot on the first day’s library scene, but he’s surprisingly cracking jokes about his dye job and reassuring you that you’re doing great. The infamously ill-tempered actor is smiling somehow… even being patient? Not glaring down his co-star for minor slip ups? They cannot recognize this person.
🎬 Violet and [REDACTED] naturally butt heads on set. She respects their acting, not the actor. Zero hesitation to snap back if he’s getting snarky with a PA. You’re the one people have to beg to separate them, and you’re completely baffled that [REDACTED] doesn’t treat others as nicely as he treats you.
🎬 Even though Elanor is a nervous wreck about the first real thing to ultimately make or break her career, she’s scarily efficient on set—as long as no one distracts her. She does get sidetracked once in a while, only because she loves chatting and answering any questions the cast or crew might have. She even brings one of her own cats to set during a slower day to see if they can get along with Maple. Leaves Conan in charge when the horror scenes are being shot. They’re both put off by how vivid they feel, but Conan at least can grin and bear it. 
🎬 You and Leon manage to catch up on set while [REDACTED] is otherwise occupied shooting said horror scenes. You tease him about a few infomercials you saw when looking up his actor reel, and Leon teases you back about your unlucky streak of being a tree or a rock in every play the theater program put on when y’all were younger. Laughs even harder once he finds out your most prominent roles until then were “unnamed zombie #5 at the bottom of the pile” and “sleeping train passenger.”
🎬 Try as he might, [REDACTED] doesn’t convince Elanor to change up a few crucial parts of the script for his benefit. His offhand threats of leaving the production fall on deaf ears, as she is all too happy to do re-shoots to make Teo the lead. His innocent hints to you about the shoddy script fly over your head for some reason! You love how it's turning out, what does he mean?
🎬 Super shy Teo prefaces and warns his co-stars before acting in every scene of his character being excessively flirty. Most of the actors have worked with him at some point or another beforehand, so they let him go through his routine without issue. Some crew members love the whiplash of him switching between overly courteous and smarmy, others vastly prefer the flirty character and mourn the loss as production comes to a close.
The Build Up
📺 The higher ups pressure Violet to start a short-lived streaming career to boost interest, since she’s hopeless with plants. She amasses a cult following for her MMO reviews, blind raids on new patches, and her wild ride of a Minecraft playthrough. In the end she winds up preferring to play games off stream, but once in a blue moon she’ll do a first time raid stream so her more dedicated fans can join and watch her alliance get wiped. Creative trolling is highly encouraged.
📺 Teo, Jae, and Leon appear on a late night TV show for promotion. It was meant to be for Teo and [REDACTED] at first. (Where’s the leading lover? [REDACTED] refused all promo appearances or sit downs without you being involved in them.) The host plays a clip that Teo’s particularly embarrassed about, and he hides his face in shame when the crowd hoots and hollers praise about his portrayal.
📺 [REDACTED] comes across as doting and overprotective of you once you’re pushed into the spotlight of celebrity, and shows increasingly concerning behaviors as the premiere looms closer. Depending on your response, they’ll back off to a point or dial it up. Interviewers and consumers mistake it as the eccentric actor’s “method acting” so the red flags just slide right past.
📺 Elanor and Conan guest star in a podcast for off-the-cuff romance enthusiasts. Their strangely cagey and joking comments like “there were so many retakes we couldn’t keep track of what was meant to be the actors messing around or part of the final cuts,” and “we’ve actually sent all the reviewers 1 of 14 versions with completely different endings,” leave listeners all the more curious to see the film.
The Climax
🎉 Reception is huge, in good ways for most. The majority of the cast see a surge in popularity if they didn’t already from the hype. 
🎉 Teo bemoans his endless offerings for sarcastic pretty boy jobs, Leon makes enough to get picky about his roles (and pay Teo back), Jae somehow cons a studio into an action film starring Maple—and subsequently adopts every single one of her stunt doubles. 
🎉 Moth throws the agency away to start adapting anime and manga themselves. Elanor finally feels validated enough to bring one of her romantic screenplays to the big screen, starring her sister Kiara and a very enthusiastic Violet as the leading couple. 
🎉 Conan’s studio is overloaded with scripts, and Alice runs out of scented stickers that much quicker. They are severely backlogged send help.
🎉 One determined conspiracy theorist sets out to prove those missing 13 versions of the ending are real, based on minor cuts and inconsistencies purposefully left in the public release.
The End, Roll Credits
choose your own ending
Bad End 💔 - A Falling Star
💔 If you respond negatively to [REDACTED]’s demeanor during shoots and promo: he plays the waiting game, uses his connections and blackmail to make sure all your roles without his name attached don’t garner nearly as much attention as the ones where you’re co-stars.
💔 Your negotiating power quickly plummets as you fall out of demand and end up begging just for the non-speaking roles you once loathed.
💔 The careers of anyone you got close to on set fall apart much faster than yours, before they’re outright blacklisted in the industry.
💔 You begrudgingly call up your last option. He can’t do much for your friends, but their offer to help you make a comeback is always open.
Neutral End 💌 - Just One More Try
💌 If you respond indifferently to [REDACTED]’s demeanor: the drama leads to you getting more offers, though a handful are for playing opposite of [REDACTED], as the on-screen chemistry was too much for studios to ignore for cash grabs.
💌 Elanor has rid herself of the drama’s subsequent rights, despite positive reception, so a sequel sprouts up in the works at a different studio. One that doesn’t mind catering to the whims of their actors when it comes to script integrity.
💌 You arrive on the set to find that not just one, but all of your cast mates except for them were written to have much smaller parts in the sequel. In fact, you rarely find a scene in the revised script where [REDACTED] isn’t alongside you.
💌 Sadly the contract is air tight, just put up with it until it’s over… What’s this clause about further sequels?
Good End 💍 - Off Into the Sunset
💍 If you respond positively to [REDACTED]’s demeanor: you’ll sadly announce at the post premiere press conference that acting was a one-and-done adventure for you. Retired effective immediately, no farewell interviews.
💍 You’re spotted around town for a few weeks in a mask with a tall, darkly dressed companion at your side before you disappear from the public eye and Corland Bay all together.
💍 A few of your friends at least have an idea of where you are, and they meet up with you whenever you're in a nearby city. None of them can recognize the man glued to your side, though. Not that he'd say anything to clue them in.
💍 After months of near inactivity, [REDACTED] mysteriously deletes their socials without a word, sparking confusion and outrage among hardcore fans still desperately hoping for a sequel.
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cheaptaxidermy · 11 months ago
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SUCKERS !!
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featuring prompts from people on twt and my own doodles. would probably be better to post these individually but thats too much work
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gophergal · 2 months ago
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"Ya ever have bad dreams?"
*_*_*
Decided to redraw my first TF2 related drawing from about a year ago
And this is the original, for comparison
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tigerr-cherry · 10 months ago
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Here's some sillies I've been hoarding. Narinder is like really easy to draw
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antipathy-arsonist · 9 months ago
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hanks youtube channel + haters
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paradlselost · 4 months ago
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I love my post-apocalyptic waifus … ❤️
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haoqw · 5 months ago
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mikeywayyyy 🎉🎉
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usagifuyusummer · 16 days ago
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I think they are supposed to be twins???
(maybe originally in the concept art, but in canon it seems they aren't anymore? dion has been stated to be the oldest, but my thoughts are maybe like he's the older twin lmao. i will probably be 100% wrong if there is ever a future installment in this series.)
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Funny story, I originally wanted to color these sketches, but I found that most of my traditional art supplies are unusable (the pencil colors has a very faded color, and most of my markers have a diluted yellow coloring lmaoooo ToT). I haven't been using them from 2019 and it really shows.
Oh yeah, here's a full page sketch.
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