#would a scene like this be even remotely plot relevant? hell no

[jhnnyjstr]

i am winning the idgaf wars when it comes to the magnus protocol bruh.

i cannot get myself to be even remotely interested in this series. im listening out of obligation (number 1 tma fan), but i end up just waiting around for those 20 minutes to end with zero interest. for there to be a sequel to the magnus archives, a podcast with a fully rounded and complete elaborate storyline, it has to justify itself. to me, tmp doesn’t justify itself.

right now, tmp feels like someone going “oh! oh you liked THIS?? you liked THIS PART of tma??? well look at THIS!!!!! this is THAT!!!!!” and it completely flops at it every time. i won’t say its shit, i’ve liked certain episodes and i enjoy some of the characters, but side by side with tma…? come on

part of the beauty of tma is that every episode felt like you were slowly uncovering a plot with the mc. not only that, but characters were gradually introduced, and supplementals didn’t even have proper full character scenes/dialogues until s3, (a little in s2). then look at tmp. the first episode is random characters ive never heard of talking all at once, and this continues for every episode until the current one. i don’t care about any of these characters, and i feel no attachment or ‘riding along with the mc’ feeling with any of them. it feels like a random group of people sprinkled in amongst a vaguely tma-ish plot.

i also hate the attempt to INSTANTLY get into the ‘ooo big background mystery’ when there absolutely hasn’t even been enough context set for that to even matter to the listener. why do i care that gwen is getting promoted? why would any of this sinister secret plot matter to me when i barely understand the way that this institution functions normally? (which i don’t even know the name of, mind you).

you could easily say “but dan!! this will be SHORTER than tma!! its 3 seasons, not 5!!!” think about what was achieved in 3 seasons of tma. by season 3, jon was in his exploration era. he was meeting mike, jude, the monster hunters, gerry, nikola, sarah, he learned about the nature of the entities, we learnt about rituals, learnt that jon wasn’t fully human anymore, hell we even met peter, and we saw elias’ ass being sent to jail!

the pace of tmp is so fast when its plot already bears so little relevance to the listener, and it doesnt help that some of these episodes are, in complete honesty, poor. i find the writing of characters and the interactions between characters rather poor already as well.

im not trying to be harsh, but this is definitely nagging at me. ive been growing fairly irritated with tmp. feel free to disagree obviously, i can see why people would be fans. but it doesn’t hold a candle to tma. im trying reaaaally hard to give it a chance, but im growing more and more disappointed/underwhelmed by the day . pllbbttfhhh . 👎

[postmodernmulticoloredcloak]

Good Omens 2 Episode 3: well that was depressing (and ominous)

An episode that smells of plot and foreshadowing. Just when Nina and Maggie were about to talk about their feelings, bam, cold water drenches them. Just when Elspeth and Morag are about to dig up the body that will get some money to improve their lives a little, bam, Morag dies. It doesn’t take a genius to guess what this is foreshadowing is for. Season 2 being act 2 aka The Empire Strikes Back and all.

Then there’s falling/being pulled down. The men from the graveyard watch fall in a hole that Crowley goes a little overboard with. Crowley gets pulled down by hell after he does a good deed. While the empty box Gabriel came with is always ominously there with its arrows pointing up, this episode also added some imagery about going down. Also ominous.

And lateness. Too late to save Morag, too late - Crowley starts dreading - to save Aziraphale, or at least the life they’ve cut out for themselves. Timing is a theme in the episode. The surgeon wasn’t able to save the boy with cancer because it was too “early” for the medicine discoveries that could save him. The surgeon also wouldn’t dig up the bodies himself because that would take too much time away from his work. Elspeth gets a really nice about of money, but it’s too late to share it with her friend.

The whole episode is fast and chaotic, people always moving around, the busy streets of London, needing to go fast to escape who’s chasing you. Even Aziraphale drives, and tries to keep under the speed limit but doesn’t get to. Crowley ends up spinning around the pavement as his demon informant keeps changing her position around him.

Both Aziraphale and Crowley are getting involved in something out of their comfort zone. Things going too fast, things being confusing and unsettling. Crowley high on laudanum getting very small and then very big represents how they’re not... the right size for what is happening.

And they also don’t quite help each other, as they both add to the other’s distress with the Bentley and the bookshop. Their relationship has gotten very good (the scene where they face Muriel as a couple is perfect) but it’s not perfect yet. The Bentley and the bookshop each only belong to one of them, they don’t have reached the point yet where they are 100% a “we”. For certain things, they are still a “you and me”, as shown by Crowley living in the car with his plants because that’s his own home.

Basically, the emotional resolution of their relationship is going to be when what belongs to one also fully belongs to the other, and they are 100% a “we”. And we’re constantly getting closer to that, but there’s still some road to go.

In fact, in the episode there is also a case of them closinng their distance a little in terms of worldview. Aziraphale gets into the whole Edinburgh situation with a lot of abstract, rigid ideas about good and evil, and learns something about the reality of poverty and how that distorts the opportunities for good.

Crowley already knows all of that - being a demon, he’s more familiar with the intricacies of humanity, with the gritty and the murky of the human experience, but also with the good that is found there. Angels - as we keep getting reminded in scenes where they are totally clueless about humanity - know much less.

But thanks to his experiences among humans and alongside Crowley, Aziraphale learns. In the present time, he almost knows enough about humanity to pass reasonably as one of them, albeit an eccentric one (but really, what’s more human than being a little weird?). None of the other angels can remotely do that.

It’s no coincidence than the first supernatural entity other than the two protagonists to feel like they want more from life is Beelzebub. Hell is closer to the gritty and murky of humanity.

Speaking of Beelzebub. Gabriel lampshading the presence of a fly inside the bookshop definitely feels relevant. I expect Beelzebub and Gabriel to have a mirroring narrative. Gabriel, thanks to his lack of memories, is expericing humanity and the little joys of it - the hot chocolate - while Beelzebub is feeling discontented with the bleakness of hell.

They’ve been framed before as sides of the same coin, having the same role but on the two opposite sides. Are they going to meet in the middle, somehow?

(As Gabriel says, the books don’t stay where he puts them, because of gravity. But flies go up. Books are Aziraphale, flies are Beelzebub. Foreshadowing much?)

We’ll see, we’ll see. (Well. I’m the only one on here who still needs to see, but hey.)

[welcometogrouchland]

Last non-sensical toh prediction before the episode airs: Caleb designed the gravesfield town logo/GG sigil.

[sweetbitterimpossiblecreature]

A Brief And Concise Summary Of Is Wrong With The ACOTAR Series

I think we can agree that a lot of ACOTAR is pretty iffy. Consider this a very brief refresher.

What's Wrong With Feyre/Rhysand (juxtaposed against Feyre/Tamlin)

Rhysand drugs and sexually assaults her in Book 1

This is "for her own good". Because he "has no choice". Despite the fact that, from what we know of the plot, Amarantha thinks that Clare Beddor was the one Rhysand was diddling, and is only interested in Feyre because Rhysand, "her" man male, has taken an interest in her.

If we extrapolate from this we can figure that Rhysand is the one directly putting her into danger.

Now, let's be clear: drugging someone is bad. Sexually assaulting someone is bad. One could argue there were extenuating circumstances. But if, in such a situation, what your mind goes to is "I know, I should assault this person... for their safety" I have questions about your moral qualities. There were a million things he could have done. He could have done whatever he did to Clare - that is, remove her ability to feel any pain - easily. He could have helped her escape. Under The Mountain, he - while still there unwillingly - has a lot of power, as Amarantha's side piece. Maybe this would have resulted in him being punished- however, he is hundreds of years old and a badass motherfucker, and she is a nineteen year old human girl.

Now, onto Tamlin. Obviously not a lot of people really ship F/T anymore after ACOMAF, because compared to F/R, it's boring. I read another person's post about it, which was very enlightening: they said that Feyre's personality is essentially a mirror. When she is with Rhysand, she's snarky and malicious- because she is "bouncing off" his energy. When she's with Mor she's super feminist and "in awe of her strength". On the other hand, Tamlin is kind of an empty character. He's a pretty boy with anger issues, which should be more interesting than it is. SJM manages to make him bland. Because Feyre has nothing to bounce off of, (a lot of this is from the person's post), she and Tamlin together is mainly just him introducing her to his world.

What Tamlin Does: prevents a skinny twenty year old from going on dangerous missions with him and combat-trained soldiers, accidentally blows up a room with her in it, and, at the end, prevents her from leaving the house.

This is not a Tamlin apologist post. Obviously it was really fucking gross of him to do that, and their relationship was toxic. However, a lot of his abuse stems from their inability to communicate, as well as own negligence. He does not knowingly and purposefully sexually assault her or rape her mind. And tbh, leaving a girl without combat training at home while he goes on missions with a bunch of muscled sentries is... kind of reasonable?

Again: not a Tamlin apologist post. It was abuse. However, if Rhysand is "allowed" to sexually assault, mind-rape, and drug Feyre "for her own safety", why is Tamlin demonized for preventing her from leaving his mansion "for her own safety"?

Another pertinent point: Rhys is never punished for sexually assaulting her. It is brushed off as part of his "mask" or that his hand was forced. Jesus Christ my dudes, his hand was not forced under her skirt. If he has to maintain his gross rapist abuser tyrant oppressor mask... why? Who did that benefit beside him? None of his actions remotely helped Prythian. They were done solely for his buddies - five people safe in a rich hidden city - and no one else, which is explicitly stated.

Finally, the power dynamic is fucked up. Feyre is less than twenty five years old. Rhysand is 500. There is a tendency in fantasy romance to romanticize a centuries year old man with a young girl, because the man does not show symptoms of age, and so it is easily ignorable. However, can we just briefly acknowledge how fucked up it is? Rhys is over five times older than Donald Trump, Harvey Weinstein, Jeffrey Epstein, and other known predators/abusers. She is twenty. That is really fucking gross. She is in a vulnerable position and he takes rampant advantage of that.

If he had wrinkles, liver problems, and erectile dysfunction, more people would acknowledge it.

Let's be clear: I'm not saying writing a book with an uneven power dynamic is automatically bad. For example, in The Locked Tomb series, which is in my opinion THE BEST FANTASY SERIES THAT HAS GRACED THIS EARTH (lol i'm starting fires), one main character Harrowhark Nonagesimus is in a position of power over Gideon Nav, the other main character. However, this is not glossed over or romanticized. Gideon resents Harrow for this- there is a relationship of mutual antagonism, fraught with unwilling familiarity and intimacy from growing up together. They are roughly the same age. While there is a certain power dynamic (in that world, there is a dynamic of necromancer and cavalier, i.e. sorcerer and sword) the "empowered" character (Harrow) emphatically respects her and does not abuse this power, although both would of course deny this, and she does make a show of threatening and being aloof. In short, while Gideon obeys her, Gideon also has power over Harrow, and the idea of what is essentially slavery is not romanticized.

Feyre Doesn't Face Any Consequences For Her Own Actions

Let me present a radical notion: a guy preventing you from leaving his house does not justify completely fucking ruining his country and harming the people inside it.

In other words: Tamlin does not deserve what she did to him.

I know that sounds iffy. We're conditioned to think that if someone is an abuser, then they are the scum of the earth, they deserve to die, torturing/murdering/doing anything to them is completely A-OK. However, here's another radical notion: someone harming you does not justify you doing worse.

Obviously, the effects of psychological abuse can cause you to hurt other people (see: Nesta), but Feyre deliberately and maliciously (oh, God, that insufferable POV of her in Spring Court; she reads like a cartoonish Disney villain) dismantles his country. She uses sexual manipulation (Lucien), torture (causing the sentry to be whipped), and mind-rape (who didn't she do this to? lol).

A summary of the entire first half of ACOWAR: "It smelled like roses. I hated roses. For this capital offense against my olfactory system, Tamlin and the entire Spring Court deserved to burn in hell. I knew exactly what I was doing. I smiled at him sweetly: no longer a doe, but a wolf. He didn't see my fangs.............." *aesthetic noises*

Man. I'm starting to think SJM had a horrible experience at a Bath & Body Works and took it out on the rest of us. Don't do it, Sarah!! I know Pink Chiffon and Triple Berry Martini are way too strong, but don't take it out on an innocent population!!

She steals from Summer Court (there are, yk, other solutions to theft. Like maybe asking politely) and ruins Spring Court. Her boyfriend - yeesh sorry, MATE - does nothing while a dozen Winter Court children are murdered.

Now: moral ambiguity is not automatically bad. Again using The Locked Tomb as an example, in the second book (spoiler alert), Harrowhark has a sort of moral ambiguity. She was raised from the beginning to worship the King Undying as God, and so she obeys him without question. Because of this, she commits a lot of crimes in His name: she "flips" - i.e. kills - the life force of planets, and she plots murder (albeit the murder of someone who tried to kill her first). There is no attempt to justify this. There is also no attempt to paint her as a virtuous and yet also badass Madonna figure. She is desperate, plagued with the "wreck of herself", and the book clearly displays her moral pitfalls. While her POV is of course colored by her mindset, it also is limited by her lack of information, and we as readers can acknowledge that.

BACK TO ACOTAR: Feyre is seen by everyone as gorgeous, formidable, and essentially perfect. Rhys sees her as flawless, "made for him", wonderful, beautiful, blah blah blah. (THEY ARE SO BAD FOR EACH OTHER; THEY EXCUSE AND GLORIFY EACH OTHER'S CRIMES, IT'S SO BAD, GUYYYS). Tamlin is insanely batshit in love with her, or whatever. To the Night Court she's the High Lady. In this way she personifies the Mary Sue character. (Excerpt from the TV Tropes page on Mary Sues: "She's exotically beautiful, often having an unusual hair or eye color, and has a similarly cool and exotic name. She's exceptionally talented in an implausibly wide variety of areas, and may possess skills that are rare or nonexistent in the canon setting. She also lacks any realistic, or at least story-relevant, character flaws — either that or her "flaws" are obviously meant to be endearing. She has an unusual and dramatic Back Story. The canon protagonists are all overwhelmed with admiration for her beauty, wit, courage and other virtues, and are quick to adopt her as one of their True Companions, even characters who are usually antisocial and untrusting; if any character doesn't love her, that character gets an extremely unsympathetic portrayal." Sound familiar?)

There is the Ourobous scene. And yet, paradoxically, while presented as an acknowledgment of her flaws, it is in fact a rejection of them. She sees her own brutality... and instead of recognizing that she has these deep, deep moral flaws and realizing that she needs to grow and be better, she in fact "accepts" them.

Guys: Self love means: "I'm important to me, so I'm going to get a massage today after work", or "heck, why not splurge on some expensive lotion, you only live once" or "you know what? I had a tough day today. I'm going to get that strawberry cupcake". SELF LOVE DOES NOT MEAN "oh, I accept all the war crimes I have done, I love myself". LOVING YOURSELF DOES NOT MEAN ABSOLVING YOURSELF OF ALL WRONGDOING.

It's this refusal to acknowledge wrongdoing that is so grating about ACOTAR. It's so goddamn one-sided. And you can tell that after Book 1, SJM decided to completely change the trajectory simply because of how jarring Book 2 reads compared to the first one.

Also: Feyre is a very, very young girl (compared to the other ruling fey) who did not know how to read for the majority of her life. She has no experience whatsoever in politics. Her being High Lady is not a win for feminism.

Rhysand: He Sucks

First, he is 500 years old. He should be written as such, not as some 20 year old virile frat boy feminist. Fantasy is all the more compelling for its elements of realism, which is a concept that SJM does not appear to grasp.

Second of all, his morals are absurd. He is written as the Second Coming of Christ, as someone who can do no wrong, ever, and his flaws only serve to make Feyre love him more. Anything shitty he does is written as part of his "mask" and she can See Beneath It and knows that it "hurts" him to maintain this "mask".

Fellas, WHY DOES HE HAVE TO MAINTAIN THIS MASK???? There is no reason for it. If A) he does not give a shit about Court of Nightmares (we'll get back to that), only about Velaris, and B) Velaris is hidden/protected from the world, what is he pretending for?

It would not hurt him politically to be seen as someone who cares about his country.

"Pretending" to be "Amarantha's whore" does not in any way shape or form benefit the macro-world that is Prythian. In Amarantha's name, he commits atrocities. He commits war crimes; he systemically oppresses entire societies. It doesn't even really benefit Velaris, because Velaris is already hidden.

Let me put this in a real-world perspective. This would be like if Donald Trump was suddenly like: "I know I was a shitty president but IT WAS ALL PART OF MY MASK, WHICH WAS TO PROTECT THIS MICROCOSM OF PRIVILEGED PEOPLE THAT I CARE ABOUT". Like: okay? Sorry, or whatever, but I don't actually give a shit. What about the parents of the children who died? What about Clare Beddor? What about the people who were held in slavery, murdered, tortured?

Rhysand: omg it sucks that my cousin Mor was oppressed by this toxic misogynistic culture from the Court of Nightmares.

Also Rhysand: lol whatever, who gives a shit about Court of Nightmares. They all suck. They meanie. Lol what did you say? That there might be other girls just like Mor who are oppressed by this system? Lol whatever. I can't do anything, I gotta maintain my Mask. I gotta sit on this throne and show the entire Court that not respecting women is completely okay.

In summary: by parading Feyre around as his "whore" (!!) he demonstrates by example that it is completely okay for the Court of Nightmares to abuse their women.

A good ruler cares about all his people. Rhysand cares about a tiny tiny fraction of his people: those who were fortunate enough to be born into Velaris.

God, I'm exhausted. Onto Nesta:

The only character who successfully breaks the Mary Sue effect Feyre exerts on her people is Nesta. Her POV for the first half is a joy to read.

Obviously it sucks that Nesta was a huge bitch to Feyre for the beginning of her childhood. However, it was wrong for Rhysand to threaten her- he is a man male with a huge insane amount of power, and it is not okay for him to threaten to bring the brunt of it down on a young girl because she was a bitch to his girlfriend.

I've seen a lot of discourse on the morality of F/R sending her out of Velaris. Here is my two cents:

It was okay for them to cut her off of their money. If they don't want to enable her self-harm, that is their choice. Again, it's their money, even if it wasn't fairly earned (Rhysand born into an enormous fortune).

It was not okay for them to banish her from Velaris with the implication that she was an embarrassment. Let me explain.

If Rhysand and Feyre are talking to her as sister/brother-in-law, then that is that. They have the complete right to express disapproval and try to help. However, they should not be using their royal privilege against her.

If they are talking to her as ruler to subject, then they have the power to banish her from the city. However, a ruler would not give a shit about a random subject getting drunk and having sex. So, they should not be talking her about her problems as a ruler to subject.

I've heard it compared to her being sent to rehab. However, rehab is a system designed to help people with certain problems. It has specialized medical centers and involves therapy. Nesta gets her life threatened multiple times. It is not rehab.

In summary: why did SJM inflict this upon us. Throne of Glass was actually good! GAHHH! After the first few books she completely whipped around and introduced the idea of males and mates and fey and that C is actually A and the quality took a huge nosedive. Sigh.

Final horrible but unmistakable truth: The entire ACOTAR series reads like a bad A/B/O fic. I hate to say it but it's true. We're lucky there were no heat cycles. OH WAIT

[blogger-yura]

Entry #42 May 30th '22

#YurasLife #MovieMonday #TexasChainsawMassacre #Horror #Gore #Slasher #TW:MentionsOfSchoolShooting

𝐌𝐨𝐯𝐢𝐞 𝐌𝐨𝐧𝐝𝐚𝐲 - Texas Chainsaw Massacre (2022)

Title: Texas Chainsaw Massacre - Screentime: 83min - Director: David Blue Garcia

Rotten Tomatoes

Melody, her teenage sister Lila, and their (...), head to the remote town of Harlow, Texas to start an idealistic new business venture. Their dream soon turns into a waking nightmare when they accidentally disrupt the home of Leatherface, the deranged serial killer whose (...) legacy continues to haunt the area's residents -- including Sally Hardesty, the sole survivor of his infamous 1973 massacre who's hell-bent on seeking revenge.

Film Affinity

Melody, her entrepreneur friends, and her sister Lila come to the small town of Harlow, Texas with hopes of renovating the area. Unfortunately, their arrival ends up reawakening the deadly Leatherface, who begins to slaughter the newcomers. Meanwhile, the sole survivor of Leatherface's killing spree in 1973, Sally Hardesty, remerges to take down the murderer.

Hello hello my flowers in bloom~. How did the weekend treat you guys? I hope you got to rest tons and have fun in your free time!

As promised, I am back today with my regular schedule! I missed sharing movies with you guys sooo much! Shall we get to it? I hope you enjoy today's post!

With an audience score of 2/5 on Rotten Tomatoes and 4/10 on Film Affinity, the newest addition to the famous "The Texas Chainsaw Massacre" franchise is officially a C O M P L E T E disaster.

Now, I'm not one to talk ill about other people's visions— But what was this director thinking when he created this movie! A cheap attempt to copy the new "Halloween" generation if you ask me –Which BTW isn't that good either–, they really tried to work this as a direct sequel from the first movie, "The Chain Saw Massacre" from 1974... And they failed miserably (」°ロ°)」

I will have to admit I had some good laughs and the special effects weren't all that bad. If so the storyline they picked sucked and the script was cheap and rushed, if you're really into broken bones and blood the movie is not short of those! Enjoyable to an extent as long as you don't take it too seriously. Outside of the very few well done scenes, the film is simply a MESS. Seems more like an a fan made project than a professional work. One thing that's happening a lot lately is Hollywood wanting to win women by giving us "lead female heroines", and while I'm ALL about females in leading roles and females being problem solvers for themselves— This was just embarrassing to watch. Genuinely!

Sally's character is no other than a poor lady who's been living traumatized, has never gotten any help at all, and is blinded by sick revenge that doesn't get her anywhere. Melody and Lila are simply /dumb/, their backstories are not really relevant to the plot in a meaningful way either which makes you wonder what was the point of even bringing up the topic they chose to use. There's absolutely nothing else to say about their characters. And their friends? Just a bunch of idiots ヾ(`ヘ´)ﾉﾞ This movie made me so mad in so many levels!

Leatherface is debatable— Considering his only job is to kill people it's hard to be critical about his character. I do appreciate his job as a famous serial killer though and I'm glad they didn't try to give him some new deep backstory or explain his nature—.

I also do appreciate how basic the set was. Very much as the first movie, most events start and finish in the same few places. There's not a lot of thought needed to watch this movie anyway.

Overall the film was simply disappointing and not worth watching as a follow up from the original, almost feels like an insult! This is the stuff that happens when companies lose franchise rights every few years— Completely heartbreaking. If I could give it half a star I would.

Do you like "The Texas Chainsaw Massacre" franchise? Have you watched this new addition to it? Share your thoughts below if you have! If not, have you ever experienced the disappointment of a new movie that doesn't reach your expectations? I'd love to hear what you have to say about it!

This will be all for today~ I'll see you guys again soon! -Yura ♡

Personal score: 🌟☆☆☆☆

🧡: @clubwnderland @jinju-oc @moonlightchn @temptationcb @silvernightcb @adorbsana @velvetparadise @urjenniekim @goodagainstevilcb @project-takeover @secretsocietyxcb @floristluda @midnightbot @uridealbf-cb @switchxbotz @diabolic-bot @kimheebby @nana-n-nono @urmultibot @weeb-wonwoo @uryeri @chef-chaeryeong @slasherbots @killerchaeyoung @tsunfullsunbot @ceo-kangjoon @shangrixxla @deceptionbot @fate-bot @killeryeonjun @sk-joocy @protectorxbots @vampirecoven-cb @urcafe-cb @xyjae @angelzbakery @yanderegroup @idealmulti-cb @cupidcity @bloodmoonxbot @switchxbotz

[ais-n]

How would have cedrick responded to learning about what vivienne had done to boyd by putting him up for the position at the agency, giving him a promotion, and selling him to cyclone? Would he have been angry, or thought that she was trying to protect him in her own way? How would he have reacted to seeing Boyd after the Aleixo mission, or at the end of fade after his eye was removed, at times where it was really obvious the affect physically and mentally that the lifetsyle had on boyd? Would he chose a side in the Beaulieu's feuds, or would he play both sides to try to make both of his loved ones happy? How would Boyd feel about his reaction? Would Boyd want Cedrick to be mad at Vivienne? What would Boyd want from his father if he came back to life in fade, what kind of relationship would he want?

**ICOS SPOILERS - JUST FYI :)**

I'm putting the whole reply behind a cut because I ended up rambling a bit - also I have a (shittily written and very short) excerpt from Julian Files that feels kind of relevant to this line of questioning, so that's easier to throw behind a cut too.

I'm pretty sure Ced would've been pissed at her for the Cyclone stuff. He would understand her reasons for it, and would know that in her own fucked up way she was kind of trying to help - but he also would have been pissed at her for how much Boyd was hurt in the process. He was very loving/protective of Boyd, and also pretty optimistic/hopeful in general, so he would've thought there surely could have been a safer and less traumatic way to help Boyd in the short run without fucking him up further in the long run.

(As for the rest of the things you mentioned of joining the Agency and the promotion, I don't know for sure but I think he might have understood that stuff more - because there's enough of Viv in Boyd for him to get that sometimes when they shut down emotionally, certain life changes or certain shifts in perspective help them find a reason to open up again, albeit slowly. And even if he wouldn't have wanted Boyd to be in a dangerous situation, he would have wanted Boyd to be as prepared IN that dangerous situation as possible, so at least with a promotion he learned more skills to protect himself and others. Also, Ced wanted to help others, so he would understand at least that part of the job is trying to help in some form, even though it's far from a perfect way of doing so.)

There's actually part of a scene I wrote in Julian Files that I never finished because I don't love how the preceding scenes go, and the scene in question is a direct result of them. But in the general part of that plot, Cedrick was out of town for work and Viv was supposed to be watching Boyd who was like 6 or something at the time. But Viv, being Viv, was being neglectful of him and Ced didn't know. He knew that Viv wasn't the most caring of mothers but they'd had conversations about how to make sure Boyd was safe when Ced wasn't around.

In this particular case, some shit happens with a person who kind of stalked Boyd showing up at the home when Boyd's alone, he and a buddy break in to steal shit, Boyd gets hurt in the process, Viv gets home after the fact, Boyd accidentally breaks pretty much the one thing Viv had from her parents (a horse figurine thing), and she gets pissed and yells at Boyd that she would have preferred to have lost him than to lose this thing. So Boyd runs off to Lou's and stays with him for a bit. At some point days later, Ced is finally able to get home - he tried to come home right away when he learned what happened, but he wasn't able to, so he was freaking out the entire time just beside himself worried about Boyd. He had some basic info and knew Boyd was alive and seemingly okay but was still terrified.

I kind of hate the way this is written, as well as the chapters that precede this, but this might be the only scene I can remember writing so far where it got to explore Cedrick freaking the fuck out worried about Boyd and being upset with Vivienne not protecting him. There were some previous scenes written ages ago but this is the most recent one, and probably would be closest in context to the context you're asking about.

-----------------

UNEDITED SHITTY SCENE EXCERPT:

The door slammed open, making Boyd jump and his heart race. He’d barely turned around when heavy footsteps came at him. His father nearly bowled him over, grabbing him in a tight embrace with shaking hands holding the back of his head and crossing over his shoulders.

“Boyd, Boyd, I heard—They said—Are you okay?”

Boyd could hear and feel his father’s heartbeat crashing around in his chest. He felt instantly safer with the warm and strong hands holding him tightly and, strangely, his father’s rushed and panicked words, barely gaining breath between them.

Heavy kisses rained down all over Boyd’s hair on the top of his head, and his father’s uneven breath gusted out near his temple.

“I couldn’t get back any sooner—I tried, dear God I tried because fuck I was so scared and—shit, no, don’t say those words, they’re bad words, Daddy’s just really worried and—and, Boyd, are you okay? Are you okay? You didn’t tell me yet if you’re—”

Cedrick pushed Boyd out by the shoulders, his eyes intensely focused and scouring every inch he could see of his son. He ran his hands all over Boyd, and when Boyd accidentally winced and shied away from the pain, Cedrick instantly pulled up Boyd’s shirt.

He froze at the sight of the dark bruises and cut on Boyd’s pale skin.

“Viv—Viv—Vivienne!” Cedrick shouted, panicked.

Boyd’s mother came and stood behind his father, her face expressionless and posture straight. But Boyd saw the coldness in her eyes, and tried to pull away from his dad. He couldn’t, though; his dad gripped him carefully but firmly with one hand, the other beginning to shake with the shirt in his hold.

Cedrick twisted around to face Vivienne, his voice rising louder.

“Where the hell were you? You told me you’d be home with him! You told me—”

Vivienne’s stare only became more remote. Cedrick’s hand tightened so hard on Boyd it almost hurt. He let Boyd’s shirt fall back down.

“Don’t even fucking try that look on me. You know I can read you like a fucking book. You promised me, Vivienne, and you… He could have been killed, he could have—What would we have done? What would—what would I have done?”

Vivienne didn’t answer.

“Vivienne! You need to goddamn answer me! Where were you? Why don’t you ever care—”

“She helped!”

Boyd’s outburst made Cedrick snap his attention back to his son. Boyd trembled in his father’s hold, terrified because his parents rarely argued like this and it was his fault, he knew it was his fault because he let them know about Troy. He never should have told anyone. He never should have hurt that horse and he never should have told the police the truth.

It was just like Mr. Cole said. Everything was coming true.

“What?” Boyd’s father sounded a lot less scary when he addressed Boyd. Now he was tense but gentle, just like his hand running along Boyd’s shoulder. “Boyd, it’s okay—”

“She was here,” Boyd insisted. It was a lie but he didn’t care, he made it as convincing as he’d ever done in his life. “She was here but then she had to go get something, and Troy must have been watching and then he came in when she was gone but then she came back and the police got him so it’s okay now. You don’t have to yell. You don’t have to be mad.”

He tried to ignore the way his eyes grew wet with tears, and twisted the hem of his shirt in his hands.

--------

I never finished the scene so that's all I have.

Without writing the actual scenes out you're talking about, I don't know for sure - it always seems like I think characters will do one thing and then they do another unexpectedly. But I'd generally guess it would be something along the above vibe, maybe? Except with Boyd being less timid.

Ced sort of would have been in the middle but he also wouldn't excuse certain things. He would have understood that Viv does some shit because she's fucked up, and he loves her so he understands that her choices are sometimes fucked, but that also doesn't mean he'll excuse it and tell Boyd he has no reason to be upset about things he has every right to be upset about. He probably would have ended up being a little bit of a mediator, but less so in the way of trying to smooth things over and making everyone happy, and probably more so in the way of trying to make sure every side felt heard, but more importantly that they understood if they did shitty actions that they were shitty (in this case, that would be directed toward Vivienne), and that they figure out a way for these things not to happen again, while being realistic about knowing how everyone is.

As for what Boyd would have wanted, he probably wouldn't have wanted Ced to hate Viv - he would have just wanted everything to be figured out in a way where no one had to be hurt, and they could just get along, and he would feel valued. He would have loved to just have any sort of relationship with his dad, but Ced being Ced, the relationship would have been a largely happy/supportive one, with Ced being a doofy loving dad - but also someone who will always stand firm if he thinks Boyd, Vivienne, he himself, anyone, is doing something wrong or etc and needs to be called out on it.

If Ced were there in Fade, I think more than anything, Boyd would have just wanted to be able to go up to him, hug him, and be able to cry in his arms, and feel like it was okay and he wasn't being weak for wanting to break down. He would have just wanted to hear his dad say that Boyd was doing ok, that he was trying hard and that was important, and that he had value as a person and that Ced didn't judge him or hate him or wasn't disappointed in him because of anything Boyd had said or done or etc in his life since Ced left. All of which is what Ced would have wanted to do/say too. Well, and then Ced would have for sure wanted to say how proud he was of Boyd, which I don't know if Boyd would have thought to hope to hear in Fade but idk, maybe he would have hoped for that too.

They probably would've just had fun hanging around at times doing whatever. I could see the two having fun digging into different topics or theories or mysteries or whatnot to figure them out.

Also, Ced would have liked Hsin, and would have accepted him as a son in law, just FYI. He already met Hsin when Hsin was like 14 and tried to help him then, so if it later turned out those two got together, he would've understood. Honestly, Boyd/Hsin have a lot of Ced/Viv vibes in some ways, and Ced would've been able to see that, so he would totally get why Boyd and Hsin love each other so much. Except Boyd/Hsin were more volatile because they eventually actually talked their shit out more than Ced/Viv properly did, or really honestly got a chance to do - so in many ways, Boyd/Hsin's volatility was in part because they were ultimately able to be more brutally honest with themselves and each other.

Hopefully that all makes sense.

[huxandthehound]

Why Levi is Still Going to Kill Zeke and Why it Matters

Levi is going to kill Zeke.

You can’t change my mind.

I’ve seen and heard a lot of stuff going around recently. None of it has been rude or angry, just lots of people writing off Levi’s role in the story going forward. And I can understand that to some degree. The series is quickly coming to a close and we’re in the endgame now. (Sorry, I had to.) Levi has been sidelined for over a year. Zeke is absolutely no longer the Big Bad. But none of this means we can throw away a character’s entire motivation because we hear the orchestra warming up to play everyone off the stage.

We haven’t seen Zeke in eight chapters. We haven’t seen Levi do much of anything since getting blown up in chapter 114. Their relevance to the story is seemingly diminishing month by month. Zeke has been, presumably, lying in a pile of rubble or (insert your favorite theory here), and Levi has been getting hauled around Paradis like a small child on a family road trip. Neither of them has done anything remotely relevant, at least in regards to the current state of things with Eren, in a very long time. However, there is one thing Levi has done since then. And he’s done it multiple times: reiterate how much he wants to kill Zeke.

THE PROMISE

The entire reason we’re talking about this is because of something that happened way back in chapter 80. In a grand gesture amongst the chaos and devastation Zeke himself was raining down on them, Levi knelt before Erwin and lifted the weight of his dream from his shoulders. And simultaneously vowed to kill the Beast Titan.

Now, Levi never explicitly swears to Erwin. He never really uses the words “promise” or “vow.” But Levi knew the intent behind his actions, even if his words didn’t convey it, and that kneeling implied his solemnity and dedication to his goal and the commander. And within just a few hours, perhaps less, he reiterates the intent behind his words: “I swore to him that I’d kill you no matter what.”

Interesting choice of words.

I think the “no matter what” is an important addition. This is clearly something he’s added on his own. Unless we’re missing parts of his speech to Erwin, he doesn’t say this, but he clearly thinks it’s implied and is going to hold himself to it.

This is the point where Levi fees the brunt of his words to Erwin. This is the turning point for him, the point of no return, where he begins to feel the effects of his promise that will reverberate well into the future.

Levi does not seem like the type of person to make a promise lightly. He never minces his words or says anything he doesn’t mean. That’s just not who he is. We know this. And not only did he make a promise, he’s recalled it multiple times over the years, reminded himself over and over again of his last words to Erwin. They meant something. They weren’t some hollow promise, some death bed appeasement. Levi fully intends to carry through with it. No matter what.

THE FLASHBACK

After chaperoning a presumably very annoying Zeke at their secure location in the forest for about a month, Levi gets an update regarding the goings on at headquarters. He is not pleased with what he hears, and decides on his own to change the plans and, in the process, kill Zeke.

It doesn’t take long for Levi to make this decision, perhaps because the thought of not only killing Zeke but simultaneously maintaining the power of the Beast Titan is too hard to pass up. Perhaps it’s because the plan would ultimately result in Zeke’s death that helps him come to the conclusion so quickly. I also presume the thought has crossed his mind innumerable times during his stay with Zeke, and he just needed a little encouragement.

Then, he recalls in depressingly accurate detail the vow he made to Erwin, four years later. It’s so knee jerk. It happens so quickly and seamlessly, like Levi has been haunted by this for years, that he’s always had this nagging thought in the back of his mind subconsciously affecting his decision making.

“Erwin, It looks like I’ll finally be able to fulfill the vow I made to you that day.”

The fact that Levi sees the scene from an outside perspective, and not the images of Erwin’s face from below as Levi has recalled before, I believe is important to his memory. It’s not just his words that meant something that day. His words, actually, weren’t the binding part. The fact that he bent the knee to Erwin is what signifies his commitment, and he is reminding himself of his actions that day.

He also says “finally.” These are the words of a man who has thought about this moment for a very long time. I can sense the relief Levi must be feeling when he says this. This thing that he’s wanted so badly to do but has been putting off because of a sense of duty. This is Levi’s “fuck it” moment, when he decides he’s just going to bend the rules a bit, still play along, and get what he wants.

I have a feeling Levi is also recalling the last time he was closest to killing Zeke: in Liberio. It would have been so easy to slice a little too deep or misplace his explosives. The look on Levi’s face in chapter 103 certainly leads me to believe he perhaps tried a little harder than was necessary. Zeke even calls him out on it in the air ship. Levi wasn’t acting. Their battle as a whole might have been a farce, but Levi was taking his frustrations out on Zeke and going through the motions, only to stop just short of his goal.

“Finally,” Levi thinks. This time he’s got a plan that he can see through to the end. No more faking it. No more holding back.

His vow has also seemed to become a little clearer, at least to himself, over the years. Back in Shiganshina, Levi was livid. He’s had time to more fully grasp what his vow truly means, what it stands for. He promised Erwin he would kill the Beast Titan, and while I’m sure most of his hatred is because Zeke killed Erwin specifically, Levi also recalls his other fallen comrades. The ones that died to get them to this point, the soldiers whose deaths Zeke is directly responsible for. And then, as if he didn’t have reason enough to go after Zeke, within just minutes of this flashback, Levi is forced to end the lives of thirty of his comrades.

Another nail in Zeke’s—hopefully literal—coffin.

IN HIS OWN WORDS

Levi knows what he needs to do for his people and the greater good of humanity, and as such, he can’t allow himself to follow through with his promise just yet. He’s waiting—not patiently, but he is waiting—for the perfect moment, one that aligns with his desires and Paradis’ needs. And he’s not hiding it from Zeke.

It’s almost become a running, unfunny joke at this point, for both Zeke and the audience. (I feel like Levi is not as appreciative of these instances as we might be.)

It all starts in chapter 81 when Levi is essentially speaking directly to Zeke after he gets scooped up by the Cart Titan. “I swore to him that I’d kill you no matter what.” He’s telling Zeke. Whether Zeke can hear him as he gets carried away is one thing, but this is ground zero for Levi telling Zeke exactly what he’s going to do to him.

Chronologically, our next on screen instance—though I’m sure there are more we are never shown—is in chapter 105. Zeke is the one to bring it up this time. It’s unclear where he’s gotten this information from, but he knows Levi is still hell-bent on killing him, especially based on what Zeke considers to have been a convincing display in Liberio. Levi ends that conversation with one of my favorite taunts, which I’m going to delve into shortly.

Then, at the tail end of chapter 106 and to help close out the volume, we have a little snippet from what I’m sure was a terribly uncomfortable carriage ride with Levi and Zeke. Levi deflects the conversation away from the supposed victory in Liberio to tell Zeke that he’s going to “kill [him], send [his] corpse to Marley, and reveal everything about [his] plot.” Subtlety has never been Levi’s strong suit. He ends it by telling Zeke, “I wouldn’t mind waiting a little longer before slicing you to pieces.” Levi is more than aware that there is a certain order this all needs to happen in, but no matter how long he has to wait, it will not make him lose sight of his end goal.

THE EVIDENCE

Levi has shown us time after time that he has never given up on his promise. That he will stop at nothing to fulfill it. That he will go so far as to defy direct orders to achieve his goals. Everything is telling us that it’s actually going to happen.

Levi’s first move in twelve chapters, after he wakes up from getting knocked out by the thunder spear, is to promptly call Zeke a “piece of shit” and ask where he is. Keep in mind this is after hearing Eren’s apocalyptic broadcast, and Levi’s focus is still on Zeke. True, Hange and Levi are a bit out of the loop at this point in regards to Zeke’s involvement in Eren’s plan. But the point still stands. Levi is hyper focused on his enemy from the moment he wakes up.

Then, as if it weren’t clear enough, Levi says it again, more plainly, to Magath and Pieck the following day: “My goal is to kill Zeke.” Levi’s motives and goals are not up for interpretation, and he’s not just saying this to appease them either. Magath has his sights on Levi, quite literally, and Levi couldn’t care less. He’s blunt and to the point, as always. He also takes personal ownership of the goal. I think at this point he is slowly starting to come to the realization that he is going to follow through with this no matter what anyone else says. He doesn’t have orders to kill Zeke on sight. He definitely doesn’t have orders to transfer the Beast Titan. But his goal, his mission at this exact moment, is to kill Zeke. And if he has to team up with people to get shit done, he’ll do it. But he’s not hiding his intentions, and I doubt he would even if their goals didn’t align.

Since all of these events, it’s only been a few days, and nothing is going to change Levi’s mind in that short period of time. He’s held onto this promise—this vow to a dead man—for years. I’m not under the impression that Levi is going to suddenly change his mind because of a few new developments and one very cryptic line from a tall blonde woman that I’m pretty sure he hates.  

One thing that Levi says that has always stuck out to me is his eagerness to clarify to Zeke when he plans on killing him: “Not yet.” I know this could be Levi just further emphasizing his ultimate goal (kind of a “don’t mistake my kindness for weakness” sort of thing), but I can’t help but feel like it’s also a nod to the audience. Levi doesn't need to tell Zeke he won’t kill him yet; he knows that. Zeke knows Levi can’t kill him yet, not in the middle of the forest for no good reason without having a titan nearby. The “not yet” seems a little too heavy handed to me, and for that reason I like to cling onto it for dear life.

Additionally there are a few context clues, if you will, that lead me to believe we’re getting set up for the ultimate showdown between Zeke and Levi.

One of my favorite lines from Levi is when he tells Zeke, “I like to save the best parts of my meal for last.” (Levi used taunt; it was super effective.) That line is peak Levi and just everything I want and expect out of any of his interactions with Zeke. I think it might be a little deeper than that though. My interpretation, from a literary perspective, is that this is foreshadowing disguised as snark. I would not be surprised if this is insinuating that perhaps the very last thing Levi will do in this story is kill Zeke. That he’ll kill Zeke or die trying.

I also think that this being one of the last things Levi does would allow him to appreciate his accomplishment. To “savor the taste,” so to speak. I’m not sure what Levi really has to live for if they all come out of this on the other side. We don’t get a lot of insight into his life over these last four years, but I’m willing to bet he feels a little aimless. Killing Zeke would be one of the last things that Levi really feels needs to be done, one last regret to eliminate before he dies. I believe once he’s done that, he’ll be able to move on, and he might be able to rest. I unfortunately don’t see any future for Levi post-war that includes him having closure or relaxing or anything of the sort. This may be his only way out.

If you want to look a little deeper, past Levi’s bluntness, the “no matter what” Levi throws in back in chapter 81 is another thing that piques my interest. Lots of people have pointed out that Levi has also said he’d be the one to kill Eren if he gets out of line (chapter 18). Clearly those parameters have been met. But what happens when Levi’s duty, in a sense, is overshadowed by this promise? The moment Levi said that he’d kill Zeke no matter what, he voided every other task he ever signed up for. I think this is no exception. Is Eren about to kill a bunch of people? Probably. Should Levi be more concerned with Eren at this point than Zeke? Definitely.

I don’t disagree that Levi does seem pretty single minded at this point in the story. But I’m finding it hard to blame him or say it’s a “bad” thing to have happen to him. While fulfilling this promise has become somewhat of an obsession for him, he’s always maintained his professionalism and focus on saving humanity first. He was able to control himself in Shiganshina, in Liberio, in the forest when lord knows Zeke was getting on Levi’s every last nerve. However, the odds are stacked against him now. And if Levi’s going to do it, he’s got to do it now.

Lastly, something that most recently caught my attention was something Zeke says in chapter 113. He’s having a one-sided dialogue with Levi while Levi attempts to escape the 30 titans Zeke has just sicced on him, though I’m sure Levi can hear none of it. “You thought you had strength…” Zeke begins. “Time. Choices. It was those foolish beliefs… Levi… they were your downfall.” Now we know Levi comes out of this battle victorious, if only for a moment. But if we look at this “downfall” of Levi’s to mean only that he was taken advantage of and not that he was doomed, as Zeke obviously thinks, if we accept that Levi ultimately lost this battle in the sense that he also lost his comrades and the fragile plan they had, we’re left to wonder what would then aid in Levi’s eventual salvation...

Look where we are currently. Levi has, presumably, lost his strength. He is injured and weak. Levi has run out of time. Eren is rumbling the world and Levi’s days aren’t getting any longer. He’s also run out of choices. The path laid out before them is bleak: stop Eren or let the world end.  Maybe knowing he has none of these things will be to Levi’s advantage. Maybe that will be what causes him to ultimately make the decision to kill Zeke. He doesn’t have the capability to take down a crazed, Eren dinosaur, but he might have it in him for one last fight with a bearded bastard. He doesn’t have the time to save the world, but he’s got just enough time to fight one guy. And Eren has pretty much made the decision for everyone about how to move forward, and Levi can take that as the last sign he needs to say “fuck loyalty” and collect the Beast’s head.

THE SHOWDOWN

Everything before this was just reasons why Levi is going to be the one to finish Zeke. I feel like we don’t have as many clues as to how he’s going to accomplish this.

I know what comes up a lot in the discussions about Levi’s relevance at this point is the story is his current state, his health and his injuries. I think that’s what makes it interesting, though.

Yes, Levi is injured. But so is Zeke.

We’ll go with the idea that Zeke isn’t stuck in the endless sandbox that is paths. (It’s just easier not to think about all of that...) But the last time we see Zeke in the real world, he’s got a chunk missing out his back. I’m also pretty sure he’s unfortunately placed at the bottom of the walls, which don’t exist anymore. Side effects of this may include death by trampling or being buried under a pile of rubble.

And then we have Levi. Poor, tired, depressed, so done with everyone’s shit Levi Ackerman who honestly would just like to kill Zeke and move on with his life.

Levi is injured. Levi has no gear. Levi is missing two fingers and, very likely, half his eyesight.

However, Levi is Levi. He is nothing if not tenacious and driven. He will make this work. With his bare hands, if that’s what it necessitates.

And I think that’s what it’ll come to.

Zeke has known this day was coming for years and has been under no illusion that he has ever been truly safe from Levi. He knew that he was only spared by Paradis’ need to keep him alive. Their banter is evidence enough of this; Zeke knows his days are numbered. Now, with the world literally crumbling around them, there isn’t much holding Levi back. And Zeke, for his part, has had his dreams ripped out from beneath him while watching his dear little brother betray him and choose to rumble the world. He’s not got much left to live for.

Now, I won’t get into speculating where or when this fight will take place. Over the last month or so, since chapter 129, I’ve been (only half-jokingly) arguing for the theory that Levi may have slipped off of his booster seat on Uber Pieck and remained on the island. Which would obviously make it easier for him to find Zeke or Zeke to find him. If Levi is indeed on the ship (proof where??), then that means the alliance will need to cross paths with Zeke on their way to Eren. Which I suppose is plausible too. We haven’t seen Zeke in quite some time, so who’s to say what he’s been able to get himself into—or out of—in the time being.

So, while it might take a little footwork to get Levi and Zeke in range of each other once more, I wouldn’t exactly count it out.

Regardless of how it happens, the next time these two meet will be far from uneventful. Levi is angry. Levi is resentful. He won’t let Zeke get away again.

I can see another epic Levi panel, similar to the iconic “Kenny!” we get in chapter 57, as he happens upon Zeke one last time. Imagine. Levi rolling up to an oblivious Zeke, calling him “Beardy” or “piece of shit” as the bandages fall away from his face from the force of yelling. We’ll be treated to what I imagine will be Levi’s final form, a presumably partially blind and sliced up version of himself, with rage in his eyes that’s only exacerbated by this damaged façade.

There’s the alternative to this, too, in which Levi heals quickly, perhaps some Ackerman magic as Hange pointed out. He is no longer bloodied, but scarred. Levi may even know this and might just be biding his time under the bandages and only pretending to be unable to fight. I feel like this scenario would horrify Zeke even more, though he needs no help in that department. We already know he’s terrified of the Ackermans.

In either scenario, Zeke will perhaps let his inherent hubris get the best of him, and, seeing Levi weaponless, let his guard down, as he is wont to do. Zeke knows they’re both injured, down for the count. Even if Levi has healed a bit, I have no doubt there will be lasting effects to his injuries. He’s not a kid; he’s older and battered and incredibly tired.

I’m predicting Zeke will remain in his human form. He may be too injured to shift. Or perhaps timing is everything and he might be relieved of his titan curse at a very inopportune moment. My favorite theory would be that in Zeke’s infinite wisdom and pride, he’ll perhaps decide that he’s oh-for-two in Beast vs. Levi fights and maybe he should take Levi on mano a mano.

Ah, Zeke. But Levi is no man.

Imagine, a titan and an Ackerman, both reduced to their most basic selves.

I think we’re going to have ourselves a good old-fashioned fist fight.

Levi knows he’s in a bad state. He’s under no illusions about his health. But we know his heart will be in it. And where Zeke may think this is a level playing field, he will be sorely mistaken.

I just think we’ve seen all we need to see as far as Levi fighting titans is concerned. He goes a little feral, slices them up easily. But Levi fighting Zeke as Zeke, not as the Beast Titan, will inject a little reality into the fight. It’ll allow Levi to really see his enemy, and while it might not make him hold back, we might see Levi get a little more introspective about the whole thing. Maybe the fight is slow. Maybe it’s a bit lousy. I’m not sure how much gas either of them has left in the tank. I can see these two throwing around more words than punches at this point, but blood will be drawn. We’ll have a little more breathing room to take in what’s happening, and, hey, who knows? This might be a good time for one last Erwin flashback.

Levi might have one last knife up his sleeve, a timeless Choice with No Regrets weapon brandishing, one last fancy flourish of his blade before lodging it in Zeke’s gut. Preferably his lower left quadrant. For reasons.

But I think that’s what we need. A messy, emotional fight. No titans. No gear or gas or swords. One last chance for Levi to give Zeke his comeuppance. One last chance to showcase this Ackerman strength that Zeke has been so terrified of and which he has never actually seen the full force of. Levi has been holding back to some extent during each of their fights. He had to. But no more.

Ultimately, Levi will kill Zeke and, in the process, himself.

He’ll fulfill his vow, and he’ll get to rest. Finally.

BUT WHAT’S THE POINT?

Why does it matter? Why does Levi have to kill Zeke?

Ultimately, it’s all about Levi.

Firstly, I love Levi. I think it’s safe to say a lot of people do. And I don’t think it’s a stretch for me to say that we’d like to see him squeeze one last ounce of goodness out of his life.

I believe it would be in very bad taste for Isayama to kill Levi as he stands (or sits) now, broken and sidelined and helpless. That’s not who Levi is as a character. And that’s how you waste a perfectly good scar. So his options are to stop Eren or kill Zeke. And I personally believe there are far better people than Levi suited for the job of stopping Eren, both physically and narratively (cough Reiner cough). Though I don’t deny it would be nice to see Levi have a role in taking Eren down, however bittersweet that may be for him, and us.

But let’s look at where we currently stand. I’m not sure about how everyone else feels at this point in the story, but chapter 130 gave me some interesting vibes. This feels like the second act of an action/horror movie, where the ensemble gathers around a campfire or a lamp in a darkened home, and admits defeat. They look around wearily and kind of decide they’re just going to do whatever the hell they want to do because the world is going to end tomorrow or the zombies are going to break down the door by morning. Obviously, most of our remaining characters want to help, but I can’t help but feel some intrusive feelings of… despair? Obviously most of these feelings are coming from Annie, and Hange is admittedly trying to keep her around. But the zombies are breaking down the door. The Colossals are trampling the mainland. I’m not sure the alliance would have it in them to force Annie to stay, even though they could absolutely use her titan powers to help fight this war.

But when posed with the question “Should Levi be allowed to abandon ship (literally) and go make good on his own promise?” the answer always seems to be “absolutely not.” Levi is denied his dreams. Because people expect better of him. Which is valiant, I suppose, for us to think he’s above that pettiness. But I think most people aren’t really examining his character as a whole.

Points can be made that his drive to kill Zeke is a devolution in his character, that his tunnel vision has changed him and he isn’t the same person with the same goals and motivations as he used to be. On one hand I say: Good. This isn’t a fairytale. This is Attack on Titan. Flawed characters are good. Character development, in any direction, is good for the story. (I mean, have you met Eren?) On the other hand I say: This is who Levi has always been. He’s never been the “good” guy. This is the same man who was called a madman and didn’t deny it. I don’t believe we’re necessarily seeing a different side to him but more of what makes Levi himself is coming to the forefront.

Levi is in his mid- to late-twenties when he joins the Survey Corps. His time underground up until that point had been less than desirable. We all know the story, and it’s not a pretty one. Watching his mother die. Being raised, then abandoned, by Kenny. Followed by who knows how many years of struggling to survive on his own before he found his family with Furlan and Isabel. And even then, it wasn’t easy. Levi is a flawed, fully developed character when we meet him. He is violent and imperfect and deadly. The man tortured someone without blinking. I think wanting him to forego this instinct that he’s known his whole life, in favor of some more angelic or heroic outcome, is a bit too optimistic. It’s almost disingenuous.

Levi isn’t going to be the big hero of this story.

I know... I’d like him to be too, in a sense. But that’s going to fall on our other protagonists. It’s going to be the kids’ tasks to slay the bad guys and tie up the loose ends.

The only reason Levi even began caring about humanity is because of Erwin, and now Erwin is gone. Levi may have found a greater purpose with Erwin and the Survey Corps, but that didn’t change who he was, who he has always been. Letting Levi follow through with his vengeful dreams won’t make him any less of a character. If anything, it’ll cement who he truly is, which is someone that I think most people have forgotten about.

But who knows. Maybe Levi is to be denied, one last time, forever frustrated and regretful. Maybe that’s what Isayama is getting at. Maybe he’s trolling us. It certainly wouldn’t be the first time. Maybe we’ll have all this build up only to get the rug pulled out from under us. Sike, Levi isn’t going to kill Zeke. No dreams will be fulfilled here. Wrong manga.

However, I choose to remain cautiously optimistic. This will very likely be the denouement to Levi’s arc. Let him go down in a blaze of fiery revenge if he so chooses. He’s earned it.

[magioftheseas]

Boom Through Jabberwock!! Bang Bang!

Summary: An alternate/bonus scene spanning from Matsuda giving Ibuki a certain CD in Chapter 24 of Super Danganronpa 2: Matsuda Yasuke’s Battle of Despair and Wits.

Rating: PG

Warnings: None really.

Notes: It’s the yukata bonus scene but for SDR2 Protag Matsuda Yasuke. There’s a bunch more song references and extra banner. The yukata scene’s probably my favorite of the bonus events in sdr2, so it ended up being the longest. Hopefully that’s okay. It’s also much gayer. Because pride.

Read this fic among others HERE

Main story is HERE

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“If dealing with her is your way of dealing with guilt over Koizumi, then—I don’t think you could continue bothering.”

Mioda blinked again. Her mouth hung open, jaw slack before it began to tremble.

“Y-Yasuke-chan, that’s—way harsh! You’re making it sound like I don’t care about Hiyoko-chan at all!”

“It’s suffocating to have someone dote on you because they feel sorry for you,” he said. “It’s even worse when that person is floundering because then you feel bad for them.”

“Wah!”

“The fact that you approached me screams that you’re pulling your hair out over what to do about her.” Matsuda sighed, rubbing his nape. “That’s not remotely helpful. Gather your bearings first. Maybe...”

It’s not that I’m obligated to help, but it would be to my benefit that she and Saionji get along.

“When you kick the gachapon enough times, you can get prizes,” he finds himself saying, digging around in his coat to pull something out. “I happened to get this.”

This being the debut single of the band, The Black Cherries. Summer Festivitrees.

He tossed it to Mioda, but it just smacked against her chest as she gaped and he hurriedly had to catch it before it fell to the ground and broke before even having a chance to play.

“Um,” Mioda uttered as Matsuda handed it to her a second time. She didn’t take the CD. “W... Wow, Yasuke-chan.”

“No good, huh,” he guessed, waving it in front of her. Somehow, that did not make the CD more enticing. “Guess this kind of thing isn’t your jam.”

“I was just thinking that you’re fearless,” she said. “I mean—coulda guessed that from you and Nagito-chan being a thing... But seriously, that you’d have the brass to show me this...”

Matsuda’s frown deepened. His brow furrowed for good measure. However, when he pondered about what the fuck this girl’s problem could be, he could scrounge up a few ideas.

“Rival band?” he guessed, looking at the back of the CD. All it listed, of course, was the songs and artists and some copyright. “Or was there some stupid band drama?”

“Rivals!” Mioda confirmed with a chirp. “Did you not hear about all the hype of boys versus girls?! The battle of the boy bands and the girl bands?! The epic showdown of chicks and di—!”

“...isn’t battle of the sexes so last decade?” Matsuda asked, raising an eyebrow. “Hell, wasn’t it more thing two decades ago? Talk about outdated.”

“It super is,” Mioda agreed. “But that was just the press for ya. Out of time, out of tune, out of touch! My old band’s ticket sales and concert attendance numbers still got compared with the Cherries’ all the time.” She perked right up. “But out with the old, in with the new! It doesn’t matter to me because it’s old news about my old band!!”

“I see...”

“Music shouldn’t be about sales anyway!” she exclaimed. “Down with capitalism! Eat the rich!” A pause. She groaned, pained. “Oogh, Byakuya-chan would have been so yummy and chewy... I miss him so much...”

What the hell am I supposed to say to that?

“The meeting’s about to start,” he reminded her. “And...about Saionji...”

“This lightbulb has now been lit!” Mioda went right back to shouting, undeterred even as Matsuda grimaced. She just looked at him with bright, sparkling eyes. “Yasuke-chan, can I have you for the night?”

“...” His grimace darkened. “...”

“If you’re that busy with Nagito-chan, I gueeeeeeess he can come too,” she says, huffing before outright whining. “But you gotta give me an answer! Even if it’s not the story that I planned, I gotta hear your answer! I wanna know the answer!”

Matsuda squeezed his eyes shut, sighing as he pinched the bridge of his nose.

I really don’t want to, but...

“I guess I might as well go,” he grumbled.

“You should!” Mioda agreed happily. “GOOD answer! There wouldn’t have been much point in this bonus scene if you said no, Yasuke-chan!”

Matsuda stared.

“Ooh, so sharp! So cool! Cutting like the highest note!” she gushed. “Alright! The meeting time is two hours before the evening announcement! At the supermarket! No carts needed!”

Matsuda turned on his heel to hurry on ahead.

“Alright, then, guess that’s that.”

When she shouted some more, he didn’t look back. Only quickened his step.

--

After all the plot-relevant stuff of which the reader shouldn’t be concerned with right now, Matsuda did end up remembering the plans he made.

“Oh, right. It’s probably getting about whatever time that rocker girl wanted to meet up.”

“Oh, Matsuda-kun!” Komaeda exclaimed. “If you had already made arrangements with our Mioda-san, shouldn’t you have respected that first and foremost?”

“I had more important things going on,” Matsuda muttered. “Stuff more...relevant.”

“Geez, you’re such an asshole,” Hinata griped because he was here too for reasons. “Just hurry on. You shouldn’t keep Mioda waiting.”

“Eh.” He really shouldn’t. That said—“She said Komaeda can come, so I guess you should come, too.”

“H-Huh?! Why?!”

“Just...a feeling I have. Come on, you two.” Matsuda gestured for them to follow. “We’re heading to the supermarket.”

“Uwah, how exciting! Mioda-san’s kindness knows no bounds!” Komaeda gushed to which Hinata could only grumble.

“I feel like I’m just going to get pulled into extra work...”

Good news.

--

“O-nya-su-mi! O-nya-su-mi!” Mioda waved them over frantically from behind one of the aisles. “Ready for something to happen?!”

She gasped, gripping one of the cereal boxes with glee when she saw that Matsuda hadn’t arrived either alone or with just the resident crazy on the islands.

“Ooh, you brought Hajime-chan, too! I guess you do know the saying! Three’s a crowd, four’s a party!”

“Hey, Mioda,” Hinata greeted half-heartedly as she put the cereal back. Hinata strode up to her only to pause. What laid scattered before him was undeniable and he could only sigh at his fate. “Okay... What’s all this?”

When Matsuda got close enough for a look, he could see the piles upon piles of cardboard boxes. Komaeda, too, blinked at the sheer volume.

“Kaboom! Through summer!” Mioda exclaimed with a thunderous clap. “You can’t have a summer without fireworks!”

“I’ve had many of those,” Matsuda informed her without missing a beat.

“Loud noises make me a bit nervous,” Komaeda admitted before exclaiming, “How exciting!”

“Oh, right,” Hinata remembered. “Komaeda, on your student profile, it lists your dislikes as...”

“D-Don’t worry about it, Hinata-kun! It’s for the sake of hope!” Komaeda did in fact seem more nervous than excited. “Hope can come in loud, colorful bursts!”

“Eh...?”

“Filthy fireworks disappear into the sky!” Mioda sing-songs. “From Summer Festivitrees! Haven’t you heard it?”

“I don’t really listen to music that doesn’t play in anime,” Matsuda replied.

“Bang! Bang! There go my dreams!” Mioda gasped, but she recovered quickly. “Anyway!” With a salesperson grin, she gave a wide sweeping gesture towards the boxes. She even wiggled her hand while she was at it. “Boys, get those boxes! Let’s go! Set up!”

“Hah,” Matsuda huffed. “You could have gotten literally anyone to do grunt work.”

“Between the four of us, it won’t be too bad,” Hinata points out. “I mean...”

“Yeah, it’s a party!” Mioda agreed. “A super spicy party! Well—it’s a real party since I’ve already invited a few others! Chiaki-chan, Akane-chan, Mikan-chan, Sonia-chan—and did you know?! Hiyoko-chan’s gonna take pictures!”

...that’s good.

“Oh, and Nekomaru-chan juuuuust for Yasuke-chan!” she added, giving him a wink. “Everyone else already brought these fireworks in, so we’ll leave the rest to you! It’s Ibuki yukata time!”

“I suppose everyone else will be wearing yukatas as well?” Komaeda asked, to which she gleefully nodded.

“Yep! Sonia-chan’s gonna wear what she calls a Japanese yukata! So will Nekomaru-chan! Just for Yasuke-chan!”

“Great,” Matsuda griped, unenthusiastic. “What about us?”

“You want to wear yukatas too?!” Mioda yelped. “Unexpected! Aren’t the protagonists supposed to be the normies?! Or—wait! You want to see Nagito-chan in a yukata too, don’t you?! Sly dog! I should’ve known with my Ibuki sense!”

“W-What’s that mean?!” Hinata stammered. “I-I mean... Komaeda...!”

Komaeda blinked twice. His head tilted.

“I guess you’ll change into a yukata, too,” Matsuda told him. “I’ll look for some earplugs. Hinata will handle the boxes.”

“Wait why did I suddenly get saddled with all the work?! If Nidai’s here, he should help, too!”

“Nekomaru-chan helped during the day, Hajime-chan!” Mioda tutted. “Now, it’s your turn! Yasuke-chan has already asserted his dominance as top antenna!”

“What does that even mean?!” Hinata cried.

“Good luck, Hinata-kun!” Komaeda exclaimed. “Work your hardest so that your hope can shine your brightest! Oh, but, Matsuda-kun, please don’t feel obligated to...”

Aaaand Matsuda was already making his way down the aisle. No longer listening. A man single-focused on his mission. Mioda saluted him before marching on her merry way. Komaeda, too, left to go obediently change. Hinata, left alone, could only sigh.

Resigned to his fate, he began to move the boxes with only a mild grumble.

(Thankfully, once he found some earplugs, Matsuda did go back to help. He wasn’t that heartless.)

--

Thus, the night ended with a climactic series of colorful explosions in the starlit sky. Nidai whooped, Mioda cheered, and Sonia chattered excitedly.

Another burst. Nidai whooped again. Tsumiki was stammering in delight. Owari was happy, too.

The only one who wasn’t was...

“Pffft, so fucking lame,” Saionji muttered, but she snapped away with her camera. “It’s just because Mahiru-nee would’ve taken these pics...”

“The Ultimates are more radiant than any blossoming firework!” Komaeda exclaimed, voice uncomfortably loud as he likely couldn’t hear himself with the earplugs. “How wonderful! Sublime! Vibrant!”

Matsuda gave him a thumbs-up before gritting his teeth and adjusting the other’s yukata lest it be too revealing for this rather chilly evening.

Nidai whooped again, much to Nanami’s apparent confusion.

“Nidai-kun...keeps doing that...”

“It’s because when fireworks go up, you...whoop,” Hinata explained. He was looking away quite pointedly from a giggling Komaeda, his ears almost as red as a firework that just dyed the sky. Another whoop from Nidai as Nanami let out a curious hum.

“Girl power!” Sonia exclaimed.

“G-Go...burst...” Tsumiki stammered.

“Oh god, you two are so laaaaame,” Saionji groaned, to Tsumiki’s despair.

“E-Eep! I’m so sorry!”

“Oh! That’s a better face!” Saionji snapped with more enthusiasm. “Bwahaha! Pathetic weeping suits you waaaay more!”

“...Hiyoko-chan’s having a great time!” Mioda shouted. “Wahoo! Ibuki’s decisive victory!”

“W-What the hell are you talking about?!” the dancer shrieked.

“Lit ‘em up, Hajime-chan!” Mioda yelled, whooping with Nidai. “Do it, just DO IT!!”

“Got it, got it,” Hinata sighed, doing as he was told.

“After that one, we’ll trade off!” Nidai laughed. “You gotta enjoy these fireworks TOO, ya know!!”

Hinata did smile back, even warmer under another burst of color above.

“So lovely,” Komaeda cooed, and Matsuda didn’t care to ask if he specifically meant the fireworks.

Regarding everyone’s bright faces, made brighter by the fireworks, nothing else...really mattered.

The scent of summer enveloping the night. Goldfish fireworks trickling down, falling in drops,

Matsuda thought, remembering a song.

With eyes dazzled by the light, your gentle face was reflected for an instant.

When everyone parted, it was with a sense of satisfaction and accomplishment. One could even think it contentment if not for the erratic stumbling of a few stray thoughts.

[popculturebuffet]

Scottrospective: Scott Pilgrim and the Infinite Sadness

Welcome back my Scottaholics! We’re moving right along fun and fancy free just a few days later from Book 2 to 3. Which fits: As I mentioned in my review of book 1 I first encountered Scott, Ramona and Wallace in a free comic book story, and VERY intrigued, bought volumes 2 and 3 from the same comic shop after reading it in line.. or maybe I went there again later and bought them. My brain is a foggy sinkhole. Point is I was hooked from then on out, and bought the next three volumes as I came out, and through the internet because by then i’d leanred to use Amazon. Ironic given Ramona’s work for them is not only iconic to the series but plot important in volumes 1 and 2. As is Scott’s package toss in the movie. But the story of my long wait for volume 4 can wait for February. Point is it was these two and Free Scott PIlgrim are the ones I poured over again and agian, obessing over as a teen and the ones that stick in my brain the most.  But even with that last time the exaustive process of covering it exposed a LOT of volume 2′s weakness: While it has a lot of iconic scenes, including Scott accidently convincing a man to skateboard himself to death, the Ramona and Knives fight, the envy call, the flashback, and is still very enjoyable..it also feels the most like a collection of loose events out of the books. Good stuff and character and tone wise better than last time.. but not quite as narratively strong. The series was GETTING there, the art was solidfiying into it’s final form, the characters were in the right place, SCott was more likeable.. but it hadn’t quite hit it’s stride yet.  Three guesses when it did and the first two didn’t count. Infinite Sadness is one of my favorite volumes, along with 4 and 6. And while part of that is nostaliga and a personal connection.. the bulk of it is just this volume being even BETTER on the re-read. I picked up subtle bits that I didn’t notice before that only enritched the experince, the pacing is sublime, the character work is top notch and compelling, the art work is finally crystlalized into what the series is known for, and would only get even better as it goes, and the fights are some of the series best. This is one hell of a story and I warmly invite you to join me as I break it down after the break.

Previously on Scott Pilgrim: Scott defeated Lucas Lee, the second Evil Ex, met Luke Wilson, and prepared to go to his ex girlfriend’s concert despite this being a terrible idea to discuss a gig. It was there he and Ramona found out Envy’s base player Todd, the douchenozzle who she cheated on Scott with, is also the douchenozzle Ramona cheated on Lucas with. 

So we open.. exactly from that moment, with Scott and Ramona starring wide eyed while the band plays in an utterly dazzling sequence that’s been brought up a notch in the color remaster. Also one of a handful of moments that was barely touched from page to screen, with only slight adaptations to make it better on screen, and the addition of Metric’s now iconic “Black Sheep”. And when reading the scene.. I couldn’t resisit turning black sheep on as it matched it perfectly..  so yeah have the Clash at the Demonhead performance from the film

So while that worms it’s way into your head, let’s talk about the character designs for Clash Of the Demonhead, since volume 2 is the last time in the color editions O’Malley really talks about character origins and stuff. I could’ve missed something of course, we’ll see as we go won’t we. I just saved it for here as the Volume 2 review was running a bit long as is and while their shown on covers and on the back cover of the black and white edition, they don’t show up in person and in their full glory till the last panel, hence saving it for here where Envy and Todd are the main antagonists and Lynette is... plot relevant. 

Envy was based on the front woman for the band Metric, Emily Haines, designed much like hanes to be a tough, confrotnational, sexy woman, his words not mine, who’d gone through a lot of change in a few years since according to him, and i’m willing to take his word for it since I don’t know the band outside of the one song he picked for the movie, a lot of the bands songs are about that. And honeslty it makes me want to check them out more, as does how awesome black sheep is I can’t belivie I took this long, and is supremely intresting as I hadn’t realized there was a good reason there wasn’t just an original song written for clash at the demonhead. I mean if you base your character on the frontwoman for a band why NOT use one of their songs.

Speaking of band, Plumtree’s drummer, Lynette Gillis, was the inspiration for Lynette Gycott, though the final version of her is more cold and robotic and less like Gillis than initially envisioned. 

Finally Todd..was based on Scott, and while he evolved out from that a bit especially in powers.. the concept basically stuck as Todd is a stronger, dumber, more agressive and douchey version of Scott whose mistreatment of women is far more deliberate than Scott’s untetional douchebaggery. 

So after some interview segments for some sort of documentary on the band with the crowd, we cut to our heroes after the show, all standing around and being nervous. Stephen’s first words are “Decent show eh, told you they were good”. 

Admitely re-reading this one and answering a reader question, unrealted but it got me to thinking, made me realize Stephen wasn’t AS much of a dick as I thought: I didn’t think about the fact Scott and Envy’s blow up cost him their old band which was close to singing, and that Scott both as revealed in volume 3 and in bits here, was kind of a dick towards the end, intitating the breakup while drunk and belligernt and saying a facepunchingly dickish comment we’ll get to. So he wasn’t BLAMELESS and it’s understandable Stephen dosen’t hate her as much. She was friends with his horrible albatross of a girlfriend and didn’t break his heart. 

However.. he’s still an asshole and deserve jeff blim’s theatrical fuck you up there. He still ignores Scott’s pain, or the fact that most of the breakup WAS Envy’s fault as we’ll see. We’ll get into it in full obviously but for the cliffs notes so I can yell at a fictional grumpy closted canadian man: She slowly drifted away from him, treated him like he had no say in a band he helped found or took his feelings into account in the record deal, and cheated on him with Todd and possibly another guy. And as seen here she used her fame to bribe her ex and friends into showing up just so, as we see, she can torture him and his new girlfriend a bit. Envy is not a good person and Stephen is ignoring that and his friends VERY obvious emtoinal turmoil. Especially dickish since by this point Scott has clearly swallowed his pride and agreed to a show with someone who really DEEPLY hurt him for Stephen and Kim’s sake.. and he’s not even remotely greatful for it clearly. The only reason  he’s not the biggest asshole left in the building is because Todd, Envy and Julie, queen of bitches, is in there. 

So after a save point gag that goes nowhere, Envy shows up to take the group back stage... awkward, uncomfortable and very intentional silence insues to makes Scott even more sweaty and nervous and Ramona visably and understandably annoyed. Knives tries to talk to her hero but gets ignored because Envy’s a bitch.. and so’s Julie who not only joins in the shunning of a fucking teenager who clearly loves this band, but also is clearly trying to conversationally surgically attach her lips to Envy’s ass. Her toadying is obnxoious as you’d expect and as transparent as you’d expect, trying to drudge up old nostalgia while Envy’s clearly barely intrested, and the only thing that makes it more tolerable than normal Julie is Envy clearly barely tolerates this and likely is only going with it because she could be a useful minon in the future. 

Thankfully this is broken up. Unthakfully it’s by knives shouting her most iconic line: 

Given Envy is shown to not be the best person.. her response is to have her cyborg goon belt knives in the face

Which leads to an even better line seconds later

Envy then to just .. complete the circle of being a bitch has NEil take knives out then mocks her when Julie explains why knives and neil were even here. And it’s VERY telling that even Julie, who was must minutes from humping envy’s leg and begging to go with her when she leaves, is visably put off by Envy’s attitude. So while Ramona is understandably fucking done with this, as even she has some shred of sympathy for the teenager who tried to stab her a day ago, Scott has to take a minute to have a flashback. We see two brief bits of Scott with Envy, at the start of their college band Kid Chamelon where they were all happy.. and shortly after the breakup where Scott is miserable, in the middle of the street, sadly saying their name while saying “I’m so alone”.. explaning that desert bit from volume 1.. and making it ten times more painful. Nicely done Brian. 

So with Knives gone we get our usual character age intros and descriptoins, my favioritte being Stephen “wants a damn buritto dammit” which I can relate to and thankfully got it monday. He also does show a bit more of his noble self as, things have escalated to the point even he can see Envy has some sort of evil scheme planned and he walked right into it so he asks what her ulterior motive is. Julie pipes up with “She dosen’t NEED ulterior motives she was written up with in spin!”

So Envy grills Ramona a bit clearly trying to make her squirm..though at least when Julie TRIES to jump in she shoots her down, like some asshole pulling a yappy dog on it’s leash hard. Eventually Scott flips out and .. well I don’t want to overpanel this review but this is just.. quotes cannot do this justice. 

The result.. is the reveal Todd is psychic due to being a vegan and he throwing scott through a wall with telkenisis, kyle!

It’s explained he has these powers because he’s a vegan and even was top of his class at the vegan academy. Citation... needed. Not because of his power but because Todd may be one of the stupidest beings that’s ever lived. And I once had a friend whose other friend told me, since they’d be going to diffrent high schools and he was trying to pass off his mummies curse of keeping him from destroying himself with his own stupidity, tried to run into a wall to loose weight. No I don’t get how this would’ve worked but having known the guy I guarnatee he was arrogant and dumb enough at the time to try it. Nowadays I assume he’s much better... I assume. You.. you’d have to be to have survived another decade. 

Todd is also THAT kind of smug dickhead. Thankfully I haven’t met one in real life or online, as the two vegetarians I have known, one of my best friends micheal and my uncle drew, the former of whom now also eats fish and the latter of whom gave it up once he moved to places he could get meat that was raced humanely easier, but who I still respect for having that amount of self control. But Todd is a clear parody of the type of vegan and vegetarian who think their better than everyone.. by thinking he’s even BETTER than regular vegans because not every vegan can take the strain of psychic powers, with Kim naturally sniping at him.. then flipping him off when he says “don’t get snippy babe” and is very lucky he has psychic powers as otherwise he’d suddenly be wondering where his dick is and why kim’s holding a broken bottle. 

Brian also pokes fun at the old 90 percent of your brain trope. You know the old one that claims you only use 10 percent.. 

But it’s only because your only ACTIVELY using it and the rest is simply other functions. But hey we got Deathstroke out of that claim so good enough. Todd claims it’s because the other 90 percent is curds and whey. This might be the greatest use of this outdated trope in human history. No.. no.. it is. It exactly is. 

Envy brags that’s why he can’t beat him having clearly traded disappearing up her own ass  for disappearing up todd’s, Julie was also crammed up there, it was getting crowded. Envy claims to have been with todd since age 11.. which.. is more.. delusion than anything and she brushes off Ramona rightfully pointing out that’d mean he cheated on her with Ramona as Rammy trying to distract her and trying to smack talk SCott more who has another flashback. 

SOME YEARS AGO.. I DUNNO 5? 5 YEARS AGO?

We see Scott’s first meeting with Envy, who was rooming with Julie. Julie, it might shock you.. has not changed at all in 5 or so years. She’s seen bitching at her roomate Natalie V. Adams, the future Envy, for not wanting to get drunk and high and for hanging out in her room with all her anime posters and stuff. As you can tell, she’s a vastly diffrent person at this point, a nerdy interverted otaku and as you can probably guess now the flashbacks have started at the top, we’ll be seeing how she became the sexpot rockstar she is now and how that drove a wedge betwene her and Scott. Julie SHOCKINGLY does not take this well and as Stephen to kil lher if she ever becomes friends with her. I mean I would but If I could travel into fictional works I certainly woudln’t be wasting my time murdering Julie. I’d be asking kim out and trying to get into some cool video game ablities myself. I ain’t got time for that bitch. 

Next cut Julie is ... even worse as she’s calling Scott some “jerky jerky ladykiller”, pointing out he’s hooked up with recurring background characters Sandra and Monique. Now GRANTED, Scott could’ve hurt them and Julie could be right for once..  we’ve seen he has a history of being an insenstive douche by pure accident. But.. from the sounds of it given his encounters with Sandra and Monique were both in seperate ladies rooms, as in casual hookups I assume are common in universities. As long as he used a condom and dind’t lie about being in it longterm, who the hell does it hurt. Same if he and Natlie ended up being that. He’s not a “ladykiller” if he got busy on a washroom sink. He just had casual sex in an awful location and given Scott is both horny and stupid freqently, I could buy he either inittated it clumsily and sandra and or monqiue went for it, or one of them thought he was cute and wanted a quick one with him and it just never went anywhere either due to lack of intrest or Scott being kind of a moron. I don’t buy he INTENTIONALLY hurt anyone, he MIGHT of hurt Sandra she seems kind of ditzy and might’ve not realized it wans’t serious.. but it just entirely sounds like a casual, consesual one time hookup with two seperate women. And as long as he wore a condom and repsected their needs what the fuck is it Julie’s buisness. BEcause their here freinds? I mean they told her but they weren’t expecting her to play dick sheirff with scott probably. And Natlie is not her buisness: their not really friends.. she’s just trying to ruin Scott’s day.  I honestly get the sense she only hates Scott because she can’t get rid of him, Stephen won’t dump him as a friend and he fucked her friends once. Which makes me hate her MORE. Natlie/Envy however also calls bullshit and thinks Scott’s much too awkward to be a ladykiller. Accurate. I mean he’s good with women and gets dates easily, he’s just not inteitonally leaving them high and dry. He’s just not great with empathy. 

Scott snaps back to the present and gets pissed.. and we get the real reason for the outburst as he shouts “You you ass! She USED to be NICE!”. It’s very clear that Scott blames Todd for Envy’s change into an cold and cruel person. But .. that’s not on him entirely. I do think Envy’s cattier, more cruel “play with prey like a cat with a mouse” personality at this point is due to Todd feeding into her worse impulses.... but the flashbacks make clear even before she saw him again she was slowly changing as a person for better, gaining a drive and passion for music.. and for worse, shutting scott out cheating on him and generally not carring about anything but her career, especially Scott. As much as he wants to belivie it she didn’t MAGICALLY change into a bitch overnight and beating todd won’t fix that. She became what she is as a choice. Todd just made what she became worse. 

After the predictable result of Scott getting flung into the air and falling back down, he has another flashback and we see the next phase of their relationship: Scott, Envy and Stephen playing in a band for Stacey and Wallace (!), whose hair is certainly a... choice. And the two falling in love and julie grilling scott on if he and nat are a couple because why stop making me wish for a bus to hit you NOW Jules?

So we then get ANOTHER iconic line and another scene that was perfectly translated into the film

Comic gold no matter the medium.. Brandon Routh just nailed it and I watched the scene again before writing this just out of curoisty. Flawless stuff. Check it out

I will say however that while Movie!Envy’s response of just quickly covering is pretty funny.. I prefer the comic’s envy’s utterly baffled and pissed off “What are you talking about Todd?”. Even she can’t fathom what the fuck just happened. But since it’s late and Todd’s brain is pretty fried, Envy calls for everyone to get some sleep and they’ll regroup tommorow at 1pm at Honest Ed’s. Honest Ed’s WAS a famous discount Store in Canada that sadly closed in 2016, making what ‘s about to happen to it here sad in hindsight. It was known for big sales, big spectacle and i’ts larger than life owner who sadly passed a few years after this volume. But god bless him for giving this series one of it’s best settings. More on that when we get there for now FLASHBACK

Back in College, we see Nat’s change into envy as she sells all her stuff for some bitching new boots and cd’s and during sex with Scott asks him to start calling her Envy. Their still somewhat happy, as the next flashback has Scott remembering their 8 month anniversary and her playfully mocking him as the girl.. before we get a much starker one of him telling her he loved her and her not responding.. and looking at him.. more.. bored than anything. 

Back in the present our heroes try to wait out the rain under a bank thing, can relate to the times i’ve visted the city and came out to rain, and when that fails Kim says she’s off and will see them at practice and tells Stephen to blow her when he asks her if she’s going to Honest Ed’s, then seems genuinly confused if he pissed her off before heading home. Swing and a miss stevie, swing and a miss. 

Scott is hungry and sorta drags Ramona, whose not in the mood for anything, over to Pizza Pete’s a nearbye eatery. It’s there they happen to run into Other Scott... Other Scott is another guy named Scott. He dosen’t do much in the books. But the name Other Scott is objectively funny and he is objectively nice so he’s fine in my book and I applaud the movie for using him as Wallace’s love intrest. Though I wouldn’t be REMOTELY suprised if they were fucking in the books too. And of course with him is Wallace himself, who really is just.. entering this volume in the most Wallace way possible. 

A little drunk, eating some cheap but good food, with a million dollar style and in just the exact right place at the exact right time. If that’s not Wallace Wells, I don’t know what is. Wallace and Other Scott were clubbin, not a huge suprise given Wallace has his own deep and complicated social life we never see and Wallace is naturally a little bit absolutley livid when he finds out Scott went to see Envy’s show anyway despite you know, putting him in a misery coma. Who do you think has to clean you and feed you when your like that Scott? Elves? Well I mean .. Wallace MIGHT be an elf.. but he stilld soen’t want to do either of those things.  He breifly gets sidetracked by the fact that Scott is wearing his shirt.. maybe. I mean he wore it the other day but given their living situation it’s honestly hard to tell. Ramona reminds him of his priorites

That’s part of the fun of rereading these again so soon after rereading them in december: I’m noticing tons of little moments like this I didn’t really before. The two explain things, including Ramona pointing out Scott’s extra stupid around Envy. I mean it’s a bit mean to point out given this is clearly a lot for him. 

Wallace brushes it off and promises to help him train like a true pal before being prompted to talk about this new boy he picked up Mobile.. who we wont’ see in person for a while but Wallace is clearly head over heels for and begs Scott to let him have the apartment.. or more accuratley Ramona, whose clearly not in the best of moods with Scott, to take him. His sales pitch is immaculate

So she agrees and a friendship is forged based on mutual hatred and being someone’s dipping sauce bitch. I’ve forged longer lasting friendships on far less. Also Wallace forgot his keys but wisely banked on his Gladstone Gander esque luck to help him out.. seriously i’m convinced he has a lower yield version of that. Or God wants to bang him but can’t because his penis is so powerful it CAN SPLIT A MOUNTAIN IN TWAINNNNN. You make the call. 

So they sleep it off, and Scott heads home early next morning.. and forgot he gave wallace his keys. Thankfully wallace finds him, and even got him donuts for when he came back, what a guy, makes you cry and I did. He also shows off a new trick about using your chi to dust rain off you. Turns out Mobile is psyhich which.. dosen’t come into play but for vallad reasons: Scott assumes Mobile can just.. give him psyhic powers and training but a) he and Wallace JUST met and while they’ll remain together for the rest of the series, it’s a big ask to have him help train his best friend to fight a man as dumb and chisled as a mountain, and B) “It dosen’t work that way” meaning scott’s probably not psi adept and even if he can be taught, there’s not NEARLY enough time for him to get good enough at shielding himself from Telkenisis in time given Todd’s already fighting him today and has two other oppprotunites afterwords to beat his ass to death. There’s just not enough time. So scott collapses with a donut in his mouth.. are .. are we sure this isn’t just a more attractive more sucessful canadian alternate me? 

We flashback to when Wallace met Envy and since i’ts post-becoming envy, it dosen’t go well and he hates her immidetly, and expects Scott to break up with her asap.. which while  bitchy.. actually woudl’ve been a good move in the long run. And “Bitchily phrased but a good move in the long run” has apparently always been Wallace’s go-to move. 

In the present Wallace helps Scott , who thinks everything sucks, realize it does not, with the help of fresh bacon and perspective, helping him avoid thinking Envy is “back” when she’s just vistiing and somewhat forces him to admit it’s not happening again nor should it. And implicity your both with other people, you’ve moved on, stay moved on. ANOTHER Flashback, this time with Envy asking Scott how he and Wallace met after dinner with Scott’s parents. It’s the story we’ve been hinting at since.. uh last volume. 

And indeed it is somewhat gay! Behold! The origin of a friendship to piece the heavens or .. something like that. I’m tired. 

It’s a quick breezy story that honestly both explains a lot and is what you’d expect; Wallace taking an intrest, Wallace presumibly realising Scott is straight off screen but deciding fuck it I like this guy let’s be pals instead, and jjust sorta showing up at his house. But since it’s Wallace and he and Scott both love gaming.. it just stuck. And it’s easy to see why. Scott’s a bit of an introvert and Wallace is a ton of an extrovert. Wallce is nice, naturally charming and endlessly cool, and as you can see it took him probably just an afternoon to go from freaking scott out for showing up randomly, to Scott talking the guy up and clearly being the bosom buddies they are now. The two just ballance each other out well. Wallace need’s scott’s weirdness and general heart, and Scott needs Wallace to keep him from running into the brick walls of life via his own stupidity and conflict avoidance. It’s what they do, they make it a two player game. 

So later that day, and some off screen training later, presumibly to the song Two Player Game despite the fact it didn’t exist yet, our heroes (Scott, Ramona and Wallace), Villians (Envy and Todd) and other not so much evil as just cretionus assholes (Stephen and Julie) arrive. It’s also clear that Envy just made up the challenge as she went and I fucking love it, just saying they’ll run to the back, try and kill each other and no psychic powers, with Scott’s own handicap being “He isn’t a surivivor” which earns a rightful you unebleiviable bitch from wallace and a just ast rightful “fair enough” from Scott. 

Stephen wonders what the deal is and Julie’s answer is... I don’t.. I can’t unpack this. 

Meanwhile Wallace says “I hate her so much” Which I THINK was meant for Envy, but as a teen I interpited as being for Julie. Then again it being BOTH is entirely possible given no one can stand Julie for more than five mintues other than Stephen. And that’s because he’s still in the closet and hasn’t come out as bi or gay and thus sees her as a safe option or he really sucks with his taste in partners. Or a little from collumn a , a little from collumn b. So yeah Scott wants a Strategy and Wallace has.. nothing other than “Well he can’t use his powers so.. use that. I guess.. I dunno. I’m hungover” though Ramona warns he can’t go long without using them without freaking out. So gooood? I’m starting to think Kim is the most useful member in his crew for this fight.. and she’s the one who decided to nope out of it because she didn’t want to watch his ex pick him apart mentally and her muscly new boyfriend pick him apart with MIND BULLETS. Wallace isn’t really helping this go round, though he’s still a treasure, Ramona is trying but dosen’t have much, and Stephen thought bringing Julie was in any way shape or form a good idea. Which really sums up their entire relationship so it’s not surprising, it just makes me question why the two are friends at all. 

No really,  out of Scott’s three close friends.. this friendship feels the most like two guys who just used to hang out but have no real reason too other than convience. Wallace would go to bat for scott.. with an actual bat.. to Envy’s skull. He just dosen’t want to go to jail.. again. Kim pines for him, pun intended, and also does care, she just dosen’t show it because scott’s kinda a moron parade and an insenstivity brunch rolled into one. So she sticks around even though it hurts to. Stephen.. lost his big shot in part due to Scott (Though Envy’s pushness and lack of consideration for his feelings didn’t help), his shrew of a girlfriend hates him and he’s not that good at bass... and I just got it. While Tornoto’s a big city , he’s probably not sure if Kim would be doing this without Scott. He’s.. entirely still his friend because he needs a bass player and kim’s a damn fine drummer whose hard to replace. I just got it.. it makes him a self serving douchecanoe for only being someone's friend because he needs a bass player even though he doesn’t like him, but I at least GET IT now. 

 So the rush into Honest Ed’s begins and.. my god this whole sequence is sublimely redelcous. It feels like what would ACTUALLY happen if two guys fought for the reasons scott and todd are fighting: just two idiots dinking around in a discount store. Scott dosen’t even last a few seconds before shouting in response to Todd’s taunts “We are all dead”, tripping while looking for eyeware and well..

Meanwhile Todd starts to break down while shouting FATHEERRRRRRR like all good psychics. As for how long this beautiful nonsense has been going on....

Oh and if you thought it hadn’t gotten redicously hilarious enough... wait till you see what’s next. 

No words.. should’ve.. sent a poet.. got a tubby asshole who reviews comics, disney shows and disney comics instead.... 

So we then get a montage in todd’s head with his SHOCKINGLY OLD dad telling him he dosen’t have the willpower to be a vegan.. Lynette telling him she’s his for the taking and Envy will never know as she opens her shirt, and 

Gideon.. showing he not only consults the league but confriming what the audience and scott realized: He’s behind these assholes.. but it also shows how much. He’s actively coaching them.. and granted we KNEW the exes were in contact with one another given Lucas was having an understandable sigh about Matthew.. but this shows Gideon isn’t just some player and this isn’t some automated service. He brought them all together. The how ends up being hilarious, and we’ll get to that but while it was obvious he was the final boss this is a nice and terrifying bit of clarification. As for what happened next.. well Todd freaks out with his powers from not using them

Really sad in hindsight.. but still really funny despite the horrifying concidence. So yeah our hero declares victory but dind’t really when and things just kinda end. This segment went basically nowhere and acomplished nothing. .but was still really fun, with great lines and is one of the most memorable and awesome scenes in the series.  It also shows the series growth between volumes: Last volume had a lot of cool moments.. but no real plot structure, just a bunch of things that needed to happen to get here. With Volume 3.. things are VERY tightly plotted, and even a fun but kinda pointless diversion like this... still fits in perfectly, giving us a second Scott and Todd fight to build him up, showing off just HOW powerful Todd is, and fleshing out the tofu headed douche a bit. As we’ve seen this volume still has it’s little slice of life moments the series does well. their just well put into a very compelling and fast paced plot, one we’re fully invested in as we see Scott’s torment and Ramona’s mounting anger at envy’s bullshit. It helps that Envy and Todd are the second best big bads of a volume behind gideon himslef in the fimale, with Roxy close at their heels if you were curious. Envy just oozes ego and superiority and is fun to watch every time, while we see moments once in a while that show she’s still human underneath even if she acts like a goddes.. and is admitely one of my types but that’s enough of that. She provides a nice contrast to ramona, also being standofish and mysterious but wheras ramona is clearly mysterious out of shame for a past she’s not proud of Envy is out of a past.. she has no reason to flee from and was never that bad.The only part Envy kept was Todd which was an objectively bad decision. 

Todd meanwhile like all the exes as I re-realized.. is a mirror to scott. Each one has a piece of his worse traits amplified and expanded. So far Patel has been scott’s dorkyness, expanded from 

To being a giant showy hipster douche desperate to seem cool and important. Lucas is scott’s afabliity and laziness taken to just outright avoiding a fight.. not nearly as bad as the others given he still has one of Scott’s best qualities with no drawbacks.  But Todd.. is probably the ex that mirrors scott the second most. Besides both being base players with shaggy hair, both are delightfully stupid, both have a lot of charisma besides that and both are extremley good in a fight.  But noticably.. Todd zigs a lot where Scott zags and the simlarites sort of stop. While both are objectively attractive, Todd is more conventinually chisled while Scott is more adorable, expertly reflected in the movie by having former Superman Brandon Routh opposite former George Micheal, Micheal Cera.  Todd’s ablities are mental while Scott’s are entirely in martial arts and later swordplay. Todd has a rough relationship with his dad who never supported him and constnatly doubted him while Scott’s parents fully support him and love him uncdoitoinaly and despite his protests and annoyance with them.. it’s clear he still cares about them and loves them.  And most damingly.. Scott treats people like garbage sometimes.. but it’s because he’s oblivoius. He’s a finaical burden on Wallace, cheated on Knives, gave Kim no closure, blew up Stephen’s chances at the big time, and in general can be kind of a dick.. but NONE of that is intetnional. It dosen’t make it okay, the books make that clear.. but it’s why we can still root for him: It’s something that can be fixed. Scott hurts people a lot but he lacks gneuinely malicious intent. He leaves a lot of pain in his wake.. but it’s because he’s socially inept, and again and I say this as someone with atusitim myself, defintely on the spectrum , so he dosen’t GET he’s hurting people unless they tell him. Something that will probably not shock you but I relate to and has happened to me in the past, hence while i’ll clal him a douche or stupid, because he’s both, I do sympathize with the guy as the whilrwilnd of descrution is just him being so intent on being seen as a good person and moving past things he can’t see the wreckage in ihs wake, and the series is about him growing past that mindset. 

Todd.. is just an entitled dick who KNOWS he’s probably going to hurt people but does the things anyway because he thinks as a rock star he can do whatever he wants. As a Vegan he’s superior so he’s allwoed to do WHATEVER he wants. He’s so obessed with making his dad not see him as a failure he’s developed an Ego that can only be visualized properly using well.. Ego

That’s what his ego has become. He’s so up his own ass his head is coming out of his mouth somehow. He’s so in love with himself he’s probably googled “How to make a sexy clone of yourself”. He’s scott’s oblivoiusness and selfishness, but with genuine intent. He’s scott if he KNEW what he was doing was wrong.. and said fuck it anyway i’m a rockstar baby. Todd, is EASILY what scott could’ve been at envy’s side had they not broken up.. successful.. but an utter bastard who only cares about themselves.  Anyways we cut to practice that night were Stephen is spiraling and Kim declines going to the show.. not for the obvious reasons of wanting to avoid another round of “watch Envy tourture scott before Todd beats his skull in with his psychic powers”, but because she has a date. Lucky bastard. The guys are naturally as tactful as you’d expect about this and suggest she’s doing a collage or puzzles before she shuts htem down and they awkardly recover and I laugh my ass off. 

So Scott and Ramona head out, trading some talk and what have you and having some Sushi, not going there often because they can’t afford it.. but it’s cool Scott swipied Wallace’s card. When pressed on his douchebaggery Scott assures her. 

We’ll get more into this next time, but needless to say Scott’s mooching is finally becoming a plot point next time. Speaking of next time on the way to the show Ramona realizes “Wait why the hell are we doing this” and convinces Scott not to go as they can relax, have a night off, cuddle and stuff, and then Scott can fight Todd tommorow at the big show. Why DO they need to sit in with two assholes who are only inviting them to fuck with their heads some more. Well okay one asshole while Todd is okay with all this he probably just mubled some “sure whatevers” while trying to solve a rubix cube while Envy outlined her plans to him before rearanging the stickers so he could win.. I Mean with his mind so it’s sitll a little impressive but still. 

So they TRY making out, complete with being in their undies.. but it just dosen’t work as both of them keep picturing Envy’s face and that’s not good for either of them.

AND it was at this point fucking tumblr.. ate an hour’s worth of work I just did. Probably not something you need to know or care about but something that pisses me off greatly as I was approaching the end of the review and now have to either retype or entirely rethink what I JUST spent a while working hard on. 

And this time I mean it. The only reason i’m not giving up and shelving this review for a bit.. is ithat i’m a stubborn bastard who refuses to give up that easily and who needed to vent about this to somewhere. 

So Ramona finally comes clean about Todd.. and in a nice moment admits to cheating on Lucas with him “It wasn’t very nice but I wasn’t a nice person”. It’s a small thing, something I didn’t notice before.. but it’s actually a big step given how guarded Ramona is to admit to doing something this bad. Last volume, just a few days ago time wise, she lied entirely about this and probably has no idea Scott knows already. But she’s being honest, telling him the truth so he’ll be prepared for what’s coming and know the full story.  The full story is they were both little shits who raised hell together till Todd disappeared for a while. He shows up as you’d expect, dickishily interupting class before explaning Dairy Scientests kidnapped and experimented on him. He also says this

So he proves his love. in the most badass and horrifying way possible: BY MAKING ONE OF THE TWO BIG NOTICABLE CRATERS ON THE GODDAMN MOON. 

One of the series best jokes. Ramona also takes a hard pass to learning about envy and asks about Kim... not for any reason.. just thinks sh’es nice. It’s not like she wants to make out with her face.. a lot. Just.. girl things. SHUT UP. She’s also unsatisfied with Scott’s piss take version of his relationship with her.  Closing out the chapter, Knives.. has somehow climbed a huge pile of billboardsi n the middle of tornoto.. which would be awesome.. if it weren’t such a beautifully sad image. 

Whelp my heart just exploded with pain at this poor girl whose lost the love of her live, which is a goood thing mind you but dosen’t mean it dosen’t hurt less, her faviorte band and her highlights all in the span of a month.  Moving on as we approach the final act, we get a brief scene as Todd orders some Gelato, which is itallian icec ream, very not vegan and Envy does not relaize this. Todd however rants about being a rock star, being so above people and as for the rules

We also get this lovely bit

And then they make out and i’ts treated as a big shocker despite.. us.. finding that out several dozen pages ago. We know already. 

Back at Scott and Wallace’s place, Ramona shows up with cool new blue hairdoo, which I agree with Wallace is awesome and admits she changes her hair up every couple of weeks.. someething that in the color version we do see better. We also get a gag that no longer makes sense as he asks if that’s her natural haircolor and she says yay and the caption admits this was funnier in black and white. Eh one or two jokes for some really pretty colors is a fair enough trade. 

Scott however once again bitches about his hair, despite Ramona pointing out to him and Wallace that.. there’s like dozens of haircut places within walking distance. I remain unsuprised thier that oblivous. But to shut her boyfriend up she agrees to cut his hair and while they do asks what Envy’s actual name is.. scott’s response .. is pretty heartbreaking “Natalie. She stopped liking it. Then she stopped liking me.  So Scott shows up with his NEW HAIR CUT.. aka his old one just trimmed up a bit, but the one you see in modern merch and the game. A bit shaggy but not as long. Scott reassures Stephen whose spiraling with panic that it won’t be the same as last time and they’ll have fun. Kim, understandably and having not been told anything, wonders what “last time was”. After everyone chimes in Kid chamelon i’ts time for another FLASHBACK.. as you were probably expecting by now.. but this time I added some proper effects to spice it up. 

So we find out more of whta drove a wedge between the two: Envy slowly but surely took a tryanical death grip on the band, adding some guy named Joel on the drums, possibly the same guy from Crash and the Boys, and bumping Scott to bass, without asking him or Stephen about this and just sorta.. demanding it. While her intetnions are understandable, she just wants the band’s best sound.. her actions are still head tiltingly obnoxious, and clearly show she had not studied rock history yet as usually taking absolute control of the band and ignoring your band mates is the easiet way to destroy a band. Sometimes it’s just envy, pun unintneded but welcome, but yeah.. it’s no wonder they didn’t last. Scott is also shown to be more and more uncomfortable with the band going from a fun thing he did with his friend and girlfriend.. to something that could make him famous.. something he’s very transparently not ready for and dosen’t want.  And it makes sense: he was just a dumb college kid in love.. he didn’t start the band for fame or glory.. he just wanted to have fun. Same with his current band. And while in the PRESENT his lack of ambition can be obnoxious and will be a problem in the next volume, here.. he’s still in college and sudeenly got thrust into a career he dosen’t want with a person who no longer loves or respects him. It’s understandable that he’s a nervous , miserable wreck. 

So in the present, Stephen is throwing up and asking for julie and Scott.. is a dick and ignores him. Were it anyone else and any other relationship currrently int he books I would actually give a shit. So he wonders around a bit, running into some teens who are intrested in him, word travels fast apparently, Julie, who for once displays a human emotion of concern for Stephen or the closest she can, and thankfully Wallace, Stacey and Micheal,who now has a spooky skeleton ring from the future and badly needs his own spinoff. Stacey TRIES to pump her brother up.. but it’s clear he’s in no good mental place for that and trudges off while Wallace, man of the year, worries about him.  One GOOD THING about the astronomical setback that happened is in the orignal draft of this.. I forgot to talk about Stacey. Despite promising to. So here it goes: After this Stacey.. just sorta vanishes from the series. She’s still around and while not super promient gets a decent amount of screentime in the finale, she makes cameos before then. But from this book on she’s no longer a main character like she was in the first two books. There she had several scenes, lots of focus, and her own mini arc in the first one about Wallace stealing her boyfriends. There’s. an actual reason for this as O’Malley regretted naming her after his sister and thus basically stopped writing her unless he had to, sticking her in once in a while to assure fans he hadn’t forgotten her but removing her from the main plot.  That being said while his reason is weak.. I dn’t think it’s the ONLY reason she slid into the background. The main cast already had 6 characters, and on top of that this volume heavily focuses on Envy, the next adds Lisa Miller to the mix, and every volume frmo this one on has increased focus on the ex of the week, building them up more as characters and giving them way more screen time. Stacey.. really didn’t have a unique niche or roll in the sotry the other 5 non-scott leads didn’t: Knives filled out the position as the baby of Scott’s friend group, Ramona and Wallace served as better voices of reason, Kim and Wallace had better chemistry with Ramona and thus worked better as her friends, and Stpehn. did nothing she did but still at least had a part to play as band leader and the only one of Sex Bomb-Omb with ambition. Stacey is not a bd character and DID deserve to still be  way more prominent.. but her move to the back let Kim take her place and rightfully so. And not just because of the crush on kim thing, Kim’s just more compelling and tha’ts an objective fact. Still would’ve been nice to learn more about Stacey though. 

Scott then frees his girlfriend from a conversatoin with Sandra and Monique, as Julie bitchily told both about Gideon which Envy told her about, because as your every couple of paragraphs reminder, Julie is a piece of shit. Scott then orders them some alchols, breaking his usual teetotling and runs into kim, hollie and joseph. with Hollie here to see the band and .. Joseph here to see todd. At least h’es honest.. for this volume. Anyways, our happy couple soon split off for a bit and while we bounce back and forth.. i’m just going to cover what hapepned with each seperately as SOMEHOW tumblr once again ate a good hour’s worth of work, this review is already a day late, and I have both abother one and a dental apointment today. So in short

Ramona and Kim: Kim fills Ramona in on her past.. via  tone down, seemingly contridctary, and as we’ll find out later the true version of what happened: She was with Simon, he was a dick, Scott showed up he was also a dick, things happened. I guess. Ramona is disapointed, though Kim does provide some crucial info on her moving to tronto.. and reuniting with scott. 

It honestly.. explains a LOT of why Scott is the way he is what happened with Envy. He saw Envy change entirley as a person.. and thus feels changing as a person , and smoking, is a sign of something bad.. when really it just means.. your changing. Sometimes for the better, sometimes for the worst but we area LWAYS changing and it took me a lont time to realize that. The two are distracted from this though by Todd sloppily making out with Lynette in front of everyone. 

We’re also reintroduced to Crash and the Boys, now redubbed the boys and crash, and seemingly playing music without intsturments. The thorughly lovely and rediculous explinaton for this and their new gloves and goggles, i’ll save for in a bit. 

Scott and Envy, Scott and Knives: Scott goes out to get some air.. only to find Envy, who despite menally tourturing him for a few days insits they talk like regular people.. Scott wisely counters with “Nat when did we ever talk like real people” and while saying he won’t get to call her that again, it still chips down her walls for a second and shows that a bit of who she used to be, loath as she is to admit it, is still there. 

Scott then spots knives... and has a moment of truth. And a hell of a series of reaction panels

It’s a VERY good scene.. that i’ve written about TWICE now but regardless, it shows Scott.. genuinely changing. Ignoring his past actions, running away from them and trying to pretend he never fucked up once... that’s been his go to. It’s his main flaw and hte one that takes the entire series to deal with as we’ll get into. And it’s here.. he faces it for the first time. He’s scared of knives at first.. but realizes.. he genuinely hurt her, and she’s where she is, cold, alone, and huddled in an ally lost and confused, because of him. Sure Envy hurt her.. but so did he.. and what’s worse. he did it just like Envy hurt him. Not thinking of her as a persona nd throwing her away when he didn’t need her. And so after books of build up.. he finally takes some responisblity and talks to her. It’s WHY the books work: Sure scott’s a dick, and remains a bit of one throughout, but.. he means well, isn’t inteitonally a standoffish prick, and slowly grows PAST this, and tries to be better, for Ramona.. and just because it’s the right thing to do. 

So Knives reflects on the past few weeks, admitting that it’s been unbearably painful.. but she can’t and won’t go back to who she used to be. She’s lost her innocnce and all that, been dumped by the “love of her life”, been punched in the face by her faviorite drummer and treated like dogshit by her faviorite artist. Todd did nothing for once but gets no credit because of who we’re dealing with here. Point is.. it was a lot and while sh’es not HAPPY.. she’s greatful for it. Scott however.. steps up, saying what Envy did was wrong, she deserved better.. and finally, after how terribly he broke up wit hher.. apologizes for how he hurt her. And while Knives takes this as hope they’l get back together, Scott continues to be very mature, especially for his usual behavior, telling her no, it won’t happen, to give neil a try as whle she is dating him because he looks like Scott he’s not all bad, and that wallce was right: she was too good for him. And while Knives isn’t ready to accept it.. Scott did the right thing. Good for you man. 

So while he, and later kim and stephen seperatly, get ready, Ramona.. runs into Envy. Whose oddly nice for ahlf a second.. before bringing up Gideon and giving Ramona a barrage of insults, clearly trying ONCE AGAIN, to knock her down and wreck her. Thing is while Scott clearlya nd understandably has baggage with Envy is easy prey for her manipulative elephant dung, Ramona. isn’t. All Envy’s done is piss her off more and more with each act of high school level mean girl bullshit... and sh’es done with it. 

FIGHT’S ON. This Volume.. is honestly where Ramona really comes into bloom, pun intended, as the duetragonist of the books. While the book IS about Scott getting his life together and their relationship and he’s still her hero.. the books are also about RAMONA growing as a person, her own flaws and past, and the climax of all of them.. is just as much about her as it is scott. And this book has her own flaws come into play: Just like Scott she runs from the past, from who she was, and only faces it when needed, which will become more apparent as we go. But at the same time, we get to see far more of her personality as a result as her mysterious facade continues to drop. She’s prone to getting upset, but also clever and witty and knows her limits, knowing that going to that second performance would’ve just done no good and knowing herself very well, something Scott has genuine trouble with. She’s strong, sarcastic and knows who she is and what she wants and this volume finally brings that into focus. Not only that but her fight with Envy, is just as warranted, climatic and awesome as Scott’s fight coming up, as no one has stood up to envy due to her fame.. but Ramona.. dosen’t care. Someone’s gotta stop her, and Ramona’s taking up the job. And the awesome looking hammer. 

That being said taking up a giant hammer against a beloved celebrity dosen’t win you any point, so Ramona finds herself discouraged, even if Envy can very clearly handle herself. Thankfully she gets some encouragment from exactly who you’d expect. 

And Wallce.. turns out to be pretty useful. At least in this one fight. His shouting not only gives Ramona her fight back.. but keeps distracting envy, leaving her wide open. The tide turns though when Wallace has to pee, and Envy uses the distraction to knock the hamme rout of Raona’s hand and prepare to flatten her. But once again.. someone save sher in the knick of time.. and this time it’s the LAST person you’d expect, as Knives gives the hammer a flying kick.. and then crashes into a wall, and when Ramona, understandably not getting this since she tried to turn her into swiss cheese earlier this week, asks why, Knives admit’s she just wants Scott to be happy. Knives has grown too, and while she’s still obessed with Scott and waiting for themt o break up.. she’s no longer going to try and wedge her way in. If Ramona is what Scott wants, tha’ts what he gets. 

All three are distracted by well.. this...

State of your outfits mates. Though that line is iconic. But serously the outfits are hilaroiusly and reaslitically mismatched. Kim’s home made and overdone gothica lolita outfit that dosen’t match her AT ALL, goth yes , poofy goth no. Stephen’s johnny cash outfit he clearly had lying around and Scott’s Dad Suit. 

That being said.. still the best looking one of the three. But Envy takes advantage to regrab the hammer and try and murder the two of them.. but Scott sees this.. and well... you get it by now, one more time. Bake me away toys!

So we get the final weeks or days or whatever of the relationship. In a nice parallel to Scott playing Ramona a song he does the same for Envy.. who both questions what this is for then is confused why he’d do something so sweet. Next scene is her getting a call while their cuddling in bed from some guy she idntiefies as Jason and.. barely disguises is clearly cheating on Scott with. and could possibly be todd I dunno.  After that we get to Kid Chamelon preparing to sign a deal and Envy.. trying to press Scott into sginging it, ignoring his obvious discomfort, and then casually threanting to replace him. While Scott does give us a face punchingly dickish comment about “How he started this band to meet chicks and maybe he met the wrong chick”... he’s still somehow in the right as while he’s being a manic dickhead... Envy has ceased seeing him as a person or even something she cares about and tells him to get a hair cut and leave. 

We then get the breakup itself as Scott goes up to envy.. and she tells him to get out of her life. ack in the present, Scott’s grown enough to realize he has to stop her and does so.. by touching hte back of her knee which.. uhhhh.

So yeah.. he beat her with an orgasm, and that looks oddly hot. And i’m moving on before that last part of the sentence sinks in. Envy, once she recovers, orders Todd to do a murder on them, but Todd’s not there and Ramona, naturally, brags about him having cheated on her. Envy.. denis.. this. 

I .. don’t have time to unpack that. This review is late, I have two other reviews to get to today. Time for ANOTHER flashback. 

This time it’s Envy teling a story bok verion of her and Toddd’s relationship. It’s a real poetic and well done sequence. In a nuthsell: Envy and Todd were best friends and deeply in love as kids until todd moved away i’m guessing sometime in middle school. Deeply depressed, Envy sailed through life as sort of a ghost, TRYING to find another connection like that, but failing. Todd returned after she graduated though, and gave her a symbol of his love.. a hole on the moon. Yes another one. And they both promised to never waiver as he went off to the vegan academy. Clearly Envy did with Scott... but it paints her ambition in another light. One where she wanted to be big and bold enough for him.. but slowly carved out her old self to do so. 

And as is obvious it was pointlness: not only did Envy love someone else.. but Todd never cared as much as she did. As Ramona points out, and relcutnantly because even she feels a little bad about this one, he did the moon trick with her.. and this time Envy CAN’T deny it.. becaue the evidence is right there. 

And of course Todd.. makes his case even WORSE by picking that moment to come out of the bathroom, sipping up his pants, with panties on his head, and with Lynette following right after him. Envy.. tries to murder Lynette, her go to, but LYnette teleports out. Because she can do that. Though Envy does hit her cyborg arm so she looes that and the panties and Ramona offers to mount it at her place if Kim takes the panties, but kim admits she wasn’t scrapbooking, she said she was and was just making the dress. Horay, as ramona puts it “Col se can still be friends. Right.. FRIENDS. 

Envy TRIES to cave Todd’s skull in, get some therapy woman, but Todd naturally tk’s it away but despite being the king of all assholes DOES care enough not to fight her. Envy... plays nice then knees him in the nuts like he fucking deserves. Todd then returns to being the once and future douchebag by TK’ing her into the crowd and bragging about it. 

Scott dosen’t take this well, even after everything and the final fight begins. They have a bass fight.. but like the game i’ts redicuously one sided since Todd both is a skilled bassist compared to Scott.. and is still using his psychic powers lest you forget he’s a bastard man. 

The Boys and Crash however show up to even the odds.. and their trainig is the reason they can play music without insturments as they can now manipulate pur sound. Fucking beautiful. But even they aren’t enough and Todd swats them aside. 

While poorly is a bit harsh.. the vegan police show up, which is awesome, though the movie got thomas jane for one of them and had that high five so they win. But yeah.. while this is hilarous.. and the scene with them is great.. it’s also the weakest part of an otherwise near perfect book. It just feels a bit anti clmatic that after all this build up.. Todd is just.. beaten with a sloppy depower. The boys and crash would’ve still been a cop out, but it would’ve been a freaking cool cop out.  The thing that saves it is afterwords Scott still gets an epic finish: after they devganize him for the gelato earlier, scott headbutts him epicly and wins. He gets money and. 

A 1-up, which understandibly terrfies him but will come in hand in a few volumes. Trust me. Scot checks on everyone. Ramona’s fine, Envy is not and breifly blames scott before he points out Todd was a no good cheating dickwad, and Kim is obviously fine as nothing happend, but him asking is a nice bit of charcter growth. Kim asks about kinves but she’s okay and neil is helping her. But theshow must go on and since the headliners are dead (don’t worry he’ll respawn), in parts unknown and in emotoinal apocalypse, someone’s gotta play.

So our heroes have the show of their lives, and crowd reaction is mostly positive with Jospeh noticing htier levels were horrible, a hint for next time, and the crew interviewing everyone.. including a mysterous gentleman having a beer, who has no commenta nd walks away. 

 Gideon.. was here the whole time,but he’s not ready for Scott JUST yet. Still a really damn cool tease for the final boss. 

So we close the next day, Scott and Envy sorta make up, with both apologizing for their behavor and while Scott gets no closure, envy promises to return.. and makes good on it. But.. that’s for the finale. For now Scott’s girlfriend and best buddy give him a moment to baste in his pathos, before heading off. And in a nice bit of metaphor, the clouds part, and our three amigos walk off into the sunset and a bright future. Three down 4 to go.  Next time: Lesbian Artist Ninjas! Side Stories! Scott Gets A Job! The Band gets a producer! Kim gets a decent apartment and a boyfriend! Lisa returns! See you in feburary. 

Until then if you liked this review, spread it around andi f ther’es a comic you want me to cover, my comissions are open. Until the next rainbow, it was a pleasure. 

[dearophelia]

For the fic ask, would it be terrible if I asked for all of them for 'gonna set your flag on fire?' If that's too many, any and all of the ones that excite you the most.

HI NO NOT TERRIBLE AT ALL

gonna set your flag on fire

1: What inspired you to write the fic this way?

I didn't want to write an entire family history story that was required reading before anything for this story made sense, but also wanted everyone to know who the hell these people were and where they came from and what all the relevant history is. Hence, important flashbacks.

2: What scene did you first put down?

It's been a long long time since I started writing this fic, so I'm not honestly sure what the first scene was. Probably that very first moment, with Nora on her grandparents' porch, because I felt it was really important to show everyone from the very beginning that she was going to be okay.

3: What's your favorite line of narration?

Holding up his hands in defeat, Hackett gives in. “I will bring it up with the others,” he says. “But,” he softens his voice, and she knows that it’s now Steven talking to Olivia, not Admiral Hackett talking to Captain Shepard, “are you going to be able to give her up to us if something does happen?”

She squares her shoulders, looks him right in the eye, and lies. “Yes.”

4: What's your favorite line of dialogue?

bear (ha) with me here, but this interaction is fucking gold:

“Two o’clock,” Alle says. “Vakarian, check it out.”

She scopes in where Alle indicated. Nothing but trees. “I don’t see anything,” she says. But then movement catches her eye. “Wait,” she flips on her scope’s infrared sensors. “That’s…large,” she says, flatly. “It looks kind of like a bear.”

“Grizzly bear or black bear?” Carlos asks.

“It’s a bear,” Micah says, “what does it…?”

“They act differently,” Carlos says. “A grizzly would –”

“Neither,” Nora says, cutting off the incoming discussion on Earth-based bear behavior. “It’s got a long tail, for one thing.”

“Then it’s not a bear,” Carlos says.

“You have binoculars, you look at it.”

There’s a quiet shuffle as Carlos pulls out his binoculars. “That’s…Nora, what the hell, that doesn’t even look remotely like a bear.”

She glares in Carlos’ general direction. “Oh, you know what.”

Jonah coughs pointedly. “Let’s table the classification discussion and focus on whether it’s going to eat us.”

A few moments pass in silence, and then the shuffling noise repeats as Carlos puts his binoculars back. “There wasn’t anything about this in the planetary file, so it’s probably not an issue.”

“Because that’s not logic that hasn’t bitten us in the ass before,” Alle scoffs.

“I’m just saying, if the vorcha knew about the mutated pyjaks, the venomous snakes, and the extremophile bacteria that causes both, they would probably know if an eight-foot-tall predator was making its home in the jungle. They’re dumb, but they’re not that dumb.”

Nora practically hears Jonah rolling his eyes.

“Well, let’s hope that they’re dumb, but they’re not that dumb is an accurate analysis, but let’s go a little out of our way to avoid the bear anyway,” Jonah says. “Move out.”

“It’s not a bear,” Carlos starts.

5: What part was hardest to write?

Trying to write this rescue sequence has been the worst. Like I'm sure it'll turn out great. But right now it's a lot of tedium. I literally filmed the blocking with post-its and action figures on my phone three years ago (before we were anywhere near there in the plot) and have not gotten it written down.

6: What makes this fic special or different from all your other fics?

It's long. I normally write in the under-2k range but this is lengthier. It also noticeably has plot. Normally I write scenes or feelings or aesthetics. There's plot in this one, despite my absolute hatred of plot.

7: Where did the title come from?

my flag boy said to your flag boy, sittin' by the fire. my flag boy said to your flag boy, i'm gonna set your flag on fire.

Legit though, Phoebe Tonkin is Nora's faceclaim, and there's an episode of The Originals named "gonna set your flag on fire" and it got stuck on my head on loop until I decided it would be the title of the at-the-time-untitled Norafic. Serendipitously, it works as a taunt between Cerberus and the Alliance.

8: Did any real people or events inspire any part of it?

I'm sure that something or someone was inspired by real life interactions I've had with people, but I cannot for the life of me pinpoint anything specifically.

9: Were there any alternate versions of this fic?

There are a lot of cut scenes and I've worked and reworked pieces to the point where the original isn't recognizable anymore, but that's just editing. There aren't any true alternate versions.

10: Why did you choose this pairing for this particular story?

Besides the fact that it's their daughter, no other pairing, and I literally mean no other pairing, that I write would be standing after this story. None of them.

11: What do you like best about this fic?

All the stuff I got to make up because this happens 30 years post-canon. Nora's squad, James as CO, galactic politics, several space stations, etc. World-building is the best part of fic, as far as I'm concerned.

12: What do you like least about this fic?

That I actually have to write it instead of just opening up my brain and dumping it out onto a page and having it magically create itself. I have the whole thing filmed out in my head, it's just a matter of writing it down and that's hard.

13: What music did you listen to, if any, to get in the mood for writing this story? Or if you didn't listen to anything, what do you think readers should listen to to accompany us while reading?

It changes depending on what scene I'm working on. But here's the official soundtrack.

14: Is there anything you wanted readers to learn from reading this fic?

Go absolutely wild with OCs, it's fine.

15: What did you learn from writing this fic?

Plot is hard, which is less a lesson I learned from this fic in particular but more a lesson I learned several years ago that got even more cemented by this fic. I hate plot, but it really pays off.

[buddha-in-disguise]

Nothing is as it seems.

I've talked about this away from social media at length, but wanted to just put the thoughts down properly about the overall Supergirl Season 5 plot - not about cast or characters per se, since I have covered this a few times in numerous posts.

Supergirl was touted as being a Black Mirror season, where nothing is as it seems, and the dangers of technology and certain social media platforms.

I was excited for this. As my husband can attest, I love these kind of puzzles or plots in TV or film (hello, Interstellar anyone? Or 12 Monkeys. Or from books, the likes of Sophie's World by Jostein Gaarder, or Shutter Island - I've not seen the film so, no idea if it follows the book closely. Or TV, Black Mirror).

So much to my husband's annoyance I often will catch onto clues long before he does when watching things (I do try to keep quiet when I watch things with him so as not to spoil it, but I slip up and suddenly say 'did you see that?' As he gives me a bemused look and the 'no.' falling from his lips with practiced ease). I might not always know the full relevance to certain things, but I see cohesion that I can then map towards a conclusion, or it helps me understand if an ending is more open to interpretation.

Supergirl this season has left me struggling to catch any clues or their relevance. Sure they're there. Hope offering to kill Kara even though her prime directive was to do no harm in episode one for goodness sake, as an immediate red flag went up for me, plus Lillian and the Earth they controlled comment to Lex suggesting she wasn't Earth 38 Lillian, particularly with Lex's reaction, Leviathan leader is female - not a surprise if they're following the comics, but it feels far more weighted as a clue than that. Lena decidedly working against Lex (including appearing to press the button on the cube as he walked away, facial expressions as he leaves or has left etc). These are the most immediate things just off the top of my head.

So I know if I'm struggling to bring things into any cohesive threads, then I can only imagine some are struggling to do even that and can't get anything of the whole season plot from the episodes thus far.

I think this would be fine over a short run, but the problem seems to have become 2 fold.

The first is, Black Mirror or most films of a similar ilk only last around 60 to 90 minutes on average. Perhaps a little longer, sometimes less.

That's all well and good, but to then try and bring that over to around 20 hours of television?

Think of this another way. Black mirror has had 5 seasons. The same as Supergirl. However, it has only had 22 episodes in all that time, so only one seasons worth of episodes compared to Supergirl. Each Black mirror episode was self contained. Plus any Easter eggs or themes they brought into later episodes were done in such a way, that knowing earlier episodes wasn't essential for understanding any new episode.

While the premise was sound for Supergirl, I think now the execution has suffered because it is over too many episodes.

Add in the Crisis episodes and then 2 hiatus' coming in almost on top of one another, and that has been compounded. It has made it far harder to remember nuances that might have been given in the early episodes, that would now make more sense. Because they haven't been outright smacks over our heads with a piece of 2x4 in terms of how clues have been given, or even which scenes might actually be relevant and others have no real meaning to the later plotline.

Behind the scenes, they know how this is going to play out (or at least, they have a broad arc outline), but the viewer doesn't have that. It is one thing to watch back once all pieces are in place, to understand it. It is entirely another when you expect an audience to understand what you are trying to achieve when there is so much that is confounding people.

This is leading to frustration. Add in other issues being raised, and it can only compound the situation.

Truly I want nothing more than to be able to get the full season screened, to look back and finally understand what it all entailed, and hopefully say: Shit okay, so that was how it was. Well done. It frustrated me all to hell, but damn you pulled it off. *applause*

But honestly, to have it over a full season feels excessive. I think it would've been far better served to have more of Crisis in the lead up into those episodes, and allow the 2nd half of the season deal with everything else. Just compact it up a bit more. It feels far too complicated for far too long.

Plus I'm also just not sure how they're going to be able to bring it together with the number of episodes left, especially if it is a shortened season number as being suggested.

Remember I am saying this is as someone who loves this kind of thing!

We are now at the stage of the season where we need more than subtly on how this is going, but good solid moments of momentum that we know are part of the ending somehow, even if we still don't have full context. Otherwise I sense the discomfort for viewers in not understanding what is trying to be shown to them will become even more discord.

Right now it feels messy. I've not felt this adrift on the overall plot in previous seasons of Supergirl as I have in this one. Sure we know, nothing is as it seems. We have some puzzle pieces outlining certain things. We know Leviathan are involved. We know Lex has a part to play. We even know Lena has a part to play (you can tell she is looking to take Lex and Lillian down, let alone the other problems with Kara that are nowhere being addressed either). We know Brainy has a part to play. We know the broader strokes. But the middle is still a jumbled mess of pieces that have nothing that looks even remotely like the picture on the box.

I want nothing more than the season to succeed. The earlier half of the season had overall solid views. Since Crisis it has suffered (and let me tell you, if you think SuperCorp can reach across a 200k to 300k drop in viewership *after* the last episode began airing, you are completely blinded by your desire to blame them for everything. It might be a big fandom, but it is nowhere that large. Step back and at least acknowledge that is not logical or feasible).

So. I think they had a great idea, I really do. I think though the length of time to try and make it come to fruition has been detrimental overall.

I truly hope the rest of the season pulls back what it did earlier, and it solidifies the whole season as it reaches its conclusion.

[zevons]

what are your thoughts on the old guard movie!

Hello lovely anon! You've caught me on a lazy Sunday where I've done nothing but vacuum, do laundry, and drink a lot of Aperol mixed with various other liquids. Most of them gin. So I have an enthusiastic answer for you. I wish I was better at Analysis and could give you a more meaningful answer but instead you're going to get my feelings and excitement. But whatever.

The short answer is: I really enjoyed it! I like action films and I like supernatural elements and I like Charlize Theron. So it was very good to me.

The longer answer is: all that PLUS the fact that it felt wildly refreshing to have a ‘cynical old warrior finds new faith in the dark and cruel world by training a bright young talent’ story that revolved around two women, and also I’m always into Greg Rucka heroines so really I never had a chance against this story. I’d not read the comics beforehand (I’ve fallen off the comics bandwagon for the past couple years but this was a nice reminder that hey! I should get back up to date because there’s some really good stuff out there) so when I saw a couple gifsets floating around tumblr I didn’t realise it even was Greg Rucka- then I saw the opening credits and immediately had to pause and look up the details. I’m currently living quite a distance away from my very well-stocked public library and am also what they call,,eeuuuh,,, poor, so in order to read the comics I [redacted] but I will say that I did put my eyeballs on them and found them extremely good. A lot of the changes between the comic and the film I thought were well-chosen- particularly the choice to make Merrick a Pharma Bro in the ilk of Martin Shkreli rather than the tattooed vaguely-muscled dude he is in the original- it read as being a lot more relevant. The movie hit the beat of a pseudo 'for the greater good.....but actually money' villain that I KNEW (netflix notwithstanding...do //they// know??) that I enjoyed in a big way.

Also in terms of the comic- the comedic gold of Andy saying that the invention of sports bras is evidence for humanity being worth saving. Full agree.

So the source material is highly enjoyable. In general I'm a fan of the sort of ~dark age of comics~ stuff that is in fact quietly optimistic about the worth of humanity (call it a sign of the times, but I'm currently quite burned out on nihilism. Is it because I'm genuinely feeling quite nihilistic about everything, particularly at the moment? Maybe so!)  

I'm also a massive sucker for historical AUs so giving me a canon where historical AUs aren't AUs at all but are in fact FACT is absolute catnip. I'm currently being murdered to death by the twin powers of work and the Terror Big Bang but once I've flung myself over those hurdles I'm going to jump head-first into the worst kind of self-indulgent history fic. Can't wait!

The story itself I also found really tight. Was it the most original thing I've ever seen in my life? No. But what is, anyways? I've seen some criticism that it was fairly predictable, which I can understand, but which I don't see as an entirely negative thing. Sometimes you're in the mood for a tropey tale. And this scratched that itch perfectly.

Honestly the only plot point I take umbrage with is Andy becoming mortal-for-good (apparently), but really just mostly because 'depowered' is a long-time least-favourite trope of mine. I thought the way it was handled in the film was quite good, actually- the whole scene with the pharmacist! Andy trying to figure what the heck she needs to patch herself up because she's never had to do it before! What is a band-aid! Very good. But the trope will just irk me incessantly so I can't get over it as quickly as all that. But otherwise every beat hit me riiight in the id. Found family, immortality, let's not-get-exploited-by-big-business, been-through-the-wringer kind of stuff: gaahhh. I also looooooooooved everyone's interactions with each other. Catch me crying in the club about the way Andy was so concerned about Booker coming back after he got half-blown up during the raid on the church. CATCH ME FLINGING MYSELF OUT OF THE WINDOW OF MY REMOTE WIZARD'S TOWER ABOUT THE WAY JOE NEEDED NICKY TO BE OKAY IN THE VAN SEQUENCE. There's a limited number of people in the world who could possibly understand what is it to go through this! So they gotta stick together! Even after Booker’s betrayal, he’s still a part of that group and they work with him! It makes his judgement so harsh, as well. Particularly since he's already the most susceptible of the bunch. Joe and Nicky have each other, and Andy's been through actual hell and forced herself to deal with it, but Booker's already borderline unable to handle the pain of his own condition. And so his punishment of isolation is basically the worst thing they could have given him. Oof. (I dig it.)

Also I've for sure rambled about this to friends before- movies NEED to realise that the sure-fire way to make me ship a heterosexual relationship is to Drop Hints but not actually show anything concrete, hence I think Andy/Booker is a gr9 ship. Andy in general is my little black dress for this canon. Andy/Booker, Andy/Nile, Andy/QuYNH??????? THANKS I'LL TAKE THE LOT. The airplane fight sequence would have been a sexual awakening if I hadn't already been so awakened by Keira Knightley pretending to drop the pirate medallion overboard circa 2003. (I'm required by boat-funkin lesbian contract to mention Pirates of the Caribbean: Curse of the Black Pearl in everything I do. Sorry.) 

This is all disconnected garble with no deeper meaning whatsoever, but that's sort of my thing these days, so I'm at peace with it. Anyways. In conclusion, I'm rewatching the movie with some friends in about 15 minutes, so yeah, I liked it. <3333333333

[kc-anathema]

I’m so sorry I did another long post so soon...

So a long time ago, I received a flame on Spec Ops 98: Jazz's Interrogation at Soundwave's Pedes. I hadn’t received a flame in a long time, and I haven’t received one since (which is amazing, since this was on chapter 26 back in...dear heavens, 2015. This fic is officially an epic.)

In fact, I stopped reading the flame once I realized it was a flame, about four chunks in. 2015, five years ago, I was changing principals, changing schools, trying to figure out how to marry my Canadian then-fiance and figure out immigration. (Fun type--marry her in Vegas, wait a couple years, bring her over. Use a lawyer to make sure it’s all kosher.) So yeah, didn’t read.

And then a concerned reader mentioned to me that I didn’t deserve this awful flame and that they loved the story. And I thought...oh yeah, there was a flame on this. That was a couple months ago.

I finally decided to break the flame apart like I used to. This feels very nostalgic to me. I found out that this is really the flamer’s only claim to fame--they flame fics and troll writers. I’m not going to name them then, although you can find the easily on the ff.net review page for this fic.

My father once told me that, if anyone ever spraypainted slurs across my house...leave the slurs up. Don’t pay to remove them. Let the awful words stay up until everyone in the neighborhood is begging us to take them down again.

I think leaving the review there says more about her than me. And I’m going to enjoy clawing this apart, I think, like a cat scratching apart a lizard.

Flame begin:

We’ve got a problem if Soundwave is involved here and he’s not pulling his usual ‘Decepticons, Superior’ line. Add on a fic about perverts and we get this. Ah, well. What are you gonna do?

Remember the character Sheldon from The Big Bang Theory, and how he said “Bazinga” all the time? That kind of went from a joke to an overused character crutch. Like ‘dynomite!’ or ‘did I do that’? Is it really good to rely on a character line to the point where we can call it ‘usual’?

“I’ll take my pleasure and that sweet aft” – Sounds like a cheesy commercial for Robot Chicken. Fireflight is locked up in a dungeon and is about to be whipped by a BDSM Starscream. That’s not at all OOC. Basically it’s a fanfiction that talks about fanfiction.

I...um. Yes. Yes, it’s an OOC line modeled directly after pulp fiction zines and tijuana bibles. I literally looked up several of those on the Internet Archives and various old men’s magazines covers. It’s not fanfiction directly, although it’s certainly what fanfic evolved out of.

Do these look subtle? Low key? Classy? Tasteful? It’s cheap trash and it’s fun as hell. I don’t think readers at the time thought that these were in any way true. This is right along the lines of drawn hentai. So I think the flamer admitted despite themself that I did good.

“We’re stuck here in the middle of a war...we don’t have time for sex” – That’s right. But that fact doesn’t apply does it?

...reading trashy, porny magazines is not sex. It’s actually something you do when you can’t get sex for whatever reason. I would know. A lot of us would know. Apparently not the flamer. No one thinks that “hey, I got a chick/dude willing to bang right now...but the new issue of Men’s World is out! Can’t miss that!” Unless you have some serious fetishes that your partner is too weirded out by, I think this does indeed apply.

Then Jazz gets captured and lo and behold, Soundwave is revealed to be the Christian Grey of the story. I hope he has some maid outfits for Jazz.

...our flamer hits the sludgy bottom of the joke well and grabs their shovel. They do not try very hard for originality in their insults. And, while Grey was a jerk, Fifty Shades wasn’t quite a prisoner of war scenario. No, that was a cheap romance for chicks. I’m writing more akin to men’s...oh.

The flamer is a chick.

Their only bdsm or bad romance experience is with Fifty Shades.

I don’t think they read much.

Annnnnnnnnnnnnnnd we have a shower scene. Damn if it’ll be Carrie!

Iiiiiiiiiiiii did not write a shower scene?

Dudette, did you even do the reading you say you did?

There’s no point in adding moral ambiguity, especially in regards to Soundwave. He won’t be swayed easily, or at all, by Jazz’s speech. He’s cold hearted for a reason. He serves the Decepticon cause until the very bitter end. He’s a lot like Shockwave that way. Highly doubtful he would find meaning or even the relevance of writing pornographic fanfiction, but eh, this was never meant to be serious, was it?

...no. It’s a humor fic. The flamer is criticizing a humor fic for being humorous. Kudos for identifying the genre? I mean, the flamer is also complaining that I did not write Soundwave as a one-dimensional factionalist without examining what that means for him and how the mission creep has left the original political crusade behind. It’s not like I took pieces of Soundwave from Gen1, IDW, and the comics and blend them all together.

This reminds me of the fanboys in the TMNT fandom who keep pushing for every iteration to simply rehash their nostalgia boner for the original toon. I feel like I’m getting the Transformers version of wanting less of this:

because it isn’t the familiar characterizations of this:

“So what’s the down low?” – You, Jazz. You’re going to give the down-low to Soundwave. I can’t wait to read how shiny his robo-vagina is.

...wow. Classy there, flamer. Also I really don’t think they read anything. This whole fic is plug n’ play. There’s exchanging of cables, talk of code and positronic souls and sparks and revving engines. There isn’t a drop of sticky, spike, or fluids.

Chapter 15’s sex scenes bore me. Nothing is worse than having a guy ask to remove every bit of clothing. Just do it already! And why is Jazz a virgin? Come on!

Look--the thing about sex and fetish and whatever revs your engine is that it’s not going to rev everyone’s engine. You don’t like the type of interfacing here? Fine. I don’t like those kind of sex scenes in my porn either. But I wasn’t write that scene for porn. I wanted write warbuild Jazz dealing with violent subroutines while interfacing with Prowl. I had fun with it.

Why is Jazz a virgin? The previous 15 chapters discuss that.

I really don’t think the flamer read the fic.They scanned for anything remotely sexual, so I don’t think I’m going to take anything they say about this fic being ooc for perversion’s sake.

“Everyone here is damn pervy” – In which a character talks about the author.

“We gotta get Soundwave to finish writing his story” – Why? I mean, what’s the point? It’s not doing anything for them, unless it’s to show how castrated Soundwave is. I’ve seen him act better in Mary-Sue fics.

There is a whole plot about Starscream and Skyfire, and I thought I could trust the readers to be intelligent enough to make the leap with the parallels between Soundwave and Jazz.

This is literally the only review that questions why Jazz said that.

The Mary Sue shot just echoes the Fifty Shades swipe. I think this flamer did most of their flames roughly ten years ago--the insults are pretty dated.

The Decepticons don’t know about Ratchet? Why? I mean, he’s one of the oldest dudes there. He has a reputation. When you have a reputation, people know about you. It’s inevitable. I think your inner logic slips a lot.

At this point, I literally have 21 previous chapters of world building.

I am not surprised that the story’s logic was slipping away from one of us.

It’s funny to read the forum responses in the story. It’s like the author is trying to make fun of detractors yet ends up making fun of herself.

Okay, this part is hilarious for a reason only briefly noted in the fic. I think that the only things this can refer to are the comments from the chapter titled Flames of the M4gn1f1c3ntSkyPr1nc3--because those are literally the first flames/comments I put in the fic. And I didn’t write them!

My wife wrote them! I don’t write Starscream well but she just poured those out like water--she’s seen more of the hysterical side of fandom, particularly the earlier TF fandom, and I snipped out pieces for the fic.

So...I mean, we’re pretty happily married, so I don’t think she counts as a detractor. ^___^ Ultimately I started writing this fic for her.

“Your optics make me crazy” – Not at all a cliché.

Good thing I didn’t write that, then. Here is that little section in the Prowl/Jazz section. (Took me a bit to find it since I plugged that into the Find and couldn’t bring it up.)

---------------------------------------------------------------------------------------------

I like what you do to me. Jazz allowed him in, tilting his helm. I never really understood it, y'know? How mechs could lower their guard so much. Let someone this close.

And now? Prowl drew back, wanting to see Jazz for the answer. With a quiet ping, he warned the other mech even as he raised his hand, touching Jazz's visor.

I still think you're crazy always going on about my optics, Jazz said, venting even as he disengaged the locks and let Prowl gently remove the blue polycarbon.

Your optics are perfection, Prowl corrected him. And you let me see them. Hundreds of mechs wondering what's under that visor, but I get to see.

Still shy about letting someone else see them, Jazz turned his head, only for Prowl to touch his cheek and turn him back, coaxing his optics to open with a soft brush of his thumb.

-----------------------------------------------------------------------------------------------

Not bad for an asexual, I think. I mean, it’s not like I have a ton of hands on experience, being kinda broken that way. But I have read plenty of pulp magazines and pulp radio shows!

This didn’t take long. I skimmed through this work, because there was so little content. Lots of ridiculous shit, though. Soundwave writes fanfiction, the Autobots are weirded out/turned on, capture Soundwave, Soundwave realizes that his whole life was a life and decides to defect. Yeah, about that. He wouldn’t do it lickety split, let alone EVER. Hell, the reactions in the forum bits show what some would think of this, if they weren’t too busy fapping.

The funny thing is I don’t think the mechs can even fap. I don’t write them doing that. But yes, flamer, I do believe that you skimmed through the work. Particularly since you’ve recounted it backwards...Soundwave captures Jazz as the capstone to a long internal conflict within himself, but rather than go through chapters of internal monologue and Decepticon politics, I started the story as close to the inciting action as possible, not quite in media res.

I won’t hash out why Soundwave defects. I mean, I spent 22 chapters at that point explaining it. But it’s my fault the flamer skimmed, I guess?

Needless to say: the romance bored me senseless. It was poorly written, and overall there’s really no skill attached to this. You don’t grip the audience and Jazz’s virgin mode made me roll my eyes. Reads like a first-time waifu manga.

Nah.

I’ve been writing way too long and am more than self-aware enough of my own failings that I’m also pretty self-aware of my own strengths, too. And no. It’s not poorly written. I definitely feel I could improve the first few chapters a bit, but that’s because I wrote those over five years ago and I’ve improved since then, too.

Empty insults. Maybe if the flamer had gone so far as to give a critique beyond a couple of misquoted lines and their own headcanons, I might have listened, but there’s literally nothing of substance here beyond a child tantrumming that I’m stupid and bad and should feel bad.

As for the other pairings, booooooooooooooooooooooorrrrrrrrrrrrrrrrring.

Usually I have a fun time setting these fics on fire, but this one bored me senseless. Yes, it was stupid, but the author’s attempt to authenticate it are just as sloppy as anything else.

“Authenticate”?

Is this person talking about using fandom tropes as my setting?

There are 22 chapters at the time, and now 51 chapters, building up this world and using roughly 20 years of fandom background to inform the fic.

Maybe if they hadn’t skimmed, they might have found something interesting. But considering that they skimmed over anything character related and stopped for the sex scene--I don’t think that says anything about my writing and more about their own proclivities.

They were trying to read one-handed. A plug n play fic. A long meta look at fandom in war in a humor fic. And they came here for the sexy times.

I don’t have to draw the conclusion here, do I? Well, for the flamer, probably. And then they’d glance at it for a second, call it sloppy, and say I showed nothing, and what I showed was boring, and that boring stuff was ooc anyway.

One thing I am thankful for is the fact that it is not long.

51 chapters later and I’m still not done.

Nothing’s worth remembering in this and I don’t need to tell you that these characters either act like simpering imbeciles, or are virginal waifus. All I’m missing is a senpai in the bed, some tissues, and some high quality lotion.

...why do they keep referencing gay human sex? I mean, I get it, they’re saying that it’s similar to yaoi fics, but.

This is anti-yaoi with its last hurrah, isn’t it? The late 90s, early 2000s, rising from its sludgy well to try to shame the easily cowed and intimidated, the young writers easily startled by long lines of text. No wonder the citations used are so...15 years ago. I mean, who was talking about Sues even 5 years ago. That criticism kind of faded a long while ago, even then.

I think the sad thing is, even the badly written Sue sex fics end up being more interesting than this. If Ebony Darkness D’Mentia Raven Way were to come along, I think this story would get better. What with her ‘I shot him a gazillion times’ lines.

...and there’s the cherry on the top. Third cheap shot firing blanks. Sue + Fifty Shades +...shit, I can’t even remember the title for that infamous fic. It’s that old.

...this fanfic flamer is old.

Like, don’t get me wrong. We’ve got fandom moms and grandmoms who cut their teeth on fandom print zines in the earliest conventions. They’re not “old” in the same way.

This person has lost any joy, humor, or playfulness that fanfic comes from. No one should go into fanfic expecting fine art. I mean, sure, it happens sometimes, but this is a playground of pulp, experimentation and just plain childish fun.

All in all, not worth remembering. It’s makes me tired to read it. It’s not even stupid enough to make me laugh. You’ll still get a fail rating for me, especially with the shitty version of Soundwave here.

Yes, fanfic flamer. You are indeed tired.

He should be on Big Brother. He’d be great making soy lattés and purees.

Big Brother in 2015 was in its 17th season. There were roughly around 6 million viewers at the time. The demographics for the tv viewing audience were graying even by the 2000s, and by 2015-18, it was significantly older.

Granted, it’s a very tenuous conclusion to draw, but combined with the old fandom references, the anti-yaoi vibes I’m getting, and the fanboyish desire to curate their own headcanon of a character to the point of insulting writers on the internet...

Flamer grew from being a reader to a bitter, old person angry and the whipper snappers for writing stupid, trashy crap that they criticize with broad, unspecific insults.Flamer is the stereotypical mean adult in any 90s cartoon or heavy metal rock video.

A little depressing. Poor flamer. I do hope they found more creative, engaging, and positive things to do.

Me? I just wanna rock.

Thanks for coming to my ted talk on pulp fiction and bitter cultural creators.

[inexchangeforyoursoul]

Hello, hello, here’s my piece for the Halloween minibang organized in courtesy of the Chicken Tendies and Bacon Bits DabiHawks server~ and have the link to a more sensible reading experience (as t gets rid of formatting, too, and I’m lazy to put it all back in, at least for now): ao3

I was paired up with pineapple hair boy (dunno his url still rip) and our promt was haunted maze! \o/ I kinda included the other two we were gunning for, devil deal and ghost stories, so... multitasking, yo. Also put in my suggested fog, because as time passed, I realized how good it was even though I just put something into the box lmao

I’ll link pineapple’s accompanying piece as soon as they’re done with it, right here, in this line!! AND HERE IT IS!!!  👀

(Some of you may note... that I was supposed to be the artist. Well, it’s a long story, and likely on me tbh; I spent p much the entire week working on my piece, but I also started writing this one, and suggested doubling down on content, but unfortunately timetables are evil, and pineapple got mobbed enough as to likely run out of time if he also wanted to finish writing, so, um... yeah. This is not to say that we won’t do our original project, though, so stay tuned for the bonus round, hopefully soon! \[T]/)

(... also, I may or may not be considering to make this a full story, so there’s that)

Keigo trips for what feels like the millionth time on this way through the undergrowth- by day, the manor labyrinth is fairly easy to navigate, the kids frequenting it has kept it threadable. Nobody has legitimately tended to it for years, though. Or rather a decade, actually, it’s been a while he was here. Honestly, who cares, because--- oh, for fuck’s sake, more rose or blackberry or whatever vines to untangle his legs from. Great. Just… great.

He squints at his watch; still on time. Catching his breath after getting free surprisingly fast this time around, he takes a look at his surroundings. Not that he sees much, bear you. It’s near midnight and pitch dark. To top it off, the thick-ass fog often present, source: right damn here, has also crept into town. In fact, this is the worst it has gotten this year yet. There’s also barely anything he can hear from the dying-off autumn festival two streets and half an estate over.

It’s only him, his phone's flashlight, and the camera around his neck that also keeps getting caught in shit. That, and his own breathing that's getting his lungs numb from all the cool, wet air they are being exposed to.

Fooling around for so long has made him feel… antsy. Just a bit. The fact that his goal, that is to say the family crypt of the moneybags who used to live here is so close doesn’t help, either.

The entire plot is the stuff of local legends. The mansion is-was infamous for its… flammability, so to speak. Every few years, at least one room got totalled. Some believed that the last master had been a pyromaniac, up till the umpteenth house fire snuffed his line, and himself at the age of 60-something, out for good. But old folk said that the building had been ablaze just as frequently before his time- and truth to be told, there had been two more fires ever since, although those could have been the aforementioned kids or the occasional squatter. Two fires in about ten years is pretty normal in an abandoned place like this.

A few of those old people said the mansion had been built on hallowed grounds in their parents’ time, and the fires were punishment for disturbing the church ruins and the dead it used to house. Even fewer said the church must have been built on the very gates of hell and the ruins had kept the flames at bay.

And old geezer Giran in particular said that you could see the devil himself on the night when spirits roam free, around where the isolated belfry’s foundation stands still with walls crumbling- the place around which the crypts were erected on top of upturned graves. To be frank, the dude himself looked as if he escaped from hell, so what better myths to bust as an aspiring photographer? And even if the devil won't drag his ass outside, this will still make one hella Halloween photoshoot. He has loads of candles and some lampions in a backpack to get the mood right as well.

If anything remotely threatening pops up, though, like a mean stray dog… or a horde of drunk homeless, he's so ready to run for the hills, you have no idea.

He’s pricking his ears good as he closes in on the center of the once-upon large cemetery. One has to acknowledge the effort those rich bastards put into this dumb maze layout just to hide their own dead. It’s as if they feared a zombie apocalypse and concluded that they wouldn’t be able to get out if the hedges grow in a pattern, like, seriously. Then again, if the ‘horde of drunk homeless’ situation comes true, it will feel and work just the same, so who’s he to judge.

The scenery, too, is something to behold still. The entire area is surprisingly… not very foggy. One can see just as far as there is anything relevant to see, nothing more, nothing less. The waning moon even came out to play for a bit, shedding some decent light on his surroundings.

What catches his attention is not the excellent lighting to make photos, though, but rather someone sitting on the ruins of the old belfry, right under where the plump planet is working her magic.

He checks the display of his watch again- two past midnight. He’s late. Well, bummer… maybe next time.

That… guy, though? He doesn't look like any devil he knows of, but rather a human figure. One he also doesn't know of, actually. Which is remotely more interesting than Satan himself, because… that’s a goth silhouette if he’s ever seen one, and he’s seen all in town. All three of them.

They are a chill bunch, so he figures he might as well go up to this one. May be an acquaintance of Tokoyami and company’s who was also told about this spooky deal.

"Hey. Have you seen the midnight devil, or did he not get the memo this year?" He lifts a hand over his eyes to let him have a clearer look.

Just the way the other looks over to him, even while slouching quite a bit, is in a manner that’s nothing bar… uh… majestic, should be the word? Sublime? Yeah. That's peak cinematography. He’s… a bit at a loss of words here, because? People have waxed lyrical about the positively blessed relationship between him and sunlight, but this guy?? Has legitimately the most beautiful pair of eyes ever, period???

Before he could get too entranced by the sight of the sky blue pins of the overshadowed figure sitting between a moonlit sky and milky deep sea of mist, he notices that said eyes skim over him. Slowly, creeping down, and then up. Um…

Did… did he just check him out?

A hardly concealed grin can be heard out of his voice as he speaks up. “Hey there, angel."

… that's a yes.

This… coming from someone with eyes and a voice like… that, is actually… hm.

Like, look… he’s been looking forward college to maybe…  find someone he genuinely clicks with. But he has been through this immediate infatuation thing a hundred times already… and knows from experience that falling for mere potential is a grave mistake. What even are the chances that he’ll be the one? Put the aesthetic boner away and think rationally, Keigo. You don’t even know his name.

However, if, and IF he plays his cards well and this is not a total asshole… he could get both a photoshoot and a phone number out of this endeavor, which sounds like an excellent deal.

“Straight to the point, eh?” he acknowledges with a grin that's almost genuine. “Witching hour stuff aside, I don’t think I’ve seen you around…? A friend of Tokoyami’s?”

The other hops off the wall as he’s talking, stirring up some fog. Keigo could swear to hear absolutely nothing upon him hitting the ground. Must be the grass, but still, confirmed for cat. Not having to deal with the moon’s flare, he can now also tell that he’s about as old as expected.

The young man pauses to think for just a second before walking up to him. Nonchalance and weariness mingle in his steps.

“No, but I think I do know who you’re talking about. The kid with the raven.”

“Oh? Yeah, that’s him. Just visiting, then?” So he’s somewhat familiar with the area. Huh… how in hell did he never notice someone so obvious? Maybe he should come out here more often.

Also, is it just him, or did it get really cold all of a sudden?

“Him and his friends spend a lot of time here, I know enough. And yeah, something like that.”

As he stops in front of Keigo, an odd sensation trickles down his spinal cord, raising every hair on his nape. He’s had this once or twice when watching a legitimately good horror movie or catching a glimpse of an especially beautiful scene, or at least something very similar. It’s just the cold and being out in the middle of nowhere with a handsome stranger this time (which is kind of a combination of both), but still.

… this is not the time to be thinking ‘but what if he’s a serial killer and you are stuck out here with him alone’, brain. Thanks.

“Family business, gotcha.”

He’s onto something, because a certainly troubled look flashes over the hot--- the goth’s face as he reaches up to his own nape to rub away at it. “... yeah. That.”

The train of thought is seemingly swept out of the way after short consideration and his attention returns to Keigo. His neutral staring face is actually a little unnerving, no lie. “What about you, coming out here? Didn't quite catch what you first said.” He eyes him in a way similar to when he was sitting up on the wall, as if measuring him up.

“Oh, I wanted to take some photos,” Keigo starts, lifting the camera and the first candle he can grab from the bag, swinging it playfully around a few times with a smile to mask the nerve building up inside. “I figured it would be a nice opportunity even if the hearsay tale of the ~devil~ coming out at midnight was total humbug. This place is very atmospheric.”

What he says rouses a chuckle from the other. “Oh, so I wasn't imagining things. Been a while since I last heard that one.”

For someone deadpan he really has a cute smile. We are on a schedule here, but please never stop?

Keigo presses the tip of the candle into his cheek in contemplation, trying to steer his thoughts back on topic. “You mean, that local legend thing? I heard about it fairly recently… from the most suspect old dude." He rolls back and forth on his heels, watching out for reactions; "Giran, if the name is telling. But asking other old folks made them ring a bell, too, so I guess I was just ignorant.”

The other raises an eyebrow in amusement as the fading smile pulls into a smirk. "Maybe you are, a little bit."

Oh, come on. "Nobody is born cool, wise, or a folklore expert, okay…?" He pouts.

"I could already tell you were born without a trace of those things, alright."

"..."

He just said that. Looking him dead in the eyes.

Wow.

Dude's lucky his smile is cute, because that was so uncalled for and he's way too proud of himself. Sheesh. Anyway…

"Said the one who wouldn’t know manners if they hit him in the face…” He sighs. "Before we go down the name calling path, though… I’m Keigo." This was getting a little awkward without throwing it in, although he doubts the cocky asshole deserves it.

“Touya. My pleasure.”

Keigo hums as he moves to rummage through his stuff for the lighter he definitely threw in the bag before setting off. That’s not a very common name, but… “I think I’ve heard of you before…? Beats me where, though.” He’s pretty sure the conversation happened years ago by the crypt here, though.

Everything he says seems to amuse the other to no end. “It’s probably for the best. You seem like the type to run for the hills.”

Keigo gives him the side eye; being right aside, the hell is that supposed to mean…? And he’s so smug about it, too. About everything, really.

And no, it really wasn’t a line even remotely connected to serial killers, shut up, brain.

“Cryptic, are we?” he sighs, lighting the candle with a flickering click at last. The gentle flame sheds some dim, fog-broken light onto Touya’s face, and Keigo hates himself for being charmed by what he sees once more. That pale skin looks too perfect to be true… should feel like silk under one’s touch. If he ever gets a proper close-up look, he swears he’ll get a heart attack.

Touya blinks once, resetting his expression to nearly a default. “It's the two of us in a haunted, abandoned graveyard, inside a fog ridden maze, on the night after the 31st of October. You are basically begging to wind up dead. Coming off as cryptic and creepy as possible right now is elementary, angel.”

He… he legitimately can’t argue with that. The guy's almost as good at this as the bird kid is. “... touché.”

Stunned for words, he places his candle where planned instead. It's so stupid, but makes… so much sense. Is this why they all are like… that?

As he moves on like that without a word, Touya seems to get weirded out himself. "... You okay there?"

"I just had… an epiphany." He says, putting the first lampion with pinpoint precision. This guy just accidentally revealed some kind of arcane goth knowledge too advanced for him to begin to understand and doesn't even know it.

Touya heaves a deep sigh. "... you obviously got the wrong one out of that, but congratulations nonetheless."

“Maybe? I have not the foggiest what you were trying to imply.” He’s not that thick, but the dude’s being ~cryptic~ or whatever, and he’s not in the mood to write an essay on what edgy goths mean by what they say.

“Ah… figure that's why it's so clear out here this year… all the mist from the glade must have relocated to your head.” concluding that, Touya’s eyebrows pull closer upon seeing whatever else the blonde pulls out from his backpack while shooting a glare in his direction. “… what are those for?”

Keigo considers not answering at all, but decides against it. Being the bigger person by default is such a chore sometimes, but… “There’s some decent moonlight to work with, but these umbrellas help me get the little extra I need right where I want it. See?” With that, he turns the flashlight on and blinds the other with the sudden brightness.

“Ow, seriously?! I haven’t seen daylight in decades, turn that shit off…!”

… but, he can multitask and still be an asshole while answering the question. And laugh at the reaction, then laugh some more the decades comment as the other rubs his eyes, because he positively has the looks of a display-tanned indoor hermit. A hermit who is having a bad time.

“Wanna help, or would you rather brood somewhere the umbrellas won’t be able to reach you?”

A mechanical click can be heard in the distance; now that there’s no music playing in the streets, the bad (and always slightly ahead of time) clocktower bell can be heard signalling quarter past midnight. This seems to catch Touya’s attention and remind him of something as he stares into a nondescript spot for a while. At the very least, Keigo is certain he’s not thinking about the question that slipped out and which he will regret- if he says no, it’s gonna be the disappointment… if yes, then it’s because of all the things that will definitely go wrong.

“... well, it’s not as if I had no time to kill,” comes the apathetic answer a few seconds later, although the wrinkling eyebrows are telling of his misgivings regarding the idea.

“...”

Now, hold on… hold on, he may have an even worse idea that he’s definitely going to regret…

Keigo taps his pointing fingers against the camera anxiously. “Actually… say, what would it take for youuu… to be my model tonight?” He takes out his best puppy eyes as he looks over to him with the tiniest smile, blinking slowly.

It’s as if Touya had another light induced migraine immediately. He looks almost disgusted, which… is hilarious. “For that I'll take both your life savings and your soul.”

Keigo stifles both a giggle and a sigh at that, resulting in somewhat of a snort. He must be put off by those umbrellas quite a bit. "Really…? If that’s all, fine by me."

The answer brings back Touya to a much more reserved, if not vaguely sceptical stance. “You… sure are ready to jump the gun for that, huh.”

"Well I, too, am asking a bit much of you out of nowhere, aren’t I?” He asks, shrugging. “I figured it was worth asking, at the very least… you fit the mood a little too perfectly, one doesn’t get an opportunity like this every day. If all it takes is my birdie bank, that’s fine by me. … We can also talk about the soul part later if you want to.” It takes him every ounce of self restraint not to throw in a wink at the end.

“...” Touya stares in contemplation before taking a deep sigh and scratching his head. "Fine. I guess it’s going to be much less bothersome than posing for hours to have a portrait painted."

Keigo’s ears perk up at that. Like, a lot. "Y---you… there's a portrait?!"

Whaaa?!? A professional-ass painting, of him?? And, even more importantly, where?!?

"... I know what you're thinking of, and no, I have not the slightest idea. Who knows, maybe it even burned along with---" he cuts himself off right there. For the first time that night, he seems upset, or rather angry; whichever it may be is the strongest emotion the blonde has seen him display in these past minutes, affecting even him quite a bit. His hairs stand alert once more--- but the sentiment goes as it came, along with Touya’s stifled ire.

"... never mind. Let’s just… get on with this."

"..." He figures that being nosy would be straight-down rude, having just met and already asking for quite a bit… so he lets it slide as if nothing happened.

Keigo turns around to the lampion that he placed before the convo started.

Huh… that’s weird.

He doesn’t remember lighting it.

Overall, Touya seems to pay quite a bit of attention to what he's doing, visibly taking mental notes of the processes he goes through. First, it's a little embarrassing to be watched so closely, but eventually Keigo gets used to it and just does his thing. He soon finds himself in the zone, in fact. Hell knows how much time goes by as he keeps clicking away, barely even instructing, but rather just basking in whatever the other does, giving the okay to everything. He’s not even bothered by the bone cutting cold that’s now heightened by a breeze, because Touya seems to be a natural, and by god, does his presence do things to him. He’s had phases of architecture, mixed media with cutouts and shadow play, birds, and abandoned places, but this… this must be what finding a muse feels like.

When he's looking for the misplaced lighter for the hundredth time again, it's already shoved into his face.

"You should just keep this in your pocket, angel."

"Ah, thanks." He takes it, then turns to Touya sheepishly while pulling his jacket tighter as the light wind blows especially cold air down his collar. "I've been… stupidly quiet for a while. It must be really awkward, uh… am I really not bothering you?"

"It's fine. I like having the company."

Maybe his voice is softer than before… or maybe he’s just imagining things.

“I, uh--- same.” Keigo feels blood creeping to his face, so he quickly moves on; “I have enough of these candles left for like about one more location. Any ideas?”

It takes Touya only a second of consideration before he nods towards the belfry ruins.

He flashes a smile; “Gotcha.”

In barely 10 more minutes, Keigo is speeding through the hundreds (whoops?) of photos he’s taken, walking circles around the ruin. His breath hitches over the one where Touya looked directly into the camera right by the wall. He’s gonna frameit and putitonhiswardrobedoor andmmmakeit his ppphone wallpaper---

He can hear a chuckle behind him, and remembers that whoopsie daisy, he’s not alone. “You're pleased as punch over a few pictures… It’s adorable.”

Keigo gets red to the eartips this time around, realizing that he’s got that goofy-ass smile Rumi keeps teasing him for. Unfortunately for him, once it gets pointed out… it always sticks. “I’tsjustthat---…!! I… didn’t think I’d get such nice photos at all? Moody scenery is nice and easier to sell, but I prefer lived-in spaces and models, anything that feels alive. Especially when they’re so pret...ty. Patient.”

Someone kill him.

“...”

The thin eyebrows twitch the smallest amount and for a torturous, silent pause Keigo wishes for some kind of deity to strike him down and grant a merciful, immediate death.

“I suppose I’ve had a few years to put some patience practice under the belt.”

He fights the urge to run away crying. There’s no way anybody exists who wouldn’t see right through that… at least he gets to see that cute smile once more.

He forces one on, too. “... I can tell.”

The wind starts picking up, distracting the other. Touya takes a look up to the moon, which has made quite some progress on its route since they’ve been there. Then there’s three clicks echoing through the night, signalling that it’s nearing 1 a.m. “Well… you were babbling about showing me, too, so you better hurry. I don’t have much time left.”

Keigo snaps out of the shameful frustration only to be legitimately ashamed. “Oh… sorry, I… hadn’t even considered that you had other business tonight.” Shit. He just assumed he had all night, but Touya was just humoring him until he had other business.

The other shakes his head. “It’s no issue, just get your fidgety ass over here already.”

As he makes his way over to him, Keigo feels something grab onto his leg and the familiar itch of thorns scratching up skin through his jeans.

Fucking vines again.

He should have expected this, shouldn't he. As he stumbles forward, he sighs in immediate acceptance.

He would have never expected being caught, though.

Nor Touya’s hands being as cold as a frozen piece of meat that can be felt even through his jumper and jacket. His touch sends shivers down his spine, freezing him in surprise first; if the strap didn’t get caught around his arm, the camera would hit the ground as his hand loses its hold on it.

What he’s definitely not ready for, however, is the arctic chill radiating from every inch of Touya’s, the same icy presence that he’s been feeling ever since… since he got close.

The thing that makes him break into cold sweat and brings even the blood in his veins to a halt, however, is the pair of forget-me-nots staring into his soul from mere inches.

Those beautiful, blue eyes, that… that are glassy and clouded and definitely not… human.

His lips part, but the scream dies off in his throat.

The realization flashing in his eyes draws a lenient, gentle smile onto the pale face. “You’re slow, angel.”

Keigo's paralyzed in what he can only guess is sheer terror, his body's last resort in hopes that the threat will just leave if it's not interesting enough to investigate. His mind, however, is racing and panicked as his inevitable end leans in for the kill.

Fuck.

Fuck, he's… dead.

He's dead, he's dead, he's dead---

He’s dead.

At least, that’s what he remembers thinking before passing the fuck out… not knowing who exactly he was referring to anymore. Because he feels positively not alive when waking up on the belfry’s cold ground, on the patch of concrete that lay behind where the catafalque used to be, surrounded by what remained of the candles and lampions he had brought along, and some of the flowers that people decorate graves with.

The spot where everyone suspected a former hidden path… or another grave.

He turns around, because now he remembers where he last saw the name Touya- it’s barely legible, but there it is, crudely chiselled into the stone right above the grey ground.

At first he supposes that the cold, empty feeling that seeps through his entire being must be the nasty cold and pneumonia he gets after the deed. As the days go by, however… the shivers and cold sensation persist and his dreams are plagued by endless mazes, fires, and haunting, blue eyes all the time.

His second guess for the cause of it is lingering fear: on the camera, he finds creepy photos of himself lying in the grave once he gets better. When going through them all, he considers to delete the ones he took of the other or use them for digging, (there’s no fucking way he actually hung out with a ghost, is there?) but… they all pop up as vaguely distorted landscapes, with light spots where a pair of eyes may or may not be.

Having stared blankly for like an hour at the one he really liked back then, he throws the camera into the corner of his armchair and doesn’t touch it for weeks.

This carries on through winter, in spring, and he's convinced of how badly he fucked up when even in the suffocating summer heat he feels the veil of an icy embrace.

Once leaves start catching rust again, the chill makes his bones ache, much like they did after the encounter. And it only gets stronger by the day. He hasn't shown the pictures, developed or otherwise, to anyone. Somewhere down the line he figured… that he should just give him the photos and trade them back for his soul, because hell if that dementor did not help himself to it right along with the kiss he definitely got but doesn’t remember. Trauma alone cannot possibly cause this.

It's midnight again. This time, he's already there, waiting for the toll of the distant church bell they had fixed and reset sometime in spring. The autumn fog is as thick as ever.

His grip tightens on the envelope; deals like this are notoriously hard to break or undo. Hell, the guy agreed to have the photos taken, creating a nice little loophole. Whether he printed them, deleted them all or whatever might be a moot point.

… no. No, he can't start thinking about this right now, if he comes he'll get this thing annulled, get his damn soul back---

As the last gong dies off in the night, a pair of lean arms slink around his aching chest and pull him against a body so cold it's scalding his skin.

"Hello again, angel," greets the voice, sounding a hundred times sweeter than he remembers.

…

Or maybe… he'll just let him keep it forever.

[qqueenofhades]

I know you dont watch GoT anymore. And that Braime and Sansa are your favorites. But I know you've read the books and are obviously really interested in the story. And I was just wondering what your thoughts are on the whole Jon killing Dany thing? Is that something you can see happening in the books? And if it is do you think it'd be in the same context as the show did it?

Ahaha, welp. Just jumping right in there.

(Also, you never have to apologise for asking GOT/ASOIAF questions. I obviously have been a fan for 16 years and wrote fuckin’ TNR with its half-million-plus words, so I clearly do have Thoughts on the story/characters, especially with the bag of lukewarm cat vomit that was s8 of the show.)

I already answered this ask discussing how much I hated the Mad Queen Dany thing, both because a) it was horrifically badly handled and b) these mediocre misogynist douchegobblers have managed to outdo themselves in terms of the gross messages they’ve sent about women, after 8 seasons of that. (These are the same people who made Sansa say that she was grateful for her rapes and who claimed that Dany’s turn into madness was foreshadowed by her having a “chilly” reaction to the death of her abuser, Viserys, in s1, so…. make of that what you will.) I’m not saying that it was narratively impossible, especially since GRRM has been toying with the same thing in the books and has more than his own share of Male Author Syndrome. But at the start of 8x04, Dany is in Winterfell, perfectly sane, toasting Arya as hero of the battle. By the end of 8x06, she’s crazy, a war criminal, and dead, murdered by her boyfriend, because… well, something something plot reasons. Even if you didn’t like Dany or were rooting for her to go mad or whatever, that was wildly badly handled.

I personally think it would be pretty gross for GRRM to also go down the Mad Queen route, though at least if he does, we will have had Dany’s POV chapters beforehand and presumably something resembling a justification and a building narrative momentum toward it. But she also got stuck in Meereen for so long because by his own admission he didn’t know what to do with her there or how to get her out of the situation and moved onto Westeros, which remains, theoretically, her outstanding goal in the books. It would obviously not be outside the realm of possibility for this to happen, given GRRM’s focus on “grittiness” that the show took to max factor 5000. I would still find it reductive and trying to make a Clever Postmodern Point and etc if it happened in the books, because literally why invest us in a character this long, especially one who has tried so hard to overcome the circumstances of her past/to not be her father, and then just do exactly that? Obviously there would be elements of Shakespearean tragedy to it, and if done well it could be compelling, but I personally just have a different approach to fiction and what people want out of a story (especially one now as famous as GOT/ASOIAF and how universally betrayed everyone seems to feel by the ending). I’m not saying Dany’s ultimate ending needs to be sunshine and roses and getting what she wants, because often character arcs and resolutions become all the more powerful for being subverted and thwarted (think the “I said I wanted [x] but [y] was there instead” sort of endings). But whatever it is, it needs to be…. not that.

Also, Jon in both books and especially show has been the epitome of Mediocre White Man. I stopped watching in s4, but Kit Harington’s acting was so wooden and the writing for him was very much Standard Misunderstood Brooding Fantasy Hero that I could barely pay attention to his scenes. I find him somewhat more interesting in the books, though ADWD dragged for everyone and it was obvious GRRM was writing in circles. But everyone has noticed that especially in the show, Jon does absolutely bupkis. His ass is constantly saved by the women in his life, he makes an absolute hash of any power that he is given and doesn’t want it anyway, and his ultimate ending was…. going back to the Night’s Watch (as their idea of satisfying narrative storytelling is to literally put everyone back where they were in the very first episode, apparently). Never mind the fact that there’s no need for the Night’s Watch, but the point is, even the fact that Jon is Rhaegar and Lyanna’s son ended up being relevant for like half an episode. That has been one of the major plot points/secrets of the books (although not so much anymore) and it just…. fizzled out like a damp squib. Dany actually TRIED for multiple seasons to be a good ruler and to learn how to handle power and become a queen, so for her to have to be the one to die for Jon to once again do diddlysquat is… well, as I have said before, the misogyny leaps out. They ended up wasting so much potential and so many other things that were also foreshadowed (and far more convincingly than “wah wah she was gonna go evil!”). For this? So Jon can just go brood in the snow again? Cool.

Not to mention, I find it gross on principle that Dany’s boyfriend had to be the one to kill her, especially after rape/sexual violence/loss of agency was such a big part of her early-season storylines (and how horrifyingly and grossly that has been handled on the show overall). We’re obviously supposed to sympathize with Jon in this scenario and to feel that it is justified to “stop a tyrant” or whatever. Also, if the episode was going to be called “Queenslayer,” why the fuck wasn’t it Jaime fulfilling the valonqar prophecy, another thing they forgot about, and killing Cersei, at great personal grief/cost, to once more stop an insane monarch from burning down King’s Landing? But that, of course, would be actual character development/overall arc, and they preferred to also trash that by having Jaime “killed Aerys Targaryen literally to save half a million innocent people and lived with his reputation being destroyed ever after” Lannister unironically claim that he never cared about the lives of the innocent and only wanted Cersei. After she again tried to kill him and Tyrion like three days ago, not even to mention what they did to Brienne and with that whole arc, but I will have a ragestroke if I think about it too much. 

Basically, the ending wasn’t “bittersweet.” It was tragic, reductionist, ham-handed, hugely disappointing for everyone who put years of investment into these characters, and ended up in the amusing position of making Bran Stark the younger and more beautiful queen who comes to cast Cersei down. He became king because… reasons? Whatever? And he knows literally everything about everyone thanks to being the Three-Eyed Raven, so there’s no way that can go horribly wrong. He has basically done nothing except sit in a wheelchair and look creepy for several years now, his arc has never been remotely about being king, and Isaac Hempstead-Wright himself is apparently on record as saying he genuinely thought it was a joke script when he read it. This after both Emilia Clarke and Kit Harington broke down over learning what happened to their characters/Kit apparently realized it for the first time at the read-through and was horrified. Emilia already talked about wandering for five hours and having a crisis and calling her mom and asking to be talked off the ledge like….. fictional choices/characters completely aside, that’s a gross thing to do to your actors. I know they’re all proud of their work and they have apparently and understandably been defensive about the existence of the petition to rewrite s8, but they’ve all been pretty clear, while still being professional and supportive, that there is stuff that they’re just as much WTF about as we are.

Basically, as everyone keeps saying, the acting, cinematography, visual effects, music, etc was clearly up to as high a standard as ever, but was betrayed fundamentally and comprehensively by this god-awfully shit writing by a couple of hacks who clearly rushed the final season to get on to ruining working on Star Wars. They have also been on record about saying “you can’t do what the audience expects or it’ll get boring blah blah blah,” which is a profoundly flawed storytelling strategy if you’re paranoid and trying to outsmart your audience and do something that nobody has ever thought of because you’re an Intellectual Postmodern Commentator On Our Violent Society. If your audience can guess where a story is going, but are still surprised by major twists along the way that then make sense in hindsight, you’ve done your job. If you’re relying on grimdark and cramming in gimmicky plot twists and deus ex machinas and Shocking Moments rather than authentically developing your story, it’s going to bite you in the ass in a big way, as was just proven. 

Nobody expected a completely happy ending from GoT. But the fact that they went to such lengths, especially in s8, to build up characters/ships (Jonerys, Braime, Gendrya were all torched after major canon moments completely unexpected by fans, especially the latter two – why even include it unless to just be more Tragique, and Gendrya is the only one that has even a chance in the future since half of it didn’t end up idiotically dead) and then just wrecked all of it…. as I’ve said, good endings don’t need to be rainbows and unicorns and kittens. But if you’ve asked eight years of audience investment, there has to be something that makes it worth it and that doesn’t make everyone feel like they were duped and stupid to get involved in the first place. They have been beating the “it’s a hard world and bad things happen to the characters” drum for all they’re worth, but… it’s just bad. You can analyse and ask why the hell they did things and so forth, but it’s bad. At this rate, the show should have either ended after 8x03, or they should have taken the money HBO offered and done the proper 10 episodes and let Bryan Cogman write all of them. He was the only one who appeared to remotely give a shit about the characters, and since D&D wrote the last four episodes themselves, yeah, this disaster is on them.

Fortunately, I left the show years ago and have TNR and am used to ignoring their version of things. And I knew all along that they never really got the characters or the story. But I feel really bad for everyone who has had this thrown back in their face, and it seems like a communal disenchantment with this ending is going to enter the pop-culture consciousness on a possibly unprecedented level. So if GRRM does do the Mad Queen Dany killed by Jon in the books (though he has apparently called the show’s ending “traumatic”), I’ll probably still not like it. He has a chance to sell me it on/justify it to me narratively, which the show categorically failed to do. I don’t think I will, just because as I said, I don’t like anything about it, but yes.

Anyway. This is a long post already, and I probably have more to say still, but it’s pretty obvious I think it’s just really, really bad, and that’s about the essence of it.

[kryptsune]

Frisky’s WTU mini vent

🌼So I rarely do these. I just need to get a specific set of topics off my chest. Don’t worry I am not sad or angry just a little... frustrated. I did a HUGE post about this a while back and I am posting it again. Look I know how it looks trust me. Just... please... give the fic, the characters, the relationships a chance. That is all I ask. I know it is a lot to read and I know there are some unsavory parts but they are there for very specific reasons. I am just really tired of people coming to me on AO3 or otherwise legitimately upset with either me not tagging it as something they want or otherwise. Please understand my frustrations and to those that read this entire thing, thank you >////<  

🌼I have a few things I want to discuss and talk about considering that I do not want this to become an issue. Look I made WTU M for a reason. It is dark and has adult themes and content (though admittedly not even close to some of the stuff I have seen or read). It is not a fic for the faint of heart. This story will not change and I am not going to conform to people’s scrutiny either. Let me first start by stating that I make specific things vague for a reason. Those that have followed this blog for a while will remember my explanation as to why violence happens the way it does. I don’t feel I need to justify anything to my readers. If you have questions I am more than happy to address them. That said to have someone skim the fic after the notorious chapter 6 and write in the comments irks me.

Guys the material and that frickin scene is not lost on me trust me and before anyone gets high and mighty with me in regards to Sans and Frisk let me explain why this scene exists and attempt to explain Sans actions in a spoiler-free way. I will not sugar coat that it is extremely difficult for me to do so and I will do my best. I also want to point out that I am in no way justifying his actions what I am trying to do is explain the two very different mindsets that exist in this world and how that clash causes ch 6 and how it is dealt with.

Why do I make certain things vague? I suppose that is a good place to start. The whole point of my lack of clarity is supposed to have the reader (that is all of you) come to your own conclusions. There are a lot of themes in WTU and making assumptions and judgments is a big one. You are supposed to take a side that is the whole point. You can choose to be like Chara or you can choose to be like Frisk. Now I know what happened in that chapter concerned a lot of people specifically because it gives off that abusee falling in love with their abuser vibe. That is not the case at all and I want to make this perfectly clear, I DO NOT APPROVE ANY SUCH RELATIONSHIP IN THE SLIGHTEST. IT IS HORRIBlE AND I WOULD NEVER EVER EVER EVEN THINK ABOUT THAT TOPIC IN ANY OTHER WAY THAN DISGUSTING. If it bothers you so much why is it in the fic especially since it is marked as Frans? Oh boy howdy, do I wish that I didn’t have to even write it. It made me sick for weeks as I attempted to handle that chapter and the one following it. I do not take these things lightly and I never will. I can not go into detail as to why the scene is in there however what I can say is that it is important and by important I mean there is no workaround (trust me I have tried it just does not have the same impact). Let me explain why this is: 1. Humans and monsters are different. They have different moral standards. One thing to them is different for humans due to biology and culture. Monsters who want kids need to both desire that outcome. Anything else is just fun/way to pass the time/ relief. What Sans does is not out of malice. In his mind, he doesn’t see the situation the same way Frisk does or us for that matter. That is the point. I am not justifying what he does, far from, and I want to be perfectly clear that it is there for a reason. It is vital to his and others character development. Sans is not a bad character. He is a conflicted character. One that is aggressive due to (plot spoilers) and backstory. If I explained it I feel people would understand but I am not going to do that as it would ruin more than 2/3 of the entire story.

2. There are consequences to his actions. Oh, boy is there. I won’t state what they are but trust me when I say his actions both in the physical violence and the sexual hit him hard and for a very VERY long time.

3. This is not solely a Frans fic. Firstly, people tend to automatically assume that this is all Frans shipping when it is actually quite the opposite. This is a story about how that comes to be but I won’t sugar coat anything in it. I treat my readers like adults and I will continue to do so. Second in this point is that Frisk does not fall in love with Sans… there is a reason I use Sans instead of Red. Sans is the person she first meets, the horrible monster that does all the things I have alluded to before. Red is not. Yes, they are the same person physically but not emotional/mentally. The point is that he changes and grows and sees a side to himself that he can not stand. Said situation is just the straw that breaks the camels back. After the events of Book 1, there is at least a 5-year gap. At that point, the past is in the past.

4. The story is not to its rebuttal yet. What do I mean by that? Well, the truth of the matter is this is an incomplete PUBLISHED story. I know exactly what I am doing and it is planned from start to finish. My readers do not. I do things in a very specific fashion that holds purpose and relevance for characters or chapters to come. Waterfall is a big one and eventually you will see what I am talking about as it will further dive into chapter 6s purpose. What I will say is this, after this scene in Waterfall the dynamic changes for the better. I promise you. I know some people are holding out for the hope that Sans will stop his shit. I can promise that to you, he will.

5. It is a work of fiction. This is a big one. There are plenty of novels or fictional works out there that have these kinds of material in them but something like that gets a pass while I get scrutinized? How is that remotely fair? I will handle the topic with respect and maturity as I always have. I have had people go through this and being a victim myself I understand where these kinds of comments come into play. That said. I can’t say this enough that it is important and I treat it as such. If it still bothers you and you want a further explanation as to the reasons I cannot state message me. I will explain. I am not doing so publically as I know people who don’t want the story spoiled.

After all of that, all I can say is that you can choose not to read it if it bothers you that much. What I ask is that you respect my decisions as an author and take a step back. There are very few that know the full story and I keep it that way for a reason. The first book in the Welcome to the Underworld series is not for everyone. That is the point. It is meant to make you think and reflect just like the characters I am writing for. At the end of the day, you can either trust me in these decisions or not that is entirely up to you but I ask that you give me a chance and opportunity. I am very open with my work I am more than happy to clear up things privately for others. Guys, I put my heart and soul into his fic and those that really enjoy it I appreciate your continued support. We are all on this roller coaster ride together and I am thankful so many have stayed on with me. It is always darkest before the dawn everyone, hang in there. Book 2 is pretty much all fluffy drabbles or mini stories. There is a reason I call the Underground the Underworld instead. It is supposed to have many allusions to Hell for both it’s inhabitants and it’s human captee. The darkness that I place in the story is supposed to make the good and happy all that more meaningful and impactful. I hope that eventually others begin to see those underlying themes. Thank you for reading this if you went through this word wall. I just felt like I needed to explain this a little further to avoid any unsavory conclusions.