#world's filled with possibilities

[loregoddess]

2, 5, 8, and 20 for the fandom ask game?

2. a headcanon you weren't sure about at first but have come to like! This one's a hard one bc most of the time if I come across a headcanon that doesn't float my goats I just move on and don't give it much thought (it's clearly floating someone else's goats so no need to punch holes in it, we don't need any drowning goats), and then if the headcanon happens to haunt me anyhow I just kinda adopt it w/out too much fuss bc the person who wrote it was clearly on to something I didn't at first realize, but hmmm....

I guess at least for theories specifically, I remember coming across the "Majora's Mask might be a Twili artifact" theory on some forum like, a hundred million years ago, and I shelved the theory in my head almost immediately bc I was more into the idea that Termina was an actual alternate world in the LoZ universe bc alternate worlds are an established canon thing that Just Happens Sometimes. But when Hyrule Encyclopedia dropped the "actually Termina IS a world created by Majora's Mask that reflects the psyche of the wearer" I was like, okay wait hold up, that theory about Majora's Mask being a Twili artifact suddenly seems so, so much more plausible now, and I can explore that theory in a lot more depth for further theories about the Twili and the properties of Majora's Mask, and I've been happily rotating those theories in my head ever since (I know a lot of fans were really upset w/ the Encyclopedia making Termina a dream world canon, but man I was so stoked for it bc of that one little theory I had seen and dismissed so many years earlier).

5. something you see in fics a lot and love Alas I don't...read fics that often and wish to one day remedy that (I need to rediscover my general love of reading first, but I'll get there eventually), but from the fics I have read...I guess I really like seeing characters get to heal? Like, mostly I'm really into video games so I end up seeking out fanart/writing about the characters I love from games, and most of the games I enjoy understandably don't usually get into the "how do the characters deal with or recover from [insert traumatic event from game's story]" which like, fair, you can only do so much in the frame and limits of a game, I get it. But as a result when an author is like, "Actually hold up, we need to talk about this character and what happened to them a bit more" and like, it's an honest-to-goodness deep-dive into healing as a narrative in it's own right, I dunno, I just think that's really neat. I don't feel like I'm really good at writing that specific type of narrative either, which is part of why I respect writers who can/do write it so much.

8. you hope more people will come to appreciate ___ (a ship, a trope, an episode, etc) Probably like, "I'd live for you" as a trope/theme if that makes sense? Like, don't get me wrong I get the appeal of "I'd die for you" in stories, but I think there's a lot of potential power in "life can be hell, but you make me want to live, you've given me hope in life, and I am going to live"

(usual internet disclaimer: yes I know both these tropes/themes can be used for super unhealthy codependent relationships, no I'm not trying to advocate for making such types of relationships some sort of golden standard that we all should strive for, yes there is a way to write both of these and have the relationship still be healthy and stuff; I bring up "I'd live for you" bc "I'd die for you" stays dangerously close to the same territory as jokes about wanting to die arise as a form of suicidal ideation and--like replacing "die" in those types of jokes with something else can help improve overall mental health--I wonder if shifting "I'd die for you" to "I'd live for you" would have similar effects, but I'm no psychologist, this has been a disclaimer)

20. your very first fandom! Hmm, depends on how we're defining things. If it's just "being a fan of things and making up stuff about it w/ at least one other person" then probably Scooby-Doo? Me and my brother grew up watching the cartoons/movies and also had some dolls of the Mystery Gang when we were kids, and we used to make up some wild narrative-driven games making up our own monsters and mysteries for them to solve (unsurprisingly we're both storytellers of some sort as adults). But if we're defining "fandom" as more like, an actual community, then it'd be Legend of Zelda, since that's the first thing I ever made like, legit fanart for that I shared with others online.

[poorly-drawn-mdzs]

A whole new meaning to Gay Chicken.

(For: Anonymous raffle winner!)

[humming-fly]

I know I've thought of a good shitpost when the premise is only funny to me and maybe three other people

[hdra77]

a little wip for some scenery study ft. me and my friend's ocs hoo boy this is going to be a big one to work with ! :D i was this close on leaving them green and leaving that bg sketch as is LMAO ocs featured: (left)delighted jingling (my friend's oc) (right)dystopian arbitrary endless possibilities (mine!)

[justaz]

need post magic reveal/ban repeal where magic is free and everyone grows in their knowledge of just what magic is and how it works etc, etc. merlin (isn't one for bragging about his powers) doesn't really mention much about his magic so people just assume he has enough to get by with like chores but not enough to catch the ire of uther EXCEPT for gauis, lancelot, and arthur bc gaius and lancelot have known about him for years and know what he's capable of and arthur sat merlin down and demanded all the stories so arthur knows he'd be a formidable opponent but he doesn't really get it yk? so he's like "yeah merlin has magic and he's capable of defending himself and camelot so he's probably on the more powerful end of the spectrum like every other sorcerer who is powerful"

and then i need merlin to be Different. like noticeably different. like idk a sorcerer is like trying out to be court sorcerer (bc merlin doesn't want another job dammit arthur give it morgana or someone-) and they perform this elaborate spell that captivates merlin and he starts asking all these questions and the sorcerer is like "yeah it's super difficult, it took me months to get it right and it takes years for some others-" and they cut themselves off bc merlin was just like "i wanna try" and does it perfectly first try. the sorcerer is seething.

camelot is hit with a heatwave and everyone is suffering and arthur is just like "morgana can you make it rain or something? it's too hot to breathe." and morgana is just like "no you idiot i can't just bend nature to my will. it doesn't like that." and merlin finally arrives with waterskins full of nice, cold, refreshing drink that the knights are frothing at the mouth to get. arthur complains again and morgana huffs and merlin is like "has he been like that this whole time?" and morgana nods with a groan and merlin laughs before going "i can try something" and leaves before anyone can say anything and arthur looks at morgana and is like "i thought you said nature doesn't like to be controlled?" and she's like "it doesn't" and then they all chase after merlin but he's chilling in the courtyard with his eyes closed, not even chanting, and then the sky starts to darken as black clouds roll in, the temperature plummets and then...snow begins to fall. in july. they all end up having a snowball fight.

a power hungry sorcerer comes along and is like "emrys....he's perfect....just what i need...teehee" and casts some spell over merlin and begins to siphon his magic and his power and merlin feels waves of his magic flood through the connection and into the sorcerer and like he's a mix of panic and concern bc yeah this mf is taking his magic but they're taking his magic. merlin tries to bargain or talk them down while the knights and arthur try to attack but the sorcerer keeps pushing them back and ignores merlin and is like "i want power, i want your power" blah blah blah monologue time and they swing another wave of magic out at the knights and knock many out while killing some and merlin is just like "ok no that's all folks thanks" and starts to push his own magic through the connection. the sorcerer has this wild gleam in their eyes and they feel more and more power fill them and it's like a high until it gets too much and they frantically try to sever the connection and their telling merlin to stop but merlin is just like "i thought you wanted my power? i'm giving it to you" and continues to flood the sorcerer with his magic until gold begins to trace their skin and they idk explode or smth and then all the magic flies back into merlin and he flexes his hands. unnamed knights 3, 6, 22, 53, and 55 still died so it's a tragedy.

a bunch of sorcerers are entertaining at a feast (kind of like the trickler) and they cast illusions all around the room that look real enough (unless you look too closely or touch it bc they are somewhat see through and your hand would pass right through them) and it's a fun and joyous night. later that week, the knights bring it up during their break while training and merlin is like "sure, what illusion should i cast?" and after some back and forth, he settles on the illusion of a dragon. it's around the size and age of aithusa bc that's all he has to go off of and it's gold since he took inspiration from the pendragon crest all around the area. it jumps around and flaps it's wings to get some air and it's all fine and dandy until elyan goes to poke his hand through it's ribs but meets physical scales and he jumps up into percival's arms. merlin looks closer and is like "oh. its real. whoops." and leon is like "whoops?? you make a real life dragon and all you have to say is whoops?" and merlin shrugs and is like "it was an accident" and leon about keels over from a heart attack "an accident? how do you accidentally-" the dragon is considered a gift from magic to camelot and helps further heal the wounds of uther's purge.

idk just like merlin being casually the most powerful sorcerer to walk the earth and unnerving people just by how little he seems to care about his shows of power but they're all like "well he's just doing all these small things that don't harm anyone and he doesn't even seem to realize just how powerful he is so what can ya do?" and they leave it be and make peace with merlin being Like That. and then camelot/arthur is attacked or smth idk and then everyone gets to see exactly how powerful and dangerous merlin is

[meamiki]

mirabelle with two swords!! :D

[ruvviks]

// oc deep dive.

tagged by; @aztarion and @devilbrakers, thank you so much!!

tagging; @mojaves, @deadrlngers, @ordinarymaine, @claudiawolf, @adelaidedrubman and YOU!

What common/uncommon fear do they have?

Nathan has a lot of fears stemming from his paranoia. Tangible ones such as getting captured or killed by MOBIUS, his friends walking away from him, or someone following him home; as well as more unrealistic ones, such as somehow ending up back in STEM, or getting stuck in a time loop, or a giant sinkhole all the way to the core of the earth opening up right at his feet.

It also happens often enough that certain actions don’t necessarily scare him, but make him uncomfortable or highly on edge (often with good reason); think of someone locking the door of the room he’s in– especially when it’s just them two– or getting too close without warning. He often fears people he gets too close to will end up treating him like the Administrator did, which is why it takes a while for him to let Sebastian get any closer physically, despite warming up to him relatively fast.

A more uncommon fear he has is waking up one morning and having lost one of his senses or his ability to speak. Aside from the mental erosion that had become a growing issue among Union citizens, MOBIUS observed a similar kind of process in its agents who regularly jumped in and out of STEM for general maintenance and the like– presumably caused by the constant changes in brain activity, which more than often led to exactly what Nathan’s fear mentioned above describes. While he was among the agents who worked both in and outside of STEM on the Union environment, he was lucky enough to never suffer the consequences.

Lastly, he is deadly afraid of Anima. Despite not having shown any other symptom of succumbing to the STEM domination process, Nathan would have started seeing her around sometime before Lily vanished– presumably got her attention after some of his escapades in the secret labs in the Marrow– and he has not been able to sleep soundly in STEM ever since. While his fear of her mostly acts up when he’s in a STEM environment, it definitely translates over to the real world as well; during bad mental health episodes he has auditory hallucinations of her, and she makes regular appearances in his nightmares too.

Do they have any pet peeves?

When people are too passive. Nathan can’t stand it when he’s expected to initiate everything, from conversations to taking action, both in a work context (scheduling meetings, deploying new code) as well as personal context (scheduling to hang out, doing household chores). He also doesn’t like having to constantly ask people to do what they’re supposed to do– though this irritation more than often extends a little too far, to things he is expecting of people but never told them about.

Loud and unexpected noises, especially when done on purpose. Fireworks would be a great example of this, and they piss Nathan off no end. He gets snippy when people raise their voice at him for no reason, or when they keep banging their fist on a surface to get others’ attention.

Getting cut off in traffic. Nathan’s road rage is easily awakened and he can get a little drastic with it. His reflexes are fast enough to brake on time to avoid ending up in someone’s trunk, but will in that same breath speed right back up to crash into them on purpose as revenge for pissing him off.

What are three items you can find in their bedroom?

A large ring binder full of old code snippets, notes from various projects he worked on back at MOBIUS, and all his research ranging from neuroscience all the way to electrical engineering. Nathan is a little old-school in that regard– he’d much rather have all his research physically with him than save it all to some online storage platform and risk losing it like that.

A jigsaw puzzle, made entirely out of different pieces that he’s collected over the years (stolen from others’ puzzles, found in various locations, stolen directly from the store, etc). The full piece would total up to nearly 2000 pieces, though it is still missing a large chunk in the center; the result is an abstract piece containing mostly darker colors, though with various bursts of color scattered around like flowers in a field. Nathan isn’t the artistic type, but the project keeps him busy and he considers it a type of self-expression.

The knife he killed his parents with when he was sixteen years old. He’s not entirely sure why he kept it all those years– perhaps to remind himself what got him to where he is now, or because it’s the only thing he still has from that time of his life. Either way, it’s kept safe in the top drawer of his nightstand, easy enough to reach in case someone breaks into his apartment.

What do they notice first in a person?

First: State of mind, overall mood. How approachable do they look; can he afford to lower his guard or does he need to tread with caution, can he get close without worrying about a knife to the stomach or should he keep his distance? Nathan rarely shows immediate interest in someone’s overall personality, he would rather want to know which of their emotions he’s gonna have to deal with during their interaction(s).

Second: Body language. Ties in with the first thing mentioned– cautiously watching for threats, waiting to see if they make a move to touch (or harm) him so he can step out of their range. But it also extends a little further; Nathan tends to mimic others’ body language in conversation to make himself appear more approachable. If someone gestures a lot, he will do the same.

Third: Their smile, if relevant. Smiling is an eye-catching action to him, since he’s not one to quickly do so himself. It’s attractive to him; if someone smiles at him, you’ll be able to catch him staring.

Fourth: Scars, and other (skin) details. Nathan isn’t one to ask about them, of course– but they’ll catch his attention anyway, for a brief moment, since some of them already tell a story on their own even without words.

Fifth: Nervous tics, if relevant. By this point he’s been in conversation long enough to pick up on the little details– a slight thrill or shakiness to their voice, a thumb running over the side of their index finger, a nose twitch. In some cases it eases his mind, knowing the other person isn’t confident in their conversation either; in other cases it sets off alarms in his mind, and makes him wonder if there’s more going on than what they’re showing or telling him.

On a scale of 1 to 10, how high is their pain tolerance?

Physically: 7. While he doesn’t quite look like it, Nathan can take a hit or two. Most of his injuries happen in STEM– though with the way the technology works, the pain is very much real, and in some cases the scars are lasting even in the real world despite the damage having been sustained in STEM. To an extent, Nathan even enjoys the pain; it’s grounding for him, and keeps him from dissociating. When it gets too much to handle he simply drinks it away.

Mentally: 10. Nathan’s life has been a constant downward spiral; sent to a youth detention center after being wrongfully accused of killing his younger sister, and he was bullied relentlessly there, which continued until long after his release both at school and at home. At MOBIUS, he was required to work shifts in their HQ as well as in the Marrow, in the Union STEM environment– he was required to be mentally strong, or he would have already started suffering from mental erosion by long-term STEM exposure after his first few trips in. It takes a lot to break him (or so he likes to believe).

Emotionally: 4. Once you get past all the barriers, Nathan is pretty sensitive. He doesn’t deal well with rejection or misunderstanding, and is prone to assuming things are all his fault the second something goes wrong. It’s easy to upset him, though he won’t easily show; but the damage often takes a while to repair.

Do they go into fight or flight mode when under pressure? (Or freeze or fawn?)

Fight, more than often; though it may appear as flight at first, since Nathan’s favored combat approach is stealth and he will always find cover before doing anything rash. In certain cases, however, he would be more likely to freeze; especially anything related to Anima or an enemy type like her, where fighting is out of the question, and he knows that a single wrong move can mean his demise.

It translates to non-combat situations too– often willing to talk to people but his initial response is to get defensive and close himself off, and if not given a moment to regain himself it can lead to either fighting or freezing; biting back with similar ferocity or shutting down altogether, unable to pick up his rational train of thought in the heat of the moment.

It really depends on the type of confrontation, though; taking his own state of mind and who else is involved into consideration. He’s known to fawn when a situation starts feeling a little too familiar– generally surrounding the abuse he suffered from partially his parents, but mostly the Administrator.

What animal represents them best?

Wolf; bordering on dog motif, but cautiously so, requiring infinite patience and understanding to win his trust. Nathan is loyal and guarding to those he cares about, but he values his freedom– his choices and decisions are his and his alone, and anyone who tries to take that away from him will suffer the necessary consequences.

How would a stranger likely describe them?

Curious, above anything else. Distant, reserved; surprisingly well-spoken, almost technical in his interactions with others as if the whole conversation is pre-programmed in his mind. Nathan isn’t necessarily cold towards others, but people would also not be quick to describe him as kind; though there is a certain warmth to the way he speaks and looks at people, despite the fact he very rarely smiles and isn’t one to quickly compliment someone else.

Appearance-wise, people tend to notice the white strands in his black hair first. They’re clustered at the front of his head, and match with the white hairs in his left eyebrow and the white eyelashes in the outer corner of his left eye. Nathan has very pale and rough skin, patchy but dark facial hair covering up most of his acne (/scarring); and part of the skin around his left eyebrow is lacking pigment, though it’s a little hard to see. He has very pale and bright blue eyes, which can be a little unnerving when staring at them for too long. Many people cannot maintain eye contact with him for very long.

Do they have any hobbies?

Nathan’s career is directly intertwined with his hobbies, and he enjoys working on code even long after cutting ties with MOBIUS. Software development, application optimization– his laptop runs on an operating system that he coded entirely himself, and whenever he has some time to spare he can be found tweaking and optimizing it and adding new features.

To no one’s surprise, he’s a gamer. Shooters, roguelikes, survival horror– he does not play all too often as his schedule often doesn’t allow for it, but he generally doesn’t have a hard time playing on higher difficulties and enjoys the challenge. Nathan has tried his hand at game design and development too, but stopped quickly when he found it too similar to developing the Union environment in STEM.

And last, surprisingly, would be writing. Journaling, some sort of attempt at poetry, or articles he would want to send in to some website or appropriate magazine but never does– a lot of Nathan’s writing is for his eyes alone, but it helps as an outlet, it keeps him grounded. For a while after leaving MOBIUS, he worked on writing tech manuals for various employers to earn some extra cash, which also ties directly into his interests.

[unganseylike]

even after all these years the gang learning about noahs ghostliness is so funny to me. like obviously they are freaked out that their friend is dead and was murdered. but no one is having a revelation about ghosts being real its not even mentioned. its like yea yea we all accept the existence of ghosts. back to the one living in our apartment.

[elvensnowboy]

You guys have no idea the amount of joy it brings me to see Dragon Age filling my dash once again.

I try to avoid spoilers like the plague but that one post with the inquisitor saying "it's good to see you again" (or something along those lines) HAD ME IN LITERAL TEARS??? THE MERE IDEA OF HIM BEING SO TIRED FROM EVERYTHING THE WORLD HAS THROWN AT HIM YET HE STILL COMES BACK TO HOPEFULLY SAVE SOLAS?? ?

[akkivee]

the mood is still like this pic of reol, femme fatale’s writer, in between the chuuoku seiyuu btw lmao

[blazingblorbos]

The last 20 seconds of this trailer have me in the strongest chokehold

[wonder-worker]

"[Elizabeth Woodville's] piety as queen seems to have been broadly conventional for a fifteenth-century royal, encompassing pilgrimages, membership of various fraternities, a particular devotion to her name saint, notable generosity to the Carthusians, and the foundation of a chantry at Westminster after her son was born there. ['On other occasions she supported planned religious foundations in London, […] made generous gifts to Eton College, and petitioned the pope to extend the circumstances in which indulgences could be acquired by observing the feast of the Visitation']. One possible indicator of a more personal, and more sophisticated, thread in her piety is a book of Hours of the Guardian Angel which Sutton and Visser-Fuchs have argued was commissioned for her, very possibly at her request."

-J.L. Laynesmith, "Elizabeth Woodville: The Knight's Widow", Later Plantagenet and Wars of the Roses Consorts: Power, Influence, Dynasty

[good-beanswrites]

I wanted to bring up a silly ship idea. Just for fun.

03, 06, 09, 10

Was this before Kotoko attacked them? After? I dunno.

Thoughts?

YES the cringefail 20yo polycule 👏👏👏 Thank you for the request! I've seen a lot about the individual pairs, so it was really fun to think about all their dynamics together! I have a set of hcs that could work in the current canon Milgram, and then a normal au set because it's so fun thinking about them :3

Milgram-focused

The I’m-a-loner-who’s-doing-it-for-justice-don’t-TOUCH-me pair finally meet their match when confronted with the I-loved-someone-so-much-and-don’t-plan-on-stopping pair. They all go into the relationship with grand ideas of love: they think it’s all heroic acts of saving, massive gestures or love, and dramatic confessions. Over time, they realize the real heroism/romance is in the little things. 

Mahiru has her hands full with three people who neglect themselves for the sake of their work/interests, but she always loves feeding them and helping give them what they need. In turn, they can give her more affection and attention than she could ever ask for. They make sure someone is always around to spend time with her.

Each of the three is a perfect match for dealing with John’s reveal. Mahiru is calming and helps tone down Mikoto’s initial stress. Fuuta is honest and will help Mikoto finally confront his own situation and move forward. And since Kotoko can match his strength, Mikoto doesn’t need to be afraid of accidentally hurting anyone. Mikoto becomes less stressed with the overall situation as well as more accepting of himself/John.

I always love the idea that Fuuta is secretly starstruck by Kotoko and John’s strength. He’ll never admit how much he admires their ability to stand up and fight. He feels really safe around them. He’s glad to have the opportunity to fight for someone else, too – he likes to be Mahiru’s self-proclaimed protector and hero. (Even though most of the time she can stand up for herself, she still likes letting him take care of her.)

Kotoko’s experiences let her hold solid conversations with everyone. She’s similar enough to Fuuta where they share some interests (social issues, schooling, etc.) She understands hard work and burnout to earn Mikoto’s respect. She understands physical strength to earn John’s. She has a lot of people-knowledge, so she can gossip and talk about Tokyo life to Mahiru (Mappi’s doing most of the ‘gossiping,’ but Kotoko has solid additions). She's a good listener and has a good memory, so everyone feels heard by her.

They start to rub off on each other. Mahiru and Mikoto learn to be a bit tougher in standing up for herself. Fuuta, John, and Kotoko learn to take a breath before jumping right to violence. They stay very much who they are, but pick up on just a few habits that make their lives easier.

Their styles also influence one another: Fuuta gets pointers from all three about piercing his ears (though it takes him a long time to get up the nerve to do it). Mahiru helps the others dress more trendy and boost their confidence, and they teach her to worry less about her appearance and relax more. 

If they get together T1, Kotoko is shocked by the T1 verdicts. She might pull away from everyone in initial horror, but after developing a relationship ahead of time, she doesn’t follow through with her attacks. If not, then maybe in T3 when Kotoko is suffering from her guilty verdict, Mahiru and Mikoto are able to bridge the gap and develop a friendship, leading to more. Fuuta would take longer to come around, but I think seeing Kotoko got through the same pain as him, his hero instincts would kick in and he’d gradually help. 

Normal-au

Mahiru once again tries out her lovers’ interests, and gets a bunch of new hobbies. Fuuta teaches her to game, she works out with Kotoko, and she tries out photography with Mikoto. She becomes close with Fuuta’s beautician sister, and enjoys bonding over fashion and hair. She helps redye Mikoto’s hair, and give the other two pointers on style now and then. When going to nicer events, she and Mikoto have to step in and stop the others from their sneaker/hoodie combos. As the only one with a license, she’s the designated driver at all events, but doesn’t mind. 

Fuuta uses his tech skills to set up social media accounts for the others. He helps Mahiru network her flower shop, fighting anyone who leaves a bad comment/review. He helps set up a complex online portfolio for Mikoto. He and Kotoko still have a passion for justice, and he becomes the tech brains behind her vigilante operations (very Ron Stoppable - Kim Possible) It’s not necessarily healthy growth, but they’re happy with it lmao

Mikoto is the only full-time worker, the others are all still in university, and he makes sure to keep them all on track. He knows the most efficient tricks and cheats about getting papers done, pulling all-nighters, and cramming before an exam. The others have learned to spot when he’s burning himself out for others, and will stop him when he tries to take on too much. They’ll take care of him and force him to rest. While he can still get into a bit of trouble, John learns to call them first and get some help. 

Kotoko has trained herself to find people and information easily to catch criminals, but she finds use for it in much more mundane ways – she tracks down clients for Mahiru, snoops around Mikoto’s company to make sure he’s being treated right, and keeps an eye out for the people Fuuta is calling out and/or hanging out with. She goes on runs with Mahiru, and bike rides with Mikoto. Fuuta tags along sometimes to strengthen his legs for soccer. 

There’s definitely potential for them all to have their murders pre- or mid- relationship, and they help one another improve themselves and heal. I’m also a sucker for the relationship itself to cause them to change their ways and narrowly avoid the murder in the first place. (For the latter, Mahiru would ironically be the last to join the relationship, since she’d still be with her bf until the other three inspire her to break it off with him gently.)

[quirkle2]

more zombie au :] (1.2k words)

The odor of rot has joined the damp growth of life from pots. Even if some things die off without human aid, there are always stronger elements that thrive in their absence.

The aisles are overgrown. Ritsu brushes past the vines as gently as he can, wooden floor groaning under his worn soles. There’s a gap of empty space in the middle of each aisle that he slots through, eyes roaming the shelves of largely useless things. Stronger stems snag onto his backpack and he tugs distractedly while perusing the labeled pots along the tables.

The barn is quaint, and Ritsu thinks he would love to stay. Moss eats at the boards under his feet and bugs swarm around him in the hot air incessantly, but it’s peaceful and there’s a constant sprinkle of sound to his ears that have grown so used to silence. Whoever owned this place beforehand put up a few wind chimes indoors—they must’ve always had the front entrance open for customers.

It’s a quiet little homemade garden center, or something similar, on the side of the highway. It’s an overgrown property with something dead in the backyard that Ritsu refuses to acknowledge or let Shigeo near. The shingles and boards in the roof have been replaced with polyethylene sheets—a barn-turned-greenhouse, uprooted from the hay and cattle it likely used to house and settled back into the Earth to be a paradise for plants.

There’s a large branch hanging through a hole poked into the plastic overhead. It sways with the wind and the chimes that follow, and Ritsu whistles with the leadless melody and gives it a direction while he studies old seed packets.

They didn’t stop here for any particular reason—a garden center doesn’t have much for apocalypse survivors, but Shigeo has always liked overgrown things. He’d always enjoyed taking care of their mother’s plants back home, and then Reigen’s at the office. His brother likes the humidity of greenhouses and the smell of soil and dirt and must.

He sees the top of Shigeo’s head over the aisles, across the barn. He walks past a shovel hanging on the wall and yelps out a grunt when it clangs to the floor behind him. Ritsu shakes his head and smiles, running his fingers along faded price tags.

The feeling of greenhouses has always had this… wet fullness, to Ritsu.

When he breathes in it’s like he can taste the life that breathes out and it feels like a conversation, a question and an answer, both of which he’s not sure how to articulate. The leaves wave to him and he waves back, the once-active sprinklers pepper his skin with dots, with compliments, with proclamations they are eager to share. The vines weave between fencing just to reach him, just to talk.

He understands why Shigeo likes it, and why he’d always asked to accompany their mother on trips to get new seeds. Ritsu hadn’t really understood, then, how pretty it could be, how full it could feel.

Shigeo had always been right about loving the little things. Ritsu wishes he’d seen that sooner.

His brother ambles down the aisle ahead of him and he listens to the quiet patter of his sloppy footwork, moving around a table of seed trays. His whistles carry across the barn, sort of aimless in their own right instead of leading the wind and the chimes somewhere worthwhile, but the sounds soak into the overhead plastic nicely, so he keeps going.

He pulls back a layering of vines and leaves to scan the contents of another shelf, and then he notices Shigeo stop in his peripherals. His dirty shoes stay planted in the corner of his vision, leaves burying the toes, and Ritsu looks away from the products.

He means to say something, to ask him what’s up even if saying things to Shigeo very rarely results in productivity, but he stops when he realizes his brother’s head is… tilted.

He’s looking at him with as much inquisitiveness as his dulled down awareness can muster, pale eyes flickering across Ritsu’s face like he’s working out some puzzle. He instinctively stops whistling, brain lagging behind on this new info of this new behavior, and the sound fizzles out into a little huff of air that leaves the greenhouse feeling oddly empty.

Shigeo studies him for a moment longer, blinking slowly, and then he straightens his head out as Ritsu stares back. His brother’s gaze lingers there on his mouth, like he’s still confused, like he still expects something to happen.

Ritsu blinks once, twice. The wind chimes call as wind pokes at his greasy spikes, as it prods at the ends of his jacket and fills the silence with a different flavor of itself. The interest in the zombie’s eyes fades a little, gaze straying to the vines around them.

Very tentatively, Ritsu wets his lips and blows. The whistle grabs his brother’s attention immediately, and he’s suddenly tilting his head like a curious dog.

He can’t help the laugh that spills out and makes the whistle a mess of exhales. His shoulders shake a little and he hurries to keep the tune steady and consistent; a few seconds pass and Shigeo tilts his head the other way, exhausted eyes big and more alert than they’ve been in days.

Ritsu experiments, and ventures around with the sound—goes lower and higher and watches his brother twist his head back and forth like he’s trying to understand calculus. There’s something very innocent about it, about the look in his eyes that reminds him of when they were kids and their father would show them magic tricks.

It’s muted by the ever-present fog there in his pupils, but Ritsu thinks he sees a spark of that life in them, of that curiosity born from a mind that knows little. He gives him a simple sensation, a simple experience, and his brother is eating it all up like he’s four again, like he’s new and everything is colorful and unknown and big.

Ritsu watches Shigeo tilt his head back and forth, watches the rusty gears behind his window panes move. He changes tactics, because some sad part of him tells him to, and whistles Shigeo’s favorite song instead.

He remembers the name, but he doesn’t need the name because when he thinks of the tune he thinks of his brother, and that’s all that matters. It’s happy, because Shigeo likes happy music. It’s chipper and yet it meanders, like it’s willingly getting lost, like it’s wandering where it wants to and it’ll eventually find its roots again. It’s happy the whole time. The whole adventure.

Shigeo stops tilting his head, and the gears behind his eyes churn a little bit faster. His gaze clings to Ritsu’s and his brother makes actual eye contact, sinks his own being into Ritsu’s head when he’s least prepared for it. The recognition in his gaze has his soul souring.

He keeps whistling. He doesn’t want to stop, because Shigeo feels like Shigeo right now, and he doesn’t want that to stop.

His brother stares. Ritsu’s grief tints the music.

[aliusfrater]

it's really funny to see a post about someone's interpretation of dean with like thousands of notes that i feel like misses several marks regarding his character due to their chronic omittance from sam and how sam factors into dean's character/winchester familial dynamics and how it makes dean the tragedy that he is, then when i click on their blog they're a huge lestat fan that doesn't really acknowledge louis. many such cases

[themoonking]

it’s not actually that weird that people are saying “harry potter was never good, actually” after joanne went full mask off, and no it doesn’t mean that we all secretly think harry potter is amazing but don’t want to admit it. it’s pretty simple actually: most people read harry potter when they were children, when they hadn’t read a lot of other books and therefore didn’t have a lot to compare it to. then every time you reread it as an adult, you’re looking through pretty hefty nostalgia goggles. then, after you’ve realized that joanne is a violent bigot that wants you and / or people you love and care for dead, those goggles are broken and when you attempt to look at hp again you’re more likely to see it’s flaws. it’s not rocket science.