#work in progress. working on it. making progress. you know.

[vanteguccir]

── ୨୧ !　SAILOR SONG

matt sturniolo x reader

SUMMARY: Where Y/N and Matt have a comfy indoor date; baking together.

WARNING: Making out.

REQUESTED?: Yes, by an anon.

AUTHOR'S NOTE: That is my work, I DON'T authorize any plagiarism, copy, or "inspiration"! | English isn't my first language, so I'm sorry if there's any grammar error.

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'I saw her in the rightest way'

The kitchen was an absolute mess, a delightful, chaotic swirl of ingredients strewn across the counters, flour dusting the air, and the aroma of vanilla mixing with the sound of their favorite playlist softly drifting in from the living room. The afternoon light streamed through the windows, casting a warm glow over the scene as Y/N stood at the counter, carefully measuring flour into a white-ish ceramic bowl. Beside her, Matt was leaning against the counter, his eyes fixed solely on her, watching her with an intensity that could have melted chocolate.

"Okay, so you just, like, throw the flour in, right?" Matt asked, breaking the comfortable silence, reaching for the open bag with the kind of reckless enthusiasm that spelled disaster.

Y/N’s eyes widened, her hands instinctively darting forward to stop him.

"Wait, wait- Matt, no!" But it was too late. A poof of flour erupted like a mini explosion, covering both of them in a soft, powdery cloud.

Matt froze, blinking through the haze, and then burst into laughter, his shoulders shaking.

"Oops." He said with that boyish grin of his, the one that made Y/N’s heart do a little flip every time.

She tried to glare at him but failed miserably, laughter bubbling up as she brushed flour off her cheek.

"You’re such a mess." She teased, shaking her head, her eyes sparkling.

"And yet, here you are teaching me." He shot back, eyes crinkling at the corners. "Guess that says something about you, huh?"

"Yeah." She said with a mock exasperated sigh. "That I’m a hopeless romantic who thinks you can actually learn how to bake."

Matt just grinned, leaning in to steal a quick kiss on her flour-dusted nose, making her scrunch it up adorably in response.

"Alright, lover boy." Y/N said, shaking her head with a smile. "Let’s try not to blow up the kitchen, okay? I need you to grab the sugar next."

"Yes, ma’am." Matt replied, snapping a playful salute before turning to rummage through the cupboard. He managed to grab the sugar jar without spilling anything this time - progress, she thought with a fond smile.

They continued to work side by side, the kitchen filled with the sweet scent of vanilla and sugar. Y/N would occasionally reach out to correct Matt’s technique, her touch light but effective. Every time their hands brushed, Matt would flash her that lopsided grin that always made her cheeks warm. She tried to stay focused, but with him being so close, so effortlessly charming, it was a losing battle.

At some point, they both reached for the vanilla extract at the same time. Their fingers tangled, and Matt shot her a playful look.

"Hey, who’s the baker here?" Y/N teased, nudging him aside with her hip, her laughter light and teasing.

"I don’t know, I don't see them anywhere." He joked, pretending to search around the room, making her roll her eyes though the grin on her lips was impossible to hide.

They kept mixing and measuring, Matt’s enthusiasm both endearing and chaotic. Just when everything seemed to be going smoothly, he made his biggest blunder yet. He grabbed the baking soda and dumped a generous amount into the bowl, not bothering with a measuring spoon.

"Matt, no!" Y/N gasped, her eyes wide with horror. "That’s way too much! You’re going to ruin the batter!"

Matt looked from the bowl to her, then back at the bowl, his eyes comically wide. But instead of panicking, he simply shrugged and started laughing, his laughter so infectious that Y/N’s frustration began to dissolve.

"Matt, I’m serious." She groaned, burying her face in her hands. "This was supposed to be perfect, and now they’re going to taste like-"

"Hey, hey." Matt said softly, reaching out to gently pull her hands away from her face. "Come here, sweetheart. I'm sorry, yeah?"

Before she could protest, he wrapped his arms around her waist, pulling her into his warm embrace. Y/N sighed, trying to hold onto her annoyance, but the way he was looking at her - with that soft, adoring gaze - made it nearly impossible.

As if the universe was observing them closely, te next song on the queue started playing, and when Matt realized that it was one of their favorite - Sailor Song by Gigi Perez, obviously - his body started swaying gently, bringing her with him.

"What are you doing?" She asked, trying not to smile, her voice softening as her hands found home against his biceps.

"Distracting you." He said, his lips brushing the shell of her ear. "Is it working?"

Y/N tried to stay annoyed, but the tenderness in his eyes melted her defenses.

"You are so ridiculous." She said, but her words were softened by the smile that tugged at her lips.

"Ridiculously in love with you." He murmured, resting his forehead against hers. "Can you forgive me?"

Y/N’s heart fluttered, and she let out a soft, defeated sigh, leaning into him fully.

"Fine." She whispered, her voice barely audible over the music. "But you’re still fixing the batter."

"Deal." He said with a grin. And before she could pull away, he spun her around in a quick twirl, eliciting a surprised, joyful laugh from her, her apron flowing around her body.

As she came back into his arms, breathless and giddy, her eyes met blue soft ones, shaking her head.

"You really are something else, Mr. Sturniolo."

"And you love me for it." He replied, leaning in to press a soft kiss to her forehead. He lingered there, breathing in the sweet scent of her hair, the warmth of her against him.

"Yeah." She said, her voice barely more than a whisper. "I really do."

With the playful moment fading into a comfortable silence, they returned to the counter, side by side once more. Y/N sighed dramatically, surveying the batter that was now slightly too foamy from Matt’s over-enthusiastic addition of baking soda.

"Okay, let’s see if we can salvage this." She said, her voice taking on that determined tone Matt found so adorable.

"How bad did I mess it up?" He asked, a wince escaping his lips.

"Not too bad." Y/N admitted with a small, fond smile. "We can balance it out with a little extra flour and sugar."

"Got it." Matt said, nodding eagerly as he grabbed the bag of flour, waiting for her instructions.

They worked together to fix the batter, Matt actually listening this time, his focus unwavering as Y/N explained what to do. After a few minutes of adjustments, Y/N dipped her finger into the batter for a taste test. Her eyes lit up in pleasant surprise.

"Hey, it’s actually good!" She exclaimed.

Matt’s face broke into a proud grin.

"See? I knew I could fix it." He said smugly.

"Mm-hmm." Y/N hummed, rolling her eyes playfully. "Pretty sure I did most of the fixing."

"But it was my idea to fix it." He countered, leaning in to press his lips against her warm cheek.

"Alright, let’s get these in the oven before you mess up anything else." Y/N said, lifting the tray carefully.

Her fingers were nimble as she adjusted the rack, carefully placing the cupcake tray into the preheated oven.

Matt couldn’t help but stop for a bit and just stare, leaning against the counter with his arms crossed, his eyes never leaving her. There was something about watching her work, so effortlessly absorbed in what she loved, that made him feel as though the entire world had slowed to a gentle stop just for them.

It wasn't his fault. He reasoned to himself. It wasn't his fault he found everything she did so endlessly endearing, so worth watching with that starstruck gaze that his brothers teased him about. The way her brows furrowed in concentration, her fingers dusted with flour, her lips pursed slightly as she adjusted the oven dial; it all made his heart swell.

Y/N stood up, wiping her hands on her yellow apron and closing the oven door with a soft clink. She turned to grab the timer, only to notice the way Matt was staring at her, eyes sparkling with that familiar, dazed expression. He looked as if he were lost in a dream, his gaze so soft it made her heart skip a beat.

Feeling the heat rise in her cheeks, she tilted her head slightly and smiled shyly.

"What?" She asked with a soft laugh, setting the timer up. "Do I still have flour on my face?"

Matt didn’t answer right away, his eyes never wavering from hers. It was like he was in some kind of trance, completely mesmerized. After a few seconds, he finally blinked, his lips curling into a soft smile.

"Yeah." He said simply, his voice so low and gentle it made her stomach flip.

Before she could ask where, Matt stepped forward, closing the distance between them in a few strides. His hands found her waist, pulling her close. Y/N’s breath hitched, her eyes widening slightly as he leaned in, his breath warm against her skin.

"Right here." He dipped his head and began to trail soft, lingering kisses along her jaw. His lips brushed tenderly against her skin, and with each kiss, he pulled a soft, breathless giggle from her lips. The sweet sound made him smile against her cheek, his eyes closing as he continued his path to her chin, and then to her cheeks, where he left playful kisses that were so light, they were almost ticklish.

"Matt." She breathed out, half-laughing, half-sighing, her hands coming up to rest on his chest. Her fingers traced slow circles over his shirt, feeling the warmth of his skin beneath the fabric.

He paused, hovering just above her lips, so close that she could feel the ghost of his breath on her mouth but not quite touching her. His eyes were locked on hers, and there was a playfulness mixed with adoration in them that made her knees feel weak. He knew exactly what he was doing, teasing her like this.

"Matt." She repeated, her voice a whisper now, filled with a hint of impatience.

"Yeah?" He murmured back, the corners of his lips twitching upwards.

Y/N narrowed her eyes at him, her lips twitching as she tried to suppress a smile.

"Kiss me properly." She demanded, her voice barely above a whisper.

'Oh, won't you kiss me on the mouth and love me like a sailor?'

He chuckled softly, his eyes never leaving hers as he leaned in just a fraction more, brushing his lips against hers, still not quite giving in. But Y/N, never one to be outdone, closed the remaining distance, pressing her lips to his in a soft, sweet kiss that sent warmth blooming through her chest.

Matt’s arms tightened around her waist, pulling her even closer as their kiss deepened, slow and unhurried, like they had all the time in the world. Y/N’s hands wandered from his chest to his biceps, squeezing slightly at the firmness there, before sliding up to his shoulders and finally into his hair. She tugged gently, earning a soft sigh from him that she could feel warming up her face.

Their lips curved into smiles as they kissed, each touch and movement so full of affection it made Y/N’s heart feel light. Matt blindly started to sway their bodies again, following the slow rhythm of the indie song, his hands exploring the small of her back, fingers spreading wide as if he wanted to memorize every curve.

Y/N sighed into his mouth, her fingers threading through his hair, and for a moment, it was just the two of them, no kitchen, no baking, just the soft, sweet connection between their lips and the feel of each other’s warmth.

But the intimate moment was abruptly interrupted by a sudden, loud DING! from the oven.

The sound made Y/N jump slightly, pulling away from Matt with a startled gasp. Matt couldn’t help but laugh, the joyous sound filling the kitchen as he pressed one last, playful kiss to the tip of her nose.

"Guess that’s our cue." He said, still chuckling as he gave her a quick eskimo kiss, their noses brushing together.

Y/N laughed, shaking her head as she gently pushed him away.

"Goofball." She muttered affectionately, her cheeks still flushed.

Reluctantly pulling away, Matt released her from his embrace, giving her one last, lingering look before letting her turn her attention back to the oven. Y/N leaned down to peer through the glass, her hands resting on her knees as she checked the cupcakes.

Matt watched her from behind, unable to resist the fond smile that tugged at his lips. The sight of her brows knitting together as she inspected their work made his heart swell.

"They look perfect." Y/N announced, turning back to him with a triumphant smile.

"All thanks to you." Matt came up behind her, wrapping his arms around her waist and resting his chin on her shoulder. "I love baking with you." He whispered, his voice soft and sincere.

"Even if you’re terrible at it?" She teased.

"Especially because I’m terrible at it." He replied, pressing a kiss to her cheek. "Gives you more reasons to stick around."

'And we can run away to the walls inside your house'

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[tanpoyo]

being bullied about being a strongly neurodivergent weeb that also liked furries and just anything that was seemingly deemed "weird" has set me back so much.

It almost always boiled down to " you like it cus your a creep/pervert" and not because this shit is just legit cool? Not going into the nuances of why that happened because we already know it's partial ableism+queerphobia and other nasty shit.

I know there's a whole generation of people like me who are my age that have lived my experiences. And I am so happy to see we made it out to be loving themselves like they were meant to again. I am a work in progress but seeing this makes it easier and that I am accepted somewhere.

Anyway who care is they do it for sexy reasons. It ain't for you anyway!

[binomech]

Grasping at straws: Thoughts about Viktor's disability in Arcane

Disclaimer: In this post I try to give it some credit to Arcane writing from within the narrative. This is a Watsonian interpretation, not a Doylist one. Assume that underneath all of this I am beating Riot with LeGuin tomes.

Bootstraps and Denial

We get a glimpse into Viktor’s sense of self while he’s talking Jayce down from the ledge in S1A1E3: He is extending a sense of kinship to Jayce, who has just been stripped of his research equipment and autonomy by the Council when they relegate him to the care of his mother. He also considers the fact that he’s a faculty assistant in Piltover something he worked hard for, that was awarded to him despite his disability and immigrant status. His visible physical disability, accent, name, are all class signifiers that he must reject and dismiss if he wants funding, accommodation and recognition and it points to Piltover only allowing Zaunites as both a PR token and only if they reject enough of their Undercity culture. This is crucial: Viktor did not earn his position because he worked hard and believed in himself, he was rewarded for assimilating.

Becoming a Specimen

All of Viktor’s screentime in S1 takes place in Piltover to the exceptions of his visits to Singed, both in his childhood flashback and his adult visit to request help with the Hexcore experiment. Two things stand out to me in these interactions: The traumatic experience of being valued as a specimen, and the scrambling to the top of the ivory tower as a response to said trauma. He meets Singed and Rio in the immediate aftermath of a fall caused by his leg’s angle while he kept track of a device he built, a reminder that it would be the defining feature of his career, not his creations. Rio is shown to him as a lively, yet dying, specimen that must be preserved because it is a mutant, because it is defective and that defect makes her extremely valuable. I can understand how a young Viktor would latch onto the idea of saving something because it is faulty and project, and how finding Rio effectively dead and her body used for profit ended in an understanding that defects are only good if you can exploit them in some way, it’s not you, as a person, that they want. Conceptualizing a Viktor that is dead set on convincing the world that his work is important in and of itself goes through understanding that he sees his visible disability as both a hindrance and a weakness to exploit from the Piltover Academy.

Jayce encourages Viktor to do PR for Hextech with him several times, and right before the Progress Day speech, just as Viktor has had a coughing fit and is sitting down to rest his leg, Viktor says he doesn’t want to be seen as his partner, not in front of “them” (them being Piltover’s aristocracy). Viktor sees in Hextech a chance to leave a scientific legacy, and Jayce’s partnership is a way to keep the funds coming without his disability being an issue for investors. He believes in his partnership and Hextech as a joint endeavor between him and Jayce, but he knows what happens when Piltovans see a disabled Zaunite in any position threatening their hegemony. The catch here is that Viktor’s experience with Rio makes it so that this is not so much political awareness, as much as it is an avoidance so hard it loops back to agreeing with the oppressor, just to live a little more, just to make sure the world sees what you did.

When Viktor is diagnosed with Sump disease, a terminal condition caused by overexploitative mining and industrial pollution caused by Piltover’s factories and production exports, the sequence plays alongside an investor PR campaign from Jayce. It’s Viktor, who is already disabled, losing his place in the legacy of Hextech because he is dying at the hands of those who made it possible financially. It’s this Viktor, who sees his hopes of being remembered for his inventions dwindling, desperately going back to Singed and saying “I understand the value of the specimen. If rejecting my personhood buys me time, I will be what they want to see: A cripple, a corrupted Zaunite, a man desperate for power.”

The Hexcore has been trained to heal the subjects it’s used on, but Viktor was the one to train it: He was the one to determine what parts of the subject were considered sicknesses and flaws. To the degree that the Hexcore is, in many ways, a reflection of Viktor’s understanding of disease. It targeting his leg on first deliberate connection is a reflection of intent and desire more than any kind of agency from the device. Sky being used as fuel for the Hexcore’s learning is a point of contention for Viktor at that point because it’s the meeting point of the specimen and the scientist: Some lives are expendable if it means furthering your goal, and your life is the most expendable one. Are you ready to kill, be killed, for legacy? And Viktor panics because he is back, he’s looking at Rio’s corpse, born and raised for dying. Suicide for him at this point is an out, an unhealthy way of trying to go back to when he still had a choice. He asks Jayce to destroy the Hexcore and let him die because at that point he is still capable of dying without becoming a resource.

The Horror of Bioethics

Season 2 for Viktor is him becoming a specimen: Not a person, but a tool used to pave the road to a goal. In this case, Noxus’ acquisition of Hextech weaponry (which Viktor opposed ethically in Season 1, as he becomes the weapon itself in Season 2). He is resuscitated using the Hexcore against his will, a Hexcore containing both Viktor’s inputs for non-human healing and Sky’s research on applying those principles to the human body. He is a machine trained to heal, and he leaves for Zaun not under Viktor’s orders, but under the maxim to heal. He sees the widespread health issues caused by people that Viktor was bootlicking in Piltover, the direct result of him helping care for Rio until she died and was used to synthesize Shimmer as a drug, and where Viktor avoided his association with Zaun, the Hexcore resorts to the inputted instructions: Fix what we have established is broken. Viktor, who rejected his own disability, who rejected his home, his personal history, taught this thing to target the disabled, to target the poor, to target the sick. It is horrifying. The script presents it as vaguely unsettling but well-intentioned when it is blatant eugenics brought on by the loss of autonomy of a disabled man; the horror of it is not the cult, it’s knowing that all of this healing comes from someone having assimilated emotionally, politically, and physically, into his oppressors. It is not Viktor helping Zaun from the inside, it is Piltover’s allegedly meritocratic hellscape grafted onto Zaunites.

Who is allowed to be disabled?

Now, Jayce’s journey in the post-Hextech apocalyptic world is shown as a climb up from the Sump into the top of the Hexgates’ tower, almost reminiscent of Viktor’s journey as he understands it: You’re in a pit with a broken leg, in pain, hungry, desperate and you climb because it’s that or accepting death. You hope whatever is up there was worth the climb, but it’s a leap of faith. It’s remarkable, in contrast, how Jayce’s understanding of that climb is shaped by his own socioeconomic background. Viktor reaches the top and is punished for it, Jayce reaches the top and comes to an enlightened understanding. Viktor grows up disabled and is punished for the climb, Jayce acquires a disability during war time and he becomes the scientist-politician-hero. I appreciate how Jayce, upon encountering Viktor, fully armored even in his mind, can see a back brace, a leg brace, strained tendons. But it is also why a terminal illness resulting from Piltover’s economic chokehold on Zaun is conflated with a visible congenital disability, while they are manifestly not the same: This is a Viktor who got absorbed into Piltover’s vision of legacy, this is a Jayce who has grown up in it.

Legacy? What legacy?

In his final shot with Jayce as they erase the rune-stone, Viktor’s right leg is curving inwards, implying his femoral anteversion is something that he has finally incorporated into his perception, which was absent in every previous shot of this realm. Viktor's acceptance is for his own body, yes, but also for the consequences of giving up on it and dying.

This story as it is presented to us is a tale of avoiding annihilation through denial of one's limitations. While it's not a story that I enjoy, it is the one we were given. My hope is that through understanding it we can all tell better stories about disabled people.

[ivesambrose]

𝑾𝒉𝒂𝒕'𝒔 𝒕𝒉𝒆 𝒏𝒆𝒙𝒕 𝒄𝒉𝒂𝒑𝒕𝒆𝒓 𝒐𝒇 𝒚𝒐𝒖𝒓 𝒍𝒊𝒇𝒆

•❅──────✧❅✦❅✧──────❅•

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The next chapter of your life indicates a period of discipline, structure and determination. Long term plans or goals instead of short term gratification. I feel previous months of stagnation, struggle and mental turmoil has led to you having the mindset of being rather unfazed towards anything because you have likely realised that regardless of what you 'see' you're in control. You've learnt to trust your intuition and inner guidance over anyone else. You might encounter power struggles in between but this will lead to emotional growth nonetheless.

There is a lot of joy, celebration and new connections to look forward to as well. It might seem like despite the good happening to you and what you've wanted for so long finally being yours, you feel rather defensive. Remember to push through despite past struggles. To fully be in the present and enjoy what you have and what you deserve. For some of you I do see you making really good friends but due to past experiences you're rather guarded towards them. The message I'm getting is that yes, do use discernment when dealing with people. Do establish necessary boundaries. But don't let promising friendships falter due to fears.

You can also expect your dreams to be more within reach, renewal and unexpected help coming through, the path getting clear when you least expect it, healing from mental strain that have remained unspoken.

Lastly, you will experience a balance in giving and receiving. This will be necessary when it comes to your material and spiritual growth.

The next chapter of your life calls for adjustment and change. Drastic ones. If it's causing you some tension know that this area of your life requires that change. You can't expect to step into the next chapter of your life otherwise. I see that this involves your daily routine, health, work, with opportunities of personal growth and recognition in those areas. You may also be stepping into a new role of responsibility that requires self discipline on your part. You will be pushed to focus on your physical health a lot more. So if you feel like you're getting sick often it's a sign to stress less about it and take mindful steps towards it instead. Be it getting a proper check up or holding yourself accountable. You don't have to rush anything however, improvement will happen gradually. Some of you likely just need more movement but not the kind that puts your body on overdrive. There will be rapid progress and sudden opportunities coming your way out of the blue, a lot of communication and even travel. Career wise, it's looking really good! You will also be transitioning away from a very difficult time of your life. You may also have new intellectual pursuits, you'd want to learn new things or will be acquiring a lot of necessary knowledge. you will also find yourself juggling many tasks or projects at once but this will lead to a sort of mastery over your life You'll be feeling rather accomplished.

The next chapter calls for self expression, communication as well as creativity however some challenges or conflicts might arise as you assert your individuality or learn to find your voice in new environments.

You can however, look forward to emotional growth, new beginnings in your emotional life as well creative expressions.

Steady and solid growth when it comes to your finances as well. Something that makes you feel like you don't need to rely on others and you have financial freedom so one less thing to feel anxious about that has possibly been weighing down on you far too much .

Once again, try not to over exhert yourself or you'll end up attaching the experience to something that should come to you rather smoothly. In other words, you really need to drop the mindsets of the people that have been projected onto you and have become your belief systems. It's time to make some of your own without losing sight of what you truly value.

You can also expect more mental clarity and better insights in regards to what to do, where to invest, your life's purpose and what truly brings you joy. But instead of running from it like you did before, you'll embrace it.

You might feel more drawn towards arts, aesthetics, cooking, gardening etc as well.

Having time and proper consideration towards things you earlier didn't have the state of mind for.

[rynekins]

Nyello! This is the official post for the Daycare Attendant Bee Team Secret Santa Event.

For those unfamiliar, during this event participants will be making a secret gift of fanart related to the DCA from FNaF Security Breach. No one will know who is also drawing for them n_n For it to be fair, all gift art should be at least lined and flat colored. If it’s a purposely black and white piece, then it would need to be shaded. A background is not required. Gift must be new piece, no use of previous work Written fanfic gifts must be at least 2000 words. Gift MUST be DCA related, but not necessarily holiday related. AUs are allowed Nothing too gorey or spicy, this event is PG13

Here is the discord server for DCABeeTeamSS24. https://discord.gg/h2qx9mxk

If you are definitely interested in participating in the event, you are welcome to join. TO BE ON THE LIST OF NAMES to be drawn to participate, you’ll need to have at least your tumblr name posted in the intros-and-wishlists channel by December 2nd. It’d be great if you can have your wishlist done by then as well. You are also welcome to spectate, but if that's the case don't post an intro yet. I do apologize for the walls of text in the rules and info, but it is a necessary read to make sure this is a fun and safe event.

On December 3rd, we will tell you who your recipient is. On December 25th-31st we will all post and share our gifts. You will need to keep your recipient and progress on your gift a secret!

Please let me know if you have aaaaaaaany questions. Feel free to reblog and spread the word!

[taradactyls]

I think the one I see this most strongly with is Pamela; Or, Virtue Rewarded by Samuel Richardson.

It's hard to read in the modern day. Pamela is a servant girl who spends a lot of time trying not to be raped by her employer, who eventually kidnaps her, and the only other woman in a position to aid her actively helps the attempted rapist to assault her in various ways. At one point she holds Pamela down in bed so it can happen (apparently the woman is this awful because she's an atheist). At another time the employer actively says that he would've continued and actually raped her if she kept fighting him, it was only because Pamela fainted that he stopped the attempt. She woke up from that attempt with her stays (underwear) cut up.

Pamela ends up marrying this man, after realising she has fallen in love with him, who is then 'reformed' by her 'goodness.'

It's meant to be a happy and uplifting tale. Obviously, to us, it's more of a horror story.

We see the victim blame in 'if you'd kept fighting you would've been raped' and also know that being unconscious actually makes you more at risk, and understand that a woman who eventually gave in to her master's advances is not any less 'good' for fearing being violently raped (or worse) if she continued protesting. We are less likely to believe people can be so entirely reformed by the 'virtue' of others, and see a man who would take advantage of power dynamics like that as bad even if he wasn't so aggressive in his advances. There are no real consequences for his crimes and continued harassment of a FIFTEEN YEAR OLD in his employ and who had zero protection or options. It's just all round horrid to our modern eyes.

But in many ways it was actually progressive for the time.

Pamela is a servant who ends the book married (not mistress to) a gentleman with an estate and eventually being accepted and adored by the land owning class. This is a rise of a magnitude far higher than Elizabeth marrying Mr Darcy, Jane Eyre and Mr Rochester, or even Cinderella as she was highborn, and was really making the case that servant women could and do have as much inherent worth as gentlewomen by birth. For how classist 1740 England was, that's a controversial take.

And though it's considered a backwards view now, this was the first novel/work which was really reaching out to lower-class women and saying 'your virtue is worth as much as upper-class women.' I dislike the whole concept of sexual virtue and disagree that Pamela's virtue would be lost through rape, but the point remains that this book was making a case for greater equality between classes in a time where the ruling class relied on being considered naturally better by birth and chosen by god to rule. The novel was criticised for exactly this.

Not only that, but by promoting virginity, he was also championing a woman's right to say no. Pamela's ability and decision to refuse is upheld both positively and as what should have been the final word. The male main character only becomes a 'good' person once he truly understands and respects that. An idea only becomes outdated once the societal framework supporting the status quo has changed, and Samuel Richardson was writing in a time where a servant girl (or any woman really, for instance marital rape wouldn't become a crime for another 250 years) who refused her master's advances would have little recourse or sympathy if he didn't respect that no. This novel was telling all those girls your sexual autonomy is worth fighting for... you're worth fighting for.

And, though we see that Pamela's abuser essentially gets what he wanted and gets off scot-free (an illness and a change of heart isn't going to fly with a judge, you douche), it was revolutionary for the time in that it's told from the victim's perspective as a horrible series of events. These acts, many of which were common place and not illegal (some even actively considered romantic) at the time, was a criticism of many masculine behaviours and championed the woman's/victim's perspective. It drew attention to what we now consider domestic violence and abuse of power. Though we might argue about his methods (a minority of contemporary readers viewed the novel as salacious because of the inclusion of the assault scenes) the author's intent was to actively give moral instruction into proper domestic behaviour. Which, aside from 'sexually assaulting your employees is bad' does also include less radical and actively harmful views such as 'be loyal and loving to your employers no matter what.' Historical novels are a mixed bag like that, but he was still advocating for mutual social contracts towards each other, and rejecting the idea that the rich men who ruled the world could do whatever they wanted. He was speaking for the powerless against those in power.

I'll probably never read the book again, it was too uncomfortable for me, but without an understanding of the time it was written it would feel like gratuitous assault and a glorification of abusive relationships, when really, it was the exact opposite. We're just lucky enough to live in a society where many of his arguments have been accepted both socially and legally for so long that it's hard to imagine a case ever needed to be made in their favour.

tbh nothing frustrates me more then when people brush off classics like pride and prejudice or jane eyre because they don’t fit into today’s modern standards of feminism and social justice etc.

remember that these novels were published in the 19th century. and that some of the things that were written in these books may seem trivial to us today but would have absolutely fucking shook readers in the victorian era

like,,,,,elizabeth rejecting mr collins because she doesn’t love him even though it would have been considered her duty in her family to marry him? or jane eyre not agreeing to marry mr rochester unless it was on her own terms? hell even anne brontë wrote a lesser known novel about a wife leaving her abusive husband with her five year old son to live a better life?? do y’all realize how unheard of that would be in the 1800′s?? where women were considered more of a commodity than actual human beings??

even though they might not be up to todays standards of modern feminism and romance, they were still HUGE building blocks for equality for that time period. so if you’re a reader who says to themselves ‘I read classics with modern standards applied and I can’t get past that’ then you are most likely going to be disappointed when reading classics and not fully understand their significance to that time period 

[sofia-d-asb]

Arcadie: Cold Lands - Progress Update - November 2024

(I know it's almost December but better late than never right?)

Arcadie: Cold Lands is gearing up to be much more complex to write and code than Second-Born, purely by virtue of it acknowledging your past choices.

Whether a certain person lives or dies, whether you even take them along, whether you accepted a certain deal...

It's a lot of work to keep it all cohesive and not have one path seem better than another, but it's also pretty fun and rewarding.

I've also just come off playing a game that is a sequel to one of my favorite gaming franchises, and saying I was disappointed is an understatement. I really was not fond what they did with the world, and the... dumbing-down of the writing. My fault for buying a game day one!

Anyway, that made me really want to honor your past choices, and not shy away from giving you more role-playing options. So the possibility of being a force of... chaos, is back, though only when it makes sense. I don't want to write stupid or gratuitous evil, but rather self-interested tyrant. We'll see how it goes as I write along.

Oh and I have disabled access to the demo for Arcadie: Cold Lands, as it doesn't reflect the current state of the game. I'll probably be posting an updated version next month or in January.

Cheers!

[maxarchive]

How are the emotions on this Saturday evening in Las Vegas? Is it an overriding relief? Is that the main thing?

An immense relief, but also a little bit more emotional than I was expecting, actually. Both from Max on the radio and I let Christian give him, well, let's say carry out all the complimentaries on the radio, because I choked up a little bit as well, and I think it just comes down to that relief at the end of what has been actually quite an intense year. Not quite as intense as 2021, but it at times ran it close.

Why is this one so special?

They're all special, don't get me wrong. Last year was special for very different reasons, but this one's special because of the effort and commitment that not only Max, but the whole team has had to put in to make it happen. Ok, the first half looked like it was a bit of a cruise, but actually we entered quite a difficult period, as everybody knows. But we had to work day and night to really try to understand the source of the problems and I think we've started to come out the other side, which is great news for the team, but it's also meant that our performances on track have improved and we saw the combination of that in Brazil as well.

Tell us a little bit more about the job that Max Verstappen has done this year. Would you say it's his best season so far?

The worrying thing for the grid is that Max is improving every year, which is frightening really because he's at an incredible level as it is, but in all areas he's working hard with the team, his racecraft on track, his qualifying laps, his consistency and also his ability to give up when you need to give up, and we saw that today, you know, he raced for what matter today rather than the final place on the podium.

In all of those areas you've just described, where has he made the most progress this year?

I think ultimately it just comes down to maturity and experience. Having been there three times before, I guess 2021 laid the foundations and now he's just becoming a very, very, very complete driver.

Since Miami, McLaren have been running you close. They've quite often been faster than you. Has there ever been a moment this year where you've doubted that you were going to win this championship?

I wouldn't say doubted, but certainly you don't take anything for granted. And as I said earlier, we took one race at a time, there was bit of a trend towards the middle of the year where things weren't going our way and we could see that other teams, not only McLaren, but other teams were making progress on us, relatively speaking and we had to do something. We had to make some changes and the team has come through on that. So kudos to them.

And how is your bond with Max evolved this year because it feels like this is the first time since you've been winning championships that you've been under a lot of strain together. And we did hear a few flare ups along the way, didn't we? Has it always been all sweetness and light or have there been-

Hungary springs to mind. We had actually a very quiet week after, I don't think there was a word spoken in the 3/4 days after the Hungary race, but we had a really good meeting in Spa together with Christian and Pierre just clearing the air. Not that there was ever any animosity, but I think sometimes when adrenaline is running that high, it's best just to leave things alone. Max and I are very similar in that respect. We're not one to bow down and give in very easily. So, yes, definitely that portion of the year springs to mind. But for the rest, again, it's a relationship that's grown over nine seasons. So we know each other very well. We work together very well. So long may that continue.

Well, let's throw it forward to 2025. It looks on paper like it might be incredibly close. Does that actually help someone like Max Verstappen because he makes no mistakes?

I think it helps him knowing that he has the ability to pull off results that perhaps aren't always there. And I think at the same time that maybe hurts or dents some of his competitors psychologically, not all of them, but perhaps some of them. But, you know, 2025 is a few months away. Now, I think more importantly, we need to finish the year on a high to keep morale in the team up over the winter because again it's been a really hard, hard year. And I think this was a bit of a unique, as everybody knows, it was a bit of a unique event with the temperatures and the tyres behavior, et cetera. So I don't think it's a true reflection of the car performance out there today. We'll do our best to finish Qatar and Abu Dhabi on a high and hopefully grab another win or, or two. And then, yeah, next year is next year.

[vigilskeep]

Do we know enough about how Crow succession and talonship works to believe it would be possible for Viago to take the seat of first talon either through some sort of non-violent coup in the absence of an heir to house Dellamorte or through marrying his kid (rook) off to Lucanis? Asking because I really don't know and would love to write something in that direction...and you seem a crow enthusiast...also love your blog

THEORETICALLY. yes.

we haven’t seen the talons shift directly, but they do shift, with regularity. house arainai was first talon in living memory and then fell slowly downwards to their current point where they’re struggling in and out of eight talon like a drowning man who keeps finding his way to air for just enough breath

the eight talons system, if you’ll allow me the tangent, is a really fascinating choice of fantasy hierarchy because it is such a clear hierarchy. among a bunch of ambitious killers whose prime goal is notoriety. you can only hold each position here if everyone below you is too afraid to do anything about it. what an anxiety trip it must be to decide whether to push someone down just one rung or to try to destroy them entirely; do you want to leave your rival with more opportunity or more motivation? but crow power is also all about theatre, all about perception—you are first or fifth or seventh talon primarily because everyone agrees that you are—so making a failed gambit for a higher talon has got to be incredibly damaging. which is a risky setup. it discourages attempts, but when someone does make an attempt, they will not be fucking around

anyway ignore all that we’re talking about soft takeovers today. okay so house dellamorte has a dying core family, theoretically. we’re making the assumption that no surviving young children from any branch of the family are mentioned because none exist. we have two heirs, neither very acceptable (my apologies to caterina’s delusions), both men in their 30s with (again, assumed) no children, and neither making much progress in that regard. (arguably dependent on player choice when it comes to lucanis, but since he can fall in love with and express his undying devotion to any kind of rook, we can at least say he’s not making that much effort.) within a generation the core family may die out. but that is a LONG TIME to wait. you still have to deal with the current ones, they’re pretty robust

lucanis is the current first talon as of the end of veilguard. can he be convinced to give this up and hand first talon over to someone better suited? i do believe it. mostly because i need to believe, for my mental health, that we can get him out of there. but he also now has a fairly bulky support system full of people who love him and will notice how bad this is going to be and convince him he deserves things like a life he doesn’t hate

as always your main problem is caterina. caterina is not going to allow a takeover, soft or otherwise, while she is still alive. caterina didn’t give up first talon when they murdered her children. there’s probably an emotional plot in here where she can be made to accept what she’s done to her family, far too late, but with time left to save just one by letting him go. on the other hand, i’ve also been experimenting with plots in my mind where she tries to quietly get rid of viago or romanced rook for having too much influence, with the added benefit on hopefully being able to steel & refocus lucanis on defending the house against whoever she frames. or plots where she blames lucanis trying to leave and not being the boy she remembers on his, you know, demonic possession, and attempts to forcibly remove or destroy spite. so. there’s potential ups and downs, here.

i don’t know how helpful rook de riva/lucanis is. most of your problem here is that everything that sets this ending up by giving the de rivas more power, and by giving any rook more power over lucanis, is something that in my mind would crank caterina’s wariness all the way up. house de riva surely has to move up from fifth already after the events of the game and look more like a contender, and i don’t think even caterina’s delusions about lucanis’ suitability for first talon could make her blind to the effect rook can obviously have. i definitely think she would delay on a marriage and have the power to do that

i think it’s worth saying that rook de riva at any point bringing up to lucanis the idea of handing things over to viago would be a hell of a conversation. i know lucanis never remotely suspects rook of any agenda and trusts them completely, and i know i agree with rook here, but you’ve GOT to see how ���i love you and having power is bad for you and what you should do is hand it all over to my talon” sounds. i truly could not blame him for a bit of doubt here especially if caterina was around to suggest it

sorry this is a completely messy and disconnected response. i don’t even know if i had a point. you might have to wait for caterina to actually die? is that my point? i can see rook de riva/lucanis being helpful to ease a transition of power to house de riva then. i also think it’s worth pointing out that teia might be the better contender for all this out of the two lovebirds. what quietly makes teia probably the most dangerous talon in the crows, if she ever chose to be, is that everyone likes her. i’m not joking or trying to handwave crow politics, it’s a form of soft power and the result of her cultivated skill that nobody ever suspects teia of anything. even caterina treats her gently, and literally a talon who tried to murder all the others in tevinter nights was delaying murdering her because she was his favourite. if anyone can handle a gentler transition like what we’re talking about, maybe it’s more likely to be teia

[pixie-melon]

Colonization will always try to separate “human” from “nature” because it depends on people feeling isolated and disconnected. From each other, from the planet, from nature because that makes it easier for the colonizers (The Rich and Powerful) to steal from us (extract resources) if we:

1. Don’t know what they’re stealing from us (connect to the land, your community and globe. Get roots through connection and knowledge and you’ll feel safer taking action)

2. Don’t think we deserve the earth we walk on or the people we love or the things we have (express gratitude, show love. To the self and the earth and others. Pick up trash. Carry extra bus fare and maps to give. Rest when you’re sick, share meals with others)

And

3. Find the enemy in our own and not The Empire (have conversations with others. Not about politics or theory or the weather. Talk about your lives your needs. Your interests and fears. Connect over your nuance and humanity and we can SAVE each other with a network of care)

This type of “environmentalism” stands directly in the way of praxis because it’s an extension of capitalist-colonial thinking. It’s not really environmentalism at all because it’s not interdisciplinary or intersectional. It overlooks the human psychological impact of being told “you don’t deserve to be here”, the trauma that statement passes on and how that trauma creates stagnancy, and animosity between the family unit then the community. Stagnancy and in-fighting creates a political environment where extractivist capitalism can thrive (because it’s easier to steal from a population that doesn’t know you’re stealing from them), isolationist ideals breed fascism and we come to the current global sociopolitical landscape.

It is quiet literally in your best interest, and therefore the collective best interest, to radically and fundamentally care about yourself, because once you know your value you’ll understand the power that The People have. That El Movimiento has. That tenderness and care has.

Because I deserve to be here, happy and cared for and about. So do you. So do we all. Once we understand our place in nature we understand our duty to our selves and fellow human, plant, animal to live together and live well.

I refuse to believe any of us want this. Even the most indoctrinated and disillusioned. This colonial capitalist, greed based system is not “natural” because it’s not sustainable and life always works towards sustaining itself. That’s evolution. We will evolve beyond it because we have to but we don’t have to do it with a massive death toll as we are now.

The time we exist in now is unprecedented but revolution has ALWAYS succeeded in making change, it’s against the spirit of humanity to give up now we can’t afford to believe this shit let alone spread it to our CHILDREN! Children are our future they are hope incarnate why take that power from them? The little bit of power they have under these exploitive institutions. We need to feed that hope and love and care. That’s what sustains us.

If we can put humans on the moon we can find a way to live sustainably. It’s literally our nature. Don’t let them take that from us too.

TDLR: DOOMISM (esp. climate doomism) IS THE DEATH OF PROGRESS CHOOSE TO CARE AND LOVE AND HOPE INSTEAD

the problem i have with the whole "humans and nature as opposed and mutually exclusive forces" style of environmentalism is that it discourages people from a sustainable, mutualistic relationship with the ecosystems around them, because getting resources from an ecosystem is Bad. Therefore it requires you to think that parts of Earth that provide resources are not ecosystems.

this is where you get unbelievably stupid crap like the "half earth" project that proposes "protecting" half of Earth's land mass as nature preserves, never mind how we choose what half or what happens to the other half.

this type of environmentalism literally encourages people to think of their own presence as excluding or cancelling out "Nature."

And so people think of their lawns as Not Ecosystems, as Not Nature, so they cannot think "How do i live in right relationship with my ecosystem, as its caretaker?" This is death to ecological thinking.

The lawn was consciously created by intention and design, with heavy machinery that was manufactured, sold, and operated, it is not spontaneously created by fumes that the human body gives off.

You act upon the land, now time to learn what you are doing, and who you are doing it to.

[hetchdrive]

The Sky of it all is genuinely kind of horrifying though, to be honest. I literally said to Madison midway through act ii that I thought Sky's presence was to indicate that Viktor was doing all this out of guilt, that he was on some level aware he couldn't actually help these people and this was the closest he could get with the powers he had, because of the way she died he learned that she was in love with him and he kept her ghost tethered to him despite his inability to reciprocate that love. Like he couldn't love her but he could keep part of her alive and so he did, he couldn't actually help the Zaunites heal from their poverty and their oppression but he could take away their physical imperfections and the emotional pain that went along with it so he did.

But I was not expecting even a little that "I will miss our talks" "No. You won't." Girl really realized at some point he was keeping her around not because of who she was as a person but because it eased Viktor's conscience. And also? Maybe a little bit? That it filled some loneliness inside him that he'd rather have been filled by someone else. Like. Recontextualizing Sky's continued presence in Viktor's head through the finale really makes me feel that it was guilt, yes, but also that he was just. Lonely. Jayce wouldn't have been able to talk him down if Viktor hadn't wanted him back, him, specifically, just as much as Jayce wanted his partner. Sky was there in the hopes she'd fill an emotional void.

In the end I don't know that it was about Viktor's fear and distrust of his own failing body so much as it was that he loved Jayce and for a really long time Jayce didn't see him. It always comes back, to me, to that shot right before the Progress Day speech where Jayce sets that mug down and it eclipses Viktor completely. Viktor loved him and for a long time Jayce seemed to only love himself and what their work had made for him, the kind of life it had given him. And then the first thing Jayce ever did that was unequivocally for Viktor was a gross violation of his bodily autonomy and betrayal of his explicit wishes in putting him in The Goop after the explosion instead of destroying the hexcore and letting him die. And then he came back to kill him. Viktor's dying thoughts end of act ii were of how human emotion is all our undoing and he carried that hurt onward into erasing the world of it. Because he loved Jayce and Jayce didn't, as far as he could tell, love him.

[littlespoonevan]

Would love to hear more about the Miss Congeniality Au!

ahhh miss congeniality au, my beloved!!!! 💖💗💞💕🩷❤️ truly, truly, truly i feel like this au could be so much FUN if i could find the discipline and motivation to just sit down and write it lmao. but i will say i v much enjoyed fitting all the pieces together for this snippet so here's hoping it awakens something in me askdjhf

i hope you like it 🥰

~

Eddie never imagined becoming a special agent. Then again, he never imagined becoming a single dad either.

But FBI work actually keeps him chained to a desk a hell of a lot more than regular police work used to and the pay’s better.

He’s regretting that decision right about now.

“Eddie, it has to be you.”

He pinches the bridge of his nose, quickening his step even as Chimney continues to keep pace with him.

“It absolutely doesn’t, Chim.”

“The whole office agrees-“

Eddie stops short, whirling around. “Just because the little simulation version of me you drew up on the computer had an eight-pack-“

“My computer does not lie, Diaz-“

“I don’t have time,” Eddie cuts in. “I can’t be away from Chris that long.”

“It’s one week. Less, if you do your job right.”

Eddie makes a face.

It’s the stupidest thing he’s ever heard. A charity firefighter competition that he really thinks sounds a hell of a lot like a beauty pageant. Sure, there’s obstacle courses and stuff to complete but he’s not sure what a speedo competition has to do with being a competent firefighter. The cause is noble, he guesses, but there has to be a better way to raise money than deciding who’s the most specialist firefighter in all of Los Angeles.

Especially when the host – Captain Bobby Nash – is the target of a bomb threat.

It wouldn’t even have landed on their desk if not for the fact that three people with ties to Bobby Nash and the LAFD had received bombs in the mail over the last two weeks.

Athena thinks their best chance to take down the mail bomber is to have someone on the inside, to infiltrate the competition and investigate the contestants while also being the FBI’s eyes and ears throughout the week.

Hen and Chim, of course, volunteered Eddie for the job.

“I don’t like undercover work.” It’s an oversimplified version of the truth – that Eddie hates having to perform for an extended period of time and that this competition sounds like his own personal version of hell. Also, as much as he knows he’s in good shape, he doesn’t actually want people ogling his body for a week straight.

Chim gives him an incredibly unsympathetic clap on the shoulder. “Just use those big, brown eyes of yours and wow the judges with your salsa skills and no one will be any the wiser.”

Eddie opens his mouth to argue back when another voice cuts through their conversation.

“She said yes!”

He and Chimney both look up to find Hen running towards them, a beaming grin on her face. “Athena said yes! Better start practicing your poses, Firefighter Diaz.”

Well, shit.

-

Captain Bobby Nash has got a made-for-TV smile that has Eddie understanding why he got the hosting gig over every other fire captain in LA.

“Special Agent Grant,” he says, shaking Athena’s hand with a warmth to his expression that Eddie doesn’t expect.

Athena clearly doesn’t expect it either because she clears her throat as she pulls her hand back. “Captain Nash. This is Agent Diaz.”

Nash redirects his attention to Eddie, extending his hand once again. “Great to meet you. And please, call me Bobby.”

“You too,” Eddie says, flashing a polite smile and following Athena’s lead to take a seat in front of Bobby’s desk.

“So I take it there’s been some progress in the case?” Bobby asks, settling into his chair.

Athena purses her lips, exchanging a look with Eddie. “Not as much as we’d like. Given that we still don’t have a trace on the letter the bomber sent and the LAFD’s reluctance to cancel the competition, we’ve decided to send one of our agents in undercover.”

Bobby’s eyes immediately flick to Eddie and Eddie feels the ridiculous urge to straighten his posture. “I’m guessing that’s where you come in, Agent Diaz?”

“Not that we want to undermine the integrity of the competition but it will be imperative that Eddie makes it to the final,” Athena says. “It’s the best chance we have of catching the bomber if we can’t determine a suspect before then.”

Bobby leans back in his chair, regarding them both with an unreadable expression. Finally, he cracks a smile. “Well, he certainly looks the part.”

“He gets that a lot,” Athena snorts and Eddie ducks his head to hide the heat in his cheeks. It’s bad enough when it’s Hen and Chim ribbing him; he didn’t actually think Athena ever overheard them.

“Which firehouse is he representing though?” Bobby asks. “All of the contestants have already been chosen.”

Without missing a beat, Athena hands over a file that Eddie knows contains the fake details of his new identity. “Apparently the 133’s entry came down with an awful bout of food poisoning.”

Bobby accepts the manila folder with a faint smirk. “Well, that’s a shame.”

-

“Diaz. Diaz, do you read me? Over.”

Eddie rolls his eyes as he steps onto the bus ready to ship the contestants to the opening luncheon. “Yes, Chim,” he mutters under his breath. “I can hear you; stop yelling.”

“Remember to smile, Eddie.” That’s Hen.

How Athena thought they were the two best suited to oversee this, he’ll never understand.

He scans the length of the bus, looking for an empty seat. The whole place is overrun with burly men in too tight t-shirts talking animatedly to each other. It takes him a second to realise one of the men in question is waving at him.

He’s got curly hair and a golden retriever-esque eagerness to his smile. “Edmundo?” he asks. “From the 133, right?”

Eddie clears his throat and rearranges his face into a smile as he makes his way to the empty seat. Though calling it an empty seat feels generous when the firefighter all but shoves himself against the window to make room.

“How’d you know who I was?” he asks, genuinely curious. They only finalised the details of Eddie’s position in the competition yesterday and they made sure to leave any of his information off the official competition website.

“Oh I did a little deep dive on the other contestants but you were the only one who didn’t have a picture so I figured it had to be you.” He shrugs with an affable charm before offering Eddie a hand. “I’m Evan Buckley, with the 118. Everyone calls me Buck though.”

“He’s cute,” Hen says in his ear.

“Like a puppy,” Chim adds.

Eddie ignores them and shakes his hand. “Uh, you can call me Eddie,” he greets. Changing his last name was necessary; he refuses to go by Edmundo for the next week. It’s only then that he clocks the station number Buck said. “You’re part of Nash’s team.”

“Yeah,” Buck says, beaming with pride. “Bobby’s the best captain ever. You know some of these guys have it out for me because they think he’s gonna play favourites even though he’s not a judge. He’s just the host. But whatever, it’s not a big deal.”

The dejected look that creeps onto Buck’s face suggests it very much is a big deal even if he won’t admit it. Eddie feels a pang of sympathy. The guy seems harmless, even with all the rippling muscles. Then again, he’s not surprised a competition this testosterone-fuelled has people acting territorial.

“They just want an excuse for when you beat them in the first round,” Eddie says, mostly to fill the silence but also to get this Buck guy to stop looking so downtrodden.

He definitely doesn’t expect the way Buck’s whole face lights up in awe.

“You think I’ve got a shot at making it to the finals?”

The earnest hopefulness in Buck’s voice catches Eddie off guard and Hen and Chimney in his ear don’t help.

“Aww Eddie’s making friends!”

“Forget friends! Eddie, he’s cute; keep flirting with him.”

Eddie bites down on the urge to tell them to fuck off and makes himself smile at Buck instead. “’Course you do. Some of these guys are lucky they even made it this far.”

Truthfully, Eddie hasn’t even taken the time to look at anyone else on the bus all that much yet but the words tumble out of his mouth without permission. And in the face of Buck’s delighted grin, he can’t find it in himself to take them back.

“Thanks, man,” Buck says bashfully. “Hey, you have anyone to share a room with at the hotel yet?”

“Please tell me there’s only gonna be one bed,” Hen squawks gleefully in his ear.

“Uh I don’t know. Are they assigned or-?”

“They figured since most of us know each other we could pair up however we want but- um…” Buck trails off, making it clear no one has offered to share with him and well, it seems like he knows a lot about the other contestants. That could be good for Eddie. To get information and close the case. Obviously.

“Yeah, man. We can share.”

“Awesome!” Buck declares, slumping more comfortably in his seat and bumping his shoulder –probably accidentally – against Eddie’s. The bus gets moving then and Eddie takes the opportunity to scope out some of the other contestants.

It’s unlikely their suspect is another firefighter but not impossible.

“So how come I’ve never seen you at a scene before?”

Eddie blinks, redirecting his attention to Buck who’s looking at him curiously.

“Oh uh, I just transferred in the last couple of months.”

“From where?” Buck’s expression doesn’t look suspicious and Eddie has to remind himself not every conversation with a stranger needs to be an interrogation.

“Um, El Paso,” he says, immediately cringing on the inside. This man does not need to know any of his real life personal details.

But Buck only smiles again. “Cool. I’ll have to look out for you on calls from now on.”

And it’s not said flirtatiously or anything like that but Buck looks bashful again and Chimney is cackling his ear about how, “Eddie’s got a fan,” and Eddie’s stomach does a strange, traitorous flip.

But this is fine.

Everything is fine.

It’s just-

It’s going to be a long week.

-

[bucksboobs]

I wish BoB's could take a second and look at episodes objectively, like without the Tommy of it all. Because, watching Confessions as a fan of all the characters, was just bad. It sucked. Eddie didn't get any character growth, Maddie was doing some weird hidden pregnancy thing for some reason, they had a fucking Glee speech, Maddie made a homophobic "joke", I could go on. Like, take the shipping goggles off for a second and realize you (generally speaking), in fact, did not get what you wanted.

I’m so mad their pregnancy was unplanned again. It makes way more narrative sense for them to come to the conclusion they want more kids together without having the situation essentially forced on them.

And yeah the Eddie thing started out strong! He acknowledged his mistakes to Father Brian!!! He said what happened! And then Fr Brian is like “you should do something frivolous.” And that’s it? No follow up? Is he going to actually work on acknowledging to Chris what happened? Has he talked about The Incident with Chris at all the past three months? Is he really going to settle for going to El Paso and being a witness to his son’s life? Obviously I think the answer is supposed to be “wait and see” but there’s been so little movement on him actually acknowledging the root cause of his actions, which is the grief he has for Shannon. Do you know how easy it would be for them to have him talk to the Real Shannon (i.e. her grave)? They’ve already shown that location before! They were at the graveyard this season! Talking to Shannon’s grave about missing out on Chris’s childhood would be so much more impactful than Brad being the reason that makes Eddie decides to leave.

And the Glee speech wouldn’t be so bad if it was actually leading somewhere you know? They take pains to explain why Tommy had a comphet relationship with Abby using Glee as a metaphor for social progress and that would have been great if it lead to anything positive for Tommy like an “i love you” for instance but because it doesn’t actually let Tommy have something nice despite his past mistakes born of fear, it instead comes off as the hand of the writers reaching down to jerk off Ryan Murphy, which isn’t a good look when the show is a Ryan Murphy Production.

And everyone has said it but the fact “how many men did she turn gay?” Was the perfect set up for Buck to say he’s bisexual is just so indicative of this season’s inability to follow through on anything. You’re telling me Buck wouldn’t say “well I’m bi actually” instead of that round about “I kissed a boy” thing? Hell he could have said both things and it would have flowed better. “Well first of all I’m bi and she was gone long before I ever kissed a boy.” *cue Josh*

[lungsandlips]

"I just thought I was getting better..." And, honestly, the truth was that he'd been getting worse the whole time. He could tell that she was skirting around it a little, like she didn't want to outright tell him that he needed to start going to therapy again. It was no surprise that his mom would have told her not to push him. The thing was though, Kade could take different versions of pushing from different people. It didn't work with his mom because she'd been doing it his whole life and he just needed that little bit of control in deciding himself. Chloe was concerned and she'd never asked him to do something he didn't want to do that didn't directly relate to his career. "... yeah, you can schedule me an appointment. I'll go." The least he could do was try.

"Good luck. That voice is an asshole." He shrugged. She could try and he was willing to let her in but he couldn't promise she'd make any progress. "So? You're my assistant. You probably make more phone calls on my behalf than I do. It's really not a big deal. You were probably due for an upgrade anyway. This is actually one I know how to handle so just let me, please? It's not me buying you a new phone. It's just replacing one that you already have an insurance plan for. Though you should probably get a waterproof case." When they were settled back in his room he'd text the appropriate people and she'd have a new phone by the end of the day. If it weren't necessary for her work he'd let her fuss over it. Following her to the linen closet he watched as she jumped again and again before laughing a little and reaching up to grab the sheets and hand them to her. "Sorry I keep everything up so high. I just don't think about them when they're down low." Heading back to the bedroom he began to help her make the bed again. It was faster work with the two of them and before long the once stripped bed was fluffy and comfortable again.

"I wish you never had to go back to your apartment."

She was dying to know what he obviously didn't want to tell her, not now anyway. Focusing on what he did reveal she nodded her head, "Maybe you can start seeing them again, on a regular basis. Do you want me to schedule you an appointment?" You can't force him. Grace's voice rang in her ear, "I know I can't make you go." She defended apprehensively, "I just-" tucking some hair behind her ear, "If you can't or are not ready to talk to me about where you're at mentally, I'd rather you talk to someone. You know what, talking to a professional is probably better than talking to me anyway."

"Agree to disagree," she replied, before sitting up with a little more confidence. "Sure, we'll talk about it later but the last thing I'll say for now is, I'm making it my mission to either become the best of friends with that voice or learn how to shut him up." Even saying it felt like an uphill battle, but she didn't want to feel helpless. Nodding as he spoke about insurance, she didn't have a clue how to go about insurance on a phone. Giving him a look, "Yeah, but you're a Conroy. It's a no brainer they'd replace your phone." She bit her lip nervously, "I'll just- I'll decide later." she walked towards the closet as he proposed his counter offer. "You've got yourself a deal." She opened the cupboard and reached for the shelf but they were just out of reach. Assessing her distance, she began to jump and reach pulling the sheet off the shelf a half an inch with every jump. Any normal girl would ask the six foot, four guy to help her, but Chloe had been programmed to do things on her own. Asking for help didn't come naturally.

[headspace-hotel]

vintage story update:

i am amazed that you have to quarry stone to build a quern in order to grind or mill anything. people have been grinding stuff as long as they've been able to smash two rocks together. let me have a mortar and pestle

Also amazed that drying doesn't seem to be a method of preserving food, given that it's more ubiquitous and simpler than a lot of the mechanics used in the game.

This is to say, pemmican is the logical result of the food resources I have available to me and I cannot make it.

I don't know if the greater sense of realism is going to make me more or less annoyed with this game than with Minecraft. It is a game that is close enough to reality that knowing things about how nature works actually helps you in game, but far away enough that you often encounter things that should work but don't.

It's actually interesting to me how many technologies in-game are effectively inaccessible without metalsmithing, when they absolutely aren't in real life. Bronze and iron working aren't inevitable progressions of a society and many, many societies developed advanced technology and complex civilizations without them.

Tanning hides is the most egregious probably. I've been really frustrated about having to leave my animal hides out to rot, but the ability to saw planks is necessary to make barrels which are necessary for tanning. Also, a lot of stoneworking? You don't need metal to shape stone, just harder stone.

It is absolutely WILD how there is nothing given to the mechanics of textile creation when these are one of the most fundamental human technologies. You don't even need a loom to weave cloth, let alone a spindle to spin thread, or a needle to sew with. I'm guessing they will probably expand on this part of the game in future updates, since cotton and hemp are noticeable oversights in the realm of textile materials (so far the only fiber plant is flax). I would LOVE to see more than just the basic ones though, like maybe nettle, jute, ramie and so on

[rottenfyre]

⸻ ʙ ʟ ᴏ ᴏ ᴅ ʏ ʜ ᴇ ᴀ ʀ ᴛ ⸻

Pairing: Wade Wilson x Fem Reader

Headcanon: how would he be when he's obsessed?

Note: English is not my first language. Hope you enjoy!

Wade notices you during a routine grocery run, of all places. You’re just minding your own business, deciding between two brands of pasta, when you laugh softly at a joke the store clerk makes. That laugh? It’s like Cupid’s arrow. Except Cupid’s been replaced by Deadpool, and instead of an arrow, he’s throwing knives.

At first, Wade convinces himself it’s just a harmless crush. "She’s just a cute, innocent civilian! Nothing to see here, folks!" But then you smile at him one day when he’s pretending to be lost in the store (he’s not lost, he’s following you), and that smile? Yeah, it’s burned into his brain like a bad tattoo. It’s over for him.

Obsession kicks in faster than a chimichanga order at his favorite food truck. Wade starts shadowing you. He calls it "protective surveillance." Others might call it stalking. To him, it’s romantic. He knows where you work, your favorite coffee order, your pet’s name, and, oh yeah, your emergency contact info because he’s totally hacked into your phone. "It’s not creepy if it’s for love, right?"

Wade leaves little “gifts” for you. At first, it’s innocent: a bouquet of flowers mysteriously delivered to your desk at work, with a card signed “Your Secret Admirer xoxo.” Then it escalates: tickets to your favorite band (how does he know??), a sweater in your exact size, and, uh…a suspiciously clean skull with a note: "He was thinking bad things about you. You’re welcome. Love, Wade. P.S. Hope you like bone décor!"

When you finally meet him in full Deadpool gear (because of course he crashes your evening walk to "rescue" you from a totally harmless raccoon), Wade is… well, Wade. He’s charming in that over-the-top, inappropriate way. He cracks jokes faster than you can process them, and you can’t decide if he’s insane, hilarious, or terrifying. (Spoiler: He’s all three.)

Wade doesn’t see himself as a villain in your story. He sees himself as your knight in bloody armor. He’s convinced the world is full of people who don’t appreciate you the way he does. He’s not above breaking into your apartment to leave notes of affirmation or making you dinner (which you find out about when you come home to a table set with candles and a smug Deadpool sitting in your chair). "I’m like Martha Stewart, but hotter, funnier, and with a body count!"

He adores you. Like, worships the ground you walk on. You are, in Wade’s mind, the single greatest thing that’s ever happened in his miserable life. He talks to himself (breaking fourth wall) about you constantly—sometimes out loud, even in public. "Did you see her today? She wore that cute little sweater I like. God, I’d kill for her. Wait, I already did! Add another tally to the scoreboard, baby!"

Wade is insanely jealous. He doesn’t see you as property, exactly—more like a priceless artifact that no one else should touch. If anyone flirts with you, they’re immediately labeled as “a problem.” And Wade? Wade solves problems. Permanently. Sometimes with a grenade.

Despite his insanity, Wade genuinely tries to make you happy. He tones down the murder (a little) when you make it clear you’re not into the whole “blood and guts” thing. He’ll still threaten anyone who looks at you wrong, but hey, progress, right?

Wade's softer side shines through in quiet moments. He’ll hold you close when you’re upset, whispering (weirdly comforting) jokes in your ear. He’ll memorize all your favorite things, so he can surprise you with them when you’ve had a bad day. He may be psychotic, but his love is as real as it gets.

But make no mistake: Wade will do anything to keep you by his side. He’ll manipulate, scheme, and murder his way through any obstacle standing between you and "happily ever after." And if you ever tried to leave him? Oh, honey. Don’t even think about it. "We’re meant to be together, Y/N. Like peanut butter and jelly. Like chimichangas and guac. Like…me and you. Forever. Whether you like it or not."

Obsessed Wade is intense. He’s equal parts terrifying and oddly endearing, which makes him a constant rollercoaster of chaos. At the end of the day, his love is as messy and unpredictable as he is—but hey, at least he’ll make sure you’re never bored.

@ʀᴏᴛᴛᴇɴꜰʏʀᴇ 2024. ᴅᴏɴ'ᴛ ᴄᴏᴘʏ, ᴛʀᴀɴꜱʟᴀᴛᴇ ᴏʀ ᴜꜱᴇ ᴀɴʏ ᴏꜰ ᴍʏ ᴡᴏʀᴋꜱ ʜᴇʀᴇ ᴏʀ ᴀɴʏ ᴏᴛʜᴇʀ ᴡᴇʙꜱɪᴛᴇꜱ.