#word domination?

[itsmuffiiee]

Birthday event sona reference! Happy early birthday- tag, you're it! /silly

My sona's gonna hangout in a cozy outfit, perfect for competitive games!

Tag!! You’re it again!

Thank you for submitting a design!! I love your pants

[eloise175]

I love these panels so much, I’m never getting over them not only because of how beautiful they are, but also due to their meaning and how it perfectly shows the characters' feelings.

It’s the part where Penelope tells Callisto she doesn’t love him and his face crumbles, he’s so taken aback by it but for all the wrong reasons, let me elaborate;

(contains some novel spoilers!!)

From the beginning, Callisto knew that Penelope’s confession about how she fell in love with him at first sight was bullshit.

He knows she lied to him on multiple occasions but doesn’t mind at all; it’s stated later on in his pov that despite all the rumors and her deception, Callisto too found it surprising how he didn't get angry.

They also had this conversation in the cave and many other occasions when he teased her about it and she kept on saying that she wasn’t in love with him anymore.

However each time Penelope claimed to not be in love with him, Callisto was either amused or grumbled about it playfully.

It’s the setting that changes things. Back then it was all teasing and her getting fed up with him and his successful attempts at eliciting some sort of reaction out of her.

As the story progresses, their interactions become more tense due to the friction and tension being products of their feelings for one another.

We can see the first signs of Callisto ‘wavering’ during his birthday banquet as Penelope is about to reject him.

He looked crestfallen when she brought up love because he still can’t make sense of it, convinced that his feelings of fondness can’t be related to love—or more like, he’s trying to convince himself it’s like that.

Knowing what is about to come, he shushed her, while admitting to the fact that he knew she was going to reject him, hence why he told her to give him an answer on her coming of age.

It’s all because Callisto hoped she would change her mind and her answer would be the one he hoped for, basically her accepting.

Then in the greenhouse things become more serious. The talk about Penelope’s condition had an impact on the build-up of it.

Penelope is completely serious and firm about her rejection, she is more apathetic due to the impending deadline of hard mode’s ending and things falling apart continuously.

She doesn’t have any control of the things happening around her and it makes her grow more and more anxious, to the point where it all becomes too much and it leads her to resign to her fate.

Callisto’s reaction to it is so strong not only because Penelope kept on pushing him towards another woman (which he doesn’t even know) when all he wanted was to be with her, but because she disregarded his feelings in the process as well.

Penelope goes on to say that she doesn’t love him, and that’s the real nail in the coffin, Callisto is actually in love with her but fails to realize it, but his subconscious seems to be aware of it given his reaction.

It’s a “…she doesn’t love me?” slap in the face realization.

I’m saying this because later in the novel, Callisto reveals that he hid his desire to be with Penelope behind the guise of an arranged marriage because he was afraid to admit being in love with her due to what happened to his parents. You could say he has always loved her from the moment they first met.

➺ chapter. 201 from the novel:

Anyhow, Penelope talks about her circumstances and past, saying how while wanting love she also needs and wants someone to take her out of the hell she’s in.

She tells Callisto he’s not that person and he’s absolutely devastated by that statement. He even gets described as dazed in the novel when this scene happens.

It’s a point of no return for Callisto because he still refuses to acknowledge his feelings as love for Penelope.

He can’t have her unless he admits to loving her, but he’s afraid to do so due to his past, he's convinced that if he confesses then she would end up like his mother.

Callisto needs a push, and that push is the fear of losing her forever which comes in the form of Penelope’s poisoning on her coming of age ceremony.

It all boils down to “don’t make any assumptions about my feelings” and “you don’t know what/how I feel” but we don’t get that since Callisto is suppressing it.

He’s angry and rightfully so and Penelope’s earlier apparent indifference doesn’t help either.

But yes, Penelope’s rejection hurt him so much because loves her.

Callisto is conflicted and in denial. It’s like he’s already having an inner battle about his feelings and then Penelope comes and deals the final blow, stomping all over his heart while pushing him away.

"I chose you, Penelope Eckhart. Not your household." and “Does my proposal mean so little to you?” are so telling because it’s clear that he’s been strongly impacted by all of this.

Callisto genuinely wants to be with Penelope and get her to the safety of the palace but went about it the wrong way.

They’re so miscommunication, it will be so long before they get to talk properly about their feeling and we get that love confession I’m not okay T_T

Thinking about all the things that will happen before that is making my head hurt, I’m going back to reading my comfort fanfics…see y’all tomorrow when the beginning of the end begins with more yearning and angst as Callisto will come back :,)

[lovelyscourge]

Pssssst— Hey, darling. Do you want to be a good pet?

You're a good little dove who gets off to being told what to do, aren't you? That's good, I'm proud of you. Keep scrolling.

Come here, sit.

Yes, right here by my side. Good job.

Don't flinch.

I'm just going to grab your face with one hand and squeeze your cheeks to force your mouth open, sweetheart.

You're such a silly thing. Tricked into drinking water.

No, we aren't doing anything else. You're going to sit here, drink water, eat something and help me put a puzzle together. Don't pout.

You're my broken slut but you're also my cute little darling and today is self care day.

We're doing face masks later.

[k-wame]

this scene! paddy trying to connect with another queer💖

[mataurin]

Shoutout to @jamjoob who so subconsciously inspired my Selina design I did not realize it was theirs until I was about to post smsodhsidb

[puppetmaster13u]

Prompt 89

 The young justice team is in a bit of a pickle. It had been a usual mission, Klarion causing mischief again, before someone had mentioned the date. 

 The literal chaos lord had shrieked, stopping his attack, and asked for clarification. Maybe that wasn’t a good idea because one moment they were in Happy Harbour, and the next they’re somewhere else with green everywhere and floating islands. 

 And Klarion doesn’t explain- not that they were expecting him to- and just bolts into a… wow that is a very big and scary looking castle. Keep? Honestly it’s if someone combined a gothic citadel with a clocktower of some sort. 

 Not important, because they had chased after Klarion who uh… Oh no, that is a Very big entity, that is two Very Big entities that could crush them in their fingers. And they are now stuck in this place seeing as the portal closed behind them. 

 Honestly Klarion is happy he made it home before curfew! Even if he had to bring his sort-of-friends with him to make it in time. It’s not his fault, he’s not used to having a guardian, nevermind two! Not to mention siblings, which he’s now the oldest of too, so he has to be a positive influence. Like teaching them how to properly do chaos without destroying a world. 

 Oh, but this is perfect anyway, one of his dads has been wanting to talk to the speedsters anyway, and his other dad is still under house arrest for the whole, trying to take over the living realm thing. But that’s not important, he has little siblings to introduce! 

[poorly-drawn-mdzs]

Results from the ‘Who is the tallest MDZS Character poll! Thank you all for voting!

[poltergirlst]

I could caress you for hours in front of this mirror while whispering the sweetest praises in you ear just so you know how pretty and precious you are to me.

[hellcifrogs]

Everyone's got names!! Meet the new oc cast~

I did most Japanese names, but added some variety too and even slid in some ship names as well, so everyone's happy.

[pisces-swirlix]

me: damn i’m so excited for the weekend

coworkers: me too! got any fun plans?

me, sweating nervously: haha i guess

coworkers: nice! what are you up to?

me, really just looking forward to reading the weekly updates of my favorite fanfics: um. sleeping. and walking. yeah

[skylessknights]

HANGMAN "ADAM" PAGE and SWERVE STRICKLAND AEW Dynamite 14.02.2024

[peppermintmochafem]

The gentler parts of d/s that i love so much are so misunderstood 😔 like if you think it undermines you as a dom when they can't do the self care things you tell them to you are fundamentally misunderstanding what it means to dom. The dominance is the caring. It's knowing what they need more than them because you know best. It's the fact that they are yours to take care of. It's that they trust you to protect them.

The control isn't over them, it's the control of having something/someone to protect

[comfymoth]

i love seeing english words scattered in posts in other languages, like i just saw a comment on somebody’s art that said ‘mesero! mesero! más angsty daddy issues por favor!’ and dude that shit made me giggle ToT or somebody else’s tweet that said ‘eso no es un hear me out, esto es un hear me out,’ like sometimes a phrase is just so silly it transcends languages, even when it could probably be translated

[m00ngbin]

So I know we all know that Toichiro doesn't actually care about Serizawa or any of the Super Five, and he makes that clear several times throughout the World Domination arc, but I wanted to look at the specific wording I noticed here:

Oh ok.

For most people, (me included), the first time they watch this scene, they expect Toichiro to say something like, "I think very highly of You." That's the normal thing to say, that's what you would assume he's going to say.

But he doesn't. He specifically chooses to say "your Potential" instead. He's making it very clear that he doesn't actually view Serizawa as a person on the same level as him. He doesn't value his humanity or his presence, he values his Power. Toichiro is Only interested in what Serizawa's powers can do for him and how to make them stronger, and it's obvious to everyone.

Everyone except Serizawa. Serizawa, who was so deep in denial that he had convinced himself that he was working for a company instead of a terrorist cult organization. Serizawa, who devoted every minute of his time to Toichiro from the moment he left his room, until the very end of the organization. Serizawa who truly and wholeheartedly believed that Toichiro did give a damn about him as a person and not just his powers.

Serizawa who, even though he heard Toichiro say that he could lose all of the Super 5 and not feel a thing, still believed that Toichiro would.

Before the panel below happens, Serizawa begs Toichiro to stop what he's doing and tries to insist that he's not betraying him. Obviously that doesn't matter to Toichiro, because Serizawa has expended his usefulness and is actively going against him.

That's part of the reason I think that Studio Bones should have added this scene into the anime, I think it would have made Toichiro outright telling Serizawa that he didn't really care about him more impactful. Not just for Serizawa's character, but for his intentions for all of the Super 5. It helps show just how little he cares for other people and how he only sees them as tools, a means to an end. (Even if that was already clear before, it just drives the point home).

Also also also I think that would have made the one line from, (I think), Hatori stand out more. After Toichiro attempts to blow Serizawa, Shigeo and Reigen up, Hatori says something to the effect of, "so the president finally cast Serizawa aside, huh?" Everyone knew it was coming, everyone knew what Toichiro was after, except for Serizawa.

Tldr: Toichiro wanted Serizawa to become stronger not just because he would be more useful to him, but because there would be more power for him to take if need be, and the spare batteries panel should've been added to the anime because it would've made everything more impactful imo

[mulchwave]

trans mascs see anime men that look like this and go insane

[beannoss]

Hi Bean!

I have a question for you! I have noticed in your writings that Twilight and Yor begin a romantic relationship after their secrets are revealed. Are you opposed to any romance between them before they find out? I assume if so, it’s because it’s morally questionable, though a lot of fans find romance before compelling as it raises the stakes considerably. I’m not suggesting one is right and the other is wrong, I’m just interested in your take on this! I love your writing! Thank you! 😊

Hello you! I'm always chuffed to see your name pop up 🫶😊!

Oh boy! Thank you for this ask — it's a big question but also I do have thoughts XD Sorry it's taken me a few days to get my ducks in a row!

I want to start, though, by emphasising that my thoughts and preferences here are exclusive to Spy x Family as a canon enterprise; they don't pertain to fanworks or other fan theories, I'm not out to yuck anyone's yum ✌️ ditto for even my own writing! You're right that I don't really have an interest in exploring that dynamic but I reserve the right to change my mind ;)!

[Reference herein to manga chapters not yet animated]

Right, so. There's lots of things I love about SxF, but one of the things that interested me early and keeps me engaged is that it operates under an interesting and complex morality. Spy work and contract killing are obviously an ethical minefield, and in the real world, generally to the bad. Within the world of SxF, Endo takes pains to write Twilight and Yor both firmly on the morally right side, even if Twilight’s tactics or Yor’s actions in a vacuum are frequently questionable. With Twilight especially it seems Twilight is currently (resisting) working through the impact and ethical implication of his actions on Anya. When it comes to Yor, I expect that’s where we’ll see him wrestle with similar questions through a romance lens. I think it was quite deliberate and important that Twilight specifically articulated that he’d been wondering if Yor had previous romantic relationships, and that it was now confirmed she hadn’t. As far as I can remember, it’s the only time he’s had that sort of reflection on Yor's life before the Forgers; I mention it because it mirrors times he’s reflected explicitly on Anya’s history and trauma and her needs as a child, with implication that his actions and motivations for adopting her could/probably will hurt her. I hazard that his observation about Yor will be similarly indicative of an arc down the line.

When it comes to canon, if the Yor x Twilight romance were to firm up while Yor still believes Twilight is Loid, I admit there’s a high chance I’d nope out. I want to emphasize firm up though… I tend to think Yor already has feelings for Loid (Twilight?) whether she’s fully aware of them or would necessarily articulate them as romantic (and I think this is being really interestingly conveyed and explored through her current feelings about kissing, though I may differ with some on how I think that may shake out). I also think there’s a… less high but not impossible chance that Twilight is aware he has or is developing feelings for Yor. I’ve argued before that he knows he has formed/is forming an attachment to her and that he knows he trusts her. I don’t think it’s too far from there to romantic feelings for Twilight: after all, attachment and trust (intimacy) are not things he's had in a long, long time. And given his current pseudo-short temper and general malaise comes out most with Anya, with Yor he’s been notably softer and more receptive. In my view, this is partially because so far he hasn't really done much that would really hurt Yor and nor has she done anything that would really hurt Twilight. So far, Twilight and Yor are on a fairly even footing.

This is a very long way of saying that I trend toward thinking we’ve got at least a few toes into the romance already.

The reasons I’d be a squicked by the firming up of the romance, pre-reveal, are related to its being morally questionable as you pointed out (I'll talk a bit more about that in a moment.) But it's also because I think it would undermine character arcs and dominant themes.

Twilight’s arc involves finding and forging a new pack, a new family. Somewhere safe and loving that he’s been denied essentially for his whole life (I don’t dispute that his mother loved him deeply and did her best to protect him: living with an abuser and then with her under war was never going to actually be or feel safe). A big part of this safety and love for Twilight is about being accepted, warts and all. Twilight started lying because he wasn’t accepted by his father as he was. There’s a fair bit to work through by way of accepting Twilight’s warts already — I think Yor will be fairly understanding as things currently stand, and that’s part of why they’re a good match. Their moral compasses, their sacrifices, how they see the world and how they want to try and make it better, align and/or resonate in foundational ways. However, given their current standing, pursuing deeper intimacy of a romantic/sexual relationship with Yor before reveals, I think would take it past the line. And particularly when considering Yor’s character arc.

Yor’s arc is also around finding love and security, but centred less around acceptance (although that obviously also explicitly features!) and more around self-worth and understanding her value. If the romance were to firm up pre-reveal, the false pretences are… I mean, to me, they lob a Molotov cocktail into that theme of self-worth and being valued, as she really would just be being used: the intimacy could never be real because Twilight is not Loid Forger. To expand a bit on an earlier point, perhaps ironically, Yor’s relationship with Loid is mostly on the up-and-up: they both know any marital connection they demonstrate is fake. They may be (are) friends, and also they’re under no illusions that it’s something of a tenuous friendship (at least for now). They co-parent Anya but are clear that this co-parenting comes with clear lines around and between their relationship otherwise. I want to tread mindfully here, because I also really like and appreciate aroace interpretations of Yor and Twilight and their relationship: I think this discussion around firming up their romance actually also holds true in the case of attempting to substantially deepen their platonic bond, pre-reveal. In the same ways, Twilight needing acceptance and Yor learning self-worth would be severely undermined by a pre-reveal apparent and false deepening of their commitment to one another.

On the point of it being morally questionable generally, yeah it is. I mean, look, it's fiction and they aren't real people who can be hurt by those actions. So in principle, Endo can write what story he wants, I wouldn't think it reflected poorly on him or anything like that. I just don't really want to read a story that goes to that place; it’s a squick. I'm sure this has been discussed before in fandom, but my read on the moral dubiety centres around the idea that it isn’t possible to actively choose or meaningfully consent to emotional or physical intimacy when one person is lying about who they are (and in this case, they're both lying about who they are... Although Twilight to a greater extent). This does tie back into SxF themes as well, as choice and consent are also… maybe not big themes of SxF exactly, but active choice and informed consent are things which have come up more than once (I have my thoughts as to why: for a character whose choices drive so much of the narrative, Twilight is actually also a character who’s shown to have little actual choice or control over much of his own life. Considering his motivations for a world where children don’t cry, imo valuing active choice and meaningful consent are important factors required for that world. And I also actually suspect the theme of choice will become more important the more we learn about Donovan, and his role as foil for Twilight.)

Also, honestly for me, it would be too close to a common trope in a lot of popular western fiction/media that I don’t like: a woman being taken advantage of by a man in some way, shape or form, and then through the magic of her non-specific womanness, forgiving him his gross transgressions under the thinnest of pretences. Particularly as Endo has already taken pains to sidestep that as a foundation of their arrangement. To be fair, I wouldn't be surprised that were Endo to take the pre-reveal romance path, it would be a deeper interpretation of that trope, but as with other sexist tropes utilised in pop fiction/media, I have to ask why the choice couldn’t have been for a more interesting path, rather than retreading that one. And particularly given everything he's established for Twilight and Yor: it goes against much of what Twilight stands for — and indeed goes against much of what he meaningfully brings in his current relationship with Yor, that of encouraging her, supporting her, and shoring up her thoughts, opinions and self-image, particularly when she voices upset or doubt about them. It also goes against much of what Yor stands for: while the power imbalance would lie firmly with Twilight, it remains true that Yor’s lies in an apparently deepening intimacy would also undermine the safety and security she ostensibly creates for Twilight. She also so obviously hates lying, the prospect of her keeping her secret into what she believed was a real relationship would wreck her. Doubly so, given the weight Yor puts on Loid's acknowledgement of who she is and what she believes: something she hangs her self-worth on, a recognition of her value. And I'd argue here that it would actually, conversely, be impossible for Loid Forger to acknowledge or accept Yor's truth: that's only something Twilight can do.

And so I guess there’s also just the bare fact following from the above that I think a pre-reveal firming up of their relationship is the less interesting choice for what is a major franchise that has otherwise done innovative things. Another reason I love SxF is that it subverts tropes and complicates cliches. One of which includes communication: for a pair who have crossed lines as a foundation of their relationship, Yor and Twilight actually do a lot of communicating. That’s a subversion of many heterosexual romantic tropes and norms, at least in a Western context, and, to put it sort of flippantly, it would bum me out if it failed at the final hurdle.

I just want to emphasise one more time, my opinions and preferences here are strictly related to Spy x Family in an official canon capacity, and nothing to do with fanworks or fan theories or what fans want to explore in whatever fashion. Part of my feelings here are also honestly because of the tone and pacing of SxF. I think it entirely possible to do interesting things with those tropes and actually think Endo is the type of writer I would trust to do so. But the way SxF is written by way of tone, pacing, narrative priorities and audience demand, I don't think even Endo would be able to do them within SxF in ways that wouldn't squick me out and make me lose love for Twilight, specifically, pretty entirely. I'd rather he just didn't 😂

Tl;dr: in canon exclusively I’m not into a firming up of their romantic relationship pre-reveal! Their situation is complicated enough as it is; give these goobers the love they want and can share with one another, kindly and gently, when the world has been neither kind nor gentle with them. In my view, it’s already primed in their character and thematic arcs 🫶