#wooden boat models for sale

[campbelltownhobbies]

Navigating the Seas of Craftsmanship: Wooden Ship Models

Ahoy, ship model enthusiasts! Set sail on a journey through the fascinating world of wooden ship models. From intricate craftsmanship to rich history, join us as we explore the art of ship model construction and uncover tips for beginners venturing into this time-honoured hobby. Whether you're a seasoned builder or a curious beginner, prepare to navigate the seas of craftsmanship with us!

History of Wooden Ship Models

The history of wooden ship models dates back centuries, mirroring the evolution of seafaring vessels. These miniature replicas served various purposes over time, from practical uses to decorative displays. In ancient times, model ships were crafted by skilled artisans as offerings to gods or as symbols of status and wealth.

During the Age of Exploration, ship models became essential tools for shipbuilders and navigators to visualize and plan new vessel designs. The intricate details on these models showcased the craftsmanship and engineering skills of their creators. As maritime trade flourished, so did the demand for accurate scale models that represented different types of ships.

In modern times, wooden ship modelling has transformed into a beloved hobby enjoyed by enthusiasts worldwide. Today's model builders draw inspiration from historical records and blueprints to recreate iconic ships with meticulous accuracy. The legacy of wooden ship models continues to sail through time, preserving a rich maritime heritage for generations to come.

Navigating the Seas of Craftsmanship: Wooden Ship Models

Ahoy, ship model enthusiasts! Set sail on a journey through the fascinating world of wooden ship models. From intricate craftsmanship to rich history, join us as we explore the art of ship model construction and uncover tips for beginners venturing into this hobby. Whether you're a seasoned builder or a curious beginner, prepare to navigate the seas of craftsmanship with us!

Techniques in Ship Model Construction

When it comes to crafting wooden ship models, mastering the techniques is crucial for creating a masterpiece. One fundamental technique is selecting the right materials - quality wood like basswood or walnut can enhance the authenticity of your model.

Precision in measurements and cutting is key to ensuring that each piece fits perfectly together, requiring steady hands and attention to detail. Sanding down edges helps achieve smooth finishes and seamless transitions between parts.

Another vital technique involves patience in assembling intricate details such as rigging and sails, which add character and realism to your model. Painting with precision brings out the unique colors of different ship components.

Investing time in learning these techniques will elevate your craftmanship skills as you embark on building exquisite wooden ship models!

Tips for Beginners in Model Shipbuilding

As you embark on your journey into the world of model shipbuilding, remember that patience and precision are key. Take your time to understand the history and techniques behind wooden ship models, and don't be afraid to start with a simple kit as a beginner. With practice and dedication, you will soon master the art of crafting intricate wooden ship models that truly capture the beauty and essence of these historic vessels. So pick up your tools, gather your materials, and set sail on this rewarding adventure in craftsmanship!

When it comes to crafting wooden ship models, mastering the techniques is crucial for creating a masterpiece. One fundamental technique is selecting the right materials - quality wood like basswood or walnut can enhance the authenticity of your model.

Precision in measurements and cutting is key to ensuring that each piece fits perfectly together, requiring steady hands and attention to detail. Sanding down edges helps achieve smooth finishes and seamless transitions between parts.

Campbelltown Hobbies - Another vital technique involves patience in assembling intricate details such as rigging and sails, which add character and realism to your model. Painting with precision brings out the unique colours of different ship components.

[gonautical]

4 Tips for Creating an Authentic Nautical Interior

Remember that last vacation at the beach? It’s easy to bring those memories home with nautical style decorating. A nautical interior is one that’s reminiscent of ships, sails, and ocean sunsets. And if you’re someone who loves the beach, a nautical home — or even a single room filled with nautical decor — offers a relaxing break from the outside world. Use these four tips to get started.

1. Begin With Nautical Theme Lighting

Lighting is an important consideration when you’re trying to recreate an outdoor feeling in an indoor space. Natural light is a great place to begin, so if your space features windows with heavy, room-darkening treatments, nix them and let the sun shine through. Consider using a big window as a display space for a gorgeous model ship or some wayfaring tools such as spy glasses, sextants, or a ship’s bell.

For dark corners or spaces that lack natural light, a ship-themed chandelier or wall-mounted lanterns will highlight your nautical interior.

2. Consider Adding One or More Model Ships

You’ll find a model ship for sale in all sizes, from miniature to extra-large. Consider collecting several in different scales and displaying them on open shelving, in bookcases, or inside a glass-paneled curio cabinet. Display your collections in small groupings for added drama. 

3. Bring In Nautical-Themed Accessories

Nautical-colored rugs, weather vanes, tide clocks, and wooden oars all make beautiful decor. And when displayed sparingly in your space, they can lend your room that seaside mood you crave without appearing cluttered. Choose one or two larger pieces as conversation starters, and add a few smaller pieces to fill in. Good options include:

Sea-themed placemats or coasters

Throw pillows with nautical motifs

Wall art that features boats, marinas, or lighthouses

Accessories made of netting or rope

Your nautical home may mimic a cozy ship’s interior or the bright light of a beach house. It’s only limited by your imagination and by the decor you choose to complement your theme. 

4. Remember That Less Is More

A last rule of thumb is to show restraint. It’s easy to get caught up in the fun of finding nautical decor, but it’s important to remember that less is usually more. Opt for a high-end, classic look, as opposed to one that’s packed full of smaller knick-knacks and items that could come across as clutter. Leave room for white space, and place one or two items on a shelf, as opposed to many. Do the same with your wall art. Tasteful decorating requires self control and an eye for detail. Once you master these two must-haves, creating a nautical home that’s both beautiful and relaxing will come much easier.

If you’re ready to browse an endless selection of quality nautical home decor, visit gonautical.com. We have everything needed to design your own perfect oasis, even if you live miles from the nearest shore. 

[novaswimwearsblog]

swimwear for girls

When wet, the swimwear should be stretched a little, as you are spending most of your time in the original water and in the girls' swimwear. Consider a moment before you buy your next swimming suit, where you will spend most of your time wearing it and also spending your money. Consider a moment before you buy your next swimming suit, where you will spend most of your time wearing it and also spending your money. This purchase is preparing your summer swimwear, and we think it will be a thought provoking discussion. Most women wear a one-piece swimsuit or bikini with: a patio pool, beach or boat. Because one piece swimming is easy and convenient to use because it is not based on two pieces like a bikini, it is just one piece that will be enough to cover your body so that whenever you wear it, you will feel one hundred percent confident. You are at a beach, boat or swimming pool party.

The stylists at Nova Swimwear have assembled the best colors and material as well for each of these surroundings. We know certain colors will blend in to the area around you and others will stand out. It also include some fact like your skin color your surrounding color and your environment specifically. When wearing red, white, blue, or black, here are the best choices based on where you will be enjoying summer.

Here below we tell you which swimwear will suite you according to your environment.

Open Air Pool:

When you have an open pond on your farm or house, there is a lot of greenery around you, with green grass and a wooden yard or cement behind you, the red color is a wonderful statement. In such pools or surroundings we recommend you to wear red swimwear for girls. It is especially designed for young men as well as adult women.

On boat or fishing:

So the next color comes is white. White is a neat and light color and able to groom your looks and style. As we all know the white is a sensitive color so if your where it on the beach or home pool it will get dirty and lost its glamour if your wear it ion the beach then you can get sand on it soon when you lay your foot on the sand. So for boat party the white color swimwear is the best choice you ever made.

When the summer months starts, and with sunny days and delightfully warmer temperatures on the rise, many questions start rise with the thought of finding new swimwear for girls. But now is the time to let go of all your worrying questions, embrace your beautiful curves by shedding light on fashion forward print and style. Although many of us are more self-critical than others think, as women, we know that if we are insecure about even a small imperfection, it's just a matter of relaxing and May hinder our ability to have fun.

We offers great deals on swimsuits for their clients. We are providing you all of sorts of swimsuit regardless of dimension. You can find every size from little to huge. We never compromise quality. Nova swimwear could be the ideal sports swim-wear manufacturer and seller in Australia. Nova swimwear isn't an ordinary business in Australia it's a cosmetic model. We create good high quality to enhance the look of your body. Each piece is personalized and sculpted with a lot of aid to your remainder. Ensures good looking fabrications and contour power net. It is designed to shape the human physique. It's intended to check skinnier. You may guess that you may need a size tiny or perhaps a normal size. Even the Nova swim-wear brand will probably appear adorable and trendy on your own curvy figure. Discover the selling of girls swimwear and beachwear in Nova swimwear. Shop the brand new group of women's swimwear and beachwear available on sale. Find fantastic deals on swimwear within our exceptional girls's sale range. Go shopping for all in swimsuits, bikinis, and knee span into beach cover-ups. Sports swimwear marketplace is stylish nowadays specially in women. We've got a wide variety of sporty swimsuits. Our group includes one piece and knee-length. It totally matches your system using a sporty texture. Make a dab and get moving into our daring selection of sports swimwear. Shop from the broad selection of swimwear for girls in Nova swimwear. Pick from the vast assortment of bikini sets, board shorts and much more from brands that are leading. We have a professional group to be careful concerning design and color each and that which. Exactly where every business and manufacture turning their company not merely on the web but attempting to create proficient from the warehouse to client door step. In addition, we accept bulk orders when there's any athletics occasion or to get the school or college contests. There isn't anybody w to be left behind to enjoy swimming underneath the pool. As a way to stay clean the pool of the swimming pool is chlorinated by chemicals. Commonly, traditional apparel get damages from Australia. Manufacture and businessman try to upgrade and maintain their own standing to keep by producing a high quality caliber of chlorine resistance swim-wear. Chlorine can damage the elastic fabric. It induces a decline within the life span of fabric shape and excellent. About the other hand, chlorine resistant swimsuit is created from a proposition of polyester cloth plus it can help you to neutralize the unwanted side effects of chlorine vulnerability. Additional polyester assists your swimwear from damage so it remains in very good condition for a very long moment. . As a way to stay clean the pool of the swimming pool is chlorinated by chemicals. Commonly, traditional apparel get damages from Australia. Manufacture and businessman try to upgrade and maintain their own standing to keep by producing a high quality caliber of chlorine resistance swim-wear. Chlorine can damage the elastic fabric. It induces a decline within the life span of fabric shape and excellent. About the other hand, chlorine resistant swimsuit is created from a proposition of polyester cloth plus it can help you to neutralize the unwanted side effects of chlorine vulnerability. Additional polyester assists your swimwear from damage so it remains in very good condition for a very long moment.

In summer, there is always wide range of variety of plus size swimwear, introduced by the Nova Swimwear.

https://www.novaswimwear.com/

[paddleboards7-blog]

Exercise Boarding - A hobby For Everyone!

paddleboard

Its already been 2 years since I initial spotted someone landing on a long thick surf board on the intercostal involving South Florida, relaxing paddling away and not using a care in the world.

paddleboard

Nowadays, I think most people exactly who live near any kind of body of liquid have either noticed someone or learned something about this inspiring new sport. The country's the newest and most convenient growing water recreation in the world called "Stand up Paddle Boarding". Its also referred to as exercise surfing or SUP short for "Stand Up Paddling"

Study has shown that this type activity goes back decades in French Polynesia where indigenous tribes were seen looking at hollowed out wood logs. By the early fifties, beach boys around Hawaii were experienced by tourists on vacation on the islands located on their surfboards having long wooden paddles. Today "Stand Upward Paddling" boards tend to be lighter, wider, a lot quicker and come in much bigger varieties of color post design.

Currently, this approach sport is blossoming everywhere in the world. Events, events and tournaments are being held in a number countries including Saudi arabia, Italy, France, The country of spain, Canada and Questionnaire. The average person who will possibly not have ever taken part in a sport previous to, are competing inside SUP races globally.

Christina Boeri, a separate paddle boarding fanatic and good friend associated with mine just came from her seven day Hawaiian trip together with said "Its in all places, everybody is doing this, every car has got at least one board in a tight onto the house. "

With Endure Paddle boarding, many are endless, to be able to ride waves it's actually a blast, if you want to investigate and paddle wonderful flat-water lakes which can be also a great trip. I've witnessed consumers fishing on their message boards, going down wild super fast rivers and as well like paddle surf your wake behind fishing boats for long kilometers without a rope.

Examples of the challenges beginners facial area when purchasing your first board, can be what brand to find, what size, contour, color and model. The choices are large. New models and additionally brands are being presented to the market consistently. It is important to choose a snowboard that is big sufficient to give you stability determined by your weight and position. Another consideration could be the kind of paddling you should do.

Ridding surf and long distance tempo paddling require totally different types of boards. Many people are purchasing what we phone call an "all a good rounder" board witch has a typical proportions between a 10'6 to 11. '6. They are approximately up to 29 inches wide in addition to 4 to 5 inches thick.

Quite a few board companies could carry this sounding paddleboard and this allows for the user to find waves and also exercise flat water. Message boards will run anyone about $1000 to be able to $2000 depending on the likely use. Paddles get started in at about $150 to $400 to get the best quality Carbon Linens paddles.

The benefits of this particular new sport proceed way beyond a fun factor. The medical benefits are wonderful and another reward is that it works out your mid area giving you an affective core workout. Paddleboard sale in the US definitely will explode on of which basis alone!

Individually, when I first tested out this sport, I actually new within 5 minutes that I is hooked. The feeling from calmness and calm one experiences is extremely different than any other activity that I have possibly done. It really is prefer walking on h2o!

Beginners should always get yourself started calm flat normal water and get a look for the board along with learn proper exercise strokes and sense of balance. Paddle boarding institutions all over the world make sure their particular customers have a great experience by educating their newbies inside of a relaxed calm physical structure of water with regard to their first outing.

[myhouseidea]

A Space that brings in nature and inherits cultural memory. In Chinese culture, it’s always said that there is “earth” and “heaven” amidst mountains and rivers and the root of everything lie between square (fang) and round (yuan). With the “wheel” of the era moving forward, how do human habitats nowadays bring in landscape and natural things?

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.

– Vigor – Each piece of gravel and wooden beam pays tribute to nature, and injects simplicity into the bustling city. Sunshine is the warmest nourishment from nature. The semi-open corridor features floor-to-ceiling glass, and the wooden texture creates a simplistic style, all of which helps to break spatial boundaries while blending the space with nature. As the light falls into the negotiation area, each piece of wood is enlivened, and the space is infused with freshness.

Origin – Local sea fishing culture – All rivers flow into the sea, though without the same source. The sea fishing culture in Zhanjiang carries the original aspiration and memories of the local people. The designers analyzed, summarized and extracted unique symbols of the sea fishing culture, and incorporated them into every detail of the sales center. At the entrance foyer, a “picture” on the wall comes into view. By use of different materials such as metal and acrylic, it depicts the daily scenes of local fishermen. Complemented by sunlight and lighting, it takes visitors to embrace the sparkling sea and sunrise. The long black bench characterized by charred wood texture embodies the simple living attitude of subtropical people — obtaining materials from local sources. Above it hangs a decorative painting that draws inspiration from fish fossil, and the bookshelf nearby incorporates boat elements, all of which responds to the local cultural context.

Inheritance – Combination of the dense and sparse – Taking cues from grass mat weaving — a traditional local craft, the pendent art installation above the property model display area inherits profound historical culture via a simplistic and artistic form. With flexible wires interweaving with each other, it seeks to create a tranquil ambience in a free manner. Echoing with the empty ceiling, it appears more aesthetic and dynamic. Spatial aesthetic is not merely about innovation and making breakthrough, but also about inheriting and conveying culture. The book bar is magnificent, which fully draws on the purity and simplicity of nature. The natural wooden texture unifies the visual effects, and seems to immerse people into a forest. Sunlight shines onto books and play with shadows, which produces a serene and peaceful atmosphere. Besides, the shells, clay sculpture and woodblock print add vigor to the tranquil space, and strike a balance. Nature – Poetry of plants and flowers – In the current era, spatial aesthetics is expected to bring daily life back to nature and nurture the soul with simplicity. Design is a magic that creates a sense of rituality for life and also carries the pursuit of poetry and dreamland. Green plants are utilized to create landscape in the model display area, which perfectly blends the art of nature with the aesthetics of living spaces. In addition, the negotiation area also brings in real flowers and plants, allowing people to capture nature at every step. Imagination – Kids’ Play Area – Azure blue and wood color collide in this area, which releases infinite imagination. As encountering with calming wood, the dynamic blue breaks the elegant, simplistic ambience, and creates visual contrast. The half-height partition wall marks off an area that records the happy time kids spend there. Furniture is carefully selected for the space. The unique sofa upholstery fabric that mixes linen with gold threads, the exquisite rattan chair, as well as the end table which features perfect combination of metal edges and a top cut from travertine, all present distinctive characters while harmoniously blending into the entire space.

– Interactive area – Continuing the wooden texture and borrowing Japanese design style, this area is a fully open interactive space. The step-like structure broadens the field of view, balances with the serenity and unity rendered by wooden textures, and hence makes the space more flexible and inclusive. Simple elements are adopted to produce fascinating effects, which is perhaps the greatest charm of the design. Every piece of wood and beam of light here is capable of calming the mind and soul. The design well integrates modern art and natural aesthetics, and brings life to its original simplicity.

Project information Project name: ZOINA AUSPICIOUS OMEN SALES CENTER Location: Zhanjiang, China Decoration design firm: Das Design Co., Ltd Design team: Cui Duan, Fu Zhiheng, Qiu Limin, Chen Liwen Completion time: January 2020 Area: 495 m2 Photography: MConcept, Zhao Dimin

Zoina auspicious omen sales center A Space that brings in nature and inherits cultural memory. In Chinese culture, it's always said that there is "earth" and "heaven" amidst mountains and rivers and the root of everything lie between square (fang) and round (yuan).

[juniorformulamotorsport]

Thursday, 19th September 2019 – Voegtlinshoffen, Colmar

Voegtlinshoffen is a tiny village which is not one of the half-timbered confections that so many Alsace villages are, because most of those were destroyed in the course of the Thirty Years’ War and rebuilt afterwards in a more simple style. What is does have is a site that provides stunning views across the Rhine and beyond to the Black Forest and, on clear days, the Alps. What is does have are some excellent wines, including the Hatchbourg grand cru, and it was that which brought us to the village on another gloriously sunny day.

We’d begun with a delicious breakfast (including a glass of crémant) at the Hostellerie le Marechal, and then checked the car to see if anything had fallen off after our encounter with the ironwork the day before (nothing seemed to have done, but there was a rattle that suggested the exhaust system might have been compromised) so we undertook the 15 minute drive to Voegtlinshoffen and the cellar visit organised by the hotel for us.

We were going to see a specialist in the crémant on offer at breakfast, Joseph Cattin, where the family have been making wine since 1720. It all started with François Cattin, who was Swiss, and who settled in the village where he was also a builder. They are 11 generations in now and still going strong as one of the largest family owned vineyards in Alsace.

In 1850 they shifted to wine making exclusively, with Joseph taking over the family-owned Estate just as phylloxera hit at the end of the 19th century. Joseph dedicated his time to finding was to fight this plague, becoming a pioneer of Alsacien viticulture. Meanwhile his brother headed off to Paris and set up a restaurant called La Cigogne (the Stork) which served Alsacien gastronomy to well heeled Parisians and foreign guests, acting as a shop front for the wines his brother was making.

Almost a century later the 10th generation modernised the estate and started worldwide exports of their products. It’s now being run by Jacques Cattin Junior, who has been in charge of winemaking since 2007, and his wife Anaïs, who runs the international sales department. What they now have is a fantastic range of wines, and a modern winery that includes a rooftop bar where you can try the wines alongside plates of charcuterie and cheeses. We were taken round by the charming Marianne, who showed us around the original winery, where we could see both the old wooden barrels and the hyper-modern temperature controlled stainless steel tanks.

They even have pipes running under the road to enables the grapes to be crushed on one side of the road in what looks like the original building, and then run straight into the stainless steel tanks in the building on the other side of the road! It’s a most impressive set-up and the wines they produce reflect that.

After our visit, and an explanation of many of the processes, we sat down with Marianne to try a number of wines. Even using the spittoon, after we got through it seemed like a good idea to get something to eat, and where better than the rooftop bar, the Belvedere, with its phenomenal views over the surrounding landscape. It would also give us the opportunity to discuss which of the wines we’d tried we actually wanted to buy.

A plate of charcuterie and cheese later (and a free glass of wine with lunch) and we were ready to shop. 6 boxes of wine later we were helped to load the car (after a swift unload to make sure everything went in in the right order) and presented with a bottle of wine that Marianne said was her favourite crémant to add to the haul we’d paid for. We were liking this free wine thing! We were ready to pick our way carefully back to Colmar for the rest of the day.

Having dropped the car back in the car park, we headed into town to hunt down the Tourist Information office to see what information we could pick up. We kept on getting sidetracked though because Colmar is jaw-droppingly lovely and there were oddities round every corner, like the giant soft toy gingerbread man! At least we understood that gingerbread is very much an Alsace thing. There are those who claim that the crusaders brought it back to Europe, but how true that is I have no idea. Also that the Chinese started it, with Mi-Kong (“honey bread), a delicacy made from wheat flour and honey, fragranced with aromatic plants and baked in the oven. Whatever the case, Alsaciens like it, and it’s everywhere, even made into liquers and spirits that can be added to crémant to make a kir!

There was an artisans’ market going on in the former Customs House (the Koifhus) which detained us for a while, both looking at what was on offer and getting a look inside the building. It was planned in 1433, and the current building dates to 1480 and two more buildings were added in the 16th century. The condition of the building in the 19th century was so poor that it came close to being demoloshed, but instead it was restored in the late 1890s, when a turret and glazed tiles were added. It was renovated again in 2002 to replace the Renaissance style sandstone balustrade which was removed in 1976. It was used as a warehouse and as a place of taxation for imported and exported goods as well as for meetings of the representatives of the Décapole, the federation of the 10 imperial cities of Alsace. Today it was being used to display a range of attractive good including some glassware that really caught my eye.

We stopped off to look at the collegiate church of Saint Martin. It dominates the square on which it sits and is as impressive inside as outside. The building itself was constructed between 1235 and 1365 and is a brilliant example of Gothic architecture in Alsace. Needless to say with a city as closely packed as Colmar is, there have been frequent fires, and in 1572 the framework of the south tower and all the roofs were destroyed, so what you can see now is much more modern. It has also undergone several restorations, the most recent in 1982 which gave the archaeologists a chance to have root around. They found foundations of a 1000 year old church as well as traces of extensions from the 11th and 12th centuries.

It’s an interesting church and there are a number of features that are quite surprising to the modern visitor, including the anti-semitic and downright offensive so-called “Judensäue, a testament to the troubled history of the Jews in Alsace, that came to a ghastly climax in 1349, when they were accused of causing plague by poisoning the wells. On February 14 several hundred Jews were massacred during the Strasbourg pogrom and any remaining Jews were forbidden to settle in the town, being reminded every evening at 10 o’clock by a bell and a municipal herald blowing the “Grüselhorn” that they had to leave. I’m guessing the only reason they stayed in the surrounding towns was the lack of anywhere else they could go, if the prevailing attitude was so vile.

The interior is quite plain, having lost a lot of its furniture during the French Revolution, but it does still have one of the many Baroque organs built by Johann Andreas Silbermann that are everywhere in the region. There are also a nubmer of medieval altars and statues, and a rare Gothic stained glass window of a beardless Christ. The Isenmann altarpiece, of which more in another post, was originally here as well. In 1462 the municipal painter Caspar Isenmann was commissioned to paint a set of panels dedicated to the life of Christ and he completed the word in three years. In 1720 the altar was removed and the paintings were dispersed. The seven surviving panels have been in the Unterlinden Museum since 1853.

We eventually made it to the Tourist Information Office were we realised that for what we wanted to do, the Colmar City Card was actually a good deal. It was €32 each for seven days and gave you access to all the museums (six of them, and you could visit as often as you wanted) as well a trip on one of the tourist trains and a boat trip. We went for it, and then decided we’d have a gentle ride round town on the tourist train straight away. I know some people think they’re a waste of effort but I find them a useful way of getting my bearings, as well as a good excuse to have a sit down…

Afterwards we decided that we had time for one of the museums. We opted for the Musée Bartholdi.

It’s a museum dedicated to the French sculptor Auguste Bartholdi, the man who designed the Statue of Liberty, among other colossal works. The house was his birthplace and is full of works by him. These include a lot of preparatory models for monuments that are actually in Colmar, many of which we would find during our stay. I hadn’t realised he also put forward a design for the fountain on the Quinconces in Bordeaux, and the museum had a model for one of the horses to prove it. What’s there is insane enough. Lord knows what he would have built given half a chance.

Bartholdi served in the Franco-Prussian War of 1870 as a squadron leader of the National Guard, and possibly as a liaison officer to Italian General Giuseppe Garibaldi. As an officer, he took part in the defense of Colmar from Germany, and after the Alsace’s defeat he constructed a number of monuments celebrating French heroism in the defence against Germany. One of those projects was the Lion of Belfort, which is huge. He didn’t do anything by halves, it seems.

Then in 1871 he he went to the United States where he suggested the idea of a massive statue to be given by the French to the Americans in honor of the centennial of American independence. The result was “Liberty, Illuminating the World” as she’s more correctly known. There were lots of items telling the story of the design and construction, though sadly most of it is in French with no translation into any other languages. This seemed a bit of a shame, really, as it was fine for people like me, but I’m pretty sure a lot of visitors won’t be able to read French and could probably do with some help to understand exactly what was going on.

We stepped back out later having learned something new, which is never a bad thing. It was time though to quit for the day and go back to the hotel for dinner. The area round the hotel was looking especially lovely so we decided we’d step out from the hotel to look for an aperitif later on.

Travel 2019 – Alsace and Baden, Day 7, Voegtlinshoffen, Colmar Thursday, 19th September 2019 - Voegtlinshoffen, Colmar Voegtlinshoffen is a tiny village which is not one of the half-timbered confections that so many Alsace villages are, because most of those were destroyed in the course of the Thirty Years’ War and rebuilt afterwards in a more simple style.

[kayceenorman-blog]

Ukulele - Hawaii's Most Well-known Musical Instrument

Ukelele ( spelled ukelele in britain, abbreviated to uke; pronounced yoo-kuh-ley-lee [American English] or oo-koo-ley-ley [original Hawaiian]) is really a small, guitar-like lute with four to ten strings. Coded in the 1880s, the ukulele is the Hawaiian interpretation from the Portuguese braguinha. Hawaii's most popular guitar produces big tone and sweet sound. Ukuleles usually come in 4 sizes: Soprano (or what Hawaiians refer to as Standard size), Concert, Tenor , and Baritone. The Solid Body Cutaway is often a more recent innovation. Ukuleles are typically manufactured from wood, although there are a handful of models manufactured from plastic or possibly a composite of plastic and wood. Expensive models are produced from hardwood (e.g.mahogany, kulawood, spruce, and sequoia), the priciest which are manufactured from koa tree. A typical ukulele includes a figure 8 shape like that of the small acoustic guitar. There are also other interesting shape variations for example oval (called pineapple ukulele), boat paddle, and square (usually made from a classic wooden cigar box).

History Ukulele was taken to the Hawaiians by Portuguese immigrants. To celebrate arriving on August 23, 1879, Joao Fernandes played Portuguese folk songs around the wharf by using a braguinha borrowed from a friend. Hawaiians who witnessed him about the dock where so impressed not only together with his music, but in addition using the speed of his fingers: i felt like they danced throughout the fingerboard. Hence, they known as the instrument "ukulele," meaning "jumping flea." (Queen Lili'uokalani, the final monarch of Hawaii, gave an alternative version for the origins of "ukulele". She thought ukulele meant "the gift that came here," from uku meaning "the gift" and lele meaning "to come.") There are 419 immigrants aboard the ship Ravenscrag, but three people could be the first to ascertain ukulele shops. We were holding Manuel Nunes, Augustine Dias, and Joao Fernandes. Within 10 years following the arrival in the Portuguese, the ukulele became Hawaii's most popular instrument. It is stated that Joao Fernandes was obviously a key behind this, as he spent time and effort playing around Honolulu together with his instrument. Ukelele: A royal endorsement It turned out also from Fernandes that King Kalakaua first heard the songs from your ukulele, but he learned to try out it from Augusto Diaz. He encouraged it had become played during royal gatherings. A patron of arts, King Kalakaua's enthusiasm over ukulele made it more acceptable to individuals of Hawaii. It had been played by Hawaiian all walks of life--- from taro farmers to fishermen to royalties. Other royalties who learned the best way to play included Queen Emma, Queen Lili'uokalani, Prince Leleihoku, and Princess Likelike. In 1915, ukulele's popularity gone after the mainland beginning in San Francisco during the Panama Pacific International Exposition. Therefore, ukulele sales increased. Along with its sweet sound, From US the mainland, ukulele gone after great britain also to all of those other world. The ukulele even became an icon with the Jazz Age. To learn more about best cheap ukulele just go to our web portal.

[wolfliving]

The Maker Movement and its discontents

*Via nettime mailing list

James Wallbank:

Fascinating to hear about personal engagement in Making, Graham!

I, too, have been personally, hands-on involved in Making since Access Space's turn towards digital manufacture, and the interface of the physical and the digital, since around 2010.

(For those of you who aren't aware of Access Space, it started as a "DIY Media Lab" which I and various friends who had accreted around "Redundant Technology Initiative" (lowtech.org) in 2000. It re-interpreted donated digital debris as resource, rebuilding computers, installing free operating systems, making them available to participants, and encouraging and supporting creative, self-directed projects.)

Part of the motivation behind Access Space was our hope that digital engagement and skills had the potential to empower. This proved to be the case in the early 2000s, and numerous time-rich participants engaged with Access Space, taught themselves and each other technological skills, and became web designers, graphic designers, technicians or even better-known artists. (Though whether "art" is, in the context of networked global capital, a viable or empowering career for a statistically significant proportion of its participants is, I suggest, in question.)

By 2010 we'd seen far less business incubation, and proportionately fewer participants able to self-teach to a level that it made a real difference to their life prospects or creative leverage. We saw that hardware and software skills devalued as pre-installed devices became cheaper, and that the digital realm was becoming dominated by global digital services, including social media, that, while they didn't do a great job, diverted the vast majority of potential digital design clients away from bespoke, local service providers.

In short, the window of opportunity suggested by the first phase of the graphical internet was closing. While, in 2000, speed-reading an HTML primer, combined with a little design flair, a few copywriting skills, and some sales confidence could make you a web designer in a month, in 2010 this was no longer the case.

We concluded that when any new technology is introduced, there's a period of opportunity, before that technology has become fully adopted or systematised, in which the individual can get involved, and (in a short time, with a level of skill only one page ahead of their clients) can empower themselves, converting an interest into saleable skills, products or resources.

We've seen the same window open and close with blockchain (which I believe to be illusory, unproductive, and, in the end, simply gambling). A vanishingly few people made money though cryptocurrency trading, but now it's dominated by grinding Ponzi schemes, viral mining fiddles, or blockchain is being repurposed by multinationals. The moment of opportunity for the individual has passed.

At Access Space we saw Fab Lab or "Maker Technologies" as a more genuinely productive line of approach, and, even though many of the technologies had been around for a decade or more, saw that the window of opportunity had not yet closed. As technology requiring significant physical engagement and investment (you need to buy real-world machines and materials!) the timescale of its adoption and exploitation by capital would be far slower.

So at Access Space we raised money (thanks EU structural funds!) and bought a CNC, a Lasercutter, a 3D Printer, Arduinos, Raspberry Pis, a digital embroidery machine... and set about a research partnership to explore the potentials of these technologies for creating local jobs and enterprises.

In the end, for those not in the highfalutin' and disconnected academic realm (sorry, researchers - you're my friends really!) a key element of whether a technology is empowering or not is "Can you get paid for using it?"

And "using it to engage and educate" doesn't count - actually using it to create product or paid-for service is key. In Access Space's particular case, we took the position that we didn't care about "industrial transformation", nor "increasing supply-chain efficiencies". We cared most about actual, tangible jobs in Sheffield, not abstract (however numerically significant) jobs in San Fransisco or Shenzen.

The research engaged with local makers, both individuals and startup enterprises, and concluded that the technology we looked at with most potential to generate local jobs and enterprise was lasercutting, and the one with the least potential was 3D Print. Even seven years later, we still agree.

This failure, it seems to me, to engage with the economics of making is exactly what's thus far marginalised the "Maker Movement". It's also true of the Fab Lab - while it's a powerful context for education, the economics of fabbing just don't work.

To give a simple example: one of the Fab Lab founding principals its to engage with a wide range of materials and processes, on a wide range of scales. For a business to become profitable, the imperative is EXACTLY THE OPPOSITE. To optimise manufacture, it's necessary to reduce the number of processes, and minimise the variety of materials. In terms of marketing, the key is to focus on a particular product and market. It is supremely irrelevant to a person who wants to buy a new pair of shoes to know that you can also make customised wifi amplifiers, repair bicycles, design lamps or sell toy robots.

Shoe advertisers (physical or digital) sell shoes, not "Anything... uhh... including shoes".

The Maker Movement comes out of academia, where the core product is learning. To the business world, high skill is the enemy. Skilled processes are expensive - you want your highly skilled people to be doing as much as possible, over as wide an area as possible, so you can employ as few of them as possible.

So, with this context, my wife Lisa and I opened "Makers". It's a shop, where we make things. You can commission us to make things, or come and make things with us. We run educational workshops, too - but it's not the mainstay of our business. We did this with the intention of further exploring the opportunities afforded by digital manufacture, with a view to uncovering the sustainable business models that might emerge from it. Having just done two and a half years of research into the employment potentials of digital manufacture, I thought we might have a head-start.

Makers is now coming up to its fourth birthday, and we haven't gone bankrupt yet. (Not to show off, but that fact alone apparently puts us into the top 5% of UK retail!) We've discovered a whole load of stuff about digital and analogue making, the economics and sustainability of local manufacture, that we just didn't know, and we've not seen the wider Maker Movement really touch upon.

We've rejected whole categories of product lines, and focussed on particular processes and products to make our living. We still make a wide range of things, and we're constantly experimenting with new ideas, but bearing in mind that we need to create things that aren't characteristic of the typical maker-space product ("really fascinating, but I have no use for it!"). The objects we make must have the key characteristic that people are prepared to put their hands in their pockets and buy them - for a sensible price - and that means that they must be appealing.

We have a range of clients for our making services, including individuals and businesses. For individual clients, we're typically making home decor, but for micro-businesses we're at the cutting edge of business incubation - people come in with an idea (often its something crafty, with a very specialist market) and we help them design and produce their products.

But... get this... around 80% of clients who commission us to make things, or make things with us, are women. It's a completely different demographic from the typical "maker dude" who inhabits our friendly neighbourhood makerspace. Our repeat making clients are often making money out of making - we're helping to design and manufacture stuff that they sell. There's also an interesting line of products that helps people to sell - signage, packaging, point-of-sale displays.

We're also thinking about how making impacts on our locality. Traditional retail is in freefall - but we're finding that shops are being replaced by "makey" and "crafty" services. Our shop was (twenty five years ago) a greengrocer. Now it's "Makers". On our little block of 16 shops we see computer and phone repairs, a dressmaker, bicycle repairs, baking, and of course, a barber and takeaway food shops. Very nearby we find micro-brewers, woodworkers, picture framers, upholsterers, photographers...

These sorts of services seem, over time, to be replacing the once ubiquitous mini-marts and retail outlets that have been displaced by online shopping.

Recently, we've been a research partner in research into making (MakEY - Making in Early Years) which has been very interesting, but again does what academia is wont to do - assume that the product is learning. In my view, far from being over the hill, making may now be transforming from academic and hobbyist interest to actual economic models. I think it has huge potential to revitalise localities and communities, and I urge researchers to get involved. (Will lecture for food!)

But let's lose the glamour - and start thinking about real products, real places, and real business models. Want an example of "sustainable superlocal digital manufacture"? How about key cutting? Yeah, it's not so cool now, is it?

All the best,

James =====

On 11/06/2019 18:43, Graham Harwood wrote: I just want to interject a little into the Post-Maker universe.

I work a lot these days with the maritime, a technical culture of wooden boat repair that in Essex, I also worked a lot with people who restore old telephone exchanges and people who build steam engines - through having run a free media space in 00 ties were we hacked, pirated recycled at will. Among the many things that are interesting about these technical cultures is that they produce value for those engaged in the process - but this value has only a limited relation to the accumulation of capital. The maker phenomena could be seen in this context as a way to monetise the non-discursive technical cultures - a tinkering world that has an unbroken line back to at least the enlightenment but probably before. In 1799 the Royal Institution of Great Britain was established to put science to work for particular class and keep the theoretical away from a populace that presented a threat (the demon of the French revolution) - The Royal Institution was a place where an artisan class built technicals object but where not allowed in, or allowed to lecture. 

Faraday had to have elocution lessons, learn how to eat properly before being allowed to lecture and even then had to be deemed a genius to escape the his class background and address gentleman. What Im trying to suggest is that non-discursive technical tinkering exist within many technical cultures and long may it remain so.

I'll tag on a little introduction this I wrote.

“The science which compels the inanimate limbs of the machinery, by their construction, to act purposefully, as an automaton, does not exist in the worker’s consciousness, but rather acts upon him through the machine as an alien power.” Karl Marx(1858)

In 1958 the French philosopher Gilbert Simondon published On the Mode of Technical Objects to address just this form of cultural alienation implicit in the quote above. He writes, among other things, about two ways in which people come to know technical objects. He says technology viewed from a child's eye, which I imagine he is seeing as, naive and innocent we gain an implicit, non-reflective, habitual tendency. 

A baby strapped into a buggy, is given a parent's mobile phone and is happily learning to play a game but cannot yet utter the words to express these interactions. Simondon then imagines an inverse, a trained adult engineer, reflective, self-aware using rational knowledge that is elaborated through science. Something like an Apple engineer who creates closed technologies imagining its users still strapped in that buggy unable to articulate their critical needs. 

Simondon seeks out another form of relationship with technical objects which he finds in the Enlightened Encyclopaedism of Denis Diderot and Jean le Rond d'Alembert (Encyclopédie (1751–1777)) in which concrete knowhow is abstracted and assembled into a technical orchestra. Contemporarily, is it worth considering our networked technologies in this mode of encyclopaedism? An evolving off-grid, red-neck, student, coder, geek pedagogy producing technical information, hacks, howto’s, shakedowns, and open source code repositories, that respond to an evolving technical culture. This technical republic is nothing new, it’s genealogies can be traced to and beyond the amateur experimentalistsof the London Electrical Society and William Sturgeon (1783 - 1850) and the artisanal formation that knowledge can be contained in the object built and it’s functioning is its explanation.

Is a tinkering internet a critical technical republic? A social space that potentially can break down the state actors with encryption, corporations by opening up software and proprietary technics by hacking them open, making things public? Is the marginal technics on a teenagers dirty bedroom, the dank basement of a bored salaryman, the ham radio garden shed a strategy to unfold the clean room and its magic men in white coats? Or is this largely a white male space that has eradicated other forms of objectivity and subjectivity from view? How can we attempt to instate a devolved technics that refuses misogyny, racialisation and yet envisages technology outside of the paradigm of human slave or potential human enslaver.

Harwood

From: nettime-l-bounces@mail.kein.org <nettime-l-bounces@mail.kein.org> on behalf of John Preston <wcerfgba@riseup.net> Sent: 11 June 2019 17:39:00 To: nettime-l@mail.kein.org Subject: Re: <nettime> The Maker Movement is abandoned by its corporate sponsors; throws in the towel On the mention of recycling I just wanted to mention the Precious Plastic (https://preciousplastic.com/) project, which is very much in this vein and currently active. Looks good, I'd like to build a recycling machine and melt down some plastic at some point.

On a more local and mainstream level, my town has a show that sells 'upcycled' furniture which has been done up (new handles, repainted with flower motifs etc). Recycling and maker culture is great but I'd like to see more projects which are local or community oriented: this is essential to truly address the problem of waste. We separate glass in my borough, maybe we could feed that into local double glazing firms, or something else.

*stopping here before I ramble on for 10KB*

John

On 2019-06-11 16:27, Jaromil wrote: > dear Bruce and nettimers, > > On Sat, 08 Jun 2019, Bruce Sterling wrote: > >> *Well, so much for the O’Reilly Web 2.0 version of popular >>  mechanics.  Fifteen years is not too bad a run by the standards of >>  an increasingly jittery California Ideology.  Now what? — Bruce S > > Felipe Fonseca has seen it coming years before and express it well: > https://medium.com/@felipefonseca/repair-culture-65133fdd37ef > > he wasn't alone: for those of us who were into the "recycling" and DIY > scene in the late nineties, the Make magazine circus was the sort of > poison to kill a movement by sugar coating and extraction aka > franchising. While doing that for 15 years, there are a three points > it missed to address IMHO: > > 1. the right to mod your hardware, esp. video-games which represent >    the vast majority of new hardware sold and thrown away around the >    globe > > 2. the "peripheries of the empire" aka South of the World (remember >    Bricolabs?) where DIY is *amazingly* developed in various forms. >    As usual, we have learned nothing from that, just advertised us >    westeners doing it better and with more bling. > > 3. the "shamanic" value that can be embedded in uses of technologies, >    as opposed to the sanitized and rational interpretation given by >    designers in the west. Techno-shamanism is something Fabi Borges, >    Vicky Sinclair and other good folks in Bricolabs have been busy for >    ages! > > so then, what now? I believe the functional need of aggregating places > for "hacker culture" is lowering: everything can exist virtually as > software, more or less. Machinery + franchising have a too high > production cost compared to their output, not sustainable at all. Also > moving hardware around is a *big* effort and the only ones lowering > overhead costs for new players are in China (...Aliexpress). > > Plus the acceleration of hardware production resulted in way less > sustainability especially in relation to obsolescence: buy a part now > then ask if it will be still available in 20 years! you'll be > presented an NDA to sign and then discover there is just a 3-4 years > plan behind it. Spare parts anyone? Meanwhile is almost 2020 and there > is no service to print and sell-on-demand USB sticks with stuff on: > what a contrast if you think of the CD/DVD on-demand industry of 15 > years ago! which partially resists only on garage music productions. > > So, software still offers possibilities, but will it produce a > cultural shift? I doubt it will do more than what it did already in > crypto, which is already highly controversial and poisoned of a sort > of unstable sugar coating mixed with toxic financial capitals. > > At last, looking at the new generations, the bling is what really > counts: I guess most "fablabs" could be converted to > "fashionlabs". Personally I'm planning to revamp dyne:bolic which > besides running on old computers and modded game consoles did one > thing which is still actual: it was a media production studio. The > best part of "maker culture" was its cultural expression, mined for > its value until exhaustion; but isn't it harder to express cultural > values using hardware? Much easier with music and videos etc. they > also travel easier. > > For more *practical examples* of projects who may inspire new > horizons: you are all invited to an event we (Dyne.org) are setting up > in Amsterdam on the 5th July. We will fill the stage with many new > faces: 16 projects we awarded with EU funding for their pro/vision of > "human-centric" solutions, purpose driven and socially useful. Hope to > see some of you, we will also have a new call end of year, its about > 200k EUR equity free so lets engage in new sustainable challenges > https://tazebao.dyne.org/venture-builder-eu.html > > ciao

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[jackalgirl]

The best thing about Skógafoss (well, besides the actual foss, which is gorgeous), is Skógar, the nearby town.  Just outside of Skógar is a museum, the aptly named Skógar Museum, which preports to be about Icelandic history and culture -- and in fact it is, with a model turf building as a part of the grounds, excellent exemplars of period boats and fishing gear, etc etc.  But it is so much more.

DH and I went to visit on our honeymoon (he was stationed in Rekjavík) and we actually got to meet Þórður Tómasson, who took us around and showed us a lot of stuff.  I feel like Mr. Tómasson visited every garage and tag sale in Iceland and brought back whatever he could -- I distinctly remember a wooden hope chest with decidedly Japanese scenes carved into the sides, and I to this day I regret finding out whether it in fact came from Japan, or was carved by an Icelandic wood sculptor in the Japanese style.

My favorite part of the museum was the section -- in the basement of the folk museum, I think -- of native fauna.  There were skeletons and taxidermied animals and birds.

And then there was Hoggi.

Hoggi was someone’s pet cat.  When Hoggi died, the owner donated the animal to the exhibit.  So Hoggi’s skeleton is carefully preserved and presented, along with an informational plaque.  Maybe I’m just a morbid person, but was delighted and charmed at the idea that Hoggi was considered a native, and a suitable ambassador for the fauna section.

Skógar Museum linky: https://www.skogasafn.is/

Skógafoss | watchluke