#wolf song 1929 | Explore Tumblr posts and blogs

piratewithvigor · 16 days ago

Text

Fuck it, here's the list:

Le Voyage Dans La Lune/A Trip To The Moon (1902)

The Great Train Robbery (1903)

The Birth Of A Nation (1915)

Les Vampires (1915)

Intolerance (1916)

Das Kabinett Des Doktor Caligari/The Cabinet Of Dr. Caligari (1919)

Broken Blossoms (1919)

Way Down East (1920)

Within Our Gates (1920)

Korkarlen/The Phantom Carriage (1921)

Orphans Of The Storm (1921)

La Souriante Madame Beudet/The Smiling Madame Beudet (1922)

Dr. Mabuse, Der Spieler/Dr. Mabuse, Parts 1 And 2 (1922)

Nanook Of The North (1922)

Nosferatu, Eine Symphonie Des Grauens/Nosferatu, A Symphony Of Terror (1922)

Haxan (1923)

Foolish Wives (1923)

Our Hospitality (1923)

La Roue/The Wheel (1923)

The Thief Of Bagdad (1924)

Stachka/Strike (1924)

Greed (1924)

Sherlock, Jr. (1924)

Der Letzte Mann/The Last Laugh (1924)

Seven Chances (1925)

The Phantom Of The Opera (1925)

Bronenosets Potyomkin/The Battleship Potemkin (1925)

The Gold Rush (1925)

The Big Parade (1925)

Metropolis (1927)

Sunrise (1927)

The General (1927)

The Unknown (1927)

Oktyabr/October (1927)

The Jazz Singer (1927)

Napoleon (1927)

The Kid Brother (1927)

The Crowd (1928)

The Docks Of New York (1928)

Un Chien Andalou/An Andalusian Dog (1928)

La Passion De Jeanne D'Arc/The Passion Of Joan Of Arc (1928)

Steamboat Bill, Jr. (1928)

Potomok Chingis-Khana/Storm Over Asia (1928)

Blackmail (1929)

Chelovek S Kinoapparatom/The Man With The Movie Camera (1929)

Die Buchse Der Pandora/Pandora's Box (1929)

Der Blaue Engel/The Blue Angel (1930)

L'Age D'Or/The Age Of Gold (1930)

Zemlya/Earth (1930)

Little Caesar (1930)

All Quiet On The Western Front (1930)

A Nous La Liberte/Freedom For Us (1931)

Le Million/The Million (1931)

Tabu (1931)

Dracula (1931)

Frankenstein (1931)

City Lights (1931)

The Public Enemy (1931)

M (1931)

La Chienne/The Bitch (1931)

Vampyr/The Vampire (1932)

Love Me Tonight (1932)

Boudu Sauve Des Eaux/Boudu Saved From Drowning (1932)

I Am A Fugitive From A Chain Gang (1932)

Trouble In Paradise (1932)

Scarface: The Shame Of A Nation (1932)

Shanghai Express (1932)

Freaks (1932)

Me And My Gal (1932)

Zero De Conduite/Zero For Conduct (1933)

42nd Street (1933)

Footlight Parade (1933)

Gold Diggers Of 1933 (1933)

She Done Him Wrong (1933)

Duck Soup (1933)

Queen Christina (1933)

Las Hurdes/Land Without Bread (1933)

King Kong (1933)

The Bitter Tea Of General Yen (1933)

Sons Of The Desert (1933)

It's A Gift (1934)

Triumph Des Willens/Triumph Of The Will (1934)

L'Atalante (1934)

The Black Cat (1934)

Judge Priest (1934)

It Happened One Night (1934)

The Thin Man (1934)

Captain Blood (1935)

Mutiny On The Bounty (1935)

A Night At The Opera (1935)

The 39 Steps (1935)

Bride Of Frankenstein (1935)

Top Hat (1935)

Une Partie De Campagne/A Day In The Country (1936)

Modern Times (1936)

Swing Time (1936)

My Man Godfrey (1936)

Mr. Deeds Goes To Town (1936)

Camille (1936)

Sabotage (1936)

Dodsworth (1936)

Things To Come (1936)

Le Roman D'Un Tricheur/The Story Of A Cheat (1936)

Captains Courageous (1937)

Ye Ban Ge Sheng/Midnight Song (1937)

La Grande Illusion/Grand Illusion (1937)

Stella Dallas (1937)

The Life Of Emile Zola (1937)

Make Way For Tomorrow (1937)

Snow White And The Seven Dwarves (1937)

The Awful Truth (1937)

Pepe Le Moko (1937)

Jezebel (1938)

The Adventures Of Robin Hood (1938)

Angels With Dirty Faces (1938)

Olympia (1938)

La Femme Du Boulander/The Baker's Wife (1938)

Bringing Up Baby (1938)

Stagecoach (1939)

Zangiku Monogatari/The Story Of The Late Chrysanthemums (1939)

Babes In Arms (1939)

Mr. Smith Goes To Washington (1939)

The Wizard Of Oz (1939)

Destry Rides Again (1939)

Only Angels Have Wings (1939)

Gone With The Wind (1939)

Le Jour Se Leve/Daybreak (1939)

Gunga Din (1939)

Ninotchka (1939)

La Regle Du Jeu/The Rules Of The Game (1939)

Wuthering Heights (1939)

His Girl Friday (1940)

Rebecca (1940)

Fantasia (1940)

The Philadelphia Story (1940)

The Grapes Of Wrath (1940)

Dance, Girl, Dance (1940)

Pinocchio (1940)

The Mortal Storm (1940)

The Bank Dick (1940)

Citizen Kane (1941)

The Lady Eve (1941)

The Wolf Man (1941)

The Maltese Falcon (1941)

Sergeant York (1941)

Dumbo (1941)

High Sierra (1941)

Sullivan's Travels (1941)

How Green Was My Valley (1941)

The Palm Beach Story (1942)

Now, Voyager (1942)

Casablanca (1942)

To Be Or Not To Be (1942)

Cat People (1942)

The Magnificent Ambersons (1942)

Yankee Doodle Dandy (1942)

Meshes Of The Afternoon (1943)

Fires Were Started (1943)

The Man In Grey (1943)

The Life And Death Of Colonel Blimp (1943)

I Walked With A Zombie (1943)

The Seventh Victim (1943)

The Ox-Bow Incident (1943)

Shadow Of A Doubt (1943)

Ossessione (1943)

Meet Me In St. Louis (1944)

To Have And Have Not (1944)

Laura (1944)

Gaslight (1944)

Henry V (1944)

Ivan Groznyj I i II/Ivan The Terrible, Parts One And Two (1944)

Double Indemnity (1944)

Murder, My Sweet/Farewell My Lovely (1944)

The Battle Of San Pietro (1945)

Spellbound (1945)

Mildred Pierce (1945)

Les Enfants Du Paradis/The Children Of Paradise (1945)

Roma, Citta Aperta/Open City (1945)

The Lost Weekend (1945)

Detour (1945)

I Know Where I'm Going! (1945)

The Best Years Of Our Lives (1946)

Brief Encounter (1946)

Paisa/Paisan (1946)

The Postman Always Rings Twice (1946)

My Darling Clementine (1946)

The Stranger (1946)

La Belle Et La Bete/Beauty And The Beast (1946)

The Big Sleep (1946)

The Killers (1946)

A Matter Of Life And Death (1946)

Great Expectations (1946)

Notorious (1946)

Black Narcissus (1946)

It's A Wonderful Life (1946)

Gilda (1946)

Monsieur Verdoux (1947)

Out Of The Past (1947)

The Ghost And Mrs. Muir (1947)

Odd Man Out (1947)

Ladri Di Biciclette/The Bicycle Thief (1948)

Letter From An Unknown Woman (1948)

Secret Beyond The Door (1948)

Force Of Evil (1948)

Xiao Cheng Zhi Chun/Springs In A Small Town (1948)

Red River (1948)

Rope (1948)

The Snake Pit (1948)

The Lady From Shanghai (1948)

The Paleface (1948)

The Red Shoes (1948)

The Treasure Of The Sierra Madre (1948)

Louisiana Story (1948)

The Heiress (1949)

Kind Hearts And Coronets (1949)

Gun Crazy (1949)

Adam's Rib (1949)

Whisky Galore! (1949)

White Heat (1949)

The Reckless Moment (1949)

The Third Man (1949)

On The Town (1949)

Orphee/Orpheus (1950)

The Asphalt Jungle (1950)

Rashomon (1950)

Winchester '73 (1950)

Rio Grande (1950)

All About Eve (1950)

Sunset Blvd. (1950)

Los Olvidados/The Young And The Damned (1950)

In A Lonely Place (1950)

The Big Carnival (1951)

A Streetcar Named Desire (1951)

Strangers On A Train (1951)

The Lavender Hill Mob (1951)

Pandora And The Flying Dutchman (1951)

The African Queen (1951)

Journal D'un Cure De Campagne/Diary Of A Country Priest (1951)

An American In Paris (1951)

A Place In The Sun (1951)

The Day The Earth Stood Still (1951)

The Quiet Man (1952)

Jeux Interdits/Forbidden Games (1952)

Angel Face (1952)

Singin In The Rain (1952)

Ikiru/To Live (1952)

Europa '51 (1952)

The Bad And The Beautiful (1952)

The Big Sky (1952)

High Noon (1952)

Umberto D (1952)

Le Carrosse D'Or/The Golden Coach (1953)

The Bigamist (1953)

The Band Wagon (1953)

Madame De... (1953)

From Here To Eternity (1953)

Tokyo Story (1953)

Roman Holiday (1953)

Le Salaire De La Peur/Wages Of Fear (1953)

The Naked Spur (1953)

Pickup On South Street (1953)

Gentlemen Prefer Blondes (1953)

The Big Heat (1953)

Les Vacanes De M. Hulot/Mr. Hulot's Holiday (1953)

Viaggio In Italia/Voyage In Italy (1953)

Ugetsu Monogatari/Tales Of Ugetsu (1953)

Shane (1953)

Beat The Devil (1953)

Johnny Guitar (1954)

On The Waterfront (1954)

Seven Brides For Seven Brothers (1954)

Les Diaboliques (1954)

Animal Farm (1954)

Rear Window (1954)

A Star Is Born (1954)

The Barefoot Contessa (1954)

La Strada/The Road (1954)

Shichinin No Samurai/The Seven Samurai (1954)

Senso/The Wanton Countess (1954)

Silver Lode (1954)

Carmen Jones (1954)

Sansho Dayu/Sansho The Baliff (1954)

Salt Of The Earth (1954)

Artists And Models (1955)

Guys And Dolls (1955)

Pather Panchali (1955)

Bad Day At Black Rock (1955)

Les Maitres Fous/The Mad Masters (1955)

Hill 24 Doesn't Answer (1955)

The Ladykillers (1955)

Marty (1955)

Ordet (1955)

Bob Le Flambeur/Bob The Gambler (1955)

Kiss Me Deadly (1955)

The Man From Laramie (1955)

Rebel Without A Cause (1955)

The Phenix City Story (1955)

Sommarnattens Leende/Smiles Of A Summer Night (1955)

Nuit Et Brouillard/Night And Fog (1955)

The Night Of The Hunter (1955)

Lola Montes/The Sins Of Lola Montes (1955)

Forbidden Planet (1956)

Biruma No Tategoto/The Burmese Harp (1956)

The Searchers (1956)

Un Condamne A Mort S'est Echappe Ou Le Vent Souffle Ou Il Veut/A Man Escaped (1956)

Written On The Wind (1956)

The Man Who Knew Too Much (1956)

Giant (1956)

All That Heaven Allows (1956)

Invasion Of The Body Snatchers (1956)

The Wrong Man (1956)

Bigger Than Life (1956)

High Society (1956)

The Ten Commandments (1956)

12 Angry Men (1957)

Det Sjunde Inseglet/The Seventh Seal (1957)

An Affair To Remember (1957)

Smultronstallet/Wild Strawberries (1957)

Le Notti Di Cabiria/The Nights Of Cabiria (1957)

Kumonosu Jo/Throne Of Blood (1957)

The Incredible Shrinking Man (1957)

Aparajito/The Unvanquished (1957)

Gunfight At The OK Corral (1957)

The Bridge On The River Kwai (1957)

Bharat Mata/Mother India (1957)

Letjat Zhuravli/The Cranes Are Flying (1957)

Paths Of Glory (1957)

Sweet Smell Of Success (1957)

Man Of The West (1958)

Touch Of Evil (1958)

Bab El Hadid/Cairo Station (1958)

Gigi (1958)

The Defiant Ones (1958)

Vertigo (1958)

Popiol I Diament/Ashes And Diamonds (1958)

Dracula (1958)

Mon Oncle/My Uncle (1958)

Jalsaghar/The Music Room (1958)

Les Quatre Cents Coups/The 400 Blows (1959)

North By Northwest (1959)

Some Like It Hot (1959)

Anatomy Of A Murder (1959)

Les Yeux Sans Visage/Eyes Without A Face (1959)

Ride Lonesome (1959)

Orfeu Negro/Black Orpheus (1959)

Shadows (1959)

Apur Sansar/The World Of Apu (1959)

A Bout De Souffle/Breathless (1959)

Ben-Hur (1959)

Pickpocket (1959)

Hiroshima Mon Amour (1959)

Rio Bravo (1959)

Le Trou/The Hole (1959)

Ukigusa/Floating Weeds (1959)

Rocco E I Suoi Fratelli/Rocco And His Brothers (1960)

La Dolce Vita (1960)

Saturday Night And Sunday Morning (1960)

Tirez Sur Le Pianiste/Shoot The Piano Player (1960)

L'Avventura/The Adventure (1960)

La Joven/The Young One (1960)

Meghe Dhaka Tara/The Cloud-Capped Star (1960)

Hanyeo/The Housemaid (1960)

Psycho (1960)

La Maschera Del Demonio/Revenge Of The Vampire/Black Sunday (1960)

Peeping Tom (1960)

The Apartment (1960)

Spartacus (1960)

Splendor In The Grass (1961)

L'Annee Derniere A Marienbad/Last Year At Marienbad (1961)

La Jetee/The Pier (1961)

One-Eyed Jacks (1961)

Lola (1961)

Breakfast At Tiffany's (1961)

La Notte/The Night (1961)

Viridiana (1961)

The Ladies Man (1961)

Sasom I En Spegel/Through A Looking Glass Darkly (1961)

Chronique D'Un Ete/Chronicle Of A Summer (1961)

The Hustler (1961)

West Side Story (1961)

Jules Et Jim/Jules And Jim (1962)

Mondo Cane/A Dog's Life (1962)

Cleo De 5 A 7/Cleo From 5 To 7 (1962)

Dog Star Man (1962)

Sanma No Aji/An Autumn Afternoon (1962)

L'Eclisse/The Eclipse (1962)

Lawrence Of Arabia (1962)

To Kill A Mockingbird (1962)

The Manchurian Candidate (1962)

Lolita (1962)

O Pagador De Promessas/Keeper Of Promises (1962)

The Man Who Shot Liberty Valance (1962)

What Ever Happened To Baby Jane? (1962)

Vivre Sa Vie: Film En Douze Tableaux/My Life To Live (1962)

Heaven And Earth Magic (1962)

The Birds (1963)

The Nutty Professor (1963)

Blonde Cobra (1963)

The Cool World (1963)

8 1/2 (1963)

Pasazerka/Passenger (1963)

Le Mepris/Contempt (1963)

Hud (1963)

Nattvardsgasterna/Winter Light (1963)

Flaming Creatures (1963)

The Great Escape (1963)

Shock Corridor (1963)

Il Gattopardo/The Leopard (1963)

Vidas Secas/Barren Lives (1963)

Mediterranee (1963)

Khaneh Siah Ast/The House Is Black (1963)

The Haunting (1963)

Yukinojo Henge/An Actor's Revenge (1963)

The Servant (1963)

Goldfinger (1964)

Scorpio Rising (1964)

Les Parapluies De Cherbourg/The Umbrellas Of Cherbourg (1964)

Marnie (1964)

My Fair Lady (1964)

Suna No Onna/Woman In The Dunes (1964)

Dr. Strangelove Or: How I Learned To Stop Worrying And Love The Bomb (1964)

A Hard Day's Night (1964)

Il Deserto Rosso/The Red Desert (1964)

Tini Zabutykh Predkiv/Shadows Of Forgotten Ancestors (1964)

The Masque Of Red Death (1964)

Prima Della Rivoluzione/Before The Revolution (1964)

Gertrud (1964)

Il Vangelo Secondo Matteo/The Gospel According To St. Matthew (1964)

Deus O Diabo Na Terra Do Sol/Black God, White Devil (1964)

Onibaba/The Demon (1964)

Vinyl (1965)

Obchod Na Korze/The Shop On Main Street (1965)

Doctor Zhivago (1965)

The War Game (1965)

Tokyo Orimpikku/Tokyo Olympiad (1965)

La Battaglia Di Algeri/The Battle Of Algiers (1965)

The Sound Of Music (1965)

Rekopis Znaleziony W Saragossie/The Saragossa Manuscript (1965)

Alphaville, Une Etrange Aventure De Lemmy Caution/Alphaville (1965)

Campanadas A Medianoche/Chimes At Midnight (1965)

Repulsion (1965)

Giulietta Degli Spiriti/Juliet Of The Spirits (1965)

Pierrot Le Fou/Pierrot Goes Wild (1965)

Faster, Pussycat! Kill! Kill! (1965)

Subarnarekha/Golden River (1965)

De Man Die Zijn Haar Kort Liet Knippen/The Man Who Had His Hair Cut Short (1965)

Hold Me While I'm Naked (1966)

Blowup (1966)

Il Buono, Il Brutto, Il Cattivo/The Good, The Bad, And The Ugly (1966)

Sedmikrasky/Daisies (1966)

Da Zui Xia/Come Drink With Me (1966)

Seconds (1966)

Who's Afraid Of Virginia Woolf? (1966)

Persona (1966)

Masculin, Feminin/Masculine-Feminine (1966)

Au Hasard Balthazar/Balthazar (1966)

In The Heat Of The Night (1967)

2 Ou 3 Choses Que Je Sais D'Elle/Two Or Three Things I Know About Her (1967)

The Graduate (1967)

Playtime (1967)

Report (1967)

Hombre (1967)

Belle De Jour (1967)

Les Demoiselles De Rochefort/The Young Girls Of Rochefort (1967)

Week End (1967)

Le Samourai/The Godson (1967)

Cool Hand Luke (1967)

Point Blank (1967)

Wavelength (1967)

Bonnie And Clyde (1967)

Csillagosok, Katonak/The Red And The White (1967)

Marketa Lazarova (1967)

The Jungle Book (1967)

Hori, Ma Panenko/The Fireman's Ball (1967)

Terra Em Transe/Earth Entranced (1967)

Ostre Sledovane Vlaky/Closely Watched Trains (1967)

Viy (1967)

Gaav/The Cow (1968)

C'Era Una Volta Il West/Once Upon A Time In The West (1968)

Planet Of The Apes (1968)

Faces (1968)

Rosemary's Baby (1968)

If... (1968)

Memorias Del Subdesarrollo/Memories Of Underdevelopment (1968)

The Producers (1968)

David Holzman's Diary (1968)

Skammen/Shame (1968)

2001: A Space Odyssey (1968)

Vargtimmen/Hour Of The Wolf (1968)

Targets (1968)

Night Of The Living Dead (1968)

Ma Nuit Chez Maud/My Night At Maud's (1969)

Lucia (1969)

Hsia Nu/A Touch Of Zen (1969)

Butch Cassidy And The Sundance Kid (1969)

Midnight Cowboy (1969)

Satyricon (1969)

Z (1969)

Il Conformista/The Conformist (1969)

Easy Rider (1969)

High School (1969)

In The Year Of The Pig (1969)

The Wild Bunch (1969)

Andrei Rublyov/Andrei Rublev (1969)

Le Boucher/The Butcher (1969)

Sayat Nova/The Color Of Pomegranates (1969)

Kes (1969)

Tristana (1970)

Five Easy Pieces (1970)

El Topo (1970)

Woodstock (1970)

Deep End (1970)

La Strategia Del Regno/The Spider's Stratagem (1970)

Little Big Man (1970)

Ucho/The Ear (1970)

Patton (1970)

M*A*S*H (1970)

Performance (1970)

Gimme Shelter (1970)

Zabriskie Point (1970)

L'Uccello Dalle Piume Di Cristallo/The Bird With The Crystal Plumage (1970)

Il Giardino Dei Finzi-Contini/The Garden Of The Finzi-Continis (1970)

Wanda (1971)

W.R.: Misterije Organizma/W.R.: Mysteries Of The Organism (1971)

A Clockwork Orange (1971)

Le Chagrin Et La Pitie/The Sorrow And The Pity (1971)

Willy Wonka And The Chocolate Factory (1971)

McCabe And Mrs. Miller (1971)

Walkabout (1971)

Klute (1971)

Harold And Maude (1971)

Meg Ker A Nep/Red Psalm (1971)

Get Carter (1971)

The French Connection (1971)

Shaft (1971)

Dirty Harry (1971)

Le Souffle Au Coeur/Murmur Of The Heart (1971)

Sweet Sweetback's Baadasssss Song (1971)

The Last Picture Show (1971)

Straw Dogs (1971)

Two-Lane Blacktop (1971)

The Heartbreak Kid (1972)

Aguirre, Der Zorn Gottes/Aguirre, The Wrath Of God (1972)

Cabaret (1972)

Ultimo Tango A Parigi/Last Tango In Paris (1972)

High Plains Drifter (1972)

Sleuth (1972)

Deliverance (1972)

Solyaris/Solaris (1972)

The Godfather (1972)

Viskingar Och Rop/Cries And Whispers (1972)

Fat City (1972)

Le Charme Discret De La Bourgeoisie/The Discreet Charm Of The Bourgeoisie (1972)

Die Bitteren Tranen Der Petra Von Kant/The bitter Tears of Petra Von Kant (1972)

Frenzy (1972)

Pink Flamingos (1972)

Superfly (1972)

The Sting (1973)

La Maman Et La Putain/The Mother And The Whore (1973)

Badlands (1973)

American Graffiti (1973)

Papillon (1973)

Enter The Dragon (1973)

Mean Streets (1973)

The Long Goodbye (1973)

The Wicker Man (1973)

La Nuit Americaine/Day For Night (1973)

Don't Look Now (1973)

Sleeper (1973)

Serpico (1973)

The Exorcist (1973)

Turks Fruit/Turkish Delight (1973)

El Espiritu De La Colmena/The Spirit Of The Beehive (1973)

La Planete Sauvage/Fantastic Planet (1973)

Amarcord (1973)

The Harder They Come (1973)

Pat Garrett And Billy The Kid (1973)

Dersu Uzala (1974)

The Conversation (1974)

The Texas Chain Saw Massacre (1974)

Zerkalo/The Mirror (1974)

A Woman Under The Influence (1974)

Young Frankenstein (1974)

Chinatown (1974)

Celine Et Julie Vont En Bateau/Celine And Julie Go Boating (1974)

Blazing Saddles (1974)

The Godfather: Part II (1974)

Angst Essen Seele Auf/Ali: Fear Eats The Soul (1974)

Bring Me The Head Of Alfredo Garcia (1974)

Dog Day Afternoon (1975)

One Flew Over The Cuckoo's Nest (1975)

Jeanne Dielman, 23 Quai Du Commerce, 1080 Bruxelles (1975)

The Rocky Horror Picture Show (1975)

Deewaar/The Wall (1975)

Monty Python And The Holy Grail (1975)

Barry Lyndon (1975)

Faustrecht Der Freiheit/Fox And His Friends (1975)

India Song (1975)

Picnic At Hanging Rock (1975)

Maynila: Sa Mga Kuko Ng Liwanag/Manila In The Claws Of Brightness (1975)

Salo O Le Centoventi Giornate Di Sodoma/Salo, Or The 120 Days Of Sodom (1975)

Nashville (1975)

Cria Cuervos/Cria! (1975)

O Thiassos/The Travelling Players (1975)

Jaws (1975)

The Killing Of A Chinese Bookie (1976)

Carrie (1976)

The Outlaw Josey Wales (1976)

All The President's Men (1976)

Rocky (1976)

Taxi Driver (1976)

Network (1976)

Voskhozhdeniye/Ascent (1976)

Al No Corrida/In The Realm Of The Senses (1976)

Novecento/1900 (1976)

The Man Who Fell To Earth (1976)

Star Wars (1977)

Close Encounters Of The Third Kind (1977)

The Last Wave (1977)

Annie Hall (1977)

Last Chants For A Slow Dance (1977)

Stroszek (1977)

Czlowiek Z Marmuru/Man Of Marble (1977)

Saturday Night Fever (1977)

Killer Of Sheep (1977)

Eraserhead (1977)

Ceddo (1977)

Der Amerikanische Freund/The American Friend (1977)

The Hills Have Eyes (1977)

Soldaat Van Oranhje/Soldier Of Orange (1977)

Suspirira (1977)

The Chant Of Jimmie Blacksmith (1978)

Wu Du/Five Deadly Venoms (1978)

L'Albero Degli Zoccoli/The Tree Of Wooden Clogs (1978)

The Deer Hunter (1978)

Grease (1978)

Days Of Heaven (1978)

Dawn Of The Dead (1978)

Shao Lin San Shi Liu Fang/Shaolin Master Killer (1978)

Up In Smoke (1978)

Halloween (1978)

Die Ehe Der Maria Braun/The Marriage Of Maria Braun (1979)

Real Life (1979)

My Brilliant Career (1979)

Stalker (1979)

Alien (1979)

Breaking Away (1979)

Die Blechtrommel/The Tin Drum (1979)

All That Jazz (1979)

Being There (1979)

Kramer Vs. Kramer (1979)

Life Of Brian (1979)

Apocalypse Now (1979)

The Jerk (1979)

The Muppet Movie (1979)

Manhattan (1979)

Mad Max (1979)

Nosferatu: Phantom Der Nacht/Nosferatu: Phantom Of The Night (1979)

Ordinary People (1980)

Atlantic City (1980)

Le Dernier Metro/The Last Metro (1980)

The Shining (1980)

Star Wars: Episode V- The Empire Strikes Back (1980)

The Elephant Man (1980)

The Big Red One (1980)

Loulou (1980)

Airplane! (1980)

Raging Bull (1980)

Raiders Of The Lost Ark (1981)

Das Boot/The Boat (1981)

Gallipoli (1981)

Chariots Of Fire (1981)

Body Heat (1981)

Reds (1981)

An American Werewolf In London (1981)

Tre Fratelli/Three Brothers (1981)

Czlowiek Z Zelaza/Man Of Iron (1981)

Zu Fruh, Zu Spat/Too Early, Too Late (1982)

Fast Times At Ridgemont High (1982)

E.T.: The Extra-Terrestrial (1982)

The Thing (1982)

Poltergeist (1982)

Blade Runner (1982)

The Evil Dead (1982)

Tootsie (1982)

Yol (1982)

Diner (1982)

Fitzcarraldo (1982)

Gandhi (1982)

La Notte Di San Lorenzo/The Night Of The Shooting Stars (1982)

De Stilte Rond Christine M./A Question Of Silence (1982)

Fanny Och Alexander/Fanny And Alexander (1982)

A Christmas Story (1983)

El Norte (1983)

Videodrome (1983)

Star Wars: Episode VI- Return Of The Jedi (1983)

The Big Chill (1983)

Sans Soleil/Sunless (1983)

Le Dernier Combat/The Last Battle (1983)

L'Argent/Money (1983)

Utu (1983)

Terms Of Endearment (1983)

De Vierde Man/The Fourth Man (1983)

The King Of Comedy (1983)

The Right Stuff (1983)

Koyaanisqatsi (1983)

Once Upon A Time In America (1983)

Scarface (1983)

Narayama Bushi-Ko/The Ballad Of Narayama (1983)

Amadeus (1984)

The Terminator (1984)

Paris, Texas (1984)

A Nightmare On Elm Street (1984)

This Is Spinal Tap (1984)

Beverly Hills Cop (1984)

Ghostbusters (1984)

A Passage To India (1984)

Stranger Than Paradise (1984)

The Killing Fields (1984)

The Natural (1984)

The Breakfast Club (1985)

Ran (1985)

Idi I Smotri/Come And See (1985)

La Historia Oficial/The Official Story (1985)

Out Of Africa (1985)

The Purple Rose Of Cairo (1985)

Back To The Future (1985)

Tong Nien Wang Shi/The Time To Live And The Time To Die (1985)

Brazil (1985)

Kiss Of The Spider Woman (1985)

The Quiet Earth (1985)

Mishima: A Life In Four Chapters (1985)

Prizzi's Honor (1985)

Sans Toit Ni Loi/Vagabond (1985)

Shoah (1985)

The Color Purple (1985)

Manhunter (1986)

Stand By Me (1986)

Blue Velvet (1986)

Hannah And Her Sisters (1986)

She's Gotta Have It (1986)

Le Declin De L'Empire Americain/The Decline Of The American Empire (1986)

The Fly (1986)

Aliens (1986)

Ferris Bueller's Day Off (1986)

Down By Law (1986)

A Room With A View (1986)

Children Of A Lesser God (1986)

Platoon (1986)

Caravaggio (1986)

Tampopo (1986)

Do Ma Daan/Peking Opera Blues (1986)

Salvador (1986)

Top Gun (1986)

Sherman's March (1986)

Dao Ma Zei/The Horse Theif (1986)

Yeelen/Brightness (1987)

Der Himmel Uber Berlin/Wings Of Desire (1987)

'A' Gai Waak Juk Jaap/Project A, Part II (1987)

Babbetes Gaestebud/Babette's Feast (1987)

Raising Arizona (1987)

Full Metal Jacket (1987)

Withnail And I (1987)

Good Morning, Vietnam (1987)

Au Revoir Les Enfants/Goodbye Children (1987)

Broadcast News (1987)

Housekeeping (1987)

The Princess Bride (1987)

Moonstruck (1987)

The Untouchables (1987)

Hong Gao Liang/Red Sorghum (1987)

The Dead (1987)

Fatal Attraction (1987)

Sinnui Yauman/A Chinese Ghost Story (1987)

Mujeres Al Borde De Un Ataque De Nervios/Women On The Verge Of A Nervous Breakdown (1988)

Spoorloos/The Vanishing (1988)

Bull Durham (1988)

Ariel (1988)

The Thin Blue Line (1988)

Akira (1988)

Nuovo Cinema Paradiso (1988)

Hotel Terminus: Klaus Barbie Et Son Temps/Hotel Terminus: The Life And Times Of Klaus Barbie (1988)

A Fish Called Wanda (1988)

The Naked Gun (1988)

Big (1988)

Dangerous Liaisons (1988)

Hotaru No Haka/Grave Of The Fireflies (1988)

Topio Stin Omichli/Landscape In The Mist (1988)

Dekalog, Jeden/The Decalogue (1988)

Die Hard (1988)

Une Histoire De Vent/A Tale Of The Wind (1988)

Who Framed Roger Rabbit (1988)

Rain Man (1988)

Une Affaire De Femmes/The Story Of Women (1988)

Drowning By Numbers (1988)

Neco Z Alenky/Alice (1988)

Batman (1989)

When Harry Met Sally (1989)

Crimes And Misdemeanors (1989)

The Cook, The Thief, His Wife & Her Lover (1989)

Drugstore Cowboy (1989)

My Left Foot (1989)

Die Xue Shuang Xiong/The Killer (1989)

Do The Right Thing (1989)

Roger & Me (1989)

Glory (1989)

Astenicheskij Sindrom/The Asthenic Syndrome (1989)

Sex, Lies And Videotape (1989)

Say Anything (1989)

The Unbelievable Truth (1989)

Beiqing Chengshi/A City Of Sadness (1989)

S'en Fout La Mort/No Fear, No Die (1990)

Reversal Of Fortune (1990)

Goodfellas (1990)

Jacob's Ladder (1990)

King Of New York (1990)

Dances With Wolves (1990)

Hitlerjunge Salomon/Europa Europa (1990)

Pretty Woman (1990)

Archangel (1990)

Trust (1990)

Nema-Ye Nazdik/Close-Up (1990)

Edward Scissorhands (1990)

Henry: Portrait Of A Serial Killer (1990)

Total Recall (1990)

Wong Fei-Hung/Once Upon A Time In China (1991)

Boyz N The Hood (1991)

Da Hong Deng Long Gao Gao Gua/Raise The Red Lantern (1991)

Delicatessen (1991)

Guling Jie Shaonian Sha Ren Shijian/A Brighter Summer Day (1991)

Naked Lunch (1991)

La Belle Noiseuse/The Beautiful Troublemaker (1991)

The Rapture (1991)

My Own Private Idaho (1991)

Thelma & Louise (1991)

Terminator 2: Judgment Day (1991)

The Silence Of The Lambs (1991)

JFK (1991)

Slacker (1991)

Tongues Untied (1991)

Hearts Of Darkness: A Filmmaker's Apocalypse (1991)

La Double Vie De Veronique/The Double Life Of Veronique (1991)

Strictly Ballroom (1992)

The Player (1992)

Reservoir Dogs (1992)

Romper Stomper (1992)

Glengarry Glen Ross (1992)

Unforgiven (1992)

Aileen Wuornos: The Selling Of A Serial Killer (1992)

Conte D'Hiver/A Tale Of Winter (1992)

Yuen Ling-Yuk/The Actress (1992)

C'est Arrive Pres De Chez Vous/Man Bites Dog (1992)

The Crying Game (1992)

Ba Wang Bie Ji/Farewell My Concubine (1993)

Groundhog Day (1993)

Thirty Two Short Films About Glenn Gould (1993)

Short Cuts (1993)

Philadelphia (1993)

Hsimeng Jensheng/The Puppetmaster (1993)

Jurassic Park (1993)

Trois Couleurs: Bleu/Three Colors: Blue (1993)

The Piano (1993)

Lan Feng Zheng/The Blue Kite (1993)

Hsi Yen/The Wedding Banquet (1993)

Schindler's List (1993)

The Adventures Of Priscilla, Queen Of The Desert (1994)

Trois Couleurs: Rouge/Three Colors: Red (1994)

Hoop Dreams (1994)

Forrest Gump (1994)

The Lion King (1994)

Clerks (1994)

Four Weddings And A Funeral (1994)

Natural Born Killers (1994)

The Last Seduction (1994)

Pulp Fiction (1994)

The Shawshank Redemption (1994)

Les Roseaux Sauvages/The Wild Reeds (1994)

Chong Qing Sen Lin/Chungking Express (1994)

Crumb (1994)

Satantango (1994)

Zire Darakhatan Zeyton/Through The Olive Trees (1994)

Heavenly Creatures (1994)

Caro Diario/Dear Diary (1994)

Muriel's Wedding (1994)

Riget/The Kingdom (1994)

Babe (1995)

Deseret (1995)

Braveheart (1995)

Safe (1995)

Toy Story (1995)

Casino (1995)

Heat (1995)

Kjærlighetens Kjøtere/Zero Kelvin (1995)

Clueless (1995)

Smoke (1995)

Badkonak Sefid/The White Balloon (1995)

Se7en (1995)

Underground (1995)

Dilwale Dulhaniya Le Jayenge/The Brave-hearted Will Take The Bride (1995)

Xich Lo/Cyclo (1995)

The Usual Suspects (1995)

Dead Man (1995)

Fargo (1996)

Trois Vies & Une Seule Mort/Three Lives And Only One Death (1996)

Shine (1996)

Breaking The Waves (1996)

Independence Day (1996)

Secrets & Lies (1996)

Gabbeh (1996)

Lone Star (1996)

Trainspotting (1996)

Scream (1996)

The English Patient (1996)

Cheun Gwong Tsa Sit/Happy Together (1997)

Mononoke Hime/Princess Mononoke (1997)

L.A. Confidential (1997)

The Butcher Boy (1997)

The Ice Storm (1997)

The Sweet Hereafter (1997)

Boogie Nights (1997)

Ta'm E Guilass/Taste Of Cherry (1997)

Funny Games (1997)

Titanic (1997)

Abre Los Ojos/Open Your Eyes (1997)

Festen/The Celebration (1998)

Saving Private Ryan (1998)

Buffalo 66 (1998)

Rushmore (1998)

Lola Rennt/Run Lola Run (1998)

Happiness (1998)

Pi (1998)

There's Something About Mary (1998)

Ring (1998)

The Thin Red Line (1998)

Three Kings (1999)

Magnolia (1999)

Fight Club (1999)

Audition (1999)

The Blair Witch Project (1999)

Todo Sobre Mi Madre/All About My Mother (1999)

Beau Travail (1999)

Being John Malkovich (1999)

American Beauty (1999)

The Matrix (1999)

The Sixth Sense (1999)

Les Glaneurs Et La Glaneuse/The Gleaners And I (2000)

Gladiator (2000)

Dut Yeung Nin Wa/In The Mood For Love (2000)

Kippur (2000)

Yi Yi/A One And A Two (2000)

Requiem For A Dream (2000)

Amores Perros (2000)

Meet The Parents (2000)

Traffic (2000)

Wo Hu Cang Long/Crouching Tiger, Hidden Dragon (2000)

Memento (2000)

Dancer In The Dark (2000)

Le Fabuleaux Destin D'Amelie Poulain/Amelie (2001)

Moulin Rouge (2001)

Safar E Ghandehar/Kandahar (2001)

No Man's Land (2001)

Sen To Chihiro No Kamikakushi/Spirited Away (2001)

The Royal Tenenbaums (2001)

The Lord Of The Rings Trilogy (counted as one movie)

Lantana (2001)

Uzak (2002)

The Pianist (2002)

Rabbit-Proof Fence (2002)

Cidade De Deus/City Of God (2002)

Hable Con Ella/Talk To Her (2002)

Irreversible (2002)

La Meglio Gioventu/The Best Of Youth (2003)

Oldboy (2003)

Kill Bill: Volume One (2003)

Good Bye Lenin! (2003)

Gegen Die Wand/Head-On (2004)

Bin-Jip/3-iron (2004)

The Passion Of The Christ (2004)

Crash (2004)

Der Untergang/Downfall (2004)

Sideways (2004)

Fahrenheit 9/11 (2004)

Va, Vis Et Deviens/Go, See And Become (2005)

Paradise Now (2005)

Brokeback Mountain (2005)

Tsotsi (2005)

Little Miss Sunshine (2006)

Apocalypto (2006)

The Departed (2006)

El Laberinto Del Fauno/Pan's Labyrinth (2006)

Borat: Cultural Learnings Of America For Make Benefit Florious Nation Of Kazakhstan (2006)

Das Leben Der Anderen/The Lives Of Others (2006)

Once (2006)

The Queen (2006)

Gwoemul/The Host (2006)

Le Scaphandre Et Le Papillon/The Diving Bell And The Butterfly (2007)

La Vie En Rose (2007)

No Country For Old Men (2007)

Into The Wild (2007) 1000. There Will Be Blood (2007) 1001. Atonement (2007)

If you don't hear from me for a bit, it's because the local library came in clutch

#I had to put the final two on the same line because tumblr maxes out at 1000 paragraphs #Arin Watches Movies #also I'm at 123/1001 and have the next 2 queued up for this afternoon

7 notes · View notes

mudwerks · 5 years ago

Photo

Lupe Velez in The Wolf Song (1929)

French postcard by Europe, no. 650. Photo: Paramount. Lupe Velez in The Wolf Song (Victor Fleming, 1929).

#The Wolf Song #Lupe Velez #vintage #postcard #film #1929 #Paramount #Victor Fleming

93 notes · View notes

val-the-bookworm · 2 years ago

Text

Nicky Valentino (from Fictif) is an absolute comfort character for me, which means I’ve collected some information about him!

I just feel like I need to share what I’ve gathered with others who might be interested! Feel free to comment any other facts/headcannons/etc you guys have, I love to hear what other people think or picked up!

First off, here is a list of actual facts that can be found in the story or stated by the authors of TATW:

* The story takes place some time after April 1925 (cause Nicky knew about The Great Gatsby), but before August 1929 (because the story takes place before The Great Depression) - which is a 4 year 4 month time difference

* Possibly before 1928 (which is when phones changed from the candlestick) — that would make it a 3 year time gap

* He keeps a small tin of dog treats in his breast pocket incase he stumbles upon a stray

* There was a 3 year age gap between him and his sister

* His birthday is on November 12th.

* Nicky's favourite animal is the wolf.

* Nicky’s zodiac is Scorpio.

* His favourite colour is blue.

* His favourite alcoholic drink is whiskey.

* His favourite dishes are lobster, PB&J and anything made by MC.

* His favourite books are This Side Of Paradise and The Sun Also Rises.

* He was born in Sicily, Italy. Grew up in South Brooklyn

* Nicky is Catholic.

* His crimes include bootlegging, racketeering, obstruction of justice and loansharking.

* He did not enjoy his first time.

* His first kiss was when he was 15.

* His celebrity crush is Gloria Swanson.

* His dad kicked him out of the house for dressing like a gangster.

* He used to shine shoes as a teenager.

* In Chapter 9, two of his other henchmen are named/called Johnnyboy and Richie.

* In Chapter 10, it's revealed that he has made several charitable donations to a homeless shelter, a boys and girls club, and the church he went to as a kid.

* HE SINGS SWANEE TO MC WHILE THEY DANCE ON A BRIDGE AT NIGHT (I absolutely adore this song, so I about passed out when I read this scene lol)

* He is big reader and likes to learn from the books

* He grew up with big dogs

* If he wasn’t a gangster he would own a dog rescue center or be a model

* He is left handed

* His parents are from the country

* He had lots of nightmares as a kid

* His sister, Sofia, loved daisies

* Central Park is one of his favorite places in the city

* He prefers blackjack over poker

* This man straight up had flower crowns for us to wear and dance in before the wedding (I’d like to think he made them with the help of a maid who taught him)

Now some of my personal headcannons:

* When Mc and him are riding together he sits in the seat diagonal to the driver, cause that is the most dangerous seat in the mob world

* An Italian pet name Nicky calls MC is ‘Cara Mia’ which translates to my dear

* If Nicky and Mc have a daughter they would name her Sofia in memory his little sister.

* Definitely has some children’s books scattered among his bookshelf, considering he said…

* He would most definitely do that thing where his kid stands on top of his feet and then dances them around the room

* Would be so down to adopt kids. Growing up on the streets, and having a horrible father, make him want to help all of the children in a similar position

* Would definitely want a big Italian family (if Mc was also down) cause he find family so important, and it makes him so happy to see their children. If Mc only wanted one kid though he would totally be fine, he is just so soft for the family dynamic and his kids

* (Ultrasounds weren’t a thing until the 1950’s, but let’s say they were created sooner) Nick would 110% tear up/cry seeing the first ultrasound, and once the baby is born and in Mc/his hands for the first time

* He LIVES for the cute domestic stuff. Like just cuddling and/or talking: ✅ Washing dishes together: sold! Making breakfast for Mc/together: a must!

* Nick has bi-wife energy and no one can convince me otherwise

* This man’s love language is 110% acts of service

And finally my last category for this list; all of the nicknames he calls MC:

* Toots

*honey

*(my)love

*sugar

*gorgeous

*baby

*sweetheart

*my one and only

*doll face

*sweet thing

*sweets

*my queen

#fictif #tatw #nicky tatw #fictif tatw #nicky valentino #two against the world #fictif headcanons #fictif nicky #fictif nicky valentino #fictif two against the world

228 notes · View notes

gatutor · 2 years ago

Text

Lupe Vélez-Gary Cooper "El canto del lobo" (The wolf song) 1929, de Victor Fleming.

#Lupe Vélez #Gary Cooper #Victor Fleming

44 notes · View notes

bala5 · 2 years ago

Text

Gary Cooper in “ Wolf Song “, 1929

22 notes · View notes

coopmillandmarch · 7 years ago

Photo

Director Victor Fleming and Gary Cooper on the set of The Wolf Song (1929).

#my post #gary cooper #victor fleming #the wolf song #silent #1929 #1920s #old hollywood

4 notes · View notes

1000sassa1000 · 3 years ago

Text

Gary Cooper

“The Wolf Song”

1929 American - silent Western

30 notes · View notes

frank-o-meter · 3 years ago

Text

In 1929 Gary Cooper starred in the silent film “The Wolf Song”. His costar was Lupe Valdez and the two had a well know affair during and after making the film.

“The Wolf Song” was thought lost… but earlier this year a copy was posted online. The reviews says it’s not a classic. But is best known for the near nude scene of Cooper bathing beside a creek. Cooper was in his prime - tall, lanky, and sexy

I’ve altered the dialogue cards below to satisfy my fantasy about Cooper (which may not be far off the mark - at this point in his career he had close friends who were known in Hollywood as being gay, and rumors about Cooper himself being gay-for-pay if it could benefit his career.)

#Gary Cooper #gay-for-pay #long and lanky #lupe Valdez #nude scene

34 notes · View notes

astrognossienne · 3 years ago

Text

tragic beauty: lupe vélez - an analysis

“I had to play with boys, girls found me too rough.” - Lupe Vélez

This is an analysis I’ve wanted to cover for a while for quite a few reasons. Primarily because, in a few ways, I see myself in her and, as such, feel the need to defend her and assert her true legacy: as a pioneer. Which brings me to the main reason I wanted to do this: to correct the scurrilous rumours about her premature death cooked up by a hating ass imbecilic Aquarius whose infamous book doesn’t deserve to be named. So if you want to hear the truth about this lady, read on.

Known as the “Mexican Spitfire”, Latin bombshell Lupe Vélez was (an to an extent, still is) a much-maligned and terribly misunderstood woman. A true Cancer, she was a force of nature and unconsciously antagonized others and made them uncomfortable because of her authenticity to herself and her emotional nature. Born during a storm, she had a naturally stormy personality. She could be hilarious and charismatic one moment, and depressive and vicious the next. Instead of anyone trying to understand her, they just stuck her with the “spicy fiery Latina” stereotype, not knowing or caring what was behind it. The harshness of her life before stardom may explain some of her fearsome, yet fun, personality; she grew up with violent trauma – watching her father kill and almost be killed during the Mexican Revolution. She also is believed to have had undiagnosed bipolar disorder, which would explain her extreme moodiness and outbursts.

One of the first Latina actresses to make an impact in Hollywood, she was subjected to the racist, sexist Hollywood tropes that forever typecasted her—she was called “senorita cyclone,” and the “hot tamale”. The Hollywood press willfully misunderstood Vélez’s sex positivity and consistently portrayed her as a woman who took great pleasure in her body, and indeed, the tempestuous Vélez had numerous affairs, including a particularly torrid one with a young Gary Cooper, and a tumultuous marriage to “Tarzan” star Johnny Weissmuller. But in 1944, at age 36, she found herself pregnant with the child of a little known-actor name Harald Ramond, who would not marry her and this reality made her come undone, and like my other baby Carole Landis, she succumbed to an drug overdose. Her promiscuity, right or wrong, became part of the way her stardom was packaged and promoted. Also, the press naturally compared her to (and pitted her against) Hollywood’s only other female Mexican star—the “high-class” and elegant Dolores Del Rio. The press couldn’t even find sympathy for her even in death and a false story was printed that she drowned in the toilet after vomiting up a spicy Mexican dinner. Her death is parodied and mocked to this day. Again, she’s a true Cancer in the sense that the same imperfections that everyone else has, she is seen as less than human for having them. I hope to help right that wrong by honoring Vélez for being the trailblazer that she is. At any rate, Vélez would seem to be a prototype for contemporary female stars, from Madonna to Rihanna, who have proclaimed their pleasure in their body and their sexual liberation — a pro-sex activist before her time, doomed to suffer the rejection of a more puritanical age.

Lupe Vélez, according to astrotheme, was a Cancer sun and Leo moon. She was born María Guadalupe Villalobos Vélez in San Luis Potosí, Mexico, to young upper-middle class parents. Her father, Jacobo Villalobos Reyes, was a colonel in the military, and her mother, Josefina Vélez, was an opera singer. They also had another son, John and daughter, Annette. The Villalobos family were considered prominent in San Luis Potosí and most of the male family members were college educated. The family was also financially comfortable and lived in a large home with servants. As a young girl Lupe showed an interest in performing, but her father was outraged at his daughter’s “low-class” dreams, and forbade his daughter from being in show business. All that changed during the war. Her family was in a state of upheaval—the Mexican Revolution was happening, her father had been presumed dead in the war and all their money was gone. While most of her family members were too proud to get jobs, a teenage Vélez did just that, supporting the family by working as a saleswoman in a department store. She then finagled an audition with a local theater. However, her father was indded alive and well and soon returned home from the war. Because at that time becoming an artist and coming from a well-to-do family was seen as embarrassing, her father refused to let her use his last name in theater, so she used her mother’s surname.

She proceeded to seek out venues where she could dance the then-popular “shimmy.” In 1925 she was cast in the big stage revues Mexican Rataplan and !No lo tapes! and became a big audience favourite. Her name got around to American stage star Richard Bennett (father of American film stars Constance and Joan Bennett), who was looking for a Mexican cantina singer for his new play. Lupe traveled to Hollywood but was rejected for the part for being too young. While in Hollywood, Lupe met film and stage comedienne Fanny Brice, who took a liking to Lupe because of her sparkling personality. She put in a good word for Lupe to impresario Florenz Ziegfeld (creator of the Ziegfeld’s Follies), who could use Lupe in one of his Broadway musicals. However, MGM producer Harry Rapf heard of Lupe as well, and offered her a screen test. When producer Hal Roach saw the test, he immediately signed her to a contract. Vélez soon made her major film debut in Douglas Fairbanks’ action-romance The Gaucho in 1927. The film was a huge hit and Vélez was an overnight sensation.

Along with her professional life gaining steam, so did her love life. Vélez sought out some of Hollywood’s hottest men, which wasn’t hard for a hot and sexy number like Lupe; men flocked to her like bees to honey. She was romantically linked with Gary Cooper, Charlie Chaplin, Clark Gable, cowboy Tom Mix, “Tarzan” actor Johnny Weissmuller, Errol Flynn, John Gilbert, Henry Wilcoxon, singer Russ Columbo, Randolph Scott, author Erich Maria Remarque (who wrote All Quiet On The Western Front and later married Paulette Goddard), Clayton “Lone Ranger” Moore, director Victor Fleming (director of Gone With The Wind), and boxers Jack Johnson and Jack Dempsey.

One of her first conquests was cowboy star Tom Mix. She also had an with newcomer Clark Gable, who cut off their romance because he was afraid Lupe would run all over town discussing their sexual secrets, which she did. Soon she had a torrid affair with comic genius Charlie Chaplin in 1928. Lupe revitalized Chaplin’s libido after he had gone through a torturous divorce from his wife. Whatever time she had for the many men in her life, that same appreciation didn’t extend to other women and she would frequently battle with the other females with whom she had to work with and would often threaten them; when she was starring in director D.W. Griffith’s Lady of the Pavements, she had to co-star with an actress named Jedda Goudall, whom she hated, and the two had a ferocious cat-fight on the set. When she made her final appearance on Broadway in the Cole Porter musical “You Never Know”, Vélez and fellow cast member Libby Holman feuded viciously. The feud came to a head during a performance where Vélez punched Holman in between curtain calls and gave her a black eye, which pretty much ended the run of the show. Vélez was territorial about the men in her life, she was vicious toward any woman who might be competition for her man or an acting role. She mocked Marlene Dietrich, Greta Garbo, Katharine Hepburn and Shirley Temple, and her arch nemesis Dolores Del Dio by doing imitations of them.

When she was cast in the film The Wolf Song in 1929, she met Gary Cooper and immediately started what would be her first widely publicized romance. Theirs was a one-sidedly volatile relationship; he would often appear in public with scratches and bruises. One time, she attacked him with a knife during a fight. He needed stitches. By the end of their time as a couple, Copper had lost 45 pounds and was physically exhausted. He was ordered by the studio to take a vacation. As he boarded a train, Vélez shot at Cooper but missed. Lupe soon moved on to other men; she had a thing for fighters. In addition to having a brief fling with boxer Jack Dempsey, she conducted a flagrant, but secret, affair with the black boxer Jack Johnson. In those days, blacks and whites almost never conducted sexual affairs out in the open. She met Olympic swimming champion Johnny Weissmuller at the hotel where she was staying that was owned by film star Marion Davies. One problem: Weissmuller was already married. But no matter, he dumped his wife for Lupe and married her October 8, 1933 in Las Vegas. Theirs was not a happy, serene marriage, and they constantly battled, with Lupe filing for divorce several times in 1934 and changing her mind each time. Weissmuller’s patience was so strained he dumped a plate of salad on her head at Ciro’s nightclub. Finally, in 1938 she filed a petition that was finalized in 1939.

After having many hit pictures with MGM, they unceremoniously dropped her. The excuse was that the studios were no longer going to make Spanish versions of their films and there was no longer a need for Latin actresses. Vélez returned to Mexico in 1938 to star in her first Spanish-language film. Arriving in Mexico City, she was greeted by 10,000 fans. The film La Zandunga, was a critical and financial success and Vélez was slated to appear in four more Mexican films, but instead, she returned to Los Angeles. She soon went to RKO Studios and starred in the B-movie The Girl From Mexico. Despite its lowly status, the picture became a tremendous hit with audiences. RKO rushed her into another film, this time called Mexican Spitfire, playing an emotionally volatile singer named Carmelita. The 1940 film became another smash for Lupe. The Spitfire series of eight slapstick comedy films rejuvenated Lupe’s sagging career. In late 1941, she had an affair with writer Erich Maria Remarque whose wife, actress Luise Rainer later wrote that Remarque told her “with the greatest of glee” that he found Vélez’s volatility hot.

At this same time Lupe took on another lover in the form of a French 27-year-old bit actor named Harald Ramond. He was a strong and controlling man who knew how to tame Lupe. After she discovered that she was three months pregnant, she announced her engagement to Ramond without his knowledge or consent. When he learned of her pregnancy, he refused to marry her. Deeply hurt and stunned, she felt backed into a corner; she knew her career would be ruined in Hollywood if word got out she was pregnant and unmarried. It just wasn’t done in those days. And despite her wildness, Lupe was a devout Catholic, so abortion was out of the question. She could see only one way out: suicide. On December 18, 1944, at the age of 36, Vélez swallowed 70 Seconal pills, she lay down on her pink satin pillow on her over-sized Hollywood bed and arranged herself like a movie star, with her hands folded across her chest and went into an eternal sleep. Dramatic to the end, Lupe went out of this world in glamorous style. She left a suicide note addressed to Harald, which read:

“To Harald, May God forgive you and forgive me too, but I prefer to take my life away and our baby’s before I bring him with shame or killing him. How could you, Harald, fake such a great love for me and our baby when all the time you didn’t want us? I see no other way out for me so goodbye and good luck to you, Love Lupe.”

THAT is the truth. But the bottom line is: how she lived her life as well as the circumstances around her death are all irrelevant at the end of the day. What matters is the loss of a great multi-talented, pioneering Mexican star and a legacy unrealized and stunted by a world that wasn’t ready for her.

Next, I’ll talk about the most famous of her paramours, the yin to her yang, a perfect example of the special chemistry that Taureans and Cancers share, the strong, silent hero of the silver screen: Taurus Gary Cooper.

Stats

birthdate: July 18, 1908

major planets:

Sun: Cancer

Moon: Leo

Rising: Gemini

Mercury: Cancer

Venus: Leo

Mars: Pisces

Midheaven: Pisces

Jupiter: Virgo

Saturn: Aries

Uranus: Capricorn

Neptune: Cancer

Pluto: Gemini

Overall personality snapshot: She may have seemed at times to be a shy, vulnerable, romantic individual who only wanted to please, but underneath she had a voracious appetite for adoration and respect, and would not stop until she got it. Without a doubt, she had a very warm feeling for others, and domestic security with plenty of happy togetherness is high on her list of priorities. When it came to cooperation with others, however, she had her limits because she was profoundly individualistic and, albeit in a charming manner, she insisted on doing things her way. Ultimately the most important thing for her was believing in herself and being true to her standards and aspirations. Most of all, she needed to fulfill her creative potential, which was like an intimate companion with whom she shared her life. You nurture it, protect it, and then you show it off, and whatever walk of life you are in, you tend to be a fine performer.

This gave her a lot of self-respect and a touch of vanity as well, and her emotional sensitivity combined with her underlying imperiousness tended to impress others and made them take her seriously. She was a devoted member of her flock, and she zealously and jealously protected and promoted whomever she was devoted to. When it came to developing her own talents, however, she seemed to know that she had to pull away in order to grow into her greatest self. Others may have thought she was a bit of a show-off but that was not the case: she simply had a deep sense of the importance of her own creative talents, and she felt only half alive if she did not honour them. Although she was pretty sensitive to criticism or rebuffs, she was just as committed to honesty and personal integrity; and despite her vanity, she eventually learned to laugh at herself.

She had a very good memory and found it easy to learn subjects that interested her. She was very kind and thoughtful towards others. Her imagination was very keen, but if it got carried away, she may have experienced irrational fears. Even though she may have tried to maintain a scientific and objective outlook, her mind was actually dominated by her emotions. When it came to careers, she may have felt initially vague or confused about what she really wanted to do. She was eventually forced to give up her career of choice by events out of her control (as was evidenced by the tides turning from the “Mexican spitfire” female ideal due to the changing of the times). There was probably some element of self-sacrifice involved somewhere in her choice of career (the element of sacrifice being that she had to sacrifice her child, and ultimately her life, in relation to her reputation as an unwed mother as well as her unborn child’s reputation as an illegitimate child). She had good technical and scientific ability due to her, at times almost fanatical, attention to detail. She was also fastidious when it came to matters of health, diet and appearance. She was not afraid of work and was very resourceful and capable. She also worked well in a team. She became very annoyed if somebody else questioned the way that she operated. Her energy levels were somewhat inhibited, her self-confidence reduced, and her ambitions restricted through fear of failure. Times of strength and weakness alternated within her. Even though her decision-making ability could be ineffectual through over-caution, she often seemed to be placed in situations where a quick decision was needed. When she succeeded, it was mainly through her own efforts. She also showed a tendency towards wanting to start at the top, wanting to avoid the hard work that gets you there.

She belonged to a generation with a rational and logical attitude to life. There was a conflict between tradition and convention, and the experimental and unconventional. As an individual, she had to learn to strike a balance between the erratic and the conventional. As a member of this generation, she had the ability to come up with original ideas which could be of practical value. She was part of a very artistically talented and creative generation that wanted to escape from the demands of the world around them into a world of excitement and glamour. She was part of an emotionally sensitive generation that was extremely conscious of the domestic environment and the atmosphere surrounding her home place and home country. In fact, she could be quite nostalgic about her homeland, religion and traditions, often seeing them in a romantic light. She felt a degree of escapism from everyday reality, and was very sensitive to the moods of those around her. Bow embodied all of these Cancer Neptunian ideals. As a Gemini Plutonian, she was mentally restless and willing to examine and change old doctrines, ideas and ways of thinking. As a member of this generation, she showed an enormous amount of mental vitality, originality and perception. Traditional customs and taboos were examined and rejected for newer and more original ways of doing things. As opportunities with education expanded, she questioned more and learned more. As a member of this generation, having more than one occupation at a time would not have been unusual to her.

Love/sex life: It wasn’t easy to be passionate and emotionally explosive and also hold on to her dignity, but this was what she wanted to accomplish. She tried to conceal the pulsating softness of her sexual nature behind a façade of control and bluster. She thought that her display of strength and jolly self-confidence would hide her vulnerability and her susceptibility to virtually any sexual diversion. Of course, no one was really buying this cover up. They saw the luscious edges of her erotic hunger peeking through her disguise. That’s why they were all so anxious to be around her. The biggest problem in her sex life was how to deal with change. She loved it and she hated it. She loved following the lead of her feelings and surrendering herself to the moment. Too much consistency, even loving consistency, was apt to leave her bored and dissatisfied. But she also saw change as a threat to her sense of control and to the emotional security that she valued so highly. Because of this duality in her thinking, her reaction to changes in her sex life was abrupt, contradictory, and (horror of horrors) a little undignified.

minor asteroids and points:

North Node: Gemini

Lilith: Libra

Vertex: Scorpio

Fortune: Gemini

East Point: Gemini

Her North Node in Gemini dictated that she needed to prevent her idealism from influencing her thoughts to such a high degree. She needed to consciously develop a more clear-minded and analytical approach involving her thought processes. Her Lilith in Libra was definitely working overtime here. Relationships somehow caused her to err, and her partner choices caused much suffering. She expressed herself through others. As a lover, she was aggressive, yet co-dependent. As a mistress, she was not above trying to cause a divorce, which she did with Johnny Weissmuller and she ultimately became fatally despondent when she found herself pregnant with a bit actor's baby. She used her good looks as a weapon to help her get ahead in the movie industry. Also, Lilith in Libra strangely enough, manifested itself as a sort of lighter female Capricorn archetype, and she pulled herself up by the bootstraps in a rather glamorous way, going to work after her father left the family unit. As such, she exhibited graceful gumption right until the very end. Her Vertex in Scorpio, 5th house dictated that she had a desire or continual need for feeling irresistible and irreplaceable on all levels of intimacy, whether spiritual, intellectual, emotional, or physical. From the fires of hell to the heights of heaven, the further and deeper the range of interaction she could experience with another the more fulfilling. She had a childlike orientation, in all of its manifestations, toward relationships on an internal level. That implicit trust, or perhaps naivete, that was instilled in our childhood persisted far into maturity. The concomitant explosions and occasional tantrums when these constructs are violated also accompany this position. She had a need for fun, creativity, and excitement in a committed relationship, no matter how many years it has endured. She often had deep fears, typical of children, of abandonment, as well as a need for universal acceptance, no matter how she acted, which she needed her partner to respect and nurture, rather than rebuke, especially in adulthood. Her Part of Fortune in Gemini and Part of Spirit in Sagittarius dictated that her destiny lay in travel, education and communication. She was able to overcome enemies by her words and by her writing. Happiness and fulfillment came from being able to express herself fully. Her soul’s purpose lay in seeking truth, justice and fairness. She felt spiritual connections and saw the spark of the divine when she studied, broadened her mind through new philosophies, or looked for inspiration outside the home. East Point in Gemini dictated that she was often insatiably curious and loved to collect little bits of (what seemed to be useless) information and trivia. Her interests were quite varied, and she may have been somewhat scattered. Sometimes her curiosity could appear cold and callous as her level of objectivity was potentially high. There was usually an openness to learning in any situation.

elemental dominance:

water

fire

She had high sensitivity and elevation through feelings. Her heart and her emotions were her driving forces, and she couldn’t do anything on earth if she didn’t feel a strong effective charge. She needed to love in order to understand, and to feel in order to take action, which caused a certain vulnerability which she should (and often did) fight against. She was dynamic and passionate, with strong leadership ability. She generated enormous warmth and vibrancy. She was exciting to be around, because she was genuinely enthusiastic and usually friendly. However, she could either be harnessed into helpful energy or flame up and cause destruction. Ultimately, she chose the latter. Confident and opinionated, she was fond of declarative statements such as “I will do this” or “It’s this way.” When out of control—usually because she was bored, or hadn’t been acknowledged—she was bossy, demanding, and even tyrannical. But at her best, her confidence and vision inspired others to conquer new territory in the world, in society, and in themselves.

modality dominance:

mutable

She wasn’t particularly interested in spearheading new ventures or dealing with the day-to-day challenges of organization and management. She excelled at performing tasks and producing outcomes. She was flexible and liked to finish things. Was also likely undependable, lacking in initiative, and disorganized. Had an itchy restlessness and an unwillingness to buckle down to the task at hand. Probably had a chronic inability to commit—to a job, a relationship, or even to a set of values.

house dominants:

2nd

3rd

1st

The material side of life including money and finances, income and expenditure, and worldly goods was emphasized in her life. Also the areas of innate resources, such as her self-worth, feelings and emotions were paramount in her life. What she considered her personal security and what she desired was also paramount. Short journeys, traveling within her own country were themes throughout her life; her immediate environment, and relationships with her siblings, neighbours and friends were of importance. The way her mental processes operated, as well as the manner and style in which she communicated was emphasized in her life. As such, much was revealed about her schooling and childhood and adolescence. Her personality, disposition and temperament is highlighted in her life. The manner in which she expressed herself and the way she approached other people is also highlighted. The way she approached new situations and circumstances contributed to show how she set about her life’s goals. The general state of her health is also shown, as well as her early childhood experiences defining the rest of her life.

planet dominants:

Neptune

Mercury

Sun

She was of a contemplative nature, particularly receptive to ambiances, places, and people. She gladly cultivated the art of letting go, and allowed the natural unfolding of events to construct her world. She followed her inspirations, for better or for worse. She was intellectual, mentally quick, and had excellent verbal acuity. She dealt in terms of logic and reasoning. It was likely that she was left-brained. She was restless, craved movement, newness, and the bright hope of undiscovered terrains. She had vitality and creativity, as well as a strong ego and was authoritarian and powerful. She likely had strong leadership qualities, she definitely knew who she was, and she had tremendous will. She met challenges and believed in expanding her life.

sign dominants:

Cancer

Gemini

Leo

At first meeting, she seemed enigmatic, elusive. She needed roots, a place or even a state of mind that she could call her own. She needed a safe harbor, a refuge in which to retreat for solitude. She was generally gentle and kind, unless she was hurt. Then she could become vindictive and sharp-spoken. She was affectionate, passionate, and even possessive at times. She was intuitive and was perhaps even psychic. Experience flowed through her emotionally. She was often moody and always changeable; her interests and social circles shifted constantly. She was emotion distilled into its purest form. She ventured out to see what else was there and seized upon new ideas that expanded her community. Her innate curiosity kept her on the move. She used her rational, intellectual mind to explore and understand her personal world. She needed to answer the single burning question in her mind: why? This applied to most facets of her life, from the personal to the impersonal. This need to know sent her off to foreign countries, where her need to explore other cultures and traditions ranked high. She was changeable and often moody. This meant that she was often at odds with herself—the mind demanding one thing, the heart demanding the opposite. To someone else, this internal conflict often manifested as two very different people. She loved being the center of attention and often surrounded herself with admirers. She had an innate dramatic sense, and life was definitely her stage. Her flamboyance and personal magnetism extended to every facet of her life. She wanted to succeed and make an impact in every situation. She was, at her best, optimistic, honorable, loyal, and ambitious.