#with. finnick

[randommultifandomrants]

Being a girl is: wanting to go to bed early but deciding to just get on tumblr/wattpad/Ao3 for a little bit and then end up finding a fic series that you really like and read until well past your usual bedtime then keeping on because it’s already past your bedtime. Then being mad when you wake up in the morning because you overslept your timer.

[natti-ice]

18+ mdni

that reality check hitting after reading smut

[stephsycamore]

I think the most radical thing the hunger games does is tell young people that the most revolutionary thing you can do is have unconditional love for humanity. Katniss throughout the entire series is guided by a deep sense of compassion for the people around her. It is what causes her to volunteer, to bury rue, to mercy kill cato, its why she tries to save peeta, why finnick telling her to remember who the real enemy is works, and even though her compassion for the larger world falters when peeta is kidnapped, it comes back when she visits hospitals and asks for mercy for other victors and ultimately, it is love and belief in a better humanity that makes her kill coin. Through it all, she maintains an unfaltering belief in the fundemental goodness of humanity, which is diametrically opposed to dr gaul's and snow's worldview. Peeta is even more unwaveringly compassionate

So the series tells young people that the most revolutionary thing you can be is compassionate. Let compassion drive your politics. Let yourself believe in the fundemental goodness of people. And i think that's deeply important in a world that touts the superiority of pure reason or logic, to allow yourself to be guided by something as emotional as compassion. Katniss everdeen tells us that your politics should be rooted in compassion in a world that thinks detatchment or cynicism is intelligence and i think thats v cool

[moonxnite]

I smile like an idiot when I see my man, who’s not my man, on my television screen.

[cruel-seduction]

It’s like a full-blown addiction, but instead of drugs or booze, it’s this fictional guy who’s got her wrapped around his finger. She knows it’s fucked up—knows she’s out here daydreaming about someone who’s not even real—but who cares? This guy? He’s everything. He’s charming in the worst ways, flawed in every possible sense, but there’s just something about him that has her hooked. He doesn’t even know she exists, but she’s ready to fight anyone who says a word against him. Seriously, she’ll defend his honor like it’s a fucking life-or-death mission.

He’s a goddamn trainwreck, but he’s her trainwreck. She’ll put up with all his baggage, his emotional scars, his dark sides, because somehow, that brokenness makes him feel more real to her than any real guy could. He’s messed up, but she’ll fix him in her head every single time. Maybe it’s that thrill of knowing he’s dangerous and untouchable that makes him even more irresistible. He might break her heart in a hundred ways, but it’s the kind of heartbreak that makes her feel alive, even if it hurts like hell.

And it’s never gonna happen, right? She knows that. He’s not gonna waltz into her life and sweep her off her feet. But it doesn’t matter. Because she gets to have him on her terms—no messy reality, no awkward first dates, no risking her heart for real. He’s always there when she needs him, in that perfect little bubble of fantasy she’s built for herself. And maybe she’s a little crazy for it, but at least with him, she’s never disappointed. Every time she replays his scenes, reads the fanfics, imagines their future together—it's like a high she can never quite shake. She knows it's all just a mindfuck, but she’s never felt more alive.

[love-at-first-sight-23]

Welcome to the world of “Being in love with a person who doesn’t exist in real life but you pretend they do anyway because you’re obsessed” ✧˖*°࿐

[cherrygirlfriend]

when funkyfrogbait said “how many einsteins have spent their lives washing dishes, how many mozarts bent over stoves instead of pianos because they had the misfortune of being born a woman.”

i might mostly post smut on this account, but i write SO much more than just fanfic, and every word i write is for every woman that came before me that couldn’t write what they wanted. it’s for my mother, my grandmother and my great-grandmother as well as the women that came before.

[daydreamer-in-reverie]

Started rereading the Hunger Games series and I feel like it’s so overlooked how in 74th and 75th Hunger Games, we don’t know every Tribute’s names, with Katniss only referring to them by their District numbers but in TBOSAS, we knew every single Tribute by name. We associated them with the clothes they wore on the Reaping Day and Suzanne even goes so far as to describe how they looked, however briefly. We see these Tributes and we’re familiarized with them by the little tidbits provided to the mentors and to Snow and Lucy Gray. But we never get this in the original trilogy.

In two generations, President Snow alienated the Districts from each other so much that Katniss didn’t even care to know all the names of the Tributes sent into the Arena with her, with the exception being those who posed great risk against her safety and those she felt great compassion for (e.g. Cato, Thresh, Rue, Mags, Betee, Wiress etc.). Katniss even went so far as to call the D6 Tributes in the 75th Hunger Games morphlings, for their affinity to imbibe in the drugs that help them forget their own traumas (an incredibly hurtful description, in my own opinion, to be known by the qualities you hate the most about yourself). We never know the real name of the 74th D5 girl, with Katniss only referring to her as Foxface and we don’t even know Marvel’s name until we get to the second book and he was Katniss’ first personal kill. Katniss even kills the D4 girl in the books with the same tracker jacker venom that killed Glimmer and yet still, we don’t know her name. We are so removed from the identity of the other Tributes that we don’t even know what some of them looked like beyond brief descriptions of mangled bodies and dead Tributes in the bloodbath at the Cornucopia.

And, the thing is, Suzanne established the importance of names in the series. Even in real life, we recognize the importance of being named. It is a fundamental aspect of being human. If you’re ever in a perilous situation where a person might be placing your life in danger, we’re told to remind the person that you’re human. “Keep saying your name, how old you are, where you came from. Remind them you are a human being just like them.” Before any propaganda can work against a group of people, refusing to recognize a person’s name is the first step to dehumanization. And just like the people of the Districts, we don’t care enough about the other Tributes to even want to know their names. Their propaganda worked on us, the readers.

In two generations, President Snow completely wiped out any sense of familiarity and camaraderie the Districts may have shared with the other. In two generations, Snow sowed the seeds of distrust and division into the Districts so deeply that even we, the readers, were affected by the effects of Capitol propaganda. In two generations, the Districts ceased to genuinely care about the others beyond the vague sense of injustice they feel for their shared plight. It’s why Career Districts don’t seem to care about killing the other Tributes. How can you care, to show your compassion and humanity, when you can barely see them as people? Yes, they may have been in the Arena with you. Yes, they may have been starved and beaten and forced into labor like you were. Yes, they might be children just like you. Yes, they might be subjected to the same deplorable system that turned you into virtual slaves. But they are not your friends. They are not your allies. They are strange, with different customs and traditions that you have. You do not share the same values. They do not care about you. At the first chance they get, they will kill you with your bare hands and they will do it with alacrity if it meant their survival. There can only be one Victor and it can’t be them. It has to be you.

[magnusedom]

[vivicendium]

i think something that elevates the hunger games franchise is not just the quality of writing but the integrity of it. tbosas isn’t just a cash-grab by suzanne collins in the age of sequels and reboots (though i won’t pretend that didn’t play a part), it’s a character study of the main antagonist with a different structure than the main trilogy. and importantly, it doesn’t just re-hash the same old themes and beats the main trilogy had, it expands on not just the world of the hunger games but the themes as well, it actually has something new to say about the trilogy’s themes about class, capitalism, power, and control, in a way that couldn’t be explored with the main story because the protagonist of that story simply did not have access to the world that’s being explored in tbosas.

i understand the people who call for books/movies to be made about haymitch, finnick, johanna, different years of the games — we love those characters and want to see more of them! i’d kill for a novella on finnick’s days mentoring tributes, or katniss’s parents falling in love. but at the end of the day we probably wouldn’t be very satisfied with those stories being fleshed out if they had absolutely nothing new to say about the world, they’d be enjoyable, but not as interesting and engaging as tbosas has been.

[odairfilm]

In the epilogue of Mockingjay, Katniss only refers to her children as 'the boy' and 'the girl'. We never learn their real names. Throughout her life, Katniss has never really been allowed privacy or the ability to make many of her own decisions. Whether this was caused by the living conditions of the Seam and having to constantly provide for Prim and their mother, or by the fact that she was forced into the scrutiny of the public eye when she was reaped/volunteered and became the face of the rebellion- The Mockingjay.

So then all of this passes, she and Peeta are living together in District 12 in the Victor's Village, and they are finally allowed to choose how they want to live. After 15 years, she decides that she's ready to have kids. They can be raised in a safe environment with no Games, no threats. So the one choice she makes at the end is to keep their names from us, the audience. The one thing that gives us our identity before anything else. The one thing that, essentially, makes us who we are (also Suzanne is so meticulous with picking names throughout the series, so it would be special to Katniss and Peeta). She decides that that's only for her and her family to know.

We, who have literally seen every inch of her life from the reaping up until now, are being told that no, we don't get to see parts of her life without her permission anymore. And it always makes me so emotional. Like yes! Take back your life! Rest. Live. Love. But on YOUR terms and no one elses.

(I posted this on my TikTok acc @narniachrons as well. It wasn't stolen, I swear!)

[cashmeresglimmer]

The survivors of District 12 singing and dancing at Finnick and Annie's wedding hits so different after reading/watching tbosas. Can you imagine Snow's reaction to that propo? No matter how hard he tried to erase Lucy Gray and to obliterate District 12, she lived on in her music, music which is kept alive by the people of the place she once called home.

[natti-ice]

18+ mdni

Me: “fuck, I need his cock”

Him: *is literally just words on tumblr*

[bruhaalla]

Right now i need a fat blunt in between my lips a twisted tea in my left hand and a hot 6'5 short tempered man in the right hand and then i just maybe i can go to sleep

[fictionadventurer]

Personally, it's always a bit wild to me to see commentators interact with the Hunger Games franchise as if Collins were writing science fiction stories instead of essays with faces. She's just not that interested in fleshing out side characters or digging into the details of the worldbuilding. These characters are concepts and symbols before they're people. There's an almost mathematical precision to who and what she explores and how deeply she does it. This is a step or two away from pure allegory. If she were writing a couple of centuries ago, she'd have named her characters things like Innocence and Anger and Watch-Carefully-Your-Soul-Lest-Ye-Be-Damned, but since she's writing for modern audiences, she has to settle for puns and allusions. If she has another essay to write, she'll assign some faces to it; she's not going to look into backstories or other eras just for the sake of storytelling, and it's not a failing as a writer that she doesn't.

[stvrlitsky]

Live, love and stan my jealous fictional boyfriends <3333