#with magic everywhere because why not ;A;

[glypt0don]

So, this is quite a rant. You can skip to the bottom, if you want to know my opinion but don't want to read that much... But I worked hard on it and I think it's important, so it would make me very happy if you read through the whole text.

So this fits into something I wanted to post about anyway: a broader theme of why do we frame things as wars? Like, why is it culture war, specifically. First I liked the concept, I thought it described something quite complicated reasonably easily. But I pondered on it a bit more and I think there's more going on.

It's pretty trivial, that most societies went through a huge change over the last half century. It's not just feminism. I could make a whole list of things we as a people took on. Anti-racism and civil rights, religious acceptance, global trade, reinterpreting the meaning of peace, connecting the word through the world-wide web, etc. We ( or, as I am barely an adult and have no idea how to change things for the better, I should say you, or maybe chat) decided it was time for change, so change came. You brought it about.

And I agree. Change WAS and IS necessary. What that change should entail, well, we all have our ideas, right? And they have the ugly tendency to differ from each other. The question then is, how do we coincide our contradictory ideas on society? The answer is both worrying and very important.

To be fair, our race doesn't have a great track record on solving these kinds of issues. I dug into my historical knowledge, since, you know, those who don't learn from it, repeat it... The only thing I can compare to what's happening today would be the Reformation (which probably says a lot about my historical knowledge). That's the only time I know, where societal assumptions were altered so much in such a short time. That time it was specifically about the Catholic church (if you don't know, what I'm talking about, you really should, so Google it), and the result was a series of wars, that ultimately may have wiped out about a fifth of Europes population. The wars were of course led by powerful men, who capitalised on the divide to further their own goals.

As back then, now too, we can't rely on institutions to tame the public. Many media and political identities have a direct interest in polarising society. Because that's what happens. All these contentious issues about gender, class, or foreign policy become dividing lines between folks who are supposed to be parts of the same whole (call it community, state, nation or humanity, depending on how wide you can think). You know, how it works, probably saw it a few times, whatever your interests are. It's literally everywhere! We fight it out with the perceived enemy of the week sometimes, when there is an election, something notable happens, or it's simply Pride Month. Then everyone goes back to their respective corners, where they vehemently agree with themselves. We don't talk a lot, just throw words at each other, like Buggs Bunny, playing tennis with a dynamite.

I should say, this post is a notable and refreshing outlier. Thanks, @trans-androgyne , for starting a discussion for a change!

I know, it's a bit like nuclear armament. You can't just stop, because THEY won't, and then they win, and you can't allow that. It's life and death! And I don't have some magic pill to make it all go right, or believe me, I wouldn't sit here, typing this out at 3 in the morning Central European Time. But let me propose this: don't call it a war! Neither culture war, nor gender war, nor anything like that. Because this isn't a war. Just ask anyone in the middle east! They can tell you, what is war, and THIS IS NOT IT! And also, because it may not be guns and destruction yet, but nothing guarantees, that it stays that way. We already had multiple attempted takeovers of capital buildings since this cursed decade began, because our social reality became so fragmented, that you can't accept the results of a popular election anymore. That should raise alarm bells. I know it does, but it can be much worse! Learn from history, do not repeat it! Hit the Wiki page on the Huguenot war! On the siege of Magdeburg. Or, if that's not your cup of tea, watch Civil War! I genuinely think it's the best movie of the year.

Call it Social Discourse! That sounds much more manageable, doesn't it? Or you can come up with something else, as long as it isn't some warmongering bullshit. And maybe the next time you meet someone with sexist, homophobic, racist, or maybe radical left and anarchistic views (whatever you're opposing), don't attack them with your words! Those aren't weapons. Try to talk to them instead! Try talking about feelings! Listen to theirs, make them understand yours! I say feelings, because you both have those. Try finding a common ground, however small, and build up from there. Like Minecraft Skyblock. It can be hard in a challenging way, instead of making you want to shoot yourself in the head. Remember, you aren't fighting a war. You are having a discourse.

All of it is to say, the world and society are changing, wether you like it or not, and we have to change with it, to survive. That is the simple fact. If you call that change a war, that's just gonna make the whole thing unnecessarily painful for everyone involved.

This was sociopolitical advice from a giant armadillo.

Genuinely, what happened to “feminism is for everyone”?

That’s the feminism I grew up with: encouraging people to recognize that fighting sexism and restrictive gender roles helps folks of every gender. We’d push back on the idea that feminists hate men, pointing to inclusive feminist literature and how many men are feminists.

Now, there are so many people insisting that the solution to patriarchy is to openly hate and ostracize men no matter what. Why? What is the benefit? It’s certainly not effective in fighting oppressive structures to exclude half the population from your cause on the basis of immutable traits. It may feel cathartic to say horrible things about men and try to punish them for your frustrations with patriarchy. But the only actual effect I see is the increasing right-wing radicalization of young men, who are being told that the left hates them for the way they were born and presented with an abundance of proof that it’s true.

Why are we going back to treating men and women as different species? It doesn’t fix things to say “well women are the good gender and men are the bad one” this time. If you sincerely want to dismantle sexism, you’re going to have to unpack and let go of all sex and gender essentialism—even that which considers women inherently pure and men inherently immoral.

[sleepingdiaryzzz]

yandere!young justice x magician and sorcerer!reader

BUUUUUUUUUT,the readed is a part of the team,however,shows no interest in them,and it just there because she kinda just has to,and no matter how much they try to get her attention,she never gives them any of it.

(I love your writing btw😼)

Yandere! Young Justice x magician! Reader

The Cave was quiet, as it always was at night, the hum of machines and distant murmurs of the world outside barely touching the stillness that clung to the mountain like a second skin. In this isolated hollow, surrounded by the cool stone walls, you could hear your own thoughts—the whisper of spells, the pulse of magic, the unspoken words you chose not to say.

You never had to explain yourself here, never had to wear the mask of pleasantries or pretend you cared about anything more than the mission. The others, they didn’t understand. They couldn’t, not really. You weren’t like them, never had been. You didn’t need the comfort of their companionship. You didn’t want their attention, their curiosity, or their pity.

And yet, they tried.

Conner was always watching. A silent presence, brooding and intense, always lingering in the background, his eyes following your every movement. He never asked questions—no, that wasn’t his style. Instead, he observed, the way a predator watches its prey, calculating, waiting. He never made an effort to speak, not in the way Wally did with his incessant jokes or M'gann with her quiet warmth. Conner was patient, cold, waiting for something to crack, for something to change.

His silence was a constant reminder. He didn’t need to speak; you could feel his presence, the weight of his gaze pressing down on you, always at the edge of your vision, always waiting.

It was unsettling, but you never let it show.

Wally was a different story altogether. His energy was like a crackling fire, unpredictable, always bouncing from one thing to the next. He couldn’t sit still, couldn’t leave you be. "Come on," he would say, leaning over your shoulder as you worked on a spell, his grin wide and carefree. "Show me something cool. You know you’ve got some crazy magic tricks up your sleeve."

His insistence was always accompanied by that grin of his, mischievous and bright, as though his charm could draw you out of your shell. But you never did. You never gave him the satisfaction of seeing you smile, never let him see you as more than just another teammate. It wasn’t his fault—he was just trying to make the team feel more like a family. But you didn’t care about family. You didn’t care about any of them.

“I’m busy,” you’d say, dismissing him with a flick of your hand, returning to your spell. And Wally, ever the optimist, would laugh and zip away, the sound of his footsteps echoing as he left you to your silence.

But it wasn’t enough for him, no. His persistence was a thing of legend. Sometimes you’d catch him watching you, his gaze fixed, a question burning in his eyes. "Why are you always like this?" he seemed to ask with every look. But he never voiced it. Instead, he’d turn away, hoping that somehow, eventually, you’d change your mind.

Then there was Robin. The dark and silent watcher. He knew how to stay in the shadows, how to be everywhere without being seen. His presence was like the night itself—always there, always watching, never truly gone. Robin was the most subtle of them all. He never asked outright; instead, he would drop little comments, observations that always felt like a puzzle, like he was trying to figure you out, piece by piece.

"You know, you could talk to us more," he’d say, casually leaning against the wall as he watched you work. His tone was light, almost playful, but you could sense the undercurrent of something more—something deeper. “We don’t bite, you know.”

You didn’t respond. Of course, you didn’t. The only response he got was the steady flick of your fingers over the spellbook, the quiet hum of magic filling the space between you. He didn’t try to get too close, not like Wally or M'gann, but his eyes never stopped tracking you, always measuring, always calculating. Robin was patient, the kind of person who knew that some things took time, that some people had walls that needed to be broken down slowly.

And you? You weren’t going to let him.

M'gann was the opposite. Her presence was always warm, soft, inviting. She would sit beside you, her legs tucked under her, her eyes wide with curiosity. "You know," she would say with that gentle voice of hers, "I could help you with your spells. I can be a good study partner, if you ever need one."

Her kindness wasn’t forced, never had been. It was natural for her, as natural as breathing. She wasn’t like the others who were driven by some sense of duty or curiosity. No, M'gann’s attention was genuine, a quiet offer of companionship. She was the one who tried to reach you without asking, without expecting anything in return.

But you didn’t need help. You didn’t need her to reach you. And so, you’d quietly decline, giving her nothing more than a polite smile before returning to the words in your book, the pages filled with symbols that had no need for her warmth.

And then there was Artemis. The sharp, straightforward one. She didn’t waste time on subtlety. Her approach was always direct, blunt, like a sharp blade that never hesitated. "You don’t have to be so closed off, you know," she’d say, her voice a mix of irritation and something else. It was hard to tell with Artemis—her eyes were always guarded, her emotions always hidden behind a wall of indifference. "We’re all in this together."

She had a point, of course. But you didn’t care. You didn’t care about being “in it together.” You had your own path to follow, and they weren’t a part of it. You didn’t need to explain that to her, or to anyone. So, you’d give her a nod, a brief acknowledgment that wasn’t really an acknowledgment, and move on with your work.

Kaldur was the calm one, the quiet one. His respect for you was obvious, but it never crossed the line into anything more. He would offer you a nod as he passed, his gaze soft, his presence steady like the water he controlled. He didn’t push you the way the others did. He didn’t try to break down your walls. He simply respected them, kept his distance, and allowed you to be as you were.

But even Kaldur had moments when his gaze would linger on you, just a second too long, like he was waiting for you to finally open up, to let him see more than the cold silence you kept locked behind your eyes.

It wasn’t much, but it was enough. Enough for you to feel the weight of their gaze, the quiet pressure of their attention. They thought they understood you. They thought that if they just tried enough, kept reaching out, eventually, you’d let them in.

But you wouldn’t.

In the midst of their attempts, you kept your distance, always lost in the pages of your spells, your incantations, the quiet hum of power that thrummed beneath your fingertips. They were drawn to you, like moths to a flame, their fascination burning just beneath the surface of their words, their glances, their actions.

But you would remain untouched. You would keep your secrets locked away, your magic a barrier between you and the world they wanted to draw you into.

They didn’t understand it, not really. They couldn’t. You were not like them. You didn’t need what they offered. You didn’t need to be a part of their team, their family, their world. You were the silent watcher, the one who kept their distance while they reached out, always hoping that something would change.

But it wouldn’t.

You weren’t there for them. You were there because you had a purpose, one that had nothing to do with them, nothing to do with the team, and nothing to do with any of their quiet, unspoken obsessions. You would remain distant, and they would keep trying, never understanding why you remained so cold, so unreachable.

And that, for now, was enough.

(A/n: thank you kind fellow fur🤭😽)

[emmg]

Imagine trying to study in the Memorial Gardens

Just chillin’ with your books, trying to pass your classes, when boom, Professor Volkarin shows up, turning the sky into a goddamn magical light show. Sparkles everywhere. Wisps twirling around like they’re auditioning for Cirque du Soleil. Why? Oh, because he’s spitting mad game at some ridiculously hot 20-year-old.

He’s laying it on thick, throwing out lines like “It is when I will it, my dear,” like he’s the main character in a Wattpad fanfic.

You just want to study and one of his wisps is trying to crawl up your ass

Meanwhile Professor Volkarin is very busy tongue-deep in this rando’s mouth now, mystical fireworks popping off around them, while you’re just trying to figure out how to survive midterms.

Wasn’t he supposed to be on sabbatical anyway?? Like, sir, go be messy elsewhere.

[branwinged]

"dragons plant no trees" gets thrown around a lot as fact, but i think the veracity of that claim is still up for debate in the books. because dany (like bran and jon and many others) is a narrative symbol of hope and rebirth within the series because of her connection to dragons and fire, not in spite of it. this is because dragons in asoiaf have a much more expansive narrative function than simply 'nuke metaphor'. the 'exclusively weapons of war' image they have acquired breaks down immediately if you recall that the first thing dany does with them is begin dismantling an unjust status quo. she rallies the unsullied at the gates of astapor with cries of dracarys! dracarys! freedom! <- dragons as a symbol of hope and freedom for the persecuted. and obviously they've been built up as an oppositional force against the others. we're told when the last dragon died summers became shorter. in that respect the dragons, or more specifically, fire which is warmth which is passion—very much embodies life against the numbing, deadening threat of eternal winter that the others represent. but fire also consumes, which simultaneously makes dragons agents of destruction, or as adwd shows: the monsters who eat little girls and leave behind their bones. but when dany found herself chained to a false peace which effectively undid her cause in meereen, it was the dragon that rescued her and reignited her fire to fight back—which is to say that dragons represent a wealth of contradictions within the text and this is likely something grrm means to parallel with the others to some extent, by questioning their apparent narrative role as the one true evil. because i doubt the series is gearing up towards a spectacle-esque battle wherein our heroes get to practice righteous, easy violence on a monolithic army of monsters. that feels like it would undo a lot of asoiaf's preoccupation with investigating violence against socially acceptable targets, even if said target is ice sidhe. and this binary between a one true good and a one true evil, i.e. melisandre's philosophy ("if half an onion is black with rot, it is a rotten onion. a man is good or he is evil.") is not something the story takes as given.

instead there's this exchange between bran, jojen, and meera in asos: "but you just said you hated them." / "why can't it be both?" / because they're different. like night and day, or ice and fire." / "if ice can burn. then love and hate can mate."—and i think it's talking about reconciling two conflicting ideas. because the dream of an eternal summer is just as unsustainable as the threat of eternal winter. i think the battle for dawn is more about questions of seasonal harmony. the first line from agot's summary says, "long ago, in a time forgotten, a preternatural event threw the seasons out of balance", so it's not totally out of question for the series to end with that seasonal balance restored once more. and that question of balance and how it can be achieved then works as a metaphor for a bunch of other things. because asoiaf at its core is very interested in exploring big contradictions, like love and duty? how do you keep all your oaths without betraying someone you love? how can one hope for a just, rightful ruler in a world where the systems in place can never allow such a thing? how do dragons plant trees?

you cannot frame dany's arc as a binary choice between planting trees or embracing (dragon)fire. because the fire is hers, it is a part of her, that's who she is. and her character has always existed outside of rigid dichotomies. at the end of agot she had two options, resign herself to a life of seclusion as a widow or die with the last of her family in that pyre, instead she performed a miracle. presently, i think grrm means to explore necessary, revolutionary violence with her arc because you cannot deal with institutional slavery by simply negotiating with slavers like she does in adwd. and the consequences thereof because she's also been set up to be more reckless with dragonfire in the future. but i think there will be an eventual reconciliation there, between her dreams "to plant trees and watch them grow." and her role as the mother of dragons, as a revolutionary figure. because if ice can burn, then maybe dragons can plant trees. they'll learn how to.

[miscellaneousrenaissant]

It's been almost a week since Episode 3, and I want to highlight two things:

Thing #1: In Episode 3, Shadow!Evan looted his shoes off his dead body

In Episode 2, Evan went into the hot springs in just his black boxer briefs

That means Evan fucking Kelmp went into the magic healing hot springs while wearing just his underwear and wingtip shoes and nothing else, and I need you to imagine - to visualize - the palest, whitest man possible in just black shorts and black shoes chilling in a hot tub

Thing #2: In Episode 3, K and Shadow!Evan toweled off the blood and arm goo that got on Sam

In Episode 2, the only towels they had were the ones T2 brought them

Meaning L.O., whoever they are, is going to find their fluffy, embroidered, freshly laundered, gorgeously lavender-scented towels - that got taken by a teacup pig - now covered in blood

[sonicpilled]

gayestt shit ever look at this thing my god im going to be sick

[alinedreams]

I have a theory that we as a species reach a peak very early in life that only declines over age: the "what do we find cool" peak.

That peak is when we're around 8-10 years old; once we get past age 12, we're already too poisoned by peer pressure and hidden under layers of irony to understand genuine coolness, and once we're adults, we've grown too cynical to care how it works. Much younger than that and they're just too young to have properly found their tastes in coolness.

But a kid in that age range? Their concept of coolness is earnest and all out, they can just imagine the wildest concepts regarding whatever the heck they'd find the coolest and loudly and proudly declare their love for it... Except of course for school bullies, but those never really had the brains for the genuine and have to hide under tough guy/mean girl masks anyway.

So, you want to know what the coolest thing ever could be? Ask a 10 years old. They'll probably say something along the lines of "a mecha dinosaur magical girl with a bazooka that covers their enemies in glitter and then they explode! Oh, and she transforms in a pink and purple mecha dragon with neon lights and sparkly gemstone scales in her magical form!" and heck, you'll end up having to agree with them because that is probably the coolest thing you've ever heard of.

[fingertipsmp3]

I’m gonna challenge my subconscious to a fist fight and I’m gonna lose

[aalt-ctrl-del]

gather 'round children while I tell ye the story about the day I beheld a colorful rainbow flag and the transfer of gays turned me into a bouncy fruit imbued with the powers of yass

[claire-starsword]

Authentic Story of the Shining Force - Saint Fencer Max - Chapter 3

Translation notes:

So, uh. Elliot's name is rendered with two t's in the og game, but a single one in the GBA version. I had never paid attention to that at all until I had already edited all these pages, and I don't care enough to change it.

Cain's sword causes an explosion here. In the game, it is indeed capable of summoning flames.

This is a perfect illustration of how I feel about these names, but I do wonder what the actual intention was, since Cain is supposed to be already gone. The original image is even cut off weirdly in the middle of the text, and i don't think it's a problem with the scan, since every scanned page has a black border showing that the paper itself doesn't cut there. I wonder about the production of this thing, but i'll wait until i translate the author's comments before saying more.

The map in the previous chapter was very accurate to the beta map of the game. The smaller map here showing Rindo however looks off, the coast is different, and there seems to be a river directly to the north of Rindo, as opposed to the path to Shade Abbey. Perhaps fitting since Shade is skipped here.

Metaphaluna, huh? Needlessly to say, the country of the gods/Ancients is called only Metapha in the final game. Also, in this panel, it pops up as an alternate reading for 前世紀 (ancient times), not the name of a country specifically. I chose to romanize the last part as "luna" for three reasons. One is that the continent of Rune is actually rendered as Lune in at least two guides. I take romanizations from JP guides with a grain of salt since they sometimes look bad/unnatural, or are inconsistent (Pelle's name for example has been romanized as both Peil or Payle depending on the book). I checked though, and town names however are consistent in both the books I've seen romanizing things. The second reason is that the beta map used at this point has a fairly noticeable crescent moon shaped island right in the middle. In the final game, we can't know exactly where Metapha is, because you only teleport there. But I wonder if this island had something to do with it at some point. The third reason is simply I saw no better reason. Metaphalna and Metapharuna would be just as valid, but don't have any meaning to them.

The biggest equation next to Tao as she explains the magic types is very clearly a E=mc². Look close.

I've retranslated Elliot's scenes from the game thinking it would be relevant to these notes. Now I feel it really isn't, but you get more content so you should be happy.

My main point with that is that Elliot does not say anything about Cain in the game. In the GBA version, Balbazak does try revealing Max, Cain and Darksol's identities before dying, but that's not a thing in the og. So yeah I really translated a bunch of stuff for nothing this time! Except not because Darksol is awesome in that scene and everyone should get to see it.

Now let's talk about Otrant. I have mentioned before that Otrant's gender is never explicitly said, and they speak in a mostly gender neutral way (I feel like there's a few masculine patterns in some lines, but I'm not confident enough to say for certain). What I hadn't noticed is that they also use lipstick in the games, which is probably what sparked these observations to begin with, but i'm uh, occasionally not smart. In any case, if any of these aspects were done at this point in development the artist here sure ignored them, and drew a regular old man who gets called an old man. They hate to see an androgynous boss winning.

I don't recall Otrant's third eye being called "Eye of Truth" anywhere else, but the manual of the game does say it can see the past and the future.

Otrant's naming of the Shining Force is a bit more elaborate here, but the wording is very similar to the actual game.

Finally, let's play spot the cameo!

We've got Gong, Zylo, one of the birds, and probably Anri. Easy.

Here, besides the obvious three who were actually introduced in the story, we again have a bird, Anri between Ken and Hans, Gong to the right, and Mae and Gort behind Luke. If you read the pre-release page you know that Gort was meant to be Mae's servant at some point, so this might be why they're together, or it's just coincidence because they still join around the same time in the final game. More importantly, to Ken's left we have...

Some guys. Who are these. They could be made up by the artist (there will be another case of this), but I find it curious that the artist had to do that when there are so many character to pick from, and he clearly wanted to depict official characters here. For one, there's evidence that Earnest was already designed at that point in development. However, that link also shows that Vankar didn't have a portrait by that time at least, and Vankar would have already joined by this point in the story. So could the bald centaur here be a beta Vankar, or the artist's interpretation of Vankar via unfinished art? Maybe, but just a guess in the end. Mostly I'm just fascinated by how detailed this guy is compared to even Mae and Gort's cameos. The other guy isn't so i don't think about them nearly as much.

[echthr0s]

me: :) *vibing*

canon Qunari: "shanedan"

me: *battle music starts playing* "OK FIRST OF ALL EXPLAIN TO ME WHY THE CINNAMON TOAST FUCK THE CLEARLY NONWHITE CODED BIG HORNED GUYS FROM A DISTANT LAND ARE THE ONLY PREDOMINANTLY WARLIKE AND BLATANTLY COLONIALIST RACE IN THE WORLD. WHY THE FUCK ARE THEY MAKING CHAINED-UP SLAVES OUT OF MAGES JUST FOR THE SHEER FACT THAT THEY CAN CAST FIREBALL. THE SAME RACE THAT IS LIKE "WE DON'T WASTE PEOPLE" OKAY BUT HAVING A GUY THAT CAN'T PARTICIPATE IN SOCIETY, CAN'T DO ANYTHING EXCEPT BE AN OCCASIONAL WAR ASSET, ISN'T A WASTE? MATTER OF FACT, STARTING STUPID WARS FOR NO REASON EXCEPT "THOSE GUYS DON'T DO THE QUN" ISN'T A WASTE???? YOU COULDN'T JUST HAVE THEM BE WEIRD AND SNOBBY AND ISOLATIONIST OR SOMETHING? THEY HAD TO BE WARMONGERS? WHY? GO AHEAD. TELL ME WHY RIGHT NOW"

[wizardlyghost]

had a nosebleed at like 5:30 in the morning right before i had to go to work and i just got home and my floor looks like a fucking murder scene :(

[acourtofquestions]

No. No, it couldn't have been a dream The escape, Rowan, the ship to Terrasen—

A dream. An illusion. Her escape from him, from Maeve, had been another illusion.

Had she said it? Had she said where the Keys were hidden?

Then a cool, cultured voice purred, "All that training, and this is what becomes of you?" Not real. Arobynn, standing on the other side of the altar, was not real.

"Even Sam held out better than this."

Fenrys snarled.

You could get out of these chains, if you really wanted," Arobynn said, frowning with distaste. "If you really tried."

No, she couldn't, and everything had been a dream, a lie.

"You let yourself remain captive. Because the moment you are free..." Arobynn chuckled. "Then you must offer yourself up, a lamb to slaughter."

Only hearing the King of the Assassins, unseen and unnoted beside her.

"Deep down, you're hoping you'll be here long enough that the young King of Adarlan will pay the price. Deep down, you know you're hiding here, waiting for him to clear the path." Arobynn leaned against the side of the altar, cleaning his nails with a dagger. "Deep down, you know it's not really fair, that those gods picked you. That Elena picked you instead of him. She bought you time to live, yes, but you were still chosen to pay the price. Her price And the gods'?"

Arobynn ran a long-fingered hand down the side of her face. "Do you see what I tried to spare you from all these years? What you might have avoided had you remained Celaena, remained with me?" He smiled. "Do you see, Aelin?"

She could not answer. Had no voice. Cairn hit bone, and—

Aelin lunged upward, hands grasping for her thigh. No chains weighed her. No mask smothered her. No dagger had been twisted into her body. Breathing hard, the scent of musty sheets clinging to her nose, the sounds of her screaming replaced by the drowsy chirping of birds, Aelin scrubbed at her face.

The prince who'd fallen asleep beside her was already running a hand down her back in silent, soothing strokes.

A dream. Just a dream.

She twisted, setting her feet to the threadbare carpet on the uneven wood floor.

"Dawn isn't for another hour," Rowan said.

Yet Aelin reached for her shirt. "I'll get warmed up, then." Maybe run, as she had not been able to do in weeks and weeks.

Rowan sat up, missing nothing. "Training can wait, Aelin." They'd been doing it for weeks now, as thorough and grueling as it had been at Mistward.

She shoved her legs into her pants, then buckled on her sword belt.

"No, it can't."

A gathering storm to the north had forced their ship to find harbor last night—and after weeks at sea, none of them had hesitated to spend a few hours on land. To learn what in hell had happened while they'd been gone.

The answer: war.

Everywhere, war raged. But where the fighting occurred, the aging innkeeper didn't know. Boats didn't stop at the port anymore— and the great warships just sailed past. Whether they were enemy or friendly, he also didn't know.

Aelin scowled. "What." It wasn't so much of a question as demand.

His gaze was unfaltering. As it had been when she'd returned from her run through the misty fields beyond the inn and found him leaning against the apple tree. "That's enough for today."

"We've hardly started." She lifted her blade.

Rowan kept his own lowered. "You barely slept last night."

Aelin tensed. "Bad dreams." An understatement. She lifted her chin and threw him a grin. "Perhaps I'm starting to wear you down a bit."

His canines gleamed. "You need to eat."

"I need to train."

She couldn't stop it-that need to do something. To be in motion.

No matter how many times she swung her blade, she could feel them. The shackles. And whenever she paused to rest, she could feel it, too—her magic. Waiting.

Indeed, it seemed to open an eye and yawn.

She clenched her jaw, and attacked again Rowan met each blow, and she knew her maneuvers were descending into sloppiness.

Knew he let her continue rather than seizing the many openings to end it.

She couldn't stop. War raged around them People were dying. And she had been locked in that damned box, had been taken apart again and again, unable to do anything.

Rowan struck, so fast she couldn't track it. But it was the foot he slid before her own that doomed her, sending her careening into the dirt.

"I win," he panted. "Let's eat."

Aelin glared up at him. "Another round."

Rowan just sheathed his sword. "After breakfast."

She growled. He growled right back.

"Don't be stupid," he said. "You'll lose all that muscle if you don't feed your body. So eat. And if you still want to train afterward, I'll train with you." He offered her a tattooed hand.

But Aelin said, "People are dying. In Terrasen. In-everywhere. People are dying, Rowan."

"Your eating breakfast isn't going to change that." Her lips curled in a snarl, but he cut her off. "I know people are dying. We are going to help them. But you need to have some strength left, or you won't be able to."

Truth. Her mate spoke truth. And yet she could see them, hear them. Those dying, frightened people. Whose screams so often sounded like her own.

Rowan wriggled his fingers in silent reminder. Shall we?

Aelin scowled and took his hand, letting him haul her to her feet. So pushy.

Rowan slid an arm around her shoulders. That's the most polite thing you've ever said about me.

Elide's eyes widened. Widened further as he opened his mouth, and took a bite. His swallow was audible. His cringe barely contained. Elide reined in her smile at the pure misery that entered the Lion's tawny stare. Aelin and Rowan had been finishing up a similar battle when she'd entered the taproom minutes ago, the queen wishing her luck before striding back into the courtyard.

Elide hadn't seen her sit still for longer than it took to eat a meal. Or during the hours when she'd instructed them in Wyrdmarks, after Rowan had requested she teach them.

It had gotten her out of the chains, the prince had explained. And if the ilken were resistant to their magic, then learning the ancient marks would come in handy with all they faced ahead. The battles both physical and magic.

Gavriel met her stare, and Elide again restrained her laugh.

She felt, rather than saw, Lorcan enter. The innkeeper instantly found somewhere else to be. The man hadn't been surprised to see five Fae enter his inn last night, so his vanishing whenever Lorcan appeared was certainly due to the glower the male had perfected.

Indeed, Lorcan took one look at Elide and Gavriel and left the dining room.

They'd barely spoken these weeks. Elide hadn't known what to even say. A member of this court. Her court. Forever.

He and Aelin certainly hadn't warmed toward each other. No, only Rowan and Gavriel really spoke to him. Fenrys, despite his promise to Aelin not to fight with Lorcan, ignored him most of the time. And Elide ... She'd made herself scarce often enough that Lorcan hadn't bothered to approach her.

Good. It was good. Even if she sometimes found herself opening her mouth to speak to him. Watching him as he listened to Aelin's lessons on the Wyrdmarks. Or while he trained with the queen, the rare moments when the two of them weren't at each other's throats.

Aelin had been returned to them. Was recovering as best she could.

Elide didn't taste her next bite of porridge. Gavriel, thankfully, said nothing. And Anneith didn't speak, either. Not a whisper of guidance. It was better that way. To listen to herself. Better that Lorcan kept his distance, too.

Whether the others knew what propelled her, they hadn't said a word. Aelin sheathed Goldryn and loosed a long breath. Deep down, her power grumbled. She flexed her fingers. Maeve's cold, pale face flashed before her eyes. Her magic went silent.

Fenrys sat in wolf form at the edge of the nearest field, staring out across the expanse.

Precisely where he'd been before dawn.

She let him hear her steps, his ears twitching. He shifted as she approached, and leaned against the half-rotted fence surrounding the field.

"Who'd you piss off to get the graveyard shift?" Aelin asked, wiping the sweat from her brow.

Fenrys snorted and ran a hand through his hair. "Would you believe I volunteered for it?" She arched a brow. He shrugged, watching the field again, the mists still clinging to its farthest reaches. "I don't sleep well these days." He cut her a sidelong glance. "I don't suppose I'm the only one."

She picked at the blister on her right hand, hissing. "We could start a secret society-for people who don't sleep well."

"As long as Lorcan isn't invited, I'm in."

Aelin huffed a laugh. "Let it go."

His face turned stony. "I said I would."

"You clearly haven't."

"I'll let it go when you stop running yourself ragged at dawn."

"I'm not running myself ragged. Rowan is overseeing it."

"Rowan is the only reason you're not limping everywhere."

Truth. Aelin curled her aching hands into fists and slid them into her pockets. Fenrys said nothing didn't ask why she didn't warm her fingers. Or the air around them. He just turned to her and blinked three times. Are you all right?

A gull's cry pierced the gray world, and Aelin blinked back twice. No. It was as much as she'd admit. She blinked again, thrice now. Are you all right?

Two blinks from him, too. No,

They were not alright.

They might never be. If the others knew, if they saw past the swagger and temper, they didn't let on.

None of them commented that Fenrys hadn't once used his magic to leap between places. Not that there was anywhere to go in the middle of the sea. But even when they sparred, he didn't wield it. Perhaps it had died with Connall. Perhaps it had been a gift they had both shared, and touching it was unbearable.

She didn't dare peer inward, to the churning sea inside her. Couldn't.

Aelin and Fenrys stood by the field as the sun arced higher, burning off the mists.

Aelin shook her head. Another dream, or hallucination. "If she's on our heels with this army, I'm just ... trying to understand it. Her, I mean."

"You plan to kill her." The gruel in her stomach turned over, but Aelin shrugged. Even as she tasted ash on her tongue.

"Would you prefer to do it?"

"I'm not sure I'd survive it," he said through his teeth. "And you have more of a reason to claim it than I do."

"I'd say we have an equal claim."

His dark eyes roved over her face. "Connall was a better male than—than how you saw him that time. Than what he was in the end."

She gripped his hand and squeezed. "I know."

The last of the mists vanished. Fenrys asked quietly, "Do you want me to tell you about it?" He didn't mean his brother.

She shook her head. "I know enough." She surveyed her cold, blistered hands. "I know enough," she repeated.

[gonzodangerfeels]

She's like, come on I know you wanna see it...

you told me all of last fall

[theres-whump-in-that-nebula]

The numerically-related spell I recited and wrote down incessantly in high school is kicking my ass and also may literally break my bones at some point in the near future.

[sonrium]

DP × DC The Power of Names Coffee Shop AU

Coffee shops are notorious for misspelling peoples names to the point that it's a running joke and basically a forgone conclusion everywhere. Everywhere except this tiny coffee shop near Crime Alley. The new hire there, Danny, spells everybody's name correctly without having to ask. Whether it's "Carly" or "Karly," he always gets it right the first time. Heck, people give him their names in Chinese and Arabic, and he swaps to the correct alphabet, no problem (because Danny, being king of the dead, can speak all languages dead and living, so might as well be respectful).

It becomes a bit of a running joke in the community to give Danny the craziest names they can find to see if he can get them right. Some of the Bats even hear rumors about him and give it a go for fun. They make a game out of it to see who can find a language or alphabet that Danny can't get. That is until, while massively sleep deprived from a case involving cults and magic and getting nowhere, Tim accidently says one of the words that he'd been hearing in the cultist chants when he orders. Danny gives him an odd look but shrugs and writes something on the cup. It isn't until Tim has already left the shop that he realizes that the symbol written on his cup is one shown in the cultists scrolls he couldn't decipher.

Tim almost dropped his coffee. Danny wasn't just a human who knew a ton of languages, he must have been a meta with the ability to understand EVERY language. And the Bats desperately needed his help to crack this one before the cultist finished summoning whatever demon or disaster they had planned. But how to get the kid's help? From idle chatter while ordering, the Bats learned that Danny wanted nothing to do with the Gotham vigilantes. And Tim had already given his connection to this case away by spewing that word written on his cup...

(I like to imagine the name Tim gave was something like "corn field" and that's why Danny looked at him funny and not because it's one of the languages of the dead)