#with / hakoda.

[wileycap]

I don't think I've seen anybody talk about how absolutely insane The Boiling Rock is from Hakoda's perspective.

Imagine getting captured, and your son tells you that you won't be apart for too long. That's sweet, but obviously your son has no resources to spare for organizing a breakout. You hope that the Avatar can defeat the Fire Lord soon - that's the earliest time you could hope to be rescued.

You get put into a temporary holding facility until the guards can sort out who is who. After a while, they put you on a prisoner transport to the Boiling Rock. Your captors try to intimidate you by telling you that it's the highest security prison in the Fire Nation, probably the whole world. It's far away from the capital.

You arrive at the Boiling Rock. It really is in the middle of a boiling lake. There's only one way in or out, and it's a gondola that takes you above the boiling lake. You meet the warden. They take you to your cell. You settle down to wait for the end of the war.

And 15 minutes later Sokka comes in like "hey dad I'm here I got the prince of the Fire Nation and an Earth Kingdom ninja leader gf ok let's go I'm busting you out"

[bakedbeanchan]

random fire nation diplomat #492 will never understand the complex and fucked up relationship between the water siblings like I do 🙄

[thorcep]

Zuko and Suki had an awakening in the blimp after boiling rock

[chiptrillino]

ID: Katara and sokka in swimgear. in the first image, sokka is searching for something in the water. his hair getting wet. katara leans over to him saying "don't you think, its time for a haircut?" in the second image sokka rose form the water, a dog-shark creature in hand, swinging his hair in Katara face splashing her. smugly he says "no <3". End ID

i know its winter! i know it likley snowed by now on the northern hemilsphere! but... on the southern side is summer time right??? so... its fine.... this is fine!!!

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!!! please do not use or repost this artwork without permission!!!

[chiptrillino-art]

(ID in ALT text)

just some kuruk tests

[beelze0-0]

Hakoda

CW: mention of death

(ID: sequential art

image 1: a wide shot of a hill overlooking the fire kingdom, patches of sunlight peek through heavy storm clouds, the small figure of Zuko runs down the hill towards Sokka who kneels further away

image 2: the top of a partial handwritten letter reading “Dearest Sokka, father has died…”

image 3: scene from behind Zuko who is holding an umbrella and has caught up to Sokka who is hunched over on the ground clutching a scrap of paper, the storm in the background has gotten closer consuming the buildings close by

image 4: the bottom of a partial handwritten letter reading “…I need you now [more] than ever. -Katara” the page is crumpled in Sokka’s hand and has wet stains

end ID)

[throngsss]

If Hakoda and Ozai ever interacted in the show, it would probably be something like this

Based on this image:

[demaparbat-hp]

Golden Boy (and Silver Girl) for the Kintsugi AU.

[renif]

decided to draw this guy, while listening to the song "bitwa" on repeat, which is a polish sea shanty, let me tell you I was vibing

[medulllaossium]

[janadoesstuffwrong]

Something that I think ppl who ship both sukka and zutara don't acknowledge enough is the fact that poor Hakoda met both his kids' future spouses on the same day, in the same place and that place just happened to be prison.

[jayietheriverwarrior]

Okay. Okay. I’m rewatching ATLA and I just hit The Runaway and… new headcanon.

After the war, Toph pulls Aang, Suki, and Zuko aside and explains the whole “Sokka can’t remember what their mom looks like” thing and says she wants to do something about it, for both Sokka and Katara. So they put together a plan. They get Hakoda, Gran Gran, and any other Water Tribe members old enough to remember Kya to give them as detailed a description of her as possible, then with Zuko’s financial help they hire a top-notch portrait maker to put it all together.

Sokka and Katara aren’t suspicious when Zuko approaches them about having them sit for a portrait together - they helped save the world, they have quite a bit of fame and political attention now, makes sense to kind of capture them how they looked when they first defeated the Fire Lord for posterity. But with both of them sitting for the portrait for reference, and with the information from the Water Tribe describing her to work from, the artist is able to put together a damn good recreation of Kya. And when Sokka and Katara finally get to see the finished product r and realize what the artist was really working on, and what their friends did for them… Katara of course bursts into tears, both sad and happy, grief for her mother and joy to see her face so clearly again after so long, and full of love for the friends who went to so much effort to give her this.

But all Sokka can do is stare at the portrait. For so long, his image of his mother has grown murkier and less distinct in his mind. For so long, when he’s tried to picture his mom, all he could see was Katara, because it was Katara who stepped up and took on that role, Katara who made sure everyone stayed together and kept them feeling like a family. But now, he looks at this portrait of his mother, smiling and warm and alive in a way that she hadn’t been in his mind in so long, and instead of Katara in her face, he sees himself.

[bakedbeanchan]

[hitemwiththeoop]

dont even get me started on how they reduced mai and ty lee as blind followers of azula that showered her with praise. or how they made zuko look like her example to follow when it was his banishment that made azula look down on him. or how they randomly tried to show ozai's care for zuko and a bit of a soft spot or care for his family. or how they made zuko fight him when the point of the scar scene was that he got it because he refused to fight his own father.

better yet, i could begin talking of how they took away katara's maternal attitude because it wasn't “fitting” for a girl her age and instead gave the role to sokka, who angrily tells her to grow up at one point, when it originally showcased the effects of the loss of her mother by trying to assume the position she left empty, while in the original show sokka did the same trying to fill hakoda's absence.

let's also talk about how they made hakoda look horrible when he criticised sokka's actions behind his back instead of supporting him with the idea of improvement to instead make ozai look like a better father. Or hey, wait, the scenes where everyone keeps blaming aang for having “abandoned” (even kyoshi) the world for some freaking reason???

suki head over heels for sokka right off the bat and stalking him around. june incessantly flirting with iroh. the whole cave of two lovers lore completely butchered. the omission of plot points to give priority to unnecessary scenes. the avatars being a bunch of a*holes that bully aang instead of guiding him. that random miniplot of roku with the small replica of the mother of faces????

what a ride

[witchering10123]

hakoda: you need to stay here and protect your sister

13 year old sokka, whose only point of reference for "protecting his sister" is literally his mother sacrificing herself in katara's place: ok 😃

[chiptrillino-art]

Hello! Wellcome to my sort of 2023 recap!

ID in ALT text shockingly i drew more zukos then sokkas this year.... which is weird to me personally? although... i did have a sudden 'i have no clue how to draw zuko?!?!?" moment this year. oh also..uh... i was wondering if i drew egnouth faces to make them 'turn around' and well...

kind of?