#will i even put this in the main tags i don't know

[angevinyaoiz]

Was compelled by these tags but I wanted to put my personal analysis here! Trying to keep it strictly based on the events of the movie and not on pure speculation or external historical stuff, bc I think they do a LOT of interesting things in this short scene and what it implies about the Richard and Philip and Henry (and Louis) relationship dynamics.

I think because this happened right after his back and forth with Henry where Philip felt like he was getting somewhere until Henry did his whole smug ass "Haha I win I squeezed all the information out of you ;D goodnight!" It made him jump out of his more calculated "facts and logic" mode and into a more deeper sense of his burning resentment and inferiority complex, hence the whole "you made my father nothing...and then you made him love you for it" speech. Love is kind of established as a sign of weakness and submission, even if in this case it's not in a romantic context. Louis is a "loving man" who (in the world of TLIW) gets taken advantage of by Pushy men like Henry and Philip is frustrated with that weakness. And so when Henry smugly reveals he was just probing Philip for info, Philip feels like he is "losing" and being demeaned again and so decides to pull out his secret weapon.....His Super Special Scandalous Information jfjdif to throw more fuel on the fire.

Course the main thing is Henry isn't even that scandalized like you said ("Richard finds his way into so many legends, let's hear yours" and in the play after the telling he's just like "I've heard better" lmfao...3 out of 5 stars. Also let's not forget he's also a boydiddler too from his speech to Alais in the opening scene. The royal corkscrew is NOT easily shocked!!). Philip is playing an interesting paradox where he's basically framing Richard as the Older Predatory type taking advantage of him, but also Richard is simultaneously Pathetic and weak at the same time for caring so much about not just sex presumably but wanting to be loved and desired. Philip also casts himself as the Victim in this scenario, as the younger, innocent and un-desiring party, but also positions himself as being the strong-willed clear-headed one where it's like "yes I succumbed ...but NOT because I was too Weak to Resist or out of Fear but because it was my Genius Long Game Plan All Along."

Why does he do this??? I would say like earlier, it was kind of his last card to play in their battle of wills, and allowed him to feel like he had a one-up on Henry after Henry had been smugly putting him down the whole day. I feel the purpose of this is similar to Eleanor's outburst about fucking Henry's father later in the film. Where it really doesn't do anything helpful for her, since he just leaves to do his thing. but in the moment is an emotional weapon that she knows will hurt him. Also there's something fun and cathartic about both Philip and Eleanor's outbursts where after a long day of conniving they really relish in talking about Being Bad in a more straightforward way. For Philip it does end up being helpful in that it sets the ball rolling to reveal all the sonbetrayals in the room and gets the feelings all heightened and sows distrust amongst the family.

Also, to get a bit more speculative, but still basing strictly off what is in the earlier scenes: in the end we don't know the truth of what happened between him and Richard in the forest during the event that he recounted, or what his true feelings are. I personally feel what is implied from his earlier interactions with Richard is that there was a sincere emotional connection, and that they did both miss each other during their time apart. There's implied also a little frustration on Philip's part over Richard not keeping contact and maintaining their friendship after the marriage. But also I sort of interpret it as he wanted to reframe the story in his mind as well, maybe to himself, in a way where he comes out of it feeling like he had control over the situation, especially if their encounters were really as dubiously consensual as he implies it as being. If he did love Richard at some point, that would mean he was the one being "weak" like his father, and so to be strong and be a man and respected ruler ("No man's boy" as he keeps Insisting Very Hard in public the whole movie), he can't afford to indulge in affection the same way. The sexual element just adds another layer that, viewing both from the medieval and 1960s homophobia POV, is already assumed to be deviant and something to distance one's self from. If having the affair with Richard was only A Genius Plan to Sabotage Henry all along, with only Disgust and No Real Feelings of Affection Ever, then he can manage to wiggle out of being implicated or having any responsibility for Sodomybehaviors while pinning all the shame onto Richard (and by extension, Henry.)

So the motivation I can see as being a mix of being mad at the history of Henry overpowering his father and belittling him, being conflicted with Richard for either 1) taking advantage of him back then or 2) having had maybe for real a pleasant affair but getting ghosted 3) most likely a mix of the two. Whatever the case, his main goal was to destabilize Henry and it fit into that goal, so he just poured some extra oil on the fire I guess XD

*in some ways, it's a very 60s homophobia more than a medieval kind, since I feel in early and medieval era there's nothing that would feel off about intense emotional, borderline romantic love between men if expressed in specific socially approved venues. but in modern times even emotional affection is an expression of weakness and timidity, or if a sign of a separate lesser identity being revealed, as how it is portrayed in this movie. The sexual element as deviant is important to the luridity but the part Philip emphasizes as particularly shameful is the vulnerability of asking for love from a man and wanting it returned.

a king like you has policy prepared on everything. well, what’s the official line on sodomy? how stands the crown on boys who do with boys?

THE LION IN WINTER 1968 | dir. anthony harvey

[eerna]

One part that makes me really sad is that arcane used to explore and be centered around Zaun and Pilltover issues but then at the end of season 2 it's totally wiped out, okay everybody is fighting together but what will happen after ? The relationship between both parts of the city (as well as inside of them with the Concilors' deceptions, the rivality of the gangs, and different "eras of leaders" (Vander/Silco/after) etc) has been so complex and confrontational for decades, with pilltover system crushing the undercity without a care, it was really explored in season 1 and at the beggining of season 2 (even episode 7 showed us a different dynamics btwn the two) but then I feel like it was forgotten... like okay they had a common enemy and fought and had losses together but is this really enough to resolve the issues between the two?? Like in practice what will change so they can both be equal after decades of oppression ? Like pilltover system was flipped out by the killing of the council and the undercity at war with itself after Silco's death managed to rally by the imagery of Jinx and revolution, and now after the whole war/hextech thing they can reach a point of change but I need to see it in practice!! Don't we forget that a few episode ago, the "Main Concillor" and her tag team went on a rampage, gassing Zaun, reversing a system put in place by a councillor so they could breathe.... And then she became even more authoritarian, and is she going to face any repercussions for this ? No (I mean none of the characters really do but.. they were all up in arms trying to locate Jinx for what she has done, but for cait well absolutely nothing..)

Like even the hextech was created at first by Jayce and Viktor to improve lives but in the end was first used only by pilltover, and they lost their minds when the undercity got a hold of it (okay they were attacking but you see my point..), then weaponised against zaunites, and then we know what happened... and Viktor got sick in the first place because of this gas in the fissure and that what started the whole transmutation thing....

Anyway, sorry, I'm rambling and totally losing the plot... but what I'm trying to say is that Arcane really used to explore in details the dynamics inside and between the cities and now we don't get any sort of proper closure about it, it's only left to our imagination. Like it was a center storyline and underlying others... And even the end of season 1 left us on a cliffhanger about that, it was also the original dream of Vander, Silco and the sisters' mom... And even tho they gave us an inkling of what might happen, I think they could really explore this further, because it feels like loose ties...

PS: I'm so sorry, I'm so incoherent and my English is bad, I'm just tired so I can't properly explain what I mean but I hope you still got it...

I totally understood what you mean, no worries! One non-English tumblr user to another~

It was such a fairy tale solution. I don't think a few Zaunites joining Enforcers had the power to totally flip the way Piltover looks at them. Remember how they treated Vi at the beginning of the season? Well that doesn't matter anymore. They have a seat at the table now yay. System fixed. No one will be punished for the crimes against the people, because it isn't even established what the crimes are. All we know is that fighting Viktor and Ambessa convinced Zaunites to give up on their revolution. S1 set up the conflict so carefully and explained why it can't be solved easily SO WELL, only for s2 to go and say "skill issue"

[utilitycaster]

One last thought that I started to put in the tags but want to put here instead is that as someone coming to CRPGs from TTRPGs both played and actual play (and to the former from fantasy novels more than anything else), it is really fascinating because I know a lot of people, at least of the millennial or younger generation, had the opposite experience (ie, played RPG video games before coming to D&D and such). And I wonder if that influences my approach because in the end, CRPGs arguably give you as an individual the most control over the world. While the choices are not as infinite and boundless as they are in a TTRPG, you don't have to contend with the real feelings of other people; you are by definition either the main character or the person who ultimately decides what happens. Meanwhile, if you come from fantasy novels, any individual influence on the narrative is new and exciting. I don't think this locks people into one approach, but I have observed that I tend to be a little more open to like, seeing what plays out and allowing canon ships a chance to win me over even if they weren't what I was inclined to ship than many people, or a little more patient with meandering or strange decisions.

[gammarads]

someone (me) should write a fic where jayce feels so bad after killing viktor that he throws himself into the timeloop again and he fucks around in several different timelines trying to change the outcome and do whatever he can to ensure viktor doesn't go down the path he does. but none of it really matters because he couldn't stop viktor the time it mattered

maybe, just maybe, jayce finds a timeline where things feel right. and he does things differently this time, and things are okay, and maybe things even work out. viktor doesn't go off on his own and jayce takes care of the hexcore and it's all okay. but no amount of fixing things and growing old with viktor in this timeline will ever feel real or right enough because jayce couldn't stop viktor the it mattered

[lydiaalin]

save me horror cowboy game ocs save me

[ghastlyaffairs]

for something as trivial and simple those feelings sure are hard to get rid of

also made a gif a version for fun + alt version with no tears under the cut

the gif is in very low resolution...this is a feature (i could make it bigger but that would require saving each frame individually and than glueing it all together. also i feel like low resolution suits it better. aesthetically and fits the mood)

[anglerflsh]

the actual second that frame existed in my brain I started redrawing it

[maydayissleepy]

*kicks feet* tehe so who do u have a crush on

Another my au specific sketch because I forget that these two are Not my ocs half of the time

Anyway. I like to think about traits they find appealing in other people sometimes,, , not just for crushes really, but their choices of friends mainly

Because for Acronix, I tend to write him befriending people with hobbies or jobs that allow them to create things, namely being Ray (blacksmithing) and Cyrus (technology) as his best friends (besides Krux ofc), but also specific to my au, being friends with the master of form during the fsw (who I hc as having many hobbies in the visual fine arts) and of the ninja, I'd imagine him befriending Nya (, also technology)

And though Acronix isn't much of a creative himself, he'd be happy just observing his friends work or making use of their creations

In Krux's case, I'd think he values people that are honest and straightforward about things, people that are not afraid to speak their mind with him. Leading to him being friends with Misako (also partially due to shared interests), and Roya (an oc of mine), and though I don't have much written about them, I also imagine Krux being friends with the former masters of Sound and Earth.

. Anyway the idea of Acronix having a crush on Ray is so silly to me because I don't think he would really Know if he had a crush on Ray, or anyone. In his mind he just thinks he wants to be Really Good Friends with him, until everything gets cut short at the end of the war. And then later he has similar feelings about Cyrus, until he eventually just goes. Hey Wait A Minute

[onboardsorasora]

Hey guys, remember in 2023 when the RB19 was so bad after Barcelona and we were all worried and nervous in Qatar that Max was going to be mathematically eliminated from the WDC contention and that RBR was gonna lose the constructors? Exactly.

Please take everything being said right now with the biggest heaping of salt. Because nothing is said and done and over or back or gone until its been announced. Nothing has been announced. All cards are still in play. Have a little faith, or at least some chill.

[oneroomjestershow]

wait he's innocent it was the rats

[mathewton-cl]

As An IzuOcha Shipper…

…them not ending up together isn’t the problem.

Horikoshi taking the “leave it up to interpretation” approach and then proceeding to COMPLETELY AVOID ADDRESSING their relationship status is the problem.

Horikoshi failing to tie up that one last loose end for Uraraka’s character arc (not closing off her feelings) is the problem.

Again, I ship IzuOcha. Still do, because I’m stubborn. Would I have liked for them to end up together, even if it was only a somewhat blatant implication that could be handwaved? Obviously. But you know what? Maybe I would be upset if the story went out of its way to explicitly de-confirm any chance of Midoriya and Uraraka being a romantic pairing, but I’d at least respect it and understand it a lot more if the story let Midoriya and Uraraka actually talk about this, or at the very least SHOWED US them talking about this. I’d understand if Uraraka completed her character arc by having a heart to heart with Midoriya and telling him that her feelings have changed, her priorities have changed, and Midoriya understands and they remain good friends. Let’s be real, romance isn’t Horikoshi’s strong suit, despite his many attempts to leave romantic implications throughout the series. I’d completely understand if he just had Midoriya and Uraraka talk and they didn’t end up together, because at least then it still provides both of their characters with closure.

But no, that’s too simple. Let’s just “leave it up to interpretation,” because it clearly wasn’t that important, right?

Well, as many people on the internet have already brought up, if it wasn’t so important, why did you spend so much time putting emphasis on it? Why did you have Uraraka, up until the FINAL WAR, have her crush on Midoriya be a crucial part of her character (it wasn’t her only character trait, mind you, but it was still important)? Why did the penultimate chapter have the class come to comfort Uraraka and tell her that they can talk to her… and then come the next chapter, Uraraka apparently hasn’t done anything regarding her supposed crush on Midoriya? For literal YEARS!?

…see, this isn’t even a shipping problem anymore. This is a character problem.

Horikoshi, for whatever reason, chose not to include a romance for the main character and his supposed love interest. And again, that’s fine, not every story needs to be a romance. Two problems with it here though (well, one problem and an observation):

1) Choosing to not at least address the romantic subplot with a “I think we’re better off as friends” encounter, thus actually concluding the subplot and providing a sense of closure, not only leaves the result feeling underwhelming and frustrating, but also actively damages Uraraka’s character arc. We can have her address the problem that caused people like Toga to exist, but heaven forbid she talks about romance with Midoriya.

2) Despite his supposed aversion to romance, Horikoshi still went out of his way to give Gentle and La Brava wedding rings… he’s willing to establish a side romantic pairing without bringing too much attention to it, but he can’t be bothered to do something similar for the arguable MAIN pairing? It’s the “Togata has special clothes so he doesn’t end up buck naked, but Hagakure’s still gotta go commando” debacle again…

I’ma go ahead and wrap this up ‘cause I don’t wanna keep y’all much longer, but like… being optimistic, this ending was… functional. I’ve got my problems with it, obviously, I don’t think it was BAD bad… but it certainly wasn’t good. It works. Barely. And it’s ‘cause of stuff like this.

Midoriya and Uraraka didn’t need to end up together, truly. All Horikoshi had to do was put the smallest amount of effort and give us something of substance, something with closure. Instead, we got what we got.

I get that he was exhausted and wanted the manga to be over… but that excuse only holds up for so long.

[arkiwii]

very sad still see the saria/silence divorce headcanon still going around

have you ever tried to consider that they never dated before lone trail because it would be unrealistic with the timeline and the events and also because it would be overshadowing the actual truth of why they couldn't get along

[genesisvirus]

not gonna lie.. people that say mdp's responses are an ai bot give me "learn to speak english if you're going to live in america" vibes, especially since there's evidence english may not be his first language.

but i think i'll get crucified on the spot if i told people that, so i'm just going to point it out to my little corner of the internet over here.

[karamazovanon]

some super messy sketches from this post i ended up not using!! holding him and shaking him like the girl from finding nemo

[articularreview]

⚠️Spoilers for Shinrei tantei Yakumo - the lamenting doll file 03 and the epilogue⚠️

Here in case you missed it

I just read it and spontaneously wrote this.

Be careful if you haven't read it yet.

The file starts with where it left off the last time with them deciding to locate Mahiro's mother.

I kinda forgot about it since we haven't seen Isshin for a while, but this volume reminded me of how much Yakumo is influenced by Isshin. Be it the way they talk or sometimes even their mannerisms.

It's pretty much a given that they'll have to stay another night at the hotel but that would mean Haruka will have to stay in that creepy ass room again. Isshin really told Yakumo “accept the situation or sleep with her”😭😭😭

But sadly It's just like Gotou said, Their relationship label won't allow it smh

Gotou's snores and Isshin's bad posture are KILLING ME. My mom entered the room while I was having a fit of laughter I just looked crazy to her 😭

Isshin is so chill he doesn't care if you try to make him look bad. Rather his hilarious responses made Gotou look silly for complaining. Poor Gotou-san. Maybe I should learn from him... Unbotherement sure is powerful~

Anyways I guess that means Yakumo is the only one who sleeps normally hahaha

Just like I expected, Mahiro's death is weighing Hiromi down. kinda knew it from file 02, but hearing the details from Masae made me want to cry. No parent should ever go through this.

And so they split into two teams: team Gotou and Yakumo. and team Haruka and Isshin. All I'll say is that the latter team sure is a good match.

And then we have Gotou-san who not only has to put up with Yakumo's comments but also got a Salary cut too!! He suffered too much this trip. Imagine wanting to skip work only to get dragged all the way to a whole different prefecture. Still kinda his fault for ignoring Ishii smh.

Speaking of Ishii I'm happy he and Makoto were mentioned even though they didn't make an appearance. Isshin's mere presence made up for any other character's disappearance. Kaminaga-sensei is a genius for mentioning Eishin too. I think references like that will increase in the complete version. Knowing the future and the direction of your work sure makes a big difference. It was really interesting knowing that Eishin was the one taking care of Nao when Isshin's not around. Nao must really miss Isshin even if she doesn't show it on her face. I head canon afterwards Nao being overjoyed to see not only Isshin but Yakumo and Haruka too after his two-day disappearance.

The scene when that madman dragged Haruka gave me the chills. Kaminaga-sensei using TTCM as a reference sure was brutal I ended up imagining it. Haruka did her best till the very end but the situation was hopeless. She can't even resist. her mouth, legs and wrists were taped. And on top of that he had the audacity to slap her! How dare him! If that man wasn't charged with attempted murder after all this I'm throwing hands!

In the end the case was solved and we find out that Takahiro-kun was the one talking to Hiromi all along. It really broke my heart knowing that all this time he didn't even know he was dead and yet played along to try to comfort Hiromi who was mourning for her child. What a strong kid. He and Mahiro are.

The lamenting doll huh... makes sense.

In the epilogue we learn that Yakumo can't handle hot food which I thought was really cute.

Tbh his whole food preference was quite unexpected. First we learn that he has a sweet tooth (Which Haruka thought doesn't suit him at all lol) and then a similar situation to the one in the epilogue happened in vol. 7 iirc when Yakumo was (again) staring at the sake and when Haruka asked if he can't drink he stubbornally tries to only to spit it out. This man just can't be honest😂 I actually really respect men who don't drink or smoke so that's a flex~

Now some of my favorite Yakumo lines which for some reason all happen to be verbally abusing Gotou (Can't blame Haruka for laughing because c'mon how could you not?)

• “You can say that because you've never heard it yourself. Compared to Gotou-san's snores, even a train would be quieter.”

• “A member of the police stating that he'll be driving under the influence? Japan is finished.”

• “I'm saying bears can't understand the taste of wine. What if someone made up a new proverb: bears and wine.”

• "I don't want to waste any more calories than this."

• "Well, that's not surprising. A bear with damaged taste buds such as Gotou-san will never understand."

Bye I'm using these irl.

I'll also add these two because I keep remembering these two exchanges and laughing:

1)

"I see. If you don't want to, it's fine. But please stop bringing cases to me from now on."

"This and that are a different story."

"No, it's the same thing. Ah, that's right. So that Gotou-san will stop bringing me cases, I'll be reporting to the police that you've been leaking investigation details to a civilian."

"What!? Don't joke with me! I'll get fired if you do that!" Gotou shouted in panic.

"Good then. That way I won't have to involve myself in cases that have nothing to do with me, and taxpayer money won't have to go into paying the incompetent Gotou-san; just like killing two birds with one stone."

"What did you say!?"

"Isn't that great? This way, Gotou-san can also play around to your heart's content. So it'll be more like killing three birds with one stone," said Yakumo, grinning as he looked at Gotou.

He really stabbed where it hurt. Having been commented like that, Gotou wouldn't have a way to refuse. "Fine. I'll help. Happy?"

Gotou lifted his heavy bottom up from the sofa reluctantly as he sighed. Yet Yakumo wasn't done with his counterattacks.

"Not really, it's fine even without Gotou-san helping."

"That wasn't what you said earlier!"

2)

"Sorry about that. Could you please tell me what I should do?" Gotou asked formally while swallowing his displeasure.

"You should know if you listened to the story"

"I'm asking because I don't know."

"You should have if you paid close attention to the whole story."

"Well I don't know!"

"Is that something to be proud about? Good grief.”

Too much Yakumo😂

Volume 11 is up next. I'm really really excited for this one because Unkai and Miyuki are one of the best antagonists I've ever read. I'll never forgive them for what they did to Yakumo but their back stories are very very well written and explains how they ended up that way. That last arc will wrap everything up. I remember reading the book description a while back but Laute's translations stopped at the time so I thought I'll never read it.

The day has finally come!!!

[lit-in-thy-heart]

[ID: the train hitting a school bus meme. In the first panel, an empty school bus edges over train tracks and is labelled 'writing planned angst' with a train approaching. In the second panel, the train crashes into the bus and knocks it off the tracks. The train is labelled 'different angst suddenly writing itself'. End ID.]