#will i commit. has this very post doomed the thing.

[vcrnons]

embarking on something

[arolesbianism]

Thinks oh so hard abt raccoon au printing pod doomed yuri.... What if you were a robot in love with your fellow robot but your past human selves had to fuck it all up and murder eachother 🙄

[sirenmoontarot]

Your next step 🌟

𝓟𝓲𝓬𝓴 𝓪 𝓬𝓪𝓻𝓭 𝓻𝓮𝓪𝓭𝓲𝓷𝓰

Group 1

For the people who chose this group, your most important task to embark on right now, is to follow your inner guidance, your inner emotions, the steps your inner persona is telling you to take. There is a sense of movement, a path you have to allow in your life. It is shown in the energies that some of you have lost your way, you have been confused, or even in someone else’s way, your view of truth has been clouded. You might be hiding from your own self and your own inner ‘’flow’’ —your flow of life— and you shy away from facing some situations of your life or reality overall. Because you are not living your life for yourself! I am sorry guys for the message, but it is okay. The cards indicate that you need to distance yourself from something or someone that is contributing to this situation in which you are so distant and detached from yourself, a career, a place, a friend, an ex... The journey involves having to say farewell to this situation, aspect or person. However, you are favoured by fortunate energies, and luck as well, ruled by Jupiter influences shown in this reading. The universe, God is aiding you, you are supported in your journey to find the necessary clarity and success you claim and deserve. It is a journey that requires your commitment but this task is part of your fated path here on earth to do this right now. To find the tools within yourself for your independence, to find your inner light, strength, compass and your own path. Some of you are in a self improvement, self growth journey and you are being given these tasks in order to move forward. You have to know that you are doing well, Spirit is saying and that is just part of the learning process for your ‘’independence’’ which also and very importantly doesn't mean loneliness, ❗️ we need nurturing, reciprocated connections with people. it means to be able to choose your own path and not stray from it, your path has the unique gifts and blessings you are given on this lifetime.

𓆸

Thank you so much for reading this post, wishing you many blessings and good fortune 🌟🪽

Support me on Ko-fi 𓇬 Psychic Readings

Group 2

For the second group, the next step you are being led to take is to acknowledge the destructive aspects of yourself, your darkness, the things you are least proud of, the aspects of yourself that seem to hunt you down, these aspects need to be faced, acknowledged and integrated and they will become important parts of your psique, in a developed and integrated way making you wiser, giving you more tools and mental sharpness to go on in life. Right now in your life you are basing yourself in outdated, old ideas and patterns that need, and are doomed to die, these are antiquated, belonging to your past self, a past conception of life, something you acquired that is no longer of good use for your current and future energy. This group is very much focused on love, the energies indicate, that the way ahead involves finding the courage to be sensual again, learning to connect again with others, attaining real intimacy with others, physically, emotionally… and learning to understand your own inhibitions (or excesses) and discovering that Love has its own way to uniting the pieces and kind of making the brew taste wonderfully. This will allow in your life the growth of flourishing, nurturing and fulfilling relationships; if you have fertility problems, this indicates your situation will heal and improve and you will be able to get pregnant; and also, if you couldn't build something stable within a relationship before, in the sense of something material or some sort of goal, vision, or general growth, like owning a home; reaching common goals and plans, bettering your life situations, this reading indicates that you will be led to such accomplishments and completion of mutual goals within a relationship, or even birthing a new life, once you work on the matters described.

𓆸

Thank you so much for reading this post, wishing you many blessings and good fortune 🌟🪽

Support me on Ko-fi 𓇬 Psychic Readings

Group 3

Hello guys, for this group, Spirit is highlighting the self-imposed bars you find yourself behind. You have an unbalanced connection and use of your own ego, thinking you are below others, or you give your power a lot to others, almost if you were always submitted to other’s emotions, opinions, wisdom. Your sense of self-esteem and self-worth lacks foundation, you are not in touch with your inner queen or king. The way to go through this is to be okay with being the traits you are so afraid of embodying, or being the ‘’bad’’ person—And I don't mean go out there and be a bad person, it is just giving yourself permission to be free. And also for some of you, to not feel guilty for who you are or what you do. Some of you need to vent, even confess, giving a voice of that persona inside of you who feels guilty. Something might have happened in the past that caused you guilt, well it is time to let it go. Letting it out, speaking your inner emotions will help you to release pressure, which is also an issue being shown in this pile. Accept that sometimes you might not be able to be perfect. Some of you might be performing for others for most time or you could be putting everyone above you, or trusting too much on others for your life choices. This has to stop and all that you have to do is to give voice and express and release all the pent-up emotions and stuff you have inside that keeps you behaving this way. Because you are in jail . As a result, relief and finally a sense of peace will come to you, opening up new and better doors for you, more calmness and inner peace in your life.

𓆸

Thank you so much for reading this post, wishing you many blessings and good fortune 🌟🪽

Support me on Ko-fi 𓇬 Psychic Readings

[astral-herald]

arcane's depiction vs. endorsement and why it flopped

~ i think i'm finally ready to complain ~

My general opinion of season 2 is potential squandered. My recent post about Viktor's storyline as an intentional tragedy lets ya'll know that I did, for the most part, enjoy his arc (hot take, I know, and I know lots of people disagree with me, and I fully understand). If he'd gotten the screen time necessary to pull it off, it would have been legendary in my book. But the lack of screen time, even in the case of the season's eventual BBEG, speaks to my greatest issue with Arcane: no commitment.

(Critical) Discussion of Jinx, Ekko, Sevika, Vi, and Viktor below!

Arcane, as a tragedy (I've said this word too many times to count smh), asks the plot, "what is the worst thing that could possibly happen to this character?" and answers in kind. This is why we get Viktor's lost agency until the very end (and like I've said in the past, I completely understand and hold space for those who dislike this route).

If we ask this same question of the following characters, the scope of loss and despair innate to Arcane's final narrative is made very clear:

Sevika: a revolutionary forever devoted to the cause, not the individual, is nominated as an individual to represent the masses in a governmental body that has no interest in her class-conscious ideal.

Ekko: the people's hero in every sense of the word who never sees the fruits of his labor/sacrifice and who goes without the acknowledgement he deserves (more than any other Arcane character).

Vi: the ultimate victim of Piltover police brutality coerced, through grief, trauma, and loss, into working for the system that oppressed her. Even Caitlyn, for all her good intentions, seems incapable of ever understanding this.

Viktor: a genius hellbent on ending the same suffering he endured at the hands of Piltover's oppression has his agency revoked, driving him to inflict the same choicelessness he endured on Zaunite innocents.

On paper, these arcs are devastatingly sensical. And we don't always need happy endings in our stories (I'd sure like them, more often than not, of course). We can and should witness the harsh realities of class oppression if we don't experience them ourselves. The writing team painstakingly crafted and foreshadowed these worst-case scenarios throughout season 1. For example, in 1x07, Ekko being immediately shot at by Marcus at the bridge confirms our suspicions that Piltover Enforcers are a lost cause, not just full of bad apples but internally broken beyond repair. It felt that, despite all the hope, this struggle was doomed, and we were careening toward something dark - "In the pursuit of great, we failed to do good."

Had these arcs been successful, audiences would be confronted with the systemic issues we see today that implicate the physical and mental health of downtrodden individuals on account of lazy, prejudiced leadership. This actively happens. It is actively happening, sans the fantasy of it all. This is where Arcane should have shined: they depict the tragedy of these characters, but DO NOT endorse it.

But Arcane chickens out and the entire thing fails. Here are the Flop Era Spark Notes:

Maddie is the egregious bad apple stereotype that absolves all other agents of the regime. She clearly is not a stand-in for Enforcers at large because, all of a sudden, they're capable of coordinated artillery strikes that are necessary to the defense of Piltover, which the viewer must suddenly and abundantly care about. So glad she died. Also, Arcane, you cannot introduce abject warfare in the last 30 minutes of your show successfully.

Jinx's "revolutionary" plot was a red herring, and Sevika humbly vying for the spot was never delivered upon. They pay lip service to the Undercity organizing, but the scene is interrupted for larger (messier) plot concerns almost immediately. No commitment. No depiction to even refrain from endorsing.

Ekko and the Firelight Tree. Clearly this was set up as a means of showing how Piltover's mistakes were physically seeping into the only sanctuary left in Zaun. Yet this is just...never resolved? If someone has some insights into this, please let me know. No depiction. No discussion about endorsement.

What could Vi specifically gain by aligning with the Enforcers/Piltover? Human connection with Cait, sure, but why return to them in 2x06? Vi's character begged all season for development, but she kept returning to her nonsensical error of her ways (looking backwards) until the very end, and this is basically what "kills" Jinx. This is a nod to her lonesomeness post 1x03, sure, but to what end? Again, why the Enforcers?!? Oh, because now that Cait has been redeemed and Sevika is in Piltover to save the day, there are no systemic issues left to fix? Sure, Riot.

WHY DEVELOP VIKTOR'S ENTIRE HEXCORE ARC OFF SCREEN?I'M ADMITTEDLY BIASED ABOUT THIS, BUT THE AMOUNT OF DISCUSSIONS I'VE HAD WITH VIKTOR NATION ABOUT THE DEGREE TO WHICH HE WAS INFLUENCED/MANIPULATED BY THE HEXCORE (now that we know Sky was a manifestation of his humanity, not her Actual Self) IS DESPICABLE. HIS COMPROMISED AGENCY NEEDS TO BE FRONT AND CENTER AND OBVIOUS, OR ELSE IT SURE SEEMS LIKE RIOT IS ENDORSING THE LACK OF AGENCY IN VIKTOR'S STORY. I shouldn't have to make 1k word posts to explain this. I'll do it because I love him with my whole heart, but still.

I begged and pleaded for months for BBEG Viktor (I'm really proud of my predictions from October), but by introducing a villain/conflict beyond the Piltover/Zaun dichotomy, Riot severed all threads of class conflict that were so rife and exciting in season 1. The proletariat and the bourgeoise will never coalesce like they did by the end of 2x09 without systemic revolution. Sevika is just one individual. Ekko's people need him. Jinx and Viktor are gone. Vi is downtrodden, and we have SO LITTLE to show for it.

In summary, we just didn't get enough explicit explanation of any character development to make Arcane-As-Tragedy successful. They did not stick the landing. The finale leaves us all with various bad tastes in our mouth. Instead of lamenting the harsh reality of oppression, I'm confused about what Riot prioritizes and agrees with, what they aim to criticize, and what they condemn.

I'll die on the hill that revoking Viktor's agency has the potential to be one of the greatest tragic hero storylines I've ever seen, but it's a lonely hill because I'm fighting against the writing team's consistent flops. At least Balayage Viktor was so gorgeous.

shameless self plug for my earlier discussion about the innate political clashes in season 1 that were abandoned for flashy fantasy fights in season 2:

[unboundprompts]

Thank you so much for your blog! It's so neatly organized, it's lovely to read. It takes a lot of commitment to do detail every post and still constantly update, and I'm very grateful for you <3

I was wondering if you could write tips+prompts for a paranoid character?

Thank you again 😺

Thank you for the kind words!! That means a lot :)

How to Write a Paranoid Character

-> sources: mind.org , betterhealth.vic.gov

Paranoia is the irrational and persistent feeling that people are "out to get you."

Things that Make Paranoia More Likely:

Having confusing or unsettling experiences or feelings that you can't easily explain.

If you are anxious or worried a lot or have low self-esteem and expect others to criticize or reject you.

If you tend to come to conclusions quickly, believe things very strongly, and don't easily change your mind.

If you are isolated.

If you have experienced trauma in the past.

Things that may Contribute to Paranoid Thoughts:

Life experiences. You are more likely to experience paranoid thoughts when you are in vulnerable, isolated or stressful situations that could lead to you feeling negative about yourself.

Experiences in your childhood may lead you to believe that the world is unsafe or make you mistrustful and suspicious of others. These experiences may also affect your self-esteem and the way you think as an adult.

If you experience anxiety, depression, or low self-esteem, you may be more likely to experience paranoid thoughts.

Paranoia is sometimes a symptom of certain physical illnesses such as Huntington's disease, Parkinson's disease, strokes, Alzheimer's disease and other forms of dementia. Hearing loss can also trigger paranoid thoughts in some people.

Lack of sleep can trigger feelings of insecurity and even unsettling feelings and hallucinations. Fears and worries may develop late at night.

Recreational drugs may trigger paranoia, such as cocaine, cannabis, alcohol, ecstasy, LSD, and amphetamines. This may happen particularly if you're already feeling low, anxious or experiencing other mental health problems.

Research has suggested that genes may affect whether you are more likely to develop paranoia.

Symptoms of Paranoia:

being easily offended

finding it difficult to trust others

not coping with any type of criticism

assigning harmful meanings to other people's remarks

being always on the defensive

being hostile, aggressive, and argumentative

not being able to compromise

finding it difficult (or impossible) to "forgive and forget"

assuming that people are talking ill of them behind their back

being overly suspicious

not being able to confide in anyone

finding relationships difficult

considering the world to be a place of constant threat

feeling persecuted by the world at large

believing in unfounded conspiracy theories

Writing Prompts for a Paranoid Person

-> feel free to edit and adjust pronouns as you see fit.

Everyone was against him. No one liked to see him succeed and so they were doing everything in their power to stop him.

People were talking about her behind her back. They would whisper as she walked by, and their laughter would echo in her ears as she got further from them.

"You never believe me!" They wailed, pointing an accusing finger at their friend. "You wouldn't get it! You don't know what it's like to be hated by everyone!"

He laid in bed, staring at the ceiling and wide awake. It was a nightly routine, at this point. He could never bring himself to close his eyes. There were too many things going on his head, too many things that only made him dread when morning came.

Everything was about to go so wrong so fast, and there was nothing she could do to stop it. The impending doom beat down on her shoulders, reminding her that she was not okay. She was not safe.

They couldn't stop fidgeting with their hands. It used to offer some form of comfort, but not anymore. How could it when the whole world is against you?

They were looking at him. They were watching his every move. He was being tracked. Studied. Something was going to happen. Something bad. Something he wasn't prepared for. What could he do to be prepared?

"You think I'm crazy, but I'm not! You'll see."

If you like what I do and want to support me, please consider buying me a coffee! I also offer editing services and other writing advice on my Ko-fi! Become a member to receive exclusive content, early access, and prioritized writing prompt requests.

[lactoseintolerentswag]

Rise Characterizations Pt. 8!!!!!!!!

This has literally been sitting in my drafts for so long I forgot it existed. Sorry to all the Baron Draxum fans (and Draxum himself, bbgirl deserves better). If you're new to my line of notes here's the beginning where I started with Raph. Alright part 8, Baron Draxum, here we go.

Language Habits:

Speaks in long and drawn out sentences, if you're getting nervous about run-on sentences you're on the right track

Due to this, tends to give speeches or monologues

Dramatizes everything fairly eloquently, look for the most exaggerated form of a word. Classic villain speak: "imbeciles", "brethren", "eliminate"

Puts emphasis on those dramatic adjectives and verbs

Occasionally refers to himself in the third person, not as often as Raph

Tends to yell or raise his voice when frustrated or lost in passion

A common gag is trailing off in a casual tone about the severity of his experiments ie his "if it works right" about the ooze causing pain when mutating that poor fish guy

Personality:

Incredibly intelligent yet impatient. It isn't known to my knowledge who taught Draxum or if he taught himself, but his mastery of alchemy and fighting makes him a truly impressive opponent. However, he's always cutting corners to get to his goal. He wasn't willing to raise through the ranks of The Foot the traditional way, he created an army of mutants rather than seek yokai, and was unwilling to spend further time interpreting the prophecy of doom towards yokai-kind

Flair for the (over)dramatic. Draxum is almost your classic evil villain kind of guy. He'll pull out all musical stops, including flowing hair and clothes. On the other end he'll completely overreact and commit to things of little matter like his position as a lunch lady.

Unyielding in his stubbornness. Draxum is not easily swayed in his belief, and even as hard as Mikey tries he is not rid of his disdain for humans by the end of the series. Guy was also incredibly persistent in his research despite his lab blowing up twice. This also allows him to hold longer grudges, even resorting to childish pettiness if he feels annoyed enough.

Affinity for muscles and power. He was drawn to Lou Jitsu for many reasons, but a main one was definitely his muscles. All his guards are usually incredibly beefy, and he was immediately drawn to Raph as "beautiful" when he's reintroduced to his specimens. As for power, he's drawn to the dark armor and is lost in the ecstasy of being imbued with so much mystic energy.

Self-absorbed and egotistical. Draxum is kind of obsessed with his title and self-proclaimed responsibility for saving yokai-kind. He's not one to easily admit his mistakes and takes great pride in his work.

Willing to toe the line of morality. Huginn and Muninn have blatantly called him their evil boss, but Draxum does see his actions for the good of yokai-kind. I don't think he really cares if he's working with evil organizations (The Foot) or doing evil things if he saves the day.

Team builder. I think it's interesting how Draxum is drawn to building teams. He's drawn to working together, all he wants to do is unite yokai and his mutants into an efficient force. This does not mean he's very successful.

Miscellaneous:

Has minor telekinesis

Was a warrior before he was an alchemist

Does not have a good relationship with the Three Heads (apparent leaders of the Hidden City)

Controls seeds that can a) grow into vines, b) expand into robotic vine gauntlets, c) encase his gauntlets into meatier gauntlets that can shoot out waxy cocoons

Is referred to as a sheep-man from the brothers, but I suppose whatever animal you interpret him as is up to you

Has a great singing voice :) ( which is subjective I suppose)

Alright now that is finally posted just gonna let you know that this Isn't the last of my rise analysis posts!! I'm so sorry for the wait!! I got lost in so many schedule things. I'll try and pump a few more analysis posts out within these next few weeks (excluding June 16-22), but I've also been busy working on miscellaneous wips. Thank you for being so sweet to me on all the other notes posts, you guys are so awesome :)

[physalian]

What No One Tells You About Writing #4 (100 Follower Special!)

Have you got any that deserve to be on these lists? Don’t be shy! Send ‘em over.

Part 1

Part 2

Part 3

*This list contains mentions of assault, #4

1. Zero cursing is better than censored cursing

I made the mistake in the early days of writing a self-censoring character, and every “curse” she said just took the teeth out of the rest of the statement. I’m talking gosh, darn, dang, etc, not world-specific idioms a la “scruffy nerf herder” or “dunderhead” instead of “dumbass”.

Look to any American TV show that so, so badly wants to use f*ck or sh*t but has to appease the sensitive conservatives who still somehow believe strong language is worse than graphic violence and horrifying psychological damage. For shame! Your characters can be angry without expletives, so rework your sentences to include equally damning insults that don’t resort to potty mouths if you’re concerned about ratings.

Or go full-throttle into the idioms of the world or the time period like Pirates of the Caribbean. Or just… don’t. There’s zero modern cursing in the Lord of the Rings adaptation and not a single sentence that censors itself. The dialogue is above vulgarity and feels more *fantastical* that way anyway.

2. “Yeah, you aren’t the target audience.”

It’s kind of hilarious seeing the range of reader reactions to two characters I intend to have a romantic relationship. Some will go “I ship it!” after the first page of them together… and another will go “wait, I thought they were just friends” up until they kiss. Sometimes you might be too subtle, other times it might be better to just accept that you can’t rewrite your entire book to please one naysayer.

When I’m pitched a fantasy adventure book that turns out to be a by-the-numbers romance where no one is allowed to be a peasant and every important character is royalty in some way, with a way cooler fantasy backdrop, I get severely disappointed. That doesn’t mean the book is bad, it just means I’m not the target audience.

3. There is no greater character sin than making them boring

Unless you live in the wacky world we find ourselves in where any flaws whatsoever are apparently harmful depictions of so-and-so and not at all written with things like ~nuance~. I will gush over your heinous villain committing atrocities because he’s *interesting*. I will not remember Bland Love Interest who’s a generic everyman with zero compelling or intriguing traits or flaws.

There’s another tumblr post out there that I cannot find that says something like this, and I believe the post goes “his crimes are fiction, my annoyance is real”. Swap annoyance for boredom and you get what I mean. So, I don’t care what your character does so long as they’re memorable. I will either root for their victory or their doom, but I do need *something* to root for.

4. The line between “gratuitous” and “respectful” is actually very thick

Less what no one tells *you* about writing and more what no one tells screenwriters. Y’all do realize you can write a character who experiences assault without actually writing the assault, right? Fade to black, have them mention it in their backstory, or have the horrific aftermath as they come to terms with it. An abrupt cut to this devastated character when it’s all over and they’re alone with themselves can be incredibly poignant and powerful. This goes with anything sensitive, especially if it’s not coming from experience.

If you want to write it or film it respectfully, romanticizing assault, for instance, is when it’s framed as if either character has earned or “deserves” it. If the narrative in any way argues that it's justified. The victim might have "earned" it for any of the BS reasons we use in the real world, or the perpetrator might've "earned" it because of temptation, desire, pressure to assert dominance, etc. Representation is important, but are you “representing” to shed light on a misunderstood and maligned topic, or are you doing it to satisfy a fetish or bias in yourself?

5. Don’t let your eyes get bigger than your stomach

Fantasy has no limitations, which means you can dig way deeper into the well of your worldbuilding than you realize, until you look up and realize you’re stuck down there. I have never seen a more obvious inevitable disaster looming than the pilot of GoT season 5. Why? Nobody has any plans. They’re all just led around by whatever side quest the writers throw them on, twiddling their thumbs until the writers deign to pull the trigger on the White Walkers.

To the point that what should be a major character can skip an entire season because his arc is meaningless. Everything in the last half of that show was one big “eventually” while the story toiled around in an ever-expanding cast of characters and set pieces (seriously, it’s hilarious how jarring the extended version of the theme music became compared to the pilot episode to fit all these locations).

When you have too many directionless characters, too many plot elements, too many ideas you want to fully mature and get their due spotlight and then somehow combine them all together for a common foe in the end, writing can get tedious and frustrating very quickly. Why, I imagine, the book series remains unfinished. Fantasy is great for being able to create such complex worlds, but don’t be the snake that eats its own tail trying too hard.

6. No one cares about your agenda if you insult them to push it

This deserves its own post but here we go. Peddling an agenda is a paradox: those who agree with you won’t need to be preached to, and those who you want to persuade will instead reject you further because they feel belittle and disrespected. This is why so many recent “strong female characters” fail on both sides of the aisle. Feminists see an annoying caricature of the movement they’re passionate about. Antifeminists see an insufferable, shallow, liberal mouthpiece when they just want to be entertained. You have failed both sides, congrats.

The answer? Write a strong, nuanced, well-developed character. Then make them a woman. I know this has been said before but this BS keeps happening so clearly the screenwriters aren’t listening. Entertain me first. Entertain me so well I don’t even realize I’m learning.

7. Today’s audiences won’t react the same way as tomorrow’s

Sometimes genres or tropes get oversaturated and need a few years to cool off before audiences are receptive to them again—teen dystopia, anyone?—that doesn’t mean your story is inherently bad because it’s unpopular (nor does it mean it’s amazing because it is popular).

You should always write the book you want to read, not the book that chases trends. I can pick up a well-written teen dystopia I’ve never read before and enjoy it. I can continue to ignore Divergent because it has nothing to say. Write the book you want to read, but then accept that you might make no money because no one else wants to read it, not because they think it’s bad. And, who knows? You might get a boom of chatter months or years down the line when readers stumble upon an uncut gem.

8. Your characters don’t age with you

Depending on how long you’ve been working on your world and what age you were when you started, the characters, concepts, morals, and story you set out to tell might no longer reflect who you want to be as an author when all is said and done. Writing can take years, some of which can be incredibly turbulent and life changing. I wrote the first draft of my first original novel in my freshman year of college. Those characters and that draft are now unrecognizable and has left a world I’ve poured my heart and soul into in limbo.

I’ve slowly creeped up my characters’ ages. My writing has matured dramatically. The themes I wanted to explore in the height of the 2016 election are just demoralizing now. That book was my therapeutic outlet and, as consequence, my characters sometimes reflect some awful moods and mindsets that I was in when writing them. But nothing in that world grows without me tending to it. It’s not alive. Despite all the work I’ve done, there’s still more to be done, maybe even restarting the plot from the ground up. When I think of what no one told me about writing, staring at characters designed by someone I’m not anymore is the hardest reality to accept.

—

If you think I missed something, check out parts 1-3 or toss your own hat into the ring. Give me romance tropes. Mystery, thriller, historical fiction, bildungsromans, memoires, children’s books, whatever you want! Give me stuff you wish you’d known before editing, publishing, marketing, and more. 

Also, don’t forget to vote in the dialogue poll!

[qqueenofhades]

Shapiro posted a very gracious statement supporting the Harris-Walz ticket and implying that it was partially his decision to fulfill his term as governor(whether this is wholly true or not is mostly irrelevant) and committing to campaigning hard for them in PA for the next 90 days. Dare I say, the dems are...in array?

Look, I like him (I hung onto his tweets in 2020 when he was Pennsylvania AG and the Republicans were trying all their fuckery, which he slapped down with verve and style) and I think he could be a great candidate in the future, but... not this year. Israel/Gaza is just too flammable an issue, especially with the young voters who are re-energized with Kamala, and it would have been very treacherous to jeopardize that. As I said, we can argue about whether it's fair or not, but politics are not fair, etc., and we needed to do the thing that has the best choice of defeating Trump and keeping the party as (amazingly!) united as it's been since Biden's exit and Harris' ascent. And that is 100% Walz.

Likewise, Walz has more experience than Shapiro (who is only in his first term as PA governor and has a lot to do to protect the state from crazy PA Republicans), and that is another strike against the Trump-Vance looney tunes ticket of inexperience. Plus this is the best of both worlds: park Shapiro in Pennsylvania where he is very popular and where the Democrats obviously need to win, but turn the Midwestern Dad of Doom loose on JD Vance's fake hillbilly ass and be the driver of more effective Democratic messaging than we have seen in literally years (seriously, can anyone else remember a more united message since "Hope" in 2008 with Obama?) We avoid the pitfalls with young voters that would come rightly or wrongly with putting Shapiro on the ticket, especially with bad-faith actors desperate to maximize any hint of more DEMS IN DISARRAY. So yes. I think all of us are kicking ourselves because we are so not used to it, but whatever it is, I desperately want more.

[divine-motion]

the thing about Handler Walter (his full christian name) is that he's a really horrible guy. he's a guy who's decided that he needs to be an extremely cold, pragmatic, paranoid man willing to use anyone and anything to "right the wrongs of the past" (which is to burn it all down and commit genocide, even if he doesn't know that Coral is sentient that is still what he's doing, plus i imagine every Rubiconian dies too in the Fires ending or are at the very least heading towards a slow death of starvation and such)

but

he's also really sentimental, something he's tried really hard to bury to be the man he feels he needs to be in order to fulfill the legacy passed onto him and Carla. this is why he ends up caring a lot about C4-621 aka Raven (aka G13 aka... the list goes on) and probably all his previous hounds too. he doesn't want to do what he's done to them - using them as slave soldiers, attack dogs to throw into the meat grinder as necessary sacrifices even though he himself is at least capable as a pilot. he lets 617, 618, 619, 620 and who knows how many others get killed because he thinks it's better that they die than that he dies before he can finish the mission. this then likely changes with 621 as he determines that they have a better shot at finishing the mission than he ever did and makes sure that they escape rather than him (also maybe pragmatically thinking "if Arquebus re-educates 621 then everyone loses forever" bc he has at this point discovered that he pulled god's greatest killing machine out from the bottom of the bargain bin) in addition, while i think him wanting to get 621 Raven to "buy their life back" and "undo the surgery, become 'normal' again" is a genuine desire for them to attain some happiness or so, i think it is also, mainly, a way for him to feel better about what he's done to them. a way to wash the sins of his father from his hands - sure, the blood of every other hound is on his hands, and there are still plenty of old gens suffering similar fates to 621, being treated like dogs and machines that can just be switched on or off whenever their Handlers want to, but at least this one made it out, at least this one could escape the Coral

and yet. asking them to burn Rubicon. is dooming them. history knows them as the monster who burned the stars from then on. there is no peace for a hound that chooses to carry on his legacy that he imparts to them.

sure, Walter is kind of, textually, Raven's dad. and he's kind of a bad dad. well-meaning and caring in his own gruff way, but still not great. i think he puts it himself best in the post-credits message, where he says "I'm sorry... and I'm grateful." he knows what a burden it is. and despite the fact that he gives Raven a lot of choices in what they do, it doesn't really change that Raven never got to choose to even go to Rubicon, the legacy is still something thrust onto them with little say in the matter. they were switched off by the cerebral Coral control device when they were being transported to Rubicon, and Walter holds the power over them completely since he decides when or even if Raven gets to be awake and about. i think it is very telling that Raven can and will take jobs that are specifically behind Walter's back, and that it's only once Walter's gone that they dare to go against him directly (or when offered protection by ALLMIND, who proves themself to be able to circumvent Walter's watchful eye).

that's not even to say that i think that 621 Raven hates Walter or anything! the fact that in the liberator ending, after he puts the gun down with the "you found a friend" line, Raven is backing away at first, keeping their eye on Walter as long as they can before turning to escape the Xylem being pulled down by Rubicon's gravity, all that i think means that they do care. the emotional core of that ending hinges on the fact they don't want to fight Walter. it's like how you kind of inevitably love your parents even if you know how they've mistreated you (not saying this is universal but it's what i know from personal experience and from a lot of friends i have that have been in similar situations to me).

but anyways. the point is. i really like walter. he kind of sucks! and i think we should explore the side of Raven that isn't slavishly loyal to him, because they very obviously aren't, or else they wouldn't be so comfortable repeatedly going behind his back. Fires ending is an exception tho since, as i've pointed out in another post, the one where you actively choose to remain nothing more than Walter's faithful hound

[no-passaran]

The story of Jesus Christ Superstar is the tragedy of its characters coming to realise that they have no power over their lives, fighting as much as they can against the role that history/God is forcing them to fulfil, but failing because they were doomed from the start.

Jesus in Gethsemane desperately asking God why should he be killed, how is that going to make anything better, only to realise that it doesn't matter what he believes or wants because it's already fixed ("why then am I scared to finish what I started? What you started, I didn't start it.") and there is nothing that can be done. Against his will, he will have to continue performing this role to its bitter end ("God, thy will is hard, but you hold every card. I will drink your cup of poison, nail me to your cross and break me, bleed me, beat me, kill me. Take me now, before I change my mind.")

Judas realises later, after he has already fulfilled his role in the story. This realization and regret leads him to commit suicide, being the only way out of a life that has already been fixed to make him the eternal villain ("you'll be remembered forever for this", "I shall be dragged through the slime and the mud")... even though this apparent choice of suicide was, following the same reasoning, also taken for him ("my God, I'm sick! I've been used! And you knew all the time. God! I'll never know why you chose me for your crime. Your foul, bloody crime. You have murdered me! Murdered me! Murdered me!"). Judas understands what he did, and he understands what he will be, forever. He understands that not only has he been Judas, he now knows what it means to be Judas: Jesus insulted him by telling him ("you liar, you Judas"). In the very end, he completely understands what it means to be a Judas, because of what he had done.

And Pilate is the last one to try by all means to escape his destiny. He's seen it in his dream, but he refuses to follow it. He refuses to sentence Christ, telling the crowd that he's a crazy man but that's not a crime, trying to convince them that it's against their best interest to ally with Rome, and begs Christ to let him help him get saved ("why do you not speak when I hold your life in my hands? How can you stay quiet? I don't believe you understand!") but of course, the post-Gethsemane Jesus already has accepted that they're doomed, and he's the one to tell Pilate ("you have nothing in your hands, any power you have comes to you from far beyond. Everything is fixed, and you can't change it."). The realization is dawning on Pilate as he desperately continues trying to cling to his ability to take meaningful choices, literally begging Christ to let him take that decision ("you're a fool Jesus Christ, how can I help you?") but with the crowd's shouts for crucifixion, and the crowd circling him and pushing him against the wall, he really does realize it: he has no choice; he will have to play his part in the story. And he knows how it will end, he knows what his role will mean, he also knows what it means to be Pilate ("then I saw thousands of millions crying for this man, and then I heard them mentioning my name and giving me the blame"). The only thing he can do is remove himself from it, but even then he is aware that that won't stop the already-fixed history ("I wash my hands from your demolition. Die if you want to, you innocent puppet").

After all, we saw it from the very first scene. Isn't this what the story's framing means? The overture shows the actors arriving to the filming set by bus and getting ready to play their role. And, at the end of the film, they pack and leave. They came here to recite a script that someone else wrote, to fulfil a story where everything is fixed, and they can't change it. That was what they were made for. Innocent puppets.

[aziraphales-library]

Hi there!

I was wondering if you had any recommendations of fics that have Aziraphale as a priest? i’m in search of some but have no idea how to find them.

only ask is that it’s 3k words and up!

Thanks so much for all you do, you are truly the foundation holding the fanfiction side of Good Omens together!

lots of love x

Hello! We have #priest Aziraphale & #priests au tags. And of course there is the priest Aziraphale tag on AO3. Here are more to add to our collection...

All The Lights That Light The Way by FeralTuxedo (E)

On the run from a disastrous work Christmas party, Anthony Crowley encounters an angel singing in the streets of Soho.

& Forgive Us Our Trespasses (Of Which The First Is Love) by ineffable_angle (M)

Fleabag-inspired AU where anthropologist Dr. Anthony J Crowley becomes friends (and then definitely more) with the hot priest Father Aziraphale Moore. They meet at their high school reunion and discover that they just can't quite stay away from one another. Mainly, they debate evolution, go to brunch, and overcome Anthony's religious trauma. Some scenes and dialogue from season 2 of Fleabag do show up, but the plot is not the exact same.

The scent of incense on his fingers by gimmewhiskey (E)

Crowley knew what was twirling on Aziraphale's tongue. “Don't even think about saying you forgive me," he whispered, then turned and strode quickly to the door. Aziraphale stared after him for a few moments longer. He slowly raised his hand and touched his lips. There was a scent of incense on his fingers. ...Or the story of how a successful lawyer Anthony J. Crowley successfully pretends to forget his old love while Father Aziraphale atones for sins for them both.

(Let's) Do it again by gagna_onni (M)

Father Fell has lived his whole life in a small town in Wales. His life is simple, the community is kind and welcoming and he does all he can to help everyone. One day a guest arrives at his clergy house. And right after his arrival, things start to change in an unexpected way.

in your own time by ineffabildaddy (E)

Aziraphale and Crowley grew up together as next-door neighbours on Hogback Lane, classmates at the local Catholic school, and inseparable best friends. By the age of eighteen, both were hopelessly in love with the other, despite the knowledge that they were doomed to live apart, as Crowley aimed to pursue university study in London and Aziraphale committed himself to remaining in Tadfield, dedicating his life to the Church. After almost twenty years spent away from his hometown, renowned botanist Crowley decides to come and visit Tadfield again at a moment's notice; the purpose of his visit is to speak at a Careers Day for the school he and Aziraphale, now a beloved priest and a frequent helper at the school, attended. The twenty-four hours that follow will change both of their lives for ever.

Faith, Hope, and Love (And the Greatest of These Is Love) by khh1961 (E)

A young Father Aziraphale Fell takes up his first post as a junior priest, under the stern supervision of Monsignor Gabriel (who very much likes things to run his way, thank you kindly) and meets fellow parish priest, Father Anthony Crowley. Our young Father Fell is immediately captivated by Father Crowley's handsome face, ginger hair, and dead sexy Scottish accent. This looks to be the beginning of a beautiful friendship. But what else it may become remains to be seen. Love and the will of God are both ineffable.

- Mod D

[fleshwerks]

Thank you for your rant posts on DAV. They’ve been cathartic to read as they echo so many of my own issues with the game and how it treats its own lore and insults its fanbase. I feel stupid for caring about the oppression of mages and elves given how they sanitized and wrote out these cornerstones of the Thedas setting and it sucks! Im glad I’m not alone.

I had very little hope for this game given its mess of a dev cycle and how the company has bled talent, I thought it would be a very messy narrative as a result. And it is! But it’s worse, because it’s not just messy, it commits the greatest cardinal sin of writing: it’s boring.

I think you nailed it. I'm at the same point as you, especially as someone who's huge into DA lore and the intrauniverse sociopolitics, as well as the expected (foolishly) aspect of your deeds mattering, either positively or negatively.

I have a whole ass Inquisitor who can now stop feeling bad in his steppe-sky burial about his indecisiveness during his tenure as an Inquisitor: BECAUSE NONE OF IT MATTERED ANYWAY. 'Oh, you delayed some suffering for like, what, 7 years? 7 years is nothing when you're doomed anyway. I can already hear the argument "but what you do even in short term matters, too."

Yes, in real life. But I don't do RPGs for real life. I play RPGs to be able to fantasise about doing a bit more than I can do in real life.

On top of it just about everybody being so blasé about what's going on. This is the worst blight ever, two actual gods are loose, but here we are at the dinner table, arguing about Taash' mom being a strict, traditional jerkass and Bellara joining the list of people who hate themselves for having ADHD, and holding her hand through it. Boring.

Veilguard commits another sin: everybody blames themselves for everything, but it either gets fixed for them, or they're feeling sorry and do the thing they feel so sorry about anyway.

My kingdom for a character who can go 'it is what it is, I'm not perfect, but I'm not sorry for existing and having an impact on this world, especially if the impact is caused by something I couldn't really control; all that matters is what we do next.' Which would open up the world at wide: tackling things that make your personal issues microbial in comparison. These people don't have the luxury of crying into their chicken soup. Not to say these things can't be addressed, but in Dragon Age, characters are supposed to support the overarching plot and the worldbuilding. Instead, the world puts itself on hold until you've solved Lucanis' granny issues or whatever.

If you've ever watched campaign 3 of Critical Role, that series has the same issue. The cast is made up of people who by and large have no real connection to the world or the overarching plot, and a large part of the viewerbase has come down onto the same idea: if the characters don't really care and only keep reacting, and reacting with quippiness and laughs and occasional 'oh no, that's bad, right? Anyway,'... why should we care?

Why should I care? Because everything I cared about as a player has been deleted, and the cast of Veilguard is mostly just dicking around until the plot reminds them that hey: we have the worst apocalypse going on since Solas deleted Elvhenan. Can we like... react more to it? We can do the therapy sessions later when people have stopped dying.

Disclaimer: I fully acknowledge that I'm going off on a tangent and I'm most likely projecting and reading into it too much/not reading into it enough. But that's the problem. Most players will play it once. You can't rely on subsequent playthroughs to make someone care.

Worst part is, companions aren't even boring. They're just miscast for this particular plot, exacerbated by what BW did to all the established lore. The tonality of the game itself and its place in DA canon is just wack.

I'm likely being incredibly unfair, but there's something to investigate here, because if you've failed to bring players into the lore and invest themselves in such numbers, it isn't just Mari here talking shit, it's a wider problem. Lest we forget, your fiction, your work stops being 'only yours' the moment you publish it and allow people play with your toys. The author is king, but the author is only the king of their own version of their story. The moment it's read and played by many, it's not just your story anymore, it's everybody's, who's engaging with it.

God dammit my English literature and language degree is catching up with me, I've turned into That Guy. Uck.

[hazymoonlinh]

Art.

Logos x Reader

(Reader can be doctor if you want)

Why am I cooking this at 2AM 💀🤟

…

___

“Who should you love?”

It was a title of a post that y/n saw one day. It was a boring night after all, so she didn’t scroll down, instead, she keeps reading it.

You should love a poet, a musician, a painter.

An artist.

Because when they love you, they will create masterpieces of you.

Y/n thinks this is something that only happened in stories, so she just let out a silent chuckle.

But oh now how wrong that is.

Unknowingly to her, she’s now the muse of one.

That man, that artist was Aefanyl.

And you too, are an artist of love.

___

Logos will not admit it to anyone, but you've become his muse. The way you talk, the way you laugh, the way you smile.

Everything about you is a masterpiece to him, one that he wants to commit to memory, to write poems, to immortalize it with words...

But most importantly, to hold you close to his chest, to feel the steady rhythm of your heartbeat against his, the feel of your breathing, the sound of his name...

His name, on your lips.

He feels... inspired... to write. For the first time in a while, Logos feels the inspiration hit him. He knows what he wants to write. That spark of inspiration he hadn't felt in quite awhile.

His pen moved with new found vigor, his words flowing...

It's you.

Logos use a bone pen to elegantly cast incantation, a bone flute to let the banshee's music echo.

Being a Sarkaz means using even those things to fight, to accept the blood flowing in his veins, to fight for eternity without rest.

The talented young Banshee has known it since he has awareness of his surroundings.

But now,

He finds himself writing poems with that pen, instead of casting spells or incantation.

Or playing a tune for you to hear, this time the song doesn’t burn his blood anymore.

_____

You haven’t touch the brush for a very long time, it has become dusty under a pile of old documents. But now, you saw yourself painting him, the brushstrokes are a bit different.

He has the most beautiful appearance that you have ever seen. Even prettier than a lot of woman.

Delicate features as if crafted by the gods themselves, long eye lashes, soft lips, smooth skin.

His red iris-a red iris is truly mesmerizing, almost otherworldly in its intensity. Its vivid hue is captivating, exuding a sense of mystery and rare beauty.

The deep, rich color draws you in like a gemstone glowing with an inner fire, making it impossible to look away. It’s a bold and stunning feature that leaves a lasting impression, hinting at stories untold behind those eyes.

After finishing the painting, you feel a pride in your chest. But what do you do with it now? Whatever, let’s just hang it in your room.

You know you're bright as the morning, as soft as the rain

Pretty as a vine, as sweet as a grape

________

Logos once wish that his mother would sing him the elegy if he dies in the battlefield, that way he would be in the arms of his kind until the end.

But now, with you here, he wishes to live a bit longer, praying to himself.

“Please, let me stay with her until the very end.”

He wants you to also sing the elegy. Logos's mind is filled with the thought of you. That was his new wish, with the thought that if he's to die one day, he'll die at least knowing you'll be singing for him...

Love still bloom in this doomed world, like how he still finds his way back to you after every battle he faced. In your arms, he’s not the lord of the Banshee, nor Logos, just Aefanyl.

He loves all of it. The way you laugh, the way you smile, the way you hold him. He loves it all. He loves *you.*

The way you kiss him, the sounds you make, the way you hold him close, the way you wrap your legs around him. The way he gets to hold you close, to feel your breathing and your heart next to his.

He can't seem to get enough of it.

_____

He finishes writing, quietly setting his pen and paper aside before gently holding you close against his chest, his lips pressing gently against your forehead.

(It’s 3:30 now bye 💀)

[1moreff-creator]

Who do you think will survive the killing game??? ( also if you were already asked this my B )

:D

Hi! Don’t worry, I don’t think I’ve ever talked about it, so I had to give it some thought :p It’s an interesting question, so let’s see!

As a TL;DR, my “most likely,” in order and assuming a standard killing game formula (obviously the amount of survivors could be way different), are Teruko - J - Whit - Rose - Levi

Spoilers up to CH2 EP15

Of course, there’s one character that’s already kinda locked in as a survivor (assuming a more or less standard fangan ending and not an “everyone dies” sorta situation), and that’s Teruko. While there were theories about a possible protag switch post-LGI release, I’ve never found them particularly believable, and I don’t really think they’re very popular anymore.

The next character that’s basically a survivor already is Min, because if I never accept her death, she will always be alive in my books. /j

Yeah honestly after Teruko my confidence on survivor guesses drops dramatically, since there’s obviously no good way to tell.

Still, one character that particularly stands out to me is J. I have my reasons to believe she might become the primary support character a la Kirigiri, and while that doesn’t guarantee survival, I’d say it ups the chances a bit.

As to why I believe that… well here’s the thing. I’m kinda planning to make a mastermind probability ranking post after CH2 ends, and I’ll talk about my predictions for J in more detail there. As a result, I’d just be repeating myself if I talk about it here. So, I'll give you the quick rundown and leave the more detailed explanation for that post.

Basically, I believe the core theme of DRDT is the concept of “fate” and the possibility of change, where the big climax for Teruko’s character arc in particular (the single most important arc for the narrative, protag privilege) will be rejecting the notion that she’s fated to have bad luck forever. She already talked about it with Xander before he stabbed her, and her primary character foil, David, “covered” Literature Girl Insane. You don’t exactly give that song to a character who is very hopeful for a better future. Even Teruko’s trust issues are born from the belief her bad luck makes betrayal inevitable. And with Ace talking about how he’s “a coward who couldn’t fight his fate” (paraphrased), the connection seems more solid than ever.

J is important in that context because her entire character is sorta designed around the concept of rejecting fate, the thing Teruko needs to “learn to do” as it were. J was born into stardom and fame, born “lucky” (LGI numeral number seven symbolism go brr), but hides it and rejects her birthright down to her secret quote, “Please don’t call me your daughter ever again.” If Charles and Eden are the ones who are trying to get Teruko to trust again, I see J as the one who has the best shot at convincing her that she’s not doomed by the universe itself, giving her the best shot at survival out of any non-protag imo.

Also, silly yet existent argument: the CH1 title screen had Teruko (and Xander), the CH2 had J. Is it possible the survivors will each be featured in one screen? Probably not, but still.

The next one’s Whit. DRDT seems committed to explore its characters as much as possible before they die (which I think we all agree is awesome), and that means those that haven’t been fully explored or developed yet have a higher chance of a late run, thus a higher chance of survival. This applies to J and Rose somewhat, but it applies to Whit especially. I sometimes feel that we know more about Mai Akasaki than we do about Whit, which should tell you something.

Contrast that to Charles, who is absolutely dying sometime soon (imo). Even ignoring the “Charles dead at three” Whit comment from the prologue, Charles’ character arc is a little too complete for me to think it’s likely he stays ‘till the end. After we close out the Elliot subplot (which could easily be in CH3 given Elliot’s MV is already out), killing Charles off would be a good way to really kickstart Whit’s inevitable Breakdown Arc.

Final points to consider about Whit are the fact that luck is mentioned in his character bio, which along with J’s LGI numeral VII and Teruko being Teruko gives him an extra connection to the two survivors I’ve pointed out; and the possibility of him being the mastermind. Again something for the MM post, but put briefly; he’s not a bad mastermind guess, but I think it’s very likely that if he is, he won’t survive, so there’s that.

The next one might be Rose? Recap foil with J, so if the dev wants to explore that to its fullest, Rose will probably make a late run at least. There’s a lot to explore with her character too, but frankly that’s a bit of a moot point; every character in DRDT has a lot to explore.

Even if she’s one of, if not the best pick for mastermind imo, it’s very possible she can be the type of MM to be redeemed and survive alongside the cast. Again, details will probably have to wait for the mastermind post :v Hate to be saying that so much, but understandably given some of the reasoning is similar, a lot of good MM guesses are good survivor guesses.

As for the fifth most likely… well, this is the reason this post took me a week (this and I was busy :v). See, if you’d asked me during the hiatus, I would have said Ace. Obviously, that wouldn’t have aged very well now would it?

The ask was sent a bit after Ep14, and by the time I got some free time to write this, it was already Wednesday and anything I said about Ace or Eden could have very realistically been proven wrong in just a few days, so I decided to hold off until culprit reveal. And now that Ace is looking like the blackened, I’m pretty glad I did.

This does bring up a curious issue of gender balance. In theory, there’s nothing stopping DRDT’s survivor cast from leaning one way or the other, but generally survivor casts do try to keep it as equal as possible. And with three women already listed, even putting Nico here would cause an imbalance. But the thing is… I don’t see almost any of the men surviving?

Hence, Levi. I frankly have no clue where his character is going with the recent reveals and the fact Ace is dying soon; I could just as easily see him as the second CH3 victim (if there are two) or fulfilling “buff character curse” by dying in 4. But… not knowing where someone’s arc is going is kinda the reason Whit is up there, so I’m using the same reasoning. It’s my least confident guess, so yeah. He’d certainly be an interesting survivor at least, I wonder how he’d play off the mastermind in trial 6.

To quickly cover the other characters, I’ll go in order of least likely to survive to most likely. Excusing the dead, of course.

-Ace: He’s technically still alive, but, uh… uh…

-David: If he were to survive, he’d need to go on a near identical arc to Teruko, which is… hard to imagine properly working. He’ll make a late run, probably, but I can’t see him reaching the sixth.

-Charles: Already explained.

-Arturo might be a little too insane to work. It’s hard to imagine a sixth trial with Arturo of all damn people around. Especially if J’s there.

And… those are kinda all the guesses I have for who is (in my belief) 100% dying. I could actually see every other character being a survivor :v

-Veronika runs into the same issue as Arturo; it’d be hard to let the mastermind do MM stuff when this girl’s there simping for them. However, I could see a world where dev keeps her for the psychoanalysis of the MM… kinda. Frankly, she should be in the “no chance” list, but… she’s my favorite alongside Min so let me have hope!-

-Nico has the advantage that they’re the only way to make a cast of 5 survivors perfectly balanced in terms of boys and girls; two of each and Nico. But that’s not very strong. The main issue is that I don’t really know what could happen with them in the remaining chapters that would advance their character to a point they’re a survivor, if that makes sense. Maybe if Rose makes it?

-Hu is weird. From what we’ve seen in the series, she would make a pretty compelling survivor. But… her secret quote…

Hu: I want to pay for what I’ve done. But even then, I still want to live.

Like, that’s the most “blackened” line in history; do you wanna state your victim’s name while you’re at it? Part of me wants to say that’s too obvious and the line will have a different context, but… it’s a secret quote in the source code of her character page. It’s not that obvious to anyone who follows the series more casually.

-Eden: I could see the argument of Eden>Rose (and therefore Eden>Levi as he’s only there due to gender balancing), since our favorite Clockmaker is quite easy to imagine in a final trial setting. The main issue is that… assuming a more or less standard formula, it’d be sorta weird to have someone in the sixth trial who can out-hope speech the protag, and Eden definitely fits that bill. It’s possible she makes it, especially given her involvement in the pre-prologue scene with Xander’s eye, but idk.

Here are a few extra survivor configurations I could see happening! Obviously there’s plenty more, so watch absolutely none of them be right.

Teruko-J-Whit-Eden-Levi/Nico (Teruko MM or dead MM with no “two victims” case)

Teruko-J-Rose/Eden-Levi/Nico (Whit MM)

Teruko-Whit-Rose-Nico (J MM)

Teruko-J-Whit-Hu (Veronika MM)

Teruko-Whit-J-Rose/Eden-Levi-Min?!?! (Min MM)

Teruko-Rose-Eden-Whit-Levi/Nico-Min (Baking Squad Cope!!!)

Teruko-J-Whit-Veronika-Levi/Nico (Why not?)

Everyone (The only right answer)

Thanks a lot for the ask! Fun to ramble about this series lol.

[tyrantisterror]

Your recent train of posts about you-know-who’s book series got me thinking. You once said “The Owl House works as a sort of rebuttal to Harry Potter in a lot of ways”, care to elaborate on that statement? Especially in regards to how The Owl House’s worldbuilding and themes clash with Harry Potter’s?

Oh man... I don't want my blog to be consumed by Harry Potter Hot Takes. I'd prefer to vent most of those feelings through my wizard books instead, it's more productive that way.

So, ok, short version: The Owl House is about a teenager from the mundane world discovering there's a magical world hidden away, goes there to learn magic, and in the process uncovers a plot by an abominable fascist to commit genocide. In very simplistic terms, that is more or less the same plot as Harry Potter.

But the devil's in the details, isn't it? Luz doesn't have any grand inheritance to claim, no prophecy to fulfill, nothing that makes her the most special specialest special person of all time. There's even a whole episode early on where a villain tries to lure her to her doom by claiming she's the chosen one, and the lesson is that NO ONE is "chosen" for greatness - greatness is something you make yourself, not something that's thrust upon you. She is not inherently gifted as a witch - in fact, she struggles harder because she doesn't have a a special bladder true witches are born with, and has to learn an ancient and forgotten method of spellcasting basically from scratch to cast spells at all. She is, emphatically and at times definitely deliberately, the opposite of what Harry Potter is.

So is her academic experience. There's a magic school in this setting, and (at first) it wants nothing to do with Luz because she's human, not a witch, and thus is believed to be incapable of casting spells. So Luz's primary mode of education on magic comes from a private mentor, Eda, who is also a wanted criminal and social outcast because of her disdain for the draconian rules of their society. Eda is an unconventional but magnificent mentor, one who is as willing to try new things and learn new methods as Luz herself, and who helps Luz discover ways to make possible what everyone else claims is impossible. Eventually Luz does convince the magic school to take her in, but in the process she changes how it runs, challenging a lot of its preconceived notions and forcing them to do better.

Which is vital, because the biggest problem facing the society of this magical world is narrow-minded reliance on outdated social categorization. Like HP, people are sorted into categories (covens here instead of houses), which they are then forced to stick to and never dabble in the others. It is explicitly compared to both the concept of tracking in real world education (i.e. forcing kids into a career path early and ONLY giving them education relevant to that one career) and the house system of HP:

And it's wrong. It's both presented as needlessly limiting, terrible for encouraging advancement and growth of both the students and society as a whole, and an immoral system that's only kept alive by the "Well, this is how we've always done it" inertia that keeps so many awful traditions in education alive. And I really do mean it's immoral, because it's the brain child and secretly crucial evil tool of a genocidal fascist.

I kind of cringe at writing those two words since I feel people have been WAY too quick to accuse cartoon villains from children's shows of fascism and genocide - like, Chairface Chippendale writing his name on the moon with a laser would probably kill a shitload of people in real life, but that doesn't mean he's an analogue to Hitler. But Belos, like fellow Disney villain Frollo, is clearly intended to be exactly that: a genocidal fascist. In a world full of magic-fueled absurdist black comedy beats, Emperor Belos stands out as a consistently serious threat, tonally dissonant with his surroundings in a way that makes him chillingly effective as a villain. And like real world powerful bigots, his power primarily comes from the fact that the systems of society favor his mindset over those of outsides like Luz and Eda - all the systems of oppression our heroes chafe against were either created by or worsened by him, with the express purpose of using them to kill everyone and everything in the magical world.

Luz could not be more thematically opposed to her enemy, and the story is incredibly consistent in showing how defeating Belos alone isn't enough, but that the systems that empowered him have to be disproven and dismantled. His enablers must be destroyed or humbled, the prejudices he encouraged must be torn down and fought at every turn, and innovation and progress must be embraced for the good of all. There's so much stuff you could analyze about the themes in that show regarding oppression and the othering of people who are different, and it's all so, SO much more consistent than the discussion of the same themes you'll find in Harry Potter.

[transhawks]

Top Ten Hawks Moments of 2023

For Keigo's Birthday and for the end of this year, I have decided to make my top ten Hawks moments for all the chapters published this year.

10. "Hawks" gets torn into shreds by AFO

we had a lot of near-deaths for Hawks this year, but I think this was the most memorable as it happened, giving a very needed burst of humor to the AFO vs Hawks and the Heroes fight. Tokoyami's reaction was particularity heartbreaking.

9. Whatever Level of Gay was Achieved Here

This entire chapter was framed in a way that constantly put Hawks and AFO contrasting and melding and there are panels where their thoughts connect. I thought it was a very good way for Hori to make their dynamic fighting each other stand out. Also, the fight was ridiculously homoerotic.

8. Hawks Reminds Us It's About Connections, Stupid.

A theme for the post-Jaku part of this manga has always been heroes needing to bridge that gap and see if they can connect with the villains. It's interesting that Hawks has been the canon mouthpiece among the adults for that view when he so utterly failed his own narrative-assigned connection. I know there was so much pushback in this moment because Keigo again thought of Endeavor, but it stood out to me in repeating this allegory of OFA linking everyone as the solution to the conflict in the first place.

7. Realizing They All Have the Power to Make Their Own Narrative

Against a villain like One For All who wants to believe he's in his own light-novel, Keigo's own issues distinguishing reality and fantasies managed to settle down. He's always resigned himself to being a caged bird and a martyr, so being pitted against a villain so into life being a foregone conclusion helped Keigo remember they all have more agency than they give them credit for.

6. I think all of Keigo's Rizz was in Fierce Wings

Seriously, this is his normal fake hero persona on STEROIDS? It's fascinating how naturally this stuff comes to him. Like damn, he even has his tongue out, mocking All For One as he gets hoisted by his own petard, and has an arm around a vestige lady who looks suspiciously like All For One's mom, which I am accepting as canon until told otherwise. Say what you want about Hawks, for all his failures and paradoxes, the dude has serious BDE. I'd rate this higher but he had a lot of good moments.

5. Nothing beside remains, round the decay

Probably one of the most striking panels this year, seeing a defeated, quirkless Keigo struggle to get up and meet the horde of encroaching Toga-Twice clones, holding the last remaining feather in a landscape of complete destruction made me think heavily of the Ozymandias poem. Keigo, who has always represented the hero system with his whole diamond-insignia carrying chest, seeing all the consequences of his actions and the futility of his actions in stopping the very future he'd allowed himself to commit murder to prevent. I wonder if it struck him how little it all meant as he faced his "presumed" doom.

4. Farewell, Fierce Wings!

we bid goodbye to the quirk that continued to fight even as it was stolen into the eldritchian amalgamation that is All For One! The look in the vestige's face is so resigned and bitter-sweet as he decays away. Keigo isn't his quirk, but it's remarkable how willing to face death both of them are.

3. What he really wants

The interesting thing is the narration implies that either Keigo was telling Naomasa that the aging made AFO stronger as the battle happened, or still had enough control over his emotional state after being left in the dirt to tell him what he observed. The latter is, well, not that surprising when it comes to Keigo, who won't let being quirkless or maimed or delimbed get in the way of being at his job, but that's not what Hori shows us.

No, Hori doesn't show us Keigo standing up or sitting up, no he shows us a Keigo clinging to Tokoyami, a complete break in the many masks he wears to show actual devastation and need for comfort.

There's no Keigo pretending he's okay. There's just one panel showing us a young man embracing his unconscious student after probably one of the most horrific experiences in his life. Keigo, who has been mentioned to be a person who puts so much distance himself and other people, is the one the one clinging to Fumikage.

2. He really was, wasn't he?

As the Twice clones disappear, we see a melting Toga-Twice on the brink of killing Keigo, who makes no move to stop her as she slices him open. No, he seems almost penitent as he accepts death, only pausing to tell her he knows why she's killing him. Make no mistake, the moment he saw Twice back, he knew what this was all about; killing Jin. In this moment, he doesn't hold himself back with saying killing Jin was necessary - the future Jin's murder was meant to prevent came about anyway, no, this is just Keigo being honest that he really liked Jin, anyway. This panel might show the first real regret we've gotten from him, which is likely why he was so open about not fighting back. Because Keigo knows that he does "deserve" this.

1. Haven’t you already done your best, Hawks?

Chapter 185, this panel introduces us to Hawks.

Two hundred chapters later and we finally see Hawks, for all intents and purposes, resoundingly defeated. His quirk is gone. The army he had as back up, defeated. His student lying defenseless beside him. His hero-partner having left to fight his own battles.

And yet, despite it all, despite losing his quirk, despite every sign of failure around him, especially as he now has to reckon with his own moral event horizon, Keigo's capable of saying one thing: