#will both of them survive? whos to say...

[smollsmule]

Ok my queue spit this out after I saved it for later, so let me add some nuance here. Because this is a very importand issue, actually.

Of course nobody is prohibited from readin the books they enjoy. Hell, I like me some easily digestible fluff too! Some of my favourite book series are ya (and genuinely great books despite being “easy to read”).

There is something to be said however about limiting yourself to only engaging with that level of difficulty in reading. And before you come at me, I know that many people don't read at all and to many others reading is simply a hobby to unwind after a long day, where they just wanna turn their brain off and have some fun. Which is a totally fair reason to read. BUT. Reading (or more broadly, literacy) will never be just that. You live in an age of (mis)information and you WILL be confronted with texts (speeches, video clips, what have you) that are hard to dissect. Especially the ones that don't seem like it at first glance.

Media literacy is not only about how quickly you can summarise a paragraph or being able to pull quotes to show how maybe a character could be read as queer (although both of those things are a very good indicator of having advanced literacy). It's the VITAL skill of filtering and assesing information presented to you before so you can make an informed choice to internalise or discard it. It's being able to understand the information in the first place by grasping a complex thought presented to you in writing or in a speech because the simple truth is that not all truths are simple.

Media literacy gives you the ability of identifying that someone is trying to make you believe something and parsing why they're doing it by identifying the tools they are using. Which means you also need to know the tools they have at their disposal. It also means being able to connect points brought up before in the same or different texts to see if there is inconstencies or leaps in logic or if the argument someone is making only looks good because they use big words and a sentence structure that “feels” smart, but actually falls apart as soon as you poke at it a little.

Forgive me sounding alarmist, but if you can't read at that level people who have these tools WILL have power over you and you won't even have the tools to notice that they do. Even if people are not actively trying to harm or manipulate you, if you're unable to engage with their ideas you will get left behind in certain vital discussions and that not only feels like shit because everybody gets it but you, but it also again makes you incredibly vulnerable to those who do have bad intentions!

Now does that mean you only get to read Proust from now on? Of course not! I still do believe that a piece of literature can directly and fundamentally change your life. I know it has for me. However, that is a personal opinion and it doesn't mean I can force anyone to engage with deep philosophical manifestos on what it isto be human in this world. And even less that I want to do that, despite me thinking that literally ANYONE could benefit from reading that kind of thing. But you NEED to be able to read complex texts outside of your comfort zone for honest to god survival. I am so fucking serious.

And, hey! The good news is that this is not some secret mystical power you either get blessed with or not. It is a skill you can train, by reading challenging material. Books with more complex sentence structures, more nuanced ideas or arguments. Books that force you to think about them. I hate to say it but the only way to get better at reading is to read. It doesn't have to be fiction but i will be very real with you, I doubt that - if you're putting down a book because it's unreadable to you based on the chosen perspective - you'll be the type to pick up scientific essays or anything like that.

Don't cut yourself off from vital skills by locking your mind in a box. You are capable to handle those more complex texts, and I'd wager you'll even enjoy it once you find your niche (yes! you still get to have preferences!). You just need to give yourself a chance to learn.

[mamasfavourite]

queen cobra

pairing: axel kovaćevic x reader

plot: loosely following the plot of the sekai takai, the captain of cobra kai catches the eye of the captain of the iron dragons and manages to deal with her teammates and her crush on axel!

warnings: mentions of abuse, cursing, kissing, fluff, angst and a little implication of smut at the end, kwon is a sweetheart, axel is also a sweetheart, kreese doesn’t exist because he’s rotting in jail!

cobra kai was never your preferred environment, but you fought to survive there, even when the others tried to influence you. you were a good person and you stood by that. you just had to mask it when in the dojo. it’s not like you would be there long, the dojo was just a way to the sekai takai for you.

and you fought like fucking hell for your spot as captain.

you even dealt with the endless bullshit literally everyone except kwon and tory threw your way. before karate, you had trained boxing and taekwondo, mastering both of them. so, it was easy to say you had the highest kick of everyone your team.

which really did come in handy in moments like this! like when kwon started a stupid bet with miyagi-do over whose kicks were highest. the highest anyone had gone was some kid from the russian team named vlad.

169cm.

kwon hid you for the time being, as the miyagi-do male captain and him faced off in front of the crowd of sekai takai contestants. when they shook hands, you watched as he put chalk to his shoe and swung his leg as high as he could.

175cm.

the crowd cheered, surprised by the height he had managed. you and kwon only laughed. he stepped to the side to let you foward. “show them, captain.”

you grabbed the chalk from the ground and locked eyes with robby as you rubbed it on your shoe. you kicked as high as you could, marking an almost inhumanely high point on the wooden whale statue.

you had to admit you couldn’t eyeball the measurements on that one, but you had won by far.

there was a mixture of gasps and applause as your cobras immediately crowded around you, celebrating your easy victory. you stepped foward to the miyagi-do’s, and stuck out your hand to accept your prize.

a whole room to yourself!

you and the cobras were walking back to the hotel. you all had met up with sensei kim at a karate gym on the other side of the city, and were only now getting back. you walked ahead of the others, not really wanting to speak to them right now.

as you entered the hotel reception, you noticed a few familiar people your age, they were most likely from the same dojo. you were walking quite slow so you had time to observe.

on the couches were, a dark skinned girl, who was chewing loudly and texting on her phone and an asian boy, who seemed to be staring into nothing at all.

as you turned your attention back straight, you saw an incredibly cute boy, he looked european to you in some way, maybe scandinavian.. or slavic? you didn’t care! he towered over you, and you took a second to appreciate his features, his messy brown hair and dark green eyes, his sculpted face and built arms.

you shot him a flirty smile as you kept walking, which almost made him drop the plates he was carrying.

“axel! what the fuck? can’t you hold a plate?” the girl from the couch called out. ‘oh so she was a bitch!’ you thought, but dismissed it as you continued walking, the cobras following closely behind, chuckling at the scene.

how could he! he was such a fucking prick. yoon was already getting on your nerves but you lost your shit when he was bitching at you just because you were chosen captain over him.

you unknowingly stomped past your locker room, and accidentally pushed into the wrong one. but you heard something and quieted down. you heard loud, echoing grunts, hits and yells of “ais!”

you snuck to the doorframe, sneakily peering inside and seeing the cute boy from the lobby the day before. he was training with his sensei, delivering strike after strike to the punching mitts ahead of him.

he was insanely focused, and incredibly strong. even through the gi, you could tell he was built. the force behind his punches were insane, but his sensei withdrew from him immediately.

“what are you doing wrong?” his sensei yelled firmly and all of a sudden the incredibly powerful demeanour axel had just flaked away. he flinched as the older man threw the mitts to the floor.

you watched as his sensei struck the poor boy, you had almost grown attached to. not once, not twice. you could tell he had to hold himself back after the third time. he picked up the mitts and commanded axel to continue.

but before he even landed a second punch, the mitts were on the floor again and axel was being hit. you heart hurt to watch it. you let out a soft gasp.

axel turned his head at the sound and saw you, you shot him a sad smile and walked through the hallway, hearing his sensei yell at him as you kept walking forward.

the cobras wanted to go somewhere and get drunk, and as their captain, you had to go. plus you had secretly hoped you might bump into the guy you had been crushing on for the last two days.

kwon was slumped against the counter, trying to maintain a conversation with you, but miserably failing. yoon and the others were standing around tory, trying to make their lazy advances that seemed to go completely unnoticed.

“씨발, 나 산책하러 가야 돼.. 안전하게 지내라, 얘들아 (fuck this, i’m going on a walk, get home safe boys.)” tory practically growled at you, still insulted by the fact she couldn’t speak your language but the remainder of the team telling you goodnight or to stay safe.

you left your half empty bottle of beer on the counter as you walked out, heading straight for the beach. it was calm, and quiet, and for a second you thought you heard the same sounds as earlier.

“ais! ais!” you heard and you recognised the voice, turning to watch as axel stood a couple metres away from you, shirtless, practising his kata. you watched for a couple moments before you spoke up.

“that’s a really cool kata, what’s it called?” he immediately turned around. he smiled at the sight of you and answered softly, “it’s called enpi.”

you nodded and were about to answer before he spoke again, “i don’t mean to be rude, but it’s a pretty common kata, and you’re an incredible fighter, i’m shocked you don’t know it.”

you looked at the floor for a second, before meeting his eyes, as they watched you. “it’s okay! i’m originally a kick-boxer and i studied taekwondo, so that’s my more proficient area.. i can apply a lot of it to karate though so it’s perfect!”

he nodded and gave you a small smile as he continued the conversation with you. “you’re incredibly strong in karate, i wouldn’t have noticed!” he spoke to you.

you stepped closer to him and brushed his arm. “thank you, you’re very strong, i mean clearly.” you said, trying to make it clear you were flirting with him. “i-thank you.” his smile turned bashful and he felt his cheeks heat up.

“you’re amazing.” he said, and immediately paused to reformulate his statement. “i-mean your dojo’s amazing!” you beamed at him. he was honestly so cute you wanted to squeal sometimes.

you smiled, about to speak but he beat you to it once more. “can i join?” he asked you, and you immediately felt yourself get kind of excited at the idea.

“the cobras? i mean, the boys are stupid but kwon’s okay, he just tries to overcompensate when he’s around others but he’s such a sweetheart i promise-“ you began to ramble.

“i meant your walk..” he replied, almost annoyed with himself that he interrupted you once more. you smiled at him once more and accepted. “of course!” you watched as he turned around to grab his jacket.

your eyes fixed on his back, and the scars covering it. you touched them experimentally and felt his body tense under your hand. “i-i’m sorry.. are you okay?” you asked him, empathy laced in your voice.

he quickly grabbed his jacket and put it on, hiding his back from you. “i’m okay.” he quickly dismissed you. you slid your hand into his and nodded somberly. the pair of you started to walk towards the footpath.

you responded to him. “you don’t have to talk to me about it, but i know what it’s like to have an abusive sensei and it’s always okay to not be okay.” you turned your head to face him as he did the same for you.

“thank you. it means a lot.” he smiled softly as you both stood still and he stared at your face. you asked him to lean down a little bit, claiming you had a “secret” to whisper to him.

once he was close enough to your height, you reached onto your tippy toes and gave him a soft peck on the cheek. you let out a soft giggle as you did and he could’ve sworn he felt his heart beat out of his chest.

you had stumbled upon the cobras, well not all of them, but yoon and a few others. they were clearly drunk and yoon smirked as he saw you. “y/nnn, who’s the guy?” yoon asked, cockily as he dragged out the last letter.

axel’s hand tightened protectively against yours.

“who would’ve thought our captain’s with the enemy..” another boy whined behind him, and you couldn’t quite make out who it was but it enraged you. you replied to them sharply, with authority.

“you know, i’m sure sensei kim would love to hear that her star fighter was being preyed on by a bunch of drunk losers on her team.” that’s when the remainder of the cobras scattered, but yoon stood in place. you were loosing your patience, and so was axel.

“and i’m sure sensei kim would love to hear that her star fighter is fucking around with some pussy off the hong kong team.” yoon cockily challenged you, but axel stepped forward instantly.

you put a hand on his chest and pushed him back, reassuring him you’d handle it but he kept his fists clenched in preparation.

you stepped towards yoon and spoke to him loudly. “지난번에 팀원 중에 나한테 엉뚱한 짓을 한 사람이 있었던 걸 기억나? (remember what happened the last time someone on the team fucked with me?)” he swallowed and waited for you to continue.

“그러니 그런 일이 일어나기 전에 빨리 호텔로 돌아가세요. (so get your pussy ass back to the hotel before it happens to you).” and with that, he sprinted in the opposite direction, following after his teammates.

you turned back to axel and smiled, “i’m so sorry, you had to be there for that.” you spoke softly to axel and you felt his rough hands envelope yours. “it’s okay, i’m sorry you have to put up with that.” he answered. gazing into your eyes.

“it’s okay, it’s not your fault. it’s all you expect from egotistical teenage boys.” you smiled a little, trying to lighten the mood a little bit.

“i’m not like that, am i?” he asked you, worried that he was like them. you instantly shook your head. “nonono, axel, not at all.” your gaze flicked between his lips and his eyes and he noticed it.

he held himself back, with the worry that you may have only done it as a mistake, or a way to make sure he was comfortable. he released one of your hands and the pair of you kept light conversation as you walked.

outside your hotel, he stopped. “we’re in the same hotel, axel, we don’t need to split up.” you turned to face him and watched as his brow furrowed slightly, in thought. he brushed a strand of hair away from your face.

you leant into his touch and looked up at him, knowing it was his way of making a move. you reached as high as you could to put a hand on the back of his neck, and the other rested on his chest as you pulled him into you.

his lips met yours. they were soft and you couldn’t help yourself. his hands reached down to your waist before he pulled away.

“we should probably go to our rooms now.” he said, and you giggled softly, once again, still excited from your kiss. you nodded in agreement, as you held hands again and walked to the elevator.

as soon as the doors shut, he couldn’t help himself any more and pressed you softly against the wall as you continued what you had done just a few minute prior, outside the hotel.

except this time, it was deeper, and it was hungry. his hands wandered over your body, tapping under your thighs, telling you to jump, and as you did, his strong arms held you, kneading at the flesh there as he continued to attack your lips.

at some point, when the pair of you were so wrapped up in eachother, the elevator doors opened. he frowned as you pulled away from him and commanded him jokingly to “put you down!”

he did, and just as you were about to leave, he spoke up once more. “let me walk you back.” and you accepted, still giddy from your stolen kisses.

once you reached your door you smiled and leant up to peck him on the cheek. “goodnight, axel!” and just as you turned around he grabbed your wrist and pulled you to him once more.

he kissed you one last time before you went inside. “goodnight beautiful.” he smiled as he started walking away. it took you too seconds before you called after him, dragging him back once more.

“axel, i do have a room to myself… if you wanted to put it to good use?”

[straylightdream]

understand

𝐟𝐞𝐚𝐭: yoon joenghan x f.reader

↳ Watching your “best friend” marry your ex is heart breaking. At least Jeonghan is by your side. He’s the only one who could make you feel less heartbroken.

𝐠𝐞𝐧𝐫𝐞: friends to lovers, non idol au

𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 3.4k

𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: so much fluff, angst, mutual pining, they’re both head over heels for each other, smut warning below the cut.

an: this was inspired by the song understand by keshi. Thank you @whimsical-whatever for helping me with this story.

𝐟𝐞𝐞𝐝𝐛𝐚𝐜𝐤 𝐚𝐧𝐝 𝐫𝐞𝐛𝐥𝐨𝐠 𝐰𝐢𝐭𝐡 𝐭𝐚𝐠𝐬 𝐚𝐫𝐞 𝐠𝐫𝐞𝐚𝐭𝐥𝐲 𝐚𝐩𝐩𝐫𝐞𝐜𝐢𝐚𝐭𝐞 𝐰𝐡𝐞𝐧 𝐲𝐨𝐮 𝐫𝐞𝐚𝐝 𝐨𝐧𝐞 𝐨𝐟 𝐦𝐲 𝐟𝐢𝐜𝐬.

𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: Unprotected sex (the mc is on birth control), body worship, cum play, creampie, oral, shower sex, fingering, light choking, jeonghan is fascinated with the mc neck, nicknamed: (hers) honey, baby

It was your best friend's wedding and you sat at a table in the corner with a glass of champagne in your hand as you watched her dance with her new husband. You couldn’t help but feel quite awkward even attending this wedding. The man your best friend was marrying was your ex boyfriend that you dated for three years. Somehow you had managed to stay friends even though it made you sick to your stomach seeing them together.

Walking across the ballroom as the song finished playing you were quickly stopped by your best friend grabbing your hand and pulling you towards the dance floor. It took everything to not pull your hand away and take off running. You didn’t want to be at this wedding and you sure as hell didn’t want to pretend that you were having a great time.

“Come dance with us,” she said, attempting to pull you onto the dance floor where her new husband was and all the bridesmaids.

“I’m gonna go get more alcohol,” you said before downing what was left of your champagne. You needed something stronger if you were going to survive tonight.

“You better dance with me before the night is over,” the bride said before dancing away.

You closed your eyes tightly and reluctantly saying, “okay.”

Turning on your heels you rolled your eyes and headed straight towards the bar. You weren’t even sure why you agreed to come to this wedding. Your best friend and new husband were quite aware of how uncomfortable their relationship made you feel.

Standing at the bar you found a man ordering a drink. He was a familiar face, and close friend that you were hoping could distract you. You were quite shocked to see him standing at the bar alone. At any event he always seemed to have some women falling at his feet.

“I need a real drink,” you sighed leaning against the bar.

“I can’t believe you even showed up,” Jeonghan said leaning against the bar with you. He looked absolutely handsome in a suit just like he always does.

You couldn’t help but roll your eyes again, “she begged me to come. She said she couldn’t get married without her best friend being here.”

You could vividly remember your best friend coming straight to your apartment after he proposed to her. They had only been dating a year and three months before he got down on one knee. Seeing the huge rock your best friend had on her ring finger made you feel like you had wasted three years of your life on the man that was going to marry your best friend.

“It’s safe to say at this point I would rather light myself on fire than be here,” you said, reaching over and grabbing the glass that was sitting in front of Jeonghan.

He smirked as he watched you standing next to him down the drink that just sat in front of him. He couldn’t help but let his dark eyes travel up and down your soft body. You're wearing a stunning blue dress that hugged your curves perfectly.

“You know everyone thinks she’s a terrible person for what she did to you,” Jeonghan said looking over at the bride who was dancing awkwardly with her new husband.

“Maybe something was wrong with me,” you said wondering why you weren't enough. You're the exact opposite of your best friend and you thought maybe you just weren’t enough for him. Maybe he wanted someone prettier like your best friend or someone is small and skinny.

“Or maybe you were just too good for him,” Jeonghan said, causing you to smile.

“Where’s Joshua?” You asked, attempting to change the subject.

“He flew home to see his parents. Also he said he wasn’t a fan of the lovely couple anymore after what they did to you.” From the moment Joshua found out about the bride and groom's engagement he practically stopped being friends with them. He took your side instantly and told you shouldn’t attend this wedding. You aren’t shocked he’s not here. You didn’t think Jeonghan would come. You’re shocked to see him here.

“You know I would have also skipped this and left for my business trip tonight but I hated the thought of you being here sad and not having anyone.”

“Lucky him he got to skip this wedding. You could have also skipped it. I would have been okay,” you said trying to not sound sad about his statement.

“I wanted to make sure I got to say a proper goodbye to you.” Jeonghan has a feeling his business trip was going to be a lot longer than a month and he couldn’t leave knowing you had to attend this wedding alone. “Would you dance with me?” Jeonghan asked, holding his hand out. This must be his attempt to change the subject.

You took your bottom lip between your teeth and slowly nodded. You reached out and took his hand as he led you to the dance floor. The band had switched it up from a fast tempo swing song to a slower song. Looking around you watched as boys and girls coupled up across the dance floor. You and Jeonghan have been friends most of your lives but they never danced or did anything romantic together. Back in the day when you were in college when Joshua and Jeonghan frat had a dance you actually went with Joshua not Jeonghan. You had gone most of your life having a crush on the man you’re dancing with. Jeonghan was the definition of a ladies man and constantly had ladies dying to go out with him. You couldn’t help but wonder where his date was for the wedding.

“Jeonghan, who did you bring tonight?” You asked wondering if you knew his date.

Resting his hands on your soft hips he pulled you closer to him and signaled for you to put your arms around his shoulders. He gave you that signature Yoon Jeonghan smirk that seemed to make all the girls melt as he stared into your eyes.

“I didn’t bring a date,” he simply stated.

You pushed your eyebrows together and gave him a confused look, it was rare Jeonghan ever went to an event without a date. “That’s odd,” you said with a little laugh as you swayed to the beat of the music. He didn’t say anything, Jeonghan just gave you a smile and pulled you slightly closer to his body. You swayed to the beat of the slow song the band was playing.

“I should have asked you to dance long before now,” he said softly.

“I was hiding in a corner not many people knew where I was,” you let out a soft little laugh.

He shook his head and said, “I’m saying I should have taken you out on a proper date.” His words caught you off guard. “I shouldn’t have waited until the night of your asshole ex’s wedding. And the night before I’m leaving for at least a month.” You blankly stared at him just confused by what he was saying to you. You have always had a crush on Jeonghan for most of your life, but you didn’t think in a million years he would ever return your feelings. He’s always been the talk around town with all the girls. He’s charming and oh so handsome. He could have any girl he could possibly ever want. You’re confused as to why he would want you.

“Why would you ask me out?” You asked speaking up for the first time.

“Because you’re pretty and funny and why wouldn’t I?” He stopped dancing and reached down and grabbed your hand. Lacing your fingers together he led you out of the ballroom where everyone was still dancing and you headed out to the balcony.

You stood outside in the crisp night air. You silently stared at him, not even sure what was going on. You weren't sure if this was all a nightmare for the fact you were at your best friend's wedding where the man she was marrying was your ex boyfriend or if it was a dream based on the fact Jeonghan just admitted he wished he’d taken you out on a proper date.

“Honey I like you, I have for a while,” he stated. Your eyes grew wide, shocked by his words. “You were so torn up by that asshole in there I didn’t know what to do.”

“You literally leave tomorrow for a month-long business trip,” you sighed. You weren't even going to get a chance with him before he was gone for a whole month, maybe even more.

“I’ll be back soon,” he whispered.

“What if they ask you to move there for your job?” You asked the one question that terrified you. Jeonghan worked for a big tech company and they were opening a new branch in Tokyo and they asked Jeonghan to help run it as they opened.

He dropped his head and looked at his feet. He had thought about that quite a bit.

“I’m going to come back and when I do. I’m going to take you on a proper date,” he placed his free hand under your chin and slowly tilted it up so you were looking right into his beautiful dark eye.

“Do you promise?” You asked, causing him to smile.

“Yes,” he nodded his head. “And if they ask me to stay longer I’ll fly you out to Tokyo. We can even try to do long distance.”

You hate the idea of long distance but you would do it in a heartbeat for him. “Okay.”

“Honey, can I kiss you?” he asked. You’ve always loved when he’s called you honey. He says he calls you it because you’re always so sweet to him. You didn’t say anything, you just nodded. You couldn’t lie, you dreamed about kissing Jeonghan since your early teenage years. Jeonghan and Joshua have been some of the only people who have constantly been in your life. His strong hand went from under your chin to resting on your cheek as he softly pressed his lips to yours. You smiled into his lips enjoying the feeling of his lips against yours. Pulling away he gave you that heart melting smirk. “That’s to be continued.”

You nodded and whispered, “to be continued.”

The two of you walked back inside to find the dancing had picked up again. At this point you had no desire to be at this wedding. You asked Jeonghan to wait by the door while you went and said goodbye to your best friend. Walking back to Jeonghan you asked him to walk you home. You walked hand in hand down the streets of the city until they arrived at your home.

Standing on the steps in front of your apartment you couldn’t help but smile as you looked at Jeonghan. You didn’t think you would ever get over how good he looked in a suit. His hands were in his pockets as he smirked at you. You couldn’t lie, you desperately wanted to spend the night with him.

“I want to invite you up,” you sighed.

“Honey, how much I would love to, why don’t we wait until I get back.” He reached up and rested his hand on your cheek. “You aren’t the type of girl to invite a guy upstairs before even the first date and I would love to do nothing more than go upstairs, but I need to take you out on a proper date.” His sweet words caused you to smile.

“Jeonghan, I don't want to wait until a proper date. I don’t want to wait a month or possibly more to finally be with you.” He’s silent for a moment as if he’s trying to figure out what to say.

“Are you sure?”

You don’t say anything, you just crash your lips into his. Your first kiss with Jeonghan is everything you’ve always imagined it would be.

He pulls away from you smiling, “let’s go up stairs.”

Walking inside your apartment you set out your heels and set your bag down. You can feel Jeonghan's eyes burning into you as he steps out of his shoes.

“I need to take my makeup off and change. I don’t want to be reminded of this wedding anymore.” You sigh.

“Why don’t you take a shower?” He asked.

You can play this one of two ways and you decide it’s time to be bold. Biting your bottom lip you muster up some confidence before saying, “will you join me?”

“Absolutely,” he smiles.

-

Standing under the warm water you watch him slowly join you in the shower. He’s so pretty he’s absolutely breathtaking. Neither of you say anything for a long moment, you just take in sight of both your naked bodies.

“I’ve dreamed of seeing you like this,” he says, breaking the silence. He steps closer to you resting his hand on the side of your neck. “Shau always gives me shit for not telling you how I felt.”

“I know you like me now,” reaching out resting your hand on his chest. “Are you going to show me how much you like me?”

“Is that what you want honey?” He leans forward so his forehead is resting against yours. “You want me to show you how pretty I think you are? And how badly I want you?”

“Please.”

Leaning in, he crashed his lips into yours for a heated kiss. His hand doesn’t leave your neck as your lips move together. Your finger tangled into his long blonde hair holding him close to you. You can feel his hardened length pressing against your stomach.

Pulling away you smile at him. If you’re only going to have one night, before you go possibly months not see him you want to make the most of it. You want to give him everything.

“I want you,” you say, stepping back.

“You can have me,” he says.

You drop down to your knees in front of him. He looks down at you with lust filled eyes. “This sight I never want to forget,” he pulls your hair away from your face.

You take his hardened length in your hands and slowly start to pump, feeling him growing even harder. You give kitten licks to his sensitive head. Looking up at him through your lash you see the intoxicating sight of him biting his lip holding back a moan. Hollowing your cheeks you take him in your mouth. One hand rests on his thigh to steady yourself.

You can tell he’s trying to show restraint allowing you to control what’s happening.

“Fuck- you’re good at this-“ he moans.

Releasing him with a pop you look at him and smile before slowly licking his sensitive slit that is already leaking salty precum. You take him in your mouth once again. This time he hits the back of your throat almost triggering your gag reflex.

“Baby I don’t want to blow in your mouth our first time,” he tugs on your hair gently. Sitting back on your hunches you look up at him trying to look innocent. “You’re gonna be the death of me,” he sighs. He reached down, helping you stand up.

His lips crash into yours for a searing kiss. He moves you backwards with zero effort. Your back is against the cold tile wall. His hands are everywhere he can reach, before his long fingers slip through your wet folds. The moment his finger brushes your sensitive clit you instantly gasp. His other hand rests on your neck. You realize that this man has a fascination with your neck, but you won’t complain though.

“You’re so pretty.” He whispers with his lips against your jaw. “Is our first time together going to be in this shower?”

“God I want it to,” you sigh as his finger plays with your clit. His slender fingers know just the right way to touch you. Your body feels like a live wire.

“Do I need to get a condom?” His hands never leave your body.

“No, I'm on birth control and I’m clean. I’ve never had sex without a condom.” You sigh. You know you should probably ask him to get a condom but you don’t trust anyone more in this world then Yoon Jeonghan.

“Can I fuck you raw in the shower?” His lips brush against yours.

“Please.” You would beg this man for anything.

“I need you to come on my fingers and then you can come on my cock,” his finger dipped down inside you. His palm works against your sensitive clit while he pumps two fingers in and out of you.

“Fuck-“ you whimper. The coil in your stomach is tightening as you feel like you’re on the brink of falling apart.

“Honey, just come for me,” his hand on your throat adds a little bit of pressure pushing you over the edge. A white hot wave washes over you as you moan his name loudly.

Cleaning your eyes, your head rests back against the tile as you try to catch your breath. He slowly removes his fingers from your wet core. Bringing them up to his lips he licks them clean.

“God you’re beautiful when you come,” he smiles before pressing his lips to yours for another heated kiss.

“I need you to trust me,” he says, taking your hand. “Turn around and press your chest against the wall.” You don’t even question his request, you just do what he asks. The cold tile against your hardened nipples makes you gasp. His hand kneads the flesh of your ass while running his length between your folds. “Are you ready?”

“Yes,” you moan as his bulbous head nudges your clit.

One hand grips your hip as he pushes into you. This thrust are slow but deep. This angle has him hitting the deepest parts. Your cheek rest against the tile trying to ground yourself as Jeonghan fucks you. You can only moan his name as he repeatedly brushes your g spot.

Reaching between your legs you rub your clit knowing that you are desperately close to falling apart.

“Fuck you’re tight,” he moans. “How am I supposed to go to Tokyo for a month after knowing what it’s like to be inside you?”

“Jeonghan-“ you can’t think of anything other than his name. “I’m- clo-close” you moan.

“Where can I finish?” He asked.

“Inside-“

“Baby please come-“

“Close-“ you whine.

He picks up his pace desperately trying to push you over the edge. His fingers are digging into your hips. You have a feeling he might be leaving bruises. You’ll look at them as a reminder of what unfolds tonight. This time when your orgasm hits you it’s the hardest you have ever came. You feel like you’re on the edge of blacking out. Your eyes practically roll back in your head as your walls contact. Jeonghan falls apart right behind you moaning your name. He paints thick white ropes inside you. Slowly he pulls out watching as his cum slowly drips out of you while you’re still leaning against the wall. Standing there for a moment taking in the site if you before he grabs a washcloth and cleans up the mess he made.

He helps you turn around so your back is resting against the wall. The smile on his face makes you smile as well.

“I can’t wait till I’m home and I just get to constantly be with you.”

Jeonghan aftercare consisted of him washing your hair and taking the time to fully clean your body before he pulls you to bed. He spent the entire night holding you and kissing you. You have one last round together where he makes slow passionate love to you promising he’ll be back soon.

When morning comes you drive him to the airport and say your goodbyes for now. You know that you may not get to be fully together right now, but you know that being fully with Jeonghan is what the future holds for you.

If you have asked to be tagged I request that you please reblog. If you could leave comments and tags that would be greatly appreciated.

[rosyhoneydew]

9-1-1 8a Coda

Buck shows up to the little soiree that Eddie is hosting the night before he leaves for Texas. The 118 (et. al) is there along with some other familiar faces. Eddie's old coworkers from dispatch are there, Josh and Linda, and Carla are there. Tommy's there.

It's a good night, it's bittersweet, but everyone seems to be focused on remembering the good, the funny, the sweet times, rather than thinking about the goodbye to come. There are a few hijinks that come with Buck begging everyone there to not let him be alone in a room with Tommy. I don't know what I'll say to him if we're left alone. He's not mad, it's the opposite more than anything. Left alone, Buck's worried he'll beg, plead, bargain, for the chance to get back what they'd had. He's not sure he'll survive it with dignity intact.

It works, for the most part. Hen and Chimney take on the brunt of the work, keeping the two of them separately occupied enough that there are only a couple of close calls, once in the hallway by the bathroom, and once when Buck goes to grab more champagne from the fridge. It's at the end of the night that there's no helping it. Buck and Tommy both stay. They take down streamers and collect stray glasses strewn around the living room. They turn down the music and stuff trash in a bag.

It's nearing 2 AM when the three of them drop down onto Eddie's sofa. There's a moving company coming tomorrow to pack it all away. It's the last time they'll do this. They're quiet for a long minute. Eddie doesn't have to ask, but he does anyway, Am I doing the right thing?

It's not a question Buck or Tommy can answer, it's hardly a question another parent could answer. Buck tries anyway, I think you've gotta find that out. I don't know if this'll fix things with Chris or not, but, he chances a glance at Tommy, you've gotta know when something's worth fighting for. What could be more worth it than Chris?

What if he doesn't want me there?

Tommy speaks this time, Then you know you've always got a home here, he meets Buck's gaze, You know that you have people who will be here no matter what. Shit may happen but, we're not going anywhere.

They pack up not long after that, Buck promises to be back early to help the movers and see him off. Tommy tells Eddie to Keep working on your knee strikes, then puts a hand on his shoulder, Gonna miss you, man, don't be a stranger.

Eddie smiles and thanks the both of them before turning back into his house, the house. The moon is glowing bright, a half-crescent, and the walk that Buck and Tommy take to their cars is silent but for their footfalls.

Buck feels the slightest brush of a pinky against his own as they walk.

[elodieunderglass]

It’s a good question but not set up to be the case in the canon material! Obviously we are having fun, but it’s backed (at least in my own contributions) by the genuinely interesting public health problems and ecological implications of hobbits.

A few reasons, behind the cut because I’m conscious of having contributed TOO MANY WORDS across various iterations of this post already:

1. Tolkien provided a lot of extensive hobbit family trees, often with birth and death dates. These indicate large families produced by - this is important! - the same mother. Conclusions: mothers weren’t frequently dying in childbirth, and early deaths aren’t often recorded on the family trees. (Possible explanations you could invent for this could include things like “children only being recorded on family trees if they reach a certain age/milestone.” But then you’d be doing the same thing as making them all poly - adding your own imagination!)

One of the longest family lines is the lineage of the Old Took, who sired twelve children and was a shared ancestor of Bilbo, Frodo, Merry and Pippin. In addition to having “three remarkable daughters” including the adventurous Belladonna Took, some of his kids met such unusual fates that they were included parenthetically next to their birth/death dates. One of this generation Took siblings actually went to sea once (but came back and lived to be like 100), one never returned from an adventure, one had no children at all (!!!) and one, Hildigard, “died young.” Hildigard’s birth/death dates aren’t given, but she was clearly old enough to have been named. Dying young was clearly significant; perhaps on the same level of notability as dying childless or dying on an adventure. However, the Old Took was famous and influential, so it’s reasonable that there be more interest in his children’s fates than usual, and that Hildigard’s early death is recorded for those reasons, while perhaps working-class hobbits would have just lost children without recording them.

There is only one “working class” hobbit family tree, and that’s Sam’s.

And while it doesn’t have death dates, we do see that they all started having kids in early adulthood, around the age of 40. Sam’s parents had 6 kids over an 18-year span (!). Of those, 4 achieved adulthood as indicated by marriage or career updates. Again, there might have been dead ones left off the family tree/dying unnamed, if we use that theory I came up with. or this might genuinely be all the kids Hamfast and Bell had, and Daisy and May might have died. But we’re still seeing a general pattern of couples producing more than 2 living kids.

2. The statement in canon is that hobbits have notably “large families”, implying both lots of (living) siblings to be observed, but also something especially worthy of comment. The historical 30%-or-whatever mortality rate could certainly reduce numbers of babies like anything! but there would still have to be a LOT of siblings and cousins and big kids knocking around to create the apparently-accepted canon cultural truth of “hobbits have large families.” Then consider if they were living in a setting where it was normal for all families of all races to be affected by the same problems; they would have, say, five children, of whom two would survive early childhood. If that was expected and natural, those other people still have to turn around and point to hobbits, saying “THOSE little buggers have REALLY big families.”

Fold into that the fact that hobbits are (for their own reasons) living in extremely functional and prosperous 1700s-1800s England, with plenty of food and tea and biscuits, and a functioning postal service - while everyone else is living in various times of antiquity, and constantly getting mown down by raiders. and it seems like it should be backwards; humans should be having huge families with a few survivors, while hobbits should only be having a few kids. What the HELL are they doing over there -

3. We do need something to actually kill off the kids. We do need some cause or factor to do it. The absolute best thing is disease, especially infectious diseases! Especially since we’ve shown that we aren’t seeing family-tree indications of bearers and children dying together in childbirth, which was a formerly popular way to go - let’s go for the next best thing of preventable infectious diseases! And the tricky thing about disease is that the patterns here would have to be continually carrying off medium-sized children and young adults. This would crop the population like a mown lawn, constantly picking off people before they reproduced, while allowing the overall impression of “big families.” But this would have to be an infectious disease that somehow isn’t captured in family trees. And doesn’t stop mothers from bearing kids regularly. And doesn’t follow cycles of epidemic or pandemic (all the families all losing cousins at once in the same year etc.) so their most impactful diseases would have to be things like consumption (tuberculosis) where plenty of people can live as carriers, everyone has different levels of resistance, and they succumb to the disease at different times. I am quite happy for the Shire to have a lot of tuberculosis knocking around. Crammed full of TB. It doesn’t ever make a huge dent on the population, but it definitely hits constantly.

4. We could expect that non-infectious diseases - cancer, heart disease, stroke, diabetes, etc - should be constantly and continuously wiping out a decent number of adults - although those normally don’t interfere with reproduction and don’t solve our problem. But hobbit life histories as recorded in those stupid family trees are VERY annoying. They’re so annoying with it that in a 2022 paper intended to teach evolutionary biology to kids, authors analysing hobbits had to conclude that hobbits were probably just resistant to disease and cancer. Those stupid birth/reproduction/death dates indicate a life history slower and more resilient than humans. There probably is a decent amount of this happening anyway, but to the adults, not so much the kids. The family trees definitely and continuously imply an absurdly resilient race that really should have a huge population.

5. Kids should definitely be dying by accident a lot - drowning, falling down stairs (admittedly their architecture has few stairs) and so on. However, the culture seems to suggest that it would have to be quite a subtle continuous attrition of children. Disasters, accidents, attacks and famines are all so rare in the Shire that people literally still talk about interesting deaths a generation later. Frodo’s parents were considered completely unhinged for dying of drowning. The Fell Winter, in 2911/1311, was legendary for being difficult - in the Unfinished Tales Gandalf says:

“They (the shire-folk) were very hard put to it then: one of the worst pinches they have been in, dying of cold, and starving in the dreadful dearth that followed.”

The Fell Winter caused a drop in population, and it’s possible that they hadn’t recovered from it by the time of the books; but everyone had a lot of kids since then, and it’s still a huge legendary outlier and the worst thing that every happened to their species.

Notably there weren’t many deaths in 1311 recorded in the family trees, which is obviously due to Tolkien not matching stuff up (this whole situation is about him not matching stuff up, and us filling in the gaps). But the point I wanted to make here is that disasters are rare to hobbits.

6. A possible theory is that every hobbit even tangentially related to the Fellowship hobbits has possessed a disproportionate share of luck and fecundity, so their family trees are absurd, and everyone else is just DEAD.

7. To be fair we do see a LITTLE political impact that could be attributed to having more young people than old ones. In The Hobbit, the middle-aged Bilbo is extremely conservative and concerned with reputation and respectability; the Shire is openly prejudiced against other races. But by LotR we meet a younger generation of hobbits who are very different. Some of this is possibly due to Bilbo having changed the culture a little bit (and that’s Gandalf’s own hope and meta-explanation*) but some of it could be because of the population effect I mentioned way back - constant, ever-growing new generations being (theoretically) ever-harder to control through cultural expectations, and therefore being ever more progressive and flexible.

For this we can see Fatty Bolger - a friend of the Fellowship hobbits, who is presented as the least brave and progressive of them all, therefore elected the one staying home as a decoy while the rest of them trot off happily on a high-risk quest. Fatty casually achieves some impressive feats without worrying at all about respectability. He agrees to be a living decoy for the Nazgûl, escapes them on foot and raises the alarm, and later is a rebel leader in the occupied Shire. The Bolgers are in a reasonable approximation of the same social class as the Baggins family, and Fatty did this while being younger than Bilbo, but Fatty is seemingly willing to go into ride-or-die mode. Bilbo’s constant personal worries and fears about “hobbits don’t do that, hobbits do this” and “is this respectable” don’t seem to form part of the Fellowship hobbits’ mental landscape, and even the most cowardly of the young generation is shown being active, brave, and taking initiative. By the time of Fellowship, a working-class hobbit openly declares his desire to observe other races (Sam’s fascination with elves), young hobbits apparently normalise far-ranging camping trips all the time, Gandalf is a frequent Disturber of the Peace, dwarves come from all over to help out with a birthday party, and Frodo’s four best friends plan a journey outside the Shire in a spirit of helpful mischief. Culturally, they’re more open and responsive than Bilbo portrayed them.

So it’s possible that the Shire is in a constant state of ongoing exponential growth and development and progress, and is just so obscure that nobody has noticed that yet. And THAT could be why they’re reasonably technologically advanced and so on. Which slightly changes the flavour - but once again requires the reader’s input and imagination and research and three different sources to bring to light. So we might as well just have whatever fun we like, right? The ultimate answer is that Tolkien didn’t think about it! and meanwhile he made so many statements of such confidence and such implications that they created huge numbers of attractive fanfic gaps, in which fans can nest, like cliff swallows.

At any rate, it’s all provocation and good fun. You might as well announce that hobbit family trees are a mishmash of kinship types that conceal a truly goofy amount of polyamorous activity, as try to work out why kids aren’t dying more, when they really should.

* in the Unfinished Tales, Gandalf tells Pippin that he chose a hobbit for Thorin’s company partly because he foresaw an apocalyptic world war coming and wanted hobbits to survive it: he picked Bilbo to be a social catalyst to change their culture and increase their likelihood of surviving it. the Unfinished Tales aren’t 100% canon, but it does seem to have worked.

Every time Sean Astin makes a statement on whether or not Sam and Frodo were indeed gay for each other in lord of the rings he’s always like “well we have to acknowledge that attitudes around sexuality have changed dramatically over the past several decades and since authorial intent is only up to speculation, the story is open to multiple readings, some of which might have different significances for different groups of people also they kiss on the lips because I said so”

[xaverie]

So. I love Evan Kelmp. And - imagine that I'm trying to choose my words carefully here.

I've been getting annoyed with him over the last three episodes. Because. I don't like how he tends to impose his beliefs. About what is correct and should happen. On the other characters. And our Black characters, specifically. Which. Was really put on clear display by his interaction with The Qohlye.

Evan seeks to be understood. But I don't think he has.. put in the required effort to reach that same level of understanding with his friends, or in general. Perhaps because they haven't said things in the exact way that he needs to hear them. But he behaves as though he does understand, even though I personally think. That there are things he's missing.

The treehouse conversation. Lots of people seem to get and relate to Evan's side of the convo, which is fantastic! But not as deep an understanding of Jammer's side. Evan decides that the correct thing is for Jammer to come out not hide his magical experiences. He jumps to a few conclusions about the reason - first that maybe Jammer was ashamed, then that he wasn't confident it would go well.

Instead of asking for clarification about what "They need me to be Whitney, you guys need me to be Jammer" means, he had made up his mind. Evan likes that Jammer is magic because that is the way in which Evan feels most connected to Jammer, thus everyone should admire Jammer for his magical abilities the way Evan does. And if Jammer hasn't allowed for that it's some kind of rebuke of Evan, of magic, and of Jammer's own self. Therefore the only correct thing is to merge these identities, but really just be the Jammer that Evan knows.

And I'm not saying Evan is wrong here. But in the same way he's missing the fact that Jammer did try to expose his magic in S2E1, but he couldn't prove it because magic is fucking broken. He's also missing how naturally we, as Black people, fall into code switching. Not just historically as a method of survival, but for practical reasons, privacy reasons, or just to keep our peace. To treat that unilaterally as the same thing as a kind of toxic compartmentalization, or hiding the true self (all of them are true selves), was. Kinda. Sad to me.

Not to take away from Jammer's triumphant success on Galamanis or the freedom represented by growing wings, because this is what he chose and I love that he made those choices. But it also represents potentially giving up fitting into his mundane life and dream career, something he had fought so so hard to keep thus far, and destroying 'Whitney'. This, more than anything before it, might be a fundamental shift in identity.

The same way it made me a little bit sad that Evan had assumed Jammer didn't mean "family" literally, when I immediately recognized that of course he did. There has never been a point in American history where part of being Black and being family hasn't meant - we may have to be apart, but as soon I'm ready (as soon as we're safe), I'm coming back for you, no matter what. It is THE very first promise, the foundational truth, or the only thread of hope that tied so many Black families together through all these generations.

So while everyone recognizes what a sweet moment it was, I also hope people feel the gravity and the history behind "I dream of making that space for you." And the weight of how many people must have said that before him. And what a profound act of love it's always been because sometimes that's all we have.

When Evan tells Sam, "I think you are the most powerful wizard," she instantly replies, "I hope not." Evan's response to this was essentially - who were are is true whether we want it to be or not. Which, to be fair, is both consistent with what he expressed to Jammer and with his own experience. What it leaves out is that our hopes are also who we are. And that maybe the same way he mistook her love toward him for general gregariousness, he is still misunderstanding her a little.

While he deferred to Sam on the matter of whether they should pursue the Qohlye or not, I think it was still Evan's (or Brennan's) idea that not only must all four of them be chosen, but that The Qohlye must be the best choice for Sam.

When the Qohlye says 'I think you're only here because you're convinced you need to be the same as your friends,' is he wrong? When he asks why she needs to be chosen by his magic specifically, she can't answer on her own. When Sam was given the choice between Power and Understanding she immediately chose understanding because of COURSE she did. (She instantly replies, "I hope not." I hope not. My heart breaks.)

And yet. Evan insists that she's given the power anyway. Because that's what fits neatly into what he already believes is correct and should happen. He believes in winning and rewards. He believes she deserves that power and that they need it. So even though I know he does this out of love, he doesn't even consider for a moment that he might be wrong.

Because Sam does get the power, she does thank him, and again not to diminish Sam's accomplishment - once again Evan gets what he wants and is proven right.

Except.

When The Qohlye doesn't give him the answers he wants in the exact form that he demands them. Evan decides that this is a crime for which The Qohlye deserves to die. The Qohlye, who helped return him to life. Who has a strong connection to his friends. (Who chose to be Black, which meant so much to Jammer that he cried.) Who asked each of his friends, in turn, if they thought The Qohlye meant what Evan thought he meant. Who demonstrated that he is not (and cannot be) obfuscating something that is apparently obvious to everyone else.

Evan refuses to accept that yes, The Qohlye can give him information, but cannot understand it for him. And Evan is not ready to Understand because Evan keeps choosing Power. Understanding takes work, even (or especially) when it doesn't come naturally to you. And answers will not always come in a clear and concise way. And this makes him so angry that he wants The Qohlye dead.

While Evan always presents his beliefs and demands as logical and rational, his reaction to The Qohlye's refusal to engage on his terms was simply entitled and immature.

[thecrowroad]

An assortment of Crow and Spite headcanons:

Zevran’s working over of House Arainai triggered the succession crisis that claimed Lucanis and Illario’s families. The deaths of six 8th Talons in short order caused a lot of instability within Crow society. That instability opened up a lot of opportunity for advancement for both the smaller Crow Houses and the Talon houses. Which lead to a lot of murder.

As heir of House Dellamorte and the presumptive next First Talon, Lucanis did the full syllabus of Crow training, in exhaustive detail. Including the seduction training. While it’s not his forte, he can turn it on for contracts - but he absolutely shuts down when he uses those techniques on someone he actually cares for. It wasn’t (just) Spite that made him need to clear his head after the almost-kiss, it was nearly using moves he associates with targets on Rook.

The things Lucanis finds normal are a source of perpetual morbid fascination for everyone else who didn’t grow up at the sharp end of a crime syndicate. He was first recorded as assisting on a contract at 5 years old - no one looks twice at a tired parent dealing with a fractious kid, or expects the kid to be tasked with dripping the poison in the right glass. The Crows have never shied away from using children.

Post-game, the first thing Lucanis does, once he’s back in Treviso and the dust has settled is to sit down with Viago and Teia and work out how they’re going to manage one of them taking over as First Talon without Caterina having them all assassinated with extreme prejudice. Because while the Seat of First Talon has been Delamorte for generations and almost his entire family died to make sure it stayed in the family… It’s not important to Lucanis. He can do the job and do it well (Caterina is a lot of things, but a woman who didn’t bend to the death of all her children is not a misty-eyed sentimentalist). He just doesn’t want it, and after what he’s been through, he just wants to retire quietly to a cafe somewhere sunny and take the occasional contract his negotiator has convinced to pay his god-killer rates.

As part of the negotiations, Lucanis and Teia make Viago swear an oath to not freelance his way back into the succession. It’s just not worth it, and Teia has better things to do with her life than queening.

I’m not convinced Spite is actually a demon. He’s a bitchy spirit of Determination. Firstly - he doesn’t actually do anything spiteful. Fucking up Zara’s plans for Lucanis isn’t spiteful, nor is losing his rag at Illario for kill-stealing - that’s determination to survive, and determination thwarted. Secondly - just about everyone who addresses Spite personally calls him a spirit of determination. If a demon is a corrupted spirit, it seems that Spite is as most a little twisted.

On the positive effects of spirit possession, Anders says “I cannot tell you how good it feels for a spirit to fulfill its function. The waiting is over. I am finally seeking justice. And he is exultant. There is no ecstasy humankind can feel to match." And Wynne describes her possession by a spirit of faith as comforting "It is like being held close, cradled...". At the most minor level, possession by a contented Spite when he’s crossing stuff off his personal to-do list has to be a glorious cascade of dopamine rushes. Just imagine what achieving the big goals feels like.

[wwillywonka]

can i just say. obsessed with silco being literally split in two/two-faced and how that literalizes the two conflicting, co-existing personalities within him. how he has this one side that’s feared, how he projects to the world the spitting image of confidence and power. how he creates a literal drug to control people and make them dependent on him because it's the only way he can create something stronger than the people who have hurt him in the past, his only way to get revenge. but then there’s this other side, this other SELF, that’s hidden but always present. how he tells vander in s1e3 that he doesn't hate him anymore but respects him. that he’s doing everything out of a promise to himself to stand for peace and what he thinks is a better world despite being wronged over and over and over by the universe. how at his core, he does what he does out of his love for jinx and the parental need to protect her and the other children of zaun because he sees so much of himself in her, how he wants to leave behind a better world for the next generations. how he despises vander for abandoning their vision and thinks he’s the only person who can fix it, so he takes the weight of the world onto his own shoulders and acts as if he alone understands what it's like to live in constant pain, both physical and mental. how he spends every second trying to will away the weak parts of himself. that he himself is victim to the addiction caused by the usage of shimmer because of his eye, how HE becomes dependent on the drug, that his soft side becomes dependent on his villainous side for survival lest someone (jinx) find his vulnerable core and destroy him from the inside out. how this physical chronic ailment is the one thing in his life that he can’t control. how The Eye of Zaun is simply that, a symbol, and there exists a very real man behind it. i need to be sedated.

[pink-ivy-vines]

what it honestly feels like they did was take the concept of native rivaini people stealing their culture before the rich andrastian nobles could and then turned that on... every other culture? like, it makes sense that rivaini pirates are stealing their own history before it could become a showpiece for some asshole chantry bootlicker who approved of the dairsmuid circle being annulled in 9:40 dragon. and it makes a little bit of sense for the qunari ones because rivain is the only country in thedas that had a peaceful qunari settlement. it does not work with the elven artifacts.

my first playthrough of the game was as a lord of fortune, and i liked it a lot, but there is this really weird disconnect between what taash thinks is happening in the lords and what rook sees in the lords. rook acknowledges that they're thieves. that they steal things. in fact, one of the most interesting moments of the game for me was rook trying to connect to taash through being a lord and taash shutting it down by saying "we're not thieves" and rook saying "UM. yes we are?" then gives a very pointed example about said thievery. because the lords do steal things. sometimes they do it just because it's funny.

but taash doesn't recognize this? or doesn't believe it and sees it through these rose-tinted glasses? with every other faction i've played you're able to connect to the other character from that faction in some way. you chat with them, talk to them, and your shared history comes up often.

that does not happen with a lords of fortune rook. in fact, the only time i've ever actually seen rook uncomfortable is talking about the lords of fortune to taash. because rook tries really hard to connect with them about it and then is clearly shut down at the get-go due to their vastly different viewpoints on what the lords actually do. it's almost as though both of them have wildly different perceptions about what goes on in the lords and this is fascinating and interesting and also never brought up again.

sure, it's hinted at; isabela does not take taash on anything remotely political, doesn't bring them into dragon hoards, and tends to have taash there only for advice on dragons. rook was much more involved in the 'delving into temples and ruins' and has a much closer relationship to isabela than taash does.

some part of me actually thinks that taash's storyline should have been about realizing that the lords aren't exactly the goody-two-shoes that were presented to them. that they do commit crimes and maybe that can be good in some ways (in regards of fighting against the chantry in their country) and bad in others (like stealing and selling elven artifacts).

of course, all this also just exemplifies the problem that you bring up; which is that the lords do have good things that they're doing as well as some bad things. they're in a weird situation where they're fighting to help people, but rivain has been the subject of so many genocides and massacres that they are trying to survive the only way they know how; through piracy.

yet the only person you can talk to in a meaningful way sees them as a weird abstract painting of themselves and when you play as a lord of fortune it still never gets resolved or pointed out. it just becomes more obvious.

I got a party banter between Bellara and Taash about how the Lords of Fortune steal elven artifacts. And then Taash clarifies later that they have a Dalish expert on the team so they can check to make sure the Lords don't sell something culturally important and instead return it to the elves.

Like. I get it. You want the Lords to be fun swashbuckler Disney pirates and Robin Hoods instead of actual pirates who steal and plunder. Because we're only now in Western society realizing that stealing from indigenous groups is, uh, bad. But like. Writing really uninteresting factions for your "dark" fantasy (tho lbr Dragon Age hasn't been dark fantasy since DA2) isn't gonna solve real-world neo-colonialism, ya know? The Lords not stealing priceless elven artifacts and returning them to the elves doesn't signal to me that the Lords are total rascally good guys, it signals to me that BioWare itself is trying really hard to seem morally conscious. "See? We know stealing from other cultures is bad!!!"

And man. Not to be a "political correctness has poisoned media" grifter on main (tbh it's less political correctness itself and more the commodification of real-world activism) but I couldn't help but imagine how this convo would've played out in earlier games, potentially even Inquisition.

You could've so EASILY made this interesting while giving the Lords and Taash and Bellara a lot more depth, while also making it clear that stealing from indigenous groups is wrong.

Just have the Lords, yeah, actually sell those artifacts. But also establish that the Lords take in and help elves from all walks of life. That they free slaves, or collaborate with alienages. Then you could have Taash defend the practice by saying to Bellara that little orphaned elf kids being sold as slaves probably don't give a flying fuck about some artifacts they're never gonna see, but the money from selling those artifacts goes to buying them food. And have Bellara fire back that preserving elven culture is also part of its survival, and that there are Dalish clans that would be willing to pay for them or offer something in return. Or have her say that the Lords are doing charity for the sake of recruitment rather than actual altruism. And then Taash responds that those high and mighty Dalish elves don't do shit to help abandoned city elves, just because those aren't part of their correct elven subculture, and they care more about reclaiming old glory than helping the people that exist here and now.

Then you could have side missions or at least codex entries that describe maybe some Lord recruit being conflicted about what they're doing. Maybe a few of them are collaborating to hijack a deal or steal back an artifact. Have implications that some high-ranking Lords are, in fact, using those artifacts for their own gain, despite claiming otherwise. Have some Lords genuinely trying to help, and believing that gold and trinkets don't matter as much as people's lives, so they sell them in exchange for safety for refugees or slaves or some other helpless group.

But no. Instead it's "hey do you steal from my people?" "nah lmao we have a cultural advisor don't even worry about it" "oh wow so cool and woke of you!" And then that's it. No need for any further discussion. No conflict and no complexity. No bad actors and moral quandaries.

Weh.

[m-e-stanley]

Isha Brain Rot ✍️

Isha was probably the weird kid. A kid that didn't speak? She was definitely the weird kid. She definitely either went through something mentally traumatic that made her stop speaking, or was probably lonely for so long that she just stopped speaking because there was no one for her to speak to. And at such a young age, she was chased by adult killers and was just trying to survive. She probably thought her life would just be one long battle for survival before she died. But she was brave, and she fought on.

And then, she found love in the most unexpected of places. With arguably one of the most dangerous people in both Zaun and Piltover. Jinx. She fell on Jinx, saw Jinx kill the people that had chased her for so long and in that moment, took a risk and followed Jinx

Look at her death. She saw Jinx on the floor and looked around. She wanted to see if there was anyone who could help, but there was no one. And that brave little girl tugged her hat and ran into what was certain death.

You can see her tearing up as she runs past. She cries as she remembers the times she spent with Jinx. Those were tears of happiness. Of gratitude. Happiness that before she would die, she got to experience what it felt like to be taken care of. She got to experience family and love. Gratitude to Jinx for saving her from death in that alley, and saving her from the loneliness and lovelessness she lived with for years. As a child growing up in Zaun, she always knew she lived with the chance of dying anytime. But she probably never expected that she would get to be loved before that end.

And that gave her the strength to run towards certain death. Jinx was the darkness of Piltover, but to Isha , Jinx was the light. And she could not let that light extinguish. But she was also Jinx's light, and Jinx too could not let it go, which was why she tried running after her. But Jinx is also one of Vi's lights and so also, Vi could not let her go into death. At the end, is that not love? The act of being selfish, because that selfishness is centred around someone. To be selfish and selfless all at once.

And just before she dies, she looks at Jinx. The person that saved her in so many ways.. The person she admired to the extent she dressed like her. The person she has so much faith in. Isha said a goodbye in a way she that was more profound than words. A way only the two of them knew. She faced death, with a smile at the person that mattered to her the most, and closed her eyes.

In a way, she reminds me of that one story from Harry Potter. Of the Peverell brother that lived a life with his family and faced death with a smile. But while Ignitious Peverell was an adult and faces death as an old man, she was just a child.

Honestly thank God they didn't have Isha speak. That scene would have been more devastating if the only word we ever get to hear Isha say was goodbye

We're going into the final episodes tomorrow, but mark that Isha has left on me will live with me for years. If last weekend was the last time we get to see her alive, I'll smile like she did for the same reasons she did. She survived the loneliness. Found someone who cared for her. She lived, she laughed, she loved, she fought and she went out protecting the reason behind her happiness.

In death, she won.

[cillianmesoftlyyy]

Moth to the Flame Pt. 1 | Dr. Crane x Reader

summary: Dr. Jonathan Crane isn't the only 'crazy' in Gotham City and he's about to meet his match. When confronted with an unpleasant secret from his past, he's skeptical to trust the strange young woman who calls herself Victoria Vale, the rightful heiress to Arkham Asylum (and maybe his downfall).

warnings: none yet but oh baby just you wait...

A/N: I really enjoy using the original DC comic lore so if you've been following me for a while, you'll recognize the backstories in this but I've tried to make a completely different plot line.

bury a friend- Billie Eilish 🎶

i 

“Professor Crane?” You poke your head into the small office, the heavy door slightly crushing your body against the doorframe. The raven-haired man looks up from a stack of research papers on his desk and cocks an unwelcome eyebrow. 

“Come back during my office hours.” He waves you off with his free hand as he grades a paper with a red pen. His voice has the strange ability to both attract you and put you ill-at-ease at the same time. You step inside and let the heavy door close behind you. You don’t need to lock it, yet. Dr. Crane looks you up and down quickly, his lip curled in displeasure and disinterest. 

“It’s a quick question, I promise sir,” you lie through your teeth, your dimples showing beneath your full cheeks as you smile. Dr. Crane looks up at you from over the rim of his harsh rectangular frames. He stares at you for a moment, his blue eyes shifting as he thinks, then finally he sighs and sits back in his desk chair. 

“What’s your name?” He removes his glasses and wipes the lenses clean with the corner of his suit jacket. He puts them back on as you sit down opposite of him, the desk between you. You glance down at the research papers, an action that is barely noticeable, if at all. 

“Victoria,” you answer and watch as Dr. Crane sighs again, impatiently. He rolls his eyes after a moment of silence and leans forward, gesturing his hand through the air to get you to continue. 

“What did you want to ask me?” He asks pointedly, losing whatever patience he had left. 

“Well we’ve spoken once before but it was just a brief exchange after one of your lectures,” you start and Crane watches you, barely paying attention now. His eyes seem to glaze over. “I asked you about the chemical components of fear. I’d like to hear your answer.” You say slowly, your hands playing with the edge of your seat. Dr. Crane barely cocks his head to the side before he clucks his tongue and looks away. 

“Did you not like the answer I gave you before?” 

“I’d forgotten what you said,” you explain as you wipe your clammy hands on your thighs. Dr. Crane threw his gaze back to you and raised an eyebrow, his expression one of obvious judgment. 

“Fear is an emotional response to a threat. It’s a basic evolutionary survival mechanism. The two primary parts of the brain that deal with fear are the amygdala and the hippocampus…” he answers dully, regurgitating what every psych student already knows. 

“Respectfully, sir,” you start, your voice steady, “I’m talking about the chemical components of fear, not the anatomical.” 

Dr. Crane regards you with an unreadable expression and then removes his glasses, sighing deeply again. He looks down at his glasses and then clears his throat. 

“You’re interested in fear chemistry, are you?” His tone is low and dry, like he’s mocking you. 

“Interested isn’t exactly the right word.” You answer with a small shrug. 

“What is the right word then, Victoria?” The way he says your name is sharp, like a door closing when you aren’t expecting it. He finally looks up at you again.

“I’m…” you search for the right word and then wet your lips, “... attracted to the concept of fear. It’s almost like a passion project that can’t be satisfied.” 

“Attracted to fear?” Crane repeats slowly, though his face doesn’t change. 

“Fear is one of the most fascinating phenomena in the creation of our universe, don’t you think?” 

Dr. Crane regards you differently, his breath shifting to a new rhythm. He wets his lips before he answers, his words measured. 

“One could debate that. I’d say pleasure or desire are more complex and powerful. Why fear?” 

“It’s the power of control over both the mind and body,” you respond without batting an eye. 

“Is it power that fascinates you, Victoria?” Crane asks softly, his hands clenching and relaxing in his lap. “One could say that pleasure can have a similar effect.” 

You allow yourself to blush, knowing it’ll look more believable if you do. “Well, it’s also about control…” 

Dr. Crane looks down at his hands again and thinks for a moment before responding, his voice still calm and even despite the shift in the room. 

“Do you find control attractive?” 

“Well, don’t you? Isn’t that why you became a teacher? The role gives you control over the development of new minds,” you smile sweetly. 

A rare smirk creeps across Crane’s face. He looks up at you and puts his glasses back on, the silver frames catching the light of the fluorescent bulbs. 

“You’re very perceptive,” he trails off and folds his hands on the desk in front of him. “Control is a powerful and attractive aspect of fear.” 

“And what’s so fascinating about fear specifically is that it is universal. Everyone has something that they’re afraid of… even you. And that’s what led me to ask myself this question: what are you, Professor Crane, afraid of? And for the life of me, I can’t figure it out.” Your eyes meet his with an obvious change in intentionality. Crane doesn’t react but feels himself leaning forward slightly like a snake rearing its head.

“I have a few guesses but it doesn’t matter for right now,” you continue when he doesn’t respond. “I read your old thesis about fear in mammalian species and it’s given me a lot of insight into my own mind.” 

“You’ve read my thesis?” Dr. Crane cocks his brow again and grips his hands together painfully. His body goes cold in warning like a lightning rod in a thunderstorm. “Most of my students barely attend class, much less decide to read my work.” 

This is the moment. You lean forward slightly, your hair falling off your shoulders, your eyes wide with excitement. 

“Oh, I never said I was a student, Professor Crane.” 

Dr. Crane freezes, his cold heart stuttering in his chest. He swallows slowly, trying to collect his thoughts before he responds. 

“Then who, may I ask, are you?” 

“I attended one of your lectures on radical treatment of phobias, which is where we spoke for the first time, and yes, I did sit in on one of your classes and left with additional reading materials and a better appreciation for your work. Your thesis however,” you tilt your head away in a show of shyness, “that’s available for any ‘crazy’ to find.”

“Mmm so, you’re just a ‘crazy’ then?” Crane hums cooly, “But that still doesn’t answer how you managed to get a copy of my thesis. It was pulled from circulation and all hard copies that I was aware of were destroyed.” 

“I’m good at getting answers and it helps when people find you attractive…” you shift in your seat, looking away. You can feel Crane’s eyes on you as he considers your answer. 

“And I guess that means you think that I find you attractive?” Crane guesses cooly, his eyes not leaving your face. You look back at him and take note of his guarded expression. Taking a breath, you fix your hair and meet his eyes. 

“I think you’re attracted to my mind.” 

“Who are you?” He asks again, leaning closer against his better judgment, like a moth to the flame. 

“I’m surprised you’re so unconcerned with my presence here, late at night when everyone else has gone home…” your posture is rigidly still as you speak. Dr. Crane smirks softly. 

“You are a very beautiful and intelligent young woman, and you don’t look very dangerous to me. Why would I be concerned?” 

“Because I think I know what you’re afraid of, doc.” You whisper and Crane freezes again, his heart jumping in his chest at your thinly veiled threat. Despite his feelings of unease, Crane smiles. He studies your lips as you speak and the way your body is angled towards him. 

“And what is it that I’m afraid of?” 

And just like that, it’s become a game. 

You smile a little, wanting him to feel safe and comfortable. He isn't intimidated by you yet and you want him to take you seriously. You lean closer, ducking your head in a whisper. 

“Being found out…” 

“About what, pet?” Crane asks pointedly, in a challenging tone. 

“Well…,” you sit back in your chair casually and tuck your hair behind your ears. “I’ve always had a natural inclination towards crime. That’s what made me become a detective. I thought what I wanted was to restore justice in Gotham, but I’ve quickly learned that justice is a jealous mistress and maybe my interest in crime has other motives… Are you following me so far?” 

Dr. Crane massages his mouth with his hand, listening intently. His lips are pursed beneath his fingers, his eyes void of any telling secrets. 

“So far,” he sighs. 

“You and I share something very important. It’s made us both who we are today. I just realized it before you did.” 

“Oh? And what do you think we share?” He furrows his brow skeptically. 

You stand and brush the hem of your dress over your thighs. As Crane watches you, you trail a finger over the books on your bookshelf, stopping at one and pretending to read one of the pages. 

“Thomas Wayne.” 

You toss the book in front of him on the desk. The book is open to the author bio. It’s a picture of your parents, the authors of a book on criminal psychology. The Arkhams.

"These are my parents. My name was Victoria Vale when I was born. Thomas Wayne murdered them and they put me in an orphanage. I didn’t know they were my parents until I started looking into the Waynes. And then I found you…” You keep your story short and to-the-point, not wanting to reveal too much. Dr. Crane looks between the photo and you, his brow furrowed as he works it all out in his head. Maybe for the first time in his life, he finds himself speechless. 

“So you really are crazy, aren’t you, pet?” He covers the shaky tone of his voice with a sneer. You ignore him and close the book, pushing it aside on the desk. 

“Tell me, what did Thomas Wayne do to you?” 

Dr. Crane looks up at you and scoffs. He removes his glasses and pinches the bridge of his nose between his forefinger and his thumb until the pressure between his eyes fades. 

“And why would I tell you that?” 

“Because I already know the answer, I’m just giving you the opportunity to say it.” You lean against the bookshelf and cross your arms over your chest. Dr. Crane regards you with suspicion and shakes his head. 

“You’re bluffing.” 

“Am I?” You bite back. You stare at each other, eyes narrowed and blood pumping. Dr. Crane finally sighs through his nose and puts his glasses back on. His eyes bore into you, punishing you for asking him this question. He holds your gaze with a mixture of pain, bitterness and cold rage. He speaks as if the words are acid in his mouth.

“Thomas Wayne destroyed my family and my childhood. He was a ruthless and cruel man and I’m glad he’s dead.” 

You stare back at him and notice the original tension between you changing, shifting as your power shifts. 

“Then we’re kindred spirits, you and I. It was only a matter of time until I found you, the famous criminal psychiatrist with-” You lean over the desk, looking directly into his eyes,” startling blue eyes.” You take a breath before continuing, not waiting for him to respond. 

“Because I’m a good detective, not like any of my ignorant male peers, I looked into a string of unusual robberies and I noticed that most of Falcone’s men were being moved to Arkham Asylum… on your orders.” 

Crane is silent for a moment, impressed by your intelligence and deduction. He feels his heart starting to pound a little faster again. He does not deny it, but doesn’t confirm your suspicions either. 

“I may have had some influence in those transfers.” 

“Don’t worry, Crane, I’m not here to cause trouble for you. I just wanted to meet the man I’ve admired for so long and see if I can be of some… help.” You smile and pass your fingers over the research papers organized across the desk. You’re catching him off guard on how well you know him and he can’t tell if he likes it or not. His eyes flick across your face again, taking in the sight of your dark eyes and darker eyelashes. 

“You admire me?” 

“Don’t let it get to your head.”

“How does a young, beautiful girl like yourself become so interested in a man like me?” Then he pauses and wets his lips before adding with a smirk, “why, exactly, do you admire me?”

“Your work, it’s impressive. And what can I say… ” You look back up at him with a serious look on your face as you drag a finger across the research papers, pulling out a piece of scratch paper. “I like your style.” 

On the corner of the paper, there is a drawing of a scarecrow. You drag it slowly across the desk until it sits in front of Crane on the desk. You don’t need to say anything else. He looks down at the drawing, swallows, then looks up at you. 

“Stop acting dumb, doc. I know more than you think. Like I said, I’m good at finding information and sticking my nose into places where it may not belong.” 

Crane’s pulse quickens at the edge in your voice, his fingers reaching for and clutching the paper tightly. He wants to be irritated, but somehow you’re bringing out a different, a darker and playful part of him. 

“Once again, you’ve proven yourself to be a very observant and talented young woman. Maybe too talented. I think you’re too dangerous to keep around my office, Miss Vale. You’re a liability.” 

“What are you going to do to me, Crane? Are you going to use your… little fear toxin on me?” You smile, leaning further across the desk where Crane hasn’t moved from his seat. He looks up at you, smirking slyly. 

“Maybe I will.” Dr. Crane starts to stand, and when he does, he’s taller than you but not by much. He isn’t a very tall man, you could easily take him if you needed to. You’re still separated by the desk but you’re close enough to smell his cologne. 

“Impressed by my skills of deduction?” You ask, clasping your hands behind your back. 

Crane walks slowly around his desk to stand in front of you, looking you up and down intently. He tilts his head to the side, his voice distant and distracted. 

“More than a little impressed, yes. You’ve figured out an awful lot about me in a very short time.”

“Now don’t you want to know why I’m here? Your survival instincts are annoyingly slow, Crane,” you tease. 

Crane bristles, displeased with your slight to his intelligence. He crosses his arms over his chest and sits back against the desk, clenching his jaw. “I would love to know why you’re here. You’ve been very coy about that point.” 

You nod and move away from him to continue looking at the books, organized meticulously on the bookshelf. “I have a proposition for you. I want to be… business partners.” You can see Crane watching you from out of the corner of your eye. Crane chuckles a little, stunned. 

“Business partners, huh? And what exactly would that entail?” 

Crane’s eyes sweep over your figure again as he imagines what kind of ‘business partners’ he’d want to be. 

“I’ll help you with your grand plan for Gotham and in return I get two things…” you keep your eyes on the spines, your fingers following the edges of each book. 

“Mm?” Crane hums, listening carefully now that you have his full attention. 

“1. I get to lead beside you when you successfully turn Gotham upside down and 2. I get what’s rightfully mine… Arkham Asylum.” You turn back to look at him, refusing to be intimidated by him even when he looks at you like something he’d like to eat. 

Crane’s eyes widen and he almost starts to laugh. His navel warms, aroused by your attitude and threats. He chuckles softly and moves his hands to grip the desk on either side of his body. 

“Gotham city flipped upside down, and Arkham Asylum in your hands. Your terms are surprisingly bold, Miss Vale.” 

“What can I say, Crane? I’m in the business of retribution.” You shrug, not backing down. 

Crane chuckles again and shakes his head, “Touché.” He imagines himself pinning you against the bookshelf and feels himself get hard just at the thought of it. He watches you closely, noticing your unwavering resolve. “And how can you be sure I won’t use my toxin on you?”

It’s your turn to laugh now. You smile and step closer to him, meeting his cool eyes. You let your eyes look him up and down, admiring the way his lean body hides beneath his expensive suit. 

“I’ve prepared for that possibility… but I like playing with fire.” You pull a lighter out from your pocket and strike a flame. It glows between your faces.

Crane smiles in amusement at your audacity then his eyes dart between your face and the flame separating the two of you. 

“You are playing a dangerous game, Miss Vale.” 

“My favorite,” you respond coolly and play with the flame in your hand. Crane’s eyes follow the flame and he swallows. “So? What say you?” 

He should stop you, he should kick you out of his office and ignore you, but the fire in your eyes and the confidence in your words makes him want to take a risk. He reaches out quickly and takes hold of your chin, tilting your face up so that he can see it clearly. His voice is a low whisper.

“You’re a dangerous little thing, aren’t you?”

“Oh, you have no idea.” You snap the lighter closed and tuck it into Crane’s breast pocket. “Regards from Thomas Wayne. I thought you should have it.” 

Crane looks down at the lighter, dropping his hand away from your chin. His eyes dart back to your face, assessing the weight of your words. Your demeanor is cold and almost amused. Crane swallows, his skin growing cold where the lighter now sits. 

“Where did you get this, Miss Vale?”

“Not only do I want what’s rightfully mine, you deserve what they took from you too. Think of this as my promise and a peace offering.” You pat his breast pocket, your face getting dangerously close to his. He flinches when you touch him and clenches his jaw. He looks down to your hand patting his pocket and raises a sharp brow. 

“And you’re willing to help me get my revenge?” 

“It would be mine too.” 

“Against Thomas Wayne?” 

“Against the whole city… but especially the Waynes.” You whisper, managing to take a step closer. Crane chuckles, admiring the way your eyes darken when you speak so severely. He leans down a little closer to your ear, his breath ruffling your hair. 

“A pretty, vengeful vixen. I’m starting to like you, Miss Vale.” 

“Now, now, now-” You push him back with a sly smile, your teeth showing, “We’re business partners, not fuck buddies. You’ll need to behave yourself if you want to make this work.” 

Crane actually laughs, though the sound is raspy and dark, it’s still a laugh. He allows you to push him back and holds up his hands in mock surrender, sitting back on the edge of his desk. 

“Feisty. Ok, I’ll play the part. No need to worry, Miss Vale… though the thought is… tempting.”

“Not intoxicating? I’ll just have to try harder next time,” you smile as you pull on your coat from the chair. Dr. Crane watches you from his desk, his eyes following your arms as you slide into the quilted coat. 

“Oh you know exactly how intoxicating you are. Don’t be coy, Miss Vale.” 

“Maybe I’m just a Jack of All Trades,” you shrug and move to the door. Crane crosses his arms over his chest again and nods slowly. 

“Yes, I’m starting to see that now. You’re full of surprises.” He can’t help but look you up and down again, his eyes lingering on the shape of your thighs or the angular way you hold your head. He wets his lips, wetting his pallet. 

“Well, here’s another one,” you smile, fully aware of his arousal, “Falcone was taken into custody today. Someone, and I’m not saying who, may have given him a razor blade. He’ll need a psych evaluation and you need to be the one to do it. I don’t trust him to keep his mouth shut if this goes to trial.” 

Crane raises an eyebrow, impressed by your thoroughness. 

“Falcone in custody. Hmm. A razor blade? What a coincidence...” he starts to wonder exactly how far you’re willing to take this revenge of yours. He can feel himself getting excited in more ways than one. 

“You’ve got the right idea, Miss Vale. I’d be more than happy to take over his evaluation.”

“Good. I’ll arrange for you to administer it between your lectures. You’re such a busy man. Professor by day, psychopath by night. I don’t know how you do it.” 

“I’ve made a lot of sacrifices,” he answers cooly, calmly, “As have you, it seems.” 

Something passes between you, something shifts once again in your eyes. 

“Goodnight, Dr. Crane.”  

You start to leave but turn around briefly to speak, your eyes growing softer. You’re actually capable of feelings too, not just well-worded threats. “Don’t lose the lighter… it’s the one he used…” 

You leave the sentence in the air between you, hoping he’ll understand what you mean. Dr. Crane seems to freeze again as he processes what you’re saying. He puts his hand against his breast pocket to feel the outline of the lighter. He clenches his jaw and finally nods. 

“Goodnight, Miss Vale.” 

You nod once and open the door, pushing against its heavy weight. 

“I’ll be in touch,” you say over your shoulder and Crane fixes his glasses. 

“I’m sure.”

Only when the door closes behind you and you’re walking down the dim hallway do you allow yourself to exhale. Dr. Crane was so much more impressive in person… and so much more attractive. You had almost faltered on your plans until you remembered how much you needed him, and how important it was that the two of you meet. Though you must admit, acting unbothered has never been harder. You run your hand through your hair and slip out of the science building on campus. You’re wearing a quilted coat, more for professionalism than warmth. It’s late Spring in Gotham and it’s too warm for a coat. In fact, there’s a heatwave coming in the next week. But you keep the coat on because the color is dark, helping you blend into the shadows of every building in the city. 

The moment the door closes, Crane finds himself almost unable to breathe. He’s nearly shaking and feels strangely off-balance like you’ve completely turned his world on its head. He walks back around his desk to his chair and slowly lowers himself into the seat. He exhales shakily and pinches the bridge of his nose above his glasses. Part of him wants you, the other part wants you gone. With a sigh, Crane pulls the lighter out of his pocket and places it on the desk, looking at it while his thoughts run wild. 

You hadn’t needed to say the words for him to piece it together: this was the lighter that Thomas Wayne used to kill his mother, and by extension, his father. The knowledge of what you’ve given him finally sinks in and he takes a deep breath, his jaw clenching again. He feels a cold shiver rush over him, a thousand thoughts running through his mind at once. He can’t tell if he wants to cry or scream or laugh. Crane reaches out and grabs the lighter, his knuckles turning white. He thinks of you, of your audacity to crash his carefully constructed life with your own plans of revenge. He plays with the lighter, his lips pulled into an unhappy snarl. But the longer he thinks about you, the more he feels himself growing to like you. As much trouble as you could cause him, he liked how fast you thought on your feet and how good you looked in that dress. 

Hours seem to pass before he can slowly regain control of himself enough to clear his head a little. He’s trying to understand you… he wants to trust you but there’s a very loud part of his mind that’s screaming not to. He can’t deny the fact that you’ve completely enthralled him, in fact, the thought of seeing you again makes his heart pound in perverse excitement. He tosses the lighter back on the desk and runs a hand over his face. 

“Damn you…"

[creature-wizard]

What an AI generated website can look like

Hey folks! I just encountered a website that's obviously AI generated, so I figured I'd use it as an example to help you spot websites that might be AI generated content farms!

First, the website is called faunafacts.com. And one of the first things that sticks out to me is how low-effort the logo is:

Regardless of whether a website is AI generated or not, a lazy and low-quality logo is a big clue that the website's content will also be lazy and low-quality.

If we click on Browse Animals, we see four options: Cows, Wolves, Bears, and Snakes.

Let's click Wolves.

The first thing I want you to notice is the lack of topical focus. Sure, it's all about wolves, but the content on them is all over the place. We have content on wolf hunting, a page on animals that resemble wolves, pages that explain the alleged social structure of wolves, and pages on wolf symbolism.

A website with content created by real people isn't going to be all over the place like this. It would be created with more of a focus in mind, like animal biology and behavior. The whole spiritual symbol thing here mixed with supposed biological and behavioral information is weird.

The next thing I want you to notice are the links to pages on topics that are quite frankly bizarre: "Wolf vs Mastiff: Things You Need To Know" and "Can You Ride A Wolf? (No, Because...)" Who is even looking for this kind of information in large enough numbers that it needs a dedicated page?

Then of course, there's the fact that they're repeating the debunked wolf hierarchy stuff, which anyone who actually knew anything about wolves at this point wouldn't post.

Now let's look at what's on one of the actual pages. We'll check out the wolves vs. mastiff page, and we can soon find a telltale sign of AI: rambling off topic to talk about something completely unrelated.

Both animals are carnivores. In the wild, wolves hunt large animals like bison, deer, and even elk. Sometimes, they may also hunt small mammals like the beaver.

Mastiffs, on the other hand, are mainly fed with dog food. As a dog, a mastiff left in the wild will eat anything. However, it will have difficulties hunting, as this instinct may have already departed the dogs of today.

A mastiff is not an obligate carnivore. Dogs can eat plant matter. Some say that dogs can survive on a vegetable diet.

Dogs being made vegetarians is a contentious issue. Scientifically, dogs belong to the order Carnivora. There is a movement today to convert dogs to a vegan diet. While science has nothing against it, the fear of many is that when dog owners do this, a vegan diet will certainly have an impact on the species.

This page is supposed to be comparing mastiffs with wolves, but then it starts talking about the vegan pet food movement. This happened because large language models generate text based on on what's statistically likely to follow the last text it just generated.

Finally, the website's images are AI generated:

If you know what to look for, this is a very obviously AI generated image. There's no graininess to the image, and the details are both unnaturally smooth and unnaturally crisp. It also has that high color saturation that many AI generated images have.

So there you go, this is one example of what an AI generated website can look like! Be careful out there!

[ultramaga]

I think feminism is a conspiracy theory, and say so because I used to read it and it has the same mentality of extreme fundamentalists et al.

"The First Sex", for example, was popular with feminists and sold as feminist and applauded by them and it appears in feminist libraries.

It claims that all human beings were female, and that worked forever, and then somehow an evil mutant was born who was inferior in every way, and despite no advantage and many disadvantages, it conquered all women every where...

Despite no means of travel or communication.

This is insanity.

Nazism success was due to emotive argument. The claim Jews are both inferior and superior is obviously absurd to a logical person, so Nazism did everything it could to keep people in a high state of emotions, unable to think rationally, then those that kept their minds were executed.

Patriarchy is a self contradiction.

But it gets worse. Because either feminism can change things or it cannot.

It had sixty years to demonstrate one functional independent female nation.

There's not so much as a village.

If anything, put feminists in survival situations, and they just start bickering and blaming men.

Where are the Feminists doing amazing.. anything? Their art is ugly, their songs are screeches, they invented nothing, they simply march into the work of others and claim credit, and when the movies and games they infiltrate collapse, it's because

EVEN FEMINISTS CAN'T STAND THEM.

And all I have to do when I want a reminder of the Total Feminist Failure is look at porn.

Porn is almost entirely run by women, to the point of it being obnoxious eg Twitch, where genuine female gamers were pushed out by the porn makers, and men are looking elsewhere for game streaming.

That's not even touching on the Feminists here who are endlessly denouncing male sexuality whilst horny posting about being vored by a pack of werewolves.

what women hear when I criticize femininity: this woman is so stupid and should be treated like the baby she is by not allowing her to make decisions

what I actually mean: the desire for male validation is beneath you

what women hear when I criticize dating/marrying men: these dumb hoes are too dick-addicted to make proper decisions

what I actually mean: the desire for male validation is beneath you

[god-blues]

An Analysis of Clive Rosfield and the Dominants of FFXVI

finally writing this post after having brain worms about these themes since [checks notes] the game came out last year, so here goes

every single dominant in the game represents a theme to clive rosfield in some shape or form, and serves to mark the progress of his growth across the narrative of the game. either as an obstacle to overcome, or as a guiding beacon imparting him with purpose to keep carrying on

i'm going to look at each dominant that clive faces in the chronological order in which he absorbs their eikons, so we're starting from benedikta even though jill and joshua were the first ones in clive's life, and go from there. i'll be leaving leviathan out of this since i think that one's the most disconnected from clive's journey and has the least to say about him as a person (makes sense since it's DLC and not necessary for the full story)

also, this is obviously just my own interpretations of the game's themes and the way it utilizes their characters in clive's journey etc etc. i'm not saying this is the only Correct way to look at it, i just wanted to get my thoughts out on paper as a nice little overview for myself and others interested in that kind of thing

it's about 2k words long so i had to add a read more. onwards!

Benedikta Harman

benedikta and clive share similar traumas. both were enslaved at a young age, and while their experience of it differed for both, the similarities are so stark that the game practically spells it out for you. basically: benedikta is where clive would have ended up had he ignored or rejected cid's guidance

imo it's no coincidence that cid and benedikta have the history of cid having saved her from slavery when she was a young girl, because it mirrors how he saves clive and jill as well. the difference is that unlike clive and jill, benedikta did not end up with the benefit of gaining a support system like the hideaway

instead, she was taken in, used for her powers as a dominant and manipulated by barnabas, and eventually abandoned by cid which left her in an even worse place. with no other way to survive, she could only hold onto barnabas to grant her status and power to protect herself

now whether cid was wrong or right for leaving her behind is not something i'm gonna go into since we don't know enough about the circumstances in which it happened. from the way cid speaks to benedikta in game, benedikta and barnabas were responsible for acts he didn't agree with ("because i'd had enough of you and your king's antics"), so we'll leave it at that

that aside, though, it left benedikta to fend for herself, with no one she could have truly relied on. clive and jill, on the other hand, found a new home with people who understood and shared in their struggles, and with cid there to guide them

it makes the boss fight clive has with benedikta rather tragic, looking back on it. this is one of the boss fights that don't necessarily symbolize growth for clive, at least not in a positive way: he loses control just as benedikta did. it's a fight between two hurt people hurting each other because it is all they know how to do

the only difference is that one of them has people he can rely on, and the other is alone, used as a tool and then discarded when she served her purpose. the same as would have happened to clive, had he never escaped slavery

Cidolfus Telamon

it makes sense that we go from benedikta to cid after that, because once clive comes to terms with his trauma and Accepts The Truth, he moves onto the path of recovery. being that he doesn't know how to navigate that, however, cid becomes a natural mentor to him

from the start, you get the sense that cid has already decided in his mind that he wants clive to be his successor and keep the hideaway safe. the man is living on borrowed time, his arm turning to stone and coughing up blood every time he exerts his aether in any significant way. note what blackthorne tells clive the first time they meet, as well: "don't let cid decide what's best for you". cid clearly has a habit of steering people in certain directions

clive, who is at a loss on what to do now that he has been stripped of his original purpose, which was to avenge joshua, of course clings onto the new purpose that cid guides him towards. this is not to say that cid does so in a manipulative way: clive wants and needs to feel useful, and cid offers a way for him to do that to both their benefit. by the time they head to oriflamme, they hold a mutual trust between them, and clive views cid with clear respect and admiration, enough to pledge himself to cid's cause

the interesting part in all this is the way how clive absorbing ramuh coincides with him absorbing cid's ideals and cid's very identity as well in order to carry on his legacy. in the process, a part of clive's own identity becomes subsumed by this role he takes on as "cid" and the hideaway's new leader, quoting cid at various moments after the timeskip ("any objections?"). it is no different than the roles he fit himself into throughout his life or failed to fit into ("...prince, Shield, son his mother could love")

i always wonder what cid would have thought of that. i muse about it more in this post, if you're interested

Hugo Kupka

hugo kupka embodies, very plainly, refusing to accept the truth and being blinded by vengeance.

both hugo and clive were wrapped up in this idea of needing to get revenge, and for both of them that revenge was built on a lie. whereas clive confronted the truth of what happened to joshua and was able to move on because of it, hugo became wrapped up in a deception (albeit externally inflicted) and let it consume him

in so doing, he became a useful tool for barnabas that was then discarded as soon as his purpose of giving clive titan was fulfilled. his revenge amounted to nothing. but that is not to say that vengeance is being condemned by the narrative, rather, being blinded by it is.

clive, having seen and accepted the truth, exacts a much more righteous retribution on hugo for having destroyed the hideaway and having killed so many, all because of a lie that cid had killed benedikta

rather than let the need for vengeance rule him, clive wields it only when it is deserved. he overcomes the manipulation where hugo does not, and hugo suffers the consequences where clive emerges victorious

Dion Lesage

dion is similar to benedikta in that he exemplifies the outcome of a path that clive could have walked, but ultimately escaped from: to be used as a weapon, and to be trapped by his desire for approval from a parental figure. had clive been revealed to be a dominant much earlier in his life, there is no doubt in my mind he would have been in the same position that dion ended up in with his father. i've written about it more extensively in this post, so i won't repeat all of it

the gist of it is that dion is a tragic hero from beginning to end- unlike clive, he is unable to escape his fate. he embodies the self-sacrifice and endless striving for a parent's affection despite never being good enough

the sidequest with tomes is especially heartbreaking when keeping this in mind, because unlike clive who was able to accept the "sin" he committed in "killing joshua" (as well as actually killing rodney), dion cannot forgive himself for the sin of killing his father and destroying twinside

like i mention in the post i linked, it's no coincidence that clive reunites with joshua in the same scene where dion's sin is born. clive lets go of his guilt and moves forward, whereas dion becomes entrenched in his guilt to where it drives him to sacrifice his very life in an attempt to make up for it

on top of that, when you look into additional lore you see what a horrible person sylvestre truly was. ultimania reveals he had dion's mother assassinated in order to hide that he was born to a commoner, and a courtesan at that, and used dion's status as bahamut's dominant to become emperor. then you realize the full depth of the tragedy that is dion's story

dion died trying to redeem himself to a man who saw him as nothing but a tool, and had fully deserved to be killed by his hand all along

Jill Warrick

jill is, pretty much, what keeps clive's will from breaking

their romance absolutely cannot be separated from this, so even if you personally might not ship these two, canon is very clear about this

jill has always given clive the strength to carry on, more than anyone else. when he first finds her during his assassination mission at the nysa defile and realizes that it is her, he is ready to abandon his quest to avenge joshua and die together with her when they are about to be overrun by the iron kingdom's soldiers. and when she wakes in the hideaway later, she is the one who gives him the strength to face what happened at phoenix gate, and accept the truth of who he is

to elaborate on this: the game's mechanics give the major enemies a Will Bar you have to deplete for a reason, similar to how dominants lose control of their eikons when something causes their Will to break, and why ultima continuously tries to wear away at clive's Will throughout the game: willpower is an essential thematic component of the narrative, and jill being there for clive is what keeps his Will from breaking

i think it's very purposeful that the only time clive is truly defeated is by barnabas (if you'll remember the mocking Clive Bested pop-up lol). it's also to hype barnabas up as a villain, yes, but also to exemplify he needs jill--needs to absorb shiva--in order to overcome his greatest adversary yet

there's some discourse about the english vs japanese translations of the scene they share at the beach, and i'm not interested in getting into that: the english dialogue is what encompasses canon to me first and foremost. so, going off that, we get a scene where jill entrusts shiva to him, which might first be seen as clive taking the burden of it from her. which is true, but! it is also what gives clive the strength to carry on

in that way i think the game strikes an interesting balance between what is a "burden" and what is "strength". yes, carrying the hopes and dreams of your fellow comrades on your back is a heavy weight, but it is simultaneously something to draw strength from, because through that same token clive knows he's not alone. jill and everyone else at the hideaway is with him

Barnabas Tharmr

barnabas is clive's ideological foil, another path he could have walked. i could write an entire essay on this particular point alone, but most of it would be speculation and my personal headcanons based on the scant few lines we get from barnabas in-game and the added lore in ultimania, so i'll spare you. if you want to know more about how i see barnabas, cid and clive fitting together in terms of their ideology, though, refer to this post

anyways, this one is pretty obvious: barnabas represents the relinquishing of human will and becoming a slave to a higher power

i've mentioned in past posts before that ultima embodies the pinnacle of a slave master, tying in with the theme of it within the game- even the combat mechanics are built around it, as i mentioned in jill's section. what if clive never escaped slavery? what if he had succumbed to ultima and truly became mythos? that's pretty much barnabas in another form

barnabas is also the antagonist clive tries to talk to the most, even saying to him verbatim during their second duel at the bottom of the sea "we don't have to do this". their fights are not only physical fights, they are verbal and ideological ones: through their battles, they begin to build an understanding of each other, leading barnabas to come to the realization that he never truly relinquished his will at all

this realization signifies clive's ideological victory, and thus barnabas is fittingly the final dominant you fight before you face ultima themselves. every step of clive's journey has been leading up to this: working through his trauma and hurt, finding community and purpose, accepting the truth to no longer be lead astray, letting go of the need for approval and validation, carrying the hopes and dreams of his loved ones, and proving the strength of his ideals

Joshua Rosfield

joshua is the genesis of clive's search and need for a purpose

not by joshua's own hand, of course. he was just a baby, after all, but the birth of the dominant of the phoenix meant that clive no longer had a purpose (at least, in anabella's eyes). if clive could not be the dominant that his mother wanted, then the next best thing would be to become the shield that his brother needed

except, joshua turns this notion entirely on its head by the end of the game

he saves clive not once but twice, first in oriflamme, then later in the rift when ultima is trying to possess clive once more. both times, joshua thwarts ultima: both times, it is joshua who functions as clive's shield. he is upset when he thinks clive has pressured jill into giving him shiva, because he thinks it is clive yet again trying to shoulder the burden all by himself

there are many different interpretations of the ending of the game, but joshua is in part why my personal view is that clive is the one who lived and joshua is the one who died. joshua has always been clive's foremost protector, and through his sacrifice, clive is "released" from his roles and his need for a purpose to make himself useful his entire life

as a result, joshua is the one who sets clive free at the end of clive's journey. that is what allows clive to overcome ultima, who would see mankind shackled to their will, and instead has clive leading mankind to freedom in turn

In Conclusion

this game's themes fuck severely and i will be thinking about them for a long time to come. thanks for reading 🫡

[pinkpastels113]

romance is not dead (if you keep it just yours)

also on ao3

a/n:

for @mcrololo and @shikariix <33 did i listen to paris by taylor swift and enchanted on repeat the entire time while writing this?? maybe... also thanks for the idea/encouragement to write this based on this tumblr post @pyresrpgear!! hope you like this as well :))

People often forget that you can find romance in the most mundane of things, that love exists in the most simplest of gestures.

Chloe was getting some water at the fountain in the common area of Beca’s music label when one of these moments happened.

“Shoot your shot!”

Chloe turns at the sound of the man’s voice behind her. It belonged to one of Beca’s coworkers and she can just make out him slipping behind the wall of the opening to the common area with a subtle wink before her attention lands on Beca, her wife, walking towards her, her own water bottle in tow.

Chloe grins, as she always does when in the same vicinity as the love of her life. “Fancy meeting you here!”

Beca chuckles, nervously, and lifts a hand to rub it at the nape of her neck as if working up the courage to pop the following question:

“You’re really cute. Wanna go out with me?”

Her dark blue eyes are downcast, just like that time eight years ago when they were both in their twenties in university, high on the serotonin and adrenaline of yet another win with their Bellas, after a group hug, when Beca had also asked her out with the same expression, her bottom lip snagged between her teeth and a hopeful lift to her eyebrows. 

Chloe’s heart leaps in her chest in the exact same way back then, too, now, like she had been waiting forever for that feeling, that confirmation, that Beca liked her back in that all consuming, I-might-be-sick overwhelming way that Chloe had felt towards her best friend ever since she’d joined their silly little acapella group. 

(Even though Chloe considers herself a romantic– she had been reading romance novels ever since middle school, after all– she feels like Beca might just secretly be a bigger one.)

She sets aside her water cup, reaches forward and repeats the gesture with Beca’s, in favor of taking both of Beca’s hands in hers. Beca’s fingers were cold, so she threads them together and squeezes to breathe some warmth into them. 

“Yes. Of course I would love to go out with you.”

Beca’s face lit up, like a dang near Christmas tree, and her lips quirk into a huge relieved smile just like they did when Chloe had first said yes all those years ago as well. (Pft, as if Chloe could say no.) She returns Chloe’s squeeze. 

“Cool beans.”

And it may be cheesy, and corny, and just a tad bit dumb especially since both of their matching wedding rings are digging into their skins, but it still made Chloe’s day. She already knew that nothing would wipe that dopey grin off her face for the next twenty four hours, and she’s completely satisfied with that fact.

When they got home later that day, after dinner and they’re cuddling on the couch with the heater on and a movie playing in the background, Chloe talks about it, mentioning the shoot your shot comment.

“Was he new or something? What was that about?”

Beca snorts, burying her face into the crook of Chloe’s neck where her breath ghosts over Chloe’s collarbones, “Nah. I told him that I was about to ask out the hottie at the fountain and he’s simply encouraging me. He knows that we’re married, Chlo. Just cheering me on like the dork that he is.”

“Like the dork that you are, you mean,” Chloe corrects, pressing a soft kiss to the center of Beca’s forehead. She finds the whole thing incredibly cute, even though it was small and mundane.

Who says romance is dead just because you’re married? It survives even past death, unlike those classic vows for marriage.

[wisteria-lodge]

hullo i got what if scenarios and was wonderin if let's say the malfoys are on the light side, and there is a prophecy that draco is the chosen one and lucissa doesn't end up dead in the beginning do you think that lucissa would want draco to be the chosen one and have the fate of the ww on his shoulders? (for this scenario i was simply wonderin how you'll think lucissa and severus will react)

and what if they are actually on the dark side but draco still is a chosen one, how do you think lucissa and severus react and what would they do

Oh man, if the prophecy Dumbledore heard and Snape overheard referred to DRACO? hold on I bet I can rewrite it real quick ~

"The one with the power to vanquish the Dark Lord approaches... born to those who have long aided him, born as the sixth month dawns... and the Dark Lord will mark him as his equal, but he will have power the Dark Lord knows not... and either must die at the hand of the other for neither can live while the other survives...

Severus immediately knows this talking about the Malfoys' kid (Narcissa is still pregnant.) He tells Narcissa and Lucius.

There is absolutely no debate or discussion. If either Draco or Voldemort has to die, they're going to protect Draco with everything they've got.

Lucius calls his Gringotts representative. Tell him to liquidate everything and move as much money as possible into off-sea accounts, like, yesterday.

Narcissa, heavily pregnant, grabs the Diary and Severus and takes them both straight to Dumbledore. She's not going to to be happy until one (preferably both) of them make an Unbreakable Vow to protect her unborn child.

Narcissa says she's relocating to St Mungos, using her pregnancy as an excuse. Really, she's locking herself down under the Fidelius Charm. Lucius is secret keeper. She decides to stay in of of Mad-Eye Moody's safehouses. He can stick around as a body-guard.

Lucius goes straight to Barty Crouch Senior, who is kinda running the show at this point. Actually, because he's good at people, Lucius makes sure he tells his story while Crouch's much more sympathetic wife is in the room too. He starts with, "I know what your son's been doing, but he's not in too deep, not yet. Do exactly what I say, and we can get him out."

Severus stays with Voldemort as an inside man. He does his spy thing, and feeds info to Lucius and the Ministry + Dumbledore and the Order. They start co-ordinating efforts. Death Eaters start dropping like flies.

Voldemort realizes the Malfoys took the Diary with them when they defected. Flies around checking on all the other horcruxes like he does in Book 6. Realizes that the Locket is also gone - and reads Regulus' taunting letter about how he took it and is about to to destroy it. Voldemort retrieves the cup and the the ring, and takes them back to base to protect. Severus relays this information, and now Dumbledore is 100% sure that Voldemort is using multiple horcruxes.

Severus poisons a bunch of Death Eaters (including himself, to avoid suspicion) and frames Bellatrix. After all, she's the link here. Her sister and her cousin both defected, and at about the same time too. The incidents can't be unrelated, it must be coming from her. Might not she be feeding information to her cousin, Sirius Black? If Severus is able to steal Hufflepuff's cup and replace it with a forgery, that would absolutely seal her fate.

Voldemort freaks out, kills Bellatrix. Severus is out of there in the chaos, and he's got the real cup.

He tells his story back at base. Sirius realizes that if Regulus told anyone what he did with the real Locket, it would have been Kreacher. Kreacher just straight up *has* it. Dumbledore brings the Cup, Diary, and Locket out to the hut-on-the-rock, and blasts the whole thing with fiendfyre from the air.

Down to just the Ring and the Diadem (but he can't *get* to the diadem.) Voldemort is panicking. I think at this point he just runs - kills any Death Eaters that are left alive because they know too much.

... with the possible exception of Barty Jr. He's useful, he's a true believer, and he's the only one powered-down Voldemort *really* trusts in Book 4. I think Voldemort does something creepy though, like tell Barty Jr. to cut off his own arm so he can replace it with one of those loyalty-enforcing silver arms, like he did with Wormtail.

Voldemort and Barty are probably making plans to run and hide: Maybe track down Flamel and the Philosopher's Stone, maybe track down the Resurrection Stone. This is made harder by the fact that Lucius Malfoy froze all the Death Eater bank accounts, but I think they manage.

BUT Dumbledore lures Voldemort into the Hall of Prophecy, and uses the prophecy about the newborn Draco to get Voldemort out into the open. He can absolutely still do this even if he's made an unbreakable vow to protect Draco - his reasoning goes that by forcing Voldemort's hand now, when he's weak, it's actually much safer for Draco than waiting until he's built up his power base again.

Voldemort starts to become obsessed with Draco. Everything started going wrong once *Draco* became a thing. He sends Barty to safety with the ring, and goes to find Lucius.

Lucius gives up the location of the house where Narcissa and Draco are - but it's a trap. The Order and the Ministry are there waiting for him, and Narcissa and Draco are long gone. Sadly, I don't think Lucius makes it out of this one. I don't see a world where Voldemort doesn't kill him. But, since he did go to his death willingly and didn't *have* to die - that's Lily's love protection magic, protecting Draco.

Barty Crouch Senior sends the entire might of the Ministry after his son, and I do think is able to track him down and retrieve the Ring. I think Barty jr is captured and is going to go to Azkaban... when the silver hand kills him, preventing him from revealing any of Voldemort's secrets. The Ring is destroyed and Crouch comes out of this with his political career intact, and probably becomes Minister of Magic.

Draco grows up absolutely aware that he is the Chosen One, and is absolutely insufferable about it. Eventually does come across Ravenclaw's diadem (the final horcrux) while attempting to fix the Vanishing cabinet because he and Harry are trying to sneak into Knockturn Alley. Writes to tell his mother that Professor Quirrell is walking around with a very suspicious limp and a very ugly turban. Also something is killing the unicorns in the forrest, and maybe Mr. Potter and Mr. Black should check it out.