#will be more horror in part 2

[chloesimaginationthings]

If Vanny is in the digital circus.. where’s Pomni?

[bet-on-me-13]

The Fentonworks Mega-Lab.

So! AU where the Fentonworks Labs actually stretch Miles upon Miles below the City of Amity Park.

It started when the Fentons wanted to add a simple addition to the original Lab when they ran out of space to store their more dangerous weapons. They didn't want their (at the time) young children getting their hands on their experimental Weaponry, it could blow up in their faces!

So they built a different Wing of the Lab to hold all those Inventions.

Then they ran out of space and added a few extra Storage Rooms. But then they decided it was a hassle to have to carefully transport their Dangerous Inventions all the way to the Storage Rooms, and built a Lab specifically for Dangerous Experiments near that same Section. Then that Lab was occupied for a while, and Jack wanted to start a different experiment as well, so they built a few more.

In the end they just never stopped building onto their Labs.

There are sections of the Mega-Lab that are entirely walled off because a few of their more unstable Experiments contaminated the area. Walking into them was not recommended, else you could walk out with an extra eye or 5.

In other sections, their Captured Ghosts had taken over a few Labs and created a sort of Mad Max style civilization using their discarded weapons and vehicles.

In another, all Ghosts became Humans and all Humans became Ghosts. That was a weird one, to this day they still didn't understand how they pulled that off.

In another, some type of Eldritch Time Ghost had been born, and now sort of always existed and never existed, and began experimenting with its powers. They nicknamed it Clocky because it liked to carry around a stopwatch.

And so many more. At one point a failed Portal Experiment messed with the internal Space of the entire thing. Now there was literally no way of Mapping it. The Fentons still somehow managed to navigate it perfectly.

When Jazz and Danny grew up, they too learned how to navigate the Labs, which is how Danny managed to show his friends the Portal Experimentation Wing in the first place.

Unfortunately, it wasn't safe for anyone aside from the Fentons to enter the Mega-Labs, so one day when the Fenton Family+friends left town on a Week Long Camping/Road Trip, they put up a few Ghost Shields to keep both Humans out and the Ghosts in.

This drew some unwanted attention after some tourists saw the giant Glowng Green Building in the middle of an Illinois Town, and rightfully called the Justice League.

Now, the Justice League had tried to call the owners of the house, but nobody picked up the phone. (An incident with Jack and a Canoe had knocked most of their phones into the lake. They weren't even at the lake yet.)

When nobody picked up, they decided to investigate personally.

After getting into the House, they quickly found a door labeled "Labs: Do Not Enter (unless it we are late for Dinner)" and went into ignoring all the warnings.

They quickly regretted it.

[somnimagus]

-blonde horror protagonist's abrupt and incorrect assumptions about blonde people

[id in alt]

[goryhorroor]

horror tropes: the car never works when you need it most

[howlsofbloodhounds]

special brand of torture where nightmare encourages his sans-classic henchmen horror and dust to teach Killer how to “feel again” (everyone knows that’s not the real purpose) only that is dangerous in this environment and they do it by reintroducing stuff from the past that could be comforting for them but not Killer so even “small” things like trying to drink ketchup or stargaze or talk about papyrus too much triggers him so badly and frequently he often wanders around dissociated to avoid being triggered into stage 1 and then it finally happens the straw finally breaks the camels back and the meltdown almost results in his death send tweet

[tropicalcontinental]

Human fear is the window to the soul or whatever ://

[lovesickeros]

☆ de fontaine

{☆} characters furina {☆} notes cult au, imposter au, drabble, gender neutral reader {☆} warnings angst, suicidal thoughts, hurt / no comfort {☆} word count 1.4k

This wasn't fair. This wasn't fair. This wasn't fair!

She thought, for one moment, she could put the mask down and breathe – for one moment of daydreaming, she thought she could just be Furina. She thought she would finally get to live the live she should've had in the first place, the life she threw away to play God to an audience who saw her as nothing but a circus animal, dancing to their whims. Furina just wanted to be selfish for one brief and fleeting moment..and it was gone before she could even grasp it in her hand. A comet soaring past far out of her reach.

She can barely keep her hands from violently shaking as she looks down at them – broken and bloody and more a corpse then a person – and she feels so numb she can't even feel the rain pelting against her back. None of this is fair, she wants to scream, why is it always me? But her voice is silent beneath the torrent of rain. She wonders if the ocean would take her if she sank into it's depths – just for a moment, she wonders how it would feel to finally be able to sleep at ease.

Furina is tired.

But Furina is nothing if not useful, isn't she?

So she forces her feet to move, dragging against the stone beneath her heels, and drags their bloodied body into the nearest empty building, letting the rain do the work of washing away the smeared blood following her path. The smell makes her feel sick, the feeling of it sticking to her hands and gloves makes her lightheaded, but she persists. Because Furina is useful, because Furina won't let them die out in the rain, because Furina won't stand by and just let them rot on the streets like some..pest.

Furina wants to go home. She wants to sleep and she isn't she if she wants to wake up, this time. But she keeps going anyway.

Because it's all she's ever done, and the habit sticks.

An Archon she may not be, not anymore, but the expectations of five hundred years still linger like eyes on the inside of her skull. They watch her, pry and prod at her thoughts, mocking laughter and judging eyes following her as she forces herself to dance to the song they weave with glee. Furina never stepped off that stage – she's still there, she thinks, watching the crowd stare at her in disdain as the curtain call looms above her like a guillotine. She still hears Neuvillette deliver her damnation and salvation with a trembling voice, still feels her hair stand on end when electro crackled like the crack of the whip, Clorinde's blade aimed at her like a loaded gun.

She's trapped on that stage and she never left, not really.

She hates it. She thinks she hates them, but it's not their fault. They didn't ask for this, didn't ask for everyone to turn against them, didn't ask for her to save them. Neither did she..yet here they are, she thinks.

She tries to tell herself she's in control this time, though. She can stop performing her part in this horrible, bloody play any time she wants. It makes her feel better, just for a little while, if she convinces herself she's still Furina, painfully human.

And Furina has always been good at lying.

It's the believing that's the hard part.

There isn't time for her to wallow in her own self pity, though. They're still bleeding out onto the dusty, creaky floorboards of some random, broken down house and she's just standing there as the blood stains the wood. She can fix it – she's good at fixing things. She's done nothing but fix things – try to, anyway – for five hundred years. She can fix a little wound, how hard could it be? Her hands are clenched so tight they ache as she kneels down, wincing at the creak of the floorboards beneath her heels– she hesitates just long enough to wonder if she's making a mistake before she peels away just enough of the outer layer of their clothes to see the deep, bloody gash across their chest. She tries not to think about it – it's deep, too deep, and she feels dizzy just looking at it, but she's handled worse, right?

Furina can fix it. That's what she's good at.

She doesn't feel so confident when she tries to wrack her brain for..something. Five hundred years, and a little wound stumps her? No, she had to have learned something, right? She's decidedly not trying to buy time because she's panicking, parsing through hundreds of years of memories like flipping through a book. Furina isn't made for this, not really – she's running on nothing but adrenaline and she's really not sure what she's doing, but she's trying. And just like before, it won't be enough, will it?

She'll fall short again – she'll be too late to fix it before she's alone again.

Furina was an Archon..used to be. What use would she have for that sort of knowledge? Which makes her predicament all the more harrowing and bleak. What was she supposed to do?

Furina had heard it first hand, that vitriol in Neuvillette's voice. She isn't sure she's ever heard him that..angry before. She's not sure he would listen to her if she tried, either. And that scares her more then anything. All of Fontaine was up in arms about this..imposter, yet here she was, staring down at them bleeding out in front of her, and she was trying to save them.

Why? Why is she throwing away her only chance at normalcy for a fraud? Why didn't she just turn them in?

They were dying – that should've been a good thing, shouldn't it? So why didn't it feel like it?

"Why you?" Her voice breaks as she speaks in harsh tones, grabbing the front of their shirt in trembling, bloodied hands. "Why now?" She wants to scream, to demand answers they can't give, to claw back the reprieve she was promised after five hundred years of agony..and all she can do is sob into their chest, pleading for an answer that will not come. "Why me?"

Silence is their answer, and it hangs heavy on her trembling shoulders as she cries.

Of course they don't, she thinks bitterly, no one has ever answered her pleas spoken in hushed sobs. Not her other self and certainly not them.

Furina has always been alone. Furina will always be alone.

Because Furina never left that stage, never left that moment when she looked at herself in the mirror and took up a mantle too heavy for her to bear. She always finds her way back eventually. There's no one on the other side anymore – she stands alone on a stage, waiting for an inevitable end she isn't sure will come.

"Please," She pleads through tears and choked sobs, clinging to them like they are all that keeps her from sinking. "Please don't leave me, too." The words burn on her tongue – how pathetic is she that she craves companionship from the bloodied body of the imposter? Perhaps she's truly lost her mind after all these years..perhaps she's finally gone mad. She must have.

But their presence is like the first feeling of gentle warmth upon her skin as the sun crests the horizon, like the gentle lap of tides along her heels, the sway of branches and leaves as the wind blows through them like an instrument all it's own. They are the soothing sound of rain against the window as she watches the dreary skies in fond longing, the first bloom of spring as color blooms upon the landscape like paint had been spilled across the hills and valleys.

They are like the faint spark she carefully nurtures and stokes, so fragile even the smallest wind could blow it out like a candle. She cradles it within her palms, pleads with whoever will listen – prays that someone finally listens, because if not for her, then for them.

She's failed to protect too much already, let too many people with so much trust in her fall between the cracks of her fingers like grains of sand. She won't let them go – she can't.

If nothing else, if she couldn't be saved when she begged for salvation from that five hundred year long agony, even if she never got that chance..

Furina will make sure they do.

[cheesebearger]

a lot of people will play dragon age 2 and they'll be like... whoa.... anders is truly a grey character who does both good and evil......

when in actuality anders blowing up the chantry was not only good but based, sexy, and inspirational and he has never done wrong a day in his life

[langdonss]

MEDIA: ❛ AMERICAN HORROR STORY ❜

THEMES: Evil government, abduction, corruption

The moon stares down upon you, bright and eerie, piercing through your window in all its fullness. The slight red tint of it casts a shadow on your tired face that is smooshed into your pillow. You’re off somewhere else, lost in a deep deep sleep whilst your body has sunken into the bedding, completely unaware of what’s about to happen to you… Your foot glides softly across the cool sheets of your bed, the perspiration causing messy hair to stick to your forehead in the humid summer night air.

The floors creak in the dead of night amongst the crickets chirping near your window, their singing coming to an unnatural halt which make the air feel… Eerily still…. The wall goes bump, another floor board creaks and then there’s nothing… Until, your bedroom door slowly sways open, not making a single sound.

Suddenly, two sets of arms lunge toward where you lay asleep in your bed, quickly and securely grabbing your body. You jolt upwards, your eyes snapping open in a panicked haze. Not a word is uttered, but your screams pierce through the entire house like a banshee and not a single grunt is forced from either man dressed in black while they effortlessly take control and hold of you, picking you up from your mattress. Something swiftly swoops down over your head faster than you can comprehend, and their hands work fast to tie your struggling arms into tight ropes before carrying you off from the confines of your room through the halls, their boots stomping.

❝ You're only making this more difficult for yourself. ❞

A mans deep voice speaks out as you yell and struggle, a hand clamps over your shrieking mouth firmly shutting you up. Every kick and flail is counteracted by an iron grip that makes your fighting limbs go limp.

You muffle through the fabric, but no answer is given. Instead, you're thrown against a cushioned surface, and the sound of a large car door slides shut, the sound pounding in your ears whilst the earth shifts from under you quicker than you can stomach, your body sliding against the seating as the vehicle takes off. Your pulse is pumping faster than it ever has in your entire life that you’d swear your heart could explode and give out any second now. A million thoughts race in your mind of what is happening, are you being kidnapped? Trafficked? You don’t want to find out. You scream again, your plea falling on uncaring ears. The silence eats away at you, it’s so fucking quiet in the cloth bag that’s wrapped over your head, each and every bump and creak sounds so far off in the distance, and the air is constricted just enough so you can still at least breathe. The drive to wherever the men are taking you seems to last forever, and eventually you give up, all the squirming and calling out for answers gets you absolutely no where. You lay there on your side, you can’t imagine how pathetic you look all curled up back there, a bag over your head, your arms tied at your front. Tears have stained your face to the point it’s burning your cheeks and the insides of your confinement is annoyingly moist. How much crying can you do before you run all out and dehydrate yourself?

❝ We’re heading near the base, prepare the gates. ❞ One of the mens voice calls out in the dead silence, causing you to snap out of your depressed dissociation and become alert.

The vehicle enters on a gravel path, slowing its speed as it approaches toward a giant gate in the middle of nowhere. A man, Mr. Langdon, awaits your arrival at the other side of the gates as it swings open at a snails pace. The men take the drive further up ahead and the gate closes behind them, before they jump out from their seats to walk around to either side of the car to fetch you.

The doors are forced open, and you hear another persons foot steps approaching in the gravel of the driveway.

❝ I see you’ve gathered her in one piece. Your handiwork is much appreciated. ❞

A new voice speaks out in a smooth and almost elegant tone. You stay still and silent, but your breathing hitches with anxiety at the nonexistent context of what’s going on or where you’ve been taken to. The men grab your body up, dragging you from the back seat and propping you on your feet before you begin to scream and throw your legs out just as you did earlier.

❝ She’s not going to cooperate. ❞

Mr. Langdon remarks snidely. You can hear the amusement in his voice as he watches the men pick you up and throw you over their shoulder. They begin walking off, and your body is moved back and forth with each step they take as they hold you down with a strength that is unmatched.

You sob, feeling the man carrying you come to a halt while he waits for the other to follow, his hand quickly retrieving into his pocket for a key card, sliding it into the lock of the door before where they stand. A mechanical swoosh and a beep fill the air, followed by a loud sound of something opening before they resume their walk down a dimly lit corridor of a facility.

Their stomping boots echo off the black walls, and his hand tightens on your back side. Quicker than you can understand, something sharp jabs into your upper arm, the surroundings begin to blur all into one.

You’re almost at your destination…

…. Brightness envelops your surroundings in a quick flash, your eyes close shut tightly to block out this new harsh lighting, turning your head to look away as a groan escapes your lips. A deep breath fills your nostrils, you can breathe, you can see. You thought the time would never come. But you fail to recognize where the hell you are, and your half concentration is disrupted by the sound of heavy boots approaching against the cold floor of the dim and chilling room.

Clack.. clack… clack..

A tall, and brooding figure steps from the confines of the corner of what you can only guess is some sort of government facility. His jawline, sharp, protrudes with amusement at the distressed little sight of you where you sit, still tied in place. You squint, looking around. Your wrists burn in the ropes that hold you back.

❝ You put up quite the fuss earlier…. I’m not sure that warrants you insight on the situation at hand. ❞ Mr Langdon teases, his voice deep and mocking. He steps closer, the flourescent lights up above flicker down upon his features; Sneering lips, golden blonde hair that curls perfectly around his ears, icy hues that stare into your soul.

A gloved hand delicately reaches out down toward you, the mahogany leather on his fingers shining in the light. ❝ Poor thing, bound and tied with no idea what’s to come…❞

You interject as best you can, the effects of the injection from earlier still barring its toll on you. Lips move slowly and your words come out in a slur.

❝ What… what is this… place…? What do you want? ❞

The man only stares at you with a widening smirk, taking a moment to carefully articulate his answer in a way you will understand best.

❝ Our exact motivations are none of your concern, for now. The only concern you should have is your future here, with us. What you can give the Cooperative. ❞

You swallow a knot in your throat. Nothing could prepare you for what was coming…

[hajihiko]

Spooky time

[ladamarossa]

Hellraiser (2022)

[sugar-grigri]

If Fumiko is monstrous then Fujimoto should start presenting her as such

Fumiko is written to remind us that Denji is a child, and I repeat, she is the symbol of a child's sexual trauma in all its horror and "paradoxes".

Touching Denji without his consent, catching an adolescent who hasn't yet discovered himself off guard, is the most obvious way of proving the link between the theme of sexual assault and Fumiko, but it doesn't stop there.

The fact that Denji accepts only proves this point: it shows just how much he's someone who needs boundaries and protection. He passively listens to what he's told without question simply because Fumiko has the upper hand.

She has one, but spends her time pretending she doesn't, in particular by disguising her age like a predator, calling him "senpai" when she's 22, and playing up her protective role as a "bodyguard" when she's only there to stop Denji thinking for himself

As can be seen in the dialogue between Miri and Denji, she positions herself as an interlocutor, standing in Denji's shadow, influencing his decisions and distracting the boy from the substance of Miri's message.

But she's a complete paradox, still trying to make Denji believe she's protecting him, she refers to Chainsaw Man as a "child", which rather than demonstrating a good intention shows that she's well aware of what Denji is and that she's abusing him head-on.

Who protects a child by attacking him?

Once again, I insist, these are two pages from the same chapter. Dare you tell me that Fumiko doesn't present any contradictions?

Above all, she makes it seem as if she only wants what's best for Denji, even when he hasn't responded to her pleas for help. Once again, there's a paradox: the predator blames her victim for not having seen her own vulnerability, whereas she’s only abusing those of her victim.

Fumiko is a metaphor for the very dangerousness of sexual assault, gentle on the surface but insidious, its violence only made clear and felt after the event, rising like a tide.

When Yoshida convinces Denji to give up his normal life, he leaves him in the hands of Fumiko, a public hunter, who symbolises the extent to which, despite the monster in front of them, danger also exists among men, and that the milieu of public hunters is a harmful world for a child.

I think the reason Fujimoto doesn't immediately place Fumiko in a position of condemnation is to instil a feeling of frustration and powerlessness at seeing Denji unprotected, to make it clear that "he's missing something", a parental figure.

But I think that for the writing to be complete, the author has to take a clear stance on the subject, in his own way of course, but explicitly

Seeing Fumiko next to Denji makes me anxious, it's such a common form of violence that it pulls me out of my reading.

Fumiko is a monster, so I pray that Fujimoto will have fun explicitly detailing her dark side and her horror.

If he doesn't, then she'll remain an unfinished and confusing chimera, the result of lazy writing and a fear of commitment.

[triglycercule]

less of horrordust eating face and killer watches more of them mauling eachother. also killer watches

[faecaribou]

run boy he's going to experiment on you- oh no its too late.

[goryhorroor]

final/survivor girls

[vigilskeep]

some decisions from veilguard are actually only emotionally hitting me days afterwards