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#why'd you leave
shannonsketches · 17 days
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#dbtag#silly hours#god#I feel like that's a really clear and consistent thing throughout the entirety of the manga but OTL leave it to Toei!!!!#lays on the floor I wish people were less afraid of letting “good guys” be flawed and selfish and reckless without having to like.#idk vilify them?#like Goku does and always has had a ton of negative qualities about him but what keeps him a protag and what keeps those negatives charming#is that 1) he never promises to be anything Else. If you're upset by his behavior that's a you problem Goku's just doing Goku#He's only upset when Other People get hurt because 2) almost none of those negative qualities contain any malice whatsoever#even as a kid when he was 'i killed that guy' it was like 'i solved a problem why are you mad (gen)' not 'good fucking riddance lol'#and he kept that as an adult too even when he learned more about compassion he's still 'well if you're not gonna stop i have to kill you'#it's never 'fuck off and die' it's always 'listen buddy either you knock it off or i knock you out there is no option c '#and god i love that Goku. I spent so long thinking I hated Goku growing up but I only hated Toei's Goku. Toriyama's Goku is GREAT.#like look if an antagonist is just a hero with the wrong perspective a hero is just a villain with the right one#and the fact that Goku has all of the qualities of a villain with none of the malice or intention makes him SO POWERFUL as a character#Goku doesn't like bystanders getting hurt. That doesn't make him less chaotic and self-centered and simplistic in his worldview.#A hero sacrifices his loved ones to save the world -- a villain sacrifices the world to save his loved ones --#Goku sacrifices himself because you cannot kill him in any way that matters#idskahds anyway here's another essay in the tags for your wednesday evening scroll#the justification the interviewer gave was that the anime was for kids but my beef with that is that Hero Tropes strip chaotic characters#of their emotions. Goku's conflicts are emotional. Goku's power is emotional. Goku's childlikeness keep him authentically emotional.#MORE kids -- ESPECIALLY little boys -- deserve a male protagonist who leans into his emotions to persevere and win.#Super deciding his “angelic state” would kill him makes me want to tear my hair out lmao Goku's EMOTIONS are too strong to hold it.#you could've just asked toriyama about it why'd you decide on the most basic high-stakes shorthand possible OTL#aNYWAY#media analysis#in the tags at least lol
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couldtheycatchkira · 6 months
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i think the question that this blog asks often has a totally different answer depending on whether you choose to interpret it as either:
- if [character] was a detective in the death note universe, would they catch kira?
OR
- if kira was a villain (of the week, even) in [character]'s universe, would they catch him?
for example, if the icarly crew, behaving as they do on their own show, were transposed to the DN universe and tasked with finding kira, they'd probably fail. but if light yagami was dropped into the icarly universe they'd get him for sure. after like a few episodes where he's a recurring villain in a pathetic way. because that's the logic of the icarly universe.
(if you couldn't tell I've been thinking about the icarly gang catching kira since i saw the poll lmao)
((This is also a good take. Sometimes, you think to yourself - if the Death Note were somehow some sort of remotely-induced alchemical attack, would Scar be able to figure it out? Would Light, the adoptive son of Grumman (and therefore adoptive uncle of Riza Hawkeye), ever come to know who Scar was until it was too late? Or would his "in" with the Amestran military to come into multiple pieces of confidential information?
And sometimes, you think to yourself - if Scar was put into the Death Note universe he is going to be so busy turning other people into ragù that Kira is just not on his radar - until his older brother, notable medical malpractitioner, is almost killed in a freak accident. Then, Kira is now on Scar's hit list. Is Light able to find out that a deep-web hitman is after him, one who is methodically tracking down everyone who knows Light? (Also, the brother wasn't actually a target, word just spreads and Scar jumped to conclusions, like he always does.)
Much to think about!))
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piratefishmama · 8 months
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HEY. UHM. WHY.
I know there was one in there earlier with some wing!Eddie drawings in it which i was half asleep and wanted to answer when i was awake but IT'S GONE NOW THEY WERE SO CUTE WHERE'D IT GOOOOO😭
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oswaldepic · 8 months
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our love was made for movie screens.
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minh-i · 6 days
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FUCK THIS, I'M DONE I CAN'T DO THIS NO MORE, HOW COULD YOU NAGI WHY WOULD YOU NAGI, NAGI YOU FUCKERRRRR😭
I love Nagi, I rlly do, but I js can't man, Nagireo angst makes me so damn sad 😭
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stone-stars · 6 months
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songs in c3e57: cold hard truths (timestamps from the ad-free version. does not include the generic combat music. "a wizard's tournament" is the recap song.)
Home is Where the Hearth is - 8:20
Secret Basement - 10:30
Left is Left and Right is Center - 12:28
Soul Coins/Deal with a Devil - 17:37
Secret Basement - 19:29
Spearmint & Tea Leaves - 21:24 and 25:05
A Fairy Remembers - 31:12
Haunting Visages - 33:11
Unknown Tome - 38:50
Corrupted - 41:51
The Pact - 43:19
Escape from Smuggler's Bounty - 45:37
Puzzled - 1:01:19
Bronzebeard Baddies - 1:03:45
Corrupted - 1:09:22
The Prodigal Sister - 1:11:25
Bronzebeard Baddies - 1:19:15
A Fairy Remembers - 1:21:29
Spearmint & Tea Leaves - 1:23:26, 1:24:52, and 1:25:51
A Friend for Life - 1:28:11
Unknown Tome - 1:31:40
context for each song + notes under the cut!
Home is Where the Hearth is - 8:20 - Callie playing a countercharm as they enter the next part of the caverns
Secret Basement - 10:30 - Discussing the next challenge being solo
Left is Left and Right is Center - 12:28 - Sol gives Callie back some spell slots w/ ki
Soul Coins/Deal with a Devil - 17:37 - Discussing where to send the serpents
Secret Basement - 19:29 - Listening for what door to go down
Spearmint & Tea Leaves - 21:24 and 25:05 - Callie entering her challenge / Callie and the memory of her mother
A Fairy Remembers - 31:12 - The board game table rises up
Haunting Visages - 33:11 - Sol sees the images/visions of Swag
Unknown Tome - 38:50 - Black smoke appears and the Swags attack
Corrupted - 41:51 - Gowan admits he's made a deal with Alexandrite
The Pact - 43:19 - Calder trying to persuade Gowan
Escape from Smuggler's Bounty - 45:37 - Gowan proposes settling it through wrestling
Puzzled - 1:01:19 - Oliana explains the game
Bronzebeard Baddies - 1:03:45 - Oliana and Callie playing chess
Corrupted - 1:09:22 - Alexandrite!Swag is revealed after being defeated
The Prodigal Sister - 1:11:25 - Swag says goodbye
Bronzebeard Baddies - 1:19:15 - Oliana and Callie playing chess
A Fairy Remembers - 1:21:29 - Callie wins
Spearmint & Tea Leaves - 1:23:26, 1:24:52, and 1:25:51 - Oliana's last advice to Callie
A Friend for Life - 1:28:11 - Duck team reunites on the bridge
Unknown Tome - 1:31:40 - Black smoke appears and the giants defrost
New songs: "Spearmint & Tea Leaves" and "Home is Where the Hearth is" Unlisted in the credits: "Puzzled" and "The Prodigal Sister"
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When we came to the part where Harker had rushed at the Count so recklessly, she clung to her husband's arm, and held it tight as though her clinging could protect him from any harm that might come. She said nothing, however, till the narration was all done, and matters had been brought right up to the present time. Then without letting go her husband's hand she stood up amongst us and spoke. "Jonathan," she said, and the word sounded like music on her lips it was so full of love and tenderness, "Jonathan dear, and you all my true, true friends... Jonathan and I have to go upstairs now and bone."
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mo-nmage · 11 months
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strongly believe this song was specifically written with post ttm callum as inspiration
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teddybeartoji · 8 months
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MICKEY CAN WE KNOW MORE ABOUT ROOMIE!GOJO FIC?
IO!!!!! HII BABY!!!
so exciting to see the roomie!gojo hype i won't even lie heheheh so i made a post of the fluffly one here and the suggestive one here and just bc the latter is a bit longer i'm gonna give u another itty bitty snippet of it!!
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he licks over the fresh red blooming hickey on your neck. "you taste so good. might jus' eat you alive." he humms against you before starting on another mark.
"my- ah... fake boyfriend really seems to, hmpff, enjoy this." you mewl, fingers gliding under his shirt and tracing over his side and back.
your hips move in tandem, not too fast nor too slow. just enough to keep you both on edge.
"my fake girlfriend seems to be enjoying it even more."
girlfriend.
satoru calling you his with that sweet voice made your breath hitch. a fake one but still. that doesn't mean anything, though.
it's just a word.
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time-is-restored · 1 year
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more whinging bc i got negative hours of sleep last night and i need to stay awake somehow lol
cw: discussions of misogyny + abuse
god the more i think abt it the more exhausted i get by the gender politics of ted lasso.
like god i do genuinely think that rebecca's arc in s1 is one of the best depictions of a mean + cruel woman ive ever seen on TV specifically bc it manages to thread the needle so well? like they never tilt her balance too much and doom her to being either totally fucked up + evil OR totally soft and sweet and harmless. and ted's 'divorce makes u crazy' response to her apology STILL makes me crazy wrt the sheer. understanding and empathy there, and she's just. given so much more depth than ive come to expect, especially for an ensemble cast sitcom w a (then) p short run time.
but my fucking god. we literally don't learn a fucking thing about michelle. im pretty sure the one (1) concrete thing we know about her comes in the fucking finale, and it's that she's a teacher for... something. the two most important people in ted's life and we don't know anything abt them! they're literally just empty symbols representing the importance of Family™, and that vacancy does nothing but weigh ted's storyline down!
like, i liked michelle's episode/storyline in s1, bc the blinding novelty of a woman instigating a divorce not being the Actual Devil, as well as a just. generally very empathetic + nuanced take on how divorce shakes out between two ppl who really care for each other, was so 'WAIT TV CAN DO THIS??' that i felt satisfied with that being Her Arc™. divorce happens, life happens, people fall out of love, and it hurts but its ultimately okay. the show, at the time, was ultimately abt a football club and how caring abt that football club helped everyone around it.
but then the show sticks around, and her continued absence just... raises a lot of questions? how did the conversation abt ted going overseas happen? what conversations did they have abt henry? how long term was it intended to be? did money really not factor into it all? like it's one thing for a character's backstory to be vague when it's not really the focus of attention (s1 was ultimately rebecca's story before anyone else's), but when it's the load bearing stone of their '''''''arc''''''' in s3...????
like. god. and then it fucking infects every other woman on the show!
sassy + nora? well sure we'll give you a softball - you can have one (1) scene where a woman is able to resolutely and firmly reject a man asking her out without immediately being seen as cruel or gameplayey (not that the audience will see it that way! she's already a lecherous temptress for them!), but neither of them will ever be able to speak to rebecca onscreen again, even after the heart-wrenching scenes in s1 CLEARLY establishing them as a beating heart of rebecca's arc.
shandy? nope, don't even think abt her motivations/drives, just forget her. simi? LMAOOO imagine a black woman getting a personality beyond righteous anger. jack? three-four episodes, and we learn so little abt her that her conflict with keeley - which SHOULD'VE have been a huge emotional beat - just feels like a kick in the teeth (and while, yes, i absolutely agree that in a real world context, jack's rejection of keeley would be largely motivated by class, in Ted Lasso Land™ rebecca is just as rich - if not richer? - and we're never once encouraged to interrogate her priorities).
barbara's the one that really makes me miserable, bc i feel like on a show with less run time, she could've played REALLY well. she's a great contrast to keeley, has an amazing delivery, and the scene where keeley + her first discuss the snowglobes shows that she has the potential for some really moving vulnerability + pathos. but instead they give SO many of keeley's scenes to characters who ultimately get written out, so when barbara stays it's like... okay? sure? like, i was so stoked that barbara survived the Mass Exodus of side characters that i didn't wanna look the gift horse in the mouth but... wasn't the last thing we saw of her and keeley's relationship like. general resentment + distrust abt the shandy debacle? when did that improve? how???
i don't think i'll ever have enough mental real estate to explain how disappointed keeley + rebecca's 'arcs' in s3 made me, and at least there's the saving grace that. virtually no one other than jamie got a coherent arc this season, so at least it was on some levels an egalitarian screw up. but fuck dude. keeley was just forced to react to bad things that were happening to her, and we got to see her do her job (which, unbelievably, does actually involve things other than being an awkward manager!) precisely one (1) time.
i even like rebecca's arc on paper - i think it's really cool to see a character backslide so intensely in terms of obsessing over and struggling to come to terms w a past relationship, especially an abusive one, bc like. yeah! that shit sticks with you for longer than a season! and beyond that, seeing her regain her sense of self and what SHE actually gives a shit about was oftentimes just as sweet as s1. but her scenes were poorly connected, and she had to carry WAY too much of a burden as the Resident Speech Giver for any of her internal characterisation to make sense. like, sorry, but it's kind of hard to believe a character's Going Through It™ when they have to spent near 100% of their screen time giving Take It From Me, Kid, speeches. and then she's not even given a real opportunity TO fuck up + sabotage her relationships, even when she starts getting really weird w ted! it's all just so meaningless and like nothing that she does is ever going to matter. she never speaks to zava again, we don't get to see her interact w bex or kate, her pleas to ted get COMPLETELY shut down...
but the thing that REALLY makes me sick is this complete lack of interiority absolutely butchers the characters of jade + jane, who are otherwise RIFE with potential. like, jade is a completely unflinching, unapologetic asshole to nate + his family, and that's never interrogated. even in Sitcom Land™, it's more than reasonable to view jade's actions as racist, especially when she doesn't give the same treatment to others (at least not as i recall? honestly i usually watch the taste of athens scenes while peeking out behind my hands, so i could 100% be wrong here). and yet, suddenly, and completely inexplicably, she's charmed by nate. she wants to give him the time of day. she finds him attractive, and wants to date him, and generally take control of his life and force him into a decision that is literally the exact opposite of what he expressed wanting to do. except even that LAST thing isn't allowed to be interrogated, bc god FORBID a woman is enough of a fully realised creation to actually be culpable of the terrible shit they do!
and fucking jane??? beard's so head-over-heels for this woman that the emotional abuse + extremely controlling tendencies don't even make him bat an eye, and we don't get to know anything about her? she's literally just the suggestion of an alluring woman! good at sex! good at chess! fuck you if you wanna know more, even though the show ENDLESSLY hits you over the head with how painful their relationship is for beard - beard who is given virtually no other storyline. like, i literally can't read brendan's refusal to label jane as abusive as anything other than like. that bio-essentialism shit where ppl 'women are better than men <3' so hard that they end up genuinely and wholeheartedly arguing that someone's sex defines their morals - or worse, that their sex is a deciding factor in determining whether someone's actions are good or bad. not context, but a legitimate 'add points if woman, take away points if man' variable.
like that's so feminism 101 it's legitimately almost worse than nothing. that's like getting as far as 'hey so you know how we're all inundated with both implicit + explicit messaging abt what is Valued and Good for women vs men to-' before shoving ur earplugs in and going 'if you are oppressed by society we'll automatically stamp a 'good person' label on ur head and now we don't have to think abt any of our biases + internalised beliefs ever again <333'. the most useless and fucking pointless stand against the patriarchy ever, especially coming from the same show that ENDLESSLY slots characters into the 'loving gf/wife' archetype and then give them Literally Nothing Else. my comrades you have literally just done madonna/whore 2: oops all madonnas! this is not liberation!!!! this is a miserable cage!!!!!!!!!
im just. higgins' wife. mae. trent's daughter and anonymous 'her'. the women at the hotel and the restaurants and the firm and the fucking physios, fuck - dani's gfs! who are they? what do they want? where do they go when the camera stops rolling? can anyone hear me?? hello??? hello???? brendan hunt i am OUTSIDE YOUR HOUUUUUUSE
#ted lasso spoilers#ted lasso meta#ted lasso critical#dead girls by p.enelope s.cott has been stuck in my head for approximately a month bc of this fucking show#its so fucking nuts being treated to rebecca + keeley in s1 and then slowly realising w dawning horror that its literally only down from#here. and also listen nothing but respect to my comrades out there who can take michelle + henry as written#and immediately + painlessly extrapolate from their significance in ted's life to viewing them as like. important figures narratively#but to me they literally never got beyond the carboard cutout stage? like. yes thank you if u love ur family its sad when u leave them.#why'd he leave them then lol.#LIKE. if both michelle AND henry are just these. passive vessels who are neither invested in ted staying OR leaving london#and the only motivation we're EVER given for ted's move is 'michelle wanted space'. like sorry for wanting an actual deconstruction of ted'#motivations rather than the worst mystery box of all time! if i wanted a story abt 'man misses family :( please don't ask any questions abt#the family in question-' i could just close my eyes and imagine a stock image of a sad business man.#wagh. ted bud they gave you so much potential + so many demons and then just wiped them away w no exploration outside of like. two#scenes w sharon. u are also in this cage king but at least u got a good two seasons of mc character energy before they locked the door :(#something something sorry for having an ace attorney witness stand breakdown when the show i liked Was Bad. do u still want to be mutuals
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ziipzeepzop-eez · 9 months
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Hii fellas 🥹☺️
So, my grandpa passed away suddenly this late night/early morning — and honestly I'm not sure what to think :')) I mean, I JUST saw him at Christmas and he looked alright too! 😅😆 Like, I said "merry christmas grampa!!" and he did that smile he always does and said "ohh merry christmas! ^^" with his islander twang. like he always does.
Mm, not even one last phone call haha ;; he always phone called everybody because he was semi immobile, y'know. he was always kinder to us grandkids!!
Ah darn I didn't even get to say my goodbyes. Again. 🤣 Why's that a running theme for me?? Like why? 🥴😅
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cleverpaws · 8 months
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u know how some people are like "taking x word and putting it on a higher shelf until x group is ready to use it properly" yeah well i'm taking the word hot and putting it on the lowest shelf possible because boobers in 2024 need to learn how to use it
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two-person-job · 3 months
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LOOK AT HIM LOOK AT HIS MINI-MODEL I'M???? SYM. SYM!!!
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HE'S??, WHAT ARE U THINKING ABOUT SYM
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pyrothecary · 11 months
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america's most eligible wedding edition finale spoilers
i swear i'm almost done with ch0ices guys. almost. but for now here's a compilation of all the screenshots i took of book 3 while i was pining after slater while being engaged to another man 😍 i don't know why i took this many and i dob't know why my hoarder instincts extend to useless screenshots but i need to put these somwehre before i delete them. just in case i need them at some point. (idk why i named my mc 'yum' either but it was so funny when people were trying to be romantic and they just went '... yum... 😋')
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darkprincessw · 4 months
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im really starting to believe that i made you up
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wavesoutbeingtossed · 9 months
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you guys I think I may be a bit of 1989 fan 👀
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