Making Aegon a rapist was straight up bad and lazy writing.
Let me elaborate.
In the show, the first thing we learn about Aegon as an adult is that he is a rapist. We haven’t seen him yet but still we already know that he is an horrible despicable rapist, especially since Dyana is so young, which pretty much makes him a pedophile too. How could anyone root for a man like that ? And that’s where the problem begins.
Rhaenyra had already been established many times as the rightful heir to the throne in season 1. It has been made obvious that she would make a decent Queen too. In the meantime, it had already been shown that Aegon is not even a good person. He’s selfish, inconsiderate, a bully, and does not act like a prince at all. To put it plainly, he sucks big time and we as viewers already know it. Add what we saw in season 2, how reckless he gets, how he’s an alcoholic immature asshole, how he obviously knows nothing about strategics nor how to rule efficiently, or even how bad he is at high valyrian, and you can’t have anyone tell you in good faith that he would’ve been a better ruler than Rhaenyra.
However, had Aegon not been made a rapist, you would still feel for him even though he is not cut out to rule. Because he knows it too and tried to escape it and he was forced to attend his own coronation . Because this crown that he did not want does not fit him, even though he really tries to show that he is not as worthless as everyone seems to think and he just keeps failing. You would feel for him because the war ,that he has started when he was made an usurper by the people around him, has cost him his son’s life. Because the brother, who is partially responsible for his son’s death has now betrayed him and tried to kill him with dragonfire. Because the injuries he suffered make him look more and more like his father who never cared for him, never loved him and that he definitely hates. Which also probably why he tries so hard to make his mother proud of him and love him but he can’t and his main attempt has left him half-dead, half-burn. Not only that but his dragon, with whom he has the strongest bond known in Targaryen’s, history probably died during this futile attempt to prove himself. The only thing about his Targaryen’s heritage that he seems to care about has been destroyed all because he wanted to prove himself. Because he truly resents his Targaryen’s, his father’s heritage, it’s obvious, just as it is obvious that he didn’t want to marry his own sister but was forced to. It’s completely legitimate of him to want to distance himself as much as possible from everything that is Targaryen related. He is indeed more of an Hightower than a Targaryen, but can you really blame him for that ? Would you not try to fit somewhere else too, if you were in his place ? It’s all absolutely and undeniably tragic.
I wholeheartdely believe that, even if you would’ve root for Rheanyra to be Queen, you woud’ve probably still thought that Aegon, as bad as he is, did not deserves this much pain.
But because he is a rapist, well, he honestly does.
By not trusting the audience to see that Aegon is not a good person, nor a good a king, without having him comitting a literal crime, by making Aegon a rapist, the writers have annihilated any possibilities for an internal conflict regarding Aegon and Rhaenyra. The whole concept of « teams » just goes down the drain because of this lazy, manichaean, writing. And that, my friends, is bad writing at its peak.
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one thing i am really never gonna stop complaining about is the complete rewrite of reality that everyone in the hotd universe participates in when it comes to viserys. yeah yeah yeah this guy that we established as a weak and very stupid king from episode one (who constantly displayed far more interest in his own needs and problems than those of the realm, to the irritation of his closest family and alienation of his allies), who was a deadbeat dad, an absent ruler, and the whose poor choices (and inability to actually do the work needed to secure rhaenyra as his heir beyond mere words) were the ROOT CAUSE OF THIS ENTIRE WAR is a martyr/good guy/tried his very best and needs to be remembered soooooo fondly
meanwhile alicent (and rhaenyra to an extent) have to flay themselves alive for every poor choice they've ever been forced to make. because this situation is totally & completely on their shoulders and they should feel terrible about it. why does everyone get tossed into the fire and blood except deadbeat/negligent ruler at BEST, viserys?????
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Not sure if you have covered this, but I’ll ask. How would you have gone about Macaque’s redemption arc…if it’s possible with how he was written before season four? No hate or debate, just curious. I like alternate takes on characters :3
Hmm okay I thought on this for a little bit, and the crux of my problem with Macaque’s arc is that he’s established late Season Three to be “not a bad person” when-
1. He enjoys hurting people
2. He goes out of his way to hurt people
3. He hurts many people
4. He expresses no regret or remorse for hurting people
5. He faces no consequences for hurting innocent people aside from his intended victims winning their fights against him
6. His victims are reduced to a hivemind of non-autonomous set dressings who have no feelings on his presence or past crimes
And he promptly just becomes a person that everyone is okay with despite everything. So, if we have to keep the “one good action is enough to redeem you for betrayal, deceit, slandering, multiple counts of assault and attempted murder”, then we need to shift some things.
So I think the best thing to do if we want the actual “redemption arc” to hit the way it’s supposed to in canon is-
1. Thin his list of victims
2. Thin his list of crimes to the point that one good deed is actually a reasonable atonement for all of them
3. Play up his victimhood at the hands of the Mayor
4. Establish his inability to escape from the Lady Bone Demon much sooner
If the crux of his arc is just being forgiven by ONE of his many victims and then becoming a good person, then we just need to sharply reduce the amount of victims he has to make the immediate and all-encompassing forgiveness feel more realistic.
When he’s “sieging” the city in Macaque, the Smoke Demon ignores everyone who isn’t MK and deals no structural damage, creating no victims aside from the Monkie Kid.
When he’s performing in Shadowplay, Macaque portals MK away to fight him alone, leaving everyone else unharmed, creating no victims aside from the kid.
Then, when he’s stolen away by the Mayor, either:
1. Lady Bone Demon implants him with her powers right away, preventing him from running away and immediately establishing him as desperate, or, what I’d argue for-
2. Send the Mayor with him.
When he receives the compass and is released, Macaque pulls a Bone Key-
and throws it away, trying to shadow portal away, only to be greeted by
The Mayor, who proceeds to outright accompany Macaque on this journey, thereby serving as a foil to Tang Sanzang.
Where Sun Wukong was taken under the wing of someone who genuinely cared for him and wanted to see him improve, Macaque is forcibly dragged along by an outright malicious figure who wants to see him rot.
(Fuck, have Lady Bone Demon give Macaque an ice circlet to seal the “foil” deal! Have him be forced into these actions in outright agony! It would help Sun Wukong sympathize with him, expediting the “forgiveness” that a redemption arc needs!)
In fact, every time Macaque tries to leave, or steps out of line or even just fails? You hear an offscreen thud and yelping and then when we get to see him next, there’s new bruises on his body, new tears in his clothes. His fur becomes messy. His eyes grow haunted.
Play up his victimhood to coax the audience into sympathizing with him.
Macaque tries to run. The Mayor hurts him. He tries to stall. The Mayor hurts him. He tries to argue. The Mayor hurts him. He tries to fight back. The Mayor beats him back into subservience.
Establish that Macaque has utterly exhausted all avenues of “escape” before he resorts to attacking the Monkie Kids, and even then, have him try to avoid the majority of them in favor of MK, only to be forced by the Mayor into actually fighting Mei, Tang, Sandy, and Pigsy.
So now every character understands why he’s doing this- and don’t have a reason to hold it against him or expect any further atonement because none of his worst actions (like sieging the Dragon Palace) actually need to be addressed- they aren’t his fault.
That basically solves all the problems I have with the “arc” as it stands, honestly.
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