#why make inferior low quality gifs

[vulpiximisa]

compilation of all the times kanade and shin breathed in each other's directions in performances

awkward crop for the last two because i only have the file with subs and i cant take them off. the last one barely counts because R just hates shinkana so much

also doubt i can count Shin's "shinjisasete kureta nakama" in Real Dream since he was kinda vaguely gesturing to the whole group

[giuliopozzali]

Why envious people are not capable of doing better than you, and why there is a quote that says 'You only envy the person whom you esteem'?

Envy is a common emotion that everyone experiences at some point in their lives. It is defined as a feeling of discontent or resentful longing aroused by someone else's possessions, qualities, or luck. Many people believe that envy can be a motivator for success, but research in psychology suggests otherwise.

Envious individuals are often consumed by negative thoughts and emotions, which can hinder their ability to focus on their own goals and accomplishments. When someone is envious of another person, they are more likely to engage in destructive behaviors such as gossip, slander, or sabotage. These behaviors not only harm the person being envied but also prevent the envious individual from achieving their own success.

Additionally, envy can create a toxic cycle of comparison and competition. Envious individuals are constantly comparing themselves to others, always feeling like they fall short in some way. This constant comparison can lead to feelings of inadequacy and low self-esteem, which in turn can further hinder their ability to achieve their goals.It is also important to note that envy is often directed towards those whom we admire or hold in high esteem. This is why the quote "You envy only the person who you esteem" holds true. Envy is not simply about wanting what someone else has; it is about feeling inferior to someone we see as superior!

When we envy someone, we are essentially placing them on a pedestal and ourselves in their shadow.In order to break free from the cycle of envy, it is important to shift our focus away from comparing ourselves to others and instead concentrate on our own strengths and accomplishments. By practicing gratitude and cultivating a positive mindset, we can develop a greater sense of self-worth and appreciation for the unique qualities that make us who we are.

Furthermore, it is essential to recognize that success is not a zero-sum game. Just because someone else achieves success does not mean that there is less success available for us. In fact, celebrating the success of others can be a source of inspiration and motivation for our own endeavors.

In conclusion, envy is a destructive emotion that can hold us back from reaching our full potential. By shifting our focus away from comparison and competition, and instead focusing on our own strengths and accomplishments, we can break free from the cycle of envy and achieve greater success in our own lives. Remember, success is not about being better than others, but about being the best version of ourselves!

[funkymbtifiction]

I got John Lucovich’s book “The Instinctual Drives and the Enneagram” a few weeks ago and read it, but it was a lot of information to absorb at once, so I’m rereading it in slower chunks this time to retain more of it. First, it’s an excellent book so I recommend buying and reading it. Second, rereading his extensive explanations of each social variant had certain people popping into my head, both characters and from my life that I could see correlate with each dominant. (It surprises me, but one of my friends appears to be a so/sx. I expected sx/so.) I can also see how accurately (at least, based on what I observe of these people) his blind-spot descriptions are.

Third, I do think I’m sp/so. I have a lot of social, but my main focus appears to be on self-pres and this has caused some conflict with social dominants in the past, where they couldn’t understand my casual detachment in that area (oh well) and I thought their over-focus on appearances was a bit much. I also want to pull away from people and be autonomous, where social dominants seem to want more of a constant connection. (Them: Wouldn’t us living together be incredible? I could see you all the time! Me: *looks on them with horror*)

One thing I really liked that brought my entire approach into context was this quote from the self-preservation section in general:

“Self Preservation types have a strong capacity for working and putting effort in a focused direction. They usually don’t have ambition for status so much as a drive for material or creative accomplishment, or for a place where their energy can be channeled into something practical and meaningful. Self Preservation builds a quality of persistent, useful energy that’s useful to building toward long-term aims.”

That... explains a lot about me, and my work process. How despite being an ENFP and having an overload of my ideas, I identify and focus on doing one massive project at a time, rather than flitting my attention between them. I stay focused. Work on things until they’re done. It demands enormous amounts of mental energy that soon deplete me and cause me to withdraw, feel tired, or just want to cozy up at home. This is why I’m not social or extroverted in a traditional sense. SP-doms are aware of energy expenditure and worn out by socializing. I can also tell where having inferior Si undermines being an sp-dom to some extent. I often work myself mentally into exhaustion, as John L. would call it, “overdoing it” rather than “under-doing it.”

My happiest and most mentally well times are when I allow myself to admit I am tired and quit work for the day, even if it’s not finished yet. When I push away my need for completion (low Te) in the knowledge that my mind and body needs down time to rejuvenate, and a one or two day delay at the cost of mental exhaustion isn’t worth it. Sensors and stronger Si types seem to be better at recognizing a need for rest than me.

I’ve been pushing myself too hard recently, unfortunately... but the bonus thing is, I am almost done with book rewrites! Just two more sections to go. :)

I took some notes on the things the types focus on under stress (this really brought to mind certain characters) to show you other useful things his book provides:

Enneagram types under stress:

 Self-pres: fear of scarcity and harm

 Social: fear of being ostracized, excluded, or abandoned

 Sexual: fear of being undesirable and sexually overlooked

SP 1: reacts to hang-ups and imperfections in one’s lifestyle and environment as an affront to their idealistic sense of rightness and perfection.

SOC 1: becomes an impeccable exemplar of the values they wish their peers reflected, a “reformer” in the social realm.

SX 1: holds themselves, partners, and all relational dynamics to intense standards, to ward off sexual rejection through their own rejection of those who can’t measure up.

SP 2: projects scarcity onto others and acts as a caretaker at the neglect of themselves, running into exhaustion in hopes of reciprocation.

SOC 2: positions themselves as indispensable to loved ones by offering support, mentorship, or granting them access to important people.

SX 2: projects fears of undesirability onto others and then fills those needs to make them feel desirable or sexy. Makes themselves over to represent the “complete package” or “ideal lover.”

 SP 3: works to excess to stave off scarcity while also performing their best version of abundance and success in a chosen lifestyle.

SOC 3: competes for status and embraces the best traits of their environment to be outstanding, inspiring, and invaluable.

SX 3: competes to the be the most attention-grabbing, majestic, and fascinating sexual partner around, and embody idealized traits.

 SP 4: takes scarcity personally, as fuel for despair or something to rebel against.

SOC 4: represents their unique, edgy, mysterious side, while being aloof, keeping others desirous and fascinated y their presence.

SX 4: amplifies their intense personal “flavor,” mystique or talents to occupy a desired lover’s attention while trying to undermine any rivals.

 SP 5: minimizes their dependence on any needs to give more energy over to concentration.

SOC 5: become “the expert,” offering their specialized understanding and insight to be an indispensable recognized expert, while trying simultaneously to distinguish and separate themselves from others.

SX 5: provides intense penetrating, captivating insight and focus, but abruptly withdraws when they feel insufficient energy to engage with a lover or that emotional demands are being placed on them.

 SP 6: invests in and worries about the things that ensure their resources, and feel conflicted about upholding their obligations to others versus self-care.

SOC 6: defend friends, relationships, and values against harmful influences, and upkeep social agreements and structures as essential.

SX 6: exaggerates sexual characteristics and tests others’ levels of attraction by acting out to prove they’re exciting and desirable.

 SP 7: launches into plans and backup plans of how to acquire a lifestyle that gives them the freedom to pursue what they like, and indulge in rewards in the meantime.

SOC 7: form many different connections, friends, and talents, to be able to contribute without giving themselves over to any one thing.

SX 7: use high energy, over the top spectacles to dazzle or entertain prospective lovers, but quickly move on if they fear rejection or boredom.

 SP 8: hardens themselves, becomes overly intense and energized about securing necessary resources for their well being, “taking what’s mine.”

SOC 8: take charge of the social realm, be the galvanizing force.

SX 8: attempt to dominate their desired lover’s attention and energy, while using provocation to be “too much to handle.”

 SP 9: uses comforts, work and exercise to “get by on little,” settling for small habits and comforts at the expense of finding and pursuing what they really want for their lives.

SOC 9: over-adapt to others in relationships and resign themselves too quickly into social roles.

SX 9: use sexuality to disassociate, hiding behind sexuality or attraction and over-adapting to their partners’ preferences.

[ayamadori]

I LOVE COLA LOSERS - HERES WHY

This is a long essay-ish thing that dives a bit into my thoughts about Cola Losers, analysing the two boys dynamic and it's potential for Eduardos characterization. This is in no way linked to the actual real life people involved, but only the cartoon characters.

1. EDUARDO - PRE/POST-LEGACY

Pre-legacy Eduardo (as seen mainly in Hammer & Fail) is the perfect flat mean girls parody character. He comes off though as much more catty than your TV show bully, especially when he is constantly looking for a new way to make fun of Edds crew with his friends Jon and Mark. At the same time, he's still intended to be Edds counterpart - often seen in green and drinking diet cola. This similarity yet also laced with major differences causes ire from Edd, who views him with comedic contempt.

Pre-legacy Eduardo is a good example of Eddsworld constantly using (and sometimes twisting) well-known tropes in fun ways to generate more laughs. The neighbors fills a fun and vital role in the Eddsworld ecosystem.

Legacy however takes him into a different direction. According to the legacy documentary, Paul Ter Voorde had noticed some liking for Eduardo and chose it as a chance to expand on his character. Legacy offers us a way to view Eduardo beyond the intended flatness of his pre-legacy self, opening up a chance for a bit more nuance and depth to be added to him.

2. POWEREDD AND EDUARDOS INSECURITY

PowerEdd is the legacy episode (and probably the episode in the whole series) that focuses on Eduardo the most, especially as he features as the villain. Poweredd in my eyes delves into 2 ways to interpret Eduardos characterization (and his insecurity) here. One i'd like to think of as the "pre-legacy inspired" and the other one as "legacy inspired".

| PRE-LEGACY INSPIRED; This interpretation relies on PowerEdd being a parodic exploration on superhero tropes - Eduardos disproportionate reaction to his "backstory" pokes fun of dramatic villain backstories by making Eduardos motive for his grudge seem like a silly and small thing. The episode itself is seen here as a humorous take on the superpowers trope and fits into that framework. This view relies upon the knowledge of Eduardos role in pre-legacy.

|LEGACY-INSPIRED; This takes Paul Ter Voordes statement of Eduardo into account. PowerEdd could be seen as a genuine attempt at lampshading Eduardos insecurity and his struggle with possible low self esteem. These aspects together create a superiority/inferiority complex of the highest caliber.

Eduardos behavior fits into that idea (seeing as he acts tougher than he is now in contrast to his meeker past self, goes extremely far to protect his pride as to try to destruct the source of his anxiety, makes his peers also act uncharacteristic which fails i.e Jon etc.)

It's a rather well-known phenomena in psychology that the individual who often feels a threat towards their sense of self (and thus security) uses a illusion of a tougher, more intimidating facade in order to feel comfortable with themselves.

The main argument here is that PowerEdd is not making fun of Eduardos superiority/inferiority complex, but rather tries to lampshade it and imply that this seemingly innocous event is not the /major/ cause of his insecurity, but rather the single drop that filled the glass over. Since i dont wanna base too much on assumptions, i wont expand on what these other possible events could be. But in the end, the result is quite obvious; it makes Eduardo go in a constant frenzy to prove himself superior to Edd at all times. He projected all his insecurities into this single event where his artwork came in second place, and the person who won over him.

3. HOW THIS ASPECT IS DEALT WITH

In their final confrontation in Poweredd, Edd questions Eduardos motivation for his actions. Edd (the audience proxy in this case) dont react though with mocking this reason or laughing at it. Edd actually takes it seriously and even apologizes for what he did, realising that the seemingly innocous action ended up being part of something bigger and more harmful.

This fully throws a confused Eduardo off, who had (most likely) been expecting a offensive reaction that'd validate his paranoia. But this doesn't happen. The narrative takes his frustration seriously, which is what i find so interesting and likeable about it. This so large seeming conflict diffuses so quickly because of Edds sincerity, a underexplored yet charming quality about him.

4. EDD IS NOT MUCH OF A THREAT

What made Eduardo waver and change his mind? He reaches the epiphany that Edds way too much of a dumbass to be a threat at all. Eduardo had been trying so hard the whole to prove himself to someone, to /something/ as being the better one. However, the real fool was Eduardo himself.

Edd is the furtherest from a threat that you can imagine. Honestly, he never really intentionally targets Eduardo with malicious intent (definitely prone to teasing though lol), and it's often the result of Eduardos own actions than anything else. Edd mostly minds his own businiess, and is upon a second look a rather sensible guy.

It makes Eduardo feels stupid for misjudging him, and you know he reaches that conclusion since he goes as far as to use up his last bunch of powers to defend Edd.

5. COLA LOSERS (ENCORE)

I felt like i wanted to establish all the points from earlier since they play a significant role to the way i view Edd and Eduardos dynamic. Edds relaxed and casual demeanor contrasts amusingly to Eduardos high-strung, much more neurotic tendencies. This difference makes for a surface-level funny competetive dynamic.

However, Edd is hardly a malicious person. He's not someone who actively tries to taunt Eduardo in a way intended to cause genuine harm. He's a bit silly and stupid, and his taunting of Eduardo is more based in neighbor shenegians rather than anything else. The whole point is that Edd could actually do more positive than negative for Eduardo - he can engage in a rivalry with him, but one that Eduardos actually comfortable with. Especially since by the end of PowerEdd, you can notice Eduardo clearly has nothing against Edd anymore (though still finds him annoying lol).

Something i rarely see mentioned when people talk about these two is that if they got to engage further in Eddsworld minus the grudge, Eduardo could actually make a change for the better and get something better from it. Not to mention, it hardly has to be a full on competition all the time - they could have moments where they're more friendly only to go back to being rivals again.

TDLR: I really love Cola Losers.

[rosesloveletters]

Self-Shipping Reference.

I have been debating on creating a self-shipping reference for these two, but since I am certain of our dynamic at this point, I wanted to delve right in; I love Will and Jakob so very much and I wanted to create a little collection of our relationship like I’ve done before in the past. Most of all, this is for me so that I can have it as a reference, so there is absolutely no obligation to interact with this post. If you do, thank you for showing us so much love and care, I really appreciate it more than anything. This community is so welcoming of self-shipping and that means a lot to me<3.

last updated: June 17, 2021

please do not read if you are not interested in or comfortable with self-shipping.

word count: 2,908

Ship name?

Our collective ship name is Grimmrose, for obvious reasons (my poly heart can hardly take it😭✨💛) 

I do not feel I should need to say this (as it should already be implied), but since I do not want angry anons in my ask box about this, I will state: Will and Jakob are not romantically involved in our dynamic; the love they have for each other is familial only. They both share me, but that is as far as it goes. There is absolutely no incestuous aspects of our relationship. 

Date you got together?

Jakob: May 26, 2021. The open honesty and security within our vulnerabilities were what prompted Jakob and I to jump in headfirst. We knew how we felt almost immediately; Jakob believes in love at first sight and I value that sentiment. It was a mutual understanding that the two of us were meant to be together (even if I hadn’t already known, the darling would have convinced me - he is extremely persuasive and given to a dreamer’s mindset.) The two of us easily came to an agreement on beginning a relationship because of how similar we have found ourselves to be. It was not difficult to access what each other was thinking and how we chose to approach those thoughts and feelings. Jakob is driven by those, after all, and his bright spirit and general interest in the things that cannot be so easily explained drew me to him. 

Will: 

Platonic:  May 26, 2021.

 Romantic: June 14, 2021. 

Will was, to my surprise, not as difficult to access as I expected. He has a much different personality to Jakob’s; the two are near opposite ends of the spectrum. Will’s mission has been to protect Jakob, mostly from himself, but Jakob does not understand that the reason Will is so hard on him is because Will feels helpless around him. Jakob’s mind is so bright and open, while Will does not understand how to compete with that nor how to understand or fit into Jakob’s world of folklore and mythical, magical beings. He feels weak in comparison to Jakob’s spirit; Will values my ability to cross those lines and connect with both him and Jakob. Will has never known another to be so well-suited for his brother and he is respectful of how we interact, since until now he has been the only one who has been able to reach Jakob. We were platonic for several weeks out of respect for Jakob, but soon entered into a mutual agreement to share the love that we all have for each other; the brothers agreed to share me since they have both developed such strong feelings. 

Favorite personality trait?

Jakob: His sense of security within vulnerabilities. Jakob is more given to childlike excitement and the thrill of action whenever it is of a magical quality. He fidgets, has a distinct nervous energy/uncomfortable body language, a clear mind but one that fancies fiction over reality. Whenever he drinks, he’s giddy and excited; the only one who can get through to him in these moments are Will and I. The thing is, Jakob has never tried to be anybody but himself. He is aware that these qualities are not valued by the vast majority and are perhaps seen as weaknesses or even are simply frowned upon (much of this he experienced as a result of the way Will treated him over the years), but even all of that has never caused his personality to shift or made him close himself off. Jakob has always found security within who he is, regardless of whether those around like it or not.

Will: His protective commitment to those who he loves. Even though Will canonically admitted his frustrations over Jakob and how he “hates” his younger bother, stating how Jakob “drives him mad”, he is fiercely protective of him and committed to maintaining their relationship in spite of any disagreements or arguments. Will does not give up on those he loves. Even though it would have made sense for him to toss Jakob into the streets and leave him if he truly hates him, but Will does not. Despite his confession, he has never actually hated his brother; Jakob makes him feel weak, helpless and inferior because Jakob’s comprehension of things beyond Will’s understanding or compulsion to understand or look beyond what is right in front of him is too different and unusual to him. 

Favorite physical trait?

Jakob: His eyes. Jakob’s eyes are so expressive; they sparkle in the light and his irises twinkle. His soul appears as if it were made from stardust and every bit of him glows. His eyes reflect the innocence and playful mischief bound within him; he is a dreamer at heart and his eyes mirror that. 

Will: His smile. There is a scene when Jakob and Will first arrive at Marbaden and they are confronted by the townspeople with weapons, uncertain of who these two strangers are, and when Will tries to explain who they are his smile is simply dazzling. I believe that was the moment I found myself in love with him; I have not seen a smile so bright in a long time. Here’s a screenshot of his smile (Jakob’s expression in the background is so funny😂):

Couple song

We do not have a couple song yet; we have couple albums. 

Taylor Swift’s albums Folklore and Evermore are sister albums, so it only makes sense that they are representative of the two brothers respectively: Folklore for Jakob and Evermore for Will. 

Both albums are suited to the three of us; the feelings provoked from both establish the tone of our relationship. 

Pet peeves…

There is only one: their constant bickering/arguing and fights. It is natural for siblings to fight, but the longer I spend with these two, the more consistently they seem to fight in front of me. I do not believe the fighting affects their relationship as perhaps it did in the past; they seem very content, even after they’ve been fighting a while, and neither of them holds a grudge anymore. 

Favorite outfit on them?

I will share photos since it would take some time to explain in enough detail; I am a sucker for older/medieval clothing (perhaps this is why this movie spoke to me in such a way?)

These are my favorite outfits of theirs:

their armor is a close second, because it really makes me laugh:

Favorite meal?

Jakob: This bit is indicative of all of us and I was the one who introduced the brothers to this meal - vegetable soup; beef/broth, noodles, peas, carrots, tomatoes, corn, green beans, potatoes. The brothers are used to eating whatever is being served them at the pubs they visit and the inns at each town they stay and, needless to say, are not often prepared a meal especially one to their specific tastes. The first time I made this for them, they ate heartily and it has been their favorite since. 

Will: This is less of a specific meal and more of a eating habit of his, but Will is partial to sweet treats and desserts of all kind. His favorite treat is soft bread with a sticky, sugary glaze (wait until I tell him about glazed donuts😂) 

Early bird or night owl?

Neither of the Grimms are particularly one or the other. They both have been known to stay awake all hours of the night for one reason or another; Jakob stays up writing most nights when brand new ideas flood his mind and prevent sleep. He works whenever inspiration strikes and if that is the middle of the night, then Will or I will find him hunched over his desk, pen scratching away across the page as he squints to read what he has written under the low candlelight. 

Will stays awake late born out of a habit he has yet to change. He does not like to sleep very soundly until he knows that Jakob and I are either asleep or keeping each other company; Will takes responsibility of us quite seriously. Since we’ve begun a relationship, they do not go out as much as they once had and when we do, they are awake nearly the entire night and whenever they crash, they are both out cold. 

If I wake up throughout the night, Jakob sleeps so soundly that he would not know (he wears earplugs if we’re staying at an inn because the noise bothers him.) Will always wakes up whenever I do; the shifting around wakes him, but he does not usually open his eyes or speak to me until I come back to bed and he settles me back into my spot. 

Snorer or sleep talker?

Jakob: SLEEP TALKER! Jakob talks in his sleep nearly every night, most especially if he has had something to drink beforehand or if Will has gotten under his skin about something. Stress/anxiety also trigger it; I don’t hear him often, because he only does it in a deep sleep which is usually whenever I’ve already fallen asleep. 

Will: Will does not snore or talk in his sleep; he is unusually quiet, however, he will groan or mumble softly if he’s turning over or something like that. He does not move a lot when he’s sleeping either. 

Do you have any pets together?

No, our lifestyle is not suited to pets, unless horses used for transportation count. 

Pet names! (Both from them and yours for them)

Will’s for me: little one/little girl, peanut

Jakob’s for me: sweetheart, darling, lover

Mine for Jakob: Jakey, Beanstalk (turning Will’s mean comments into something sweet💕), Dreamer, Sweetie/Sweet One/Sweet Baby

Mine for Will: Blondie, Prince Charming (only in certain scenarios)

Ones Jakob and Will use collectively for me: Briar Rose, Rosebud, Unicorn, Beauty/Belle (a play off my favorite fairytale), Princess

Ones I use collectively for Jakob & Will: Grimmy

How often do you fight? What starts fights?

I have yet to have any fights with either of the brothers (though I have had mild disagreements with Will over the way he speaks to Jakob.)

Jakob and Will fight often and about everything, but more often than not, the source of the argument is their personality difference. Their interests clash significantly and they find it difficult to coexist at times because Will feels he must fill the role of Jakob’s caretaker, while Jakob simply wants Will to be his brother and believe in him. 

I usually do not get involved in their squabbles unless Will speaks out of turn. He can be somewhat hateful in the remarks he makes to his brother and I am not afraid to set the record straight. Jakob has gotten much better at standing up for himself; he is not afraid to get physical if things escalate to that point, though I have yet to see them lay a hand on each other. Jakob knows that one swift punch is all that he needs to deliver for Will to fall in line and understand that he is serious; he saves them for when he needs them and has only punched Will outright one time, that I am aware of. 

Who apologizes first?

This depends on who feels they are “wrong”. Will does not like to apologize, so usually it is Jakob who initiates the apology. Occasionally, neither will apologize and it is implied that they both have and things will continue on like normal as if nothing ever happened (this is best case scenario.) 

I have not known them to simply not apologize to each other for wrongdoing; Will has apologized to Jakob on a number of occasions where I have been present. If Will apologizes, it is usually for speaking too harshly to Jakob or bringing up the “magic beans” he has terrorized Jakob with for years. 

Big spoon or little spoon?

Jakob: Jakob adores being the little spoon. Even though he likes to hold onto me at night, nothing seems to compare to being held. Jakob has gone the majority of his life without being shown affection and tender love; he is so touch-starved that he asks to be held almost every night. 

Will: Will is the only F/O (aside from J) who I allow to be the big spoon on a regular basis. I trust him implicitly and know that he will keep me safe; he likes to hold onto me while we sleep so that he knows and can feel he isn’t alone. He does not like to sleep whenever it is too cold and he wants a warm body pressed against him. 

Dom or sub?

Jakob: Submissive.

Will: Dominant.

Will has had his misgivings over Jakob and I, both being submissives, entering into a relationship together, but it has not presented an issue so far. Most of the time, Jakob and I love all over each other so it doesn’t matter one way or another😂 It is rare for Jakob and I to be sexually intimate. 

Will takes on the more dominant role, since he has been so with Jakob over the years of their lives before they’d met me. Will is the nurturer and takes care of us both; he remains protective of us despite certain insecurities and fears. Will takes on more of the sexual responsibilities of their relationship with me because of his experience with women.

What are their kisses like?

Jakob: Jakob’s kisses begin as achingly shy, reverential ones that develop into slowly sensual, spontaneous or exploratory ones. Jakob likes to hold my hands when we kiss and I like the way his facial hair pleasantly scratches my face; he is always extremely gentle and never oversteps. I especially love when he kisses me with such eager impulsivity that our cheeks turn red and we laugh when it’s over. 

Will: Will’s kisses can either be covetous and greedy, fervent, and deeply passionate or chaste and flirtatious. He always cups my cheeks, chin or tangles his fingers in my hair at the back of my head while kissing me; his lips often taste sweet or sugary from how often he indulges on sweets. My favorite of Will’s kisses are the languid, open-mouthed ones when he uses his tongue. 

What do they smell like?

Jakob: Parchment, books and ink, candlewax, earth just after it has rained, sweet basil, a vaguely sweet musk, warm skin.

Will: Warm sugar, sweat/spicy musk, pine, flame. 

What are their hugs like?

Jakob: Bear-like, full-bodied, fiercely affectionate and warm. 

Will: Long, tight, unexpectedly powerful and almost needy. 

Who is more protective?

Will. 

Both brothers are fiercely protective of me and I know that, in spite of their differences, neither would ever let anything happen to me. As long as they are facing danger together, they would willingly take on any enemy (Jakob would never let Will face danger alone and vice versa.)

Interested in children?

No. Will says that Jakob and I are enough like children as it stands😂

Who needs the most TLC when sick?

Will AND Jakob. They are both huge babies whenever they are sick and all they want is to be taken care of. Surprisingly, they bicker a lot more whenever they’re sick; mainly, they fight over who gets to cuddle me first.

Whenever I am sick, I tend to react the same way and the brothers are more than obliged to take care of me in any way they are able. Will takes the more ‘hands-on’ work like fetching me a drink, food, blankets, etc. and helping me move about as I need. Jakob does not like to leave my side and he will not do so unless instructed by Will and he will fetch me whatever is needed and then return to cuddle with me. 

Who says ‘I love you’ first?

I was the first one to say ‘I love you’ to either of the brothers. I told Jakob first; we nearly admitted it at the same time. We knew how we both felt upon the first of our meetings. 

It took me a while to say ‘I love you’ to Will. Our relationship began platonically; I did not feel comfortable saying so to him until I spoke with Jakob about it first. Intuitive of human emotions is he and he was already well-aware of how we felt about each other and, with his blessing and consent, the brothers agreed to share the love and, well, me. 

Which of you is more accident prone?

I bet you’re thinking either me or Jakob. WRONG! It’s Will. Jakob and I are very steady on our feet because we are full of rambunctious energy; Will is more laid back than either of us and he gets more indignant whenever he does accidentally hurt himself. 

Bed hog?

Jakob is more of a bed hog than Will or I. He is consistently moving around in his sleep, talking, etc. There is one unspoken rule: Jakob sleeps on the left side of the mattress, I am in the middle and Will is on the right. Both use me as a barrier and do not cross to the other’s side of the bed at any point and they each take turns cuddling with me until we all fall asleep. 

Who loves the other the most?

As if it even needs to be said, we all love each other equally, but in different ways. Jakob’s and Will’s relationship and love for each other is strictly familial, while the brothers’ relationships with me are both romantic. 

Will understands and accepts that my relationship with Jakob takes priority, as we began ours first and I am unspokenly Jakob’s above all else. Any and all major decisions are made between Jakob and I; we of course always consider Will’s emotions, well-being, etc. but Jakob prefers to take the reins in terms of calling the shots, in spite of Will being the dominant and more protective one. He feels like Will owes him this and Will is happy to allow his brother this courtesy, considering this is Jakob’s first true relationship. 

[sz-amare]

9. “Hard Work” BS

One of the most frequently explored themes in shōnen anime is the concept of hard work vs. natural talent. It is one of my favorites, and it excites me to see how an anime portrays its message on the matter. The general concept that you can surpass anyone with rigorous and strict hard work is very inspiring to the younger demographic, myself included. However, there are many instances where an anime will try to tackle this concept but will either fail or ironically contradict their themes without realizing it. Naruto and Black Clover are the first ones that come to mind, but several others do the same. Although, there is one anime I love that tackles the idea, without really trying to, and succeeds. And that is Haikyuu.

Starting with an anime that fails to portray the message of hard work, we have Black Clover. Now I know I bashed Black Clover in the previous post, but once again, I give criticism is where criticism is due. But to make it up to the Black Clover fans, I will try my best to make an analysis/review on Black Clover in the near future, talking about what it does right and what it does better than most. Anyway, in the world of Black Clover, there are three basic regions in the Clover kingdom. We have the Forsaken Realm, the Common Realm, and the Noble Realm. Nobles in Black Clover tend to have a high affinity for magic and live in the Nobel Realm, while commoners and peasants live in the Forsaken Realm, having a low magic affinity. The Common Realm is between the two; people who live there have average status and average affinity for magic.

Asta lives in the Forsaken Realm, meaning he is a commoner. As I mentioned in a previous post, the main reason Asta wants to become the wizard king is to prove that peasants can become the most powerful mage and thus remove discrimination against them. The only way he can prove this is by working harder than anyone else. The only issue is, Asta is nothing like a regular commoner. As a matter of fact, he is nothing like your average human. He is possessed by a devil that gives him anti-magic abilities, which gives him an edge over people with powerful magical abilities. So… even if Asta became the wizard king, can we really say that other commoners have the potential to become the wizard king as well? No. We can’t. Now yes, Asta did train harder than everyone else in his respective series. Fun fact, if you look at physical strength alone and ignore magical abilities, Asta is the second strongest character in the world of Black Clover. But unfortunately, he doesn’t rely on his physical strength along, but on his anti-magic and devil abilities almost no one else has. His hard work is real and very admirable, but the theme of hard work does not play out with his character’s message, and I find that to be a major flaw.

If you thought the theme of hard work vs. natural talent was badly portrayed in Asta’s character, prepare yourself for Naruto. Before I start, I want you to understand that in Naruto, there are a couple of examples where I think the theme is beautifully explored. Lee vs. Gara is an excellent example, and in this case, hard work loses. Might Guy’s character alone is brilliant to this theme. To think that he was one of the greatest fighters the whole time, but even we, the audience, looked down on him, thinking he was not as strong as some of the Akatsuki, simply because he only used taijutsu. 

But there is one example where the series not only falls short but miserably fails to the point where I feel embarrassed. And that is Naruto vs. Neji.

During the Chuinin exams, we see Neji as one of the most powerful forces that Naruto will probably have to face off against in the future. Neji was born in one of the strongest clans, the Hyuga, resulting in him having an overpowerd ability, the byakugan. Then we have Naruto, who has been an underdog his entire life. He was also discriminated against because of the demonic Nine-Tails Fox that was trapped in his body. Naruto was one of the weakest contenders in the exams, but he believed that he would beat Neji, the second most talented contender there, through his hard work. Neji was also spouting some destiny bull crap that Naruto promised his hard work would also defy. But anyway, during the fight, nothing much was happening other than trading fists and philosophies between the two. When the fight starts to get interesting, Naruto asks the Nine-Tails Fox for chakra, giving him a massive boost, resulting in his victory.

I’m sorry, what?! How can you spout some hard work non-sense for over a dozen episodes, claiming that your hard work would trump someone’s natural abilities but end up using an overpowered ability, unique to you, to prove that point? That is completely self-contradictory. It would have been fascinating to see Naruto realize that the only way he won was because of his unique abilities, resulting in him understanding that although he won the physical fight, he lost the battles of ideals. This would spark development where Naruto now understood, or at least began to believe, that natural talent is overall superior but mixed with a lot of hard work, you could become the strongest. That is precisely why Naruto is the strongest at this point. But no, Naruto took pride in the battle he “won,” even though he completely contradicted himself. Later on in the series, we even learn that Naruto is a part of a clan stronger than the Hyuga, the Uzumaki. So technically, Naruto was never inferior to Neji. This mistake is laughable.

For the anime I believe they tackled the theme of hard work vs. natural talent in one of the most unique ways, we have the volleyball anime, Haikyuu. One of my favorite parts in the series is when Kageyama and Tsukishima receive special training while Hinata is nothing more than a ball boy. Hinata has already proved his hard work through his jumping height and speed, but this arc proved something slightly different from the usual. While Hinata’s two rivals are getting special training, he feels the desperation to train so that he doesn’t fall behind in skill. As a result, he tries to join one of the camps to receive the same special training one of his rivals is receiving. He then understands his rudeness for joining uninvited. As a form of an apology, he starts picking up stray balls after they go out of bounds. While two of his rivals are working hard, he is a ball boy. His feelings of desperation slowly rise, but he can’t do anything about it.

After talking to a couple of people, he begins to understand that he can take advantage of his position. He spends each moment staring at the other volleyball players who are training, observing what they are doing to learn something. Basically, while his rivals are working hard in a special training program not many people get, Hinata works hard to find training – working hard at special training vs. working hard to receive training, if you will. He takes advantage of his dire situation and uses it to learn all sorts of things.

Looking now at the end of season four, we can see the fruits of Hinata’s labor finally shine. He perfectly receives multiple crucial spikes and starts to seem like a well-rounded player. After Kageyama, it felt like Hinata deserved the title of MVP for the first time.

In general, I don’t think that failing to deliver a great message through the theme of hard work vs. natural talent will make or break an anime. But when that theme is an essential part of a message you want to portray or pertains to a big part of an arc, failing to deliver can create significant inconsistencies and dial down the quality of an anime as a whole in some viewers’ eyes. Asta’s whole goal should be obtained through the means of hard work alone; otherwise, it creates cracks in the logic of his message. When hard work vs. natural talent is a reoccurring theme in Naruto for about 40 episodes and creates a contradictory ending to the theme, it will cause significant dissatisfaction to the audience who resonated with it. I love the general concept of themes, but when dealing with one, always bring a good closing to it to flesh out the elements of your story and so you don’t turn off your audience.

[omigoshninjaturtles]

Why it's great in Rise for Leo to BECOME the leader instead of STARTING as one

I've been thinking about this a lot and discussing this with friends in our private TMNT chat. I just wanted to share my musings about why I think it's actually a good thing. Not is it only a nod to the original Mirage comics, I think it's important to Leo's development as a character.  

In Rise, Leo has shown different, but in some ways, the same insecurities that other incarnations of Leo have. In previous incarnations, Leo has always felt pressured and stressed about feeling incompetent and being unable to protect/guide the family. Rise Leo has that same issues, but it's enhanced by the fact that he isn't the leader.

"I'm useless." - Leo, Minotaur Maze

"I'm nothing without them [my brothers]." - Leo, Portal Jacked

Looking some Rise episodes like Minotaur Maze and Portal Jacked, Leo feels like he's the load to his brothers. He's the only one of the brothers who hasn't really mastered their weapon properly yet (Mikey and Raph have pretty good control of their new weapons while Donnie only has minor hiccups on his tech bo). He's getting better, but as Portal Jacked proves, he still feels like he's nothing without his brothers. Leo gets very eager in opportunities that allow him to step up or become 'better'. This is why he got so excited in Minotaur Maze to become a champion or why he embraced becoming a pro wrestler in Shell in a Cage. Although perhaps he knew inside that the title meant  very little, he just wants a title to prove to others and most importantly himself that he’s not nothing. Inside, Rise Leo believes that he's nothing, useless, and he's desperate to prove himself.

In previous incarnations, it sometimes felt (to me) that being a leader was a heroic burden Leos had to take, that becoming one meant taking on the responsibilities no one else wanted; basically to take one for the team. I keep thinking back to 2003 Mikey's deconstruction of Leo's character:

“I think you all should just lay off the poor guy [Leonardo]. I mean, it can't be fun always being the responsible one. And we're the ones who really benefit: Raph's free not to think cause Leo does all the thinking for him, Don's free to dream, and I'm free to take it easy all because Leo's busy being responsible enough for all of us.” - Mikey, TMNT 2003 

In Rise, instead of leadership being a burden, it's actually something that will build up Leo's character (not that the burden thing it’s bad, it’s just a different take). Not only will it give Leo purpose, but it'll also help improve the low opinion Leo has on himself that he keeps hiding by the classic Superiority Inferiority Complex / Sad Clown shtick. It will build up his confidence and it's great to see this development of a teen who suffers from feeling that he's nothing, something a lot of people face in life, to step up and realize, 'Hey, I am something'.

I also think that this development for Leo is going to be an interesting one for Raph. Rise Raph sort of designated himself as the leader because he's the oldest. He doesn't like taking orders from anyone else, and he's happy that way. I don't think Raph is a bad leader, he's honestly doing good and the best he can, which is all anyone can ask for... but admittedly, he isn't super great. He doesn't think things through and he sometimes doesn't have that intuition that comes with decision making. In fact, Leo is doing a lot of backseat leader-ing when opportunities arise, having great leadership qualities and intuition, things which Raph unfortunately lacks as a leader. Even Donnie has shown that he trusts Leo almost unconditionally when he wasn't even paying attention in the conversation at hand, automatically agreeing with Leo in a debate between Raph and Leo (in Hot Soup: The Game).

I'd like to think that Raph knows deep inside that he may not be the best choice as leader for his brothers, so he feels pressured and may be prone to lashing out when tensions get high (shown a bit in Mascot Melee).

My analysis and prediction is that Raph will have to learn the hard heartbreaking and important lesson that will test the bond between Leo and Raph: Sometimes, being a great leader isn't about making hard choices or organizing the people, it's knowing when you need to step down and let someone else takes the reigns and lead. It’s a hard lesson to learn and Raph realizing that will be one of the most emotional and mature moments in the show, I feel it.

It's always said the real adventure is the journey not the destination; and I'm hella excited and happy to see Leo's journey to becoming more confident with himself and becoming leader, as well as the subsequent character development Raph has to go through about stepping down as leader. Also I'm not ruling out the possibility that Rise Leo might face some of the same stresses that come with being a leader in addition to the journey to become one.

These are just all my thoughts anyway :P

TL;DR - It's great that we see Rise Leo become a leader instead of starting as one since we get to see his development from a guy who has poor opinion of himself that he hides under jokes and a Superiority Inferiority Complex to a confident leader. Also having Raph learn the lesson that sometimes a good leader knows when it's time to step down and let someone else lead.

[ocehart378]

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[rosiegateanimation]

IVANS NEED VISUAL ANALYSIS by Eisprung 

‘Ivan’s Need’ is a captivatingly childish, digitally drawn animation, created in 2015 by the animation collective Eisprung. The story follows Ivan, the son of a master-baker who is obsessed with the soft nature of kneading bread. He is repulsed by the act of cooking dough because it makes it barbed and sharp. His infatuation with dough soon evolves to women’s breasts when he encounters a beautiful naked women at the window, with breasts as long as Repundzel’s hair, dropping down from the window.

The sickly sweet block coloured palette, and lack of vocal narration creates a childlike nature to the work, contrasting with its sexual undertone. The result is more silly than crude. The world is reminiscent of a child’s soft-play/ playground, with soft lines and rounded edges, there is a sense of safety (which is probably why we don’t question why a father lets his child be abducted and sexually involved with a older woman/ stranger). The animation itself has been drawn and coloured digitally on photoshop, which adds to the childlike quality to it, stylistically resembling that of children’s cartoons, as does the soundtrack in its charming nature.

The structure of the narrative has been communicated through the setting, creating a clear visual sequence. The world is set majority around the premises of the bakery, it starts in the bakery itself with the oven burning, and moves outside where he meets Alva, his next door neighbour, while delivering bread. The story ends inside her house, and then inside her body. But it is the transition of scenes that make this animation so visually interesting. Eisprung creates a world of fascination through the eyes of a child, as if we are inside of his head. There is a really clever transition, after encountering a women’s breasts for the first time, Ivan becomes obsessed with them, which is  shown through an unrealistic daydream sequence of bread and breasts. Ivan squeezes them through the gaps in his fingers, making them fill the screen throbbing and swaying, only to end with him swinging from side to side on one of them. The point of view switches from first person, kneading the dough/breasts, to second person where he watch the encounter between the two characters. The ‘fabula’ and ‘sjuzhet’ run parallel through the short film, however it is difficult to distinguish dream-sequences from reality. For example some dream sequences such as the being lifted up the tower by Alva’s extended breasts is used to add a lightness and comedic tone. Where as the ending where he climbs inside of her vagina to find a soft dough-lie heart, which I presume is symbolic of the ‘g-spot’, which could be literal or just symbolic of pleasure being all consuming, as he is eventually consumed by this dough like substance.

What makes this animation stand out is its use of texture as a structural narrative element. The contrast between the spiky bread and the dough resembling playdough, is a resurfacing theme through out the film. The use of first person to touch the dough creates a realism, and plays on our own childlike memories of baking, dough, playdough, and making. Texture is also reenforced through the use of contrasting sounds such as of sticky, malleable noises of the dough, with the solid, hollow, flakey sounds of the cooked loafs. I noticed that the world surrounding Ivan is similar to the loafs in its hard and spiky nature, suggesting perhaps that the softer textures are symbolic of childhood fascination, and the harder substances that of adulthood and maturity. Although it is difficult to analyse this as a serious piece and its intentions when it could simply just be exploring the silly question of- what would happen if scarfs were really breasts?

The characters are aptly differentiated in age through the use of camera angle, voice, pitch, movement and expression. For example the father’s character is shown to be a dominating man through the camera angle looking up at him, as opposed to Ivan who we look down at, showing him as inferior. In a way Ivan is like the dough, and his father the hard cooked loaf. Ivan is pure and childish yet to be hardened through the heats of life. Ivan talks in high-pitched nonsensical silly noises, with malleable, gleaming, and expressive facial features. Whereas his father is a sturdy man, with a low pitched, harsh voice, and hard features, and a hot head- shown through its  vast enlargement as he shouts at his son.

As a viewer, the first time I watched this short film, I was intrigued by its charming and childlike silly nature, and the absurdity of the narrative. However on watching it a few more times, I became increasingly uncomfortable with its subject matter. Mixing sexual content and childlike themes is difficult to tackle sensitively, and is rarely done for obvious reasons. I understand here in this film they are exploring the natural childish fascination and curiosity, and maybe touching on the obsession with breasts. However, (and it may just be because I am picking this piece apart down to its bones), I find the portrayal of a child and an adults sexual encounter to be more disturbing than charming and silly. Although I do question the reality of the section where he is in her tower, whether it is real or in his head like that of a dreamlike fantasy is not clear.

To summarise, the style of digitally animating, and colour palette similar to that of a children’s cartoon, plus the use of colour, texture, and sound to portray this narration of a childlike curiosity is very effective and enchanting. The use of setting and textural quality to create a story is engaging. And the visual narration of the characters are clever in demonstrating the differences in age personalities, and mindsets of the characters. There are sections that touch on the ‘cinematic ideal, of reflecting physical reality such as the adult world of the bakery and the first person view of kneading of the bread. I believe these are so that as a viewer we relate to the characters and their world drawing on our own experiences of childhood, baking and infatuation. However I believe this short animation fits the ‘animated ideal’ of metaphysical abstraction better, by creating unrealistic bubbly shaped characters, gravity defying breasts, and endless dreamlike sequences- which give this piece its silly playful nature, while also placing us in the imaginative, curious mindset of a child.