#why did i wait so long to watch this delightful wonderful weird dumb amazing film

[carriecourogen]

Joe Versus the Volcano (1990)

[deng-yi-deng]

Dramas I finished in 2021

This is the first year I dropped more than I finished, and I took a reaaaally long break after Broker because...it broke me.

Currently watching and enjoying Luoyang but likely won't finish it this year so I'll save it for next year's wrap-up.

Listed in order of how much I liked them - ymmv.

Word of Honor - (5/5) we all loved this so I don't have to write my own redundant review detailing point by point why it rocked. Thank you WoH team for making an excellent wuxia. Early on everyone was selling this as 'omg, watch it it's so gaaaAAYyyy' which (yes it was and yes that was fun but...) more than that it was so well written it still brings a tear to my eye. See, it's possible. It's possible to have a well-written cdrama that is simultaneously fun and doesn't insult the audience's intelligence. Sure, I also like the actors but my hero is the writer, Xiao Chu. 💌

The Imperial Coroner (4.5/5)- a surprise delight that didn't rely on tropes to move the plot along or get certain characters together. Well paced, decent acting, fun characters, and a plot that actually kind of made sense. Both male and female characters act like...humans? not cardboard cutouts. Hm, I wonder if... yes. The screenwriters were both women - suspicious. Low-budget but made the most of it. Yes, it is very anachronistic (regardless of which vague time period it's supposed to be set in) but still cute and a quick watch.

Dear Diary (4.5/5) - Don't let the ridiculous premise, or the fact that Youku shelved it for years, keep you from watching this. Though superficially it's a romance, the underlying theme of the drama is about learning to accept and embrace your younger self. The plot basically makes sense and the acting from everyone is fabulous. The supporting characters are real and enjoyable. Pacing is tight, and they film on locations!? (except for one cheap set which we'll just ignore). There are a few more plot holes near the end but in general touching, oddly relatable, and the ending is not trite or stupid! Oh wait I'm 3/3 the screenwriter is a woman.

Duolou Continent (3.5/5) Cute characters and enough action/fights to keep me content (though the whole spiritual sausage thing was....a little gross tbh.) I'm not familiar with the source material so can't compare, but it was on the whole fun and in terms of low-budget costume dramas with Xiao Zhan worth a watch. Moved pretty well, though episodes were short. Was very happy to see Calvin Chen (who I only know from KO One) and his surprise six-pack, lol.

My Heroic Husband (3.5/5)- watched because it included many actors from Joy of Life. It mostly held together and was funny in places - I do love a dumb time-traveler joke (the wheeled suitcase was my favorite gag by far.) My main complaint is the FL was unnecessarily weakened/sidelined as the show went on - you don't have to have a helpless wife to be a heroic husband, ok? I feel strange saying it but there could've been more....business focus?? weird. It also indulged in one of my least favorite tear-jerking plot devices (unsure if it's common enough to be a trope but I hates it.)

The Legends (2019) (3.5/5)- yes this is a couple years old but since I like both Xu Kai and Bai Lu, and it's a wuxia...veering into xianxia... gave it a try. The first 12? 14? eps are brilliant. Loved it. FL is written more like a man - morally questionable! smart! independent! but then gradually the plot and characterizations fall apart. I've been informed this was intentional on the part of the writer which is too bad. Some of the secondary characters/relationships are also really good.

Court Lady (3/5)- wasn't sure what to expect, mostly watched for the costumes, setting, and Xu Kai (the first two were solid....last reason was ill informed since he wasn't in it that much and his character was...meh.) The costumes and hair were amazing (sets - a bit anachronistic) in general the art direction was pretty good, but still not Longest Day in Chang'An good. They did ok with the female characters, making them more well-rounded and interesting, but the FL was maybe a bit too too clever/lucky. There were soooo many eps and it followed so many character's sub-plots I kinda lost interest but powered through to the end despite a bit of boredom. Favorite characters were (as usual) secondary. The HE was rushed and cliche and strangely unsatisfying.

The Devil Punisher (3/5)(TW) - started in 2020, finished in 21. Premise was solid but - it was just ok. I enjoy a good cheesily-acted Taiwanese drama now and again. Too much use of misunderstandings between the CP trope - and I don't really like a love rivalry as the main plot device when it could've been something way cooler. Honestly with the longer 1hr plus episodes I may have nodded off during some of the later eps since it didn't entirely hold my interest after we found out (not a shock) who the villain was.

Movies

Including for completeness: both Yin-Yang master movies. I liked the one with Mark Chao and Deng Lun more - it was visually really pretty (are they purposefully making movies giff-able in the same way museums are making some exhibitions instagrammable now??) and I liked the plot. The one with Chen Kun was more of a family movie I guess?? anyway they were both ok.

[televisor-reviews]

Everything Of Note I Have To Say About “Star Vs. The Forces Of Evil” Season 4!

As I’m sure you’re aware, the great animated series Star Vs. The Forces Of Evil has recently concluded and I have a ton to say about it... So I made a list!

1. Spoilers...

2. Duh...

3. Before anything, I absolutely loved it! This was the finale this great show really deserved.

4. Let’s start from the beginning: I’ve been watching Star Vs. for a few years now when a good friend of mine recommended it to me. At first I was resistant because the advertising for it at the time was god awful, but luckily I was convinced otherwise and been loving it ever since.

5. The show premiered when I was a teenager, going through all the cliche teen shit. So seeing a show that portrayed the overly dramatic life of a teenager without being one of those stock teen dramas was a good change of pace.

6. In particular, I remember being amazed that it could be so relatable while still being able to have it’s upbeat and fast-paced fantasy/sci-fi action sequences and world while also having a good mixture of mature and juvenile humor. I mean, all of that would seem to work against each other and yet this show made it work in spades.

7. Actually, the way Star Vs. uses it’s fictitious setting to complement its down-to-earth characters while juggling great humor reminds me a lot of a different Disney property: Guardians Of The Galaxy. GOTG, I think, is the perfect film to study if you want to ever write for sci-fi or fantasy because director James Gunn understood that you can have as wild and crazy of a world as you want but you still need to write your characters as genuine as possible. If you don’t, you’ll get something like Avatar (the movie); a film that everyone remembers liking because of the incredible world and even better effects, but no one can name a single character or plot-point. The universe still needs to be grounded by the characters or else it’ll become forgettable and un-relatable. Star Vs., thankfully, does not have this problem. I love the characters, their trials, their tribulations, all because they feel real despite the world in which it takes place.

8. That isn’t to say there isn’t a reason to set a story in a fantastical world or that there isn’t an issue with being too relatable. If anything, the world of the show helps to make it more entertaining, less monotonous, and more unique. Without it, Star Vs. would be another Pretty Little Liars or Zoey 101 or Dawson’s Creek or any other boring teen drama out there. They’re practically identical because they start off too similarly! They all follow around relatively normal teenagers in a relatively normal world with their relatively normal life and god do none of them stand out. So Star Vs. separates itself by still keeping its characters pretty wacky and the universe as crazy as Daron Nefcy’s imagination!

9. Even by a storytelling perspective, this makes more sense because there is objectively more that can be done! By the end of Zoey 101, Zoey and her lame crew basically did everything they could do without jumping the shark too much. In comparison, there are countless adventures Marco and Star could go on even past the series finale.

10. And because the number of future adventures are countless, part of the tragedy of the show ending is that we (the audience) don’t get to experience them alongside these characters we’ve learned to love so much. Keeping that door open leaves a much longer lasting impression on the audience, as apposed to the ending of Zoey 101 in which... wait, what happened again? I don’t remember. Anyways!

11. I love the comedy in this show! From the very beginning, the humor was very lighthearted and yet mature because it had to be. It had to have a tinge of maturity to it because the target audience isn’t little kids like it would be for a show like My Little Pony or SpongeBob. Star Vs., with it’s doomsday atmosphere and constant teen drama, was definitely geared more towards older children/preteens. The ones more likely to watch a show like Gravity Falls or Rick And Morty and this audience will not tolerate childish humor. They can appreciate it sprinkled in here and there but if used too much, they’re taste will sour. This is because as they are maturing to to start maturing into adulthood, there is the natural need to separate from childish things with the added childishness of wanting to totally separate from it. That’s why on The Loud House, a punchline could literally be poop and why that is not something you’d see very often on Star Vs.

12. With that said, the show still needed the humor to be incredibly lighthearted because otherwise this show would be so depressing! The worlds in which these characters live in and know are constantly changing, evolving, and almost blowing up. For Christ sake, many important characters die in this finale! The only one who died in Gravity Falls was the villain and in this, the villain isn’t even one of them! Seeing Marco and Star still be able to crack jokes to one another and making each other laugh keeps spirits high. God knows Hekapoo can’t do that now!

13. Speaking of Marco and Star, I have been a hardcore Starco defender from the very beginning despite the show constantly trying to convince me otherwise! There are so many perfect pairings in this cast that any one of them could’ve worked if Nefcy were top change her mind. If it ended with Star x Tom or Marco x Janna or Star x Janna or Marco x Hekapoo or Marco x Tom or Marco x Kelly it would’ve worked perfectly well.

14. But lets not kid ourselves, it was always going to end with Marco x Star. Their relationship and chemistry is unmatched, they might be the only couple in existence to say a joint line like “With or without magic, we were always meant to be together,” work and come off as not only sincere but true. I don’t even believe in the whole “soul mate” mumbo-jumbo, but I’d be damned if they are not that!

15. I audibly squealed in delight when they finally got together. It was like the build-up of four season culminated in one scene.

16. Though it wouldn’t really surprise me if I was alone in this assessment because I am a sucker for a good romantic movie. I saw La La Land in theaters, I cried at Love, Simon, I actually really love Love Actually. And though I do think Star Vs. pulled off relationships better than most, take my opinion with a grain of salt because the build-up itself was a little grating.

17. I have a huge issue with “will-they, won’t-they” stories! It’s the same issue I had with The Office and Friends and The Big Bang Theory and Sailor Moon and That ‘70s Show and every other show that has this dumb trope! Of course they’ll get together because otherwise I wasted several hours of my life wondering about it! Star Vs. isn’t as bad about this as most others but it’s still there and it’s still annoying.

18. It does this better than most because of three main components: it’s relatively short, we get plenty of Star and Marco being all lovey-dovey with each other once they do get together, and they do have genuine chemistry together. They have so much chemistry that Star’s ex literally told Marco that they were clearly into each other. If only they could’ve avoided the trope.

19. Okay, this next point is a little personal but it did effect my feelings towards this show’s finale so I think it’s kind of important that I mention it. Around the time the Star Vs. was ending, I was just entering my first real relationship and around the time I watched this finale, we lasted long enough that we could start taking the relationship a little bit more seriously. Now before anyone says anything: everything’s going great (she actually made me my header) and I am absolutely still in a honeymoon phase with her. But I think you could imagine how a lovesick teen just entering a serious relationship would be effected by this show that ended with lovesick teens so in love that they’d happily sacrifice themselves for the other.

20. I may or may not have also been high while watching this and that may or may not have effected my viewing experience. Don’t be a narc!

21. I love what this last season did with Ludo. Push away the fact that they somehow keep talking Alan Tudyk into these rolls he clearly does need to do and yet still does a great job at it (did you know he was King Candy in Wreck-It Ralph? Why? Why did he do that? Why is he so good in it? This guy’s casting decisions are so weird). The character of Ludo was a generic comic relief villain (see Doofenshmirtz) but was usually fine if only because he made for a good contrast and was way more interesting compared to Toffee (played by Michael C. Hall, another actor who does not need this job). But season four made Ludo a million times more interesting by showing his obsession with the wand exactly what it is: and unhealthy obsession that he needs to get over. And I like where he’s left by the end, clearly still not doing too great but is making strides to get better. As someone who has known many addicts in my life, this hit home a little.

22. Actually, I think a large part of season four was specifically meant to fix the first two mediocre seasons. Just look at my new favorite episode of the series: Britta’s Tacos. In this episode, Star and Marco find themselves back on Earth after a year of being on Mewni and catching up with all of their friends and seeing what’s changed. Watching this episode, I was reminded that as good as the first couple of seasons were, the latter half of the series was a ton better! The characters, character arcs, stories, everything, everything was better once they went up to Mewni. So seeing them go back to Earth and challenging the writers with rewriting their past characters to be more interesting showed just how much the series has improved. Could you imagine characters as uninteresting as those nerds I don’t even remember the names of being introduced in the much more interesting latter seasons? I couldn’t! So I appreciate that they went back and made sure every character in this show was interesting... except for Toffee, he still sucks.

23. And of course, the character that improved the most, hands down was absolutely Jackie Lynn Thomas! She was as bland and boring as a love interest got and that bothered me from the very beginning. How is it that in a show this imaginative and unique they still felt it necessary to use this tired cliche. So bringing her back, the writers had to do something to make her more interesting and it was apparently really easy. All they had to do was keep the character herself basically the same but now she’s a lesbian. And somehow, just adding that one extra layer made her feel so different, so interesting, so complete. I think that’s what it was, she just felt like an incomplete plot point and giving her a girlfriend completely separates herself from being important to the plot and adds that extra layer to make her seem more finished as a character.

24. I’m actually really surprised by this recent trend of LGBTQ+ characters in kids cartoons. You’d think that of all mediums, kids cartoons would be the last to fully integrate a controversial minority but they’ve been some of the first. Steven Universe really started this trend but I feel like The Loud House was the first to show and say it outright. Star Vs. doesn’t do it that well (and I’m willing to bet that was because of higher-ups over at Disney) but I appreciate the sentiment anyways. They never call Jackie and her girlfriend a couple or show them kissing, the most they do is have them hold hands and though I guess that’s enough, I wish they were able to go further. Whatever, I already wrote about why this representation in kids media is important, go read that.

25. For a while, Star was my favorite character in this show. I just have a real soft-spot for upbeat female badasses (and I am very happy this has become more of a trope recently), I think Janna might’ve taken the throne. It’s not that Star stopped being interesting or anything like that, I just really love Janna and her “Jannanigans”. Plus, I do really like the “cute girl who’s into weird shit” trope too. She’s not my favorite version of this trope (see Raven from 2003′s Teen Titans), but she was always a delight whenever she was on screen.

26. Tom is probably the most obvious example of “boring character was made interesting” that the show has. In the beginning, he was the standard bad boy archetype but, over time, was given more personality and started working off the other characters much better. Sure, he and Star worked great with each other as to be expected, but I think the real standout relationship he had was with Marco. I have never seen bromance as strong as what those two have. Their little musical number at Queen Moon’s cornonation turned talent contest might have been the greatest piece of animation ever made (change my mind). And this I know people agree with me, I cannot exaggerate just how much literally everyone I have ever spoken to loves Marco and Tom. It just works so strangely, it has to come off as genuine.

27. I think the series was supposed to go on for another season. I say this because Kelly was too good of a character to waste like they did! She was a great character with tons of personality and amazing chemistry with Marco that was seemingly building up to something... only to drop the ball at the end. She isn’t given much to do, she doesn’t have a final scene with Marco, she isn’t even given a good ending. The most we got was Ponyhead theorizing what her life would be like just to cheer up Star. If that was all they were going to do with Kelly, that’s just a waste of perfectly good build-up.

28. It’s very strange how on the nose these metaphors in the show got at times while still seeming perfect. I guess it had to be on the nose so that the younger audience could catch on to them but I’m not sure what the’ll do with the knowledge that magic=nuclear power. Also, the monsters kind of changed metaphors, originally they were clearly meant to be Native American stand-ins but later on they kind of changed into African American stand-ins. Not that they’re histories (in America) are all that different but it was a noticeable switch. It’s not like Zootopia where any given animal could represent any number of races depending on the scene in question, this was definitely what Star Vs. was going for and I’m not sure if it totally worked. It didn’t NOT work, I guess.

29. I actually don’t like the whole “blowing up the magic” thing. It was something Star made up in a temper tantrum and goes totally against the theme. The whole time, the show was going on about how important integration is and how “separate but equal” doesn’t work and whatnot. So destroying the only way they know how to travel through different dimensions seems contrary to that point. I get that drastic times need drastic measures but I get the feeling that in a theoretical season five, Star and Marco would work to bring back the magic. Or maybe find a more scientific way to travel through dimensions... like some kind of portal gun. We already know this takes place in the same multiverse as Rick And Morty, it’s not that crazy an idea.

30. Another reason I think there was originally going to be another season is because the whole “Mewmans are humans” thing that came right out of nowhere! I mean, it makes total sense and I’m totally down with this plot point but it seems like that would be a much bigger deal than the characters make it out to be. My god, they don’t even let Marco finish explaining this. How the hell did that cave painting get to Earth if they didn’t run into Glossaryck until they got to Mewni! Explanation please!

31. I wish destroying the magic didn’t also mean killing off Glossaryck and Hekapoo. I don’t really care about any of the other characters literally made out of magic, but those two are just so likable and such fan favorites, it’s just a shame to see them go. Though I do really like that they’re reaction to the whole thing seems to just be a mild shrug. I get the idea that since they’ve lived for millennia which would make them more okay with dying. It’s easier to live a full life if you can’t die.

32. I like how Mina’s story ends: defeated and yet still refusing it. Her whole speech about having good ideas really says something, like these issues will never be fully defeated because everyone thinks that they’re right. It’s a bit more of a bittersweet moral than “bad always loses because they’re bad” but is an important lesson that I think kids need to learn. Especially in this political climate. Good god, just end me!

33. Holy shit, I’m up to 33! My Wakfu one only made it up to 25 and I am nowhere close to done yet!

34. A psychotic part of me really wishes the finale had Star and Marco die in each other’s arms in the Magic Dimension. It’d be the ultimate show of love as they’re sacrificing each other for one another and be the ultimate ending. I mean, what more is there to care about after the main two characters are dead? It’d be very bittersweet and much more emotionally taxing on the audience but it’d also be more classic. Like Romeo and Juliet or Bonnie and Clyde, they’re love was just too strong for this world.

35. With that said, that part of me is absolutely wrong! Having their dimensions merge was clearly what the series was building up to with it’s hopeful tone, the power of love being a big theme, the message of integration, and (of course) the promise they made to Meteora and Hispanic Meteora. It seems so obvious in hindsight and yet I still didn’t see it coming, I guess that’s a sign of a really good plot twist.

36. My god, everyone is such a dick to Queen Moon. Like let her be in love you jackasses. I had such a hard time liking anyone who worked against her (which is why I really like that Hekapoo had reservations on both sides the whole time) and this includes Ex-Queen Moon. I really can’t grasp my mind as to why she thought this was a good idea, it clearly wasn’t from the very beginning. Maybe if the show gave her time to explain herself I’d be singing a different tune but she never really does and I have a hard time forgiving her even after her apology.

37. This is just a reminder that Starco is best ship. Repeat, Starco is still best ship.

38. The ending reminds me of Titanic. I mean, two young lovebirds meeting each other, growing closer, and falling in love all the while a looming threat of destruction and death is above them. The epic scale of their problem being brought down to earth by the almost normal love story happening in the midst of it all. Their ever ready willingness to sacrifice everything for each other. Their world forcing them to cling to each other for protection. The grand scale of everything around them making their love seem grander than it would be without it. Yeah, there are more and probably better examples I could turn to for comparison (Romeo And Juliet, Les Miserables, Spartacus) but Titanic was the first one to come to mind and I’m sure my subconsciousness has a good reason for that.

39. I continue to have problems with this finale but I get the sense that I’m nitpicking because this was still an amazing end to a great show. When I think about this ending, the first word that comes to mind is deserves. This is the ending that the story deserves, that the characters (minus Kelly) deserves, that the show itself deserves. It really is a fantastic finale and I’m so grateful that I got to experience it.

40.