#why are his hands so fucking huge in comparison to hers?

[specsthesecond]

Imagine being a nymph

𖤣.𖥧.𖡼.⚘𖡼.𖧧𖥧𖡼.𖤣𖥧𖧧.𖥧.𖡼.⚘𖡼𖧧𖥧𖡼.𖥧𖧧.𖥧.𖡼.⚘𖡼.𖤣𖥧𖡼.𖤣𖥧

You exist somewhere in between being older than most living things but young in comparison to the ancient forest you reside in. You laze all day on lush moss and wander through thick meadows in the evening.

You spend most of your time with your fellow nymphs and the Satyrs, who also inhabit the forest. You join the satyrs in their festive orgies, their never ending debauchery and stamina is always entertaining. The satyrs are very close with the nymphs, both being able to keep up with the others insatiable apatites. They often invite you to praise their god in the only way they know how; sex, parties, wine and more sex. No matter what season, weather or time of day the forest is always filled with the pleasured sounds of your shared revelry.

You have your fun luring Human adventurers away from their parties, giving them little glances of your body behind thick trees. Humans also like it when you pretend to not notice them when they "accidentally stumble" across you sitting in your meadow. Either way when you have them to yourself it's always a fun arrangement. They always seem enraptured by you, all you have to do is bat your eyelashes and they come to you like they're locked in a trance. Always so hesitant at first like their dirty mortal hands shouldn't touch something as divine as your skin, you dispel those thoughts very quickly.

Sometimes the nomadic Centaurs travel through the forest, the nymphs and satyrs are always more than happy to welcome them into their home. The centaurs are proud creatures so you have to flirt a little harder than you do with humans or satyrs but traveling for months with no relief is so burdensome and why deny the cute nymph offering exactly the relief you need? When the huge man-beast eventually grumbles some admission of interest you waste no time bending over, hands on the lush forest floor, presenting your ass for the centaur to completely ruin on his massive horse cock.

The occasional traveling Orc camp will pop up now and then, that's always exciting. Orcs are very simple creatures and require little to no coaxing. You can usually just skip into the orc camp and plop yourself down on the nearest burly green hunk. They may be confused at first but a sultry look and a well placed hand will have them grinning from ear to ear, already half chubbed. It's a good idea to try and find the chief or clan leader as they might announce to the whole camp that they've found a useful fuck toy for the night. You might spend the day getting pounded by orc after orc until the late hours of the night. The only trace you'll leave behind for them when they wake is a trail of flowers and a few puddles of cum.

Goblins are similar to orcs but even more insatiable. Walking into a goblin camp in all your beautiful naked nymph glory will get you jumped and fucked within seconds. The small creatures don't care much at all for civility or decorum, they see a pretty thing like you walk into their camp and they're already scrambling and fighting each other for a hole. Not that they have any problems with sharing, during these particular nights there's always multiple goblin cocks being stuffed into all your holes, fitting in as many as they possibly can. They fuck till they drop, literally thrusting into your cum soaked holes till they pass out on the grassy floor.

Elves however, are another story. Elves never lose their composure, always so regal. When they travel through the forest they let the nymphs trail along with them, if only because this is your home they're walking through. You've only fucked elves very few times. The first being a noblewoman who weaved flowers in your soft hair while stealing glances at your naked body. You pleasured her in her tent one night, lapping at her pretty pussy as she gave you quiet but generous praises while gently stroking your hair. There was also the respected guard captain who you caught pleasuring himself by the river, he seemed very grateful for your assistance, fucking you ragged like he hadn't touched another person in centuries.

If you're lucky you may stumble upon the Minotaur that lives in the forest. You and the other nymphs like to play this game where you tease and taunt the Minotaur until he chases one of you down and fucks you into the dirt. It's not clear if getting caught means you win or lose but the other nymphs will sit around you, pet the minatour and coo at you as you get ferociously fucked by the beast until it fills your belly with it's seed. You're almost unconscious when the minatour is done but that won't stop the other nymphs from licking up the monsters cum from your abused hole while trying to coax the minatour into another round.

𖤣.𖥧.𖡼.⚘𖡼.𖧧𖥧𖡼.𖤣𖥧𖧧.𖥧.𖡼.⚘𖡼𖧧𖥧𖡼.𖥧𖧧.

[giuseppe-yuki]

Since franco is quite unhinged and not PR trained, I feel like his girlfriend would be equally as unhinged and unpredictable like an orange cat constantly doing stupid things like climbing on stupid things and doing funny stuff around the paddock and becoming a fan favourite duo of unpredictable and hilarious behaviour - especially in the fan zone

FRANCO’S POOR PR MANAGER!!!!!

picture credits from pinterest :)

franco colapinto x orange cat shapeshifter!reader

“franco,” the disheveled looking woman snaps, a look of pure annoyance on her face. “tell your fucking cat to get down from those spare tires right now!

rolling his eyes, franco stops his laughter from looking at you prancing on tires and beckons you over.

leaping off the tower of rubber tires, you scamper over to his side, butting your head playfully against his leg. you couldn’t understand why you couldn’t have a little fun in the paddock though. it was media day, and those were soooo boring. his pr manager was a total killjoy. and besides, the fans loved you, so wouldn’t that be good for your boyfriend’s public image?

as if proving your point, the fans gathered around the fanzone squeal as you pad next to franco and his disgruntled pr manager.

while he stops momentarily to sign a few pieces of merch, you claw your way up his shoulder. the man getting his merch signed laughs, pointing his camera at your purring figure perched on franco.

“yeah, sorry, she does that sometimes,” you boyfriend remarks, recapping the pen and handing it back to the fan.

you grin at him, flashing your sharp cat canines at the camera. suddenly, an epic thought crosses your mind. what if you did a backflip off of franco’s shoulder and landed on the ground perfectly? that would be kind of cool.

gathering your wits, you leap off of your boyfriend and do two flips in the air before landing gently on your four paws. the fans in the fanzone erupt into cheers.

“ha!” your boyfriend laughs, pointing at you proudly leaping in circles on the ground. “simone biles who? make way for next big olympic gymnast!”

seeing the commotion, franco’s pr manager speeds over. “franco!” she hisses, dragging him away from the crowd. “you can not be saying that! we don’t want a bad public image from you slandering simone biles!”

“slandering???” franco says, in shock. “i was not slandering. i was merely making a comparison between her and my extraordinarily talented cat!”

you meow loudly, as if backing him up.

franco’s pr manager just pinches her nose and groans.

it’s not even ten minutes before you accidentally get yourself into trouble again.

a young fan sits on the sidewalk, talking animatedly to his mother, leaving his lunch open and inviting. hey, if he didn't want it, you’d gladly take it. you were pretty much starving after spending a good part of the day doing media duties with franco.

charging towards the open container, you take a huge bite of the contents, which turns out to be lasagna.

the boy turns around, eyes wide at seeing not only the orange cat eating his food, but also at franco colapinto jogging towards him.

“i-i-is this your cat?” he stutters out, blinking quickly at the sight in front of him, disbelieving.

“er, yes,” franco responds. scooting by the kid, he bends down and grabs you by the scruff of your neck, trying his best to separate you from the container of lasagna that you were trying your best to shove into your mouth at an ungodly speed.

the boy, seeing your actions, laughs. “she’s just like garfield!”

your boyfriend only successfully removes you from the container after you’ve devoured the entire piece of lasagna. “sorry buddy,” he says to the kid sheepishly, with your tomato-sauce covered body dangling from one hand. “i’ll give you a piece of merch to make up for the lasagna.”

still manhandling you with one hand, he uncaps a sharpie with his teeth and scribbles his signature on his own williams-branded jacket. he shrugs it off with a bit of difficulty before dumping it in the kid’s arms. the small fan ecstatically beams at franco, and thanks him profusely.

when your boyfriend squeezes by the crowd of people that were gathered to see the scene play out, he finds his pr manager standing with her arms crossed with a rather disappointed look on her face.

“did you even think before doing whatever that was?” she questions franco, simultaneously glaring at you.

when you give her a hiss of annoyance at reprimanding your boyfriend, she just about snaps.

“yeah, you’re done,” she say irritatedly. “franco, take yourself and your cat back into your driver’s room. you're grounded. both of you are prohibited from coming out for the next hour.”

you giggle inside. that’s a win for you, honestly. an hour with just yourself and franco? sounds like a great time to get into a little more mischief!

[billyhargrovesupsidedownshadow]

A 1091 word vamp!Eddie, witch!Steve and werewolf!Billy one shot with ER!Mungrove and sort of meet-cute/ugly

-----------------------

“I'm fine, can we just go? I'm sure there are haunted houses and shit that need dealing with,” Billy said.

More like whined, but Eddie knew he wouldn't appreciate this word.

“Stop whining,” Eddie answered, rolling his eyes.

Bu now, Billy had been not whining for three fucking days. Both because the goddamned fleas he managed to get during one of his shifts wouldn't leave him alone, and because he didn't want to go ask a witch to help deal with them.

Who on Earth got magical fucking fleas anyway. Billy couldn't explain exactly what he had been doing that night, and Eddie only came home when Billy was already soundly asleep under a mountain of blankets.

At least the nasty pests seemed to only be attracted to werewolves. Or at maybe only to alive things. But they still were a nuisance when Eddie was trying to feed from Billy in peace.

Like, it's not fun to get a bug jump in your nose during dinner.

And here they were, in a random neighborhood on a Wednesday evening, with a rough idea that a witch might live in one of the houses.

“Those are my fleas!” yelled Billy, furiously scratching his neck.

“And I live with you!”

Eddie couldn't comprehend why Billy was so adamantly against a witch visit. It was the best next thing to an actual magical vet and the fleas were clearly making him miserable.

Billy growled in response, making Eddie throw up his hands and get out of the car.

He kicked a tire. Gently.

Billy called him a slur from the car.

Eddie flipped him off.

Billy got out of the car.

“We don't even know her,” Billy whined.

“Oh poor baby, are you afraid she won't think you're cool because of your fleas?” Eddie cooed, unsympathetic.

Billy frowned and didn't answer, turning around and walking up to a one-storey house that looked to be sort of falling apart with its garden overgrown and one of the windows clearly papered over from the inside.

Or your average witch house.

It looked funny in comparison to a small mansion across the street. That one seemed to have a pool and a garden in the backyard, and a real porch and shit. Why both of those houses were in a completely normal looking suburb of otherwise identical looking perfect little family houses was unclear.

The door was opened after three rings (Billy put all of his annoyance onto pettiness) by a harassed looking tiny chick with a huge halo of curls and eyes that took up almost half of her face.

“Yes?” She asked, way angrier than her look would imply.

She somehow sounded almost like Billy, which was impressive in a way.

Billy glowered.

She glowered back, very clearly not intimidated in the slightest.

As entertaining as this standoff was, Eddie remembered that they were here on business.

“Ah yeah, we're here… for…” for fuck’s sake, this was the worst part, always.

They didn't know if this girl was actually a witch, so they couldn't ask directly, but otherwise they just looked insane. He moved his fingers in the air like sparkles falling away, trying to think of something. A quick glance at Billy told him he wasn't going to be helpful, choosing to stare at their car with a mulish expression on his face.

The girl sighed and rolled her eyes.

“Who gives this address to everyone? Jesus. You've got the wrong house, you need that one,” she pointed behind Eddie and Billy.

Turning around, they saw that she was pointing to the big house. The random mansion.

That didn't seem right.

They turned back to look at the chick.

Witches didn't live in nice places.

Billy still glowered. She didn't back down, clearly seconds away from slamming the door on them.

“Are you…” Eddie started.

“Am I sure that neither I nor my boyfriend are the witch you're looking for? Yes. My ex, however, is a witch, and he lives there. Bye.” She slammed the door.

Well, this wasn't rude at all. But Eddie was still impressed.

“This is our chance to leave,” said Billy, “a guy? That's fucked up for a witch.”

Eddie thought about it for a minute. Like, yeah, but he wasn't about to agree with the person who couldn't even deal with his fleas like an adult.

“That's sexist.”

“Hey! The job requires patience us guys aren't gifted with.”

Eddie shook his head and went across the street. Whatever. Like being a DM the way Eddie used to be before they started traveling full time didn't require the same patience.

The house was intimidating. He rang the bell.

And rang the bell.

And rang the bell.

And rang the bell.

“Maybe he's not home?” Billy half-whispered, hope clear in his eyes.

Eddie was about to agree and leave, when the door flew open, a nerdy looking kid flying by them.

“Sorry! Steve, you’ve got visitors! I'll come by in the morning! Bye!” He yelled all in one breath, mounting his bike.

When Eddie and Billy turned back from watching him go, there was a guy their age in the doorframe.

“Sorry about that. You needed something?” the guy asked, looking annoyed but clearly trying to put on his polite client-oriented mask.

For a moment, there was approximately one thought in Eddie's mind.

The guy was hot.

Eddie didn't look, but he could literally feel Billy move into his seducer pose, leaning against the frame.

“Well, hello,” he said in a voice that Eddie always thought just had to hurt his throat, but Billy insisted that being hot was worth it.

Eddie could see the guy's confusion and mild interest morph into slight skepticism where he looked over Eddie's shoulder at Billy.

“He has some sort of magic fleas, please help,” Eddie blurted, pointing at Billy with his thumb, ignoring the indignant “hey”. The prettiest brown eyes on Earth darted to him then back at Billy.

They guy nodded once, then twice.

“Oh. That's… yeah, that… I think I'll need to figure out what they really are first, and then make you something, so come on in, it'll take some time. I'm Steve, by the way,” Steve ushered them in.

And if they left in the morning only to go get groceries and come back, then who can fault them? A witch guy is a rarity, you've got to hold onto them.

Especially one that ends up having an address of an actual magical vet and is willing to make the drive with you.

[newtonsheffield]

Could we maybe… possibly get a snippet of Kate using the card for the first time and everyone calling her Mrs Bridgerton when she in fact is very much not Mrs Bridgerton… yet anyway

The thing is, growing up the Sharma’s were fairly wealthy. Mary’s a huge musician and even that pales in comparison to the way the Bridgertons are living their life.

But I think the first time Kate uses the card she feels kind of nervous, awkward about spending someone else’s money, and she probably only does it because she’s out to lunch with Daphne, Edwina and Sophie and she batted away everyone’s hands when they went to pay and in the hustle of it all she gave them the wrong card. It’s probably only when the server returns the card, the balance already paid that she realises she’s used the wrong card.

“Shit.” Kate sighed, putting the card back with her others.

“Everything alright?” Daphne’s brow furrowed, “I’m happy to split the-”

“It’s fine I just… gave them Anthony’s card. Well, my card, that’s part of Anthony’s… account.” Kate shrugged, “It’s fine, I’ll pay him back.”

“Anthony gave you a credit card?”

Sophie rolled her eyes at Edwina, “Are we surprised? He goes big, you know what he’s got her for her birthday.” She glanced at Daphne, “No offence, obviously.”

Kate’s heart stuttered, remembering the way he’d minimised what looked suspiciously like the Aston Martin website the other day when she’d walked into the living room and his tone on the phone had changed, “What’s he got me for my birthday?”

Daphne ignored Kate shrugging, “No offence taken.” She turned to Kate, “Anthony won’t even notice the charge and you basically live together. It’s not that surprising. Plus, he loves collecting the rewards points for some reason. I think it feels like a game for him from what I can tell.”

Kate shrugged, “It just… feels weird. I’ll pay him back.”

“Good luck with that.” Daphne shrugged, collecting her bag, “Now, we need to brainstorm what the hell I’m going to get Simon for his birthday. I can’t get him another watch because I can’t fucking stand the clicking from all of his stupid… automatic watch winders. Thirty is too many. No one needs to be that aware of the time.”

Kate felt guilty when she got back to Anthony’s as well, Edwina behind her, hiding the bag behind her a little awkwardly. She’d meant to use the card that time, with every intention of paying him back for the frivolous pair of boots in the bag behind her. She found Anthony already home, his slippers on as he geared up to watch the Formula One practice, Newton on the sofa beside him, belly up.

He smiled at her when she bent to kiss the top of his head, “Did you have fun?”

“Yeah, Daphne found Simon’s birthday present so a successful trip.”

He peered round her at the bag, “What did you get?”

Kate swallowed, “Okay, so I bought boots but I’ll pay you back and I’m not even sure I’ll keep them.”

Anthony blinked, “You don’t like them?”

“I love them.”

“Why would you take them back then?”

“Because they were a little expensive and… I don’t really need them? And I also bought lunch but that was an accident and like I said I’ll pay you back.”

Anthony shrugged, “Don’t worry about it.” He kissed her gently, “I’m glad you had fun. I was thinking about ordering takeaway do you want something?”

“Um… yeah?”

Anthony stood from the sofa, kissing her again, “I’ll get the menu.”

Kate stared after him as he disappeared into the kitchen, bewildered, “Don’t you even care how much money I spent?”

“Not really.”

Kate kept gaping after him and Edwina muttered, “You have a sugar daddy.”

Kate rolled her eyes, “He’s not my sugar daddy.”

“You spent… a lot of money today and he didn’t notice! He didn’t even care! And I know what he’s ordered for your birthday.”

Kate groaned, “Is it bad?”

“It’s… a wild gift for a birthday together.”

“Worse than Benedict taking Sophie to Switzerland?”

“Oh way worse.”

“Fuck.”

[besamehyuka]

Test My Strength

Warning: Mild Violence: Smacking

This has smut meaning it has sex in it. If you don't like it, then don't read! Simple!

"Give me one good reason why I shouldn't just bend you over and take what's mine y/n?" Changbin growled, his large and veiny hands gripping your ass as his threats were clear but falling on deaf ears.

You didn't know why he was acting so dramatic, you did nothing wrong, in-fact all you had done was be nice every member, not just Felix. But for right now though, all you had done was played video games with Felix, there was absolutely no reason for your muscled boyfriend to be punishing you at this moment.

You rolled your eyes and continued fiddling with the bright pink controller in your hands, Felix's eyes popping out of his head as he swallowed, not wanting to be in the center of any relationship dilemma, he began to get up, walking towards to the door just as Changbin stopped him.

"Where do you think you're going?" Bin asked, drawing out a loud and clear growl from the back of his throat, long and guttural.

"Um, well i was going to go to my room, it sounded like you two needed some time alone..." Felix responded honestly, biting his lip trying to calm the situation down by leaving.

"No, I'll go with you Fel-"

Just as you were about to get up and head out with Felix, Changbin grabs you by your thighs and slams you on your back, causing a gust of wind to leave your lungs, making your eyes widen huge in comparison to what they were before.

Changbin was strong you knew that, but he had never used his strength on you like this, it made you wonder, what did you do that made him so upset, and how could you do it again?

"You like when you ignore your daddy and give all your precious attention to a man that doesn't even want you, huh?" He asks, cupping your face in his hands before leaving a harsh smack across your pretty cheek and he smirks, loving the way he senses how turned on you are by this.

Your panties are dripping and you're just dying to just get them off, god, the way Changbin's looking at you made you want to act up more. But right now, you had no idea what you did.

His eyes are accumulated in anger, his happiness is worn away and his giddiness is completely gone with pure bred anger, he's a completely different person. A demon even.

He notices how much you enjoy being manhandled so he decides to take it up a notch, lifting you up in his strong arms, tugging your bottoms off in one quick motion, he growls and slaps you again in pure frustration.

"So, was MY baby planning on fucking him, hmm? Was MY baby planning on using my best friend for her pleasure?" He asks, but deep down he knows you would never use another man, he's just deprived of your attention, and now he just wants to get to the main course.

He lifts you up above his head and pins you to the wall harshly, not wasting anytime before devouring your sweet clit, slurping and making loud wet sucking sounds. Filling the room with his talented tongue skills and your moans, making sure you knew who you belonged to.

And god, did you know without a doubt.

"Fuck Binnie!" You cried out, trying to reach for his hair, for his shoulders, for his back, for anything, but you couldn't, all you could grab onto was the wall behind you, scratching at the paint, your nails acting as paint thinner.

Changbin didn't care, all he needed to do was remind you of who you belonged to, and damn it was he doing a good job. His tongue working like magic on your folds as you screamed, surely waking everyone up in the dorms, but you could care less.

What was going on in-between your thighs was your main priority, and with a final show of just how strong he was, Changbin began to rock you back and forth against his tongue, hitting spots you never knew were possible.

With a gasp and a scream you came, and as soon as you came to you realized, Felix had never even left the room, instead he was standing in the corner watching the scene onfold.

"Now.... I hope you know who you belong to, and as for you Felix, did you enjoy the show. Because that's all you will be seeing." Bin said with a possessive tone, glaring at the younger boy, taking his que, Felix darted out of the room.

"Binnie! i wasn't-"

"Now now princess, you don't think it's over do you? The floor and bed are completely dry, i think we can change that, don't you?"

[londondungeon2]

concept with dullahan! dire crowley OR dullahan! floyd leech, you can imagine either ⁽(◍˃̵͈̑ᴗ˂̵͈̑)⁽

now playing harley poe’s vengeance the demon / close the door / outcrowd

part i. vengeance the demon.

it always starts with you running. it has never once changed; you, desperate and panting, throw yourself across the earth on two lunging legs.

sometimes, you trip. sometimes, you crash into things. but you always keep running and running away from the sound of clomping hooves in pursuit. they echo in the mine ruins that you always find yourself in, sounding like an army of horses instead of the single one giving chase.

one time, you finally manage to reach the end of the mine shaft as you can see these polka dot patterns of light just ahead. you break out into a sprint.

the air is less humid when you burst out of the mines like a bullet passing through a body. you make a wild run for the houses lit by lanterns. pumpkins are on each porch. you end up stumbling into one, acquiring a new shoe, as you throw yourself against the door.

“please! he’ll kill me! he’ll kill me he’ll kill me!”

the only response you get is the window by the door opening just slightly. you almost miss the motion, so focused on pounding your fist against the wood. but through your eyes and the blood and the mud, you manage to spy it. two fingers opening up a crack in the blinds and one single eye peeking at you.

“please … please …” you sniffle, blood and snot a thick mélange running down your lips.

the eye stares at you. it looks like an immovable stone, something that has already made its decision. the light of the glowing pumpkin and lanterns pale in comparison to how bright the eye is.

“i can’t help you, yous folk is marked.”

ii. close the door

the girls and boys at your university hate you. your parents don’t hate you but they don’t like you either. you’re not even sure you like yourself.

the only person (and he’s not even a person) who loves you is your black cat, grim.

grim purrs at you which you take as validation as sweet as boyfriend saying he loves you or as validation as heartwarming as a best friend saying she’s grateful that two of you have become friends because no one gets her like you do. in him, you find validation that you have been missing since you were seven and that boy died at your birthday party.

it wasn’t your fault. your hands were only on the reins because the handler asked you, the birthday girl, if you wanted to hold and guide the horse. you must’ve fucked it up somehow because the horse reeled up, a black stallion of huge proportions looking like something carved into a monolith, before the stallion kicked back his legs and struck a boy in the head.

blood paints over the grass as the first adult came outside with the cake, the beginning of happy birthday on his tongue.

which is why some girls corner you in the bathroom, one wearing a party city horse mask and getting in your face. another kicks the stall, mimicking clop-clop noises with her mouth.

because the town hates you. everyone has always hated you.

it causes you little stress besides tears. what causes you the biggest stress is returning to your dorm, finding your window open yet not finding grim.

you search the streets like mad, shaking tuna treats in your hands.

eventually, you come across paw prints that have found their way into a water storm drain tunnel, those ones cities and towns install to minimize flooding risk. the paw prints are wet and small but you know deep down grim’s in there somewhere.

after some hesitation, you walk in.

it’s dark and humid. and you mean dark as in the only way to tell where walls are is to move your hands outward to check where they lie, you can barely make out shapes in this nebulous black. and you mean humid as your hair is starting to stick to the back of your neck and the place where your inner thighs touch are sweating with a passion.

but you have to find the only person who loves you.

you keep going till your foot catches on something. you don’t trip but you feel around with the sole of your foot, coming to conclusion you are stepping on none other than mine-tracks.

you have to go back. you have to go back! you think with a blinding panic.

but then you hear a meow, soft and faint. gradually, you calm down and call out for grim. please, grim come, you have been traveling too far down this rabbit-hole, both of you need to go home safe and sound.

but he doesn’t come, continuously meowing. a little farther, you can risk going that much for grim.

so you keep going, one of each shoe placed on the sides of the tracks, shaking your bag of tuna treats.

eventually, you come across light. not sparse light like polka dots but bright light that almost blinds you.

they’re celebrating something in a town just a two minute walk away. they are celebrating halloween.

the door on your old life is permanently shut.

iii. outcrowd

grim, you see him. just a bit down the way, he’s weaving through the crowd of people lined up on each side of a giant parade.

you pass by a man breathing fire, another on an elephant, one who is clipping roses from his skin and handing them out to children, another who is — your sight suddenly blurs when two forces hit you with surprising force.

“mama!!” they cry in unison. and two twins with your face but golden eyes gaze up at with love you have never been shown to before by human features.

“i told you two, not to run off during the parade; must i keep you on a leash,” a man with hair split black and white breaks through the crowd.

“oh well now i see why they ran so swiftly,” this mysterious man says as he addresses you. “welcome back, (name); i was worried you weren’t going to make it this year.”

“mama was gonna come this year! dad promised!” the twin on your right says, taking the easy opportunity to slip his hand into yours.

“dad never breaks his promise, uncle crewel! never!” the one on the left clings to your entire arm like a snake.

“i see,” the man tuts, giving you a mischievous wink. “come on then; he also promised to attain this parade,” mumbled under his breath, “if only he stays in the mood to attend this one and not chase his beloved wife around.”

the twins, with a surprising amount of strength, drag you along.

so, against your will, you watch this halloween parade pass by. finally apart of the crowd, loved and cared about by people. not part of that outcrowd that has kept you isolated.

it comes and goes until finally the star of the show arrives, a man cloaked in black, a pumpkin as a head, riding the black stallion from your childhood.

you try to pull away. the twins hold on tight. you watch in betrayal as grim walks up to the horse, only to be scooped lovingly in the arms of the rider, purring away.

that man is going to kill me, you think as he draws closer on that ebony stead of nightmares.

then, finally, he stops his horse in front of you and offers his hand up to you like a man offering up his entire heart, body, and soul. the twin on the right slots your numb hand into the rider’s easily. you are lifted onto the horse, sandwiched between the neck and a warm body, resisting the urge to cry like a baby.

“my wife,” the man behind you breathes amorous on your neck, removing the pumpkin from his face.

a single gold/two gold eyes greet you with such love you almost cry. “how lovely of you to finally join us.”

when he kisses you, you do cry.

[spop-romanticizes-abuse]

Meaningless Suffering ≠ Consequences: An SPOP Rant Analysis

so one huge argument i've seen from SPOP fans, when it comes to Catra's redemption is that “she got tortured and mind controlled by Horde Prime. she almost died at his hands. therefore, she faced the consequences of her actions.”

now.. could this be considered a consequence of her actions? the important question here is: why did Catra get punished by Prime? for going against his rules and freeing Glimmer. she got punished for doing one good thing. this was the consequence of her doing something right. if anything, she would be more discouraged to do good in the future, because the first time she does something good, she almost gets murdered for it.

but i digress. i've seen this trope be used with quite a few characters in media. the other example of this i want to talk about is Marcy from Amphibia. (spoilers for Amphibia below)

in the s2 finale, Marcy is revealed to have stranded her friends Anne and Sasha on Amphibia on purpose, because she didn't want to be alone. while this wasn't as bad as any of the shit that Catra pulled, it was still a fucked up thing to do. Marcy deliberately took Anne and Sasha away from their home and their parents, for her own selfish reasons.

like Catra, Marcy also has abandonment issues. her parents had informed her that they had to move and Marcy was terrified at the idea of having to leave Anne and Sasha behind. but that was still not an excuse for what she did.

not long after her secret was exposed, Marcy gets stabbed by King Andrias while trying to escape Amphibia. she doesn't die, of course, it's still a kid's show.

but to make things worse, she gets possessed by the Core later on, which is shown to be an extremely painful and traumatizing process (which they barely touch upon later). and then they show in a flashback that Anne and Sasha used to ignore Marcy and make her feel lonely, when this was not touched upon earlier in the series. in fact, Anne was shown to be very caring and attentive to Marcy up until this episode.

at this point, it's clear that the writers are trying to make the viewers feel sorry for Marcy. if they keep adding reasons why she's so miserable and traumatized, maybe the viewers would forget what she did to Anne and Sasha. right?

there is a small scene in s3 where Sasha questions why she should forgive Marcy, but it is quickly fixed by Anne telling Sasha that she should forgive Marcy. there's also a moment of realization for Marcy but even that is done in such a cliché and lighthearted manner, where the severity of her actions aren't addressed. and that's it. Marcy is rescued, she apologizes, and is immediately forgiven.

but then again, like SPOP, the last season of Amphibia was trashfire. i refuse to believe that people genuinely liked that season, it was so badly written and ruined everything that was set up prior to it.

anyway, let's come back to SPOP. it's clear that the writers of SPOP were also trying to do the same thing. put poor catgirl through the wringer, have her almost die and come back to life and voila! she is absolved of all her crimes.

for those of you who are still not convinced, let me try to make a real world comparison. let's just say i'm someone who bullies or abuses people. one day while getting home from school/work, i get hit by a car. i get grievously injured and go through a lot of pain. heck, maybe it even leaves some kind of permanent disability or injury.

is that a punishment for my actions? you can call it karma, but let's be real, karma doesn't exist. it's just a coincidence. and you bet i'm not going to wake up in the hospital thinking “this must be my punishment for abusing people”. if i really am an abuser who has no remorse for my actions, a random accident isn't going to change my mind.

and that's what happened with Catra too. she didn't consider Horde Prime's torture as a consequence of her actions. if anything, she used that as an excuse to mistreat Adora and the others even more. it's clear that she pitied herself for what happened. and everyone else pitied her, including the audience.

imagine if the good redemption arcs were written this way. imagine if, instead of working through his issues and facing actual consequences of his actions, Zuko was just tortured and traumatized even more by Ozai, and the Gaang just forgave him because they felt bad for him. yeah, people wouldn't be praising his arc anymore. or they would, who knows. i know i wouldn't be praising his arc.

because this is not the way to redeem a villain. the only way to redeem a villain is to have them face consequences of their actions and work for forgiveness. to show them consistently trying to make up for what they did and trying to be a better person, not because they want to be forgiven or accepted by the heroes, but because it's the right thing to do.

[sunandsstars]

Hi. I just wanted to say that your Yawnetu fic has me in a chokehold. I mean Fuck you Jake. And I know that the reader's love interest are most likely going to be like Tonowari and Ronal but you know I imagined a whole oc character and just wanted to share.

A male love interest who is probably Tonowari's younger brother. And besides being a warrior, he is absolutely opposite of Jake. He's funny, popular, loved, flirty and very charming. Maybe he's a playboy and seeing Reader and her children absolutely captures him.

He follows the reader like a puppy and absolutely adores his stepsons. Always holding them and playing with them and unlike Jake 'Call me Sir' Sully. He's an absolute affectionate Dad.

And I can just imagine that sarcastic smirk on his face as he holds the reader when Jake and Neytiri come to seek Uturu. He's like 'So you were the one that Eywa thought was good for my love. Huh. I guess even Eywa makes blunders sometimes no?'

And in return the boys are all sassy and badass like their dad too.

oh my god. i actually love this so much 🤩

Just the sweet younger brother of the clans olo’eyktan, a fine warrior, flirty individual and cocky na’vi. Beloved by everyone in Awa’atlu, he’s great with kids and likes helping the elderly, definitely the cool uncle.

when the reader ends up in in their reef he’s just like 🤔 who’s this, why has this strange lady come to seek sanctuary. but i feel like Tonowari would make him show reader where she would be staying (he saw the way his brother was eyeing her), showing her and her twins their new home. maybe fetching her the comforts she will need for her stay like food or extra blankets (he’d definitely do so willingly though, she’s a pretty thing after all)

after properly seeing her and the twins, maybe hanging out with her for a few days after her arrival, he would be so hooked! just look at these chubby little babies 🥹 with their equally sweet and doting mother 🥹 he would volunteer to look after them while she recovers from any labours and the babies in turn would take to him! doing that little thing where they reach up with grabby hands omg

tonowari and ronal are scheming 100%, they see how he’s infatuated with the small family. he’s mateless, they gotta set him up with someone eventually 🙄☝🏼

when reader and him DO bond they become one happy family. He would be such a fun dad, showing the boys the waters as soon as they can, helping them with sign language, going hunting with them etc etc. Would also let them have sleepovers with Ao’nung and Tsireya, they’re just super close bestie cousins (also with readers permission, she’s the boss). he would also be a very doting husband, helping reader adjust to life with the metkayina, treating her with the utmost respect and love she deserves. he would give her as many children as she wanted 😏 (they end up having another 2 i bet…maybe 1 on the way)

when the sully’s arrive in awa’atlu he can tell reader is distraught and upset, her home in the forest is in danger again, and jake and neytiri have sought refuge in the place she was able to finally call home and feel safe in with her family, away from them. He’s extremely hostile towards them both, hissing, ears pinned back, standing taller while broadening his shoulders, showing them who’s the biggest bird (or na’vi) and he definitely is a huge man, i mean look at tonowari and the other metkayina men, they’re fucking massive 😏😏😳

and when he sees how jake treats his sons, he gets even angrier if that’s even possible, no one should treat their sons like they’re disposable soldiers. “yes sir” “sorry sir” what is this?? he would never make his sons do that, they happily call him sempul or sempu. he sees the way jake doesn’t bother standing up for Lo’ak too, it’s disgusting, your son feels like an outcast, as a father you should reassure him that he’s not, just because he’s different doesn’t make him any less na’vi. atleast that’s what he tells his twins, they’re darker in comparison, skinny tails and arms but they’re his sons, your sons, he won’t make them feel alienated in their own home.

he would make jake’s training hell, using his old cocky charm on him and purposefully giving him the toughest challenges to master (that tsurak was definitely one of them). all while doing that smug smirk, tonowari is rolling his eyes constantly.

all in all he’s an amazing father and mate and would do anythinggg to protect reader and their children 🫶🏼 i would be happy to make a spin-off when yawnetu is finished

[callsign-relic]

addendum (for my long ass ask before) because i also have to mention size stuff and panicked when my ask started getting really long

the size stuff was minimal in the movie but SO SO GOOD. my first thought when i saw Orion next to the guards was "oh my god hes so SMALL."

AND SENTINEL KNEELING DOWN WAS A REALLY GOOD SCENE!!!! AND THEN ORION KNEELING AMONGST THE MINERS AS A PARALLEL?? my heart!! at both those scenes my brain ALSO immediately went what if cogless bots were EVEN smaller though. which truly is the g/t fan in me kicking up a storm. like IMAGINE those scenes with a more dramatic size difference. would it make sense logically?? NO, BUT STILL.

ALSO ALSO. D-16 in comparison to Megatronus ('s dead body) was... wauuhhhagh. Him was BIG.

(im. really sorry i keep rambling in your inbox. like B, i just cannot stop talking.)

- init

OUGGH OMG I didn’t even THINK it was a parallel you’re so right!!! Sentinel kneeling down condescendingly, yet Orion doing so genuinely.

OUUGHHHH DUDE WAIT THIS IS A GENUINELY INCREDIBLE IDEA. Like ok it would not work for the full movie but SHHHH LET ME DREAM MY G/T DREAMS. I’m just imagining,,, hougghhh I’m just imagining the miners being human sized/really tiny while the cogged bots are huge. My god omg the miners living like borrowers among cogged bot society…

My brain is running fucking wild. Like imagine the medbay scene bro. That bit with Airachnid’s legs entering the frame before she does, but so much bigger. Her massive eyes scanning the medbay before she tells Sentinel it’s all clear. And ugh omg… Orion and D rearing their heads back so far just to meet Sentinel’s gaze as he merely tried to get comfortable in there. He has to stay crouched down on all fours because the tiny medbay is too small for him. It was a miracle he and Airachnid got inside in the first place.

Or omg him meeting up with D and Orion at a place that’s his size, and at first he kneels down, but he’s like “how rude of me, let’s get a better look at our favorite little miners, shall we?” Before plucking them up from their spots and holding them both in a single hand. uugghhhh imagining him carrying them around in his tower, only really half listening as he does other things with his free hand, occasionally throwing them a glance or two like “mhm yup I’m listening” when he really doesn’t give a shit.

What is wrong with me. Why am I sentinel pilled

Oh wait I know. He’s a giant cocky bitch. And that is exactly my type 🧎

Once again PLS do not apologize!!! I love hearing your thoughts!!!! Especially if they’re sizey thoughts 😏 HRHEHEH

[hacash]

Season 3 is clearly setting up a deep dive into why Ted is still at Richmond, is his future here or elsewhere - but I also think it would be really interesting if they did the same for Rebecca.

For all that she’s set up as the businesswoman powerhouse in football, much of that focus seems to centre on her being a ‘bossass bitch’ in a boys’ club, rather than her relationship with the sector itself. We know why Roy comes back to Richmond, because he’s in love with the game; we know why Keeley is so excited about getting her own PR firm, because we see her all giddy about setting up proms and branding opportunities; even Higgins we see as a parental figure to the players, which explains why he loves this job so much. Even Ted and Nate, for all their mental health issues, both obviously love the footballing world they’re involved in. The Ted Lasso world is absolutely one where people go into their work because they have something that drives them, that inspires them to remain there.

In comparison, we don’t see that drive from Rebecca. Most of the time when Rebecca is in work mode she feels one step detached from the footballing world itself: we don’t see her getting passionate about the work or the game, and dialogue suggests she isn’t even usually a football fan. We don’t even, honestly, see a huge amount about her relationship with and care for the players (apart from Sam, which was a whole other thing all together). And then the opening episode reminded us, crucially, that the whole reason Rebecca has the club in the first place is because of her relationship with Rupert. Not because she wanted the club, but because she didn’t want Rupert to have it. And it feels like that motivation is continuing to feed into Rebecca’s relationship with Richmond even now.

Which, obviously, is not a bad thing in and of itself: most of us aren’t as passionate about our jobs as we’d like to be. But if Season 3 is examining why Ted is still at Richmond, I think it would be really interesting to also examine why Rebecca is still at Richmond - is it because she’s fallen in love with the game, the players, the atmosphere? Does she still intrinsically link her ownership of the club to beating Rupert? After Richmond wins the whole fucking thing, would it be healthier to step away?

(My predicted ending has always been that Ted might end up back in Kansas, but it would be a cool twist if Rebecca went with him - maybe still owning the club but leaving its actual handling in the hands of someone like Higgins and/or Nate - because she too needs a change and a new start.)

[dootznbootz]

Hey you might’ve said something on this before, what are your thoughts on Odysseus staying on circes Island for a whole year?

Behold! What I consider to be my greatest achievement!

(It's in my bio but I'll make it bigger. I need this to be seen lol)

If you mean for fic stuff, that's something different lol

The Odyssey only explicitly says that Circe and Odysseus have sex only ONCE. That's what I'm going with. There's a reason why she only wants him once and it's not because of him. To not spoil, she basically sees mortals as really gross but extremely fascinated and endeared to them.

She's huge into studying the behaviors of animals and humans. Honestly that whole "gain trust" was just a ploy as she heard from Hermes about his weird great grandson "who only craves one drink" (AKA Water Wife) and she wants to "Study" him. He's also a fucking pretty boy lol

There's more to it but I gotta keep some secrets.

She takes on the form of Penelope when she realizes her "subject of study" isn't applying himself to her "experiment". (not gonna write out how she takes on the form because it's long but know she does)

Once Odysseus wakes up, he realizes that wasn't "his Penelope" at all and is basically shellshocked until his men get turned back and he just breaks down.

After that he absolutely avoids her. at least avoids being one on one with her. He's terrified of her. He doesn't want that to happen again.

She's intrigued by his behavior not only because of how he treated "Penelope" but also "why are you scared of me? What did I do?"

Idk Snippet:

"My lady, are you not going to help him?" "He didn't ask me so I shall not do anything. If he wants something he needs to ask." Circe looked down on the water, into the light rippling upon it. Helios' child privilege She watched as he ran off into a nook of the room where the men all slept, frantically pulling off his tunic. He felt around his shoulder where she had just touched him, patting at it as though he was looking for a wound. (she did not grab too hard, did she?) He breathed hard, both hands reaching up to clutch the opposite shoulder as he bent forward and shook some more. Circe tilted her head. "I've never seen a man act like this before… I mean he knows I will not harm him. Why does he avoid me?"

Yes, he still dances and feasts with his men but he has nightmares about "wrong Penelope" and also is just walking on eggshells all the time.

When his men finally ask him to leave, he also definitely does but...He wants to go on his own to see her. He doesn't want to have another "exchange" in order to leave. He'll walk to Circe's door, freeze, only to turn around and be like "I'll wait until she's in a good mood."

Eventually Polites and Eurylochus find out he hasn't even TRIED to ask her and get frustrated and while they're understanding, they're also fed up.

For Circe, it's like a comparison of idk, watching a little hamster in a hamster cage and the hamster is terrified of you. Anytime you open the door and reach your hand in (aka try to talk to him), he freezes and lets you pet him a little but scared out of his little mind. You wanna see if he wants to come to the door but nope, he just runs away from you. As soon as she closes the cage after petting him, little dude goes to hide and cry in his little plastic dome lol. Circe's also observing him the entire time and studying him in a way.

She's also very much doing a "fine. I won't do anything unless you ASK. Where's the bravery you are so well-known for, Sacker of Troy?"

I wanna play with the idea of his guilt and shame in how it wasn't like Calypso where he literally couldn't move and became her doll essentially. He still consented to Circe but wasn't enthusiastic until she was "Penelope". And he should've known it was all wrong. but magic and herbs muddles the mind.

He has more trauma from Calypso clearly but so much shame from Circe. He also constantly wants to make sure Penelope is the REAL Penelope when he comes home. asking her specific questions and stuff.

Another half-assed Snippet of wip:

“And because of how you treated he-me,” Penelope corrected, stroking his cheek. “Because of how you treated me, she turned our men back to humans?” He nodded blankly, his beard rubbing against her legs with the motion.  His face twisted up as a sob wrenched out. “It was never for her!” Penelope kept her hand still against his cheek. She blinked back her own tears. “Odysseus, you didn’t know. She took-” “I still gave!” “To me!” Penelope cried.  Odysseus blinked and lifted his head to look at her. “You thought you were with me. You gave to me.” Penelope took a deep and shaky breath, and held his gaze. “Odysseus, the Sorceress had to appear as me to even get you to do as she wished. Not only that but addled your mind with whatever that... dust was, yes?”  She traced along the beautiful silver hairs that rested on his temples, watching as his thoughts raced just underneath. She guided his gaze back to herself. “She used your adoration for me against you. Are you ashamed of how you feel for me?”

I want to make it clear that while what Circe did is bad, it's not what happened to Calypso. It's very fucking clear that he does not love Circe or "just wanted to get laid until his men spoke up." but she's morally gray in her own way.

[johannestevans]

On the one hand the Grey's Anatomy musical episode is so far probs the best musical episode I've ever seen of anything, they obviously got a great musical director for this, they gave everyone songs that were in their range, it's very well mixed and edited

Unfortunately I'm distracted by the fact that Arizona Robbins was so distracted on her desire to control and coerce every moment of callie's life that she proposed marriage (to give her LEGAL control over her as well as emotional and psychological) and crashed her fucking car

've never been so viscerally disgusted by a depiction of abuse in television BC like. It's obvious that while the Grey's writers at this time got a great musical director, they were going through some very pro-abuse and pro- coercive control times for these episodes

This woman literally wants Callie dead so that she can either fob off or fully control her baby rather than Callie being alive and having her baby delivered prematurely

Because she's so threatened by Callie having ANY relationship that's not about obeying arizona

And I understand psychologically where this instinct for abuse and control comes from - it's no surprise given that she's a self-described army brat, many people from LE and army backgrounds don't even realise how normalised their abusive upbringings and worldviews are

Arizona is also a deeply insecure woman, she's terrified of her own interiority - it's part of why she's so threatened and angry when criticised even mildly, but also why she becomes so irrationally full of rage at mark's LACK of jealousy and own lack of desire to abude callie

After all, mark doesn't really love her if, unlike Arizona, he doesn't feel compelled to scream at her and control her and order her what to do and take away her choices.

Because that's what love is, right?

And she wants his lack of abuse to be because he's a man

And yet conversely, in her rage about her lack of control in the baby shower, the fact that Callie was enjoying something that Arizona doesn't (and therefore doesn't want to acknowledge people enjoy), she has to insult mark's masculinity

Arizona struggles hugely to empathise with others because to empathise with others you have to be able to think about how they're feeling and why, and she can't even do that process about her own feelings

I'm sure that's part of why she's so good with children

Children's emotions are much more simple, because they're often quite uncontrolled and, like her, they are suddenly overwhelming because they don't have the literacy to understand their own feelings and where they come from

It's why I maintain that Arizona, presented w the sort of child I was - or many autistic child trauma and rape victims, children who seem too complex and too "adult" - would probably be disgusted and, again, irrationally angry

She has to to some extent fetishise the "innocence" of the tiny humans that she specialises in helping, because if she focuses on their innocence as special and unique, to some extent that carries to the "purity" of her own eternally unexamined internal state

I'm not saying shes not well written because like. She is. I understand completely every facet of why she acts like this

But she needs to be like… Not in any relationships. Just because she doesn't hit Callie (although I wouldn't be surprised) doesn't mean it's not abuse

I think one reason it works so well as a musical episode is because it understands that many of its cast aren't strong singers and either doesn't make them sing, or includes them only in ensemble and group parts

Like that was such a good decision that many TV writers wouldn't make - giving Owen such a big role in this episode is smth a lot of ppl wouldn't do because he's bland as fuck and no one cares about him

But he IS an actual singer, so it makes sense

He's not a very interesting performer, but he is actually trained - frankly it's a shame Eli wasn't shoehorned in more given that he's so strong in comparison lmao

But yeah god. After so many bad musical episodes in so many shows, what a refreshing take

Anyway they shouldn't get married and it's horrifying lol

But mark apologising to Arizona for the "you're nothing" comment is wild BC you can see that she just. Isn't computing it. Why is he apologising? He's right, she thinks! He must have a motive!

I know that mark sloan doesn't fix her, and I know that being in a polyamorous relationship and seeing much healthier meta partnerships doesn't FORCE abusers to realise how cruel or controlling they are and actually make them stop

But like. It is a start?

Like. Mark for all his flaws genuinely is a very caring and self-sacrificing partner, and he doesn't do that by just being a pushover, he's surprisingly compassionate and he obviously cares a lot about filling others' needs

It's interesting to compare his focus on baby Sloan and now this baby, as well as his intimate partnerships with Callie and Little Grey but even with Arizona, and his care about maintaining them and serving others versus his early intro "id be a shit dad" thing

It's really interesting when you hear him complain with the other cis men in the show about being controlled by women BC like. He makes the same complaints as Owen and Derek do

But unlike them he's not like. Doing schemes to control anybody, or not listening when they talk?

Like I'm not saying that in defence of him

I'm saying it's a fascinating cognitive dissonance that he's actually invested in his partners and doesn't dehumanise them on the same misogynistic level

Whilst also being more misogynistic re: sexual objectification than most

I think BC he's just so cool about sex that it doesn't make him dehumanise the women around him in the same way, especially given his like. Blatant unaddressed bisexuality

Whereas Owen and Derek, like many cis men of their variety, basically don't see women as the same species of human as they are, and see them as inherently lesser and therefore worthy of control and coercion, on some subconscious level

[sepublic]

Obviously it would be way too many villains to juggle and thus give justice but could you fucking imagine if they brought back ALL of the old villains for Crystalized, even the ones who were already brought back in Day of the Departed?

We know Traveler's Tea can bring back the dead from the Departed Realm. But instead of Morro, who has already proven himself to be chill, maybe the Preeminent could be brought back in his place, since she was the true villain of Possession. The Preeminent could take a smaller minifigure form, or even be a miniaturized Lego build. Her being a lot smaller is because she got weaker from being dead longer, and Pixal defeating her.

Nadakhan gets brought back and it turns out he remembers all of Skybound, just as Jay and Nya do! Or he doesn't. Jay and Nya explain to the others that there was a whole season that just got undone, and given their experiences with time travel, it's not entirely out of the question for them to accept this. Nadakhan can't grant wishes anymore because that's a huge can of worms from a writing standpoint... Maybe the Overlord used technology to limit him, knowing what he was getting into because he heard the stories of Nadakhan. Or maybe his wish-granting was lost due to Djinjago's destruction, which is what Dragons Rising did. Again this is inconsistent lore but it's Ninjago so whaddya expect.

Yang is still haunting the Temple of Airjitzu, but as a chill and reasonable ghost. Maybe he gets crystalized (can ghosts be crystalized???), brainwashing and forcing him to the Crystal King's council.

Acronix and Krux are easy to explain, in fact the way they were left in canon is just begging for them to make a comeback, because if Wu did, why not them? Tbh a part of me thinks Machia is, in some ways, a better fit for this role; She much better represents her villain faction than the Time Twins do, since she's an actual Vermillion. Maybe all three characters can represent Hands of Time; Machia was also there with the Time Twins as part of Iron Doom, so again, easy explanation. The Iron Doom falls out of the time vortex and idk gets obliterated by the impact, maybe it lands on some explosive stuff, so only the Time Twins and/or Machia make it out alive; So there's no Vermillion army or time machine to rely on.

Iron Baron somehow survived getting encased in molten metal; I dunno how but he just did. He somehow broke himself free. Maybe his mechanical arm was still functional.

Should the Omega Oni be included? It might seem redundant with the Overlord there, but he technically WAS a big arc villain. It was a very short arc by Ninjago standards but whatever. Maybe having the Omega there could be used to contrast his existence with the Overlord's, and/or explain what the Overlord's whole relation to the Dragon/Oni divide even is.

Vex is retrieved from the Never-Realm. He's probably the least justified of all the villains to bring back given he's canonically a wimp, but maybe the Overlord selects him specifically for the psychological torment it'd bring on Zane. I like to think that Zane unsettles the Overlord because while it makes sense for the First Spinjitzu Master, and later his grandson, to defeat him... By comparison, Zane is a nobody in the eyes of the Overlord, just a master of another regular element, no more special than the rest; And yet he still beat him, put the Overlord down longer than Lloyd even did. So he's scared of Zane deep down, and he's using Vex as a way to get back at him.

Unagami gets corrupted by an evil virus because the Overlord already has experience with hacking given his stint in Rebooted. Unagami might be a bit more problematic for censors because once the show starts depicting him as a literal child, it might make censors uncomfortable to have him getting beaten up under any context, even if he did re-assume his Prime Empire form.

Mammatus is... Well, he could easily be crystalized. But given how his character is a racial caricature, I wouldn't be surprised if Lego wanted to avoid touching his character anymore; I suspect he was written as an actually reasonable person to avoid unfortunate implications, even if Ninjago still ended up doing that in a different way. Tbh I wish Mammatus and the Keepers got better focus and writing, especially during Seabound, but I can understand why he'd be left out.

Kalmaar is dead, but so were the villains in Day of the Departed. To break off on a side tangent, I'm surprised the writers killed off Kalmaar, despite Crystalized and its villains-returning gimmick being right around the corner. Given Vangelis and Aspheera were merely imprisoned, it'd have been easy to just have him be imprisoned, but I guess they didn't want to bring him back? But yeah, if you can bring back the dead by opening a portal to the Departed Realm with Traveler's Tea, then that opens up for a lot of villains to come back pretty easily.

So with all of these explanations in mind, our list would include;

-Samukai

-Pythor

-Kozu

-Cryptor

-Chen

-The Preeminent

-Nadakhan

-Yang

-Acronix and Krux

-Harumi

-Iron Baron

-Omega

-Aspheera

-Vex

-Unagami

-Vangelis

-Mammatus

-Kalmaar

-The Overlord

Yeah, I left out the Mechanic and Mr. F. Mr. F was kind of a useless addition since he wasn't actually Mr. E, meaning the writers didn't bring back the dropped Echo Zane plotline. And unlike Mr. E, who had an actual presence and menace, I kinda forgot about Mr. F a lot of the time, and Harumi better represents the Sons of Garmadon. I also left out the Mechanic because he isn't really a major arc villain, just a recurring thug. Tbh I'd replace him with Soto, who could represent the first half of S2, and whose pirates are an actual existing faction with continued relevance, and even defeated Nadakhan!

Also, I’d like to think Zane’s Ice Emperor persona makes an actual dramatic return and not just as an ineffectual gag, like maybe he has to use the scroll of Forbidden Spinjitzu to combat the Vengestone army, and seeing Vex again could trigger the past. It’s only for like one episode because we need Zane, but it’s a villain cameo for the arc where all the villains return.

But yeah, if we keep out Soto and Machia, that still brings us to 20 villains to juggle. Which is why this never could've happened. But I can dream, right? Writing a version of Crystalized that includes all of these characters and gives them some actual characterization and dynamics would be a Herculean feat.

(Now imagine a story that brings back all of these villains AND the ones from Dragons Rising…!)

[lobinilo]

What are your favourite Jonah’s projects? ☺️🎬

~ plays TikTok Sound~

OH MY GOODNESS I LOVE THIS QUESTIOOOONNN

So since May 2023 (what happened there? I have no idea 😉) I've watched everything Jonah-related I could get my hands on (except for Little Women, but I'm definetly going to watch that later this year).

My top 3 Jonah projects OTHER than The Little Mermaid (because truth be told, I think it's pretty clear how obsessed I am with that movie and it's not really a fair comparison to some of the more indepent, even low budget projects Jonah has starred in) so far:

1. World on Fire (2019 - 2023)

created by: Peter Bowker directed by: Chanya Button, Thomas Napper, Adam Smith, Andy Wilson Jonah plays: Harry Chase

Big shocker, right? Given how much I already rambled about Harry and Kasia (my traumatised parents) and how upset I was when they cancelled it. I will always mourn this show for the huge potential it had.

World on Fire is a BBC-show following different people in Britain, Poland, Germany and France (with some American viewpoints as well) as they have to endure and navigate their life through World War II. Doesnt really sound like anything we haven't seen, right? However, World on Fire is worth checking out imo, since it differs a lot from the usual Hollywood-infused war epics, because rather than focusing on the politics or the big battles, the show looks more closely at the everyday person that actually had to live through this tragedy and how they deal with what's happening. That being said, obviously this is still a show about WW II, so there definitely IS depiction of violence, murder and torture, as well as bombings, gunfire etc., so please be careful if you find any of those things triggering. I personally found some episodes quite hard to get through.

I think it's interesting that Jonah's filmography is very heavy on projects set during or related to WW II (additionally to WoF you have The Song of Names, Ashes in the Snow and ofc coming up The Tattooist of Auschwitz). Theories on why that is are welcome!

Harry Chase (brilliantly brought to life by our favourite British simp) differs quite a bit from many of Jonah's other roles in that he`s not your heroic, clean-cut good guy (like Andrius, Lucas, Mo or Prince Eric). He's insecure and a little helpless, even cowardly at times. Harry starts out as a translator, but later joins the British Army and the SOE. He fucks up repeatedly, both in his role as lieutenant, as well as in his personal life. Even though most of the time he means well, his cowardice ends up hurting a lot of people and leads him to be in the middle of a love triangle. (Though to me it's not a triangle, but rather a straight line, Team Kasia all the way.)

Harry, though deeply troubled, is a very kind and soft soul. That doesn't really pair well with the acts of war, as well as british society in the 1940s in general, which leads to conflict with other characters and their idea of who he should be. Especially when he clashes with his mother Robina (portrayed by the absolute MAGNIFICENT Lesley Manville, shes giving Emily Gilmore in the best way possible), Jonahs acting is ON POINT. His performance is so nuanced: He's angry, he's desperate, he's sad, but also condescending, sarcastic and hostile towards her. The interesting thing about Harry is the journey he takes. To watch him try to better himself by dealing with past trauma and taking responsibility for present mistakes. The real standout for his character is episode 5 of season 1 where he finally steps up and takes charge. This is also when he starts earning the respect of his sergeant Stan (Blake Harrison) for the first time - they have a real bromance, both on and off the show, I LIVE for these two.

But - just like in real life - he doesn't have this one breakthrough moment and everything is smooth sailing from there. He fluctuates, just like a real person would. He still has the tendency to run away from his problems, but I think what he's seen in the war, what happened at home and (yes, I'm making this about my ship) his love for Kasia (Zofia Wichlacz) make him realise the type of man he wants to be and he would probably try to act accordingly IF WE GOT A THIRD SEASON, BBC! 😤😡🤬

2. Old Boys (2018)

directed by: Toby MacDonald Jonah plays: Henry "Winch" Winchester

If you can only watch one Jonah movie, I beg of you MAKE IT THIS ONE!

I`ve found next to nothing about Old Boys and that seriously has to change. (watched the entire movie again, getting my non-existing gif-making skills ready, just the night before I got this ask, talk about fate)

This movie is so underrated, it doesn't even have a Wikipedia entry. Make it make sense! How is nobody watching this cutie-patootie work of art? Its adorkable in the best sense of the word, it's heartwarming, a little silly and oh! so funny!

It's losely based on the play Cyrano de Bergerac by Edmond Rostand, set in an all-boys british boarding school in the 1980s. Given the source material, catfishing is definetly a thing here, keep that in mind if you might find that topic difficult.

Alex Lawther's character Amberson (cliché school nerd and victim of bullying) falls in love with the new french teachers daughter Agnes (Pauline Etienne) who in turn has a crush on First-Class-Himbo Winch (portrayed by a beautiful, dimple-faced, british actor). Because Agnes is very artistic and looking for someone that matches her vibe, Amberson helps Winch to try to impress her, because Winch himself is... well... a little dim 😅.

Winch is easily my favourite Jonah character to date (yes, including Prince Eric). I have seriously considered changing my tumblr-name to themightywinch because of him. I mean... he's corteous and punctual, after all 🤣😍.

While not the main character, he's definetly the highlight of the movie. Jonah is likeable, charming, the right kind of awkward in the right moments, has fantastic comedic timing and great chemistry with Alex Lawther.

Just look at that scene alone! IT`S. SO. CUTE!!! (cute-raging over here 😡) Watching this just makes you wish Jonah would star in more comedies, because he definetly has the skills for it! This is just a feel-good movie that leaves you smiling with a warm, fuzzy feeling in your heart. It has easily become one of my new comfort watches. Old Boys just never fails to make me laugh and I wish it would get more attention and recognition since it definetly deserves it! (like at least write a Wikipedia article about it) Btw, I bought this on Prime for 99ct, best money I ever spend!

3. The Last Photograph (2017)

(the trailer says 2019, but the movie was originally shown at the Edinburgh Film Festival in 2017)

directed by: Danny Huston Jonah plays: Luke Hammond

Fair warning, this movie is gut-wrenching. I don't know if this qualifies as an actual trigger-warning, but this movie deals with the loss of a child/ death of a young person, as well as the real life tragedy of the Pan Am Flight 103 bombed in 1988 so proceed with caution.

Luke Hammond (Dimples McGee) is on said flight to visit his long-distance girlfriend Kate (Stacy Martin) in New York. Kate's and Luke's first meeting is a little awkward imo, I think it's meant to be like a meet-cute, especially with the whole "Bird"-thing, it just doesn't really work for me. But the rest of their love story is very endearing, they're just two young people experiencing love for the first time. Their time together is told through seemingly random, incoherent flashbacks and memories, just giving little glimpses of what their relationship was like and it's the cutest thing. Little intimate touches, hidden smiles, shared laughter... It's shot in a way as if you're watching them through rose-colored glasses, which is probably the point.

I love the way this movie uses different lighting and colour changes to depict a difference in the time line as well as the emotional state of the characters.

We only see Luke in flashbacks (guess why) and follow his dad Tom (Danny Huston) in present day (which in this case means 2003) as he is desperately trying to retrieve the last photograph (hence the titel) he possesses of his son after his bag was stolen. To see Tom slowly losing his grip as he grows more and more desperate to find the picture is truely heartbreaking. (It's a polaroid, so there are no copies, this is truely the last memory he has of Luke. God, I'm tearing up while writing this.)

Because Luke is basically just seen through the memory of his father who obviously holds him in high regard/ romanticizes the idea of his son, he is portrayed in a solely positive light, which usually wouldn't give much dimension to his character. Yet Jonah still manages to fill this role with life and witt and charisma, making you understand why Bird fell for him. He's sweet, romantic, a little bit shy, which works really well here, has the cutest laugh and clearly cares really deeply for his father. He's definetly portrayed as the "you simply have to love him" kinda guy, which is why his absence cuts so deep.

This is also in huge parts due to Danny Huston's performance. Honestly, the sweater-scenes (or jumper, if you're british 😉) almost broke me. And don't even get me started on his letter to Kate or Kate's letter to him... ugh. It's. So. SAD.

This is obviously not for everyday watch. However, even though The Last Photograph is heartbreaking, it doesn't necessarily leave you hopeless and depressed. This movie feels like a loving tribute to an actual person and therefore has a beauty in its melancholy. Throughout Tom's journey there is hope and forgiveness towards himself. There's a beautiful symmetry to the whole thing. The ending feels almost satisfying if you can say that in this context.

I also wanna give a shoutout to This Is The Night (2021). The movie itself isn't that great, it's a little all over the place and I think they tried to do a little too much all at once. But I looo~oooved Jonah in this, Christians character arc is by far the most interesting one and I wish the script gave their character justice in the way Jonah's and Naomi's acting did. (Also this is the HOTTEST he's ever looked which is a bit ironic).

This list is probably going to be outdated soon, since he has a lot coming out in the near future (I'm especially excited for Rich Flu).

Sorry, if this is too long and rambly and if it took too long for me to answer, I got a little carried away and suddenly had a lot of gifs to make 😅.

Thank you soooo much for the ask, @measuredmotion ❤️.

[ladygwyndolin]

You're clearly a great fan of Murcielago's villain protagonists, but what are your opinions on the antagonists?

well you can't send me an ask like this an expect me not to rate each of them individually, but i assume you knew this. crafty, glasses! I'm gonna rate the primaries here but I'll rate the secondaries next. Only up to Silver Scent.

Arc 0: Unnamed Serial Killer

Cringe loser, no swag, no style, unmemorable, no standards. Died in an accident. 0/5.

Arc 1: Tasuku Iimura

Just kind of a big brute, somewhat sad backstory but doesn't really bring anything to the table. This arc isn't really about him though. 1/5.

Arc 2: Hyoue Satori

Total patsy. Basically irrelevant as his only real contribution was bankrolling a cooler, sexier villain. 1/5.

Arc 3: Takeru Asagi

We're starting to get somewhere. He's still fairly meh, but his MO and backstory are way more interesting than the previous villains and his genuine care for his daughter gives him a bit of heart. OFC, he pales in comparison to how amazing a character said daughter is, but I'll give him a point for trying. 2/5.

Arc 4: Gold Marie

LET'S FUCKING GOOOOOOO!!!!!! I LOVE GOLD MARIE. Absolutely horrible and irredeemable monster, twisted in fun and unique ways, tragic backstory, gay, disgusting, and, well. Y'know. She's got. uh. well. Anyway, one of the best in the series, no question. 5/5.

Arc 5: The Rainy Day Killer

Hands down the most terrifying villain in the entire series and it's not even close. I get the creeps just looking at him. It takes a lot to be a monster in a world as monstrous as Murcielago's, but boy oh boy does he do it. Great backstory, too. Gonna give him a 4/5 just because of how SCARY he is.

Arc 6: Marie Misaka

Meh. This arc is more about Kuroko herself being the villain rather than this chick, so she barely gets any screentime and doesn't have much to offer. 2/5 cuz there's some implied gay shit at least.

Arc 7: Toukichirou Higaki

Mostly a vehicle for more interesting side characters. His fighting style is cool, but his ultimate goal of dying in battle doesn't have any real weight to it. Pretty forgettable. 2/5.

Arc 8: Shin Tatewaki

Boring villain from a boring arc. 1/5 cuz i think his scar looks cool.

Arc 9: Cobalt Conrad

A very solid mad scientist archetype. I think his relatively friendly and calm demeanor persisting throughout both arcs he's in is great and I like that he came back as a villain in the first place. His ultimately plan is pretty simple and I feel like more could be done with him, but given that we haven't seen the last of him I think there's a chance we'll get new stuff from him too. 4/5.

Arc 10: Kurono

YEAH BABY YEAH BABY LET'S GO!!!!!!!!! I LOVE KURONO!!!! Cool split personality ghost with probably the best fight in the entire series (due to the fact that Kuroko is hilarious throughout it) and sympathetic motivation make her extremely memorable. A lot of people rank Master Swordsman as their favorite arc, and while it's not my personal pick, scenes with Kurono make me understand exactly why so many people love it. 5/5.

Arc 11: Rose Marie

Best boy with one of the best arcs. I looooove TTDUP and how fucked up it is, and this weird conjoined cannibal queen is what makes it work. The second most unsettling villain after the rainy day killer as well. Easy 6/5, I would love if we got more villains like him in the future.

Arc 12: Comedy Writer

Easily the least threatening major villain and thus one of the least interesting. This is another arc where Kuroko eclipses the actual antagonist by a significant margin, so his only real noteworthy moment is when Kuroko kills the shit out of him. 1/5.

Arc 13: Hazuki Sendou

Gross. Loser. Doesn't deserve Zenpachi. Keep that in your pants, loser. 1/5.

Arc 14: Yuusuke Arima

A deeply tragic and sympathetic villain, and one who we get to know as a person far more than most other villains. Serial killer or not, I just felt really fucking bad for this guy. Not huge on his sudden double evil turn at the very end so I've gotta dock him a point for that, but I'm overall a fan. 3/5.

Arc 15: Mineko and Ayako

Honestly it was tough for me to decide which one of these two was the "main" villain so I ultimately decided to just go with both of them because hey, it's my list. My verdict is that they did literally nothing wrong and should not be held accountable for any crimes whatsoever. 5/5.

Hopefully that answers your question!

[locktobre]

As much as I hate Pauper/Popstar comparisons, there are some good ones to be made, particularly bc the characters are in such different stages of their journeys:

Anneliese begins Pauper where Tori ends in Popstar: knowing that there is a problem in her kingdom that needs to be fixed. 

Anneliese knows that her kingdom is bankrupt, and is going to (try to) solve this by marrying Dominick, bringing his money into the kingdom.

Tori doesn’t know that the drought is still happening, but when she finds out, her solution is new irrigation systems and creating a new government program to help people in poverty.

Erika ends Pauper where Keira begins in Popstar: with a successful singing career.

Erika has not yet achieved her dream, and spends the movie working toward it, finally achieving it at the end.

Keira has already achieved her dream, and spends the movie asking herself ‘Now what?’ bc it isn’t like she thought it would be.

Like, they’re such opposites in so many ways, and it’s fascinating to dissect the ways their stories parallel each other, but of course nobody ever wants to talk about that. All they want to do is complain that Popstar isn’t Pauper, but like... That’s the whole fucking point, guys. It’s in the characters, it’s in the plot, it’s the whole damn movie. Time periods aside (which is another HUGELY overlooked aspect of why the movies are not the fucking same), even the character dynamics are not remotely the same, and again, this changes both the characters and the plot:

Anneliese is an only child, and Julian is her only friend--even then, she doesn’t tell him everything. She has a somewhat close relationship with her mother, and she lost her father. She has never left the palace or interacted with her citizens before (aside from palace staff).

Tori is the eldest child, with two younger sisters. She lost her mother, and has a distant relationship with her father. She has a fraught relationship with her aunt. She’s a modern teenager, so she has a cell phone and internet, and she’s definitely left the palace before.

Erika is an orphan, and Bertie seems to be her only friend. She lives in poverty under Mme Carp’s thumb, and Mme Carp never lets her forget that she owns her.

Keira’s family status is unclear, but she says herself that she has no (time for) friends except her dog and her guitar. She has a fraught relationship with her manager, and a worse relationship with her record label, but aside from some creative block, she is doing very well in her career.

Again, time periods aside, given Anneliese’s situation--of course she’s going to bury herself in books and try to learn about the outside world as much as she can, especially through science. She’s a kind person, but she is not overly social outside of the demands of being a princess. Tori, on the other hand, is very social and outgoing. She’s used to meeting people, and knows how to charm them. Her main interest is Keira’s music (and adjacent paraphernalia). Does this make Tori a shallow extrovert, and Anneliese an intellectual introvert? Absolutely fucking not. They’re shaped by their circumstances. Likewise for Erika and Keira: Erika lives in poverty, and Keira is a wealthy celebrity. Does that mean that both of them don’t work hard to achieve what they want? No! Absolutely not! We see them both working hard, at the different stages they’re at--Erika trying to get her career started, and Keira trying to keep her career afloat.

They’re not the same characters. But that doesn’t mean they don’t have a lot in common to compare and contrast. It’s interesting, it really is, but I never want to do it bc I cannot fucking stand the ppl in this fandom who want to just shit on Popstar forever. It’s been 11 years, shut the fuck up already.